Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, and Stephen Solook, percussion) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
Several people play various musical instruments in a large, wood-paneled hall. The ensemble includes percussionists with gongs and drums, a violinist, and a pianist. Sheet music sits on stands positioned around the performers, and one person stands with arms outstretched toward the group.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Conductor Michael Lewanski leads Ensemble Dal Niente (Greg Beyer, percussion, Emma Hospelhorn, flute, Katie Schoepflin, clarinet) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
A group of musicians is gathered on an auditorium stage for a rehearsal featuring numerous percussion instruments, including a rack of gongs and a marimba. One person stands at the center conducting while others are seated with their instruments and music stands. The setting includes empty red theater seats in the background and tall columns lining the walls of the hall.
Conductor Michael Lewanski leads Susan Ung, viola and Stephen Solook, percussion in Ensemble Dal Niente's rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
A person with long hair and a beard uses mallets to play a marimba in the foreground. Behind them, another person stands with a raised hand facing a group of musicians and music stands. Cymbals, drums, a cello, and a gong are spread across a stage featuring tall white pillars and wooden walls.
Stephen Solook and Greg Beyer, percussion of Ensemble Dal Niente rehearse Chinary Ung's Singing inside aura with Susan Ung, viola at June in Buffalo 2016
A person with long hair tied back plays a drum while standing next to a large marimba. Other musicians are positioned around the stage near music stands and various percussion setups. The room features wood-paneled walls and large vertical columns in the background.
Stephen Solook and Greg Beyer, percussion of Ensemble Dal Niente rehearse Chinary Ung's Singing inside aura at June in Buffalo 2016
A person with long, tied-back hair uses mallets to play small drums while standing near a timpani and a large marimba. Another individual is positioned in the background near a rack of gongs and other percussion equipment. The stage features light-colored wooden flooring and walls with vertical wood paneling.
Susan Ung, viola rehearses Chinary Ung's Singing inside aura at June in Buffalo 2016
A person wearing a cardigan stands behind a music stand in a room with wood-paneled walls. They hold a violin to their shoulder and raise one arm straight up while holding a bow. Their head is tilted back with an open mouth, and a piano and gongs are visible in the background.
A person wearing glasses and a light-colored shirt stands behind a music stand on a stage. They hold a violin while raising their other arm high with a bow, their head tilted back and mouth open. The background includes wooden walls, a piano, and various percussion instruments.
A person wearing a light-colored sweater holds a bow to a stringed instrument in a room with wood-paneled walls. They are looking toward sheet music on a black stand, and a piano is visible in the background. A small microphone is attached to the instrument, and a watermark spans the center of the frame.
A person in a light yellow cardigan holds a string instrument under their chin while moving a bow across its strings. Behind them, several musical instruments are visible, including a large gong, cymbals, and a music stand. The room features vertical wood paneling on the walls.
A person with short brown hair and glasses holds a viola under their chin while drawing a bow across the strings. They are wearing a light-colored button-up cardigan and are positioned in front of a wood-paneled wall. A small microphone is attached to the body of the instrument.
A person in a light-colored cardigan holds a violin against their shoulder and raises a bow straight up. Their head is tilted back toward the ceiling with an open mouth in a room featuring wood-paneled walls. The background contains music stands, cymbals, a marimba, and a rack of gongs.
Susan Ung, viola rehearses Chinary Ung's Singing inside aura with Greg Beyer, percussion of Ensemble Dal Niente at June in Buffalo 2016
A person wearing a light-colored cardigan holds a viola and bow while standing behind a music stand. In the background, another person stands near percussion equipment in a wood-paneled room. Microphones are placed near the musicians.
A person wearing a light-colored cardigan and glasses holds a viola against their shoulder and chin. They use a bow in their right hand to play the instrument while in a room with vertical wooden panels. A watermark is visible across the middle of the frame.
A person with short hair and glasses holds a viola and a bow in a playing position. They are positioned in front of a music stand with sheet music against a wood-paneled wall. Musical instruments and equipment are visible in the background.
A person wearing a light-colored shirt and glasses holds a viola under their chin while drawing a bow across the strings. Their left hand is positioned on the fingerboard, and their mouth is slightly open. The scene takes place in a room with vertical wood-paneled walls and music equipment visible in the background.
Cover of Mabel Kwan's piano music for composer Chinary Ung's Singing inside aura with Ensemble Dal Niente members Emma Hospelhorn, flute, Katie Schoepflin, clarinet, and Tam Travers, violin, in the background at June in Buffalo 2016
A grand piano with an open lid displays sheet music for Chinary Ung's "SINGING INSIDE AURA" on its stand. In the background, musicians sit on a stage facing an empty auditorium with rows of red seats, while the inner strings of the piano are visible in the foreground.
Composer Joshua Fineberg coaches Michael Lewanski, conductor and Ensemble Dal Niente (Emma Hospelhorn, flute, Katie Schoepflin, clarinet) on Fineberg's piece Paradigms at June in Buffalo 2016
Four people are positioned on a wooden stage in front of rows of red auditorium seating. Two individuals sit on the left side holding wind instruments, while one stands in the center and another sits on a stool looking at sheet music. Multiple music stands, microphones, and the edge of a piano are visible across the performance area.
Composer Hans Abrahamsen watches as Michael Lewanski, conductor leads Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Greg Beyer, percussion) in rehearsal of Abrahamsen's Winternacht at June in Buffalo 2016
Musicians play various instruments including a grand piano, cello, violin, flute, guitar, and percussion on a wooden stage. A large pipe organ is positioned on the wall behind the performers, and music stands and microphones are scattered across the floor. In the foreground, red theater seats are occupied by two people watching the performance.
Conductor Michael Lewanski leads Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, Mabel Kwan, piano, Chris Wild, violoncello, Emma Hospelhorn, flute, and Tam Travers, violin) in rehearsal of Hans Abrahamsen's Winternacht at June in Buffalo 2016
Several people are positioned on a wooden stage playing instruments such as a grand piano, marimba, and violin. One person sits at the piano with their back to the camera while others are seen with their instruments and music stands. The background features tall columns and rows of red theater seating.
Composer Hans Abrahamsen coaches Michael Lewanski, conductor and Ensemble Dal Niente (Tam Travers, violin, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, Greg Byer, percussion) on Abrahamsen's Winternacht at June in Buffalo 2016
Several individuals are positioned on a wooden stage with instruments including a cello, violin, and percussion equipment. They are arranged around music stands with sheet music, while microphones and recording equipment are placed throughout the area. In the foreground, a person sits on the floor with a laptop facing the stage. The room features wood-paneled walls and a piano in the background.
Musicians sit and stand on a wooden stage in a concert hall, with a conductor positioned in the foreground facing them. The ensemble includes various instruments such as a violin, a cello, a guitar, and percussion. Music stands, microphones, and technical equipment are dispersed around the performers against a backdrop of wood-paneled walls.
Composer Hans Abrahamsen coaches Michael Lewanski, conductor and Tam Travers, violin of Ensemble Dal Niente on Abrahamsen's Winternacht at June in Buffalo 2016
One person sits on a high stool with a score while another person stands in front of them with hands raised. A third person sits on the right holding a string instrument, and a fourth person is seated in the background. The wooden stage features microphones, music stands, and cables near rows of red auditorium seating.
A person sits on a high stool on a stage next to a music stand while another person stands in the center with raised hands. In the foreground, music stands hold sheet music, and a third person holds a musical bow. Rows of empty red theater seats fill the background of a darkened hall.
A person in a light blue shirt sits on a high stool while looking toward another person standing in a dark jacket. Rows of red auditorium seating are visible in the background behind them. Music stands with sheet music are positioned on the stage in the foreground.
Four people are positioned on a wooden stage with one person on a high stool and another standing behind a music stand containing sheet music. A third person in the foreground holds a stringed instrument, while a fourth person sits in the background among rows of empty red seats with a laptop. Various pieces of stage equipment and microphones are visible in the distance.
Sheet music for Josh Levine's Former Selves at June in Buffalo 2016
A collection of spiral-bound musical scores is arranged on a dark background. The top cover is titled "Former Selves" by Josh Levine and specifies it is for trombone. Additional scores for bass clarinet and flute are partially visible underneath.
John Smigielski, percussion works in a percussion setup at June in Buffalo 2016
An assortment of percussion instruments, including marimbas, xylophones, and various drums, is arranged across a light wood stage. Metal stands hold cymbals and gongs, while mallets and black cloths rest on the bars of the mallet instruments. In the background, a person stands near a set of instruments, and rows of red auditorium seating are visible.
Percussion setup at June in Buffalo 2016
Five bronze cymbals are arranged in a vertical row in the foreground on a wooden floor next to a marimba. A metal pipe structure with hanging percussion instruments stands behind them, and several smaller instruments are scattered across the stage. Tall white pillars and dark acoustic panels line the walls of the large interior space.
Stephen Solook, percussion, looks over a percussion setup at June in Buffalo 2016
A person with long hair and glasses is positioned behind several mallet instruments in a studio with wood-paneled walls. The foreground features the silver bars of a vibraphone and a tiered rack of small bronze-colored cymbals. A large wooden marimba and a bass drum occupy the background area.
Conductor Jozsef Hars and members of Ensemble Uusinta (Max Savikangas, viola, Pinja Laine, violoncello, and Väinö Jalkanen, piano, rehearse student composer Young Woo Yoo's String Trio at June in Buffalo 2016
Four people are gathered in a music room with dark flooring and several black music stands. One person sits on a wooden stool with a raised hand, facing others who are positioned at a grand piano, a violin, and a cello. Green chalkboards with musical notations and grey acoustic panels are visible on the walls behind them.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Katie Schoepflin, clarinet of Ensemble Dal Niente packs up after rehearsal of David Felder's Rare Ari at June in Buffalo 2016
A person wearing dark clothing sits on the floor beside an open black case containing a blue cloth. They hold a bass clarinet while looking at a small item in their hands. Dark curtains and red theater seats are visible in the background.
Composer David Felder coaches Katie Schoepflin, clarinet and Mabel Kwan, piano of Ensemble Dal Niente rehearse Felder's Rare air at June in Buffalo 2016
A person plays a woodwind instrument behind a music stand while another person sits at a grand piano. A third person stands in the foreground with their back to the camera. The background consists of a vertically paneled wood wall and organ pipes.
Katie Schoepflin, clarinet and Mabel Kwan, piano of Ensemble Dal Niente rehearse David Felder's Rare air at June in Buffalo 2016
Two people sit on a wooden stage performing in front of a wood-paneled wall. One person plays a grand piano while the other person plays a woodwind instrument behind a music stand and a microphone. A single empty chair sits on the right side of the stage.
Mabel Kwan, piano and Katie Schoepflin, clarinet of Ensemble Dal Niente rehearse David Felder's Rare air at June in Buffalo 2016
A person sits at a grand piano on a light wood stage, while another person sits nearby holding a large woodwind instrument. Both people face music stands in an auditorium with red seats and tall columns.
Composer David Felder coaches Katie Schoepflin, clarinet of Ensemble Dal Niente on Felder's Rare air at June in Buffalo 2016
One person with light-colored hair plays a bass clarinet while positioned in front of a music stand. A second person wearing glasses and a brown blazer stands behind them with a hand raised. The scene is set in a room with vertical wood panels.
A person with blonde hair is seated and playing a large woodwind instrument in front of a microphone and music stand. Another person wearing a blazer and glasses stands behind the musician in a room with vertical wood paneling. The scene includes musical equipment and a black speaker in the background.
Katie Schoepflin, clarinet of Ensemble Dal Niente rehearses David Felder's Rare air at June in Buffalo 2016
A person with light hair wears black clothing while seated and playing a large woodwind instrument on a wooden stage. A microphone on a stand is positioned in front of the instrument, and music stands are placed on either side. The background features dark wood-paneled walls and additional musical equipment.
J.T. Rinker and Chris Jacobs assist with electronics while Katie Schoepflin, clarinet of Ensemble Dal Niente rehearses David Felder's Rare air at June in Buffalo 2016
Three people are situated around a raised wooden stage in an auditorium featuring vertical wood paneling and red seating. One person sits on a chair holding a bass clarinet, a second person kneels on the stage edge near electronic equipment, and a third person stands on the floor level facing the others. The scene includes music stands, speakers on black stands, and coiled cables on the stage.
A person on a wooden stage plays a large woodwind instrument while seated in a chair. A second person stands below the stage level and looks toward the performer. The scene includes music stands, speakers, and a background of vertical wood paneling.
A person with light-colored hair stands in profile, blowing into a clear, flexible tube that loops around and ends in a yellow funnel. They are dressed in black and positioned against a background of vertical wood slats. Empty chairs and a music stand sit behind them.
A person dressed in black stands before a light wood-paneled wall on a stage. They hold one end of a flexible clear tube to their mouth while their other hand lifts the opposite end, which terminates in a yellow bell, into the air. Several black chairs and a music stand are situated in the background.
A person with blonde hair stands on a wooden stage holding a long, clear plastic tube that loops down to the floor and back up to their mouth. Behind them, a large pipe organ is integrated into a wood-paneled wall, accompanied by speakers and empty chairs. The back of another person's head is visible in the lower-left foreground, facing the stage.
A person with blonde hair stands on a stage wearing dark clothing and holding a clear plastic tube with a yellow funnel. Facing them is a person with a shaved head seen from the back, wearing a blazer with their hands raised. The background features wood-paneled walls and a pipe organ.
Composer David Felder coaches the Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, Ralf Ehlers, viola) on Felder's Netivot at June in Buffalo 2016
Four people are positioned on a wood-paneled stage, with three seated holding violins and a cello and one standing with papers. Music stands, black instrument cases, and a microphone stand are distributed around the performers. Red auditorium seating is visible at the bottom of the frame.
Composer David Felder and Olivier Pasquet, electronics, watch the Arditti Quartet rehearse Felder's Netivot at June in Buffalo 2016
Two individuals stand in front of a wall with vertical wooden slats. The person on the left wears a brown blazer and glasses, holding a white folder and a pencil. The person in the center is dressed in a black t-shirt and has their hand positioned on their chin.
Composer David Felder and Olivier Pasquet, electronics watch as the Arditti Quartet (Ralf Ehlers, viola, Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) rehearse Felder's Netivot at June in Buffalo 2016
Four musicians play string instruments while seated in a circle around music stands on a wooden stage. Two people stand nearby and look toward the performers. The background consists of rows of empty red seats in an auditorium.
Composer David Felder coaches the Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, Ralf Ehlers, viola) on Felder's Netivot as Olivier Pasquet, electronics listens at June in Buffalo 2016
On a stage with wood-paneled walls, three people sit behind music stands holding violins and a cello. Two people stand on the left side of the stage looking toward the seated individuals. The musicians wear casual clothing, and black wires cross the wooden floor in the foreground.
Three people are seated on a stage holding violins and a cello while looking at music stands. Two people stand in the foreground, one holding sheet music and facing the seated group. The background consists of wood-paneled walls and a tall speaker on a stand.
Four people sit on a wooden stage with instruments including a cello and violins. One person leans over a music stand while another person in the foreground leans forward with their back to the camera. Music stands, instrument cases, and chairs are distributed across the stage.
Four individuals play string instruments, including a cello and violins, while seated on a wooden stage. Music stands and microphones are positioned between the performers, and a fifth person stands in the foreground facing the group. The background consists of vertical wood paneling.
Composer David Felder coaches members of the Arditti Quartet (Ashot Sarkissjan and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
In a performance space with rows of red seating, three people are gathered near music stands. A person on the right wears a pink shirt and holds a violin, while a person in the center stands wearing a brown jacket and holding a score. A third person in a striped shirt is seen from behind in the lower left corner.
Composer David Felder coaches the Arditti Quartet (Ralf Ehlers, viola and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Several individuals are on a wooden stage with music stands, microphones, and stringed instruments. One person wears a blazer and holds open sheet music, while another person sits in a pink shirt and writes on a music stand. Rows of red theater seating fill the background behind the stage.
Composer David Felder coaches the Arditti Quartet (Ralf Ehlers, viola, Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Several people are gathered on a wooden stage with music stands and string instruments. One person in a striped shirt writes on a score while another person in a blazer holds a folder in the background. Rows of empty red auditorium seats fill the background.
Several people are gathered on a stage with music stands and string instruments. One person in a striped shirt uses a pencil to mark a page of sheet music while others hold bows. In the background, rows of empty red theater seats fill the space behind a person wearing a blazer and glasses.
Several individuals sit in a circle on a wooden stage, holding stringed instruments and bows while looking at sheet music. A person stands behind them, holding a score and a writing utensil. The background consists of numerous rows of red auditorium seating.
Five people are positioned on a wooden stage with rows of red theater seats in the background. One person stands in the center holding a document while four others sit with string instruments and bows around music stands. Sheet music is displayed on several stands throughout the group.
Composer David Felder coaches the Arditti Quartet (Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Four people are positioned on a wooden stage in front of several rows of empty red theater seats. Three individuals sit with stringed instruments and music stands, while a fourth person stands facing them with a musical score. Sheet music is positioned on black stands between the seated musicians.
Four musicians with string instruments are arranged in a circle around music stands on a wooden stage. A fifth person stands behind the group holding an open score in front of rows of empty red theater seats. Microphones and cables are positioned around the performers.
Matt Sargent, sound engineer, and J.T. Rinker and Olivier Pasquet, electronics rehearse David Felder's Netivot at June in Buffalo 2016
Three individuals are seated at a long table containing laptops, papers, and a mixing console in a darkened room. Rows of red auditorium seats are visible in the foreground. Various water bottles, a soda bottle, and electronic cables are spread across the table's surface.
Composer Hans Abrahamsen coaches Brad Lubman, conductor of Ensemble Signal, on Abrahamsen's Schnee at June in Buffalo 2016
Two people stand together, with one individual holding a light green spiral-bound notebook. Both individuals wear black jackets and look toward the pages of the open book. The person on the left has short dark hair and a beard, while the person on the right has short gray hair.
One person wearing a dark jacket over a grey shirt holds a musical score and points to its cover. A second person stands to the right, looking in the direction of the first person. The background includes music stands, white walls, and glass windows.
Composer Joshua Fineberg coaches the Arditti Quartet (Lucas Fels, violoncello, Ashot Sarkissjan, violin, Irvine Arditti, violin, and Ralf Ehlers, viola) on Fineberg's La Quintana for string quartet and electronics at June in Buffalo 2016
Four people sit in a semi-circle holding string instruments such as a cello and violas, while a fifth person sits to the right holding sheet music. They are seated in black chairs on a wooden floor in a room with vertical wood paneling. Music stands hold open scores in front of the musicians, and various bags and instrument cases are scattered around the floor.
Composer Hanna Eimermacher acknowledges applause with Malla Vivolin, bass flute and Marko Kassl, accordion after a performance of Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
Two people stand together on the left side of a wooden stage, with one holding a flute while the other has a hand on their shoulder. A third person stands to the right holding a black accordion. Music stands, black chairs, and microphones are positioned around the performers in front of a wood-paneled wall.
Three people stand together on a stage in front of a wood-paneled wall, holding hands. One individual on the left holds a woodwind instrument, the center person wears a patterned dress with a pink scarf, and the person on the right wears an accordion. Music stands, microphones, and chairs are positioned around the group on the stage floor.
Malla Vivolin, bass flute and Marko Kassl, accordion of Ensemble Uusinta perform Hanna Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
One person sits on the left holding a large vertical flute, while another person sits on the right playing an accordion. Both musicians are positioned behind music stands and microphones on a wooden stage. A dark red curtain serves as the backdrop, and a copyright watermark is overlaid across the center.
Conductor Jozsef Hars acknowledges composer Joshua Fineberg along with Ensemble Uusinta (Väinö Jalkanen, piano, Maria Puusaari, violin, Emma Hospelhorn, flute, Marko Portin, clarinet, John Smigielski, percussion, Pinja Laine, violoncello, Jonathan Hepfer, percussion) in a performance of Joshua Fineberg's Objects trouvés at June in Buffalo 2016
Eight performers stand on a wooden stage with a grand piano, string instruments, and percussion. One person walks toward the edge of the stage as audience members watch from red seats in the foreground. A large pipe organ is built into the back wall of the theater.
A group of musicians stands on a stage with a grand piano, percussion instruments, a violin, and a cello. One person on the stage leans forward to shake hands with another person standing in front of the platform. Red theater seats and silhouettes of audience members occupy the foreground.
Conductor Jozsef Hars leads Ensemble Uusinta (Väinö Jalkanen, piano, Maria Puusaari, violin, John Smigielski, percussion, Emma Hospelhorn, flute, Marko Portin, clarinet, Pinja Laine, violoncello, Jonathan Hepfer, percussion) in a performance of Joshua Fineberg's Objects trouvés at June in Buffalo 2016
Musicians perform with instruments including a grand piano, flute, and cello on a wood-paneled stage. A conductor stands in the center facing the ensemble with their arms raised. Rows of red theater seats and silhouettes of heads are visible in the foreground.
Conductor Jozsef Hars acknowledges composer Chinary Ung along with Ensemble Uusinta (John Smigielski, percussion, Malla Vivolin, flute, Maria Puusaari, violin, Jonathan Hepfer, percussion, Pinja Laine, violoncello, Marko Portin, clarinet, and Alexander Chimienti, percussion) after a performance of Ung's Oracle at June in Buffalo 2016
An ensemble of musicians stands on a stage with instruments including a violin, cello, woodwinds, and percussion. Two individuals positioned at the edges of the stage gesture toward the group. Music stands, microphones, and a black padded bench are arranged across the floor.
A group of musicians with instruments including a flute, violin, cello, and saxophone stand on a wooden stage in front of music stands. One person in the foreground bows toward the empty seats of an auditorium. Percussion instruments like gongs and a drum kit are visible in the background.
Conductor Jozsef Hars leads Ensemble Uusinta (John Smigielski, percussion, Malla Vivolin, flute, Maria Puusaari, violin, Jonathan Hepfer, percussion, Pinja Laine, violoncello, Marko Portin, clarinet, and Alexander Chimienti, percussion) in a performance of Chinary Ung's Oracle at June in Buffalo 2016
An ensemble of musicians plays instruments including percussion, flute, violin, cello, and clarinet on a wooden stage. A person stands with their back to the viewer, directing the group in front of music stands and microphones. The background consists of vertical wood paneling.
Conductor Jozsef Hars leads Ensemble Uusinta (Malla Vivolin, flute, John Smigielski, percussion, Maria Puusaari, violin, Pinja Laine, violoncello, Jonathan Hepfer, percussion, and Marko Portin, clarinet) in a performance at June in Buffalo 2016
A person in black clothing stands with their back to the camera and one hand raised toward a group of performers. Seated musicians play various instruments including a cello and woodwinds while microphones and music stands are positioned across the stage. The background consists of wood-paneled walls and a large pipe organ.
Malla Vivolin, Max Savikangas, and Maria Puusaari, glass bottles of Ensemble Uusinta perform Hanna Eimermacher's Transparenz at June in Buffalo 2016
Three people sit at a table on a dark stage, each with several glass bottles and bowls arranged in front of them. The table is covered in a black cloth, and multiple microphones are positioned on stands above the table. Each person holds a bottle while various other bottles stand across the length of the table.
Conductor Michael Lewanski and Ensemble Dal Niente (Katie Schoepflin, clarinet, Mabel Kwan, piano, Emma Hospelhorn, flute, Tam Travers, violin, Greg Beyer, percussion, and Chris Wild, violoncello) acknowledging applause at June in Buffalo 2016
Five musicians are on a stage equipped with a grand piano, a cello, and various percussion instruments. They are positioned near music stands and microphones while facing an audience in a darkened room. The performers wear formal attire and some hold woodwind or string instruments.
Five people stand on a stage in a performance hall, with some individuals holding an oboe and a cello. A grand piano and percussion instruments are arranged around the stage next to music stands. The audience appears as silhouettes in the foreground of the brightly lit stage.
Conductor Michael Lewanski and Ensemble Dal Niente (Mabel Kwan, piano, Emma Hospelhorn, flute, Katie Schoepflin, clarinet, Tam Travers, violin, Greg Beyer, percussion, and Chris Wild, violoncello) performing student compositions at June in Buffalo 2016
Six musicians sit or stand on a wooden stage with various instruments, including a grand piano, flute, and cello. A conductor stands with their back to the viewer, facing the ensemble and music stands. In the foreground, the heads of audience members are visible in silhouette against the lit stage.
A group of musicians performs on a wooden stage in an auditorium. The ensemble consists of a pianist at a grand piano, a flutist, a clarinetist, and a cellist, with a conductor standing in front of them. Music stands are placed throughout the stage, and various percussion instruments are located in the background.
Tam Travers, violin, Mabel Kwan, piano, and Emma Hospelhorn, flute of Ensemble Dal Niente performing student composer Ville Raasakka's Vanitas at June in Buffalo 2016
A person on the left plays a violin while standing next to a person sitting at a grand piano. On the right, another person stands while playing a flute. All three musicians are dressed in dark clothing and perform on a wooden stage with music stands positioned in front of them.
Conductor Michael Lewanski and Ensemble Dal Niente (Mabel Kwan, piano, Emma Hospelhorn, flute, Katie Schoepflin, clarinet, Greg Beyer, percussion, Tam Travers, violin, and Chris Wild, violoncello) performing student compositions at June in Buffalo 2016
A group of musicians is arranged on a wooden stage, including one person at a grand piano and another behind a percussion setup. Other performers sit with wind and string instruments while one person stands with their back to the viewer, facing the ensemble. The scene is lit with warm stage lights, and silhouettes of audience members appear in the foreground.
Five musicians sit on a wooden stage playing a grand piano, flute, clarinet, violin, and cello. A sixth person stands with their back to the audience near music stands and various percussion instruments. Silhouettes of audience members are visible in the foreground of the darkened room.
Student composer Joungbum Lee coaches Ensemble Dal Niente members Tam Travers, violin and Chris Wild, violoncello on Lee's Relatum at June in Buffalo 2016
Three people are situated in an indoor space with various musical instruments. One person sits on the left playing a violin, a second person stands in the middle, and a third person sits on the right playing a cello. Music stands are positioned in the foreground and percussion equipment is in the background.
Student composer Joungbum Lee coaches Chris Wild, violoncello of Ensemble Dal Niente on Lee's piece Relatum at June in Buffalo 2016
A person in a dark shirt and gold bowtie sits with a cello behind two music stands. A second person wearing glasses and a button-down shirt stands next to them, looking down at the music stands. The background contains wood-paneled walls and dark curtains.
Student composer Ioannis Angelakis coaching Mabel Kwan, piano of Ensemble Dal Niente on Angelakis' piece Dreamplay (III) at June in Buffalo 2016
A person wearing a striped sweater turns pages of a spiral-bound book on a black grand piano. Another person in a dark sleeveless top stands behind the open piano lid, looking down at the book. Vertical wooden panels and a neutral-colored curtain are visible in the background.
Conductor Michael Lewanski leading Ensemble Dal Niente (Mabel Kwan, piano, Emma Hospelhorn, flute, Katie Schoepflin, clarinet, Tam Travers, violin, Chris Wild, violoncello, and Greg Beyer, percussion) on Nathan Kelly's Of Leaves at June in Buffalo 2016
A small musical group sits on a raised wooden stage, playing instruments including a grand piano, flute, clarinet, violin, and cello. A person stands in the foreground with their back to the audience, leading the ensemble with raised arms. The stage is set against a plain white wall with various pieces of recording equipment and music stands positioned around the performers.
Student composer Nathan Kelly coaches Michael Lewanski, conductor and Ensemble Dal Niente members (Tam Travers, violin and Emma Hospelhorn, flute) on Kelly's Of Leaves at June in Buffalo 2016
Four people are gathered in an indoor space with a grand piano and wooden walls in the background. One person holds a piece of paper, and another person holds a musical bow. The group is dressed in a mix of attire, including a striped hoodie, a collared shirt, and dark-colored clothing.
Student composer Nathan Kelly coaches Katie Schoepflin, clarinet of Ensemble Dal Niente on Kelly's Of Leaves at June in Buffalo 2016
One person stands over a music stand with sheet music while another sits at a grand piano. The standing person wears a striped zip-up hoodie, and the seated person wears a solid grey hoodie. Wooden acoustic panels are visible on the background walls.
Composer Chinary Ung coaches Jozsef Hars, conductor, and Ensemble Uusinta (John Smigielski, percussion, Pinja Laine, violoncello, Marko Portin, clarinet, Maria Puusaari, violin, and Malla Vivolin, flute) on Ung's Oracle at June in Buffalo 2016
Several people are positioned on a wooden stage with music stands, microphones, and instruments such as timpani and a gong. One person stands near the center while others sit on chairs facing sheet music. Rows of empty red seats are visible in the background auditorium.
Composer Chinary Ung coaching Ensemble Uusinta on Ung's Oracle at June in Buffalo 2016
Wearing a tan jacket and scarf, the person stands behind a chair on a wooden stage. They hold a large open folder and a writing utensil while positioned in front of a music stand. The background contains empty red theater seating and a microphone stand.
Composer Chinary Ung coaching conductor Jozsef Hars of Ensemble Uusinta on Ung's Oracle at June in Buffalo 2016
Two people stand on a wooden stage in front of rows of empty red seats. One person wearing a dark shirt and glasses leans over a black chair, while another person in a tan jacket and scarf holds sheets of paper. Equipment, including a music stand and a microphone boom, is positioned on the stage.
Conductor Jozsef Hars leading Ensemble Uusinta in rehearsal of Chinary Ung's Oracle at June in Buffalo 2016
A person with short hair and glasses wears a dark, short-sleeved shirt and a wristwatch. Their arms are extended forward with palms facing outward above a stand holding sheet music. A microphone on a stand is positioned in the left foreground against a dark, textured background.
Composer Chinary Ung coaches Jozsef Hars, conductor and Malla Vivolin, flute of Ensemble Uusinta on Ung's Oracle at June in Buffalo 2016
Three people are positioned on a wooden stage in an auditorium with red seating in the background. One person sits in a black chair holding a flute, facing another person who gestures while holding a music score. To the left, a third person stands behind a music stand.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta (Marko Portin, clarinet, Jonathan Hepfer, percussion, Pinja Laine, violoncello, Maria Puusaari, violin, and Malla Vivolin, flute) at June in Buffalo 2016
A person in the foreground stands with their back to the viewer, holding mallets over a vibraphone. In the background, seated musicians play string and woodwind instruments while facing a standing person with raised hands. Music stands, microphones, and various percussion drums are positioned around the stage.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta member Maria Puusaari, violin at June in Buffalo 2016
A person wearing glasses and a dark polo shirt gestures with their hands while standing behind a music stand. Another person in the foreground holds a violin and bow over pages of sheet music. The background is dark, and light is focused on the subjects.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta members Pinja Laine, violoncello, Maria Puusaari, violin at June in Buffalo 2016
A person wearing glasses and a dark shirt stands with hands outstretched above a music stand. Two musicians in the foreground sit with their backs to the viewer, holding a cello and a violin. Open pages of sheet music are visible on stands against a dark background with a translucent copyright watermark overlay.
A person in a dark polo shirt and glasses stands with their arms extended horizontally, pointing their index fingers. In the foreground, two individuals are seen from behind sitting at music stands with sheet music. One individual holds a cello and the other holds a violin and bow. A microphone on a stand is positioned to the right against a black background.
A person stands behind a music stand with their arms extended in a conducting motion toward two individuals seated in the foreground. The individuals in the foreground are seen from behind, playing stringed instruments and reading from open sheet music. The setting is a dimly lit performance space with rows of empty seating visible in the background.
A person wearing glasses and a dark polo shirt stands behind a music stand with their arms extended. Two musicians are positioned in the foreground with their backs to the viewer, one next to a cello scroll and the other holding a violin. Sheet music rests on stands in front of the musicians against a black background.
A person in a dark polo shirt and glasses stands behind a music stand, conducting with outstretched arms. In the foreground, two musicians seen from behind play a cello and a violin over sheet music. The scene takes place on a dark stage with blurred seating in the background.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta (Jonathan Hepfer, percussion, Pinja Laine, violoncello, Maria Puusaari, violin, Malla Vivolin, flute, and Marko Portin, clarinet) at June in Buffalo 2016
Several people play string instruments while facing a standing person with outstretched arms. In the foreground, a person plays a mallet instrument near small drums and a large gong. The stage is dimly lit with rows of empty red seats visible in the background.
Ensemble Uusinta members Malla Vivolin, Max Savikangas, and Maria Puusaari, glass bottles rehearse Hanna Eimermacher's Transparenz at June in Buffalo 2016
Three people are seated behind a long table covered in a black cloth, which is cluttered with glass bottles, bowls, and papers. The person in the center holds two bottles horizontally over a white bowl while others on the left and right handle different items. Microphones on stands are positioned in front of each person against a dark wooden background.