Composer Steve Reich and conductor Brad Lubman applaud the members of the Signal Ensemble after a performance of Reich's Double Sextet at June in Buffalo 2010. From left to right after Lubman: pianist Oliver Hagen, percussionists Doug Perkins and David Sk
Signal (Musical group : 2008-) - Ensemble
Thirteen individuals stand in a row on a performance stage wearing formal black clothing. Several people hold instruments including cellos, violins, and flutes, while a grand piano and percussion equipment are positioned in the background. Two people on the far left stand slightly apart from the main group and clap their hands.
State University of New York at Buffalo. Music Library
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State University of New York at Buffalo. Center for the Arts
Conductor Brad Lubman, composer Steve Reich, and the Signal Ensemble after a performance of Reich's Double Sextet at June in Buffalo 2010. Players, from left to right are: Courtney Orlando, Lauren Radnofsky, Bill Kalinkos, Oliver Hagen, Kelli Kathman, Doug
An ensemble of musicians is positioned on a dark stage, with two individuals in the center foreground holding hands. The group is dressed in black clothing and carries various instruments, including violins, cellos, and a flute. A piano and other musical equipment are visible in the background against a solid black backdrop.
Conductor Brad Lubman, composer Steve Reich, and the Signal Ensemble after a performance of Reich's Double Sextet at June in Buffalo 2010. Players are, left to right, Courtney Orlando, Lauren Radnofsky, Bill Kalinkos, Oliver Friend, Kelli Kathman, Doug Per
Twelve individuals wearing dark attire are positioned on a stage with musical instruments including violins, cellos, and woodwinds. In the center, two people stand side-by-side holding hands facing forward. Music stands, chairs, and microphones are scattered across the floor in the performance space.
Conductor Brad Lubman and the Signal Ensemble after a performance of Steve Reich's Double Sextet at June in Buffalo 2010. Players, from left to right are: Courtney Orlando, Lauren Radnofsky, Bill Kalinkos, Oliver Hagen, Kelli Kathman, Doug Perkins, Jessica
An ensemble of musicians dressed in black is positioned across a stage against a dark background. The group includes individuals with violins, cellos, and woodwind instruments, with two grand pianos and percussion equipment visible behind them. Music stands and empty chairs are placed around the performers, and one person stands centrally in the foreground.
Brad Lubman conducting the Signal Ensemble in a performance of Steve Reich's Double Sextet at June in Buffalo 2010. Players, from left to right are: Courtney Orlando, Lauren Radnofsky, Oliver Hagen, Bill Kalinkos, Kelli Kathman, Doug Perkins, Jessica Schm
An ensemble of musicians in black attire performs on a dark stage with various instruments including two grand pianos, violins, cellos, and woodwinds. A person stands in the center facing away from the camera, conducting the group with their arms raised. Music stands and microphones are positioned among the performers as they play together.
Signal Ensemble performing Steve Reich's Sextet at June in Buffalo 2010
Perkins, Doug, percussionist - Percussion
Several people dressed in black are positioned behind percussion instruments on a dimly lit stage. The instruments include marimbas, vibraphones, and bass drums arranged in a semi-circular fashion. Microphones are placed throughout the group to capture the sound of the performance.
A group of six people dressed in black perform on a stage with a dark backdrop. They are positioned around several mallet percussion instruments, a large bass drum, and a gong. Microphones on stands are placed throughout the arrangement, and small colorful pieces of paper are scattered across the floor.
Several people dressed in black stand behind mallet percussion instruments like marimbas and vibraphones on a dark stage. They hold mallets over the instruments, which are surrounded by music stands and microphones. A large gong is positioned on a stand on the right side of the stage.
Six individuals perform using mallet instruments such as vibraphones and marimbas, along with a large bass drum and a gong. They are arranged across the floor of a dimly lit stage, holding mallets or sticks over their respective instruments. Several music stands and microphones are positioned throughout the ensemble.
The performers are positioned at instruments including marimbas, vibraphones, a large drum, and a gong. Microphones on stands are placed throughout the ensemble to record the audio. The individuals are dressed in dark attire and arranged across the width of the stage.
Pianist Eric Huebner performing student composer Ashley Wang's work, Intimate Rejection at June in Buffalo 2010
A person sits on a bench at a grand piano with the lid propped open, facing away from the camera. Rows of people are seated in chairs on the stage, watching the performance. The room is dimly lit with focus on the performer and the first several rows of the audience.
Violoncellist Jonathan Golove during workshop performance of Shiuan Chang's work, Warrior Dance at June in Buffalo 2010
A person on a stage sits and plays a cello facing away from the camera. An audience is seated in green chairs, observing the performance in a dark room with localized lighting. A music stand is positioned in front of the cellist on the right side of the frame.
Conductor Brad Lubman with members of the Signal Ensemble after performance of student composer Emily Koh's work, circum perceptio at June in Buffalo 2010
Sullivan, Caitlin (Cellist) - Violoncello
Several individuals stand on a dark stage, including performers holding a violin, a viola, and a clarinet. A seated audience occupies the foreground, with some people's hands raised in the air. On the right side of the stage, one person stands with an arm raised while another stands near a marimba.
Conductor Brad Lubman and members of the Signal Ensemble taking a bow after a workshop performance at June in Buffalo 2010
Six performers stand on a stage against a black background, holding instruments including a violin and clarinet near a grand piano and marimba. One individual stands to the side with an arm raised toward the group. In the foreground, an audience sits in chairs facing the performers.
Conductor Brad Lubman addressing the audience at workshop performance by the Signal Ensemble at June in Buffalo 2010
A person stands in the center of a dark room, speaking to an audience seated in chairs. Several musicians, including a cellist and a pianist, are positioned behind the speaker. The audience members in the foreground face the stage, and the lighting is focused on the central figure.
Brad Lubman conducting members of the Signal Ensemble in workshop performance of student composer Matthew Heap's work, Illicit Trysts at June in Buffalo 2010
Musicians play instruments including a violin and a cello while a person conducts from the center of the stage. A seated audience faces the performers in a room with a black background. Light from above highlights the ensemble and the people in the front rows.
Conductor Brad Lubman with composer Matthew Heap rehearsing the Signal Ensemble at June in Buffalo 2010
Two individuals stand in a dark room facing seated people who hold a flute and stringed instruments. One standing person points to a musical score on a stand, while the other holds a binder. Music stands with sheet music are arranged in the foreground against a background of empty chairs.
Conductor Brad Lubman talking with student composer Emily Koh during workshop performance of Koh's work, Circum perceptio with the Signal Ensemble at June in Buffalo 2010
Several individuals are positioned on a stage with instruments including a marimba, a cello, and a violin. One person holds papers and points one arm outward while others are located at music stands and instruments. Empty chairs are visible around the group on the dark floor.
Four people are positioned around music stands in a dimly lit room. One individual stands and turns pages in a binder while another individual on the right reads from a book. Two people are seated, including one in the foreground whose back is to the camera near a violin resting on a stand.
Brad Lubman conducting the Signal Ensemble in a workshop performance of student composer Matthew Heap's work, Illicit Trysts at June in Buffalo 2010
Seven musicians perform together in a small ensemble on a dark stage. A person on the left plays a grand piano while others are positioned with instruments including a cello, flute, clarinet, and percussion. One individual stands to the right gesturing toward the group near music stands with sheet music.
Conductor Brad Lubman talking with student composer Emily Koh during workshop at June in Buffalo 2010
In a rehearsal space with rows of empty chairs, three people are gathered around music stands. One person stands on the left holding a notebook, while the central person points to pages in a spiral-bound booklet. A third person sits on the right holding a violin and looking toward the center.
Brad Lubman conducting the Signal Ensemble in a workshop performance of student composer Peter Van Zandt Lane's work, Magana at June in Buffalo 2010
Five people are positioned on a stage against a black background, including a conductor standing on the far left. The other four musicians play a cello, a woodwind instrument, a grand piano, and a marimba. Music stands and chairs are arranged throughout the performance space.
Five individuals are arranged on a stage with a dark background, playing a grand piano, cello, clarinet, and percussion. One person stands on the left while others are seated at their instruments. A person on the right stands holding a small drum next to a marimba.
Violoncellist Jonathan Golove rehearsing student composer Shiuan Chang's work, Warrior Dance at June in Buffalo 2010
Two individuals sit in a dark room with a piano in the background. One person wearing a grey shirt and name tag looks towards another person wearing a plaid shirt. The person in plaid holds a cello and points to sheet music on a music stand.
Student composer Ashley Wang rehearsing her work, Intimate Rejection with pianist Eric Huebner at June in Buffalo 2010
A person with dark hair stands beside a person with reddish hair and glasses who is seated at a piano. The seated individual uses a pencil to mark a sheet of music while the piano lid is raised. The background contains rows of empty chairs in a darkened room.
Student composer Ashley Wang rehearsing her work Intimate Rejection with pianist Eric Huebner at June in Buffalo 2010
A person with red hair and glasses reaches forward with a pencil to mark a sheet of music propped on a piano. Another person with long dark hair looks at the music from behind the first person. The scene takes place in a dimly lit room with rows of empty chairs in the background.
Ensemble SurPlus members Martina Roth, Erich Wagner, Christian Kemper, Stefan Haussler, violin, Thomas Avery, and Adrian Romaniuc rehearsing Lukas Foss's work, Music for Six at June in Buffalo 2010
Five people sit in a semi-circle playing a flute, clarinet, oboe, and two string instruments behind music stands. In the background, a person stands near percussion instruments including a gong and a xylophone, alongside an orange curtain.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
A group of musicians rehearses with a flute, clarinet, oboe, and two violins while seated behind music stands. A person stands in the background near a variety of percussion instruments, a grand piano, and orange curtains. The room has light-colored walls and flooring.
Composer Francois Eckert at computer during workshop at June in Buffalo 2010
A person wearing glasses and a red polo shirt sits at a desk with headphones around their neck. The desk contains a laptop, a secondary monitor showing audio visualizations, and various papers. The person rests their hand on a document while looking toward the computer equipment.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer Francois Eckert at June in Buffalo 2010
A person in a red short-sleeved shirt and glasses sits at a brown desk, operating a laptop with headphones around their neck. Cables, a computer mouse, and a small pink package are scattered across the workspace. A second monitor and a large whiteboard on wheels are visible in the background.
Composer Steve Reich at June in Buffalo 2010
A person wearing a brown baseball cap and a gray button-down shirt is shown from the chest up. Their head is turned slightly to the left with their eyes squinted and mouth open wide. The background is dark and blurred, showing hints of equipment in the distance.
Composer Steve Reich and conductor Brad Lubman at rehearsal at June in Buffalo 2010
Two people are positioned against a dark background with a circular light source visible in the distance. The person in the foreground wears a black short-sleeved shirt, while the person behind wears a grey shirt and a cap. A microphone stand is partially visible on the left edge of the frame.
A person wearing a brown baseball cap and a grey button-down shirt is shown from the side against a dark backdrop. The person has an open mouth showing their teeth. In the background, a second individual is out of focus.
Percussionists David Skidmore and Doug Perkins during rehearsal with the Signal Ensemble at June in Buffalo 2010
Two people stand side-by-side playing mallet percussion instruments with metal bars. Each person holds mallets with round blue heads to strike the keys. Sheet music is positioned on a stand to the left, and a microphone hangs above the scene against a dark background.
Brad Lubman conducting the Signal Ensemble at June in Buffalo 2010
A person stands at a music stand with raised arms while leading a group of musicians. In the foreground, one musician plays a stringed instrument and another sits facing away from the camera. The background consists of dark rows of tiered seating and a single round light on the wall.
Conductor Brad Lubman rehearsing Signal Ensemble at June in Buffalo 2010
A person with short hair and a beard gestures while standing in front of music stands and musicians. To the left, a musician plays a violin, and in the foreground, another musician sits with a cello. The background features rows of empty theater seats under low lighting with a single glowing circular light.
James Baker conducting a rehearsal of Roger Reynolds's work, Aspiration, with the Slee Sinfonietta at June in Buffalo 2010
A conductor stands with arms raised, facing a small ensemble of musicians on a stage with wood-paneled walls. Four people sit in a semi-circle playing string instruments while reading sheet music on stands. A piano and a large woodwind instrument are positioned to the right of the ensemble.
Composer David Felder with June in Buffalo 2010 students Chun Ting Pang, Joe Lake, and Jacob Gotlib
Four people are positioned side-by-side in an indoor setting. One person on the left wears a dark t-shirt and a backpack, while the person next to them has glasses and a patterned button-down shirt. The third person wears a plaid shirt with a strap across their chest, and the person on the far right wears glasses and a brown button-down shirt. Large windows are visible in the background behind them.
Composer Olivier Pasquet with student composers Diana Soh and David Hudry at June in Buffalo 2010
Three people are positioned in a group, facing the viewer. The person on the left wears a black t-shirt, the person in the middle wears a light-colored cardigan and holds a white binder, and the person on the right wears a white collared shirt and glasses. A poster titled "METAMUSIK FESTIVAL 3" is visible on the wall behind them.
Composer David Felder with student composers Gabriele Vanoni and Daniel Bassin at June in Buffalo 2010
Three individuals stand in a hallway, focused on a spiral-bound book titled Typographies II held by the person on the left. The person on the left wears a patterned shirt and glasses, while the person on the right wears a light-colored polo shirt with a blue name tag. Other people are visible in the blurred background of the long hallway.
Student composers Diana Soh, Chun Ting Pang, and Shiuan Chang at June in Buffalo 2010
Four people are positioned in a row in an indoor space with natural light from windows in the background. The person on the far left wears a white top and cardigan, while the two individuals in the middle wear t-shirts and backpacks. The person on the far right wears a blue patterned button-down shirt and glasses.
Composers David Felder and Olivier Pasquet with student composers at June in Buffalo 2010
Approximately twenty people are positioned in several rows between brick walls and doorways. Three individuals are seated in the foreground while the rest stand in rows behind them. The group wears casual attire and faces forward.
Composer Olivier Pasquet at June in Buffalo 2010
A person with a shaved head and short beard faces forward while wearing a black t-shirt. They stand in front of a dark brick wall featuring a bulletin board with several flyers and a sign labeled "MUSIC DEPARTMENT EVENTS". In the background, another individual sits in a shadowed area looking down at papers.
Ensemble SurPlus members Stefan Haussler, Eun-Ju Kim, Thomas Avery (acting as page-turner), and Beverley Ellis rehearsing Jordan Kuspa's Piano trio at June in Buffalo 2010
On the left, a person wearing a blue shirt plays a violin while seated on a red chair. To the right, another person plays a cello near a grand piano where two others are positioned. The room includes music stands, an upright piano in the background, and stacked chairs against an orange curtain.
On the left, a person plays the violin while seated next to a music stand with sheet music. A person in the center plays a grand piano while an individual sits behind them. On the right, another person plays a cello while looking toward the center of the group.
A person on the left sits and plays a violin in front of a music stand. In the center and on the right, two people are seated at grand pianos, with the central person's head turned toward the right. The background contains orange curtains, an upright piano, and stacks of red chairs.
Percussionist Rin Ozaki and small chimes
A person wearing a blue button-down shirt holds a small wind chime that features a translucent dolphin ornament and four pink tubes. One hand holds the top string while the other hand is positioned near the base of the chime. The background consists of a dark brick wall.
Composer Bernard Rands talking to mezzo-soprano Julia Bentley during rehearsal of Rands Now again, with conductor Brad Lubman and the Slee Sinfonietta
A group of people are positioned on a stage with a wood-paneled backdrop. In the foreground, individuals sit behind music stands with string instruments, while a harp stands behind them. One person in a black shirt stands gesturing towards another person in a green top, and a person on the left holds a yellow folder.
A person wearing a dark jacket plays a violin while positioned behind a music stand with open sheet music. Multiple exposures or motion blur are visible on the hands, instrument, bow, and pages. The subject is isolated against a solid black backdrop.
Percussionist Rin Ozaki with small chimes
A person with long dark hair and a blue collared shirt stands in front of a brick wall. They hold a pink dolphin-shaped wind chime by a string in their raised hand. The wind chime features a clear pink dolphin figure above several small pink metallic tubes.
Composers Steve Antosca and Mathew Rosenblum
One person wearing a brown blazer over a white shirt holds a document and glasses while gesturing. A second person wearing glasses and a dark patterned shirt looks toward the first person. The background consists of a dark, pleated curtain.
Composer Bernard Rands in rehearsal with Jean Kopperud, Jon Hepfer, Jonathan, 1983- Nelson, and Brad Lubman
Six people occupy a room with wood-paneled walls and several musical instruments. One person sits with a clarinet behind a music stand, and another stands behind a marimba with mallets. A person in a blue shirt and black vest stands in the center, while the scroll and neck of a cello appear in the lower right foreground.
Composer Philippe Manoury and violist Christophe Desjardins, with Christophe Lebreton and unidentified sound engineer at sound console
A person standing with a violin and bow looks toward two seated individuals in a dark interior space. To the right, a fourth person wearing a cap and glasses works at a technical console with buttons and sliders. Rows of green chairs and a speaker on a stand are visible in the background against black walls.
Composer Philippe Manoury, with violist Christophe Desjardins and sound engineer Christophe Lebreton at sound console
A person stands and plays a violin behind two others seated at a table containing sheet music and a laptop. Electronic equipment, cables, and headphones are arranged on the table in front of the seated individuals. Several rows of empty chairs are positioned in the dark background.
Composer Mathew Rosenblum, with conductor Brad Lubman, composer David Felder, and violinist Lina Bahn
Four people are gathered in a dark room with rows of empty seats visible in the background. One person on the left gestures with a hand while facing the others, and another person on the right holds several sheets of paper. Two of the individuals wear glasses, and all are dressed in casual or semi-formal clothing.
Meridian Arts Ensemble in performance at June in Buffalo
Five people sit in a semi-circle on a stage playing trumpets, a French horn, a trombone, and a tuba. They are positioned around music stands and various brass instrument accessories on a light-colored wooden floor. The background consists of a wall with vertical wooden slats.
Meridian Arts Ensemble taking bow after June in Buffalo performance
Five people dressed in formal attire stand on a wooden stage with their musical instruments. Several chairs and music stands are arranged behind them, and a tall microphone stands in the center foreground. The background features a wood-paneled wall beneath the dark silhouettes of large organ pipes.
Meridian Arts Ensemble performing at June in Buffalo
Five people in formal attire sit in a semi-circle playing instruments including trumpets, a trombone, and a tuba. They are positioned behind music stands on a light-colored wooden stage with a dark wood-paneled wall in the background. Various brass instrument mutes are placed on the floor near the musicians.
Meridian Arts Ensemble performing Bruce Pennycook's Redwood Quintet
A brass ensemble performs on a wooden stage in front of a wood-paneled wall. One person stands while playing a trombone, while four others sit and play a variety of brass instruments including a tuba and trumpets. A tall microphone stand is positioned centrally on the stage in front of the group.
Five people in suits perform as a brass ensemble on a stage featuring wood paneling and a tall recording microphone. One individual stands while playing the trombone, while four others sit and play the trumpet, horn, and tuba. Music stands and instrument mutes are positioned on the wooden floor around the musicians.
Pianist Lisa Moore performing Martin Bresnick's For the sexes with projected video
A person in a red top and dark skirt is seated at a black grand piano on a stage. Above them, a large screen projects a brightly lit illustration with the text "For the Sexes The Gates of Paradise" and various winged figures. A microphone and sheet music are positioned on the piano's music stand.
Pianist Lisa Moore performing Martin Bresnick's For the sexes
A person wearing a black top and silver necklace is seated at a grand piano. A microphone on a stand is placed near their face, and the piano's interior mechanics are visible in the foreground. Sheet music rests on the music stand against a dark, wood-paneled wall background.
Flutist Lindsey Goodman performing Mathew Rosenblum's Under the rainbow
A person wearing a blue shirt plays a silver flute while standing behind a music stand. Various instruments, including a gong, tubular bells, and a vibraphone, are positioned in the background. A small table to the side holds a basket with a plush toy and another flute component.
A person with long dark hair holds a violin under their chin and uses a bow to play the instrument. They are wearing a black cardigan over a patterned top. In the background, music stands and other equipment are visible under a blue light strip.
A person with dark hair wearing a patterned dress and black cardigan plays a violin. The setting is a dark performance space with music stands and a percussion instrument in the background. A horizontal blue light is visible behind the performer.
A person wearing a dark suit is positioned against a black backdrop while playing a violin. They hold a bow in one hand and use the other hand to press down on the strings near the neck of the instrument. The individual has a shaved head and trimmed facial hair, looking downward toward the violin.
Brad Lubman conducting the Slee Sinfonietta, with mezzo-soprano Julia Bentley in performance of Bernard Rands Now again
A group of musicians performs on a wooden stage, including a conductor, a vocalist, and instrumentalists playing strings, woodwinds, and percussion. Behind the ensemble, there are wood-paneled walls and a large pipe organ. In the foreground, an audience sits in red theater seats facing the performers.
Four people gather around a table covered with a large audio mixing console, laptops, and various wires. One person stands holding a violin and a bow while others are seated and interact with the equipment. In the background, rows of empty teal-colored chairs are arranged in a dark room.
The individual wears a blue top and stands behind a black music stand while playing a silver flute. Various percussion instruments including a gong, chimes, and a vibraphone are visible in the background. A stuffed animal in a basket sits on a green table to the left.
Conductor Brad Lubman, composer David Felder, and violist Sandy Robbins
Three people are gathered on the edge of a wooden stage in a room containing chairs and music stands. One person sits and holds sheet music while another person stands in front of them and gestures with a hand. The people wear casual attire, including a black long-sleeved shirt, a light blue button-down, and a patterned shirt featuring musical instruments.
Composer David Felder with violinist Lina Bahn
A person on the left wears a light blue striped shirt and glasses while looking toward a person on the right. The person on the right wears a black and white floral dress and holds a violin and bow. A microphone on a stand and the back of a blue chair are visible between the two individuals.
Composer David Felder discussing his piece Another Face with violinist Lina Bahn
A person wearing glasses and a light blue striped shirt leans over a music stand. Another person with dark hair stands beside them, looking down at the same stand. They are positioned behind black music stands in a space with a dark backdrop.
Composer Bernard Rands accepting applause after performance of his Now again, with mezzo-soprano Julia Bentley, conductor Brad Lubman, and the Slee Sinfonietta on stage
Several people stand on a wooden stage surrounded by musical instruments such as a harp, percussion equipment, and a violin. Some people on the stage and in the seated audience are clapping. The background consists of wood-paneled walls, and microphones are placed across the stage.
An individual with a shaved head is shown playing a violin behind a music stand. The scene is captured using multiple exposures, resulting in translucent silhouettes of the musician and the bow against a black backdrop. Open sheet music is visible at the bottom of the frame.
A person wearing a grey polo shirt holds a wooden violin and a bow in front of a dark backdrop. They have short hair and a beard, and are looking towards the left side of the frame. The violin is positioned horizontally while the bow stands vertically in the person's hand.
Conductor James Baker in rehearsal with the New York New Music Ensemble
A person wearing glasses and a white shirt stands with their right arm raised and left arm extended in a large hall. A music stand with sheet music and a bottle sits in the foreground, while percussion instruments and rows of red seats are visible in the background. Tall wooden columns and a dark ceiling frame the scene.
A bald individual with light facial hair plays a wooden violin while wearing a dark jacket. One hand is positioned on the neck of the instrument while the other draws a bow across the strings. The entire scene is set against a solid black background.
Violist Christophe Desjardins in rehearsal
A person with a shaved head and light beard plays a wooden stringed instrument using a bow. They are wearing a grey collared shirt and a black wristband that has wires attached to it. In the background, a sound mixing board rests on a wooden surface in front of several rows of empty chairs.
Robert Franz conducting the Buffalo Philharmonic in June in Buffalo rehearsal
Buffalo Philharmonic Orchestra - Ensemble
Musicians are seated in a semi-circle on a brightly lit wooden stage, playing various instruments including violins and cellos. A person stands on a podium with arms extended towards the ensemble. The stage is set against a wood-paneled wall with organ pipes visible above, and the auditorium seating in the foreground is in shadow.
Musicians with various string instruments sit behind music stands on a light-colored wooden stage. A person stands on a small platform in the middle of the group, looking toward them with their back to the camera. The setting includes wood-paneled walls with a round clock and several tall, thin microphone stands placed around the ensemble.
Musicians in casual attire sit in rows on a wooden stage, playing various instruments like violins, cellos, and double basses. A person stands on a central podium facing the group, while tall microphone stands are positioned around the ensemble. The background features a large pipe organ on a wood-paneled wall above the stage.
June in Buffalo student composer Bruce Pennycook
A person with short, light hair wears a brown blazer over a black shirt while standing by a large glass window. One hand rests on a metal window frame, and the other is placed on their knee. Green trees and a sidewalk are visible through the window panes.
A musical group performs on a stage with light wood floors and paneled walls that include a large pipe organ. A conductor stands in the center directing instrumentalists and a vocalist positioned near a music stand. An audience is visible in the lower foreground seated in red chairs.
Composer Philippe Manoury with violist Christophe Desjardins
A person with long grey hair wearing a black shirt sits in the foreground. Behind them, a person with a shaved head and light facial hair stands wearing a grey polo shirt while holding a violin and its bow. Several chairs are visible in the dark background.
A person with long light-colored hair sits wearing a black shirt. Standing beside them, a person with a bald head and short beard holds a violin and bow while resting their hand on a chair. The background is dark and features the shapes of several chairs.
Conductor James Baker rehearsing with the New York New Music Ensemble, Stephen Gosling, piano and Tom Kolor, percussion
A person sits at a black grand piano with hands on the keys and sheet music on the stand. In the background, one person stands with hands raised while another person leans over a marimba holding papers. The setting is a stage with dark surroundings and overhead microphones.
Conductor James Baker rehearsing with the New York New Music Ensemble
A group of five musicians and one person standing with their back to the camera perform on a stage with wood-paneled walls. The ensemble includes a violinist, a cellist, a clarinetist, a pianist, and various percussion instruments. Several people sit in the foreground of the dark auditorium facing the stage.
James Baker conducting New York New Music Ensemble members, Linda Quan, Chris Finckel, Jean Kopperud, and pianist Stephen Gosling
A person wearing a white collared shirt and glasses stands at the center of a stage with hands raised. In the foreground, another person holds mallets above a xylophone, while a large gong and music stands are visible on the right. The background is dark, featuring vertical pillars and a curtained wall behind the performers.
Conductor James Baker in rehearsal with violoncellist Chris Finckel
One person in a white shirt and glasses stands looking toward another person who is seated with a cello. The seated person holds a bow and looks toward sheet music on a stand in a room with light wood floors and paneled walls. A grand piano and other musical equipment are visible in the background.
A conductor stands on the left with raised arms, directing a group of musicians playing instruments including a violin, a cello, and an oboe. The space is filled with musical equipment, such as music stands with sheets and a variety of percussion instruments in the background. Vertical wood panels cover the walls of the room.
Conductor James Baker with June in Buffalo student composer Mark Fromm
One person with grey hair wears a white button-down shirt and glasses with their arms crossed. A second person with a shaved head and beard stands beside them wearing a dark grey hoodie. Both individuals face the left side of the frame against a dark background with faint vertical lighting.
Conductor James Baker rehearsing with violinist Linda Quan
A person with glasses and a white button-down shirt stands with their hands raised. To their right, another person sits behind a music stand and plays a violin. The background features various percussion instruments, including gongs and a marimba, set against a wooden paneled wall.
June in Buffalo student composer Eric Lindsay at rehearsal in Slee Hall
A person wearing a grey jacket stands next to a wooden stage with a hand on a white spiral-bound notebook. A black bag and other personal belongings are placed on the floor nearby. The background features a large vertical-paneled wooden wall and a section of red auditorium seating.
June in Buffalo student composer Eric Lindsay rehearsing with violoncellist Chris Finckel
A seated person holds a cello and bow while looking toward a person who stands and leans forward. Both individuals wear glasses and are positioned near music stands and a grand piano. The background features wood-paneled walls.
Composer and double bass player Stefano Scodanibbio during June in Buffalo workshop
Scodanibbio, Stefano, 1956- - Double bass
A person wearing a white button-down shirt and white pants holds a bow to a double bass while looking toward a music stand. The performance takes place on a wooden stage with a piano and dark curtains in the background.
A musician wearing a white shirt and pants stands on a stage while playing a double bass. The person holds a bow against the strings of the large wooden instrument. The low-angle view shows a ceiling with metal trusses, square panels, and bright lights.
A person with dark, wavy hair dressed in white garments plays a large wooden double bass with a bow. To the right, a black music stand holds sheet music. The setting includes neutral-toned walls, dark curtains, and a visible ceiling framework.
A person dressed in white stands on a wooden floor, playing a double bass with a bow. To their left, a black music stand holds sheet music in a room with wood-paneled walls. The individual's left hand is positioned on the strings near the instrument's neck while their right hand moves the bow across the strings.
A person wearing a white long-sleeved shirt and pants stands behind a large wooden double bass. One hand rests on the strings while the other holds a bow, with their head turned toward a music stand. The background features light-colored wooden floors and walls with acoustic panels.
June in Buffalo student composers Diana Soh and Moshe Shulman
Two individuals are standing next to each other in an indoor environment. The person on the left has shoulder-length dark hair and wears a black v-neck top, while the person on the right wears glasses and a dark blazer over a purple button-up shirt. The person on the right has an arm resting on the shoulder of the person on the left.