Julius Eastman with unidentified woman looking down -- Berlin, Germany
A black-and-white indoor scene shows two people seated on a couch against patterned wallpaper. One person in a light-colored shirt is bent forward with their head lowered, while the other person wears a dark dress and a large beaded necklace, looking down toward them. A small table with cups is visible in the background, and the image is closely cropped around the seated figures.
The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.
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A black-and-white close-up shows a person seated indoors playing a cello. The person wears a light-colored shirt with rolled-up sleeves and looks downward toward the fingerboard while holding the instrument upright. The cello fills much of the lower half of the frame, and the background is plain and closely cropped.
Anne Graff, vocalist rehearsing with Creative Associates, Luciano Berio watching
Evenings for New Music rehearsal: Luciano Berio's Circles (1960)
A black-and-white wide view of a performance hall shows a stage framed by large draped curtains. A person stands near the center of the stage, with several timpani on the left and additional percussion instruments, including a drum set, on the right. Rows of empty audience seats fill the foreground, with one seated person visible near the front, facing the stage. A copyright watermark runs across the center of the image.
Renée Levine, administrator with Carol Plantamura, Sylvia Dimiziani, and Diane Williams
A black-and-white close-up shows three people standing together indoors. The person in the center wears a patterned jacket, layered necklaces, and a dark top, while the person on the right wears glasses, a light-colored shirt, and a jacket. A third person is partially visible on the left, turned toward the others. The group appears to be smiling, and the background is dimly lit with little visible detail.
Earle Brown, composer with musicians, including Morton Feldman, Jan Williams, Eberhard Blum, and other Creative Associates (contact sheet)
A black-and-white contact sheet displays dozens of small photographic frames arranged in a grid across multiple horizontal strips. The individual images show groups of people, conversations, and indoor gatherings captured from different angles and moments. Each frame is bordered by the film strip layout, creating a dense overview of many related photographs.
Performance of Lejaren Hiller's Avalanche for pitchman, prima donna, player piano, percussionist, and pre-recorded playback)
Hiller, Lejaren Arthur, 1924- -- Performances
Hiller is not shown -- Joseph Glosson with 1 unidentified person leaning near piano
A black-and-white stage scene shows a tall scaffold positioned in front of a large curtain. Several people wearing dark clothing and hats stand on the upper platform, which is draped with fabric and hanging textile pieces. Another person wearing a light-colored hat stands on the stage to the right of the scaffold. A ladder is attached to the left side of the structure, and a copyright watermark runs across the center of the image.
Buffalo (N.Y,) -- Buildings, structures, etc.
Music-halls -- New York (State) -- Buffalo
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) - Building
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) - Building
Baird Hall and Clemens Hall (North Campus) also visible
A black-and-white outdoor scene shows a modern building complex surrounding a wide, open paved plaza. A large rectangular building occupies the right side of the frame, while a taller multi-story building and additional structures are visible in the background. Several young trees are planted throughout the plaza, and a brick-paved walkway runs along the foreground. The area appears quiet with no people visible.
Carol Plantamura, vocalist rehearsing with Creative Associates
Plantamura, right arm raised -- Other musicians not visible
A black-and-white close-up shows a person wearing a headscarf, a light-colored buttoned cardigan, and a top underneath. The person raises one hand above their head while looking to the side with a slight smile. A brick wall forms the background, and another person is partially visible behind them.
Joe Ford, saxophonist with double bassist Sabu Adeyola
Joe Ford in foreground, Sabu Adeyola in background -- Handwritten address on reverse reads: 161 [South Hampton] St., Buffalo, NY 14208 -- [Sabu Adeyola] played with Dexter Gordon, Ahmad Jamal, & others
A black-and-white indoor scene shows two musicians during a performance or rehearsal. In the foreground, a person seated at the left plays a saxophone, with only part of their body visible. In the background, another person wearing a light-colored hat plays an upright bass while seated on a stool. The background consists of a plain wall, and the shallow depth of field keeps the bassist softly out of focus.
A person with glasses and a beard faces the camera in a studio portrait.
A black-and-white head-and-shoulders studio portrait shows a person facing the camera. The person has medium-length hair, a full beard and mustache, and wears large eyeglasses, a plaid collared shirt, and a light-colored sweater or jacket. The background is softly textured and out of focus, with the image centered on the person's face.
Morton Feldman, composer seated at piano with Jan Williams standing
A black-and-white indoor scene shows a person seated at a grand piano, holding one hand above the keyboard as if explaining or demonstrating something. Another person stands nearby, leaning against the piano and watching. Both wear jackets, and music stands and other equipment are visible in the background, suggesting a rehearsal or performance space.
Mauricio Kagel, composer (his Sur scene)
Kagel is not shown -- Performance by Creative Associates -- John Horton is holding 2 metronomes
A black-and-white scene shows a dark stage or performance space with a bright circular light illuminating the background. In front of the light, a silhouetted person raises one hand, creating a distinct shadow against the illuminated circle. Stage equipment and furniture are partially visible in the foreground and along the left side, while the rest of the space remains in deep shadow.
A black-and-white close-up shows four people standing together indoors. The two people in the center wear a dark top with layered necklaces and a light-colored shirt with glasses and a jacket, respectively. Another person is partially visible on the left, turned toward the group, while a fourth person stands on the right wearing a light-colored outfit and smiling. The background is dimly lit with few visible details, and the image is closely cropped around the group.
Slee Hall organ, Op. 95, C.B. Fisk pipe shop
A color indoor scene shows a person wearing a plaid shirt operating a drill press mounted on a large wooden workbench. One hand holds the drill press handle while the other steadies the workpiece beneath the drill bit. Additional workbenches, shelves, tools, and workshop equipment are visible in the background, indicating a woodworking or fabrication space.
Mischa Schneider, violoncellist working with students
Schneider, Mischa, 1903-1985 - Violoncello
Close-up of Mischa Schneider's hands, violoncello students are not visible
A black-and-white close-up shows part of a person from the shoulders down, focusing on their hands as they hold and manipulate a small object between their fingers. The person wears a jacket, and a ring is visible on one hand. The background is softly out of focus, with a vertical column and overhead lighting visible.
A black-and-white portrait shows a person standing outdoors wearing glasses, a dark long-sleeved button-up shirt with a chest pocket, a belt, and patterned trousers. The image is cropped from the upper chest to the waist, with the top of the head partially cut off. Foliage is visible along the left side of the frame, while the background behind the person is dark.
Pamela Benjamin Adelstein (Pamela McConnell), violist
A black-and-white portrait shows a person seated or standing with the scroll and upper neck of a string instrument, likely a cello, resting against one shoulder. The person wears a dark top and lightly holds the instrument with one hand while looking toward the camera with a neutral expression. A curtain forms the background, and the image is closely cropped around the head, shoulders, and upper portion of the instrument.
Takemitsu discussing score with Nora Post
A black-and-white indoor scene shows a person leaning over a large sheet of paper spread across a table, looking down at its contents. Another person is partially visible on the right, holding a pen or pointer directed toward the paper. Rows of chairs are visible in the background, suggesting a meeting room, classroom, or auditorium. The image is closely framed around the people and the document.
Linda Cummiskey, view of backside of violin -- 1975-1976
A black-and-white indoor scene shows a person seated while playing a violin, holding the bow across the strings and looking toward sheet music positioned in front of them. The person wears glasses and a patterned sleeveless top over a long-sleeved shirt. A microphone stand, music stand, and additional musical equipment are visible nearby, suggesting a rehearsal or performance setting. A copyright watermark runs across the center of the image.
University at Buffalo classroom, two other musicians present (unidentified)
A black-and-white indoor scene shows a music rehearsal or classroom with two people and classical guitars. One person stands holding a guitar and appears to be demonstrating or speaking, while another person sits nearby holding a guitar and facing them. A music stand is positioned between them, and several empty chairs are arranged around the room. Wood paneling lines part of the wall, and the image is framed to include the rehearsal space and participants.
Jan Williams, percussionist with Creative Associates
Evenings for New Music rehearsal: Robert Erickson's Concerto for piano and seven instruments (1963)
A black-and-white stage scene shows three musicians standing together in front of large curtains. One seated person in the foreground holds a bassoon, while another person stands in the center with hands at their sides. A third person stands beside a percussion setup that includes cymbals and other instruments. A copyright watermark runs across the center of the image.
Marijke Verberne, violoncellist performing with Tom Coleman
A black-and-white stage scene shows two musicians performing with string instruments. One person is seated on the left playing a cello, partially obscured by a music stand, while another person stands on the right playing a double bass. Large draped curtains and a hanging fabric backdrop frame the stage, and additional music stands are visible in the foreground.
Renée Levine, administrator at table, speaking into microphone sitting between 2 unidentified men
Levine speaking on Arts Support Systems panel, at Massachusetts Institute of Technology Art Transitions Festival
A black-and-white indoor scene shows three people seated behind a long table during a panel discussion or meeting. The person in the center is reading from papers, while the people on either side look toward the discussion. Microphones, name placards reading "VAN DER MARCK" and "LEVINE," cups, and documents are arranged on the table. The background is plain, and the image is framed to focus on the panelists.
Photographed at 5th Ave. and 59th St., New York, N.Y. -- 1st record collection in Baird (old) Hall was named in her memory
A color outdoor scene shows a person standing in profile with shoulder-length hair held back by a headband. The person wears a sleeveless patterned dress and looks toward the right side of the frame. In the background, pedestrians walk along a city street lined with buildings, parked cars, and striped awnings. A flower bed and low greenery occupy the foreground, placing the person in an urban public space.
Makoto Michii, double bassist performing with Creative Associates
A black-and-white concert scene shows an orchestra performing on stage. A seated cellist occupies the center foreground, with a trombone resting nearby, while a standing double bassist performs behind them. Several other musicians are partially visible around the ensemble, along with music stands and chairs. The image is taken from an elevated angle, capturing part of the orchestra during a performance.
Nora Post, oboist rehearsing with other musicians (contact sheet)
Post is playing english horn in some photographs -- 2 unidentified woodwind players present
A black-and-white contact sheet displays multiple strips of photographic film, each containing a sequence of small images arranged in rows. The individual frames show musicians performing with string instruments and music stands from different angles and moments. The film strips are laid out against a dark background, with the sprocket holes and frame borders clearly visible.
A black-and-white close-up portrait shows a person smiling directly at the camera. The person wears large eyeglasses, a light-colored jacket, a dark shirt, and a patterned tie. The image is tightly cropped around the head and shoulders, with a dark, out-of-focus background.
A black-and-white head-and-shoulders portrait shows a person wearing a suit jacket, white collared shirt, and dark tie. The person faces slightly toward the camera with a slight smile. The background is softly blurred, and the image is closely cropped around the head and shoulders.
Paul Schmidt, vocalist accompanied by Yvar Mikhashoff
Reverse reads: Kagel's Presentation, Fri. March 18, 1988 Tralfamadore Caf?
A black-and-white performance scene shows a person seated at a piano in the foreground with hands on the keyboard. Another person stands in the background holding a microphone and facing toward the pianist. An open music score rests on the piano, and the dark background emphasizes the performers under stage lighting.
Reverse reads: 18 shallot 32' Posaune-leathered face
A color workshop scene shows a wooden workbench covered with woodworking tools and equipment. A long white plastic case rests across the center of the bench beside a chisel, clamps, and other hand tools. Along the back edge of the bench are containers holding drill bits and small tools, as well as cans and supplies. A folded plaid fabric and additional workshop items are visible to the right, indicating an active woodworking or fabrication workspace.
Renée Levine, administrator, looking towards her right
Copy 4 (2 small reproductions on one sheet)
A black-and-white layout shows two head-and-shoulders portraits of the same person with shoulder-length dark hair. One portrait appears upright in the lower left, showing the person smiling toward the side, while the other is positioned upside down in the upper right with a neutral expression. The portraits are separated by large white space, and a copyright watermark runs across the center of the image.
A black-and-white close-up portrait shows a person wearing a textured suit jacket, a white collared shirt, and a patterned tie. The person is turned slightly to one side, looking off-camera with a serious expression. The background is softly blurred, with only indistinct shapes visible, and the image is tightly cropped around the head and shoulders.
A color workshop scene shows a person wearing glasses and a red shirt applying glue from a squeeze bottle to a wooden cabinet or drawer assembly clamped to a workbench. Pieces of unfinished wood, clamps, and woodworking equipment are visible around the workspace. Shelves, stacked lumber, and additional tools in the background indicate an active woodworking shop.
New Percussion Quartet at Second Festival of the Arts
A black-and-white high-angle view shows a performance stage with a small ensemble. A grand piano is positioned on the left, a drum set occupies the center, and a seated percussionist with mallet instruments is on the right. Several microphones on stands are placed around the performers, and large folding acoustic panels form a backdrop behind them. The stage is sparsely arranged, emphasizing the musicians and their instruments.
Morton Subotnick, composer holding score in one hand, cigarette in the other
A black-and-white close-up shows a bearded person standing in front of a draped curtain while holding a sheet of paper with handwritten notes or diagrams. The person wears a dark jacket over a light-colored shirt and looks toward the camera with a slight smile. The paper is held prominently in the foreground, and a copyright watermark runs across the center of the image.
Copy 3 (2 small reproductions on one sheet)
A black-and-white layout shows two head-and-shoulders portraits of the same person with shoulder-length dark hair. One portrait appears upright in the lower left, showing the person smiling while looking to the side, while the other is positioned upside down in the upper right with a neutral expression. The portraits are separated by a large white area, and a copyright watermark reading "Copyright Mickey Osterreicher" runs across the center of the image.
Lukas Foss, composer/conductor seated at piano at Second Festival of the Arts
A black-and-white stage scene shows a person seated at a grand piano, looking upward while facing the instrument. The piano occupies much of the right side of the frame, with a large gong visible behind it. Draped curtains form the backdrop, and a copyright watermark runs across the center of the image.
Livingston Gearhart, composer at piano in class
Livingston Gearhart discussing score with unidentified musician -- 2 other unidentified students in foreground
A black-and-white classroom scene shows a person seated at a piano looking at open sheet music while another person stands beside the instrument, leaning over to point or discuss the music. Several other people are seated nearby watching the interaction. A chalkboard with musical notation spans the wall behind the piano, and chairs are arranged around the room, suggesting a music lesson or rehearsal.
University at Buffalo Percussion Ensemble in performance
University of Buffalo Percussion Ensemble - Ensemble
Mislabeled: Members of the New Percussion Quartet -- Second Festival of the Arts
A black-and-white high-angle view shows a percussion ensemble performing on a stage. One person stands in the foreground playing a mallet percussion instrument, while additional performers are positioned around other percussion instruments, including a drum set and keyboards, across the stage. Multiple microphones on stands are arranged throughout the performance area, and large folding acoustic panels form a backdrop behind the ensemble.
A black-and-white scene shows a small music ensemble rehearsing indoors. A conductor stands behind a music stand at the front of the room, facing several seated musicians with music stands and open sheet music. A piano is positioned behind the conductor, and another seated person is visible nearby. The room has cinder block walls and simple chairs arranged for the rehearsal.
Joelle Leandre, double bassist wearing sunglasses, Fall 1977
A black-and-white outdoor scene shows a person standing in front of dense evergreen trees. The person has long hair, wears large sunglasses, a dark shirt, and a buttoned vest, along with a necklace. The image is cropped from about the waist up, with the trees filling the background.
Stephen Manes, pianist with unidentified student
A black-and-white scene shows two people seated closely at a piano indoors. One person wearing glasses has both hands on the keyboard, appearing to demonstrate or play, while the other person sits beside them watching the keys. Sheet music rests on the piano's music stand, and the image is taken from an elevated angle, focusing on the interaction at the keyboard.
Performance of Lejaren Hiller's Three rituals for two percussionists and lights
Hiller is not shown, only Jan Williams is shown
A black-and-white scene shows a person standing indoors behind a percussion setup, wearing a helmet and a light-colored long-sleeved shirt. The person holds a mallet in each hand, with a music stand positioned to one side. Parts of additional percussion instruments are visible in the foreground, and stage curtains or tall panels appear in the background.
A black-and-white scene shows a person seated in a chair indoors, turned slightly to one side with their head tilted upward. The person has shoulder-length curly hair, wears glasses, a dark long-sleeved top, and striped pants, with one arm resting on a bent knee. Blurred music stands and part of another person are visible in the background, suggesting a rehearsal or performance space. A copyright watermark appears across the center of the image.
A black-and-white close-up shows a person with shoulder-length dark hair smiling and looking to the side. The person is wearing a textured knit sweater, and only the upper body is visible. The background is softly out of focus, with a copyright watermark running across the center of the image.
Lejaren Arthur Hiller, composer, standing near electronic equipment
Hiller, Lejaren Arthur, 1924- - Composer
A black-and-white indoor scene shows a person standing beside a desk or console with electronic equipment and control panels. The person is wearing glasses, a suit jacket, a striped tie, and slacks, with one hand in a pocket while facing the camera. Papers rest on the desk, and large equipment cabinets or panels are visible in the background.
Lukas Foss, composer/conductor, performance of his M.A.P. (Musicians at Play) by Creative Associates
A black-and-white scene shows four people in a rehearsal or recording space centered around a double bass. One person stands playing the double bass while three others stand nearby, one positioned at a keyboard or piano on the left and two facing the bassist on the right. Suspended microphones hang overhead, and the room has a simple studio or rehearsal setting with minimal background details.
John Cage and unidentified woman in foreground assisting with prepared piano -- Second Festival of the Arts
A black-and-white scene shows two people at a grand piano indoors. One person leans over the keyboard while playing, and another person is seated in the foreground, partially turned away from the camera. The raised piano lid dominates the upper portion of the scene, and a copyright watermark appears across the center of the image.
Frank Cipolla, conductor, with UB Symphonic Wind Ensemble and trumpet soloist
University at Buffalo Symphonic Wind Ensemble - Ensemble
A black-and-white overhead view shows a conductor standing on a podium at the front of a large orchestra. The conductor faces rows of seated musicians holding string instruments and reading from music stands arranged in semicircular sections. A conductor's stand is positioned on the podium, and the stage floor is visible around the ensemble.
Melvin Strauss conducting New Percussion Quartet
A black-and-white scene shows a conductor standing at the front of a large percussion ensemble on a stage. Numerous percussion instruments, including timpani, drums, cymbals, and keyboard percussion instruments, are arranged in a semicircle around several seated performers. Music stands are positioned throughout the ensemble, and a podium and lectern are visible toward the back of the stage against a plain wall.
One page of the score to Henri Pousseur's Votre Faust
Pousseur, Henri -- Manuscripts -- Facsimiles
Pousseur, Henri. Votre Faust. Selections -
Score has rehearsal markings for Tape I and Tape II
A black-and-white close-up shows a sheet of handwritten musical notation filled with staff lines and notes across the top portion of the page. Additional handwritten annotations, circled labels, arrows, diagrams, mathematical symbols, and a small graph appear in the lower half. A copyright watermark runs across the center of the page.
A black-and-white close-up shows a person with shoulder-length hair indoors, turned slightly to the side with one hand raised near their face in a gesturing motion. The person is wearing a high-collared jacket over a dark shirt and appears to be looking toward something outside the frame. Rows of empty chairs extend into the background, creating a repeating pattern behind the person.
Reverse reads: Positive 16' Bourdon T-P chest, Deanie Lynn
A color scene shows a person seated at a large workbench in a workshop, smiling toward the camera. Several long wooden frames, narrow wooden strips, and a black strip with evenly spaced rectangular openings are arranged across the tabletop. Tools, supplies, and workshop equipment are visible in the background, indicating an active workspace.
Bradley, Stephen, 1946- - Audio technician
Stephen Bradley with unidentified student in electronic music studio
A black-and-white scene shows two people working with a large modular synthesizer covered in patch cables, knobs, and switches. One person reaches toward the control panel while the other stands beside a small keyboard, both looking at the equipment. The synthesizer occupies most of the left side of the image, with additional electronic equipment visible in the background.
Nora Post, oboist rehearsing with Creative Associates (contact sheet)
Post is playing english horn in some photographs
A black-and-white contact sheet displays rows of photographic film negatives interspersed with larger proof images. The frames show various people, rehearsals, performances, and indoor scenes captured from different angles. The negatives and proofs are arranged in a grid across the page, with a solid dark area visible in the lower left corner.
Stuart Granville Fox, guitarist rehearsing with Creative Associates
Evenings for New Music rehearsal (cropped, James Fulkerson's knee is visible)
A black-and-white scene shows three seated musicians rehearsing indoors near a large window. One person in the foreground plays a classical guitar, another in the center plays a violin while reading from a music stand, and a third person on the right plays another string instrument while looking down at sheet music. Chairs, music stands, and bright daylight from the windows frame the rehearsal setting.
Judith Lynn Martin, composer demonstrating electronic equipment outdoors
Child sitting in foreground, Martin and spectators in background
A black-and-white outdoor scene shows a group of people assembled under an open-sided pavilion with a metal roof. Several people stand around a keyboard or electronic instrument and music stands, while others are positioned nearby on the wooden deck. A small child stands in the foreground facing the camera. Trees and a hillside are visible beyond the pavilion, and a copyright watermark appears across the center of the image.
Lukas Foss, composer/conductor at 3rd Webern Festival
Lukas Foss at table with other composers -- Written on verso: Panel: Webern's Legacy
A black-and-white scene shows four people seated behind a grand piano on a stage with large draped curtains in the background. Three people are seated behind the piano, partially visible above its edge, while a fourth person sits at the far right beside the instrument. A microphone stand is visible at the left edge of the stage, and a copyright watermark runs across the center of the image.
A black-and-white portrait shows a person facing the camera against a plain, light-colored background. The person has short hair, wears large dark-framed glasses, a turtleneck sweater beneath a knit sweater, and dark overalls with shoulder straps. The image is closely cropped around the head and upper torso.
Concord String Quartet, outdoors -- Mark Sokol, violin
A black-and-white outdoor group portrait shows four people standing and kneeling beside a river with trees in the background. One person kneels in front while three others stand around them, all facing the camera. The image includes a printed caption partially visible in the lower left corner and a logo in the lower right corner.
Kagel is not shown -- Performance by Creative Associates -- James Mitchell is leaning towards floor
A black-and-white scene shows a person leaning forward while seated on a stool, reaching toward a boot with both hands as if adjusting or tying the laces. The person is wearing glasses, a dark long-sleeved top, and dark pants. The polished floor and part of the stool are visible, with the image closely cropped around the action.
One conductor, four trumpet players seated, all unidentified
A black-and-white scene shows a small brass ensemble rehearsing indoors. A conductor stands at the left facing four seated musicians playing brass instruments behind music stands with sheet music. Instrument cases and shelving are visible against a cinder block wall in the background, and the rehearsal takes place in a classroom or practice room.
A black-and-white portrait shows a person with short, curly hair smiling toward the camera. The person is wearing a light-colored, striped knit sweater with a V-neck. The image is closely cropped around the head and upper torso, with curtains and part of an indoor background visible behind them.
A black-and-white close-up shows a person lying prone on a stage or floor with their chin resting on folded arms. The person has a bald crown with hair at the sides and wears a loose, ruffled-collar garment. They look directly toward the camera, and the background is minimal, with only the edge of a stage or platform visible.
John Cage, composer seated in audience, with Morton Feldman in some shots (contact sheet)
John Cage working with musicians, some Creative Associates, some unidentified
A black-and-white contact sheet displays multiple rows of photographic film negatives and proof images arranged in horizontal strips. The frames depict various people in rehearsals, performances, conversations, and indoor settings from different angles. The sheet is organized as a grid of sequential images, documenting numerous moments across several rolls of film.
Andrew Nathaniel White, oboist balancing on top of a trunk
A black-and-white scene shows a person silhouetted in front of a large floor-to-ceiling window, balancing with one leg lifted and one arm extended upward. Bare tree branches and buildings are visible outside the window. The figure is backlit, creating a strong contrast against the bright outdoor background, and a copyright watermark appears across the center of the image.
A black-and-white close-up portrait shows a person with wavy hair, a full beard and mustache, and large round eyeglasses. The person is smiling and looking slightly off to the side, wearing a patterned jacket, a collared shirt, and a tie. The background is softly blurred, and a copyright watermark runs across the center of the image.
A black-and-white studio portrait shows a person facing the camera against a plain background. The person wears large rectangular eyeglasses, a tuxedo jacket with satin lapels, a white dress shirt, and a bow tie. The image is closely cropped around the head and upper torso, with even lighting emphasizing the face and formal attire.
Harriet Simons, conductor with University at Buffalo Choir in performance
Reverse reads: Pipe organ inaugural concert
A black-and-white scene shows a conductor standing at a music stand leading a seated choir on a concert stage. The choir members are arranged in rows behind music stands, with percussion instruments, including timpani, visible at the front of the ensemble. Wood-paneled walls form the backdrop, and additional performers are partially visible at the left side of the stage.
A black-and-white studio portrait shows four people posed together with string instruments, including violins and a cello. Three people stand in the back while one person sits in front holding a cello, and another seated person at the right holds a violin. A printed caption beneath the photograph identifies the ensemble and lists the performers' names, though the text is too small to read clearly.
Jon Hassell, composer with installation piece
Jon Hassell controlling electronic equipment in hallway of art gallery
A black-and-white scene shows a person standing in an exhibition or gallery space beside a table with electronic equipment. Thin ropes or cords are stretched between clear acrylic stands, forming a geometric arrangement across the room. Small speakers or electronic devices are placed on the floor around the installation, and framed artworks hang on the walls in the background.
A black-and-white close-up portrait shows a person in side profile looking upward and into the distance. The person has dark hair with pronounced sideburns and wears a striped collared shirt. The background is plain and softly lit, with the image closely cropped around the head and shoulders.
Petr Kotík, flutist with Roberto Laneri by window
A black-and-white scene shows two people standing indoors in front of a large floor-to-ceiling window. One person stands closer to the window with their back to the camera, while the other stands nearby in profile. Bare tree branches and buildings are visible outside, and a copyright watermark appears across the center of the image.
David Del Tredici, composer leaning on piano, Fall 1972
Detail of MD03-012 (Morton Feldman has been cropped)
A black-and-white indoor scene shows a person standing beside a table with one hand resting on a large sheet of paper and the other on their hip. The person is wearing a striped button-up shirt tucked into jeans with a belt and is smiling toward the camera. Cabinets and studio or office furnishings are visible in the background, suggesting a workspace.
A black-and-white close-up portrait shows a person in side profile looking downward. The person has short dark hair, a mustache, and wears a light-colored suit jacket over a striped collared shirt with a dark tie. The background is softly out of focus, and the image is closely cropped around the head and upper torso.
Jeffery Kowalsky, percussionist with Creative Associates performing at conference, Spring 1973
A black-and-white scene shows a rehearsal or recording space with a grand piano and a keyboard percussion instrument, likely a vibraphone or marimba. One person stands behind the keyboard percussion instrument holding mallets, while another person sits in the foreground with their back to the camera, facing the performers. Music stands and microphone stands are positioned between the musicians, and a wall with horizontal acoustic panels forms the background.
Allen Sapp, composer accepting award on behalf of Music Department
Award of Merit, National Federation of Music Clubs -- Woman giving award is likely to be Mrs. Warren Knox
A black-and-white scene shows two people on a stage shaking hands during what appears to be an award or recognition ceremony. One person extends a certificate or document while the other accepts it with a handshake. The background is dark, drawing attention to the interaction, and part of a music stand is visible at the bottom of the frame.
Henri Pousseur, composer conducting Creative Associates
Rehearsal of Mel Powell's Prayer settings
A black-and-white scene shows a conductor standing at the front of a small ensemble with both arms raised while facing the musicians. Seated performers play percussion and string instruments behind music stands, with a keyboard percussion instrument positioned near the center. Large draped curtains form the backdrop, and microphone stands are visible around the ensemble. A copyright watermark runs across the center of the image.
Petr Kotík, flutist rehearsing with Creative Associates
A black-and-white scene shows four people performing or rehearsing on a stage with draped curtains in the background. Two seated people on the left play flutes behind music stands, while a standing person near the center plays a small percussion instrument beside a table holding additional instruments. Another standing person is partially visible at the right edge of the frame. Microphone stands and music stands are arranged around the performers.
Julius Eastman, composer with Lukas Foss and Douglas Davis on stage
A black-and-white scene shows three people standing on a stage with a grand piano positioned behind them. One person stands at the left with hands on their hips, another stands at the center in a dark suit facing to the side, and a third person stands at the right leaning against a chair while looking downward. Large draped curtains frame the stage, and a copyright watermark runs across the center of the image.
University at Buffalo Jazz Ensemble - Ensemble
Lee Bash conducting University at Buffalo Jazz Ensemble outdoors
A black-and-white scene shows a large concert band performing outdoors in a courtyard surrounded by modern buildings. A conductor stands at the left leading the ensemble while a saxophone player stands near the front beside a microphone. Rows of seated musicians with music stands fill the background, holding brass and woodwind instruments. Leafless trees and a tall lamp post are visible behind the performers, indicating an open-air performance space.
Reverse reads: Low LL of 16' Prestant, Jerry Lewis
A color scene shows a person standing beside a long workbench in a workshop, with one hand resting on a large flat panel laid across the table. The person is wearing a striped long-sleeved shirt and jeans and is looking toward the camera. Shelving, hanging materials, pipes, and workshop equipment are visible in the background, with a door and window at the far end of the room.
Earle Brown, composer conducting ensemble ontsage
Evenings for New Music rehearsal: Earle Brown's Syntagm III (1970) -- View from stage left
A black-and-white scene shows a small ensemble rehearsing in a room with large draped curtains. Several seated musicians are arranged with music stands and instruments, while a grand piano occupies the left foreground. One person sits with their back to the camera in the foreground, and additional performers are visible farther back in the room. Chairs, music stands, and instruments are arranged throughout the rehearsal space.
George Ritscher, audio technician/electronicist
A black-and-white close-up portrait shows a person with a full beard, mustache, and dark-framed glasses looking to the side. The person has slicked-back hair and is wearing a button-up collared shirt. The background is softly blurred with trees visible, and a copyright watermark runs across the center of the image.
Kagel is not shown -- Performance by Creative Associates -- James Mitchell turning toward his right
A black-and-white scene shows a person on a stage in a wide, dynamic stance with their arms raised in an expressive gesture. A grand piano is positioned behind the performer against a dark background. The stage floor is brightly lit, and the image is cropped to emphasize the performer's movement and the piano.
A black-and-white close-up portrait shows a person with short wavy hair, a mustache, and rectangular eyeglasses looking downward with a slight smile. The person is wearing a patterned jacket over a dark shirt with a light-colored tie. The background is softly out of focus, and a copyright watermark runs across the center of the image.
Lukas Foss, composer/conductor conducting rehearsal with singers
Lukas Foss standing at piano addressing singers -- Some unidentified musicians surrounding piano
A black-and-white scene shows a group of people gathered in a rehearsal space with percussion instruments, including a keyboard percussion instrument and a large gong, visible in the foreground. Several people stand holding open music folders while facing one another, suggesting a vocal rehearsal. Music stands and additional instruments are arranged throughout the room, and a copyright watermark runs across the center of the image.
Petr Kotík, flutist rehearsing with Creative Associates at conference, Spring 1973
A black-and-white scene shows two musicians standing at separate microphone stands in a gallery or performance space. One person stands near a grand piano and a music stand, while the other stands beside another music stand facing forward. A keyboard percussion instrument is positioned behind them, and framed artworks hang on the walls. The room has an open layout with track lighting overhead.
Yvar Mikhashoff, pianist leaning on side of piano
A black-and-white portrait shows a person leaning on the rim of an open grand piano with their chin resting on one hand. The piano lid is raised, revealing the strings and internal mechanism, while the person wears a dark jacket over a light shirt and looks toward the camera. The image is closely framed around the person and the piano against a plain background.
Judy Treible, with Ed Emshwiller and Woody B. Vasulka
A black-and-white scene shows three people in a rehearsal or performance venue with rows of empty chairs in the background. One person sits in the foreground leaning toward a piece of equipment, while two others stand nearby watching. The room contains scattered chairs and equipment, suggesting preparations or activity between rehearsals.
Heinz Rehfuss, vocalist (baritone) at piano with unidentified student (standing)
A black-and-white scene shows two people working together at a grand piano in a rehearsal room. One person sits at the keyboard, pointing toward open sheet music on the piano's music stand while looking up at the standing person. The other person stands beside the piano facing the seated musician. Curtains hang behind the piano, and an additional sheet of paper rests on the piano's surface.
Richard Dufallo, conductor with Creative Associates (rehearsal)
Evenings for New Music rehearsal: Stefan Wolpe's Piece for Two Instrumental Units (1962) -- Richard Dufallo gesturing to Makoto Michii
A black-and-white scene shows a conductor standing behind a music stand, gesturing with both hands while leading a small ensemble in rehearsal. In the foreground, a seated musician plays a double bass with their back partly toward the camera. Several other seated musicians, music stands, and microphone stands are visible around the room. Tall curtains line the wall, and a copyright watermark appears across the center of the image.
Morton Feldman, seated at piano surrounded by Creative Associates
A black-and-white scene shows five people gathered around a grand piano in a rehearsal or classroom setting. One person sits at the keyboard pointing toward a large sheet of music on the piano's music stand, while four others stand nearby looking at the score. The piano occupies the foreground, and the group is closely arranged around it, suggesting a collaborative discussion or rehearsal.
A color scene shows a person in a workshop carrying a large rectangular panel while looking toward the side. Tall vertical pipes or cylindrical materials are stored along the wall behind them, with wooden framing, tables, and workshop equipment visible throughout the space. A bucket and additional materials are positioned on the floor, indicating an active fabrication or construction workspace.
Boris Kroyt, violist coaching student string quartet
Beethoven, Ludwig van, 1770-1827 -- Performances
Unidentified students are playing a Beethoven quartet -- Kroyt listening between violist and first violinist
A black-and-white overhead view shows four musicians seated in a circle during a rehearsal. Music stands with open sheet music occupy the foreground, while one musician in the center plays a string instrument and the others play string instruments around the group. Instrument cases and a bag rest on the floor nearby, and the room has a simple rehearsal setting with chairs arranged around the ensemble.
Petr Kotík, flutist rehearsing with Mark Sokol on stage
A color scene shows two musicians standing in a rehearsal space with music stands in front of them. One person on the right holds a violin under their chin while reading from sheet music, and the other person stands to the left holding a bow with a violin resting at their side. A keyboard percussion instrument is partially visible at the left edge, and tall draped curtains frame a window in the background.