Student composer Andrew Colella at computer
Two people wearing glasses are seated behind a laptop that is positioned on top of a silver rack-mounted electronic device. One person has their hand near the keyboard while both individuals look toward the screen. In the background, there are several rows of empty dark red tiered seats.
State University of New York at Buffalo. Music Library
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Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Percussionist Rin Ozaki performing Cort Lippe's work, Music for marimba and computer
A musician with dark hair tied back wears a sleeveless patterned top while playing a large marimba. Four mallets are held in the musician's hands, captured in motion above the wooden bars. Two overhead microphones on silver boom stands are positioned to record the performance against a dark background.
State University of New York at Buffalo. Center for the Arts
A person wearing a patterned sleeveless top holds four mallets over a large marimba. Two microphones on stands are positioned above the wooden keys of the instrument. The background is dark, showing a red exit sign and another percussion instrument to the right.
A person in a patterned sleeveless top holds two mallets in each hand while playing a marimba. Several microphones are positioned on stands around the performer, and a black grand piano is visible in the background. The entire scene is set against a dark backdrop.
A person wearing a patterned top holds two mallets in each hand over a marimba. Several microphones on stands are positioned around the performer and the instrument. A grand piano is visible in the background against a dark setting.
A person stands behind a large percussion instrument, holding multiple mallets in their hands. Motion blur appears on the right arm and mallets as they strike the keys in the dark setting. Two microphones on boom stands hang above the instrument.
A person with glasses and a beard leans forward with their hands on several drums. A large wooden mallet instrument is positioned behind the drums alongside a music stand with sheet music. A large gong and other percussion equipment are visible in the dark background.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Nicholas Isherwood performing Karlheinz Stockhausen's, Capricorn
Stockhausen, Karlheinz, 1928-2007 -- Performances
A person with silver makeup on their face and neck wears headphones while illuminated by a light source from below. They hold their hands in front of their chest with fingers spread apart. The high-contrast lighting creates bright highlights on the skin and deep shadows around the facial features.
Pianist Stephen Gosling with percussionist Tom Kolor in background rehearsing Karlheinz Stockhausen's work, Kontakte
A person in a black shirt sits at a grand piano with sheet music, reaching to play cowbells with mallets. Various percussion instruments, including gongs, wind chimes, and a marimba, are arranged around the stage. A second person stands behind a percussion setup in the background of the wood-paneled room.
Pianist James Avery with percussionist Pascal Pons rehearsing G. Douglas Barrett's work, Derivation X
One person in a red shirt stands behind a collection of percussion instruments, including drums and a large gong. In the foreground, another person wearing a dark sweater and glasses sits at a black grand piano. The background features dark curtains and a vertical metal sheet hanging from a stand.
Pianist James Avery with student Tsai-Yun Huang
One person wearing glasses and a light-colored striped shirt sits next to a person with long dark hair and a dark cardigan. Both individuals look at sheet music positioned on the stand of a grand piano with its lid open. A red fire alarm pull station is visible on the white wall in the background.
Pianist James Avery, with student composer G. Douglas Barrett and percussionist Pascal Pons
Three people wearing glasses stand around an open grand piano in a room with dark curtains. One person on the left leans in to look at the instrument's interior while two others stand next to it, including one with a red sweater tied around their neck. A wooden mallet instrument sits in the background.
Pianist Stephen Gosling, performing percussion in Karlheinz Stockhausen's work, Kontakte
A musician wearing a black shirt holds a mallet with a purple tip while positioned in front of several large metal bells. In the background, a grand piano holds sheet music, and a set of red-painted wind chimes hangs nearby. The scene is set in a performance space with dark wood paneling and focused lighting.
Composer David Felder with bass Nicholas Isherwood and composer Miller Puckette
Three people stand in front of a light-colored brick wall. The person on the left wears glasses and a blue striped polo shirt, while the person in the middle wears a red t-shirt with a black star and the letters EZLN. The person on the right wears a dark plaid button-down shirt and has shoulder-length hair.
Composer Cort Lippe at masterclass with June in Buffalo students
Four people are in a room with rows of chairs and attached desks. Three individuals are seated while one person stands, all looking toward a small black device held by the person on the right. Papers, a water bottle, and a spiral-bound notebook are positioned on the desks.
Composer Gerard Pape, guitarist Magnus Andersson, and bass Nicholas Isherwood
Three individuals stand in a row in front of a light-colored brick wall. The person on the left wears a dark jacket over a grey button-down shirt, while the middle person wears glasses and a tan polo with a red sweater draped over their shoulders. The person on the right wears a blue polo shirt under a black jacket and has short dark hair and a goatee.
Composers Cort Lippe and Roberto Morales with conductor James Avery
Three individuals stand in a dimly lit auditorium with rows of seats and a staircase in the background. Two tall microphone stands are positioned on either side of the group. One person holds a piece of paper while another has their hand near their chin.
A person with glasses and short dark hair writes on a piece of paper with a white pen. They sit behind an electronic device labeled MOTU and are illuminated by a desk lamp. The background shows rows of seating in the dark.
A person with short hair, glasses, and a beard wears a red shirt while touching several red bamboo-like tubes hanging from black cords. The cords are gathered at the top and decorated with small green beads. The person is positioned in the background with their hands reaching into the foreground to manipulate the suspended objects.
A person with grey face paint wears over-ear headphones while holding their hands together in front of their chest. They are dressed in a dark, form-fitting garment. The scene is set against a black background with dramatic lighting highlighting the individual's face and hands.
A person is visible from the waist up against a dark background, illuminated by a light source from above. Metallic silver-colored paint covers their head and face, and they wear large headphones. Their hands are positioned in front of their chest with palms and fingers pressed together.
A person with light skin and short brown hair wears a blue-and-white striped button-down shirt and a black cord necklace. They have a black earpiece in their right ear and a thin wire microphone positioned near their open mouth. The background consists of dark brown wooden panels.
A person wearing a tight grey bodysuit and silver facial paint stands against a black background. They have large headphones on their head and their mouth is held open, while their hands are raised in front of their chest with fingers spread. A strong light source from the front illuminates their face, hands, and the center of their torso.
A person is partially illuminated against a solid black background, wearing large headphones and a dark long-sleeved shirt. One hand is raised to the side with fingers spread, while the rest of the body fades into deep shadow. Harsh lighting from above highlights the person's face and upper torso.
A person stands against a black background wearing over-ear headphones that emit a green light. They are dressed in a grey bodysuit and have their hands positioned together in front of their chest. High-contrast lighting creates strong highlights on the person's face and torso while leaving other areas in shadow.
A person is shown from the waist up against a solid black background, illuminated by a bright light source from the front. They wear silver paint on their face and body, with large over-ear headphones over their head. Their hands are raised near their chest with fingers extended and palms facing inwards.
Nicholas Isherwood performing David Felder's work, Shemayin, in front of the projection of film by Elliot Caplan
A person with an open mouth is positioned next to a large rectangular screen in a dark room. The screen displays an abstract composition of blurred red, pink, and blue shapes surrounding a dark, textured center. The individual is lit from one side and wears dark clothing.
A person wearing dark clothing is seated on a chair in a dark room, illuminated by a small light on the floor. A large projection screen behind them displays out-of-focus light patterns in red, orange, white, and green. The background and surroundings are predominantly black.
A projection screen displays a landscape with layers of hills in shades of blue and orange. Four bright blue hexagonal shapes are superimposed across the middle of the screen's image. In the lower-right corner, a person is seated in a dark room, partially illuminated by a light source.
A projection screen shows a landscape of dark hills beneath a thick layer of grey and purple clouds. In the lower right corner, a person is lit by a red-toned light against a dark background with their mouth open. The rest of the scene is in deep shadow, focusing attention on the screen and the individual.
A large screen displays a view of red rocks submerged in water or obscured by thick mist. A person stands to the right of the screen in a dark room, illuminated by a red light. The person's face is visible with their mouth open.
A large rectangular screen displays a low-angle view of two thick tree trunks amidst a forest with sunlight filtering through branches. In the bottom right corner, a person stands in a dimly lit space, looking toward the projection. The backdrop around the screen and the person is entirely black.
A person stands in a dark room next to a large projection screen showing white and dark blue clouds. The light from the screen illuminates the profile of the person positioned in the bottom right corner. The surrounding area is dark.
Composer Charles Wuorinen with June in Buffalo students: Jane Stanley, Bert Van Herck, and Matthew Barnson
Four people are positioned around a desk in a room with a computer and a framed poster on the wall. A person with a beard and glasses sits at the desk holding a document while looking toward another person on the right. Two other people stand behind and to the left of the desk, looking toward the same area.
Composer Charles Wuorinen with June in Buffalo students: Paolo Cavallone, John Aylward, Michael McBride, Daniel Van Hassel, Jeff Silva, Eliza Brown, and Lee Weisert
An older person with glasses and a white beard holds a large open book for several other people to see. The group is indoors with overhead lighting and a simple wall in the background. Most of the people are looking toward the book or the person holding it.
Composer Charles Wuorinen with June in Buffalo students: Jacques Baldasari, Paolo Cavallone, John Aylward, Michael McBride, Daniel Van Hassel, Jeff Silva, and Eliza Brown
An individual in a striped shirt and glasses holds an open notebook while others stand nearby to look at the pages. The group is positioned in an indoor space with overhead lighting and a wall featuring coat hooks in the background.
A person in a striped shirt holds an open spiral-bound notebook. Behind them, six other individuals stand in a group, looking at the notebook or toward the camera. The setting is an indoor room with neutral walls and a watermark across the center.
Composers Charles Wuorinen and Roger Reynolds with soprano Lucy Shelton
Three people are standing together in front of a plain wall. The person on the left wears a gray blazer and glasses, the person in the center wears a yellow cardigan over a black top, and the person on the right wears a black blazer over a green shirt. A large watermark is visible across the middle of the frame.
Composer Charles Wuorinen with violoncellist Nina Lee, soprano Lucy Shelton, pianist Alan Feinberg, and violinist Curtis Macomber, after a performance of Wuorinen's composition, Fenton Songs II
Five people pose for a group portrait in front of a neutral-colored wall. The person on the far left wears a dark top with beadwork, while the person next to them wears a gray blazer and glasses. In the center, a person wears a yellow garment over a black outfit, flanked by two others in black button-down shirts.
Composer Charles Wuorinen with violinist Curtis Macomber, soprano Lucy Shelton, pianist Alan Feinberg, and violoncellist Nina Lee
Five people are gathered together in an indoor setting in front of a large white screen. The individuals are dressed in casual clothing, including button-down shirts, trousers, and a white t-shirt. Two people hold folders, and the group stands in a semi-circle looking toward one another.
Composer Charles Wuorinen with violinist Curtis Macomber, pianist Alan Feinberg, soprano Lucy Shelton, and violoncellist Nina Lee
Five people are positioned in front of a wood-paneled wall on a stage with music stands. On the left, a person holds a violin and a bow, while on the right, another person holds a cello and a bow. The other three individuals stand between them, with one positioned behind a music stand.
Five individuals are arranged in a line on a wooden stage against a background of vertical wooden panels. The person on the far left holds a violin, while the person on the far right holds a cello and bow. A black music stand is positioned in front of the two people on the right.
Composer Charles Wuorinen with Alan Feinberg, piano, Lucy Shelton, soprano, and Nina Lee, violoncello
Four people are gathered in an indoor space with wood-paneled walls and a large screen in the background. Two individuals on the left wear button-down shirts, while two on the right lean toward each other near a music stand and a musical bow. A watermark is visible across the center of the scene.
Composer Charles Wuorinen with Lucy Shelton, soprano, Alan Feinberg, piano, and Nina Lee, violoncello
Four individuals stand in a room in front of a large projection screen. One person on the left wears a striped shirt and holds papers, while another person near the center wears a brown scarf and also holds documents. Two other people stand on the right, and a watermark is visible across the middle.
Composer Charles Wuorinen gesturing during seminar
A person with a grey beard and mustache wears oval-framed glasses and a pinstriped collared shirt. Their mouth is slightly open, and one hand is held up in the foreground. A watermark is visible across the center.
A person with thin-framed oval glasses and a gray beard wears a light-colored, vertically striped button-down shirt. One hand is raised in front of the chest while the person looks slightly to the side. A dark green board serves as the background.
A person with thinning hair, a white beard, and round glasses looks downward while wearing a striped button-down shirt. Their hands are positioned at the bottom of the frame with fingers curled, and a green chalkboard is visible in the background.
Composer Lee Weisert (center) with members of the Red Fish Blue Fish Percussion Ensemble, Matthew Jenkins, Justin DeHart, Johannes Fischer, and Fabio Oliveira, rehearsing Weisert's composition, Rockaby
Red Fish Blue Fish (Musical group) - Ensemble
Two individuals in the foreground hold mallets and drumsticks over a set of bongos and sheet music. Three other people stand in the background near more drums and percussion equipment. Bright lights illuminate the group from behind in a dark room.
June in Buffalo students Jeff Silva, Daniel Van Hassel, and Jacques Baldasari
Three people are gathered around a wooden table featuring notebooks and documents. One person stands in a blue t-shirt and jeans, while another sits in a white shirt reviewing the papers. The background consists of a brown brick wall with a framed sketch of a person's face.
June in Buffalo students and auditors 2007: Jenece Gerber, Dominique Schafer, Eric Roth, Eliza Brown, Lee Weisert, Michael McBride, James Ogburn, Ya-Ting Lee, and Patrick Castillo
Nine people are positioned in two rows in front of a brick wall and glass doorways. The group is wearing various casual outfits, including button-down shirts, sweaters, and denim pants. A copyright watermark is visible across the center of the scene.
June in Buffalo students and auditors, 2007: Jacques Baldasari, Matthew Barnson, Daniel Van Hassel, S. Anthony Amstutz, Jeff Silva, Daniel Blake, and Aubrey Byerly
Seven individuals are standing in a hallway in front of a brick pillar and a plain wall. They wear a variety of casual attire including jackets, button-down shirts, and sweaters. A semi-transparent watermark is layered across the center of the scene.
Stage setup for percussion used in Roger Reynolds's composition, Sanctuary
Several sets of percussion instruments and music stands are positioned across a darkened stage. Individual spotlights illuminate each setup, creating bright circles on the floor and leaving the rest of the area in shadow. A semi-transparent watermark is visible across the center of the frame.
Soprano Lucy Shelton taking a bow onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Four performers stand on a wooden stage accompanied by a violin, a cello, and a grand piano. One individual wears a long yellow garment over black clothing, while the other three are dressed in all black. Two music stands and two chairs are placed in the foreground.
Soprano Lucy Shelton onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
One person sits on the left playing a violin while another stands in the center singing behind a music stand. A third person sits on the right playing a cello, and a fourth person sits at a piano in the background. The musicians are on a wooden stage in a room with wood-paneled walls.
One person plays a violin and another plays a cello while seated on a wooden stage. In the center, a person stands behind a music stand with an open mouth and a raised hand. A person with grey hair is seated at a grand piano in the background.
Five individuals are positioned on a wooden stage around a black grand piano. A person on the left plays a violin, a person on the right plays a cello, and a person stands in the center behind a music stand. Another individual sits at the piano while a fifth person sits nearby.
Soprano Lucy Shelton and violinist Curtis Macomber
One person holds a violin and bow while positioned behind a music stand with sheet music. A second person stands to the right, looking toward the musician and holding up a hand with the thumb extended. The room features wood-paneled walls and a doorway visible in the background.
One individual on the left holds a violin and bow while looking toward a music stand containing sheet music. A second individual stands on the right with an open mouth. Both are in a room with vertical wood paneling on the walls and a translucent watermark across the center.
Percussionist Steven Schick with composer Lee Weisert, rehearsing Weisert's composition, Rockaby
A person in a black t-shirt and glasses holds three mallets with red heads above a snare drum that has clear glass bowls resting on its surface. Another person wearing a black hoodie stands behind them, looking toward the instruments. The background is dark and contains additional percussion equipment.
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
A person wearing glasses and an orange shirt with a blue star is positioned behind a table holding papers and a large metal bowl filled with water. Their hands are raised over the items, and they wear small black thimbles on several fingertips. The setting features a black background and a faint watermark across the middle of the frame.
A person wearing an orange long-sleeved shirt and glasses stands behind a table covered with items like a large metal pan and a small red drum. To the right, a tall metallic cylinder topped with thin rods sits on a stand. The setting is a dark stage with a spotlight focused on the table and the person.
A person wearing glasses and an orange long-sleeved shirt sits at a table and interacts with several metal discs and bowls. The scene is set on a dark stage with various musical equipment, including a marimba and a large metal basin. A small red exit sign is visible in the distant background.
A person wearing glasses and an orange shirt with a star stands over a table featuring a metal hoop and a green glass bottle. Their hands, fitted with black finger picks, reach toward the items on the surface. A microphone is suspended above the table, and a metallic instrument with vertical rods sits on a stool to the left.
A person wearing an orange long-sleeved shirt with a blue star and glasses handles dark discs on a white surface. The table holds various items including metal bowls, papers, and small tools against a dark background. To the right, a metallic object with vertical rods stands on a tripod.
Conductor Harold Rosenbaum rehearsing John Harbison's composition, But Mary stood, with the New York Virtuoso Singers, Calvin Weirsma and Deborah Wong, violin, Lois Martin, viola, Chris Finckel, violoncello, and Jared Egen, bass
A group of musicians stands and sits on a wooden stage, holding sheet music and playing instruments like the violin and double bass. A person stands on a podium in the center, facing the ensemble with their back to the viewer. The background consists of light-colored wood paneling and a large pipe organ.
Composer Christian Baldini with conductor Harold Rosenbaum and members of the New York Virtuoso Singers rehearsing Baldini's composition, Two adoration motets
Four people are gathered in a room with wood-paneled walls and music stands. One person stands in the center holding sheet music with their mouth open while another person to the right gestures with an uplifted hand. A third person sits on the left behind a music stand wearing a blue shirt and glasses.
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, and Patrick Castillo
A person in a black turtleneck and a person in a black jacket stand near several people seated at a table. One seated person with curly dark hair looks down at a notebook. The background shows a light-colored wall and an open doorway.
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, Patrick Castillo, and S. Anthony Amstutz
Five people surround a seated individual who is looking at a sheet of paper. An older person with white hair stands with raised hands, while others lean in or stand nearby.
Six people are clustered in an indoor space, with some sitting and others standing. One person holds a pen over papers while the others look toward the same area. The individuals wear various casual clothing, and a large watermark is visible across the middle of the frame.
Composer Roger Reynolds at sound console with J.T. Rinker, David Felder, Nicholas Isherwood, and James Stephenson
Five people are positioned around a Behringer Eurodesk MX 3282A sound mixing console and a laptop. One person sits at the laptop while others stand or sit near the control board, which has many cables connected to it. In the background, rows of red auditorium seating extend toward the back of the room behind large white pillars.
Composer Roger Reynolds with bass Nicholas Isherwood
One person with light-colored hair and glasses wears a striped shirt and gestures with a raised hand. A second person with dark hair and a goatee stands nearby wearing a dark blazer. They are positioned in front of a projection screen with a watermark overlaying the center.
Composer Roger Reynolds examining score with bass Nicholas Isherwood, with J.T. Rinker visible at right
Two individuals stand behind a black surface while looking down at a stack of papers. One person on the left wears a striped shirt under a blue collared shirt and glasses, while the person in the center wears a black suit jacket. A third person is partially visible on the right side of the frame. A large white copyright watermark is superimposed across the middle of the scene.
Composer Roger Reynolds examining score with bass Nicholas Isherwood
A person with white hair and glasses wears a blue shirt over a horizontally striped top. To their right, another person in a dark jacket points toward a surface behind a black lectern. Both individuals are looking down against a plain, light-colored wall.
Composer Roger Reynolds onstage with the Arditti String Quartet after a performance of Reynolds's composition, Ariadne's thread
Five individuals are positioned on a light wood stage in front of a vertically paneled wooden wall. Four of the people hold string instruments, including violins and a cello, while one person stands near the center wearing a dark blazer. Music stands, microphones, and chairs are arranged across the foreground of the performance space.
Composer Roger Reynolds with members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Gustavo Aguilar, and Justin DeHart, with technical assistant, Ian Saxton, around the Waterphone instrument used in Reynolds's composition, Sanctuary
Six individuals are arranged in a row behind a custom musical instrument consisting of a weathered metal cylinder and thin vertical rods. They wear casual attire and look forward in a dark room featuring vertical light fixtures. A semi-transparent watermark is visible across the middle of the scene.
Composer Roger Reynolds with technical assistant Ian Saxton, and members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Justin DeHart, and Gustavo Aguilar
Six people stand in a group behind percussion instruments like a large bass drum, congas, and bongos. A person in the middle holds a yellow folder with the text "REYNOLDS" displayed. The scene takes place in a dark interior with vertical lights in the background.
Composer Roger Reynolds with percussionist Robert Esler and the Waterphone used in the Oracle section of his composition, Sanctuary
One person with curly dark hair and another with grey hair and glasses are situated next to a perforated metal cylinder with protruding rods. The setting is a dimly lit theater with rows of seats and glowing overhead globe lights in the background.
Composer Roger Reynolds and percussionist Gustavo Aguilar, member of Red Fish Blue Fish percussion ensemble
One person wearing a black turtleneck and glasses stands beside another person in a plaid shirt and jeans. The person in the plaid shirt holds drumsticks over a metal stand containing a small drum, a woodblock, and a cowbell. Both individuals are looking toward the center and have upturned mouths.
Composer Roger Reynolds adjusting microphone for percussionist Steven Schick during rehearsal of Reynolds's composition, Sanctuary
One person wearing an orange shirt with a blue star stands behind a table holding items like a green bottle and small drums. Opposite them, another person in a blue shirt holds a microphone setup over the objects. In the dark background, a large percussion instrument with vertical rods is visible.
Roger Reynolds talks with Steven Schick, director of the Red Fish Blue Fish percussion ensemble
Two people wearing glasses stand indoors against a background featuring a light brown wooden panel and dark vertical bars. The person on the left wears a black leather jacket over a red checkered shirt and holds a grey baseball cap. The person on the right has short white hair and wears a black sweater with their arms crossed.
Composer Roger Reynolds with the Waterphone used in the Oracle section of his composition, Sanctuary
A person with light-colored hair and glasses stands with arms outstretched in a dark environment. Beside the person is a cylindrical object featuring vertical rods emerging from a perforated metal base. Three out-of-focus lights appear in the background, and a copyright watermark is visible across the center.
Composer Roger Reynolds with percussion instruments used in his composition, Sanctuary
A person dressed in black stands in a room with percussion instruments and music stands. Several drums occupy the lower foreground, while a larger instrument sits to the right. The person has light-colored hair and wears rectangular glasses while looking forward.
A person with short grey hair and glasses is positioned behind a large, cylindrical, perforated object with thin metal rods of varying heights extending upwards. One hand points towards the rods while the other is held near the base of the rods. The scene is set against a dark background.
A person with short hair and glasses is positioned behind a cylindrical metal drum with small holes. Thin metal rods of different lengths rise from the top of the drum in a curved arrangement. The individual's hands are held near the rods against a dark background.
Composers Steve Reich and David Felder at a lecture given by them
A person wearing a white shirt and cap sits on a platform and points toward people seated on tiered benches in a lecture hall. A second person in an orange shirt sits next to them, while another person kneels in the foreground holding equipment. A tall microphone stand stands between the speakers and the audience.
Two people are seated in front of a wall with a recessed shelf of electronic equipment and a microphone stand positioned between them. The person on the left wears a cap, glasses, and a light-colored shirt with their hands raised, while the person on the right wears an orange polo shirt and glasses. A translucent watermark is visible across the center of the scene.
Two people wearing glasses and button-up shirts stand indoors, positioned to face one another. One individual wears a brown baseball cap and a light-colored shirt, while the other is dressed in a dark patterned shirt. The background features rows of green upholstered chairs and a ceiling with circular light fixtures.
Steve Reich with composer Daniel Van Hassel
A person wearing a cap, glasses, and a blazer stands on the left, facing another person in a dark shirt. Between them, a third person wearing headphones holds a microphone labeled "wbfo" toward the individual on the left. The scene takes place indoors and includes a large watermark across the middle of the frame.
Steve Reich talking with conductor Brad Lubman, with soprano Jolle Greenleaf, Caleb Burhans, and Martha Cluver
A group stands in a room featuring wood-paneled walls and rows of green seats. On the left, a person wears a light-colored shirt and a dark cap with their hands raised in a gesture. Three other individuals stand in front of the seating, facing the person in the cap.
A person on the left wears a cap and glasses while holding their hands out horizontally. Three other individuals stand nearby in an indoor space with wood-paneled walls and a light fixture. A watermark is visible across the middle of the frame.
Conductor Brad Lubman and composer Steve Reich
A person with a beard wearing a light blue button-down shirt stands next to another person in a cap and glasses. The person in the cap has their mouth open and faces the first person. Empty rows of seating and an exit sign fill the background.
Singers and clappers during rehearsal of Steve Reich's composition, Tehillim
Four people stand behind microphones and music stands in a row against a dark background. In the foreground, two people are shown in profile, one holding a hand drum and the other with hands raised. The performers wear casual attire.
Singers during rehearsal of Steve Reich's composition, Tehillim
Four people stand in a row facing right, positioned behind two music stands with microphones. They wear casual tops in pink, green, orange, and black. The person on the far right has dark curly hair and wears glasses.
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta
Two people stand on a stage in a darkened theater, facing toward the foreground where musicians and instruments are partially visible. One person wears a light blue button-down shirt and gestures with their hands while the other person stands beside them wearing a cap and light-colored shirt. A music stand is positioned between them, and a watermark spans the center of the frame.
A person in a blue shirt gestures with both hands while standing beside another person in a cap on a stage. Musicians sit in the foreground with string instruments and sheet music on stands. The background consists of a darkened auditorium with empty tiered seating.
Several people are positioned on a stage, with some seated and holding instruments such as a cello and a violin. Two people on the left stand near a music stand holding papers, while a larger group stands behind microphones in the background. A grand piano and music stands are distributed across the stage area under overhead lighting.
Two individuals on the left gesture toward a group of four people standing behind music stands. A person sits in the center facing the two individuals, while another person sits on the right holding a stringed instrument. The background features dark panels, stage equipment, and a wooden wall.
Three people are positioned on a stage facing an empty theater with tiered seating. One person on the left sits holding a string instrument, while two others stand behind a music stand. The person in the center gestures with their hands, and the person on the right stands wearing a baseball cap and khaki pants.
A person stands against a white background wearing a brown cap, glasses, and a light-colored button-down shirt. They have one hand raised vertically in front of their face and the other hand positioned lower down. The person's gaze is directed downwards.
A person stands with their arms raised and palms upward, wearing a light-colored button-down shirt and a dark flat cap. They wear glasses and are positioned against a split white and black background. A watermark appears across the middle of the frame.