Arditti Quartet (Irvine Arditti, Ashot Sarkissjan, Lucas Fels, Ralf Ehlers) at June in Buffalo 2016
Four people are positioned behind music stands against a solid black backdrop. Three individuals wear glasses, and two have their arms crossed. A white instrument case is partially visible on the far right, and a watermark spans the center of the frame.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Arditti Quartet members (Irvine Arditti, Ashot Sarkissjan, Lucas Fels, Ralf Ehlers) at June in Buffalo 2016
Four individuals are posed in a line within a black and white frame. The person on the far left wears a short-sleeved shirt, while the person next to them has a beard and carries a tote bag over a leather jacket. The two people on the right wear glasses and stand behind music stands, with a watermark visible across the center of the group.
Sound engineer Matt Sargent (left), composer David Felder (glasses), and Olivier Pasquet, electronics (right) rehearsing Felder's Netivot at June in Buffalo 2016
Three people operate technical equipment, including a mixing console and laptops, inside an auditorium with rows of red seats. One person leans over a control board while a second person stands beside them holding a piece of paper. A third person sits at the table with an open laptop and a folder.
Three people work at a long table covered with laptops, cables, and audio equipment inside an auditorium with rows of red seats. One person in a blue shirt stands on the left side adjusting controls, while a second person in a dark shirt stands behind the table holding papers. On the right, a third person sits at the table and looks through a book next to a laptop.
An individual sits at a table covered in audio gear and a laptop while two others stand nearby in a tiered seating venue. The equipment includes a sound mixing board, multiple cables, and a smartphone. In the background, rows of empty theater seats extend upwards.
Composers Josh Levine (left) and Joshua Fineberg (right) at June in Buffalo 2016
Two people are positioned from the chest up in front of a wall with horizontal wooden slats. The person on the left wears glasses and a dark jacket over a light shirt. The person on the right wears a hoodie with a pair of glasses hanging from the neckline.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
J.T. Rinker speaking to student composers at June in Buffalo 2016
A person in a maroon shirt stands at the front of a room facing a group seated on multi-tiered maroon benches. The room features wood-slatted acoustic panels on the walls and double doors in the background where two additional people stand. Most audience members are looking toward the person standing in the foreground.
Composer David Felder speaking to student composers at June in Buffalo 2016
A person sits on a stool in the foreground, facing a group of people seated on several levels of curved maroon benches. The room features wooden acoustic panels on the walls and a tall microphone stand positioned to the left. The audience members look toward the person in the foreground.
Composer Hans Abrahamsen at June in Buffalo 2016
A person with short, textured hair is shown from the chest up in a black and white composition. They are dressed in a dark, high-collared zip-up sweater and stand before a plain light wall. A copyright watermark is visible across the middle of the frame.
A person with light skin and short salt-and-pepper hair faces the camera. They wear a dark grey long-sleeved quarter-zip pullover over a black shirt. The background consists of a plain white wall next to a dark vertical surface, and a watermark spans the middle of the frame.
Composer Hanna Eimermacher and Marko Kassl, accordion at June in Buffalo 2016
Two individuals are positioned in an indoor space with brick pillars and a drop ceiling. The person on the left wears glasses, a blue polo shirt, and a dark jacket, while the person on the right has long wavy hair and wears a black top. An illuminated red exit sign hangs from the ceiling in the background on the left.
Composer Hanna Eimermacher and child at June in Buffalo 2016
A person with long light brown hair holds a toddler dressed in a striped shirt and blue pants. They are positioned against a solid blue wall with a narrow vertical window on the right side. A copyright watermark is visible across the center of the frame.
An adult with long light brown hair and a dark blue shirt holds a toddler in front of a solid blue wall. The toddler wears a shirt with horizontal orange, yellow, pink, and green stripes and a blue neck scarf. A narrow window with mesh-reinforced glass sits to the right, and a copyright watermark is layered over the subjects.
Composers Hans Abrahamsen (back left) and Hanna Eimermacher (front middle, pink pants) and student composers Pierce Gradone, Weijun Chen, Joungbum Lee, Peter Kramer, Brien Henderson, Luciano Leite Barbosa, Samuel Clark-McHale, Bekah Simms, Timothy Roy, Barry Sharp, Igor Coelho A.S. Marques, Xavier Beteta, and Young Woo Yoo, at June in Buffalo 2016
A group of about fifteen people is arranged in rows within an indoor hallway or lobby. They wear casual clothing such as flannels, t-shirts, and jeans, and many are wearing glasses. A copyright watermark is visible across the middle of the scene.
Student composers Pierce Gradone, Weijun Chen, Joungbum Lee, Peter Kramer, Brien Henderson, Luciano Leite Barbosa, Samuel Clark-McHale, Bekah Simms, Timothy Roy, Barry Sharp, Igor Coelho A.S. Marques, Xavier Beteta, and Young Woo Yoo at June in Buffalo 2016 at June in Buffalo 2016
A group of twelve individuals is arranged in several rows inside a building with a brick wall and glass partitions. The people wear varied casual clothing, including button-up shirts, t-shirts, and sweaters. Some individuals in the group wear glasses, and two hold beverage cups.
Student composer Xavier Beteta at June in Buffalo 2016
A person with dark hair and black-rimmed glasses is shown in a head-and-shoulders view. They wear a dark blazer over a black v-neck shirt in a blurred interior setting. A transparent watermark is layered across the center of the frame.
Student composers Timothy Roy, Brien Henderson, Igor Coelho A.S. Marques, Young Woo Yoo, and Barry Sharp at June in Buffalo 2016
Five individuals are positioned in a line in a hallway featuring brick pillars and glass partitions. They are wearing casual attire such as t-shirts and button-down shirts, and several wear glasses. A watermark is visible across the middle of the scene.
Student composers Timothy Roy, Brien Henderson, Young Woo Yoo, and Barry Sharp at June in Buffalo 2016
Four people stand in a row in front of a curved glass partition and a brick wall. From left to right, the individuals wear a black polo, an olive green long-sleeved shirt, a grey patterned top, and a blue button-down shirt. The background shows a brightly lit indoor space.
Student composer Timothy Roy at June in Buffalo 2016
A person with short brown hair and glasses stands in an indoor space with a brick wall and glass partitions in the background. They wear a dark polo shirt and have their mouth turned upward in a smile. A watermark reading "Copyright by Irene Haupt" is visible across the center.
Brad Lubman conducting soprano Heather Buck, bass Ethan Herschenfeld, Ensemble Signal, and Slee Sinfonietta in a performance of David Felder's Les quatre temps cardinaux at June in Buffalo 2015
Signal (Musical group : 2008- ) - Ensemble
Musicians with various instruments like cellos and a harp are seated on a wooden stage, led by a conductor on a central platform. A large screen behind them shows a monochromatic, textured visual while the foreground shows empty theater seats. Spotlights illuminate the performers against the dark background of the concert hall.
Musicians dressed in black play string, wind, and percussion instruments on a lit stage. A conductor stands on a podium in the center, facing the ensemble and away from rows of empty theater seats. In the background, a wide screen shows an abstract blue projection.
A conductor stands on a platform facing a group of seated musicians playing string, percussion, and keyboard instruments. Above the performers, a large screen shows a black and white image of a desert or water scene. The theater is dimly lit, with specific light sources focused on the music stands and the stage area.
Stefan Sanders conducting the Buffalo Philharmonic in performance at June in Buffalo 2015
Buffalo Philharmonic Orchestra - Ensemble
A conductor stands on a podium in the center of a stage, facing away from the viewer and leading an orchestra. Numerous musicians are seated, playing instruments such as violins and cellos while reading from sheet music on stands. The stage has a wooden floor and is backed by dark wood paneling. Microphones hang from the ceiling above the performers.
Musicians playing various instruments are arranged on a stage beneath a pipe organ and wood-paneled walls. A conductor stands on a podium facing the performers, and the silhouettes of an audience are visible in the darkened foreground. A watermark is visible across the lower portion of the stage.
Composer David Felder speaking at a June in Buffalo 2015 concert by the Buffalo Philharmonic Orchestra
An orchestra sits on a wooden stage with various instruments, including violins, a harp, and large gongs in the background. A person in dark clothing stands in the foreground, holding a microphone while facing an audience. Rows of red auditorium seating are visible at the bottom of the frame.
Composer David Felder at the podium with conductor Stefan Sanders during a rehearsal of the Buffalo Philharmonic Orchestra at June in Buffalo 2015
An orchestra sits on a stage with wood-paneled walls, with some members holding string instruments like violins and cellos. Two people stand on a small platform in the foreground, facing the seated musicians. Music stands with sheet music are positioned in front of many of the performers.
Two people stand behind music stands, one adjusting papers and the other holding an open score. Seated musicians in the foreground hold bows and look toward music stands. The background consists of a dark performance space with illuminated vertical panels.
A group of musicians sits behind music stands with sheet music, holding instruments such as cellos and violins. Two people stand in the center of the ensemble, one in a dark blue sweater and the other in a black shirt with glasses. The background consists of tall pillars and vertical curtains in a dimly lit performance space.
Several people are seated with their backs to the camera, including one person in a white and green shirt and another in a black vest. They face a person who is gesturing with a hand while standing in front of a wall with vertical wooden panels. To the right, another person wearing glasses stands and looks toward the group.
A person in a navy blue shirt stands and gestures while another person in a black shirt looks toward them. Three seated people are viewed from behind, with sheet music and a violin bow visible in the foreground. A vertical wooden paneled wall serves as the background.
Composer David Felder checking his score of Six poems from Neruda's Alturas while Stefan Sanders rehearses with the Buffalo Philharmonic Orchestra at June in Buffalo 2015
A person wearing glasses and a black shirt stands at a desk in the foreground, holding a pen and looking at open sheets of music. Behind them, an orchestra with various instruments is positioned on a stage in front of a large pipe organ. A conductor stands on a podium in the center of the ensemble, and empty red seats fill the lower portion of the frame.
Composer David Felder checking his score of Six poems from Neruda's Alturas while Stefan Sanders conducts the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2015
A person wearing a black shirt and glasses looks down at papers near a row of theater seats. On the stage in the background, numerous musicians are seated with stringed instruments under the direction of a conductor. The concert hall features light wood paneling on the walls and a large pipe organ built into the center of the back wall.
Stefan Sanders conducting the Buffalo Philharmonic Orchestra in a rehearsal at June in Buffalo 2015
A conductor stands on a podium facing an orchestra of musicians playing violins, cellos, and other instruments. The stage features vertical wood paneling and a large pipe organ in the background. Several rows of red seating are visible in the foreground.
Composer Harvey Sollberger presenting a lecture at June in Buffalo 2015
A person wearing glasses and a light-colored patterned shirt stands behind a podium on a wooden stage, positioned in front of a large blank screen. They have one hand raised and are facing a group of people seated in rows of chairs with their backs to the camera. A microphone stand is visible to the right of the podium.
A person stands behind a wooden podium on a raised stage, with a large white screen on the wall behind them. In the foreground, the backs of several people in the audience are visible facing the stage. A tall microphone stand is positioned in front of the platform, and a piano is visible in the background to the right.
Composer David Felder onstage with conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal after the June in Buffalo 2015 performance of Felder's Les quatre temps cardinaux
A group of musicians is gathered on a stage featuring numerous microphones and music stands. Two individuals stand in the center next to a small platform, while another person to the left has arms raised. Seated musicians hold string instruments, and large percussion equipment is visible in the background.
An orchestra stands on a wooden stage with a dark backdrop, holding various musical instruments. A person in a suit and bowtie is positioned at a podium in the center foreground near multiple microphone stands. Many performers are dressed in black, and music stands are positioned throughout the group.
A group of people stands on a stage holding musical instruments, including string and woodwind instruments. Several individuals have their hands raised or held together, while one person in a dark suit stands near a platform. Microphones on tall stands are positioned across the stage, and a watermark spans the center.
A group of musicians stands on a stage with instruments including violins, a cello, and wind instruments. Two individuals dressed in black shake hands in the center foreground near microphones and music stands. The background consists of a plain gray wall, and various pieces of recording equipment are positioned throughout the ensemble.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal after the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux
Musicians in formal black attire stand with violins, cellos, and other instruments on a stage featuring a wooden side wall and a dark backdrop. In the foreground, people sit in red auditorium chairs, some with their hands raised. Multiple microphone stands and sound equipment are positioned throughout the performance space.
A large ensemble of musicians sits on a stage with instruments including violins, cellos, a harp, and a piano. In the center, three individuals stand near microphones while audience members in the foreground have their hands raised. The stage features a wooden wall to the left and a large plain backdrop behind the ensemble.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal during the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux
A person in black clothing stands with their back to the viewer, pointing one hand toward the left. Several people sit behind them with musical instruments and microphones against a solid blue backdrop. One person sits in the foreground to the left of the conductor.
A person stands with their back to the camera, gesturing towards a group of seated musicians and singers on a stage. Microphones on stands are positioned throughout the ensemble, which performs in front of a blue backdrop. A watermark is superimposed over the middle of the scene.
A person in dark clothing stands with their back to the viewer and arms raised, facing a group of musicians on a stage. To the left, a person sits in a black strapless dress next to another musician holding a violin. On the right, a person in a tuxedo sits behind a music stand, with other performers and microphones visible across the stage against a solid blue backdrop.
A person in black clothing stands with their back to the camera, arms raised toward a seated group of musicians. The performers are arranged on a stage with a blue backdrop, accompanied by music stands and microphones. Seated musicians wear formal attire and hold instruments such as a violin and woodwinds.
An orchestra in black attire performs on a wooden stage in front of a large blue screen. A conductor stands on a podium in the center with a soloist standing to their left. Music stands, instruments, and microphones are positioned across the stage, while dark theater seats are visible in the foreground.
An orchestra sits on a stage in front of a large blue backdrop, with a conductor on a podium and a soloist standing nearby. Musicians play various instruments, including violins and cellos, while rows of empty red seats occupy the foreground. The stage is equipped with multiple microphones and stands, and a wood-paneled wall borders the left side.
A large musical ensemble is positioned on a stage with wood-paneled side walls and a tall blue background. A conductor stands on a central podium facing the group, while a soloist is positioned nearby. Musicians are seated playing instruments such as violins and cellos, surrounded by microphones and stage equipment, with empty red seats in the foreground.
A large group of musicians sit on a stage playing string and percussion instruments. A person stands on a podium in the center of the ensemble, directing the players while facing a blue wall. The foreground consists of dark theater seating, while the stage is bordered by a wood-paneled wall on the left.
Musicians play string and wind instruments while seated on a wooden stage. A conductor stands on a central podium facing away from rows of dark auditorium seating. Several microphones on tall stands are positioned around the performers against a large blue background.
A large group of musicians sits on a stage, playing string and wind instruments. A person stands with their back turned, facing the group and holding a baton. The stage is set against a solid blue background, and rows of empty red seats are visible in the foreground.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal during the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux with video projection by Olivier Pasquet
A conductor leads an orchestra and a solo singer on a stage in a darkened auditorium. Behind the ensemble, a large screen displays a bright blue sky with clouds and white streaks. Musicians play various instruments including violins, cellos, and percussion.
An orchestra is seated on a stage with a conductor on a podium and a soloist positioned at a microphone. A large screen in the background displays a bright blue sky with white vapor trails. Various microphones and music stands are visible throughout the performing area.
A musical ensemble performs on a stage while a person on a podium conducts and a vocalist stands nearby. A large screen behind the performers displays a bright blue sky with diagonal white contrails. Microphones on tall stands are positioned around the group, and instruments such as a harp, violins, and cellos are visible.
An orchestra is positioned on a stage with red seating in the foreground. A conductor stands on a central platform with arms raised, facing a vocalist and musicians playing various instruments. A large screen in the background displays a solid orange-red color with faint cloud-like shapes.
An orchestra is positioned on a stage with a large red screen in the background. A conductor stands on a podium in the center, facing the musicians and vocalists who are arranged with instruments like violins, cellos, and a piano. Several tall microphone stands are placed in front of the performers, and rows of empty red theater seats are visible in the foreground.
A conductor stands on a platform facing an ensemble of musicians and two vocalists. Behind the group, a large screen shows a red and orange gradient with cloud-like shapes. The musicians play various instruments including violins, cellos, and a harp.
A conductor leads a large ensemble of musicians and a vocalist on a stage in a concert hall. A rectangular screen behind the performers shows a bright, abstract graphic composed of orange and purple wavy lines. The musicians are seated with instruments including violins, cellos, and a piano, and a large watermark is visible across the center of the scene.
A musical ensemble is arranged on a stage in a darkened auditorium. In the center, a conductor stands on a podium with arms outstretched, facing a vocalist and several instrumentalists. Behind the performers, a large screen displays abstract purple and orange shapes, and rows of red seating are visible in the foreground.
An ensemble of musicians performs on a stage, with a conductor standing on a podium and a vocalist positioned at a microphone. In the background, a large screen shows abstract orange and purple projections. The scene includes various instruments such as violins, cellos, and a piano under stage lighting.
An orchestra and a vocalist perform on a stage in front of a large screen displaying a horizontal blue line of light. A conductor stands on a podium in the center, facing the musicians while gesturing with one arm raised. The stage is filled with performers playing instruments including violins, cellos, a harp, and a grand piano, surrounded by several microphones and stands. Rows of empty red chairs are visible in the foreground of the auditorium.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal before the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux
Three people stand at the front of a stage while an orchestra with string and percussion instruments sits behind them. One individual wears a black gown, another wears a black shirt, and the third wears a suit with a bow tie. Multiple microphones on stands are positioned throughout the performance space.
Composer David Felder with Matt Sargent, J. T. Rinker, Olivier Pasquet, and Patty Rihn at the control consoles for a performance of his Les quatre temps cardinaux at June in Buffalo 2015
Five people are positioned around a table covered in laptops and audio gear within a large theater. Two individuals stand on the left while three others sit behind various monitors and mixing boards. Rows of red theater seats and tall white columns occupy the background of the space.
Composer David Felder with J. T. Rinker, and Olivier Pasquet at the control consoles for a performance of his Les quatre temps cardinaux at June in Buffalo 2015
Three people sit at a long table equipped with laptops, a computer monitor, and audio mixing boards in a room with tiered red seating. A fourth person stands behind the desk, looking toward the side. Multiple cables connect the electronic equipment across the workspace.
Composer Augusta Read Thomas during a seminar at June in Buffalo 2015
Four people are in a room that features a large whiteboard with music staff lines. One person sits behind a desk in the center background looking down at papers while others are seated in the foreground. A laptop on a desk in the foreground shows digital sheet music.
Composer David Felder talking to conductor Brad Lubman at a rehearsal for Felder's Les quatre temps cardinaux with Ensemble Signal and Slee Sinfonietta at June in Buffalo 2015
A conductor stands on a podium facing an orchestra on a stage with wood-paneled walls. Several musicians play string instruments or hold sheet music while multiple microphones on stands are positioned across the performance area. In the foreground, a person wearing an orange jacket and a cap stands with one arm extended toward the musicians.
A group of musicians and vocalists sit on a stage with a conductor standing in the center. The ensemble includes string players, a pianist, a harpist, and a percussionist positioned behind music stands and microphones. A person wearing a red shirt and a cap stands in the foreground facing the performers.
Individuals sit on a stage with instruments including violins, a cello, a harp, and a grand piano among music stands and microphones. A central person stands on a podium facing the group, and an individual in a red jacket stands in the foreground near rows of red seats. The background features wooden wall panels and various pieces of technical equipment.
An orchestra is arranged on a stage with a conductor positioned on a raised platform in the center. Musicians play instruments including violins, cellos, and a harp, while microphones on tall stands are placed throughout the ensemble. In the foreground, empty red theater seats and a person wearing an orange-red jacket and a light-colored hat are visible.
A large group of musicians with instruments sits on a wooden stage, while one person stands on a central podium. Numerous microphones on tall stands are positioned throughout the ensemble. Red theater seats occupy the foreground, where a person in a red jacket stands looking toward the stage.
Musicians sit on a stage with string and percussion instruments, while another person stands on a small platform in the center. Tall microphones and music stands are distributed throughout the performance area in front of a wooden wall. In the foreground, empty rows of red auditorium seats are visible.
Musicians sit in an orchestra on a stage, with one person standing on a central platform conducting. Multiple microphones on tall stands are positioned around the performers, and a person in an orange jacket stands in front of red theater seating. The background consists of tall wood-paneled walls.
A conductor stands on a podium directing an ensemble of musicians playing string and woodwind instruments. The stage is set with music stands and microphones for a performance or recording session. In the foreground, a person in a red jacket faces the stage with their arms raised above their head.
Musicians are seated on a stage playing string, wind, and percussion instruments under bright lights. One person in a red jacket stands with their back to rows of empty seats while looking toward the ensemble. The stage is equipped with music stands and microphones, set against a large neutral backdrop and wood-paneled walls.
Brad Lubman conducting bass Ethan Herschenfeld, Ensemble Signal, and Slee Sinfonietta in a performance of David Felder's Les quatre temps cardinaux at June in Buffalo 2015
A person stands with their back to the camera, arms raised in a conducting motion toward a group of musicians. A seated individual in formal attire performs into a microphone in the center. Other ensemble members are visible playing stringed instruments and reading from music stands under focused lighting.
Brad Lubman conducting soprano Heather Buck, Ensemble Signal, and Slee Sinfonietta in a performance of David Felder's Les quatre temps cardinaux at June in Buffalo 2015
A person stands center stage behind a microphone and music stand with their mouth open. To the right, another person stands with their back to the camera, gesturing with their arms. Dimly lit orchestral musicians are positioned around them, including one individual playing a violin in the foreground. A translucent copyright notice is layered over the center of the scene.
A person with their back turned leads a singer who is performing into a microphone on a stage. Orchestral musicians are positioned in the dimly lit foreground, some holding stringed instruments. A large, solid red rectangle occupies the background above the performers.
Soprano Heather Buck and bass Ethan Herschenfeld onstage prior to the performance of David Felder's Les quatre temps cardinaux at June in Buffalo 2015 with Ensemble Signal and Slee Sinfonietta
Several people occupy a stage, some holding violins while others sit behind music stands with integrated lamps. A central person in a dark, sleeveless gown sits amidst microphones and recording equipment. The background is dark, and the stage floor is covered with various cables and stands.
Composer David Felder talking with soprano Heather Buck and bass Ethan Herschenfeld at a rehearsal for Felder's Les quatre temps cardinaux at June in Buffalo 2015
A person in a red jacket and white cap stands on a riser on the left side of a stage. Other people are positioned across the floor, some standing behind microphones and others seated with cellos. The background consists of a wood-paneled wall, and a watermark is visible across the center.
Two people are engaged in conversation near a microphone on a stand, while another person sits behind a music stand with sheet music. In the background, other musicians hold instruments, and more microphones are visible throughout the space against a wood-paneled wall.
One image from Olivier Pasquet's video accompanying David Felder's Les quatre temps cardinaux performed at June in Buffalo 2015
A large rectangular screen displays an abstract pattern of vibrant pink, orange, and blue light in a darkened space. Below the screen, several silhouettes of people and equipment are visible in the shadows. A watermark reading "Copyright by Irene Haupt" is superimposed across the center of the scene.
Composer Augusta Read Thomas presenting a lecture at June in Buffalo 2015
A person with short hair sits on a wooden stool on a stage, wearing a blue patterned outfit and gesturing with their hands. Behind them, a large screen displays a blue background with text indicating a lack of input signal from a computer. A laptop and a projector are positioned on stands on either side of the person, while silhouettes of an audience are visible in the foreground.
A person sits with eyes closed on a wooden stool in the center of a stage. Behind them, a large screen displays a solid blue color with white text indicating no signal. The stage area includes a wooden podium, a projector on a stand, and other electronic equipment.
Harvey Sollberger playing flute at a June in Buffalo 2015 concert
A flute player stands behind a music stand in a room with dark curtains, red walls, and a glowing exit sign. Seated audience members appear in silhouette in the foreground while watching the performance. A large painting of a person with flowers in their hair hangs above the performer, and track lighting illuminates the scene from the ceiling.
A person in a patterned shirt plays a flute while standing behind music stands in a room with dark gray curtains. A large red painting of a person with white flowers in their hair hangs on the wall behind the performer. Audience members are seated in the foreground and along the sides of the room, looking toward the stage.
A person in a white and orange floral button-down shirt stands indoors playing a silver flute. A microphone on a black stand is positioned in front of the musician. The background features a dark door and a speaker mounted on a wall shelf.
Harvey Sollberger playing accordion at a June in Buffalo 2015 concert
A person with grey hair and a goatee plays a black accordion while seated in a room with a microphone positioned in front of them. Their mouth is open as they sit between a grey curtain and a dark red wall. The accordion features a white keyboard and a black frame with several white switches.
A person wearing a short-sleeved white and orange patterned shirt sits while holding a black piano accordion. A microphone on a boom stand is positioned in front of them, and part of a drum set is visible in the background. The scene includes a red wall and a gray curtained area.
A person wearing a patterned short-sleeved shirt plays a piano accordion positioned in front of a microphone on a stand. In the background, another individual in a dark sweatshirt labeled "UNIVERSITY AT BUFFALO" sits behind a music stand. The indoor space contains reddish-brown walls, a window, and vertical grey curtains.
June in Buffalo Performance Institute 2015 faculty and participants, Jonathan Golove, Mia Detwiler, Adam Sherkin, Pei-Lun Tsai, Sarah Bish, Wayla Chambo, Anna Whistler, Matthew Chamberlain, Cynthia Bryndis Schilling, T. J. Borden, Samuel Wells, Eric Huebner, Nicholas Emmanuel, Benjamin Havey, Max Fahland, Joe Desotelle, and Daniel Bassin
Fifteen people are positioned side-by-side in front of a light-colored wood-paneled wall. The group wears various outfits, including button-down shirts, dark dresses, and sweaters. A translucent watermark with copyright text spans across the middle of the group.
Seventeen people stand in a line in front of vertical wood-paneled walls. The individuals are dressed in a variety of clothing including suits, dresses, and button-down shirts. Some people have their arms placed around the shoulders of those next to them. A watermark reading "Copyright by Irene Haupt" is layered over the center of the group.
The group is dressed in a variety of attire, including button-down shirts, dresses, and a suit. Several individuals have their arms around those standing next to them. A large watermark with the text "Copyright by Irene Haupt" is visible across the middle of the people.
June in Buffalo Performance Institute 2015 faculty and participants, Pei-Lun Tsai, Jonathan Golove, Adam Sherkin, Sarah Bish, Wayla Chambo, Matthew Chamberlain, Anna Whistler, T. J. Borden, Cynthia Bryndis Schilling, Samuel Wells, Eric Huebner, Nicholas Emmanuel, and Benjamin Havey
Thirteen people are gathered in a space with light wood walls and a decorative border along the floor. The group wears a mix of attire, including black dresses, collared shirts, and a suit jacket with a tie. A translucent watermark is positioned across the center of the scene.
Matthew Chamberlain conducting a performance of Jacob Druckman's Come around at June in Buffalo 2015
A group of musicians plays various instruments, including a grand piano, flute, and percussion, in the center of a concert hall stage. People are seated in rows of chairs on the stage around the performers, with additional audience members in the darkened seating area in the foreground. The hall is composed of tall, light-colored wooden panels illuminated by warm overhead lighting.
Musicians play instruments including a grand piano, cello, and marimba on a wooden stage surrounded by tall, light-colored panels. An audience sits in several rows of chairs facing the performers. A conductor stands in the center of the ensemble, which also features a flute and a gong.
Several musicians with instruments including a piano and percussion are positioned at the center of a stage. An audience sits in semi-circular rows around the performers, all situated within an expansive auditorium featuring wood-paneled walls and soft overhead lighting. The view is taken from the darkened house seating area looking toward the brightly lit stage.
A small ensemble of musicians performs in the center of a large wooden stage, surrounded by an audience seated in chairs. The group includes performers playing a grand piano, strings, wind instruments, and a marimba. The concert hall features tall, light-colored wooden walls and a high, recessed ceiling with warm lighting.
Pianist Cynthia Bryndis Schilling and cellist Sarah Bish performing Lukas Foss's Capriccio at June in Buffalo 2015
On a stage with wood-paneled walls, two people sit at a grand piano while a third person plays a cello nearby. A seated audience occupies rows of chairs in the foreground facing the performers. A tall microphone stand and various percussion instruments are also positioned on the stage.
Composer Augusta Read Thomas shaking hands with cellist Veronica Nettles after a performance of Thomas's Passion prayers at June in Buffalo 2015
A person in a blue patterned top shakes hands with another person holding a cello on a stage. Other individuals stand or sit nearby with instruments including a flute and an oboe, while a grand piano is visible in the background. Music stands and percussion equipment are scattered throughout the performance space.
Mezzo-soprano Julia Bentley and cellist Veronica Nettles after a performance of Bernard Rands's Walcott songs at June in Buffalo 2015
A person in a patterned dress and black leggings stands behind a music stand. To the right, another person holds a cello and a bow beside a black grand piano. Both individuals have their heads turned to the left with their mouths open.