Lukas Foss, composer/conductor standing onstage at Second Festival of the Arts
A black-and-white stage scene shows a person standing with their hands behind their back, wearing a dark suit over a light-colored shirt. Draped curtains hang behind the stage, and percussion instruments, including a vibraphone, along with seated musicians, are visible in the background. A watermark reading "The Jim Gable" appears across the center of the image.
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Henri Pousseur, composer conducting Creative Associates
Rehearsal of Mel Powell's Prayer settings
A black-and-white stage scene shows a conductor standing with one arm extended toward a seated ensemble. Several musicians sit behind music stands, with tubular bells positioned near the center of the stage. Draped curtains form the backdrop, and additional seated performers are partially visible at the edges of the image.
Livingston Gearhart, composer at piano in class
Livingston Gearhart playing piano, looking towards unidentified musician (her back towards camera)
A black-and-white indoor scene shows a person seated at a piano, looking toward the camera while playing or pointing at the keyboard. Another person is seated with their back to the camera, facing the piano. An open sheet of music rests on the piano's music stand, and a chalkboard behind them displays handwritten musical notation, suggesting a lesson or rehearsal setting.
Lukas Foss, composer/conductor conducting Creative Associates in rehearsal, Spring 1971
A black-and-white indoor scene shows several musicians seated with music stands in a rehearsal or recording studio. A person stands at the front left of the room facing the ensemble, while another person sits near an electronic keyboard on the right. Instrument cases and audio equipment are visible in the foreground, and the room has plain walls, windows into adjoining spaces, and overhead lighting.
Orford String Quartet: Andrew Dawes, Kenneth Perkins, violins
Marcel St. Cyr, violoncello -- Standing in corner holding instruments
A black-and-white portrait shows four members of a string quartet posing indoors. Three people stand while one sits in front holding a cello, and the others hold violins or a viola. All are dressed in formal concert attire with tuxedos and bow ties. A printed caption reading "THE ORFORD STRING QUARTET" appears along the bottom of the image, with framed artwork visible on the wall behind them.
Joseph Dunn, Creative Associate with Frank Parman
A black-and-white stage scene shows two people standing in front of a paneled door set. One person, wearing a long-sleeved shirt with a camera hanging from a shoulder strap, reaches toward the other person's forearm. The other person wears a light-colored T-shirt and jeans, with one arm extended while holding an object in the opposite hand. The scene appears to take place during a rehearsal or theatrical production.
A black-and-white stage scene shows a person crouching while wearing a loose, light-colored costume with a large gathered ruffled collar around the neck. The person faces forward with a focused expression, and the plain stage backdrop keeps the attention on the performer and costume.
Richard Dufallo, conductor with Creative Associates (performance)
Evenings for New Music performance: Stefan Wolpe's Piece for Two Instrumental Units (1962)
A black-and-white stage scene shows a conductor standing at the center in front of a seated chamber ensemble arranged in a semicircle. The musicians perform from music stands while draped curtains hang across the back of the stage. Audience silhouettes are visible along the bottom edge of the image, and a watermark appears across the center.
Lewiston (N.Y.) -- Buildings, structures, etc.
Oliveros, Pauline, 1932- -- Performances
Creative Associates (State University of New York at Buffalo) -
Creative Associates with composer Pauline Oliveros, performance of Crow
A black-and-white outdoor scene shows a large circular pool with several people dispersed in the water. A curved walkway follows the edge of the pool, with low concrete walls and planted areas in the foreground. A densely wooded hillside rises in the background, with a tall structure visible at the top of the ridge.
Earle Brown, composer conducting, Spring 1978
A black-and-white indoor scene shows a person standing in front of rows of auditorium seats with both hands raised in a directing or conducting gesture. The person wears a dark long-sleeved shirt and looks intently ahead. The softly blurred background emphasizes the individual and the empty seating area behind them.
Allen Sapp, composer accepting award on behalf of Music Department (contact sheet)
Award of Merit, National Federation of Music Clubs -- Woman giving award is likely to be Mrs. Warren Knox
A black-and-white photograph shows two people standing indoors facing the camera while holding a document together. One person wears a suit and tie, and the other wears a knee-length dress with short sleeves. The image appears as a frame from a strip of photographic negatives or contact prints, with portions of adjacent frames visible along the left and right edges and a frame number printed at the top.
A black-and-white portrait shows a person seated with an acoustic guitar resting across their lap. The person wears a patterned jacket over a dark top and faces the camera with one hand resting on the guitar. A plain studio backdrop fills the background, with the composition closely cropped around the upper body and instrument.
Julius Eastman, composer conducting Creative Associates in rehearsal
Photograph taken from stage right -- Evenings for New Music rehearsal: Makoto Shinohara's Consonance (1964-1967)
A black-and-white stage scene shows a small ensemble arranged in a semicircle with music stands. A conductor stands at the left with one arm raised toward the musicians. A harp is prominently positioned on the right beside a seated harpist, while other performers are seated with their instruments. Draped curtains hang behind the stage, and a watermark appears across the center of the image.
Ernst Krenek, composer conducting University at Buffalo Wind Ensemble
University at Buffalo Wind Ensemble - Ensemble
A black-and-white concert scene shows a conductor standing on a podium with a baton raised while directing an ensemble. A harpist is seated in the left foreground beside a large concert harp, and additional musicians with music stands are visible in the foreground and background. The conductor faces the performers, with the audience seating dimly visible beyond the stage.
Anne Graff, vocalist rehearsing with Creative Associates
Evenings for New Music rehearsal: Luciano Berio's Circles (1960)
A black-and-white stage scene shows a percussion ensemble arranged across the stage with music stands and percussion instruments, including vibraphones, positioned on both sides. A conductor stands at the center facing the musicians. Draped curtains form the backdrop, and a transparent acoustic shield is set up near the middle of the ensemble. A watermark appears across the center of the image.
Photograph taken from behind Douglas Davis -- Evenings for New Music rehearsal: Makoto Shinohara's Consonance (1964-1967)
A black-and-white stage scene shows a conductor standing with their back to the camera, facing a small ensemble seated with music stands. A piano is visible in the left foreground, while percussion instruments and a harp are arranged toward the back of the stage. Large floor-to-ceiling windows on the right reveal trees outside, and draped curtains frame the performance space.
Cleveland Quartet outdoors, instruments in cases
A black-and-white outdoor scene shows four people standing beneath a large stone archway at the entrance to a building. Two people hold instrument cases, including a large upright string instrument case, while the others stand nearby. Architectural details of the stone structure frame the group, and another building is visible through the archway in the background.
Morton Feldman, composer with Creative Associates (contact sheet)
A black-and-white close-up shows multiple horizontal strips of photographic contact prints arranged in rows. Each strip contains small sequential frames depicting people in rehearsal or performance settings. Several individual frames are circled by hand, indicating selected images, while film borders and frame numbers are visible throughout.
Julius Eastman, composer/vocalist rehearsing Peter Maxwell Davies' Eight Songs for a Mad King
Davies, Peter Maxwell, 1934- -- Performances
Julius Eastman, side view surrounded by Creative Associates -- 4 other unidentified musicians present
A black-and-white stage scene shows several people rehearsing among music stands and percussion instruments. One person stands near the center of the stage while others are seated or positioned around a drum set, large gong, and additional percussion equipment. Sheet music on stands fills the foreground, with a seated person partially visible at the lower right. A watermark appears across the left side of the image.
Allen Sigel, clarinetist with Ronald Richards and other woodwind players (unidentified)
A black-and-white portrait shows five musicians arranged in two rows wearing formal concert attire. Three people stand in the back holding woodwind instruments, while two people sit in front holding a French horn and a woodwind instrument. A wood-paneled wall forms the background, and the group faces the camera in a posed studio-style composition.
A black-and-white indoor scene shows a person in a suit seated beside an ornate harpsichord with its lid raised. The person holds a long pointer directed toward the interior of the instrument, where the strings and decorative painted lid are visible. A framed picture hangs on the wall behind, and the image focuses on the instrument's detailed craftsmanship and the seated presenter.
Sherman Friedland, clarinetist seated with instrument in lap
A black-and-white close-up shows a seated person wearing glasses, a cap, and a light-colored jacket while holding a saxophone across their lap. Another seated person is partially visible in the background, suggesting a rehearsal or ensemble setting. The image is tightly cropped, focusing on the musician and the instrument.
George Crumb accompanying Carol Plantamura and Sherman Friedland -- Contains negative
A black-and-white indoor scene shows a singer standing in the foreground beside seated musicians. One musician at the left plays a clarinet behind a music stand, while another sits at a piano in the background. The room has cinder block walls and simple chairs, suggesting a rehearsal or classroom setting. The image is closely cropped around the performers.
Julius Eastman standing in center, surrounded by Creative Associates -- 4 other unidentified musicians present
A black-and-white stage scene shows a person standing near the center of the stage between rows of seated musicians and music stands. Percussion instruments, including a drum set and other equipment, are arranged on a raised platform at the back of the stage. Additional musicians are partially visible at the edges of the image, and a watermark appears across the center.
A black-and-white close-up shows a person standing against a plain wall while playing a French horn. The person wears a checkered button-up shirt and holds the instrument with both hands, with the mouthpiece at their lips. The composition is tightly cropped, focusing on the musician and the instrument.
A black-and-white indoor scene shows a person standing in front of rows of auditorium seats with both hands raised, palms facing outward, in a directing or conducting gesture. The person wears a dark long-sleeved shirt and light-colored pants and looks downward with a smile. The softly blurred background emphasizes the individual and the empty seating area behind them.
Conductor from MD09-024, working with six musicians, four have brass instruments
A black-and-white indoor scene shows several musicians seated in a rehearsal space with music stands. A trombone player sits near the center, surrounded by other brass players, including musicians holding a tuba and trumpets. Additional ensemble members are seated in the background, and the room has wood flooring and plain walls. The image is closely framed around the rehearsal group.
Peltz conducting University at Buffalo Wind Ensemble -- Photograph taken from Peltz's right
A black-and-white rehearsal scene shows a conductor standing with one arm raised and the other hand gesturing toward a seated ensemble. Several musicians are visible from behind with music stands in the foreground, while tubular bells stand behind the conductor near the center of the room. Vertical wood paneling forms the background, and the image is closely framed around the conductor and nearby performers.
Julius Eastman, composer/vocalist performing Peter Maxwell Davies' Eight Songs for a Mad King
Julius Eastman in robe -- Creative Associates in background -- 2 other unidentified musicians present
A black-and-white stage scene shows a person wearing a long, patterned robe and head covering standing near the center of the stage. A conductor stands at a music stand on the right, while percussion instruments, including a gong and a large drum, are arranged on the left beside covered equipment. The background is dark, with the performers and stage equipment illuminated by stage lighting.
Harrison Birtwistle reading a graphic score -- Reverse reads: Please return to T.C. Schwarz, 116 Cooke Hall
A black-and-white indoor scene shows a person seated at a desk, looking down at an open binder or notebook filled with papers. The person wears a striped button-up shirt with sleeves rolled up and rests one arm on the desk beside the documents. Wood-paneled walls and a bulletin board or pinned papers are visible in the background, suggesting an office or study environment.
Jan Williams, percussionist standing at steps of Albright-Knox Art Gallery
Group of Creative Associates have been cropped out of photograph -- For complete photograph, see MD02-021
A black-and-white outdoor scene shows the lower portion of a person standing on stone steps in front of a building with large columns. The person wears a long double-breasted overcoat over dark clothing, with one hand in a coat pocket and the other resting on a railing. The image is tightly cropped, cutting off the top of the person's head, and a watermark appears across the center.
Roger Reynolds, composer with Diane Williams and Jan Williams
A black-and-white outdoor scene shows two people standing and talking beneath tree branches. One person wears a suit and tie while the other wears glasses, has a beard, and is dressed in a collared shirt under a jacket. A third person's hands are partially visible at the left edge of the image, and the background is softly blurred with foliage.
Earle Brown, composer conducting ensemble onstage
Evenings for New Music rehearsal: Earle Brown's Syntagm III (1970) -- View from stage right
A black-and-white stage scene shows a small ensemble seated with music stands during a rehearsal or performance. A large concert harp fills the right foreground, partially framing the view of the musicians. String players and other performers are seated across the stage, with draped curtains and stage lighting visible in the background. The image is taken from the side of the ensemble, looking across the musicians toward the stage.
Slee Hall organ, Op. 95, C.B. Fisk pipe shop
Unidentified organ builder at work table
A color indoor scene shows a person wearing glasses, a plaid shirt, and a dark apron standing beside a large green industrial machine. One hand rests on the machine's flat metal surface while the other is out of view. The room has painted cinder block walls, and the image is closely cropped, showing only part of the person's upper body and the machine.
A black-and-white portrait shows a person seated indoors, looking toward the camera with a slight smile. The person wears a textured knit sweater over a collared shirt, and medium-length hair frames the face. The softly lit background is out of focus, with another person faintly visible in the distance, emphasizing the close-up composition.
Alexander Schneider, violinist conducting while holding violin
Ensemble in foreground, musicians are unidentified
A black-and-white indoor scene shows a person holding a violin under the chin while making a downward gesture with one hand. A music stand is positioned in front of the performer, and blurred figures and music stands are visible in the foreground, suggesting an ensemble rehearsal. The background features wood-paneled walls, and the image is closely framed around the violinist.
Alexander Schneider, violinist coaching student double bassists
Students are unidentified -- Alexander Schneider holding violin, talking to students
A black-and-white rehearsal scene shows a conductor standing and gesturing while facing a double bassist in the foreground. The double bass occupies the right side of the image, with a music stand holding open sheet music positioned between the musicians. Chairs and additional rehearsal materials are visible in the room, and the plain walls emphasize the interaction between the conductor and performer.
A black-and-white portrait shows a person facing slightly to one side while looking toward the camera. The person wears large eyeglasses, a dark button-up shirt, and a diagonally striped tie. A plain curtain forms the background, and the image is closely cropped around the head and upper torso.
Gary Burgess seated at piano, hands on keys, looking towards window
A black-and-white indoor scene shows a person with long hair and a beard seated beside a window, looking upward. A leafy potted plant sits on the windowsill, and framed photographs or posters hang on the wall in the background. Curtains frame the window, and the image is closely cropped around the seated person and surrounding interior.
Julius Eastman in robe, leaning towards floor -- Some Creative Associates onstage
A black-and-white stage scene shows a performer wearing a long, patterned robe and head covering bowing near the front of the stage. Seated musicians with music stands are positioned to the left, while percussion instruments, including a large gong, are arranged on the right. Draped curtains hang behind the performers, and audience silhouettes are visible along the bottom edge of the image.
A black-and-white stage scene shows a person leaning forward over a music stand while looking at sheet music. Large percussion instruments, including a gong in the foreground and additional suspended gongs in the background, surround the performer. Draped curtains and stage equipment are visible behind the percussion setup, and the image is closely framed around the musician and instruments.
A black-and-white collage is arranged in a two-by-two grid, with each panel showing a different string musician performing. Three panels feature violinists holding violins under their chins with bows in motion, while the fourth panel shows a cellist playing a cello. Each performer is photographed individually against a dark background, and a small caption identifying the musicians appears along the bottom edge of the collage.
New Percussion Quartet at Second Festival of the Arts
A black-and-white stage scene shows a percussion ensemble arranged around several music stands and percussion instruments. Musicians are seated or standing at stations with mallet instruments and other percussion equipment, while a large gong and additional drums are positioned at the back of the stage. The rehearsal space is dimly lit, with the ensemble spread across the open performance area and a watermark visible across the center of the image.
Julius Eastman in robe, leaning towards floor -- Some Creative Associates onstage -- Photograph is stamped Oct. 2 1973
Jan Williams, percussionist performing with Edward Burnham
Evenings for New Music performance: Ben Johnston's Knocking piece (1963)
A black-and-white stage scene shows two people standing at separate grand pianos positioned side by side. One person is seen from behind while the other faces toward the keyboards. Draped curtains form the backdrop, and a projection screen or large panel stands at the right side of the stage. A watermark appears across the center of the image.
A black-and-white studio portrait shows a person wearing round eyeglasses, a suit jacket, white shirt, and dark tie. The person leans slightly forward with folded arms and looks toward the camera with a slight smile. The plain background and soft lighting emphasize the face and upper body.
Evenings for New Music rehearsal: Earle Brown's Syntagm III (1970) -- View from stage right -- cropped, mounted on cardbaord
A black-and-white stage scene shows a small ensemble seated with music stands during a rehearsal. A large concert harp occupies the left side of the image, partially framing the view of the musicians. String players and other performers are seated across the stage, with draped curtains and stage lighting visible in the background. The image is taken from the side of the ensemble, looking across the musicians toward the stage.
Music-halls -- New York (State) -- Buffalo
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) - Building
Stage and seats are empty, organ not yet built
A black-and-white interior view shows an empty auditorium with rows of upholstered seats leading toward a stage. The stage features a wood-paneled back wall, a small recessed platform, and a simple lectern or stand near the front. Large windows along the right side admit natural light, and the image is taken from the rear side of the seating area, looking toward the stage.
A black-and-white portrait shows a person standing indoors, facing slightly to one side with one hand resting at the waist. The person wears a dark jacket over a light-colored plaid collared shirt. Part of a piano or other furniture is visible in the background, and the image is closely cropped around the upper body.
Mischa Schneider, violoncellist working with students
Schneider, Mischa, 1903-1985 - Violoncello
Mischa Schneider talking, unidentified female student laughing
A black-and-white rehearsal scene shows a person wearing round glasses, a light-colored sweater, shirt, and tie leaning forward behind an open music score. The person gestures with one hand while speaking to someone seated at the right edge of the image. Blurred musicians and music stands are visible in the foreground and background, emphasizing the active rehearsal setting.
Julius Eastman in chair, side view, onstage -- Creative Associates in background
A black-and-white stage scene shows a person seated in an upholstered chair near the center of the stage with their head lowered. Musicians with music stands are seated on both sides, and a grand piano is visible in the background. Draped curtains hang behind the performers, loose sheets of paper lie on the stage floor in the foreground, and a watermark appears across the center of the image.
A black-and-white rehearsal scene shows a conductor standing behind a music stand with both hands raised in a conducting gesture. The person wears glasses and a short-sleeved striped shirt while looking toward the ensemble outside the frame. The background is plain and brightly lit, with the composition closely focused on the conductor's upper body and gestures.
John Bergamo in foreground, Carol Plantamura in background, three other people are unidentified
A black-and-white indoor scene shows a person wearing a striped suit standing in the foreground while looking down at an object held in both hands. Several other people are gathered around tables in the background, handling materials or papers. Chairs, a chalkboard, and classroom or workshop furnishings are visible, suggesting a meeting, classroom, or workroom environment.
A color interior scene shows a large pipe organ mounted at the back of a stage with polished wood paneling. The organ's vertical metal pipes are arranged within a wooden case, with the organ console positioned below them. The stage is empty, with a wood floor and paneled walls, and recessed ceiling lights illuminate the space.
Frank Cipolla, conductor, with UB Symphonic Wind Ensemble
University at Buffalo Symphonic Wind Ensemble - Ensemble
Frank Cipolla conducting jazz combo and student ensemble (Katherine Cornell Theatre)
Katharine Cornell Theatre (State University of New York at Buffalo)
Anne Graff, vocalist rehearsing with Creative Associates, Luciano Berio watching
Evenings for New Music rehearsal: Luciano Berio's Circles (1960) -- Edward Burnham leaning forward
A black-and-white view from the audience shows a stage arranged for a performance with a concert harp positioned at the center. Percussion instruments, including a drum set and keyboard percussion, are set up on both sides, with music stands and additional equipment visible across the stage. One person sits alone among the front rows of auditorium seats facing the stage, and draped curtains form the backdrop. A watermark appears across the center of the image.
Evenings for New Music performance -- Lukas Foss conducting
A black-and-white stage scene shows a percussionist seated at a drum set near the center of the stage. Music stands surround the performer, while additional percussion instruments, including keyboard percussion and tubular bells, are arranged nearby. Other musicians are partially visible at the edges of the image, and draped curtains form the backdrop. A watermark appears across the center of the image.
Lukas Foss, composer/conductor seated at piano at Second Festival of the Arts
Lukas Foss playing piano, head tilted down
A black-and-white stage scene shows a person seated at a piano in profile, leaning toward the keyboard while playing. A large gong stands behind the piano, and draped curtains hang in the background. The image is closely cropped around the pianist and instrument, with a watermark visible across the center.
Carlos Roqué Alsina, composer conducting Creative Associates
Photograph taken from Roqué Alsina's right
A black-and-white stage scene shows a seated cellist performing with a music stand positioned in front. Other musicians are seated nearby with music stands, and a grand piano is visible in the background. Draped curtains hang behind the ensemble, and percussion instruments can be seen at the far right. A watermark appears across the center of the image.
Performance of Lejaren Hiller's Rage over the lost Beethoven
Hiller, Lejaren Arthur, 1924- -- Performances
Hiller is not shown -- On back of photograph: Four women discuss Beethoven's relationships with other women over his coffin Cast included Elizabeth Axelrod, Dotti Drummer, Sally Jean Martinez, Elizabeth Halsey, Linn Walker, and Claudia Carr.
A black-and-white stage scene shows several people wearing light-colored theatrical costumes gathered around a table. One person stands at the center holding a small object, while others stand nearby watching. A bottle and additional items rest on the tabletop, and the dark stage background keeps the focus on the performers. A watermark appears across the center of the image.
John Newell, composer conducting Creative Associates (contact sheet)
A black-and-white close-up shows multiple horizontal strips of photographic negatives arranged one above another. Each strip contains small sequential frames depicting people on stage in rehearsal or performance settings. Frame numbers and film sprocket holes are visible along the edges, and the lower portion of the image includes blank sections of the film between exposed frames.
Performance of Lejaren Hiller's Three rituals for two percussionists and lights
Hiller is not shown, only Howard Zwickler is shown
A black-and-white indoor scene shows a person wearing a protective helmet with a clear face shield and light-colored coveralls standing behind a set of percussion drums. The person holds a drumstick in each hand with the drums positioned in front. Additional percussion instruments are visible in the background, suggesting a rehearsal or performance setting.
Baird, Cameron, 1905-1960 - Administrator
A black-and-white studio portrait shows a person facing the camera with a neutral expression. The person wears a dark suit jacket, a white shirt, and a tie, with short, neatly combed hair. The image is closely cropped around the head and shoulders against a plain, softly shaded background.
Allen Sapp, composer looking over balcony
A black-and-white indoor scene shows a person leaning forward with folded arms resting on a balcony or mezzanine railing while looking down toward a stage below. Wood-paneled walls form the background, and a music stand is visible in the distance. The image is taken from behind the person, emphasizing the quiet, observational moment. A watermark appears across the center of the image.
Stuart Granville Fox, guitarist rehearsing with Creative Associates
Evenings for New Music rehearsal, James Fulkerson playing trombone
A black-and-white rehearsal scene shows several seated musicians with music stands arranged in a room with large windows overlooking trees and buildings. At the center, a musician plays a lute while reading from sheet music. Brass and string players are partially visible on either side, and another musician sits in the background, creating the impression of a chamber ensemble rehearsal.
Klaus von Wrochem, composer, his St?cke (1966)
Evenings for New Music performance -- Wrochem is playing violin (stage left)
A black-and-white view from the audience shows a conductor standing at the center of a stage facing a seated ensemble. Musicians are arranged on both sides with music stands, while a concert harp and percussion instruments, including keyboard percussion, are positioned to the right. Draped curtains form the backdrop, and audience silhouettes are visible along the bottom edge. A watermark appears across the center of the image.
Buffalo Philharmonic Orchestra performing (1966-1967)
Buffalo Philharmonic Orchestra - Ensemble
Leslie A. Fiedler speaking -- View of lower strings, conductor not visible
A black-and-white concert scene shows an orchestra performing on a stage, viewed from an elevated angle. The foreground is filled with seated string players holding violins, violas, and cellos, while double bass players stand toward the back. Music stands are arranged throughout the ensemble, and the wood-paneled stage provides a simple backdrop.
Edward Burnham, behind percussion instruments
A black-and-white stage scene shows a percussionist standing behind a set of timpani while reading from a music stand. Additional percussion instruments, including a large bass drum and cymbals, surround the performer, with microphone stands positioned in the foreground. Draped curtains hang behind the stage, and a watermark appears across the center of the image.
Photograph taken from Roqu? Alsina's right
Andrew Stiller, composer playing bassoon
A black-and-white stage scene shows a seated person holding a bassoon upright with both hands beside a music stand. The person has long hair and a beard and wears dark clothing. Other music stands and part of another performer are visible nearby, with draped curtains forming the backdrop. A watermark appears across the center of the image.
Lukas Foss, composer/conductor standing at piano with composers
A black-and-white group portrait shows seven people arranged around a grand piano. Six people stand behind the piano while one person sits at the keyboard, with an open book or document resting on the piano. Most are dressed in suits and ties, facing the camera in a formal indoor setting with plain curtains in the background.
Lukas Foss, composer/conductor with Lejaren Hiller
Hiller, Lejaren Arthur, 1924- - Composer
A black-and-white stage scene shows one person seated at a grand piano while another stands beside the instrument extending a sheet of paper. Both are dressed in jackets and trousers, with draped curtains and stage furnishings visible in the background. A watermark appears across the center of the image.
A black-and-white portrait shows a person wearing glasses, a suit jacket, a patterned tie, and a light-colored shirt while smiling toward the camera. Part of a violin is visible in the foreground, suggesting the person is holding the instrument. The image is closely cropped around the upper body against a plain, light background.
A color workshop scene shows several unfinished metal organ pipes of different sizes laid across a workbench. Smaller conical metal pipe sections stand upright on a wooden platform in the background, alongside sheets of paper, a disposable cup, and woodworking or metalworking tools. The work surface is covered with metal sheets, suggesting the fabrication or assembly of pipe organ components.
Unidentified organ builder measuring at table
A color workshop scene shows a person wearing glasses, a plaid shirt, and a blue apron leaning over a large wooden workbench while using a hand tool on a rectangular wooden panel. Additional tools and materials are spread across the bench, and cabinets, shelving, and equipment are visible in the background, suggesting a woodworking or organ-building workshop.
Photograph taken from Roqu? Alsina's left
A black-and-white stage scene shows a conductor standing with one arm extended toward a seated chamber ensemble performing from music stands. Several musicians are visible on the left side of the stage, while additional music stands and performers extend toward the right. Draped curtains form the backdrop, and a watermark appears across the center of the image.
A black-and-white close-up shows multiple horizontal strips of photographic contact prints arranged in rows. Each strip contains small sequential frames of the same person posing in different positions, including standing, seated, and holding objects. Film sprocket holes, frame numbers, and blank sections between exposed frames are visible, emphasizing the contact sheet format.
Morton Feldman, composer, with image of Samuel Beckett superimposed
Morton Feldman in corner, with printed music of his composition, Neither, taped to wall
A black-and-white indoor scene shows a person seated against a wall, looking toward the camera. The wall behind features a large mural or printed artwork depicting a face overlaid with rows of horizontal text or lines. The person wears glasses and a light-colored shirt, and the composition contrasts the seated figure with the large artwork occupying most of the background.
Leo Smit, composer at piano with jazz pianist Pete Johnson
A black-and-white indoor scene shows two people leaning over an open grand piano while looking at a sheet of music. One person sits at the piano wearing a suit and glasses, while the other stands beside the instrument wearing glasses, a short-sleeved patterned shirt, and a wristwatch. Both focus on the score resting on the piano, with the raised piano lid framing the upper portion of the composition.
Hiller is not shown, only Jan Williams is shown
A black-and-white indoor scene shows a person wearing light-colored protective coveralls and a helmet with a clear face shield standing behind a percussion setup. The person holds a drumstick in each hand while facing a music stand with sheet music. Percussion instruments and equipment are arranged around the performance area, with additional hardware and instrument parts visible in the foreground.
Robert Morris, composer working with Aki Takahashi (contact sheet)
A black-and-white close-up shows multiple horizontal strips of photographic contact prints arranged in rows. Each strip contains small sequential frames of a person seated at or standing beside a keyboard instrument, demonstrating or playing it from different angles and positions. Film sprocket holes, frame numbers, and blank sections between exposed frames are visible, emphasizing the contact sheet format.
Charles Haupt, violinist performing with Miriam Abramowitsch
Wilson, Donald M., 1937- -- Performances
Evenings for New Music performance: Donald M. Wilson's Seventeen views for violin and narrator
A black-and-white stage scene shows two people standing on opposite sides of a grand piano, each positioned behind a music stand. One person stands at the left partially obscured by a music stand, while the other stands at the right reading from a sheet of paper. Draped curtains form the backdrop, and a microphone stand is positioned near the person on the right. A watermark appears across the center of the image.
Jan Williams, percussionist rehearsing with Creative Associates
Evenings for New Music rehearsal: Garrett List's The orchestral etudes, three processes on nine sets (1975)
A black-and-white stage scene shows a small ensemble arranged with music stands in front of draped curtains. A grand piano is positioned on the left, several musicians are seated at the center, and a standing brass player performs at the right. Microphones and cables are visible across the front of the stage, and the image is viewed from the audience perspective.
Musicians standing for audience applause
A black-and-white stage scene shows a person standing near the center of the stage with musicians seated behind music stands on either side. Several performers hold string instruments, and a grand piano is partially visible at the left. Draped curtains form the backdrop, and a watermark appears across the center of the image.
Ensemble or audience not visible -- Photograph mounted on cardboard
A black-and-white stage scene shows a conductor wearing glasses, a suit jacket, shirt, and tie while holding a baton in one hand and gesturing with the other. The conductor faces toward the ensemble outside the frame with a focused expression. Part of a podium or music stand is visible in the foreground, and the dark background emphasizes the conductor's upper body and conducting gesture.
A black-and-white close-up portrait shows a person with a mustache looking over one shoulder toward the camera with a smile. The person wears a light-colored jacket over a striped collared shirt, and their hair is combed back. The softly blurred background keeps the focus on the face and upper shoulders.
Lukas Foss gesturing to someone with right hand
A black-and-white stage scene shows a person standing with one arm raised in acknowledgment while wearing a dark suit over a light-colored shirt. Percussion instruments, including a vibraphone and drum set, are arranged behind the performer, with seated musicians partially visible in the background. Draped curtains frame the stage, and a watermark appears across the center of the image.
Hiller is not shown -- Jan Williams in background and Howard Zwickler in foreground, both performing in suits and helmets
A black-and-white indoor scene shows a person wearing light-colored protective coveralls and a helmet with a clear face shield standing behind a percussion drum in the foreground. Another similarly dressed person stands farther back near additional percussion equipment. The image is framed so the foreground performer is in focus while the background figure is softly blurred, suggesting a rehearsal or performance setting involving percussion instruments.
Henri Pousseur, composer conducting Creative Associates in his opera, Votre Faust
A black-and-white view from the audience shows a conductor standing at the center of a stage facing a seated ensemble performing from music stands. A grand piano is positioned to the right, with additional musicians seated across the stage. Draped curtains hang behind the performers, and audience silhouettes are visible along the bottom edge. A watermark appears across the center of the image.
Michael Sahl, pianist with students seated in semi-circle
Reverse reads: Co-sponsored by MEET THE COMPOSER and the Center of the Creative and Performing Arts
A black-and-white indoor rehearsal scene shows several musicians seated on chairs with music stands arranged around the room. Percussion instruments, including large drums and keyboard percussion, are positioned along the back wall, while a grand piano stands open on the right. Some musicians are playing while others appear to be preparing or listening, creating the atmosphere of an ensemble rehearsal. A watermark appears across the center of the image.
Preparation for Tudor's Rainforest-Creative Associates special event -- Renee Levine seated on floor, others are unidentified
A black-and-white interior scene shows a large open atrium or lobby viewed from an elevated vantage point. Tables and chairs are arranged along the upper right side where several people are seated, while freestanding fixtures, including a cylindrical display or column, a floor lamp, and a pedestal fan, are spaced across the tiled floor. Curtains, doorways, and structural columns frame the space, and the wide overhead perspective emphasizes the room's open layout.
A black-and-white promotional portrait shows four members of a string quartet standing closely together. Three people hold violins while one holds a cello, and all wear coordinated dark shirts with patterned ties or scarves. A printed caption reading "Cassatt String Quartet" appears along the bottom of the image.
Jan Williams, percussionist seated outside Albright-Knox Art Gallery
Same as MD08-063, but Ren?e Levine is cropped out
A black-and-white portrait shows a person seated outdoors against a stone wall. The person wears glasses, a heavy overcoat, a scarf, and a turtleneck sweater, with shoulder-length hair and a mustache. One arm rests on the arm of the chair, and a watermark appears across the center of the image.
Julius Eastman in chair, view from side corner of stage -- Creative Associates in background
A black-and-white stage scene shows a person seated in an upholstered chair near the center of the stage. Musicians with music stands are seated behind the chair, with a drum set and additional percussion instruments visible to the right. Draped curtains hang across the back of the stage, loose sheets of paper lie on the stage floor in the foreground, and a watermark appears across the center of the image.
Lejaren Arthur Hiller, composer, holding score
A black-and-white close-up shows a person standing indoors wearing glasses, a suit jacket, a collared shirt, and a tie. The person is holding a stack of papers or a folder against their chest while looking to the side with a slight smile. Part of a chair and a plain wall are visible in the background, and the image is tightly cropped around the upper body.
A black-and-white portrait shows a person wearing a dark suit jacket, white collared shirt, and dark tie. The person is turned slightly to one side, looking off-camera with a serious expression. The background is plain and softly lit, and the image is closely cropped around the head and shoulders.
Evenings for New Music performance: Elliott Carter's Two pieces for kettledrums (1966)
A black-and-white concert scene shows a person standing behind several timpani arranged in a row on a stage. The person is dressed in a dark suit and is holding a sheet of music while looking to the side. A music stand is positioned nearby, and part of a microphone stand is visible at the edge of the frame. The background consists of a plain stage wall, and the image is framed to emphasize the percussion instruments and performer.
Henryk Szeryng, violinist giving a masterclass on stage
Students are unidentified -- Mounted on cardboard
A high-angle view of a concert hall shows an audience seated in curved rows facing a stage. Two people stand near music stands at the front of the stage, while additional musicians and instruments are partially visible at the edges of the frame. The image is tinted yellow and captures both the performers and the audience within the venue.
Mauricio Kagel, composer (his Sur scene)
Kagel is not shown -- Performance by Creative Associates -- James Mitchell kneeling on stool
A black-and-white stage scene shows a person in the foreground bending forward with one hand on the floor and the other resting on a raised platform or stage edge. Another person stands upright in the background, slightly out of focus. Curtains and stage elements are visible behind them, and the image is closely framed around the foreground figure.
Reverse reads: An e____ chamber -- Creative Associates present
A color image taken with a fisheye lens shows several people seated around a room whose walls, ceiling, and floor are covered with patterned acoustic foam panels. One person sits prominently in the foreground while others are grouped farther back. A bright ceiling light illuminates the center of the room, and the extreme wide-angle lens creates a circular, distorted perspective that emphasizes the enclosed space.