Composer Henrik Hellstenius addresses student composers at June in Buffalo 2017
A person sits at a desk on a wooden stage with a laptop while gesturing toward a screen. Behind the person, a projection displays the title of the talk and logos from the Norwegian Academy of Music. An audience is visible in the foreground, seated in a tiered auditorium.
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State University of New York at Buffalo. Music Library
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Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Composer David Felder addressing student composers at June in Buffalo 2017
A person stands on a wooden stage under a tall stand equipped with several microphones, with a covered piano in the background. In the foreground, several individuals sit in red tiered seats, many of whom are holding papers. Two additional people stand near the edge of the stage with documents in their hands.
Composers Henrik Hellstenius and David Felder with student composers at June in Buffalo 2017
Ten people are gathered in a hallway with brick walls, with a "Dept. of Music" sign visible on a bulletin board behind them. Several individuals hold disposable cups and one person carries a brown messenger bag and a stack of blue folders. They are dressed in casual attire including jackets, sweaters, and a trench coat.
Composer David Dzubay at June in Buffalo 2017
A person with short, graying hair stands in a hallway and looks towards the camera. They wear a dark jacket over a blue collared shirt. The background includes a blurred red "EXIT" sign, a brick pillar, and a dropped ceiling with square light fixtures.
Composer Jeffrey Mumford at June in Buffalo 2017
A person with dark skin, a full gray beard, and a mustache is positioned in the center of the frame. They wear a dark collared shirt against a blurred indoor background with bright light sources. A watermark is present across the middle of the person's face.
Conductor Jozsef Hars and Ensemble Uusinta (Malla Vivolin, flute, Maria Puusaari, violin, Marko Portin, clarinet, Pinja Laine, violoncello, John Smigielski, Jonathan Hepfer, and Alexander Chimienti, percussion) in a performance of Chinary Ung's Oracle at June in Buffalo 2016
A conductor stands on the left of a wooden stage, facing an ensemble of musicians seated and standing with various instruments. The ensemble features a flutist, violinist, cellist, clarinetist, and percussionists playing a vibraphone, gongs, and a drum set. Music stands and microphones on stands are scattered among the performers in front of wood-paneled walls.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer David Felder speaking to student composers at June in Buffalo 2016
Approximately thirty people are seated across several rows of tiered red cushioned benches. One person sits on a black stool on a light-colored wooden stage facing the group, while another person stands to the side. A tall microphone stand is positioned between the audience and the stage, and the surrounding walls are covered with wooden acoustic panels.
Conductor Michael Lewanski, Susan Ung, viola, and Ensemble Dal Niente (Greg Beyer and Stephen Solook, percussion, Katie Schoepflin, clarinet, and Mabel Kwan, piano) rehearse Chinary Ung's Singing inside aura at June in Buffalo 2016
In a large performance space with tall columns, musicians are positioned across a stage. A person on the left plays a marimba and drums, a conductor stands in the center with a raised hand, and another person sits at a grand piano on the right. Music stands and sheet music are distributed throughout the ensemble.
Composer Hans Abrahamsen with conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra during rehearsal at June in Buffalo 2016
Buffalo Philharmonic Orchestra - Ensemble
A person stands on a podium facing an orchestra of musicians holding instruments such as violins and cellos. The musicians sit behind music stands on a wooden stage against a backdrop of vertical wood panels. Rows of empty red seats are visible in the lower portion of the frame.
An orchestra is positioned on a wooden stage with wood-paneled walls and music stands. A person in a blue shirt stands on a podium facing seated musicians who hold instruments such as violins and cellos. In the foreground, empty red auditorium seats face the stage where another person in black walks across holding a blue folder.
Composer Hans Abrahamsen talks with conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra during rehearsal at June in Buffalo 2016
Musicians sit on a wooden stage with instruments including violins, cellos, and brass, positioned behind music stands. In the foreground, one person in a blue shirt crouches on a black platform while another individual stands nearby facing the musicians. Empty red theater seats are visible at the bottom of the frame, and the background wall features vertical wooden panels.
Musicians sit with various instruments and music stands on a wooden stage in a concert hall. A person in a blue shirt crouches on a black riser while another person in dark clothing stands facing the musicians. Rows of red theater seats are visible in front of the stage.
Composer Hans Abrahamsen greets conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra during rehearsal at June in Buffalo 2016
Musicians with string and brass instruments are seated on a wooden stage in front of wood-paneled walls. A person standing on a podium bends forward to shake the hand of another individual standing in the aisle. In the foreground, rows of empty red auditorium seats face the stage.
Composer Chinary Ung talks with conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra during rehearsal at June in Buffalo 2016
An orchestra of musicians sits on a wooden stage with various instruments, including violins and cellos, facing a person with raised arms. Another person stands in the center of the group looking towards the musicians while sheet music stands are positioned throughout the ensemble. The background consists of tall wood-paneled walls in a large hall.
An orchestra sits on a wooden stage in front of wood-paneled walls with red auditorium seats in the foreground. A conductor stands with their back to the camera, gesturing towards musicians who hold string and wind instruments. Several people are seated with sheet music on stands, and one person in a blue shirt leans forward near the center of the group.
A group of musicians sits on a wooden stage holding various instruments, including violins and cellos. A person stands in the center foreground with their back turned, raising their arms toward the ensemble. Music stands with sheets of paper are placed in front of the seated individuals against a backdrop of vertical wooden panels.
An ensemble of musicians sits on a stage with their instruments and sheet music, facing a person standing with their back to the camera. The musicians hold string, woodwind, and brass instruments in front of a wood-paneled wall. A large gong and several music stands are positioned around the performers on the platform.
Conductor JoAnn Falletta with the Buffalo Philharmonic Orchestra during rehearsal at June in Buffalo 2016
A group of musicians sits on a wooden stage with string and wind instruments, arranged around a central podium. A person stands on the podium facing the ensemble, while rows of empty red seats occupy the foreground. The background features wood paneling and large pipes from an organ.
Conductor JoAnn Falletta with the Buffalo Philharmonic Orchestra during rehearsal as composer David Felder looks on at June in Buffalo 2016
An orchestra ensemble sits on a stage with wood-paneled walls, surrounded by music stands and various instruments. In the center, a person stands on a raised podium looking toward the seated musicians with a music score open on a stand. The musicians hold stringed instruments such as cellos and violins while looking at their sheet music.
Conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra rehearse at June in Buffalo 2016
Musicians are seated in a semicircular arrangement on a stage, playing instruments while a conductor stands on a central platform. The background consists of wood-paneled walls and an organ, while the foreground shows empty theater seating. The ensemble includes a pianist, a harpist, and sections of string players with music stands.
Musicians sit in rows on a stage playing various instruments including violins, cellos, and a harp. A conductor stands on a podium in the center facing the group. The background features wood-paneled walls and a large pipe organ, with rows of empty seats in the foreground.
An orchestra sits on a wooden stage, with musicians playing various instruments including violins, cellos, double basses, a harp, and a piano. A conductor stands on a podium in the center, facing the musicians. Empty red theater seats occupy the foreground of the performance hall.
Composer David Felder acknowledges the Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralph Ehlers, viola) after a performance of Felder's Netivot at June in Buffalo 2016
Five performers dressed in black stand on a stage with violins and a cello. Several music stands, empty chairs, and a microphone stand are positioned around the group. People in the foreground are seated in a theater with their hands lifted toward the performers.
Five people wearing black clothes stand on a wooden stage with violins and a cello. The stage features music stands, chairs, and microphones, with a large pipe organ mounted on the back wall. An audience is visible in the foreground, with several people raising their hands.
Five people dressed in dark clothing stand on a wooden concert stage, with four holding string instruments and one clapping. An audience sits in red chairs in the foreground, facing toward the performers. The stage contains music stands, chairs, and microphones, set against a backdrop of wood paneling and a pipe organ.
Five performers wearing black clothing stand on a wooden stage facing a seated audience. Four individuals hold stringed instruments such as a cello and violas, while the fifth person on the right holds their hands up in a gesture. The stage contains equipment including music stands, chairs, and microphones.
Five individuals stand on a concert stage in black attire, holding a cello and violins near music stands. One person gestures toward the others as an audience in the foreground sits in red chairs and claps. The wooden hall features a pipe organ in the background and a microphone array suspended over the performers.
Four musicians holding string instruments and one other person are positioned on a wood-floored stage in front of a seated audience. The performers wear dark clothing and stand near music stands, chairs, and recording equipment. A large pipe organ and wood paneling form the background of the auditorium.
Composer Hans Abrahamsen acknowledges the Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralph Ehlers, viola) after a performance of Abrahamsen's String Quartet No. 4 at June in Buffalo 2016
Five people are on a stage with wood-paneled walls, where three individuals hold a violin, viola, and cello. Two people on the left side of the stage stand near music stands and chairs, reaching out toward one another. An audience sits in rows of seats in the foreground, facing the performers.
Five people are on a wooden stage in a concert hall, with four individuals holding stringed instruments including violins and a cello. They stand near music stands and chairs while facing an audience seated in red chairs in the foreground. A microphone stand is positioned in front of the group on the stage.
Composer Joshua Fineberg acknowledges the Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralph Ehlers, viola) after a performance of Fineberg's La Quintana for string quartet and electronics at June in Buffalo 2016
Five people wearing dark clothing are on a wooden stage with string instruments, music stands, and chairs. Tall black speakers and microphones are positioned around the performers against a wood-paneled wall. A dark audience area is visible at the bottom of the frame.
Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralph Ehlers, viola) during a performance of Joshua Fineberg's La Quintana for string quartet and electronics at June in Buffalo 2016
Four musicians sit on a lit stage playing stringed instruments in a wood-paneled concert hall. A large pipe organ is positioned on the wall behind the performers. Music stands, microphone stands, and speakers are placed around the ensemble on the stage.
Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralph Ehlers, viola) during a performance at June in Buffalo 2016
Four people in dark clothing are seated on a wooden stage, performing with violins and a cello. They are positioned behind music stands in front of a wood-paneled wall. An audience is visible in the foreground, seated in rows of red chairs within a darkened theater.
Four people sit in a semi-circle on a wooden stage, playing violins and a cello while reading from music stands. They are dressed in black and perform in an auditorium with wood-paneled walls. The backs of audience members seated in red chairs are visible in the foreground.
Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralph Ehlers, viola) before a performance at June in Buffalo 2016
Four people sit on chairs in a semi-circle while playing string instruments behind music stands. They are positioned on a stage with vertical wood-paneled walls in the background. Several people in an audience are visible at the bottom of the frame.
Student composer Igor Coelho A.S. Marques poses for a portrait with Malla Vivolin, flute and Maria Puusaari, violin of Ensemble Uusinta after a performance of student compositions at June in Buffalo 2016
Three people stand together in the foreground of a large hall with tiered rows of red seating. One person wears a patterned dress and black cardigan, another wears a light blue shirt with a tie, and the third wears a dark lace top while holding a red instrument case. Other people are visible on a wooden stage and walking through the background.
Ensemble Uusinta (Jozsef Hars, conductor, Marko Portin, clarinet, Väinö Jalkanen, piano, Max Savikangas, viola, Pinja Laine, violoncello, Malla Vivolin, flute, and Maria Puusaari, violin) and student composers Igor Coelho A.S. Marques, Colin Tucker, Ryan Suleiman, Peter Kramer, and Young Woo Yoo acknowledge applause after a concert of student compositions at June in Buffalo 2016
Twelve people stand in a line on a wooden stage in a room with white walls and a grand piano. Several individuals hold instruments including a cello and a violin, while others on the right side of the line clap. A tall microphone stand is positioned on the far right of the stage.
Twelve people are arranged in a line across a wooden stage in front of a grand piano. Some individuals hold musical instruments while others bow or stand with their hands at their sides. A watermark reading "Copyright by Irene Haupt" is visible across the middle of the scene.
A group of musicians stands in a row on a performance stage, with some individuals holding a violin, a cello, and a flute. A grand piano is positioned behind the center of the group against light-colored walls. To the right, a microphone stand extends into the foreground.
Student composers Igor Coelho A.S. Marques, Colin Tucker, Ryan Suleiman, Peter Kramer, and Young Woo Yoo acknowledge applause after a concert of their pieces at June in Buffalo 2016
Five people stand in a line across a wooden stage with a grand piano and music stands to their left. They are dressed in casual attire including button-down shirts, trousers, and a blazer. A tall microphone boom and a whiteboard are positioned on the right side of the stage.
Conductor Jozsef Hars and Ensemble Uusinta (Väinö Jalkanen, piano, Malla Vivolin, flute, Max Savikangas, viola, and Pinja Laine, violoncello) acknowledge student composer Peter Kramer after a performance of Kramer's Waxen at June in Buffalo 2016
Five people are positioned on a wooden stage featuring a grand piano and a cello. Two people shake hands in the center of the stage while others stand with musical instruments. An audience in the foreground faces the stage with hands raised in a clapping motion.
Conductor Jozsef Hars and Ensemble Uusinta (Väinö Jalkanen, piano, Malla Vivolin, flute, Max Savikangas, viola, and Pinja Laine, violoncello) perform student composer Peter Kramer's Waxen at June in Buffalo 2016
A musical ensemble performs on a stage featuring a grand piano, a cello, and a woodwind instrument. A conductor stands with raised arms facing the musicians, while music stands and a microphone boom are positioned across the stage. In the foreground, silhouetted audience members sit in rows of dark seating.
Conductor Jozsef Hars and Ensemble Uusinta (Malla Vivolin, flute, Marko Portin, clarinet, Maria Puusaari, violin, Max Savikangas, viola, and Pinja Laine, violoncello) acknowledge applause after a performance of student composer Ryan Suleiman's Up close and from a distance at June in Buffalo 2016
Five people stand on a wooden stage in front of a grand piano and several music stands. One person holds a cello, one holds a violin, and another holds a woodwind instrument, while two others stand nearby. Empty chairs and a dark curtain are visible in the background.
Conductor Jozsef Hars and Ensemble Uusinta (Malla Vivolin, flute, Marko Portin, clarinet, Maria Puusaari, violin, Max Savikangas, viola, and Pinja Laine, violoncello) acknowledge student composer Ryan Suleiman after a performance of Suleiman's Up close and from a distance at June in Buffalo 2016
Six people stand on a wooden stage holding various musical instruments, including a clarinet, violin, and cello. One person in black clothing shakes hands with another person wearing a grey blazer and dark trousers. Several music stands and chairs are positioned across the stage.
Six musicians stand on a wooden stage with a grand piano and music stands. One person on the left gestures toward the others while holding sheet music. A silhouette of an audience member is visible in the foreground.
Conductor Jozsef Hars and Ensemble Uusinta (Malla Vivolin, flute, Marko Portin, clarinet, Maria Puusaari, violin, Max Savikangas, viola, and Pinja Laine, violoncello) perform student composer Ryan Suleiman's Up Close and from a distance at June in Buffalo 2016
Five musicians sit in a semi-circle on a wooden stage playing string and woodwind instruments while a sixth person stands with their back to the camera. A grand piano is positioned to the left of the ensemble, and music stands are placed in front of each seated performer. The background includes a large white wall panel, wall-mounted speakers, and a set of heavy curtains.
Student composer Colin Tucker acknowledges Maria Puusaari, violin, Max Savikangas, viola, and Pinja Laine, violoncello of Ensemble Uusinta after a performance of Tucker's threshold at June in Buffalo 2016
Four individuals are on a wooden stage featuring a grand piano, chairs, and music stands. Two people on the left hold violins, while two people on the right shake hands next to a cello. A dark curtain and a music department sign are positioned in the background.
Maria Puusaari, violin, Max Savikangas, viola, and Pinja Laine, violoncello of Ensemble Uusinta acknowledge applause after a performance of student composer Colin Tucker's threshold at June in Buffalo 2016
Three people in dark clothing stand on a wooden stage holding a violin, a viola, and a cello. A grand piano is positioned on the left, and music stands with sheet music and empty chairs are distributed across the area. A watermark with the name Irene Haupt is visible across the middle of the scene.
Maria Puusaari, violin, Max Savikangas, viola, and Pinja Laine, violoncello of Ensemble Uusinta perform student composer Colin Tucker's threshold at June in Buffalo 2016
Two musicians sit on a wooden stage while playing string instruments. One person plays the violin on the left, while the other plays the cello on the right. Sheet music is positioned on stands in front of them in a room with light walls and dark curtains.
Väinö Jalkanen, piano and Malla Vivolin, flute of Ensemble Uusinta perform student composer Igor Coelho A.S. Marques' huithrothroy at June in Buffalo 2016
Two individuals perform music on a light wooden stage in front of a white wall. One person sits at a black grand piano wearing a maroon shirt, while another person stands to the right playing a flute and wearing a patterned skirt. A watermark reading "Copyright by Irene Haupt" is visible across the center of the scene.
Student composer Colin Tucker examines the score of his work, threshold at June in Buffalo 2016
A person with short, light-brown hair and a green button-up shirt is positioned in a room with dark curtains. The individual's gaze is directed downward toward black stands in the foreground. A wall behind them features an acoustic panel with horizontal stripes and a white object mounted on the left.
Composer Hans Abrahamsen, conductor Brad Lubman, and Ensemble Signal (Courtney Orlando, violin, Isabel Hagen, viola, Lauren Radnofsky, violoncello, Bill Solomon, percussion, Christa Robinson, oboe, Adrián Sandí, clarinet, Kelli Kathman. flute, and Ning Yu, piano) acknowledge applause after a performance of Abrahamsen's Schnee at June in Buffalo 2016
A group of people stands on a stage facing an audience seated in a darkened auditorium with tiered rows. The performers are positioned near music stands, a gong, and grand pianos, with some individuals holding instruments like a violin, cello, or woodwind. The background of the stage is made of vertical wood panels.
Composer Hans Abrahamsen and conductor Brad Lubman acknowledge Ensemble Signal (Courtney Orlando, violin, Isabel Hagen, viola, Lauren Radnofsky, violoncello, Bill Solomon, percussion, Christa Robinson, oboe, Adrián Sandí, clarinet, Kelli Kathman. flute, and Ning Yu, piano) after a performance of Abrahamsen's Schnee at June in Buffalo 2016
A group of performers holding a violin, cello, and woodwind instruments stand on a stage with music stands, a grand piano, and a large gong behind them. Two people on the left side of the stage gesture toward the musicians. The silhouettes of an audience in red seats are visible in the foreground.
A group of musicians in dark attire stands on a stage with instruments including a violin, cello, and woodwinds. Two grand pianos, music stands, and a large gong are positioned behind the group. A person in a light-colored jacket stands to the left while another person gestures with their arms raised. The silhouettes of an audience are visible in the foreground.
Composer Hans Abrahamsen acknowledges conductor Brad Lubman and Ensemble Signal (Courtney Orlando, violin, Isabel Hagen, viola, Lauren Radnofsky, violoncello, Bill Solomon, percussion, Christa Robinson, oboe, Adrián Sandí, clarinet, and Kelli Kathman, flute) after a performance of Abrahamsen's Schnee at June in Buffalo 2016
Signal (Musical group : 2008- ) - Ensemble
Six musicians sit on a wooden stage with instruments including a cello and violin, while two grand pianos are positioned in the background. A person in a light jacket stands in the center facing the musicians as everyone on stage claps. The scene includes red auditorium seating in the foreground and dark wood paneling on the walls.
Ensemble Signal members (Courtney Orlando, violin, Isabel Hagen, viola, and Lauren Radnofsky, violoncello) and conductor Brad Lubman acknowledge composer Hans Abrahamsen after a performance of Abrahamsen's Schnee at June in Buffalo 2016
A group of individuals is gathered on a light wood stage, with some holding violins and a cello near music stands and black chairs. One person in a tan blazer stands on the left side of the stage facing the others. The background consists of vertical wooden paneling and a dark recessed area behind the performers.
Several people stand on a wooden stage, with some holding string instruments like a violin and a cello near music stands. One person in a light-colored blazer bows toward the front while another person claps. A grand piano and a wood-paneled wall are visible in the background.
Composer Hans Abrahamsen acknowledges Ensemble Signal members (Courtney Orlando, violin, Isabel Hagen, viola, and Lauren Radnofsky, violoncello) as Brad Lubman looks on after a performance of Abrahamsen's Schnee at June in Buffalo 2016
Several individuals are positioned on a stage in front of a backdrop of vertical wood panels. One person on the left stands with an arm extended toward others holding a violin, viola, and cello. Music stands, chairs, and a piano are arranged across the floor.
Five individuals are positioned on a light wood stage in front of wood-paneled walls. One person on the left wears a light blazer and dark pants, while others wear black clothing and hold string instruments like violins and a cello. Two people in the center and on the far left extend their arms toward one another. Music stands, chairs, and a microphone stand are also visible across the performance area.
In a concert hall with wooden walls, six people stand on a stage near music stands, chairs, and a grand piano. One person in a tan jacket stands on the left facing a person holding a violin. Other individuals in the group hold violins and a cello, while one person stands with their back to the camera.
Composer Hans Abrahamsen hugs Courtney Orlando, violin as conductor Brad Lubman and other Ensemble Signal members (Isabel Hagen, viola and Lauren Radnofsky, violoncello) look on after a performance of Abrahamsen's Schnee at June in Buffalo 2016
Six individuals stand on a stage with wood-paneled walls, music stands, and stringed instruments. Two people in the foreground embrace while others nearby hold a violin and a cello. One person stands with their hands together in the center, and a piano is visible in the background.
Conductor Brad Lubman hugs composer Hans Abrahamsen as Ensemble Signal (Courtney Orlando, violin, Isabel Hagen, viola, Lauren Radnofsky violoncello, Bill Solomon, percussion, Christa Robinson, oboe, Adrián Sandí, clarinet, and Kelli Kathman, flute) look on after a performance of Abrahamsen's Schnee at June in Buffalo 2016
An ensemble of musicians stands on a wooden stage featuring a grand piano, a large gong, and multiple music stands. Two people embrace in front of the piano while others hold instruments or stand with their hands together. Red theater seats occupy the foreground of the concert hall.
Several individuals are gathered on a wooden stage, with two people embracing in the foreground and others standing near music stands and instruments. A cello, a grand piano, a large gong, and various wind instruments are positioned across the performance area. Red auditorium seating is visible in the lower portion of the frame, and the background consists of wood-paneled walls and organ pipes.
Conductor Brad Lubman and Ensemble Signal (Courtney Orlando, violin, Isabel Hagen, viola, Lauren Radnofsky violoncello, Bill Solomon, percussion, Christa Robinson, oboe, Adrián Sandí, clarinet, and Kelli Kathman, flute) acknowledge composer Hans Abrahamsen after a performance of Abrahamsen's Schnee at June in Buffalo 2016
Several people in black attire stand on a wood-paneled stage, some clapping while others hold instruments such as violins and a cello. Music stands, chairs, and a large gong are arranged across the platform. In the foreground, rows of red theater chairs are occupied by audience members.
Several musicians dressed in black stand on a wooden stage with instruments including a cello, violins, and a flute. A person in the center of the stage faces the audience with both arms raised. In the foreground, rows of red theater seats are visible with the silhouettes of audience members.
Conductor Brad Lubman leads Ensemble Signal (Courtney Orlando, violin, Isabel Hagen, viola, Lauren Radnofsky, violoncello, Bill Solomon, percussion, Christa Robinson, oboe, Adrián Sandí, clarinet, Kelli Kathman, flute, and Ning Yu, piano) in a performance of Hans Abrahamsen's Schnee at June in Buffalo 2016
A conductor leads a small group of musicians on a wooden stage, including string players, woodwind players, and two grand pianos. The performers sit or stand behind music stands, while an audience watches from darkened seats in the foreground. The background features vertical wood paneling and sets of organ pipes.
An ensemble of musicians dressed in black performs on a stage with light-colored wooden floors and paneled walls. The group includes two violinists, a cellist, several woodwind players, and two grand pianos, all arranged around a central conductor. An audience sits in a darkened theater area in the foreground, facing the stage.
Conductor Michael Lewanski acknowledging applause with Ensemble Dal Niente (Chris Wild, violoncello, Greg Beyer, percussion, Stephen Solook, percussion, Mabel Kwan, piano, Tam Travers, violin, Susan Ung, viola, Emma Hospelhorn, flute, and Katie Schoepflin, clarinet) after a performance at June in Buffalo 2016
Nine individuals stand in a line on a stage with wood-paneled walls, some holding musical instruments such as a violin and a double bass. Behind them sit a grand piano and several music stands, while an audience in red seats is visible in the foreground. One person on the stage has a hand placed on their chest as others stand with their arms at their sides.
Nine individuals are lined up on a wooden stage equipped with a double bass, a violin, and a grand piano. The background features vertical wood paneling, and music stands are positioned near the performers. Silhouetted audience members sit in rows of red chairs in the foreground.
Clarinetist Katie Schoepflin of Ensemble Dal Niente performs part of David Felder's Rare air at June in Buffalo 2016
A person with blonde hair stands on a light-colored wooden stage, swinging a long, transparent, flexible tube that has a yellow funnel-shaped attachment. In the background, music stands, black chairs, and two other people are positioned near wood-paneled walls. The foreground shows the backs of several people in an audience seated in red chairs.
Conductor Michael Lewanski and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Greg Beyer, percussion) acknowledge applause for a performance of Hans Abrahamsen's Winternacht at June in Buffalo 2016
Multiple performers stand on a wooden stage equipped with music stands, microphones, and instruments including a cello, guitar, and gongs. They are in front of a wood-paneled wall. The foreground shows the silhouetted heads and shoulders of an audience seated in rows of chairs.
Conductor Michael Lewanski and Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Greg Beyer, percussion) perform Hans Abrahamsen's Winternacht at June in Buffalo 2016
A group of musicians is seated on a wooden stage, performing with instruments including a violin, flute, guitar, woodwind, cello, and various percussion pieces. A conductor stands in the center with their back to an audience seated in the dark foreground. The stage features wood-paneled walls, a grand piano, and multiple music stands and microphones.
Clarinetist Katie Schoepflin and pianist Mabel Kwan of Ensemble Dal Niente perform David Felder's Rare air at June in Buffalo 2016
A seated individual in dark clothing plays a bass clarinet into a microphone on a stage. To the right, another person sits behind an open grand piano with its lid propped open. The performance space features light wood flooring, music stands, empty chairs, and a background of vertical wood panels.
Composer Chinary Ung acknowledges Susan Ung, viola as Michael Lewanski, conductor and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Chris Wild, violoncello, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) look on after a performance of Ung's Signing Inside Aura at June in Buffalo 2016
Several individuals in formal clothing stand on a stage featuring light wood walls and flooring. String, woodwind, and percussion instruments are arranged throughout the space alongside microphones and music stands.
Performers dressed in formal black and gray attire stand on a stage surrounded by music stands and equipment. Instruments including a violin, viola, and a percussion set with gongs are positioned across the space. Microphones and floor monitors are situated at the front of the stage area.
Composer Chinary Ung hugs Susan Ung, viola as Michael Lewanski, conductor and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Chris Wild, violoncello, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) look on after a performance of Ung's Signing Inside Aura at June in Buffalo 2016
Several musicians stand on a wooden stage amongst music stands, microphones, and instruments including a grand piano and percussion. Two individuals in formal wear embrace at the center of the stage while others hold a violin and woodwind instruments. The foreground contains the silhouettes of audience members seated in rows facing the performance area.
Composer Chinary Ung acknowledges Michael Lewanski, conductor, Susan Ung, viola, and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Chris Wild, violoncello, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) after a performance of Ung's Singing inside aura at June in Buffalo 2016
A group of musicians stands on a wooden stage with instruments including violins, a flute, a piano, and a percussion setup with gongs. One person on the far left stands with hands pressed together while others stand near music stands and instruments. In the foreground, an audience is seated in rows of red chairs facing the stage.
Composer Chinary Ung acknowledges Michael Lewanski, conductor, Susan Ung, viola, and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) after a performance of Ung's Singing inside aura at June in Buffalo 2016
A group of musicians stands on a wooden stage surrounded by instruments including a piano, gongs, and string instruments. One person stands on the far left while others hold their instruments or stand near music stands. In the foreground, the backs of audience members are visible as they sit in red theater seats facing the stage.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Chris Wild, violoncello, Stephen Solook, percussion, Katie Schoepflin, clarinet, Emma Hospelhorn, flute, and Greg Beyer, percussion) in a performance of Chinary Ung's Singing inside aura at June in Buffalo 2016
An ensemble of musicians is positioned across a wooden stage, with some seated and others standing. Various instruments are visible, including a grand piano, a cello, percussion racks with gongs, and music stands. Microphones are placed throughout the stage area, and an audience sits in the foreground.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Chris Wild, violoncello, Stephen Solook, percussion, Katie Schoepflin, clarinet, and Emma Hospelhorn, flute) in a performance of Chinary Ung's Singing inside aura at June in Buffalo 2016
A group of musicians plays in a wood-paneled concert hall while a conductor faces the ensemble. One person in the center holds a violin in one hand and a bow raised in the other. The stage contains a grand piano, a cello, woodwind instruments, and percussion such as gongs and glasses.
A musical group including string and wind instruments performs on a stage in front of a wood-paneled wall. A conductor stands facing a soloist who holds a violin bow high in the air. Seated musicians play instruments such as the cello and violin, with sheet music on stands before them. Percussion instruments like gongs and a piano are also positioned on the stage.
A group of musicians dressed in dark formal wear performs on a wooden stage with several music stands and microphones. A person at the center stands with a violin and holds a bow aloft while a conductor faces the group with outstretched arms. The ensemble includes players of a grand piano, cello, violin, woodwind instruments, and large gongs in the background.
Several people occupy a stage with instruments such as violins, a cello, a clarinet, and a gong. One person stands with their back to the viewer and gestures with a baton towards the group. Another person stands centrally, holding a violin while raising a bow high and keeping their mouth open.
Musicians perform with strings, piano, and a large percussion section on a wooden stage. A conductor stands in the center with their back to a seated audience in red chairs. The background features light-colored wood paneling and a pipe organ.
Conductor Michael Lewanski leads Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Chris Wild, violoncello, Katie Schoepflin, clarinet, and Emma Hospelhorn, flute) in performance at June in Buffalo 2016
A group of musicians including a violinist, cellist, woodwind player, and percussionists perform on a wooden stage led by a conductor. The ensemble is surrounded by music stands, microphones, and a grand piano against a backdrop of wooden wall panels. An audience is visible in the foreground, seated in rows of red chairs facing the performance.
Composer Chinary Ung coaches percussionist Greg Beyer of Ensemble Dal Niente on Ung's Singing inside aura at June in Buffalo 2016
One person wearing a grey suit and scarf stands next to another person in a blue shirt. In the foreground, several long-handled mallets with different colored tips lie on a dark cloth. The scene is set against a wall of vertical wooden slats and features a watermark across the middle.
Composer Chinary Ung coaches Ensemble Dal Niente on Ung's Singing inside aura at June in Buffalo 2016
An individual wearing a gray suit and glasses sits in front of a music stand with papers on it. They have one hand raised and pointing while looking toward the side of the frame. In the background are rows of red seats and a microphone stand, while the foreground shows parts of other people and musical instruments.
A person with grey hair and glasses stands behind a stand, looking at an open book with their mouth open and one hand pointing forward. They wear a grey suit jacket over a checkered shirt and a dark scarf. The background consists of a wall with vertical panels and a dark metal railing.
A person with grey hair sits in front of a music stand, pointing at a page in a spiral-bound notebook. They wear a grey blazer and a scarf while looking toward the stand. Rows of red theater seats fill the background.
A person wearing a grey blazer and glasses sits behind a stand holding a notebook. They point at a page in the notebook while looking downward. Behind them, several rows of empty red theater seats are visible under warm lighting.
A person wearing a grey suit and scarf stands in a theater looking down at a spiral-bound book on a music stand. Behind them, several rows of red seats are visible in an empty auditorium. The person wears glasses and has grey hair.
Composer Chinary Ung coaches Ensemble Dal Niente (Katie Schoepflin, clarinet, Chris Wild, violoncello, Emma Hospelhorn, flute, and Tam Travers, violin) on Ung's piece Singing inside aura at June in Buffalo 2016
A person in a gray suit and glasses sits on a high stool, gesturing with a raised hand toward a group of musicians. The musicians sit with their backs to the camera, surrounded by music stands, instruments, and microphones. Rows of empty red seats in a large auditorium are visible in the background.
Composer Chinary Ung coaches Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Chris Wild, violoncello, Stephen Solook, percussion) on Ung's Singing inside aura as Michael Lewanski, conductor at June in Buffalo 2016
Several people are on a wooden stage surrounded by musical instruments and recording equipment. One person stands with a violin behind a music stand, while another sits near large gongs in the background. Microphones, cables, and various speakers are positioned across the floor around the seated and standing individuals.
Composer Chinary Ung coaches Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Chris Wild, violoncello, Stephen Solook, percussion, Katie Schoepflin, clarinet, Emma Hospelhorn, flute, and Greg Beyer, percussion) on Ung's Singing inside aura as Michael Lewanski, conductor at June in Buffalo 2016
A group of musicians is positioned on a wooden stage with a grand piano, gongs, and other percussion instruments. Some individuals are seated playing string instruments, while others stand near music stands or racks of tuned gongs. Microphones and cables are distributed across the floor, and the back of an audience in red seats is visible in the foreground.
Composer Chinary Ung coaches Michael Lewanski, conductor and Ensemble Dal Niente (Emma Hospelhorn, flute, Chris Wild, violoncello, and Tam Travers, violin) in rehearsal of Ung's Singing inside aura at June in Buffalo 2016
Several individuals are positioned on a light wooden stage with music stands, microphones, and cables. One person in a suit stands near the edge of the stage by rows of empty red theater seats, while another person sits in the audience area. The background features white columns and vertical wooden wall panels.
Susan Ung, viola and Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Stephen Solook, percussion) rehearse Chinary Ung's Singing inside aura at June in Buffalo 2016
Several individuals play a variety of musical instruments in a wood-paneled rehearsal hall. In the foreground, a person stands at a vibraphone with mallets while another individual to the right operates a large percussion setup. Musicians playing a cello, violin, and grand piano are positioned in the center and background of the room. Sheet music sits on stands amidst a collection of gongs, drums, and keyboard percussion instruments.
Susan Ung, viola and Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, Chris Wild, violoncello, Mabel Kwan, piano, Stephen Solook, percussion) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
Multiple musicians play various instruments on a light-colored wooden stage. A person stands at a vibraphone in the foreground, while another is positioned at a marimba on the right side. In the middle ground, two people play string instruments near a grand piano and a large rack of gongs.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Emma Hospelhorn, flute, Greg Beyer, percussion, Katie Schoepflin, clarinet, Chris wild, violoncello, and Mabel Kwan, piano) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
A group of musicians performs in a room with wood flooring and paneled walls. In the foreground, a person plays a percussion instrument with mallets, while others in the background play the violin, cello, and piano. Multiple music stands and a variety of percussion equipment like gongs and marimbas are positioned throughout the space.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, and Stephen Solook, percussion) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
Multiple people perform on a stage equipped with diverse percussion instruments, a violin, and a grand piano. Sheet music stands are distributed among the players, and a large rack of gongs stands on the left. The scene is set in a spacious hall with wooden paneling and tall columns.
Multiple people are arranged on a stage with musical instruments such as gongs, drums, and a violin. A person stands in the background with arms raised, directing the group. The space features tall pillars and vertical wood paneling on the walls.