Ensemble Uusinta members Malla Vivolin, Max Savikangas, and Maria Puusaari, glass bottles rehearse Hanna Eimermacher's Transparenz at June in Buffalo 2016
Three individuals are seated behind a long table draped in black fabric against a dark, paneled wall. The table holds several glass bottles, white bowls, and microphones on stands. One person holds a bottle horizontally, while another holds a bottle near their mouth and a third looks down at an object in their hands.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer Hanna Eimermacher coaches Ensemble Uusinta members Malla Vivolin, Max Savikangas, and Maria Puusaari, glass bottles on Eimermacher's Transparenz at June in Buffalo 2016
Four people are positioned around a long table holding numerous glass bottles and white bowls in a room with wooden walls and microphones on boom arms. One person stands in the center pouring from two bottles simultaneously into bowls, while another person on the left examines a bottle. The background features an organ and tiered seating.
Composer Hanna Eimermacher coaches Ensemble Uusinta members Malla Vivolin and Max Savikangas, glass bottles on Eimermacher's Transparenz at June in Buffalo 2016
A person stands at a table pouring liquid from two bottles into a bowl while another person sits nearby looking toward the table. To the left, a third person sits with a bottle held up to their ear. The setting includes wood-paneled walls, large organ pipes in the background, and several microphones on boom stands.
Four people are positioned around a long table filled with various glass bottles, white bowls, and papers in a wood-paneled room with a pipe organ. One person stands and pours liquid from green bottles into bowls while another seated person looks at the table's contents. Microphones on booms are directed toward the table where several individuals are engaged in activity.
A person in the foreground holds a green bottle over a table filled with glassware, papers, and a bowl. Two other individuals are positioned across from and beside the table, which sits in front of rows of empty red theater seats. Microphones on boom arms are directed toward the table from both sides.
Arditti Quartet (Irvine Arditti and Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralf Ehlers, viola) perform student compositions in workshop at June in Buffalo 2016
Four individuals sit in a semi-circle on a wooden stage playing string instruments including violins and a cello. Each musician has a music stand with sheet music in front of them, and instrument cases are positioned in the background. The performers are dressed in casual attire and are seated on metal-framed chairs.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Four people sit in a semi-circle on a wooden stage, playing string instruments including violins and a cello. They are positioned behind music stands, with a grand piano and instrument cases visible in the background. In the foreground, the dark silhouettes of several audience members look toward the performers.
Conductor Matthew Chamberlain performs Josh Levine's Former Selves with Slee Sinfonietta (Tom Kolor, percussion, Jade Conlee, electronics, Magnus Andersson, guitar, Caroline Sonnett, flute, Jean Kopperud, bass clarinet, Courtney Orlando, violin, Jen Baker, trombone, Alyssa Roggow, viola, Jonathan Hepfer, percussion, Jonathan Golove, violoncello, Kristen Theriault, harp) at June in Buffalo 2016
A group of musicians sits on a wooden stage with instruments including a guitar, cello, and laptop, while a person stands in the center facing them. Music stands and microphones are dispersed across the stage, and the silhouettes of audience members are visible in the foreground. The performance takes place in a hall with wood-paneled walls and organ pipes in the background.
Composer Hanna Eimermacher, Jonathan Golove and T.J. Borden, violoncello, and Tom Kolor, percussion acknowledge applause after a performance of Eimermacher's Luftpost für L at June in Buffalo 2016
A person in a patterned dress stands alongside three others in dark clothing on a wooden stage. Two cellos and percussion instruments are visible next to the performers. The group faces an audience in a hall with wood-paneled walls and red seating.
Jonathan Golove, violoncello hugs composer Hanna Eimermacher as T.J. Borden, violoncello and Tom Kolor, percussion watch after a performance of Eimermacher's Luftpost für L at June in Buffalo 2016
Three individuals stand on a wooden stage with two cellos and a set of timpani. One person on stage embraces a cellist, while another stands holding a cello and a third person claps. An audience is seated in red chairs in the foreground, facing the stage.
On a wood-paneled stage, three people in dark clothing and one person in a patterned dress stand near two cellos and percussion instruments. The person in the dress hugs a cellist on the left side of the stage, while another person claps on the right. In the foreground, an audience sits in rows of red chairs with their backs to the camera.
Jonathan Golove and T.J. Borden, violoncello, and Tom Kolor, percussion acknowledge applause for a performance of Hanna Eimermacher's Luftpost für L at June in Buffalo 2016
Three musicians wearing black clothing stand on a light wood stage in front of wood-paneled walls. Two people hold cellos beside music stands and padded benches, while a third person stands behind a set of timpani and cymbals. Red auditorium seats and the tops of audience members' heads are visible in the foreground.
Jonathan Golove and T. J. Borden, violoncello, and Tom Kolor, percussion perform Hanna Eimermacher's Luftpost für L at June in Buffalo 2016
Three musicians perform on a wooden stage in a hall with wood-paneled walls and red seating. Two people sit and play cellos, while a third person stands next to a large copper timpani and other percussion equipment. A watermark covers the middle of the frame, and the heads of several audience members are visible in the foreground.
Conductor Matthew Chamberlain with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion acknowledge composer Josh Levine after a performance of Levine's Four places, many more times at June in Buffalo 2016
Six individuals stand on a wooden stage in front of various percussion instruments, including a marimba and drums. They face each other and an audience seated in red chairs in the foreground. The backdrop consists of vertical wood paneling and a large pipe organ.
Conductor Matthew Chamberlain, with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion, acknowledge applause for a performance of Josh Levine's Four places, many more times at June in Buffalo 2016
Five people stand on a wooden stage in a concert hall, positioned behind music stands and percussion instruments. In the background, a large pipe organ is visible above the paneled wall. Several audience members are seated in the foreground, facing the stage.
Conductor Matthew Chamberlain performs Josh Levine's Four places, many more times with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion as an audience watches at June in Buffalo 2016
Five people play a variety of percussion instruments on a light-colored wooden stage. They are arranged behind music stands and microphones, positioned in front of a wooden-paneled wall. Rows of red auditorium seats and the backs of audience members are visible in the foreground.
Conductor Matthew Chamberlain performs Josh Levine's Four places, many more times with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion at June in Buffalo 2016
Four individuals stand behind percussion instruments while a fifth person conducts with arms raised on a wooden stage. The performers wear button-down shirts and dark trousers. Several audience members sit in red chairs in the foreground, and vertical wood paneling covers the background walls.
Five individuals are on a stage with a light wood floor, four playing percussion instruments and one standing in the center with raised arms. The performers are positioned behind music stands and instruments including a marimba and various drums. In the foreground, several audience members are visible from behind sitting in a row of chairs.
Jonathan Hepfer, percussion rehearses Josh Levine's Four places, many more times at June in Buffalo 2016
Several pages of sheet music for a percussion piece are arranged on a wide stand in a room with a wooden floor. Below the music, two long metal pipes and small round instruments sit on a wooden platform. A hand holding a thin mallet appears on the right side of the frame.
Stephen Solook, percussion rehearses Josh Levine's Four places, many more time at June in Buffalo 2016
A person with tied-back hair and glasses stands behind a music stand in a room with wood-paneled walls. In the foreground, two long metal pipes are mounted on a wooden plank as part of a percussion setup. Several other stands and small cymbals are visible around the central instrument.
Tom Kolor, percussion rehearses Josh Levine's Four places, many more times at June in Buffalo 2016
Sheet music titled "Four places, many more times" rests on a stand in front of a person wearing a blue shirt. The person holds mallets over a set of long metal tubes arranged on a wooden frame. Small cymbals and additional instruments are positioned on the wooden stage floor.
Marko Kassl, accordion rehearses Hanna Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
A person with short hair and glasses sits behind a large black accordion. They wear a blue and white checkered shirt and have their fingers on the instrument's buttons. A music stand with a lamp and a microphone on a stand are positioned in the foreground.
Composer Hanna Eimermacher watches as Malla Vivolin, bass flute, and Marko Kassl, accordion rehearse Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
One person on the left sits while playing a woodwind instrument, and another person in the background plays an accordion. A third person stands in the foreground facing the stage with their back to the camera. The wooden stage features music stands, microphones, and percussion equipment.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, and Adrián Sandí, clarinet, during performance of Philip Taylor's Sparks at June in Buffalo 2016
Signal (Musical group : 2008- ) - Ensemble
A group of musicians is positioned on a wooden stage with a grand piano, a cello, and various music stands. One person plays the piano on the left, another sits playing the cello in the center, and a third person stands conducting on the right. Silhouetted figures of an audience are visible at the bottom of the frame.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute acknowledge applause after performance of Xavier Beteta's GOLEM at June in Buffalo 2016
Several people are positioned on a wooden stage, some holding string and woodwind instruments while one stands near a grand piano. One person in the center is gesturing with their hands together. Silhouettes of an audience occupy the dark foreground.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute perform Xavier Beteta's GOLEM at June in Buffalo 2016
A group of musicians performs on a wooden stage while an audience sits in the foreground. The ensemble includes a pianist at a grand piano, a cellist, woodwind players, and a percussionist, all led by a conductor standing with their back to the viewer. Music stands and a tall microphone stand are placed around the performers on the stage.
Several musicians sit on a wooden stage playing a grand piano, cello, and woodwind instruments. A person stands in the center facing the group next to several music stands. The silhouettes of audience members are visible in the dark foreground.
On a brightly lit wooden stage, several people play instruments including a grand piano, a cello, and a flute. A person stands with sheet music facing the performers, who are surrounded by music stands and microphones. The silhouettes of an audience are visible in the darkened seating area in front of the stage.
Student composer Xavier Beteta coaches Courtney Orlando, violin of Ensemble Signal on Beteta's piece GOLEM as Ning yu, piano, Lauren Radnofsky, violoncello, and Brad Lubman, conductor look on at June in Buffalo 2016
A person stands near a grand piano holding a baton and facing a seated individual with a cello. Several music stands are arranged on the wooden floor, and a person in a black shirt stands with their back to the camera. The setting features a minimalist background and stage lighting.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute rehearse Xavier Beteta's GOLEM at June in Buffalo 2016
Six musicians perform on a stage with instruments including a grand piano, a cello, and woodwinds. A conductor stands in the foreground with a raised arm while facing the ensemble. Sheet music rests on black metal stands, and microphones are positioned on tall stands across the performance area.
Musicians are positioned on a light-colored wooden stage in front of a white wall. To the left, a person sits at a black grand piano, while others play string, woodwind, and percussion instruments across the stage. A person stands in the center with their back to the camera, arms raised toward the ensemble. Microphone stands and music stands are distributed throughout the performance space.
Student composer Xavier Beteta watches Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute rehearse Beteta's GOLEM at June in Buffalo 2016
Several people are positioned on a wooden stage with instruments such as a grand piano, violin, cello, and bass clarinet. One person stands in the center of the group facing away from the camera, while others sit and look at sheet music on stands. The stage is set against a plain white wall with various audio equipment and microphones visible.
Student composer Xavier Beteta talks with Brad Lubman, conductor and Ensemble Signal members Courtney Orlando, violin, Lauren Radnofsky, violoncello, Tom Kolor, percussion, Emlyn Johnson, flute during a rehearsal of Beteta's GOLEM at June in Buffalo 2016
Several performers are positioned on a wooden stage among musical instruments like a cello, piano, and percussion equipment. One person stands centrally while another sits with a cello and a third person holds a flute. A person in the foreground faces the group with their back to the camera.
Student composer Xavier Beteta coaches Ning Yu, piano, on Beteta's piece GOLEM at June in Buffalo 2016
A person in a white striped shirt sits at a black grand piano while another person in a green garment stands next to them holding sheets of paper. The piano's lid is propped open in a room with light-colored walls and a red fire alarm box.
Student composer Xavier Beteta talks with Brad Lubman, conductor, while Lauren Radnofsky, violoncello, watches during rehearsal of Beteta's GOLEM at June in Buffalo 2016
One person in a dark shirt stands behind a music stand and faces a second person in a light striped shirt. A third person with long curly hair is seen from behind playing a cello. Music stands with sheet music and rows of seats are visible in the background.
Three people are in a room with acoustic wall panels and rows of dark seating in the background. On the left, a person in a dark shirt stands behind a music stand while looking toward a person in a light-colored shirt on the right. In the foreground, a third person is positioned with a cello and a music stand.
Two people stand behind music stands on a stage while a third person sits in the foreground with a cello. The individual on the left wears a dark long-sleeved shirt, and the individual in the center wears a light striped shirt. In the background are rows of seats in a darkened auditorium.
Student composer Xavier Beteta talks with conductor Brad Lubman onstage, with Ensemble Signal members Tom Kolor, percussion, Adrián Sandí, clarinet, Emlyn Johnson, flute, Lauren Radnofsky, violoncello, and Courtney Orlando, violin rehearse Beteta's GOLEM at June in Buffalo 2016
In a room with acoustic wall panels, several people gather around music stands and various instruments including a bass clarinet, a cello, and a violin. A large black piano sits in the foreground with a notebook and pen on its surface. Some individuals are seated while others stand and look at sheet music together.
Student composer Timothy Roy watches as Brad Lubman, conductor and Ensemble Signal members Courtney Orlando, violin, Lauren Radnofsky, violoncello, Tom Kolor, percussion, Emlyn Johnson, flute rehearse Roy's Chatterbox at June in Buffalo 2016
Several people occupy a stage area featuring a piano, a cello, and various percussion instruments. Some individuals are seated playing instruments or looking at sheet music, while others stand and examine documents. A tall microphone on a boom arm extends from the right side of the frame over the performers.
Composer Josh Levine gives a master class to student composer Samuel Clark-McHale at June in Buffalo 2016
An individual in a peach shirt and glasses sits at a desk with their chin resting on their hand. Across from them, another person in a brown fleece pullover gestures while speaking. Papers, a notebook, and a beverage cup are placed on the table in front of them in a room with a music staff whiteboard.
One person wearing a pink shirt and glasses is seated at a white table next to another person in a tan fleece. Several papers, a pen, and a white disposable cup are on the table. A whiteboard with musical staff lines is visible on the wall behind them.
Composer Josh Levine gives a master class to student composers Bekah Simms, Pierce Gradone, and Samuel Clark-McHale at June in Buffalo 2016
Two people sit at a desk on the right side of a room, while others face them from desks in the foreground. A black upright piano and a music stand with sheet music are positioned on the left. A whiteboard with musical staff lines is mounted on the far wall.
A conductor stands on a wooden stage with their back to the camera, directing a musical group. The ensemble consists of individuals playing a violin, a cello, and a flute, with music stands and other instruments nearby. In the foreground, a person sits in a pew reading papers while another person stands in the background.
Brad Lubman, conductor with Ensemble Signal members Courtney Orlando, violin, Lauren Radnofsky, violoncello, Tom Kolor, percussion, Emlyn Johnson, flute rehearsing Timothy Roy's Chatterbox at June in Buffalo 2016
A conductor stands in the center of a stage with arms raised, facing musicians playing instruments including a cello and a flute. One person stands behind percussion equipment in the background, and a grand piano sits on the far left. Music stands and a tall microphone stand are positioned around the performers on the wooden floor.
Five musicians perform together on a wooden stage using instruments such as a cello, violin, flute, and percussion. A person stands in the center facing several music stands while others are positioned around them with their instruments. Overhead microphones are positioned above the ensemble, and a piano is visible on the left.
Composer Chinary Ung gives a lecture at June in Buffalo 2016
A person in a tan jacket and glasses gestures with their hands in the foreground of a room. Behind them, a second person stands with their back turned beneath a large, white projector screen. The setting includes music stands and the edge of a black grand piano.
A person with short grey hair and glasses stands with their hands raised in front of them. They wear a tan jacket over a dark shirt and a beaded bracelet on one wrist. A grand piano and grey curtains are visible in the background, along with a microphone stand and rows of red seating.
A person in a tan jacket and dark shirt stands with their arms outstretched horizontally. They wear glasses and a necklace with a prominent light-colored pendant. Behind them, a grand piano and rows of red seating are visible in a space with sound-dampening wall panels.
A person with grey hair and glasses is shown from the side, wearing a tan jacket and a beaded necklace with a white pendant. Their hands are blurred in motion as they gesture forward in an indoor setting. Behind them is a microphone stand and rows of red cushioned seating against a wall with vertical panels.
A person wears a jacket over a dark shirt and a necklace while standing with both hands lifted and palms open. Behind them is a black grand piano and a background featuring vertical curtains and a microphone stand. The room includes wooden flooring and rows of seating in the lower right corner.
A person wearing glasses, a tan jacket, and a necklace sits in a chair with one arm raised. In front of the person is a music stand with papers and a laptop on a separate stand to the side. A large screen behind the person displays an abstract light brown and white image.
A person sits in a chair on a wooden stage, positioned between two grand pianos. Behind them, a large screen displays presentation slides for the 33rd Asian Composers League Conference. The individual has their hands raised and is situated behind a music stand and a laptop computer.
Matthew Chamberlain, conductor, John Smigielski, Stephen Solook, Jon Hepfer, and Tom Kolor, percussion rehearsing Josh Levine's Four places, many more times at June in Buffalo 2016
Five individuals play percussion instruments including a marimba, timpani, and tuned pipes in a wood-paneled rehearsal space. Several music stands with sheet music are positioned in front of the musicians. In the background, empty red theater seats are visible.
Five people are positioned among a large collection of percussion instruments, including timpani, metal pipes, and various mallets, in a wood-paneled room. Several individuals hold drumsticks or mallets while looking at sheet music on stands, with one person gesturing with their hands. Red theater seating is visible in the background on the right side of the stage.
Five people stand behind music stands and play percussion instruments, including a snare drum and horizontal metal tubes. The setting features wood-paneled walls and rows of red theater seats in the background.
Multiple people stand on a wooden floor playing mallet instruments, metal pipes, and drums. Music stands with sheet music are positioned throughout the ensemble in front of wood-paneled walls. Red auditorium chairs are visible in the background on the right side of the space.
Five people stand on a wooden stage surrounded by instruments including marimbas, bongos, and drums. They face music stands and rows of empty red theater seating in a hall with tall pillars and a coffered ceiling. A copyright watermark is superimposed across the center of the scene.
Composer Josh Levine, Matthew Chamberlain, conductor, Tom Kolor and Jonathan Hepfer, percussion rehearsing Levine's Four places, many more times at June in Buffalo 2016
Several people are positioned in a rehearsal space with various instruments including flutes, a snare drum, and a mallet percussion instrument. Large sheets of music are displayed prominently in the foreground on music stands. The room features vertical wood paneling and a stage-like floor.
Composer Josh Levine and Jonathan Hepfer, percussion rehearsing Levine's Four places, many more times at June in Buffalo 2016
One person in a light-colored shirt and another person in a dark shirt stand over a music stand with several pages of music displayed. The wooden-paneled room features various percussion instruments, including a snare drum and metal tubes. Mallets, chairs, and tables are also positioned around the space.
Composer Josh Levine with John Smigielski, percussion rehearsing Levine's Four places, many more times at June in Buffalo 2016
Two people are positioned on a stage featuring wooden walls and various percussion equipment. One person wears a peach button-down shirt while the other wears a light purple patterned shirt. The foreground contains music stands and metal pipes resting on carpeted stands, with a snare drum and timpani visible in the background.
A person in a pink shirt and a person in a light-colored shirt stand behind a table holding long metal tubes and music stands. The person on the right gestures toward sheet music while the person on the left looks at the pipes. A snare drum and percussion mallets are positioned around the arrangement in a wood-paneled room.
Partial percussion setup for Josh Levine's Four places, many more times at June in Buffalo 2016
A large bass drum sits on its stand at an angle next to a music accessory tray. Two mallets with soft white heads and a yellow pencil are placed on a black towel draped over the tray. The scene is set in a room with wood-paneled walls and other percussion equipment visible in the background.
Long silver metal pipes are arranged horizontally on wooden blocks supported by thick dark red cushions. A music stand holding sheet music is positioned behind the pipes, and multiple mallets are laid out on the left. The setup is located on a wooden stage floor in front of rows of red auditorium seats.
Three pages of sheet music by Josh Levine sit on a wide stand in a room with light wood floors. Metal pipes, small cymbals, and a metal bowl are arranged on a wooden platform and stand nearby. A person's hand holds a mallet near the bowl, and a wristwatch rests on a black surface in the foreground.
Magnus Andersson, guitar, Caroline Sonnett, flute, and Jean Kopperud, bass clarinet rehearsing Josh Levine's Former selves at June in Buffalo 2016
A person with short hair and glasses sits holding a classical guitar and looking towards a music stand. Behind them, another person plays a flute while looking at sheet music. A third person is partially visible in the lower right playing a woodwind instrument.
Composer Josh Levine with Matthew Chamberlain, conductor, and Slee Sinfonietta (Jade Conlee, electronics, Caroline Sonnett, flute, Courtney Orlando, violin, Jean Kopperud, clarinet, Jonathan Hepfer, percussion, Alyssa Roggow, viola, Jonathan Golove, violoncello) rehearsing Levine's Former Selves at June in Buffalo 2016
Several individuals are positioned on a stage, some seated with instruments like a cello and violin, while others stand near music stands. One person stands on the left looking at sheet music, and another individual in the foreground holds papers. The background consists of tall, vertical wood paneling.
Alyssa Roggow, viola, Jen Baker, trombone, Jonathan Golove, violoncello, and Tom Kolor, percussion rehearsing Josh Levine's Former selves at June in Buffalo 2016
In the foreground, one person plays a cello and another plays a violin behind a music stand. Behind them, a third person plays a trombone while a fourth person stands in the background with a mallet over a percussion instrument. The musicians are positioned against a backdrop of vertical wood paneling.
Magnus Andersson, guitar, and Jade Conlee, electronics rehearsing Josh Levine's Former selves at June in Buffalo 2016
A person in a button-down shirt and glasses sits while playing an acoustic guitar. Another person sits in the background behind a laptop. A music stand is positioned in front of the guitarist, and a microphone is visible near the instrument.
Tom Kolor, percussion, rehearsing Josh Levine's Former selves at June in Buffalo 2016
A person with short dark hair and a beard stands before a music stand with papers on it. They hold a striker in one hand, positioned to hit a triangle mounted on a metal stand. The background consists of a wall with vertical wooden panels.
Magnus Andersson, guitar rehearsing Josh Levine's Former selves at June in Buffalo 2016
An individual with short hair wears a light-colored shirt and glasses while holding an acoustic guitar. They sit surrounded by multiple music stands containing sheet music in a room with a dark background. A copyright watermark is layered across the middle of the frame.
Conductor Matthew Chamberlain with Slee Sinfonietta (Jonathan Golove, violoncello, Kristen Theriault, harp, Alyssa Roggow, viola, Courtney Orlando, violin, Caroline Sonnett, flute) rehearsing Josh Levine's Former selves at June in Buffalo 2016
A conductor stands behind a large black harp, gesturing with both hands toward several musicians seated with their backs to the camera. The musicians play various string instruments while looking at sheet music on stands. The scene takes place in a performance hall with large columns and curtains in the background.
Composer Josh Levine with Jade Conlee, electronics rehearsing Levine's Former selves at June in Buffalo 2016
A person wearing a button-down shirt and glasses stands at a table, looking toward another person who is sitting. The seated person has their hair pulled back and looks at an open laptop showing a software interface. The setting includes equipment stands, cables, and a dark background with vertical columns.
A person stands on a stage wearing a light-colored long-sleeve shirt and glasses. To the right, another person sits at a table containing a laptop and a music stand. Behind them, an auditorium with red seats and a large black speaker are visible.
Zane Merritt, electric guitar rehearsing Joshua Hey's fissu|rupT\T|ear at June in Buffalo 2016
A person with long, wavy brown hair wears an orange collared shirt and black pants while seated and playing a sparkling red electric guitar. They look down toward a black music stand positioned in front of them. The background is a plain, light-colored wall with a partial view of a dark piano and a brown chair.
Student composer Joshua Hey with Zane Merritt, electric guitar rehearsing Hey's fissu|rupT\T|ear at June in Buffalo 2016
One person with long hair sits in a chair on a stage, holding a red electric guitar and gesturing with their hands. A second person wearing glasses and a black t-shirt stands facing them while holding a small book. The stage contains a black grand piano, a guitar amplifier, a music stand, and several chairs.
A person with long hair sits in an orange shirt on a stage, holding a red electric guitar and looking at sheet music. A second person stands facing them, wearing a black t-shirt and blue jeans while holding papers. The scene includes a grand piano, an amplifier, and music stands on a wooden stage.
Composer Hanna Eimermacher with student composers at June in Buffalo 2016
Six individuals are seated in a room containing a grand piano, a wooden podium, and a whiteboard marked with musical staff lines. Several people have laptops or notebooks open in front of them as they look toward one another. The seating is arranged in a circular fashion around a central desk.
A group of people sits in a classroom containing a grand piano and a whiteboard with musical staff lines. One person on the left gestures with their hands while facing the others. Some individuals hold tablets or notebooks, and an equipment rack is positioned in the background.
Composer Hans Abrahamsen with student composers at June in Buffalo 2016
Four people sit around a dark gray table featuring an open laptop, loose papers, and a spiral-bound book. One person in a black sweater holds a pencil while another person sits nearby with a disposable cup. In the foreground, a person wearing glasses sits across from the others, and a piano is positioned against the back wall.
Three people sit at a large gray table while a fourth person stands in the foreground near an open laptop and spiral-bound notebook. One person at the table rests their hands on several pieces of paper. Additional chairs, a dark wooden cabinet, and a framed portrait are visible in the background.
Composer Hanna Eimermacher with Jonathan Golove, T.J. Borden, and Tom Kolor rehearsing Eimermacher's Luftpost für L at June in Buffalo 2016
Two people sit on black benches with their backs to the camera playing cellos on a wooden stage. To the left, a person stands next to percussion equipment with one arm raised holding a mallet. A fourth person stands in the background facing the stage from among rows of red auditorium seating.
Three people are positioned on a wooden stage facing a dark auditorium with rows of red seating. One person stands near percussion instruments, two others sit on benches playing cellos, and a fourth person sits in the audience section facing the stage. Music stands, black chairs, and instruments are distributed across the stage floor.
Jonathan Golove and T.J. Borden, violoncello, and Tom Kolor, percussion rehearsing Hanna Eimermacher's Luftpost für L at June in Buffalo 2016
Three musicians are positioned on a wooden stage against a dark background. Two people are seated in the foreground holding cellos, while a third person stands behind a large copper timpani drum. Music stands sit on the floor in front of the seated musicians.
Two people sit on black benches and play cellos with bows in front of music stands. A third person stands to the right, positioned behind a large timpani drum and other percussion equipment. The musicians are on a wooden stage set against a dark background.
Two people sit on black benches and play cellos with bows on a wooden stage. A third person stands behind a large timpani drum and other percussion items to the right. Music stands are placed in front of the cellists against a dark background.
Two people in the foreground sit on benches playing cellos while looking down at sheet music on stands. A third person stands in the background behind a set of timpani drums. The performance occurs on a light-colored wooden stage in front of a dark backdrop.
Two people sit on a wooden stage playing cellos with music stands positioned in front of them. A third individual stands behind a percussion instrument further back on the stage. The performers are set against a dark background, and a copyright watermark is visible across the middle of the frame.
Two people sit on benches in the foreground playing cellos while reading from music stands. A third person stands behind a set of timpani drums in the background. The performance occurs on a wooden stage against a wall of dark vertical wood panels.
Four individuals are positioned on a wooden stage in front of a dark, paneled wall. Two people sit while playing cellos, and another person stands behind a large drum with a mallet. A fourth person stands near the center wearing a pink scarf and looking upward.
Percussionist Tom Kolor and composer Hanna Eimermacher rehearsing Eimermacher's Luftpost für L at June in Buffalo 2016
A person wearing a plaid shirt and glasses leans over a large copper-colored kettle drum with a mallet in hand. Another person with long hair stands to the right, looking toward the drum. They are positioned on a stage with vertical wood paneling and music stands.
Two people are in a room with vertical wood-paneled walls. One person wearing a plaid shirt and glasses leans over a large copper timpani drum with a mallet in hand. The second person stands nearby wearing a black shirt, a pink scarf, and peach-colored pants.
Two individuals sit and play cellos with sheet music on stands in front of them. Beside them, two other individuals stand while operating percussion instruments, including a large copper timpani and cymbals. The performance takes place on a wooden stage against a background of wood panels and large organ pipes.
Two people sit on the left and play cellos while looking at music stands on a wooden stage. In the center, a person plays a large copper timpani and cymbals, and a fourth person stands at a music stand on the right. The background contains wood paneling and additional empty seating.
Four musicians perform on a wooden stage in a hall with dark wood paneling. Two individuals sit while playing cellos, and two others stand near percussion equipment, including a large copper timpani drum. Music stands with sheet music are positioned in front of the performers.
Two individuals sit on benches and play cellos behind music stands. A third person stands behind a music stand while a fourth person stands by a large copper timpani drum. The performance takes place on a wooden stage in a hall with dark wood paneling.
Composer Hanna Eimermacher with Lucas Fels, violoncello, of the Arditti Quartet at June in Buffalo 2016
One person with grey hair is seen from behind carrying a large white hard-shell case marked with a red "FRAGILE" label. They stand opposite another person who has long wavy light-colored hair and is positioned against a background of wooden paneling and audio equipment. In the distance, a third person is partially visible behind a black-skirted table.
Composer Josh Levine gives a lecture at June in Buffalo 2016
A person in a blazer gestures while seated at a small table with a laptop in a lecture hall. A large screen in the background shows text and a poem, while audience members are visible from the back in the foreground. A tall microphone stand is positioned to the right of the presenter.
Conductor Brad Lubman and student composer Pierce Gradone talking at a rehearsal of Gradone's Apertura at June in Buffalo 2016
One person in a white button-down shirt gestures with both hands while facing another person wearing a dark plaid shirt and glasses. The second person holds an open spiral-bound notebook. In the background, red and brown chairs sit against a wall with windows, and a transparent watermark is overlaid across the center of the scene.
Two people stand in front of large glass windows. The person on the left wears a white long-sleeved button-up shirt, while the person on the right wears glasses and a dark plaid shirt. The person in the plaid shirt holds a thick white spiral-bound document.
Conductor Brad Lubman rehearsing with Ensemble Signal members Emlyn Johnson, flute, Adrián Sandí, bass clarinet, Tom Kolor, percussion, Ning Yu, piano, Lauren Radnofsky, violoncello, and Courtney Orlando, violin rehearsing Pierce Gradone's Apertura at June in Buffalo 2016
Several people sit in a semi-circle playing instruments while facing music stands and one person on a stool to the right. A grand piano occupies the left side of the space, and additional percussion instruments are visible in the background. Coffee cups and water bottles are placed on the floor near the musicians.