Conductor Tom Kolor directs percussionists Robert Fullex, Michelle Purdy, Liz Holland, and Jason Bauers of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Holland, Liz, percussionist - Percussion
University at Buffalo Percussion Ensemble - Ensemble
Six people stand on a wooden stage, with one individual on a small podium facing five others positioned behind a variety of percussion instruments and music stands. The background features wood-paneled walls and a pipe organ console situated in an elevated balcony area.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Conductor Tom Kolor directs percussionists Michelle Purdy, Robert Fullex, Jason Bauers, and Liz Holland of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Conductor Tom Kolor directs percussionists Liz Holland, Robert Fullex, Jason Bauers, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Five musicians perform on a wooden stage, with one person conducting from a platform and four others playing various percussion instruments. The stage holds marimbas, drums, and music stands in front of wood-paneled walls. Red auditorium seating is visible in the foreground.
Flutist Roberto Fabbriciani rehearsing at June in Buffalo 2012
A person with short grey hair and glasses plays a silver-colored flute behind music stands and sheet music. Two microphones on boom arms are positioned in front of the individual. The background consists of dark brown drapes and vertical wood paneling.
A person with graying hair and rimless glasses plays a small woodwind instrument. They are dressed in a dark jacket and shirt, positioned in front of a black microphone. The background consists of dark, vertical curtains.
A person wearing glasses and a dark suit plays a gold-colored piccolo while standing behind a row of music stands. Two microphones are positioned on boom arms above the performer. The background is composed of dark drapes and wooden wall panels.
A person wearing a black suit plays a gold-colored flute while standing in front of a music stand with several pages of sheet music. Two microphones are positioned above the flute player on a boom stand. Additional instrument cases and equipment are visible on the wooden floor in the background.
An individual wearing glasses and a dark blazer stands while playing a gold-colored flute. A music stand in front of the person holds multiple pages of sheet music taped together, with a microphone positioned nearby. Several additional flutes rest on a black padded bench in the background.
Conductor Tom Kolor with student composer Jonathan Kolm in a rehearsal of Kolm's work Cantogo at June in Buffalo 2012
One person in a light pink button-down shirt stands beside another person in a dark grey pullover. Both individuals wear glasses and look down at papers and folders held in their hands. The background is a dark room with vertical curtains.
Composer David Felder leads a masterclass with student composers at June in Buffalo 2012
Several people sit at a brown U-shaped table configuration in a room with white walls and a green chalkboard. Papers, notebooks, coffee cups, and a water bottle are placed on the table's surface. In the background, there is a television on a cart, speakers, and a rack of electronic equipment.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Several people are seated around a dark-wood U-shaped table while one person at the front gestures with a hand. Notebooks, coffee cups, and a water bottle are placed on the table's surface. The room contains a television on a cart and audio equipment in the background.
Composer Steven Stucky leads a masterclass with student composers Colin Labadie, Tyler Capp, Zane Merritt, Andres Carrizo, Eun Young Lee, and David Rappenecker at June in Buffalo 2012
A group of seven people gathered in a room look at a spiral-bound book of sheet music resting on a table. One individual in a blue shirt turns the pages while others stand or sit around them. A sign on the wall in the background reads "SEMINAR ROOM."
Seven people are situated around a table, some sitting and some standing. A person in a blue button-down shirt turns a page in a large white spiral-bound notebook. In the background, a wall features a sign labeled "SEMINAR ROOM" and a framed piece of text.
Percussionist John Bacon in a rehearsal at June in Buffalo 2012
A person with short wavy hair and glasses plays a percussion set consisting of various drums and granite blocks. They hold two drumsticks and wear a black t-shirt with dark pants. Other instruments, including a large bass drum and a rack with water bottles, are visible in the background against a wood-paneled wall.
Student composer Duncan Schouten and conductor Tom Kolor in a rehearsal of Schouten's work Of Those Beneath at June in Buffalo 2012
One person in a light pink shirt looks downward while another person in a dark striped shirt stands beside them with their arms raised and index fingers pointing. Both individuals have short brown hair, beards, and spectacles. The background shows a large, dark interior space with pillars and textured ceiling panels.
Student composer Duncan Schouten with percussionists Jason Bauers, Michelle Purdy, John Bacon, and Tom Kolor in a rehearsal of Schouten's work Of Those Beneath for percussion quartet at June in Buffalo 2012
A group of five people is gathered around a central music stand with sheet music on a stage. They hold various drumsticks and mallets near an array of percussion instruments including drums and wooden blocks. The background shows rows of empty theater seats in a dark auditorium.
Score of student composer Duncan Schouten's work Of Those Beneath for percussion quartet at June in Buffalo 2012
A black backpack rests on a red theater seat in an auditorium, with a spiral-bound musical score protruding from its main compartment. Another identical score leans against the back of the same seat, featuring the title "OF THOSE BENEATH for percussion quartet" by Ian Schouten. Multiple rows of empty red seats extend into the background.
Conductor Brad Lubman rehearsing with Signal members, flutist Kelli Kathman, oboist Jackie Leclair, clarinetist Bill Kalinkos, violoncellist Lauren Radnofsky, violinist Courtney Orlando, horn player Adam Unsworth, trumpet player Mike Gurfield, trombonist Benjamin Herrington, pianist David Friend, and percussionist Bill Solomon at June in Buffalo 2012
Signal (Musical group : 2008-) - Ensemble
A conductor stands on the left, gesturing toward a group of seated musicians playing various instruments. The ensemble includes individuals playing the violin, cello, flute, clarinet, horn, and trombone, while a person on the right plays a marimba. Several music stands holding sheet music are positioned throughout the room, which also contains a piano, tubular bells, and percussion equipment.
Violinist Yuki Numata, violoncellist Jonathan Golove, clarinetist Jean Kopperud, and pianist Steve Beck rehearsing student composer Dimitar Pentchev's work 1:05 at June in Buffalo 2012
Four people are positioned around an open black grand piano. One person sits at the piano and points towards sheet music on a stand, while three others stand nearby holding a violin, a cello, and a clarinet. The group is in an indoor room with light-colored walls and a dark curtain.
Student composer David Rappenecker and conductor Dan Bassin at June in Buffalo 2012
One person on the left wears glasses, a striped shirt, and a dark tie while looking down. To the right, another person in a tan blazer and dark tie holds a blue pen. They are standing in a dimly lit indoor space with a dark curtain in the background.
Pianist Anna D'Errico of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person with dark hair pulled back stands in front of a black grand piano with its lid propped open. The person's hands are placed near the interior strings and frame of the instrument. Sheet music is positioned on a stand, and a green chalkboard with staff lines and writing is in the background.
Conductor Scott Voyles with clarinetist Yevgeny Dokshansky, flutist Bettina Danielle Berger, and percussionist Michael Compitello of Ensemble Interface in a rehearsal at June in Buffalo 2012
Four people are arranged in a room, with one person in the foreground gesturing toward sheet music on a stand. Two individuals sit while playing a flute and a bass clarinet, while a third person stands behind a mallet percussion instrument. Grey double doors with push bars are visible in the background.
A person sits holding a bass clarinet in front of a music stand while a second person in the foreground points toward the left. A third person sits nearby behind another music stand, and a fourth person stands in the background near a marimba. The room contains musical equipment including sheet music, instrument stands, and percussion mallets.
Percussionist Bill Solomon of Signal in a rehearsal at June in Buffalo 2012
A person in a maroon shirt holds two mallets over the keys of a marimba. In the background, a vibraphone, cymbals, a double bass, and rows of red chairs are arranged in a large room. A music stand with sheet music and a snare drum with a cymbal are positioned in the foreground and midground.
Clarinetist Bill Kalinkos and violoncellist Lauren Radnofsky of Signal in a rehearsal at June in Buffalo 2012
A person in a black t-shirt is shown from the side playing a clarinet. Their hands are positioned on the body of the instrument, and the mouthpiece is at their lips. Behind them, another person is playing a cello with a bow.
Horn player Adam Unsworth, trumpet player Mike Gurfield, and trombonist Benjamin Herrington of Signal in a rehearsal at June in Buffalo 2012
Three people sit in a row playing brass instruments, including a French horn and two trumpets. A fourth person stands behind a black grand piano with its lid propped open in the background. The musicians wear casual clothing and are positioned in an indoor space.
Flutist Roberto Fabbriciani at June in Buffalo 2012
A person with short hair sits in a row of pews with dark red cushions. They wear a dark blue button-down shirt beneath a black blazer and have their hands folded. The background consists of multiple rows of similar wooden benches.
Composer David Felder speaking at June in Buffalo 2012
Several people are seated across multiple rows of red tiered benches in a room with white walls and wooden panels. One person stands at the front of the room, facing the group with an arm raised while holding a paper. A boom microphone is positioned near the standing person, and a set of double doors is visible in the center background.
Student composers Nissim Schaul, Juan Colon Hernandez, Jonghee Kang, Yeung-Ping Chen, and Mark Popeney at June in Buffalo 2012
Five people stand in a row in front of a light brown brick wall and a glass window. Four of the individuals wear glasses, and they are dressed in casual outerwear including jackets, a hoodie, and a fleece. Each person faces forward with their lips closed and the corners of their mouths slightly upturned.
Student composers Ruben Naeff, Duncan Schouten, and Zane Merritt at June in Buffalo 2012.
Three individuals are positioned in an indoor space with a dark brick background. The person on the left has short hair and a beard, while the person in the center wears glasses and a plaid shirt. The individual on the right has long wavy hair and stands with arms crossed.
Trumpet player Tim Leopold, trombonist Benjamin Herrington, and tubist Raymond Stewart of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person in a green shirt sits in the foreground playing a tuba with a large, conical silver mute inserted into its bell. Behind them, another person in a grey shirt plays a smaller brass instrument while looking at sheet music on a black stand. The room features dark, textured curtains in the background.
Trumpet player Jon Nelson and horn player Adam Unsworth of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person in a black shirt plays a trumpet while another person in a grey shirt plays a French horn. They sit on a wooden stage in black chairs facing music stands with sheet music. Behind them, several rows of red auditorium seats are visible in a darkened room.
Conductor Dan Bassin with percussionists Michelle Purdy, C.W. Dunbar, Robert Fullex, and Jason Bauers of the UB Percussion Ensemble and student composer David Rappenecker at a rehearsal of Rappenecker's work Emergence at June in Buffalo 2012
Six people are positioned behind a collection of percussion instruments including tom-drums, bongos, and a mallet instrument. A music stand with open sheet music is centered in front of the group. The background features a gray wall with a set of doors and a red exit sign above them.
Trombonist Benjamin Herrington and tubist Raymond Stewart of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person wearing a green shirt plays a large silver tuba in an indoor setting with wood-paneled walls. Another person in a black shirt sits in the background, playing a trombone. Musical equipment and stands are visible throughout the room.
Trombonist Benjamin Herrington of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person with short brown hair and glasses holds a brass trombone to their lips while wearing a black collared shirt. Their hand is positioned on the instrument near the mouthpiece, and music stands are visible in the blurred background.
Horn player Adam Unsworth of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person wearing a gray long-sleeved shirt is shown in profile playing a brass French horn. They are looking at several pages of sheet music spread across a music stand. The room has a wooden floor and contains various pieces of musical equipment in the background.
Unidentified student composer at June in Buffalo 2012
A person with short hair and glasses sits in a red v-neck shirt. They are positioned next to a window that shows a faint reflection and a dark brick wall in the background. The individual is facing forward toward the camera.
Senior faculty composer Steven Stucky at June in Buffalo 2012
A person with short dark hair and a beard wears glasses while standing before a brown brick wall. They are dressed in a black polo shirt beneath a dark suit jacket that has a small, round pin on the lapel. The individual's hair is combed back, and they have a small mole on their right cheek.
Members of the UB Percussion Ensemble rehearsing student composer David Rappenecker's work Emergence at June in Buffalo 2012. Percussionists left to right: Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy
Four individuals stand at different stations in a music room, playing instruments such as woodblocks, snare drums, and a large bass drum. Sheet music is displayed on several stands, with one person in a plaid shirt and cap positioned in the foreground. A green chalkboard with handwritten musical notation and text is visible in the background.
Percussionist Jason Bauers of the UB Percussion Ensemble rehearsing student composer David Rappenecker's work Emergence at June in Buffalo 2012
A person wearing a plaid shirt holds two mallets over three wooden percussion blocks of varying sizes. Several pages of sheet music are displayed on stands in front of the musician. The scene takes place in a rehearsal space with other musical equipment in the background.
Percussionists Michelle Purdy, C.W. Dunbar, and Jason Bauers of the UB Percussion Ensemble in a rehearsal at June in Buffalo 2012
Several individuals stand in a room, playing a wide array of percussion instruments. One person in the foreground uses mallets to play small drums and a wooden percussion board while following sheet music. Other people are positioned further back, playing drums against a backdrop of blue curtains.
Student composer David Rappenecker with his piece Emergence for percussion quartet at June in Buffalo 2012
A person with short hair and glasses stands indoors wearing a red button-down shirt. They hold a white spiral-bound book with the title "Emergence for percussion quartet" printed on the cover. A dark wooden window frame is visible in the background.
Still image from Elliot Caplan's video for David Felder's work, Shamayim, at June in Buffalo 2011
Several out-of-focus, hexagonal light shapes are scattered across a dark, textured background with hints of red and purple. A horizontal row of orange hexagons is positioned in the center, while a white and green shape are stacked on the right. The overall appearance is grainy and abstract.
Electromagnetically prepared piano at June in Buffalo 2011
Metal bars and wire coils are fastened across the interior strings of a grand piano. Sheet music sits on a stand to the right, while a person is positioned in the background among percussion instruments. The piano lid is propped open to reveal its internal structure and these modifications.
Composer David Felder with Ensemble Linea after the performance of his work, Partial [Dist] res [s] toration, at June in Buffalo 2011. Players from left to right: Reto Staub, Keiko Murakami, Andrea Nagy, Johannes Burghoff, Maiko Matsuoka, Olivier Maurel, with conductor Jean-Philippe Wurtz.
Several people in dark clothing stand on a wooden stage and clap toward an audience. They are positioned among musical instruments including a piano, a cello, and percussion equipment. Music stands and a tall boom microphone are also visible across the stage floor.
Ensemble Linea performing David Felder's work, Partial [Dist] res [s] toration, at June in Buffalo 2011. Players from left to right: Reto Staub, Keiko Murakami, Andrea Nagy, Johannes Burghoff, Maiko Matsuoka, Olivier Maurel, with conductor Jean-Philippe Wurtz.
Seven musicians in dark clothing perform on a wooden stage in a concert hall. The ensemble includes a conductor facing away from the audience, woodwind and string players, a pianist, and a percussionist. The background consists of wood-paneled walls and various musical equipment.
Genkin Philharmonic performance at June in Buffalo 2011
Five musicians perform on a stage against a dark backdrop with metal gongs hanging from a rack. The group includes people playing two trombones, a violin, and two trumpets. One person holding a trumpet has their right arm raised in a fist, and music stands are positioned in the foreground.
Baczkowski, Steve - Saxophone (Baritone)
A musical group performs on a dark stage with focused lighting. A person with voluminous hair and a beard plays a stringed instrument while singing into a microphone. To the right, another person holds a saxophone, while a third person is seated behind a drum kit in the background.
The scene shows rolling hills and mountains in various shades of blue, grey, and brown. Four semi-transparent hexagonal shapes are aligned horizontally across the middle blue layer. The foreground features a textured, golden-brown slope, while background peaks fade into a light sky.
Ensemble Linea workshop at June in Buffalo 2011
An audience sits in rows of red-cushioned chairs facing a group of musicians in a room with acoustic panels. A person stands on the left holding a small book while others sit behind music stands with instruments including a cello, a harp, and a grand piano. Percussion equipment and additional music stands are visible in the background.
Student composer Per Bloland setting up the electronically prepared piano at June in Buffalo 2011
A person wearing glasses and a dark long-sleeved shirt leans over the inner frame of a black grand piano. Numerous wires are attached to the internal components and trail over the side of the instrument toward electronic equipment. The person's hands are positioned near the metal strings and a support bar.
Pianist Eric Huebner and percussionist Tom Kolor performing Edmund Campion's work, Domus Aurea, at June in Buffalo 2011
A person in a red shirt plays a marimba while another person sits at a grand piano on a wooden stage. An audience is seated in the foreground of the auditorium, facing the brightly lit performance area. The background features tall curtains, acoustic panels, and a large white wall behind the performers.
Composer Hilda Paredes with violinist Irvine Arditti at June in Buffalo 2011
A person with gray curly hair wears a dark striped shirt and holds a violin and bow in a playing position. Beside them, another person with dark curly hair and a gray long-sleeved shirt leans forward with an index finger pointed upwards. Both individuals have their mouths open with teeth visible in front of a background featuring wooden floors and wall panels.
Violinist Irvine Arditti at June in Buffalo 2011
A person with short, curly gray hair plays a wooden stringed instrument held under their chin. They wear a dark, vertically striped shirt and have their fingers positioned on the instrument's neck. A bow is held against the strings, and the background is blurred.
Two people stand together in an indoor setting. One person has long, dark curly hair and wears a grey top with a patterned front panel. The other person has short, grey curly hair and wears a dark pinstripe button-down shirt.
Brad Lubman conducting a rehearsal with the Signal ensemble at June in Buffalo 2011
Several people are seated and play instruments including violins, cellos, and a double bass while looking at sheet music. A conductor stands on the right side of the frame with arms raised. In the foreground, a large harp frame is visible on the left side.
Student composer Francisco Castillo Trigueros and flutist Alice Teyssier of Slee Sinfonietta at a workshop performance of Trigueros' work, Nealika, at June in Buffalo 2011
Trigueros, Francisco Castillo, 1983- - Composer
A person with light hair sits on a wooden stage holding sheet music and a small woodwind instrument. Facing them is another person in a navy sweater who is gesturing with one hand. A music stand with sheet music is positioned in the foreground, and empty red auditorium seats are visible in the background.
Student composer Per Bloland in a workshop with pianist Reto Staub of Ensemble Linea at June in Buffalo 2011
One person sits at a black grand piano with metal objects attached to the strings. Another person leans over the seated individual, pointing toward the keyboard. The background shows various percussion instruments like wind chimes and mallets on a stand near rows of chairs.
Pianist Reto Staub of Ensemble Linea at an electronically prepared piano in a workshop at June in Buffalo 2011
A person with glasses and dark hair looks toward sheet music resting on the music stand of a grand piano. The lid of the piano is open, showing a metal rail and many wires connected to devices over the internal strings. A green chalkboard with musical staff lines is visible in the background.
Percussionist Olivier Maurel of Ensemble Linea playing a melodica in a workshop at June in Buffalo 2011
A person with brown hair and glasses stands in profile, holding a black and white melodica. A flexible white tube connects the person's mouth to the instrument as their hand rests on the keyboard. In the background, musical equipment including cymbals and a xylophone are arranged in front of blue curtains.
Student composer Per Bloland in a workshop performance of his work, Negative Mirror II, with violinist Maiko Matsuoka, violoncellist Johannes Burghoff, clarinetist Andrea Nagy, flutist Keiko Murakami, and conductor Jean-Philippe Wurtz of Ensemble Linea at June in Buffalo 2011
Five people are positioned in a rehearsal room with instruments, music stands, and a laptop. Three people play a flute, a clarinet, and a cello, while one person sits on a tall stool facing them. In the foreground, another person sits next to a laptop displaying an interface and a binder of sheet music.
Conductor James Baker with clarinetist Greg Barrett, percussionist Tom Kolor, pianist Steve Beck, pianist Eric Huebner, violoncellist Jonathan Golove, and violoncellist Evelyn Farny at a performance of Jeffrey Stadelman's work, Incidental Music, at June in Buffalo 2011
Six people stand on a wooden stage in a concert hall surrounded by musical instruments and recording equipment. Two individuals hold cellos, one holds a clarinet, and a grand piano sits behind them with its lid open. Percussion instruments including a gong and drums are positioned in the background alongside music stands and microphones. On the far right, a person in a black suit stands facing the rest of the group.
Composer Eric Chasalow with conductor James Baker, violinist Yuki Numata, violoncellist Jonathan Golove, clarinetist Jean Kopperud, and flutist Barry Crawford after the performance of Chasalow's work, Suspicious Motives, at June in Buffalo 2011
Five people are positioned across a stage with a tall microphone stand in the foreground. One person holds a violin and another holds a cello, while a grand piano, a gong, and percussion instruments are visible behind them. The background features vertical wood paneling and large organ pipes.
James Baker conducting a performance of Eric Chasalow's work, Suspicious Motives, with violinist Yuki Numata, violoncellist Jonathan Golove, clarinetist Jean Kopperud, and flutist Barry Crawford at June in Buffalo 2011
Five people are on a stage where one person directs four seated musicians playing a violin, a cello, and a clarinet. Behind the ensemble are a grand piano, a large gong, and several music stands. The performance area features vertical wooden walls and rows of theater seating in the foreground.
Composer Jeffrey Stadelman with clarinetist Jean Kopperud and percussionist Tom Kolor after the performance of Stadelman's work, Wills and Wonts, at June in Buffalo 2011
Three individuals are positioned on a light-colored wooden stage in front of vertical wood paneling. One person stands on the left with hands together, another stands in the center holding a clarinet near a grand piano, and a third sits behind a percussion array featuring a vibraphone and gongs. Music stands and microphone poles are placed around the performance area.
Clarinetist Jean Kopperud and percussionist Tom Kolor performing Jeffrey Stadelman's work, Wills and Wonts, at June in Buffalo 2011
A person on the left plays a clarinet while another person on the right stands at a vibraphone with mallets. Two gongs, a cymbal, and a large drum are positioned near the vibraphone. The performance takes place on a wooden stage in front of a vertically paneled wall.
Composer Hilda Paredes with violinist Yuki Numata, violoncellist Jonathan Golove, and pianist Eric Huebner after a performance of Paredes' work, Alegoria Tri-partita, at June in Buffalo 2011
Four individuals are positioned on a stage in front of a wood-paneled wall. On the left, two people stand near a black chair, one holding a violin. To the right, another person stands behind a music stand next to a person holding a cello.
Violinist Yuki Numata, violoncellist Jonathan Golove, and pianist Eric Huebner performing Hilda Paredes' work, Alegoria Tri-partita, at June in Buffalo 2011, with Steven Beck, page-turner
A person on the left plays a violin while seated, and a person on the right plays a cello. In the background, two people sit near an open grand piano. Several music stands are positioned in front of the performers against a backdrop of a vertical wood-paneled wall.
James Baker conducting the Slee Sinfonietta in a performance of David Felder's work, Requiescat, at June in Buffalo 2011
Musicians play a variety of instruments, including strings, woodwinds, and percussion, while arranged in a semi-circle on a brightly lit stage. A conductor stands in the center with their back to the audience, gesturing toward the group. The background features a large pipe organ, and the darkened silhouettes of an audience fill the foreground.
Guitarist Magnus Andersson performing at June in Buffalo 2011
A person with short hair and glasses sits while playing a classical guitar. They wear a long-sleeved white button-down shirt and light-colored pants. A music stand is positioned to the side, and several gongs hang in the background.
Composer David Felder at sound console with Christopher Jacobs and J. T. Rinker in a rehearsal at June in Buffalo 2011
Jacobs, Christopher P. - Audio technician
Three individuals wearing glasses are gathered around a workspace containing mixing boards and a laptop. One person sits on the left with their hands on a sound console, while another stands in the center and a third person sits on the right looking at a computer monitor. The background consists of tiered seating in a dimly lit space.
James Baker conducting the Slee Sinfonietta in a rehearsal of David Felder's work, Requiescat, at June in Buffalo 2011
A conductor in a black suit stands with their back to the viewer, directing a group of musicians on a wooden stage. The ensemble includes players of the flute, violin, guitar, cello, and double bass. Behind the performers, a large pipe organ is built into the wood-paneled wall along with a rack of hanging gongs.
Composer Eric Chasalow with guitarist Magnus Andersson at June in Buffalo 2011
One person wears a lime green v-neck sweater with a black strap over their shoulder, while the other wears a white button-down shirt with their arms crossed. Both individuals wear glasses and face forward toward the viewer. In the background, a third person walks down the corridor under recessed ceiling lights.
A conductor in a dark suit stands with their back to the camera, facing a group of seated and standing musicians on a wooden stage. The performers play a variety of instruments, including a guitar, violins, a cello, and a row of hanging gongs. Music stands, microphones, and audio cables are positioned around the performers against a wood-paneled backdrop.
Student composer Jacob Gotlib in a rehearsal of his work, Year Without Summer, with members of Ensemble Linea, violoncellist Johannes Burghoff and conductor Jean-Philippe Wurtz, at June in Buffalo 2011
Three people are positioned around a music stand in a room containing various musical instruments. One person sits with a cello, another sits to the left in a striped shirt, and a third person leans forward from the back wearing a pink shirt. A large bass drum and other percussion gear are visible behind them.
Pianist Eric Huebner and trumpet player Jon Nelson performing Jeffrey Stadelman's work, Mr. Natural, at June in Buffalo 2011
One person sits at a black grand piano while another person stands and plays a trumpet on a wooden stage. A music stand and a tall microphone stand are positioned near the musicians in front of a neutral backdrop.
Clarinetist Jean Kopperud performing Eric Chasalow's work, In a Manner of Speaking, at June in Buffalo 2011
The person wears a textured, multi-colored turtleneck, dark pants, and black boots. They hold a bass clarinet while seated on a chair on a wooden floor. A music stand and a microphone are positioned to their left against a dark background.
Conductor Brad Lubman and Signal Ensemble in a workshop at June in Buffalo 2011
A seated audience sits in rows of folding chairs, facing a person standing in the front holding papers. Musical equipment, including drums, music stands, and chimes, are visible in the background. The room features high, paneled walls and several other individuals are seated near the instruments.
Composer Edmund Campion performing his work, Roulette, at June in Buffalo 2011
A person sits at a Steinway & Sons grand piano with their hands resting on the keys. A laptop showing software and various electronic audio hardware units are positioned on the piano's internal frame above the keys. The setting is dark, and the piano's lid is raised.
Composer Eric Chasalow in a workshop with student composers at June in Buffalo 2011
A person wearing a green shirt sits at a grand piano while facing others seated in chairs. A whiteboard with musical staves and a television are mounted on the wall behind the piano. An electronic equipment rack and a closed door are also visible in the background.
Composer Jeffrey Stadelman in a workshop with student composers at June in Buffalo 2011
Seven people sit around a large black table covered with various papers, folders, and personal items. One person at the end of the table reads from a document while others look down at papers in front of them. The background features a television and a whiteboard with musical staff lines next to a window with vertical blinds.
Student composer Ethan Hayden and composer Hilda Paredes at June in Buffalo 2011
Three individuals are situated in a room with a brick wall and a green board. One person with light wavy hair sits in the foreground with a laptop, while another person with dark curly hair and glasses sits at a wooden table with papers. A third person with short dark hair, glasses, and facial hair stands in the background near audio equipment and two large black speakers on stands.
Student composer Jeff Roberts in a rehearsal of his work, Breaking Bamboo, Shaking Jade, with flutist Barry Crawford, pianist Steve Beck, and percussionist Jon Hepfer at June in Buffalo 2011
Four individuals occupy a wooden stage in a room with wood-paneled walls. One person plays a flute near a music stand while another person stands nearby with arms crossed. A third person is seated at a grand piano, and a fourth person uses mallets on a percussion instrument.
Composer Jeffrey Stadelman with trumpet player Jon Nelson and pianist Eric Huebner at a rehearsal of Stadelman's work, Mr. Natural, at June in Buffalo 2011
Three people are positioned around a black grand piano in a room with vertical wooden wall panels. One person stands on the left holding a trumpet and a mute, while another person sits at the piano keyboard. A third person stands to the right of the piano wearing a dark blazer.
Trumpet player Jon Nelson at June in Buffalo 2011
A person with short, graying hair stands in front of a light-colored concrete pillar while holding a brass trumpet up to their face. They are wearing a dark, short-sleeved button-down shirt with vertical stripes and embroidered floral patterns. The bell of the trumpet is pointed directly toward the viewer, partially obscuring the person's face.
Student composers at June in Buffalo 2011: Jeff Roberts (outside railing), Matthew Sargent, Francisco Castillo Trigueros, Michael Thomas Foumai, David Carter, Jacob Gotlib, Paul Clift, Amadeus Regucera, Sivan Eldar, Brian Mark, Friedrich Heinrich Kern, Ethan Hayden, Chappell Kingsland, Cherise Leiter, Matthew Goodheart, Nathan Heidelberger, Brian Penkrot (outside right railing, back), and Leeds Barroll (outside right railing, front)
Seventeen individuals in casual and semi-formal clothing are posed on a concrete staircase. Most of the group is seated on the stairs, with one person standing on each side. A large window wall with black frames and trees visible outside is in the background.
Ensemble Linea at June in Buffalo 2011. Back row left to right: Andrea Nagy, Maiko Matsuoka, Johannes Burghoff, Keiko Murakami. Front row left to right: Olivier Maurel, Genevieve Letang, Jean-Philippe Wurtz, Reto Staub.
Eight people are seated on concrete stairs inside a building with metal handrails. The individuals wear various casual and business-casual clothing items, including button-down shirts, sweaters, and scarves. The group is arranged in two rows of four people each.
Composer Hilda Paredes with violoncellist Jonathan Golove and violinist Yuki Numata in a rehearsal of her work, Alegoria Tri-partita, at June in Buffalo 2011
A person with dark curly hair and glasses stands in the center, looking at a music score. To the left, a person plays a violin, and to the right, a person with a beard and glasses plays a cello. The room has wood-paneled walls and a piano is partially visible on the right side.
Composer Hilda Paredes with violinist Yuki Numata, violoncellist Jonathan Golove, and pianist Eric Huebner during a rehearsal of her work, Alegoria Tri-partita, at June in Buffalo 2011
An individual holding a violin sits near a music stand while another person plays a cello in the foreground. A third person sits at a grand piano, and a fourth person stands in the center of the group. The background consists of vertical wooden panels and a speaker.
Student composer Chun Ting Pang with Ensemble Linea during a rehearsal of Pang's work, When the Rain is Dissolving the Clouds, at June in Buffalo 2011
Several people are positioned on different levels in a room with blue curtains, rehearsing with a variety of musical instruments. A large golden harp is centered among individuals playing the flute, cello, and violin while reading sheet music on stands. To the right, a person stands at a marimba near other percussion equipment.
State University of New York at Buffalo. Center for the Arts
Composer Eric Chasalow presenting a lecture at June in Buffalo 2011
A person in a light green shirt gestures from a wooden stage toward an audience seated in tiered rows. Behind the person, a projection screen displays a YouTube video featuring a musical performance. The stage area also contains a grand piano, a podium, and a microphone stand.
A person wearing a green long-sleeved shirt and grey pants stands on a low platform facing an audience. The audience sits in tiered rows of red-cushioned benches within a room featuring wooden acoustic wall panels. A microphone stand is positioned on the floor between the speaker and the front row.
Composers David Felder and Edmund Campion at June in Buffalo 2011
Two people are seated on a red sofa with a large window behind them. One person is dressed in a light-colored short-sleeved button-up shirt, while the other is in an orange and white striped polo shirt. A brick wall is visible to the right, and green foliage is seen through the window.
Pianist Steve Beck and percussionist Jon Hepfer rehearsing Friedrich Kern's work, Eins Zwei, at June in Buffalo 2011
A person with red hair sits at a black grand piano with the lid open. To the right, another person plays a snare drum and wooden block with drumsticks. Both individuals are on a light-colored wooden floor in a room with white walls and a large screen in the background.
Composer Edmund Campion at June in Buffalo 2011
A person with wavy brown hair, blue eyes, and a goatee stands in front of a tan brick wall. They are wearing a light green button-down shirt with the top button open. A portion of a dark window frame is visible on the right side.
A person with short brown hair and blue eyes stands in front of a dark brown brick wall. They are wearing a light green button-down shirt and have a small mustache and goatee. The background consists of uniform horizontal rows of rectangular bricks.
James Baker conducting a rehearsal of Eric Chasalow's work, Suspicious Motives, with flutist Barry Crawford, clarinetist Jean Kopperud, violinist Yuki Numata, and violoncellist Jonathan Golove at June in Buffalo 2011
Five people are on a wooden stage with music stands and sheet music. Four musicians are seated and playing a flute, violin, cello, and clarinet while a fifth person stands and gestures with both hands. The stage is surrounded by wood-paneled walls and a dimly lit background.
Pianist Eric Huebner and percussionist Tom Kolor rehearsing Edmund Campion's work, Domus Aurea, at June in Buffalo 2011
One person in a red shirt uses mallets to play a vibraphone, which has sheet music resting on a stand in front of it. A second person wearing glasses is seated at a black grand piano with the lid open in the background. The scene takes place in a room with vertical wood paneling.
Composer Eric Chasalow at June in Buffalo 2011
A person with reddish-blonde hair wears a black t-shirt and holds a tablet device. They have silver and black over-ear headphones around their neck and wear thin-framed glasses. The background shows an indoor setting with a bulletin board containing a "CMS" poster.
A person in a black t-shirt sits with over-ear headphones resting around their neck and one hand raised toward their face. They have short red hair and wear glasses, a watch, and a ring. A green chalkboard and a grey partition wall are in the background.