Student composer Andrew Colella at computer
State University of New York at Buffalo. Music Library
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Percussionist Rin Ozaki performing Cort Lippe's work, Music for marimba and computer
State University of New York at Buffalo. Center for the Arts
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Nicholas Isherwood performing Karlheinz Stockhausen's, Capricorn
Stockhausen, Karlheinz, 1928-2007 -- Performances
Pianist Stephen Gosling with percussionist Tom Kolor in background rehearsing Karlheinz Stockhausen's work, Kontakte
Pianist James Avery with percussionist Pascal Pons rehearsing G. Douglas Barrett's work, Derivation X
Pianist James Avery with student Tsai-Yun Huang
Pianist James Avery, with student composer G. Douglas Barrett and percussionist Pascal Pons
Pianist Stephen Gosling, performing percussion in Karlheinz Stockhausen's work, Kontakte
Composer David Felder with bass Nicholas Isherwood and composer Miller Puckette
Composer Cort Lippe at masterclass with June in Buffalo students
Composer Gerard Pape, guitarist Magnus Andersson, and bass Nicholas Isherwood
Composers Cort Lippe and Roberto Morales with conductor James Avery
Nicholas Isherwood performing David Felder's work, Shemayin, in front of the projection of film by Elliot Caplan
Composer Charles Wuorinen with June in Buffalo students: Jane Stanley, Bert Van Herck, and Matthew Barnson
Composer Charles Wuorinen with June in Buffalo students: Paolo Cavallone, John Aylward, Michael McBride, Daniel Van Hassel, Jeff Silva, Eliza Brown, and Lee Weisert
Composer Charles Wuorinen with June in Buffalo students: Jacques Baldasari, Paolo Cavallone, John Aylward, Michael McBride, Daniel Van Hassel, Jeff Silva, and Eliza Brown
Composers Charles Wuorinen and Roger Reynolds with soprano Lucy Shelton
Composer Charles Wuorinen with violoncellist Nina Lee, soprano Lucy Shelton, pianist Alan Feinberg, and violinist Curtis Macomber, after a performance of Wuorinen's composition, Fenton Songs II
Composer Charles Wuorinen with violinist Curtis Macomber, soprano Lucy Shelton, pianist Alan Feinberg, and violoncellist Nina Lee
Composer Charles Wuorinen with violinist Curtis Macomber, pianist Alan Feinberg, soprano Lucy Shelton, and violoncellist Nina Lee
Composer Charles Wuorinen with Alan Feinberg, piano, Lucy Shelton, soprano, and Nina Lee, violoncello
Composer Charles Wuorinen with Lucy Shelton, soprano, Alan Feinberg, piano, and Nina Lee, violoncello
Composer Charles Wuorinen gesturing during seminar
Composer Lee Weisert (center) with members of the Red Fish Blue Fish Percussion Ensemble, Matthew Jenkins, Justin DeHart, Johannes Fischer, and Fabio Oliveira, rehearsing Weisert's composition, Rockaby
Red Fish Blue Fish (Musical group) - Ensemble
June in Buffalo students Jeff Silva, Daniel Van Hassel, and Jacques Baldasari
June in Buffalo students and auditors 2007: Jenece Gerber, Dominique Schafer, Eric Roth, Eliza Brown, Lee Weisert, Michael McBride, James Ogburn, Ya-Ting Lee, and Patrick Castillo
June in Buffalo students and auditors, 2007: Jacques Baldasari, Matthew Barnson, Daniel Van Hassel, S. Anthony Amstutz, Jeff Silva, Daniel Blake, and Aubrey Byerly
Stage setup for percussion used in Roger Reynolds's composition, Sanctuary
Soprano Lucy Shelton taking a bow onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Soprano Lucy Shelton onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Soprano Lucy Shelton and violinist Curtis Macomber
Percussionist Steven Schick with composer Lee Weisert, rehearsing Weisert's composition, Rockaby
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
Conductor Harold Rosenbaum rehearsing John Harbison's composition, But Mary stood, with the New York Virtuoso Singers, Calvin Weirsma and Deborah Wong, violin, Lois Martin, viola, Chris Finckel, violoncello, and Jared Egen, bass
Composer Christian Baldini with conductor Harold Rosenbaum and members of the New York Virtuoso Singers rehearsing Baldini's composition, Two adoration motets
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, and Patrick Castillo
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, Patrick Castillo, and S. Anthony Amstutz
Composer Roger Reynolds at sound console with J.T. Rinker, David Felder, Nicholas Isherwood, and James Stephenson
Composer Roger Reynolds with bass Nicholas Isherwood
Composer Roger Reynolds examining score with bass Nicholas Isherwood, with J.T. Rinker visible at right
Composer Roger Reynolds examining score with bass Nicholas Isherwood
Composer Roger Reynolds onstage with the Arditti String Quartet after a performance of Reynolds's composition, Ariadne's thread
Composer Roger Reynolds with members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Gustavo Aguilar, and Justin DeHart, with technical assistant, Ian Saxton, around the Waterphone instrument used in Reynolds's composition, Sanctuary
Composer Roger Reynolds with technical assistant Ian Saxton, and members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Justin DeHart, and Gustavo Aguilar
Composer Roger Reynolds with percussionist Robert Esler and the Waterphone used in the Oracle section of his composition, Sanctuary
Composer Roger Reynolds and percussionist Gustavo Aguilar, member of Red Fish Blue Fish percussion ensemble
Composer Roger Reynolds adjusting microphone for percussionist Steven Schick during rehearsal of Reynolds's composition, Sanctuary
Roger Reynolds talks with Steven Schick, director of the Red Fish Blue Fish percussion ensemble
Composer Roger Reynolds with the Waterphone used in the Oracle section of his composition, Sanctuary
Composer Roger Reynolds with percussion instruments used in his composition, Sanctuary
Composers Steve Reich and David Felder at a lecture given by them
Steve Reich with composer Daniel Van Hassel
Steve Reich talking with conductor Brad Lubman, with soprano Jolle Greenleaf, Caleb Burhans, and Martha Cluver
Conductor Brad Lubman and composer Steve Reich
Singers and clappers during rehearsal of Steve Reich's composition, Tehillim
Singers during rehearsal of Steve Reich's composition, Tehillim
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta