Ensemble for Intuitive Music: Hans Tutschku, Matthias and Michael von Hintzenstern, and Daniel Hoffmann
Ensemble für Intuitive Musik Weimar - Ensemble
Hintzenstern, Matthias von - Violoncello
Four people are positioned behind a collection of musical and electronic equipment against a black background. One person holds a cello, while others stand behind two laptops and multiple stacked keyboards. The individuals wear various outfits, including striped shirts, a blazer, and a dark jacket.
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State University of New York at Buffalo. Music Library
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State University of New York at Buffalo. Center for the Arts
Ensemble for Intuitive Music: Matthias and Michael von Hintzenstern, Hans Tutschku, and Daniel Hoffmann
Four people wearing formal jackets and dress shirts stand in a row against a solid black background. One person on the left holds a cello, and a person on the right holds a brass instrument behind an open grand piano. A microphone is positioned over the strings of the piano.
A person with short hair and eyes closed holds a muted trumpet to their lips. Their right hand is positioned over the valves while a microphone stands in the foreground. Sepia tones are used throughout the scene against a solid black background.
A black and white close-up shows a person playing a trumpet with their eyes closed. The instrument features a mute in the bell and is positioned near a microphone. The person's hands are visible pressing the valves and holding the mute.
A person is shown from the chest up, playing a trumpet with a mute inserted into the bell. A microphone is positioned in front of the instrument against a dark background. The individual has their eyes closed and is wearing a dark, collared shirt.
A person with short dark hair plays a trumpet with a rounded, brownish mute inserted into its bell. A microphone is positioned directly in front of the instrument against a black background. Their eyes are closed as their hands hold the trumpet and press the valves.
Ensemble for Intuitive Music: Hans Tutschku, Michael and Matthias von Hintzenstern, and Daniel Hoffmann
Four people in jackets and collared shirts stand behind a musical keyboard and two open laptops. One person holds a cello, while another holds a trumpet. The laptop screens display software with colorful tracks and controls against a black background.
Four people pose in formal attire with musical instruments, including a cello on the left and a brass instrument and grand piano on the right. The scene is presented in a sepia tone with a solid black background. The individuals are arranged in a row, and the instruments' details, such as the piano strings and cello body, are visible under focused lighting.
Four individuals are positioned behind two keyboards and two open laptops supported by a metal stand. One person holds a cello, and another holds a trumpet. The group is dressed in jackets and collared shirts against a dark backdrop.
Ensemble for Intuitive Music: Michael van Hintzenstern, piano, Daniel Hoffmann, fluegelhorn, Matthias von Hintzenstern, violoncello, and Hans Tutschku, electronics
A person plays a trumpet in the upper right while another sits at a grand piano on the left. In the foreground, two laptops display complex blue interfaces alongside a person playing a stringed instrument. Microphones on stands are positioned around the group on a dark stage.
Four people are positioned behind an arrangement of electronic musical equipment. Two open laptops showing software interfaces are placed above a musical keyboard on a metal stand. One person holds the neck of a double bass while the others stand nearby.
A person wearing glasses and a striped shirt leans over the open lid of a black grand piano. Their left hand presses a white key while their right hand reaches into the instrument to touch the metal strings. A microphone is positioned over the piano's interior against a dark background.
A person sits at an open grand piano, with their hands positioned on the white and black keys. They wear a light-colored, short-sleeved shirt with vertical stripes and rectangular eyeglasses. The interior of the piano shows golden frames and strings, and a black microphone is positioned near the right side of the frame.
A person with short hair and glasses wears a striped shirt while sitting at a grand piano. One hand is raised in the air as the other hand is positioned over the piano keys. The piano lid is open, revealing the interior strings and pins against a dark backdrop.
A person wearing a vertically striped shirt and glasses sits at a black grand piano. Their hands are positioned on the keyboard, and the piano's lid is open to show the internal strings and frame. The background is solid black.
A person sits at a grand piano with its lid open, revealing the internal strings and frame. They are dressed in a striped short-sleeved shirt and eyeglasses. One hand is positioned on the piano keys while the other is raised above the instrument.
A person with glasses and a short-sleeved striped shirt is seated at a black grand piano. Their fingers are resting on the keys while they look down towards the keyboard. The background is a solid, dark color that contrasts with the subject and the instrument.
A person wearing a short-sleeved striped shirt and glasses sits in profile at a black grand piano. Their right hand is raised above the piano keys while their left hand rests on their lap. The background is solid black.
A person with short hair and glasses sits at a black grand piano, wearing a short-sleeved striped shirt and dark pants. Their hands are positioned over the keyboard in a dark room. A microphone hangs in the upper right corner of the frame.
Four individuals play instruments on a stage with a black background. One person is seated at a grand piano while another stands and plays a trumpet. In the foreground, two people are seated behind a setup including a laptop and multiple keyboards.
Four musicians perform together on a dark stage using a mix of acoustic and electronic instruments. One person sits at a piano on the left, while another stands playing a trumpet on the right. In the foreground, one person plays a cello near a microphone and another operates a keyboard and multiple laptops.
A person wearing glasses and a striped shirt holds a bow across the strings of a wooden cello. A silver microphone stands in the lower-left foreground, while another microphone is positioned near the top of the instrument. The background is completely dark.
Ensemble for Intuitive Music: Michael van Hintzenstern, piano, Daniel Hoffmann, trumpet, Matthias von Hintzenstern, violoncello, and Hans Tutschku, electronics
Four individuals are positioned on a dark stage while playing various musical instruments. The ensemble includes a person at a grand piano, a standing trumpet player, a seated cellist, and a person using an electronic keyboard and laptop. Microphones and equipment stands are arranged around the performers.
On a dark stage, one person sits at a grand piano while another stands in the background playing a trumpet. In the foreground, a third person plays an electronic keyboard next to two laptops, and a fourth person sits behind them playing a cello.
Composer Charles Dodge writing musical examples during lecture
A person wearing a short-sleeved checkered shirt and wire-rimmed glasses stands beside a whiteboard. They use a marker to write notes and symbols on a series of musical staves drawn across the board. The person is looking toward the camera with one arm extended to write.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Composer Charles Dodge with violinist Stefan Haussler
Two people stand in a room with wood-paneled walls, positioned behind a music stand with sheet music. One person wears a plaid shirt and glasses, while the other wears a grey turtleneck, a dark vest, and glasses while holding a violin and bow. A black speaker on a tripod stand is visible in the background.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer Charles Dodge with James Avery at the piano
One person sits at the keyboard of a black grand piano while another person stands behind the music stand. Both individuals wear glasses and are looking toward the same area. The room features vertical wooden wall panels and music is visible on the piano stand.
A person with short hair holds a trumpet and blows into the mouthpiece while standing in front of a dark backdrop. A round, brown mute is inserted into the bell of the instrument, and a microphone is visible in the lower left foreground. A light source from the right illuminates the individual's face and hands.
In this black and white scene, a person holds a trumpet to their mouth while their hands are positioned on the valves and body of the instrument. A mute is inserted into the bell of the trumpet, and a microphone is visible in the lower-left corner. The background is solid black, highlighting the subject.
An individual with short reddish-brown hair and glasses holds a silver flute horizontally to their mouth. They are wearing a teal top and a green patterned scarf. Their fingers are positioned over the keys of the instrument.
Composer Roberto Morales, with conductor James Avery and pianist Eun Ju Kim
One person stands on the left while two others lean over the exposed interior of an open grand piano. Sheet music rests near the instrument's strings, and a microphone is positioned nearby. The setting appears to be a backstage area with various equipment and storage containers in the dark background.
A person wearing glasses holds a violin under their chin and draws a bow across the strings. Behind them, an auditorium features red seating, tall white columns, and wood paneling.
Conductor James Avery onstage with composer Roberto Morales, with musical ensemble after performance of Morales's work, Remembrance
Six people are positioned across a dark stage with musical instruments such as a double bass, a vibraphone, a drum set, and a piano. Two individuals stand at the front center, while the others are located behind various instruments and music stands. The background is dark, and light is focused on the performers and their equipment.
Seven individuals are positioned across a stage featuring a double bass, a grand piano, a marimba, a flute, and a gong. Two people stand in the foreground, while the others are situated behind or near their respective instruments. The entire group is set against a solid black backdrop.
A person with glasses and a dark sweater sits at a grand piano with its lid open, revealing the internal strings. A piece of electronic audio equipment sits on a table in the background next to vertical wood paneling. The room contains a light-colored wooden floor and a black piano bench in the distance.
One person in a grey shirt and black sweater points to a document on a music stand while another person in a plaid shirt looks on. Both individuals are wearing glasses and are positioned in front of an empty auditorium with red seating. Large white pillars and rows of seats are visible in the background.
A person stands in front of a whiteboard marked with several musical staves and writes notes with their right hand. Mathematical ratios like 5:4 and 1:8 are written above various musical symbols on the board. The individual wears glasses and a short-sleeved checkered shirt.
A person wearing glasses and a short-sleeved checkered shirt stands beside a whiteboard marked with musical staff lines. They are writing musical notes and numerical ratios on the board with a marker. The individual's head is turned toward the viewer while their hand makes a mark on the white surface.
Composer Charles Dodge at audio control console
A person sits at a large soundboard covered in numerous knobs, buttons, and faders. Their hands are positioned on the controls near a sheet of paper and two gooseneck microphones. Rows of red theater seats are visible in the background.
A person with thinning hair and wire-rimmed glasses sits in front of a brown brick wall. They wear a dark, plaid button-down shirt with a front pocket. To the right, a circular table and a bench are visible in a blurred background.
Composer Charles Dodge looking over score
A person with a bald head and glasses is positioned behind a music stand with their hands raised. They wear a red and blue plaid shirt and are shown from the side. In the background, vertical columns and dark curtains frame a space with red seating.
A person looks upward while holding a dry-erase marker in front of a whiteboard. The board contains horizontal staff lines with handwritten musical notes, numbers, and the words "Chords" and "Tinkles". The person wears a blue and gray plaid shirt and thin-framed glasses.
A person wearing glasses and a plaid shirt adjusts controls on a large audio mixing board. Two microphones and a sheet of paper are positioned on the console surface. Rows of red theater seats are visible in the background.
A person with short light hair and a beard stands in an indoor space with a brick wall to one side. They are wearing a dark blue button-down shirt, a backpack, and white wired earphones draped over their shoulders. Sunglasses are perched on top of their head as they look directly forward.
An individual with glasses and a dark-colored plaid shirt stands in front of a brick background. A window to the side shows green foliage, and the lighting creates shadows across the adjacent brick wall.
Composers Charles Dodge, Morton Subotnick, and Cort Lippe, with conductor James Avery
Four people are positioned side-by-side in a dimly lit room. The individuals wear a mix of attire including a plaid button-down, a dark jacket, a sweater over a collared shirt, and a tan polo shirt. Three of the individuals wear eyeglasses, and a window showing a brick structure is visible in the background.
Composers Charles Dodge and Miller Puckette, with bass Nicholas Isherwood
Three individuals are positioned in front of a light-colored brick wall. The person on the left wears glasses and a dark plaid shirt, while the person in the center wears a blue and tan plaid shirt. The person on the right wears a red t-shirt featuring a black star and the letters EZLN.
Composer Charles Dodge with conductor James Avery
One person wearing a plaid short-sleeved shirt and glasses stands beside another person in a black v-neck sweater and glasses. A brick wall and a dark window frame are visible in the background.
Composer Ben Thigpen in masterclass with student composers
Four people are positioned around a black electronic equipment rack containing several stacked components. One person in a dark jacket writes in a handheld notebook while others observe the equipment or the writing. The indoor space features neutral-colored walls and a partial view of a blue chair in the background.
The person on the left wears a dark plaid button-down shirt and has a bald head. The person on the right has light brown hair and wears a black sweater over a light blue collared shirt. Both individuals wear thin-rimmed glasses and stand in front of a window showing green trees outside.
Composer Ben Thigpen at audio control console
A person wearing a dark shirt and glasses leans over a large professional audio mixing console with many sliders and knobs. Below the main console, a desk holds a smaller mixer, a laptop, and computer monitors. The background features vertical curtains and a speaker mounted on a wall.
Five people stand in a room, looking at an open book held by the person in the center. They are dressed in casual attire, including jackets, sweaters, and button-down shirts. A green chalkboard with white horizontal lines is visible in the background.
A person with blue eyes and a light beard is positioned in front of a brown brick wall. They wear a dark blue button-down shirt with white earphones around their neck and sunglasses on their head. Lighting from the right illuminates the person while leaving the left side of the frame in deep shadow.
A person wearing a black long-sleeved shirt leans over a complex audio mixing board filled with colorful buttons and sliders. Their hand is positioned on a group of green faders while they look towards the equipment. The background features light-colored curtains and professional audio equipment in a dimly lit room.
A person with light skin and thinning brown hair faces left in profile against a plain white wall. They wear a blue and white striped short-sleeved shirt with a red pen in the pocket and rest their chin on their hand. Text in the bottom right corner reads "photo: Irene Haupt".
The person is shown from the side against a light background with their hand supporting their chin. They have light skin, long brown hair that is thinning at the top, and a blue and white striped shirt. The text "photo: Irene Haupt" is positioned in the bottom right corner.
A person with long, thinning brown hair stands with one hand on their hip against a neutral-colored wall. They wear a light blue and white striped short-sleeved shirt with a red pen and a dark object in the chest pocket. Text in the bottom right corner of the frame reads "photo: Irene Haupt".
James Avery conducting rehearsal of Roberto Morales's work, Remembrance, with Eun Ju Kim, piano, Martina Roth, flute, Sven Kestel, double bass, Tom Kolor (center) and Pascal Pons (left), percussion
Musicians are arranged around a grand piano in a dark room with focused lights on their sheet music and instruments. A flutist and a percussionist are visible in the foreground, while a person conducts from the background. Microphones are positioned throughout the space to capture the session.
A person with shoulder-length brown hair and a receding hairline looks forward while wearing a blue and white striped shirt. The background is a plain white wall, and a watermark in the bottom right corner reads "photo: Irene Haupt".
A person with light skin and thinning brown hair that reaches the shoulders faces forward. They wear a short-sleeved, blue and white vertically striped button-down shirt with a red pen in the front pocket. The background is a plain, light-colored wall.
A person with light skin and thinning brown hair looks toward the right while wearing a blue and white striped shirt. Their hand is raised to their face with a finger resting against their chin. The background consists of a yellow section on the left and a dark area on the right, with text in the bottom corner reading "photo: Irene Haupt".
A person with light skin and dark hair that is long on the sides looks toward the viewer with their chin resting on a closed fist. They are wearing a collared shirt with blue and white vertical stripes against a neutral, light-colored background. Small text in the bottom right corner reads "photo: Irene Haupt".
The person has long, receding brown hair and stands in a side profile against a light gray wall. They are wearing a short-sleeve, blue and white pinstriped button-down shirt with a red pen and a dark object in the pocket. One hand is placed on their hip, and a ring is visible on their finger.
Composer Morton Subotnick during lecture
A person with white facial hair and glasses is positioned in the foreground next to a laptop. Behind them, a large screen projects an image of several people amidst piles of crumpled, light-colored material. The individual is wearing a dark button-down shirt over a red top.
A person with white hair and glasses wearing a black shirt stands on a stage with hands raised in front of a large projection screen showing crumpled green and brown material. A sound mixing board and audience members are visible in the foreground. A projector and table sit on the stage next to the person.
A person with white hair, a beard, and glasses sits at a table with a laptop and mouse. Behind them, a large projection screen displays an abstract image in shades of light blue and tan. Dark curtains hang on the left side of the room.
A person with white hair and a beard stands on a wooden stage between a speaker and a projector. Behind them, a screen displays a presentation titled "GESTURES Morton Subotnick". In the foreground, audience members sit behind a large audio mixing console.
Composer Morton Subotnick during masterclass with students Asha Srinivasan and Tsai-Yun Huang
A person with a white beard wearing a black blazer over a red shirt sits at a table and holds a book. A person with dark hair and glasses sits to their left, while another person in a light blue button-down shirt stands to their right. Whiteboards are mounted on the wall in the background.
A person with a white beard and white hair on the sides of their head wears a maroon shirt and black jacket. Their hands are raised in front of their chest with index fingers pointed up and touching. Large dark speakers and a wooden floor and wall are in the background.
Composer Roberto Morales with student composer, Tom Stoll
One person wearing a white button-down shirt sits on the left side of a dark wooden table. On the right, another person wearing a dark blazer over a patterned shirt and glasses looks toward the first person. A spiral-bound document and the corner of a cardboard box are on the table.
Two people are seated at a wooden desk with a spiral-bound document, a closed silver laptop, and a small cardboard box. One person wearing a white shirt gestures with their hands while the other person wearing a dark jacket and glasses looks at the document. A window with vertical blinds is visible in the background behind a plain wall.
James Avery conducting rehearsal of Roberto Morales's work, Remembrance, with Eun Ju Kim, piano, Martina Roth, flute, Sven Kestel, double bass, Tom Kolor (left) and Pascal Pons (right), percussion
Six individuals are positioned across a dark stage in a black and white composition. A person plays a flute next to an open grand piano, while others operate a double bass and percussion instruments. Overhead lighting highlights the performers and their music stands against the dark background.
Multiple people are positioned across a stage playing various instruments such as a double bass, vibraphone, grand piano, and flute. A person stands in the foreground with their back to the camera, looking at sheet music on a stand. Microphones and additional music stands are scattered around the performers in the dimly lit space.
Six people in dark clothing are positioned across a stage featuring a grand piano, a double bass, and several percussion instruments. One person plays a flute near the piano while others are situated at marimbas and a drum set. A person in the foreground stands with their back to the camera facing a music stand against a dark purple backdrop.
Several people are positioned on a dark stage playing instruments including drums, piano, flute, and double bass. Microphones and music stands are placed throughout the performing area. One person in the foreground uses mallets on a set of drums while another sits at a grand piano.
Composer Roberto Morales with conductor James Avery
Two individuals stand together looking at a white document held in their hands. One person has a mustache and wears a gray shirt, while the other wears a light blue striped shirt and glasses. Rows of blue seats are visible in the background.
Composer Roberto Morales performing his work, Historia de Culebras, in front of a projected film
A person sits at a black grand piano on a dimly lit stage with microphones positioned over the open lid. Above the performer, a large rectangular screen displays abstract digital art consisting of bright green, pink, and blue geometric shapes and wavy lines.
A person with a mustache and dark, thinning hair sits at a grand piano wearing a white patterned shirt. Multiple microphones on stands are positioned above the open piano to capture sound from the internal strings. The background is dark, and the person's head is tilted down toward the instrument.
Pianist Eun Ju Kim and percussionist Tom Kolor rehearse Roberto Morales's work, Remembrance
A person sits at a black grand piano with the lid open, looking towards the left. In the background, another person stands behind a vibraphone and a set of drums. The dark stage environment includes microphones, music stands, and cables running across the floor.
Pianist Stephen Gosling performing Karlheinz Stockhausen's work, Kontakte
Stockhausen, Karlheinz, 1928-2007 -- Performances
A person in a black shirt sits at a piano with their hands resting on the keys. Several percussion instruments, including cymbals, mallets, and wooden blocks, are arranged around the piano alongside open sheet music.
Percussionist Rin Ozaki performing Cort Lippe's work, Music for marimba and computer
A person wearing a patterned top stands behind a large marimba with dark wooden bars. They hold four white-tipped mallets over the instrument's surface. A microphone stand is visible in the foreground against a dark background.
Several people are positioned across a dark stage surrounded by musical instruments and microphones. One person in the foreground plays drums with red mallets while another sits at a grand piano with open sheet music. In the background, other musicians are visible playing a woodwind instrument and standing near a double bass.
Pianist Eun Ju Kim, with bassist Sven Kestel and percussionist Tom Kolor, performing Roberto Morales's work, Remembrance
A person wearing a blue and white floral-patterned shirt reaches toward the strings of a black grand piano on a performance stage. In the background, another person plays a double bass while a third person stands near a vibraphone and drum set holding maracas. Music stands, microphones, and stage lighting are positioned around the group in a dimly lit hall with wood paneling.
A person in a blue and white patterned shirt sits at a piano in the center of a dimly lit stage. To the left, another person plays a double bass behind the open lid of the piano. A third person stands to the right holding mallets over percussion equipment.
Conductor James Avery with composer Roberto Morales
One person wearing a light blue button-down shirt and glasses stands next to another person wearing a white shirt with patterned trim and holding a black notebook. Both individuals look down at a music stand in a dark room with rows of seating in the background.
A person with thin, curly hair and a mustache is shown wearing thin-rimmed glasses. They are wearing a white collared shirt with a patterned trim and looking downward. The background is a dark, solid color.
A person with shoulder-length hair and glasses is positioned behind a grand piano with its lid propped open. The foreground shows the interior strings and mechanisms of the piano with a microphone nearby. Background elements include dark stage space and various equipment containers.
A person wearing a white short-sleeved shirt and glasses is seated behind a black grand piano. The lid of the piano is open, showing the internal strings and a microphone mounted on a stand. The background is dark and out of focus.
A person with shoulder-length dark hair and glasses is positioned at a black grand piano. They wear a long-sleeved shirt with a blue and white pattern. In the background, a microphone stand is visible against a dark wall.
Pianist Eun-Ju Kim with composer Roberto Morales
A person with straight brown hair and glasses sits in the foreground, looking toward a black grand piano. Another person with dark hair and a mustache is positioned behind the first person, also looking toward the piano. Both individuals wear white shirts against a dark, blurred background.
Pianist Eun-Ju Kim performing Roberto Morales's work, Remembrance
A person wearing a white shirt and glasses is positioned at a black grand piano with the lid raised. Their gaze is directed downward, while a microphone on a stand is pointed toward the internal strings. The background is dark, with some equipment visible in a soft focus behind the instrument.
A person with dark hair stands behind a marimba, holding two mallets in each hand over the wooden keys. They wear a sleeveless, patterned high-neck garment and look toward the camera. Several microphones hang above the instrument, and an exit sign is visible in the dark background.
A person with dark hair and glasses sits at a black piano in a dimly lit setting. To the right, another person stands near a vibraphone and drums holding red-tipped mallets. Music stands and microphones are positioned in the background of the stage area.
A person sits at a grand piano on a stage in a darkened room. Above the piano, a large screen shows a vibrant abstract projection with swirls of blue, pink, and neon green. A microphone is positioned over the open piano, and a small stand with mallets is located to the right.
Composer Roberto Morales performing his work, Historia de Culebres, at the piano
A person in a white shirt is seated at a grand piano with the lid raised, exposing the internal strings and dampers. Microphones on adjustable stands are placed in front of the individual and over the piano's mechanisms. The background is dark and includes a vibraphone and another standing figure.
A person with short hair, a beard, and glasses wears a red shirt while leaning over a set of drums. Their hands rest on the drumheads of two small drums in the foreground. Behind them, a marimba, a snare drum, a music stand with sheet music, and other percussion instruments are visible against a dark background.
A person with short dark hair and glasses stands next to a large, black speaker cabinet. They wear a red V-neck sweater over a light-colored patterned shirt. One hand is placed on the top corner of the speaker.
A person with a beard and glasses wearing an orange shirt leans over a set of percussion instruments. Their hands are positioned over two small drums in the foreground, with several larger drums and a xylophone visible behind them. Sheet music rests on a stand to the right, and other musical equipment is blurred in the background.
Student composers Kerith Livengood and Jeffrey Trevino
A person in a dark purple shirt and a person in an orange sweater and glasses stand next to a large black speaker. The speaker has a metal mesh grille and is positioned between the two people. One person rests their hand on the top edge of the speaker cabinet.
Percussionist Pascal Pons rehearsing, with student composer Jonathan Wilkes in background
A person in a grey shirt holds mallets over a wooden marimba next to a cymbal and a music stand with sheet music. In the background, another person in a green shirt reads from a paper score. The room includes red auditorium-style seating and light-colored walls with wooden accents.