Gerald R. Ford, wearing a suit and tie, is speaking at a podium. Several microphones are positioned in front, including ones labeled WBNY 91.3 FM, WGR 970, and another with a partial logo visible. An American flag stands in the background to the left. Ford appears to be addressing an audience or the press. The setting is indoors with a plain wall behind.
State University of New York at Buffalo. University Archives
State University of New York at Buffalo. University Libraries
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Gerald R. Ford wearing a suit and tie speaks at a podium bearing the seal of the University of New York at Buffalo. He is standing in front of a microphone and gesturing with both hands. The background consists of dark curtains, and a lamp is positioned on the podium. Part of an American flag is partially visible at the left edge of the frame.
Gerald R. Ford stands behind a podium displaying the seal of the State University of New York at Buffalo, speaking into two microphones. He is wearing a suit and tie and gesturing with raised hands. The podium is flanked by potted plants and stanchions, and a dark curtain serves as the backdrop. A partially visible flag, including part of the New York State emblem, appears to the left.
The front page of the State University of New York at Buffalo's student newspaper 'The Spectrum', dated Wednesday, September 28, 1988 (Volume 39, Number 13), features three main articles. The lead story, titled “Tahara: Re-run of Dorm Elections Was Necessary,” includes a portrait of SA President Bob Tahara and discusses the reasons for a repeat of dorm elections. The left column article, “Ford Speaks on Presidential Power” by Melissa Servey, includes a photograph of Gerald Ford at a podium and summarizes his remarks at Alumni Arena on the separation of powers in U.S. government. The bottom article, “Alcohol Lecture Dispels Myths” by Jim Santoro, highlights a lecture by George Vaillant on alcoholism, its causes, and misconceptions. The lower-right corner includes a section titled “The Spectrum Inside,” listing additional topics such as smoking, a center stage piece, and sports coverage.
Two performers are on stage during a live musical performance. Fred Schneider stands on the right, in the foreground, singing into a microphone while pointing outward with an extended arm. He wears a patterned jacket and dark shirt. Cindy Wilson is on the left, slightly behind and in focus, holding a tambourine and standing in front of another microphone. The background is dark, emphasizing the stage lighting on the performers.
The B-52's band is captured mid-performance on a large indoor stage. There are four visible performers: two women dancing and singing into microphones at the front, one of whom is wearing a dark dress and hat, namely Cindy Wilson. Another woman in a sequined outfit, Kate Pierson, is mid-motion near the center. A guitarist plays beside them, and a person on the right holds a microphone, also in motion. The image shows blurred motion from the performers' movements. Stage lights shine down from above, and musical equipment such as conga drums, amplifiers, and cables are visible on the stage.
The B-52's, a musical group, performs on a stage under bright spotlights in a large indoor venue. The band consists of multiple members playing instruments including drums, guitars, and keyboards. The stage is set with drum kits at the center rear and amplifiers along the back. A crowd of spectators fills the foreground in silhouette. The performers are spaced across the stage, each positioned at their respective instruments or microphones, with some standing and others slightly bent in active playing stances. The lighting emphasizes the band while the rest of the venue remains dark.
Fred Schneider, wearing a light-colored shirt and pants, sings into a microphone while standing next to another person who is also singing and playing an electronic keyboard. The second performer, Kate Pierson, is wearing a dark, sleeveless dress with sequins. Both are illuminated by bright stage lighting against a dark background, and additional microphones are visible near them.
Two individuals are shown singing on stage under bright lighting. The person on the left is Cindy Wilson, wearing a fringed sleeveless top, large circular earrings, and a wide-brimmed hat, with eyes closed while holding a microphone. On the right, Kate Pierson is dressed in a one-shoulder sequined outfit, singing into a microphone with voluminous hair styled outward. The background is dark, and part of another performer is partially visible behind them.
Ricky Wilson is playing a white electric guitar on stage. He is wearing dark sunglasses, a long-sleeve shirt with a bowtie, and has a large, sculpted hairstyle or wig. The background includes audio equipment and a drum set partially visible on the right. Stage lighting casts bright highlights on the performer.
Pat Benatar is captured mid-performance, holding a microphone and singing on stage. The performer is wearing a dark leather jacket over a light-colored top and high-waisted pants. Stage lights shine from above, creating a halo effect in the background. Musical equipment and another band member holding a guitar are visible in the background.
Peter Gabriel, dressed in a jumpsuit or loose-fitting clothing, is kneeling on a stage, lit by a spotlight from above. The background is dark, drawing focus to the individual, who appears to be in a dramatic pose with arms bent and gaze directed forward.
An indoor arena filled with a large crowd facing a lit stage where a band is performing. The setup includes extensive scaffolding and lighting rigs around the stage, with spotlights directed at the performers. The audience is densely packed, with hands raised toward the stage. Some stage crew and technical equipment are visible in the foreground.
Peter Gabriel, wearing a light-colored jacket and pants, crouches at the front of a dark stage while gripping a microphone. Behind and slightly elevated, a keyboardist is faintly visible in a spotlight, positioned near equipment cases. The background remains mostly dark, with attention focused on the two individuals lit by stage lighting.
A large crowd fills the seating area of an indoor arena. In the foreground, several individuals are in motion, with hands raised and blurred due to movement. One person near the front appears to be clapping or shouting with both hands near their face. The background shows rows of bleachers packed with seated spectators and visible structural elements of the venue, including overhead beams and lighting fixtures.
Peter Gabriel stands on a stage, holding a microphone and raising one hand over their head while looking away from the audience. The crowd in the front rows is densely packed, with many people reaching out, cheering, and raising their hands and fingers in various gestures. A bald individual is seated in the foreground with a guitar, slightly turned toward the performer. The setting appears to be a lively concert with strong stage lighting.
Peter Gabriel holding a microphone stands near the edge of a concert stage, leaning slightly forward. The audience in front is densely packed, with many people extending their arms and hands toward the stage. Several individuals in the crowd appear excited and engaged, some making peace signs or waving. A bald person, possibly a musician or stage crew member, sits in the foreground facing the performer. Stage lighting highlights the performer and parts of the crowd.
A densely packed audience faces a brightly lit stage in the distance. In the foreground, a silhouetted person stands with arms raised high, possibly cheering or celebrating. Stage lights shine toward the crowd, casting a dramatic glow and creating a sense of energy and anticipation throughout the venue. The background shows scaffolding, stage equipment, and more attendees.
Pat Benatar stands on stage under concert lighting, holding a microphone in one hand and a cable in the other. They are wearing a dark leather jacket with a white high-collar shirt and high-waisted pants. The background shows blurred stage lights and part of another performer playing guitar.
Peter Gabriel is captured mid-song, standing on stage with their head tilted slightly upward and both hands gripping a microphone near their mouth. They are wearing a long-sleeved shirt and light-colored pants. The background is dark, emphasizing the performer under the spotlight.
Peter Gabriel is captured in motion on a stage, raising one leg as if walking or dancing. They are holding a microphone in one hand and wearing a long-sleeved shirt and light-colored pants. The background is mostly dark, with part of the stage floor visible.
Pat Benatar stands on stage under bright lighting, holding a microphone in one hand. They are wearing a cropped leather jacket over a light-colored high-collared top and high-waisted jeans. The background is dark, with several large stage lights creating a halo effect above.
Pat Benatar sings into a handheld microphone, facing slightly to the right. They are dressed in a worn leather jacket and high-waisted jeans with zippered pockets. The background is dark, drawing attention to the performer, who is illuminated by stage lighting.
Pat Benatar is captured mid-song while holding a microphone in their right hand. They are wearing a dark leather jacket and high-waisted jeans. A coiled microphone cord hangs from their hand. A keyboard is partially visible behind them, and the background is dark, suggesting a concert setting.
Pat Benatar sings into a microphone while standing under stage lighting. They are wearing a dark leather jacket with zippered sleeves and fitted jeans. Their mouth is open mid-verse, and the coiled microphone cord extends downward. In the background, another person with curly hair is partially visible, facing away from the camera. The lighting creates a soft glow in the upper right.
Pat Benatar stands on stage holding a microphone with one arm extended to the side. They are wearing a dark leather jacket and high-waisted pants. The lighting creates a dramatic silhouette, with multiple stage spotlights casting beams through the haze behind them. Their head is turned slightly to the right.
A black and white newspaper page from The Spectrum, dated Monday, November 8, 1993, includes a large article on the band Nirvana performing at the University at Buffalo’s Alumni Arena. The top half includes two photographs of Kurt Cobain playing guitar and singing, and one photo of another band member performing under stage lights. The article discusses how the concert was organized by student Kathleen Duffy, details about contract negotiations and backstage requirements, and briefly describes the performance. To the left of the article is an advertisement for a lecture by political commentator George F. Will, part of the 1993–94 Distinguished Speakers Series, scheduled for November 10, 1993. Below the main article, a continuation discusses the concert opening acts—the Boredoms and the Meat Puppets—and highlights from the show.
The front page of the November 8, 1993 issue of The Spectrum, the student newspaper of the State University of New York at Buffalo, contains a large headline that reads, “Nirvana drenches 7,000 at Alumni,” with a subheadline crediting Spectrum editors Alicia Wing and Hakeem Oseini II. The central article covers Nirvana’s recent concert at Alumni Arena, highlighting the crowd size, student reactions, and the band’s performance. A large black-and-white image below the headline shows Kurt Cobain playing guitar and singing under stage lights. A smaller image at the bottom left shows an individual being crowd-surfed by the audience. To the right is another article titled “First Lady discusses health plan,” written by Dinah M. Reese. It summarizes Hillary Rodham Clinton’s address to the New York State Library Association in Niagara Falls, focusing on healthcare reform and library involvement in public education. The top banner includes three brief highlights: the Campus Cash card (page 3), Main Street series (page 13), and Bulls football loss (back page).
Jimmy Cliff is captured mid-performance, singing passionately into a microphone on a stand. They wear a patterned, short-sleeved garment with traditional textile designs and a rounded cap tied at the back. The lighting is bright and soft, likely natural daylight, silhouetting the subject slightly against a pale background. The scene conveys an expressive and energetic musical moment.
A group of musicians perform together on a brightly lit stage. The band consists of five members, each playing an instrument—electric guitars, bass, and keyboards. One guitarist at center appears mid-jump, while the others are actively engaged in playing. Microphones on stands are positioned across the stage. The lighting is intense, casting a warm glow from above and behind the performers. Equipment such as amplifiers and additional guitars can be seen in the background.
A live performance features four band members under stage lighting. On the left, Arlo Guthrie plays an acoustic guitar while another behind him plays bass. Toward the right, a third musician plays electric guitar near a microphone stand. Behind them, a drummer is partially visible. A banjo leans upright against a pedal steel guitar setup at the front right. A wooden stool is placed center stage. Amplifiers and additional equipment are visible in the background. The stage lights cast a strong overhead glow.
Arlo Guthrie at center stage sings into a microphone while playing an acoustic guitar. Behind him, additional musicians are partially visible, including one seated at a pedal steel guitar and another playing a keyboard. Amplifiers, guitars, and other equipment are arranged across the stage. A wooden stool stands beside the lead musician. Bright stage lights overhead cast strong illumination, and a circular logo for the University at Buffalo can be faintly seen on the backdrop above the performers.
Arlo Guthrie is seated on a stool under a spotlight, playing an acoustic guitar and singing into a microphone mounted on a boom stand. The background is dark, emphasizing the figure illuminated from the front. The person wears light-colored pants and a dark shirt. The guitar is clearly visible, and the focus is centered on the act of performing in a quiet or solo setting.
Arlo Guthrie sits on a wooden stool on stage, strumming an acoustic guitar and singing into a microphone attached to a boom stand. The performer wears a dark shirt, light-colored jeans, and sneakers. The background features stage equipment including a steel guitar and drums, with lighting directed at the performer. The setting suggests a live concert performance.
A band is shown mid-performance on a concert stage. Arlo Guthrie in the foreground plays an acoustic guitar and sings into a microphone. Behind him, a bassist, electric guitarist, keyboardist, and drummer are visible, each engaged with their instruments. A stool and banjo rest in the center foreground, and various stage equipment and amplifiers are visible. The lighting is bright and directed toward the performers, suggesting an energetic live show environment.
Talking Heads performs on a spacious, elevated stage under spotlights. Multiple musicians are seen positioned across the stage, playing a range of instruments including drum kits, congas, gongs, keyboards, and other percussion setups. Two seated individuals appear to be playing keyboard or synthesizer instruments in the center. The lighting is focused on the performers, leaving the background and surrounding areas mostly dark. The view is from a distance, showing stage structure, rigging, and cables in the foreground.
A view from the side of a stage captures two musicians mid-performance. One stands to the left playing an electric guitar, and the other is positioned more centrally, facing the audience, playing an acoustic guitar. Both are lit dramatically by overhead spotlights. In the background, a large crowd of concertgoers fills the darkened venue, many looking toward the performers, with expressions of focus and anticipation. The foreground includes part of the stage rigging and understructure.
David Byrne dressed in a light-colored suit is positioned at the front of a stage, standing with one foot lifted and singing into a microphone. Behind the singer, a guitarist seated to the right plays and sings into a mic, while two percussionists stand at a setup with congas and other instruments. Metal scaffolding and stage lights are visible in the background, and a large stage light fixture appears in the foreground near the bottom right. The band members are under dramatic concert lighting.
A group of five musicians is positioned across a stage. Three are in matching outfits—two holding microphones and one with a guitar. David Byrne in a light-colored suit stands with hands behind their back, next to another guitarist on the far right. A floor lamp with a bright shade stands in front, casting strong light onto the scene. The background is dim, and stage equipment and drums are faintly visible.
A high-angle view shows a large indoor concert venue filled wall-to-wall with spectators. The stage is brightly lit on the left side of the frame, where performers are visible. The audience stretches far into the background, densely packed and facing the stage. Above the crowd, stage rigging and lighting structures are visible, and a large American flag hangs high on the back wall. The surrounding venue walls are dimly lit.
A performer is captured mid-jump during a concert, holding a worn electric bass guitar. The musician wears a sleeveless white vest and camouflage shorts. Stage lighting beams from above, casting dramatic shadows and highlighting the performer's movement. In the background, a drummer is partially visible along with other band equipment and structural rigging. The overall atmosphere conveys high energy and intensity.
David Byrne in a light-colored pinstripe suit is captured mid-speech or song, holding a microphone close to their mouth. The person is lit from above and below, with strong contrasts highlighting facial features and the texture of the suit. The background is dark, with out-of-focus stage scaffolding faintly visible. The figure appears composed and expressive, suggesting a live performance setting.
David Byrne in a light-colored, pinstripe suit stands at a microphone, playing an electric guitar and singing. The performer is centered under stage lights, with a pedalboard at their feet and a drummer and bassist visible in the background. The drummer is partially obscured by a drum kit, while the bassist stands to the right, also playing. The backdrop is dark, emphasizing the brightly lit musicians and instruments. The scene appears to be from a live concert performance.
A live music performance shows two musicians playing electric guitars on a stage. David Byrne stands at the left, leaning forward with knees bent while strumming, and the other stands farther back near a bright stage light. A microphone stand is positioned between them, and various musical equipment including amplifiers and cables is visible on the floor. A drum set is partially seen in the background. The scene is lit with overhead lights and a lens flare from the stage light.
The Clash performs on a stage featuring five musicians. The person on the far left is singing into a microphone. The center stage includes a full drum kit being played, flanked by electric guitarists and a bassist. The backdrop displays a row of television monitors showing visuals. Stage lighting casts a strong spotlight on the performers, creating sharp contrasts with the dark background. Musical equipment and speakers are arranged across the stage, and part of the audience is visible in silhouette at the bottom of the frame.
The Clash performs on a large concert stage. The musicians include a drummer centered in the background, flanked by two guitarists and a bassist. A lead vocalist stands at the front of the stage holding a microphone. The backdrop features angular geometric stage design with diagonal lines and mesh panels. Two rows of television monitors display close-up visuals of faces. Stage lighting illuminates the performers, and a dense crowd of audience members fills the foreground.
A performer kneels on stage holding a microphone close to their mouth. They wear dark sunglasses, a sleeveless shirt, and light-colored pants. Stage lighting illuminates the performer from above, and blurred audience members are visible in the foreground. A second microphone stand extends from the right side of the frame, and other band members appear faintly in the background.
A vocalist wearing sunglasses and a sleeveless shirt sings into a microphone with an expressive hand gesture. To the right, a bass guitarist with spiked hair and a sleeveless outfit plays while facing the audience. Another band member is partially visible in the background. Stage lighting highlights the performers against a dark backdrop.
A person wearing a dark sleeveless vest plays an electric guitar with a bold, abstract pattern. Stage lights shine behind, and the guitarist appears to be mid-performance with a focused expression. A wristband is visible on one arm, and a necklace hangs around the neck. The background is dark, with blurred lights and partial stage equipment visible.
A stage performance shows three individuals in action. On the left, one stands at a microphone, wearing sunglasses, a sleeveless shirt, and white pants. In the center and right, two others play electric guitars while standing close together, with one wearing a sleeveless vest and the other in camouflage pants. Stage lights shine from above, and various cables and equipment are visible on the floor.
A live performance scene from an elevated angle shows multiple performers on stage, including one in a patterned suit and sneakers gesturing toward the audience, another with arms raised wearing a fringed outfit, and others playing instruments including a keyboard and guitar. The crowd is densely packed near the stage, facing the performers. Several large monitor speakers line the front edge of the stage.
Cindy Wilson stands in front of a microphone, singing with eyes closed and mouth open. They are holding a tambourine in both hands and wearing a wide-brimmed hat, large circular earrings, and a fringed outfit with thin straps. The background is dark, placing emphasis on the performer under stage lighting.
A full band is spread across a wide stage, performing in front of a plain backdrop under soft stage lighting. The group includes several musicians positioned at keyboards, electric guitars, a drum set, and a synthesizer or other electronic setup. Microphones and speakers are set up throughout the stage. The venue appears to be indoors, with a crowd of spectators visible in the foreground.
Three performers stand in a row on stage, each singing into a microphone. Cindy Wilson on the left holds a pair of maracas, wearing a dark outfit with embroidered patterns. Fred Schneider in the center wears a long jacket and patterned pants. Kate Pierson on the right is dressed in a fringe outfit and stands near a keyboard with a flower decoration attached to the mic stand. Stage lights illuminate the group from the front.
Cindy Wilson is shown mid-song on stage, holding a microphone with one hand and wearing a dark, long-sleeved outfit adorned with light-colored embroidery. The performer has long, light hair pulled back, and is illuminated by stage lighting against a dark background.
A band performs on a stage under bright lights, with several musicians and vocalists visible. One person in the foreground appears blurred from motion, wearing a patterned outfit and long coat. Another performer stands at a microphone to the right, head lowered. A guitarist in a hat plays near a drum set at center, while additional performers, including one at a keyboard, are spaced across the stage. Several monitors are positioned at the front edge of the stage.
A person stands on stage playing a solid-body electric guitar, wearing a dark jacket, scarf, and top hat. A cymbal from a drum set is partially visible in the background, along with other stage equipment. The setting is lit from above, casting shadows on the backdrop.
Fred Schneider sings into a microphone on a stand, holding a tambourine in their hands. They are wearing a blazer with two fuzzy dice attached to the lapel and a dark shirt underneath. The image is in black and white and closely cropped around the upper torso and face.
Kate Pierson sings into a microphone on stage. The individual has shoulder-length styled hair and wears a shimmering, fringed top. The background is dark with some out-of-focus stage lights.
Three musicians stand in a row on stage, each playing a guitar and singing into individual microphones. They are lit by strong stage lighting from above, and large speakers and equipment are visible in the background. A person in the background is seen observing the performance. The setting appears to be indoors, and the image is in black and white.
Clark Gym on the University at Buffalo South Campus.
Two musicians are shown during a live indoor performance. One is playing a guitar and singing passionately into a microphone, wearing a light-colored shirt. The other, wearing a darker shirt, is focused on playing a bass guitar. Microphones, microphone stands, and part of a drum set are visible, and shadows from equipment are cast on the wall behind them.
A band is performing on a stage set up in a gymnasium. Three musicians are positioned at the front, each singing into a microphone and playing guitars. A fourth musician is at the back, out of frame, playing a drum set labeled "Tama." A scoreboard and gym equipment like a basketball hoop are visible in the background, along with lighting and speaker equipment.
Crowd at the XTC / Police concert on January 20, 1980.
A densely packed audience fills the bleachers and floor space of a gymnasium. The crowd appears to be watching a live performance or event, with many looking in the same direction. Visible features include windows, wall-mounted speakers, and a backboard from a folded-up basketball hoop. A "No Smoking" sign is mounted on the wall near the top right.
Two musicians are performing on stage in a gymnasium-like venue. On the right, Sting plays a bass guitar and looks toward the camera, while the person on the left plays an electric guitar. A microphone stands in the center foreground. In front of the stage, a densely packed audience is visible, with several people raising their hands. The scene is lit by stage lights, and large speaker cabinets and gym equipment can be seen in the background.
Sting performs on stage with a bass guitar, standing near a microphone and facing left. The performer is illuminated by stage lights positioned above a stack of speakers in the background. Multiple audience members in the foreground have their hands raised in front of the stage. The setting appears to be an indoor venue.
Sting plays a bass guitar and sings into a microphone while pointing outward with their right arm extended. The individual wears a short-sleeved shirt with a circular pattern and stands near a keyboard. Another musician playing electric guitar is visible to the right. Audience members and equipment are in the background of the indoor venue.
Two individuals stand near the front of a densely packed crowd at a concert. One wears a leopard print top with shiny leggings and white sneakers, while the other wears a light-colored jacket, shiny leggings, and white boots. Both appear to be moving or gesturing in rhythm. Many others are visible behind them, standing closely together, some with arms folded or watching the stage.
Star Trek the Weekend at UB advertisement
A black-and-white flyer promotes "Star Trek Weekend at UB," with events running from March 1–3. The flyer features portraits of Walter Koenig (Pavel Chekov) and George Takei (Hikaru Sulu) and a line drawing of the Starship Enterprise over a campus skyline. Event details include: Film Presentations: Space Seed and Star Trek II: The Wrath of Khan shown at 5:15 and 8:30 PM on March 1 and 2 in the Woldman Theatre. Special midnight show on March 2 includes Star Trek Bloopers, The Man Trap, The Reluctant Stowaway, Assorted Trailers, and The Wizard of Speed and Time. Admission ranges from $1.50 to $2.50. Masquerade Competition: Held Saturday, March 3 in Kiva/Baldy. Registration runs from 1:30 to 2:15 PM near the Walkway Café; the event begins at 2:30 PM. Live Event: George Takei and Walter Koenig appear live in Clark Gym on Saturday, March 3 at 8:00 PM. Admission is $2 for students and $4 for non-students. The event is sponsored by the University Union Activities Board and Sub Board I, Inc.
From the TV to the theater, actors ride the Star-Trek wave
A page from the March 8, 1984 issue of The Spectrum (Volume 15, No. 21), the University at Buffalo’s student newspaper. The main article, written by Wendy Conlin, reports on a Star Trek-themed event at the university featuring actors Walter Koenig (Chekov) and George Takei (Sulu). The article discusses the enduring popularity of Star Trek, the actors’ reflections on their roles and fandom, and their perspectives on the evolution of the franchise and cast relationships—particularly tensions with William Shatner. A student costume contest was part of the event. The page includes two black-and-white photos: one shows Koenig speaking into a microphone with Takei slightly out of focus in the background; the other features a student wearing Vulcan ears and a Starfleet-style costume, leaning forward on a table. A sidebar continues the article “Shero” from the previous page, profiling nursing professor Dr. Peggy Chinn and her views on power and gender in healthcare.
Top of the Week: Star Trek Weekend at UB
A full page from the Reporter newspaper dated March 1, 1984 (Volume 15, No. 20), highlighting events for the week of March 1–8. The headline “This Week” spans the top left, followed by listings of lectures, conferences, and performances scheduled on campus. The central photo shows George Takei, captioned as part of “Star Trek: The Weekend at UB.” Additional smaller photos at the bottom show Walter Koenig and mezzo-soprano Hilda Harris, who were also scheduled for campus appearances. The “Top of the Week” section provides an overview of “Star Trek: The Weekend,” a series of events including screenings of Star Trek: The Wrath of Khan, classic episodes like “The Man Trap,” bloopers, a masquerade, and a live appearance by George Takei and Walter Koenig. Tickets, pricing, and locations are also mentioned. The right column includes more event listings and a brief on Hilda Harris's upcoming opera performance.
George Takei wearing a suit and tie stands beside a podium or desk, smiling broadly and raising one hand in a gesture with the palm facing forward and fingers forming a V-shape between the middle and ring fingers. The setting appears to be indoors, possibly during a speech or presentation.
Walter Koenig (Chekov) and George Takei (Sulu)
Two individuals stand side by side in front of a chalkboard. Walter Koenig on the left wears a pullover sweater and raises their right hand with fingers extended straight upward. George Takei on the right is dressed in a suit and tie and raises their right hand in a gesture with fingers split into a V-shape between the middle and ring fingers, while smiling broadly. The setting appears to be a classroom or lecture hall.
Nader Accuses Industry of Contributing Pollution
A yellowing newspaper clipping of an article from the University at Buffalo's The Spectrum newspaper titled, "Nader accuses industry of contributing pollution", by Staff Writer Harvy Lipman. The accompanying photo shows a person, identified in the caption as Ralph Nader, seated in front of several microphones. One arm rests on the table in front, while the other is raised in gesticulation. They were a dark suit and tie, a wrist watch with a dark band, and hair trimmed short.
Ralph Nader wearing a dark suit and tie is seated at a table, leaning slightly forward with hands clasped, speaking into several microphones positioned in front of them. The background shows several individuals seated and observing, some looking directly at the speaker. The setting appears to be a press conference or formal public event held indoors.
Ralph Nader in a suit is seated at a small rectangular table, speaking into multiple microphones. A cassette recorder and papers are on the table in front. The setting appears informal, with audience members sitting on chairs and on the floor along the back wall. Coats are hanging on a rack to the left, and the space appears to be a meeting or press room with glass-paneled walls and doors.
Ralph Nader wearing a dark suit and tie sits behind a table with multiple microphones positioned in front. Their hands are clasped together, resting on the table. A cassette recorder and a stack of papers are also on the table. Several people are visible in the background, seated and listening. The room has plain walls and appears to be a press or conference setting.
Ralph Nader in a suit is standing and speaking at a podium bearing the emblem of the State University of New York at Buffalo. Multiple microphones are set up on the podium. In the background, rows of seated people watch from bleachers, and more audience members are visible in the foreground. The setting appears to be a gymnasium or similar indoor venue used for a large public event or lecture.
Sign for Ralph Nader's speech at the University at Buffalo
A large sign promoting a speech by Ralph Nader for Earth Day is attached to a tree on a grassy area near a sidewalk. The sign indicates the event will occur on April 22 at noon in the gym. In the background, several parked cars, including vintage models, are visible in a lot beside a prominent academic building with a tall clock tower. People are walking along a path on the right side of the frame, suggesting a campus setting.
Muhammad Ali addresses a crowd from behind a wooden podium with multiple microphones. He appears to be delivering a speech or lecture in a well-lit room with tall curtains covering the windows. The audience, composed mostly of young people, sits closely packed on the floor and in chairs, attentively listening and visibly engaged. A few individuals in the crowd are smiling or clapping. The atmosphere suggests a university or public forum setting.
Fillmore Room in Norton Union on the University at Buffalo South Campus.
Audience at Muhammad Ali's (Cassius Clay) speech at the University at Buffalo
A densely packed group of students fills an auditorium, seated both on chairs and the floor, with more standing in the back and along the walls. Most are facing forward and appear engaged, some smiling or clapping. The crowd is diverse in terms of clothing and appearance, reflecting a mix of attentiveness and enthusiasm. Natural light enters the room through tall curtained windows in the background, and the scene conveys the energy of a major campus event or lecture.
A large number of students are gathered in a spacious, well-lit auditorium. Most are seated in rows of chairs while others stand along the sides and back. The students are engaged and appear to be waiting or reacting to an unseen speaker or event at the front. The room features a high ceiling with chandeliers and large windows at the back wall that allow natural light to filter in. The atmosphere suggests anticipation and high interest, likely during a major campus presentation or public address.
Muhammad Ali in a dark suit stands at a wooden podium equipped with several microphones, delivering a speech to an audience not fully visible in the image. The speaker is viewed in profile, facing left, and appears mid-sentence. Bright lighting behind the individual casts a strong glow, creating a dramatic silhouette effect. Audience members can be seen seated in the background, dimly lit by the backlight. The scene suggests a formal or significant public address in a large indoor venue.
Muhammad Ali stands at a wooden podium equipped with microphones, facing forward and adjusting or holding one of the microphone stands. The individual is dressed in a suit and tie, and their face is in profile. Strong backlighting creates a silhouette effect, casting shadows and emphasizing the contours of the speaker. Several people are visible seated in the background, with the setting resembling a public lecture or speech in a large room.
A densely packed audience fills a large room, with people seated in rows of chairs and others standing or moving around in the back. The attendees appear to be engaged and waiting for or reacting to an event or speaker. The room has high ceilings, tall windows with curtains, and a bright, diffused lighting setup. The scene suggests a lecture, speech, or public gathering, possibly at a university or conference.
Muhammad Ali dressed in a pinstriped suit stands at a wooden podium equipped with multiple microphones, addressing a seated audience. The speaker is illuminated by overhead lighting, with a visible microphone wire running from their clothing. The background shows a crowd of people, some with cameras, seated closely together in a dimly lit room. The setting suggests a formal public speech or lecture event.
Several people are positioned at the front of a room, some seated behind a table and others standing. The person at center is seated and facing slightly to the right, wearing a dark suit. Another individual next to them is in a light-colored suit. A third person stands in the foreground, partially obscured, while a fourth individual is seated to the right, resting their hand on their face. A curtain hangs behind the group, and an audience is partially visible in the background to the left. The setting suggests a panel discussion, meeting, or public address.
Muhammad Ali dressed in a pinstripe suit stands at a wooden podium, holding papers while speaking into multiple microphones. The speaker is facing slightly to the right, appearing engaged in a formal address. A crowd is visible in the background, seated and attentive. Bright lighting from behind the speaker creates a halo effect, emphasizing the setting's seriousness and formality. The scene likely takes place at a public event, lecture, or press conference.
First Lady Lady Bird Johnson, New York Governor Nelson A. Rockefeller, and President Lyndon B. Johnson
A formal event is taking place outdoors in front of a large building with stone columns. Lyndon B. Johnson stands at a podium marked with the seal of the President of the United States, speaking into dual microphones. Two people stand nearby, First Lady Lady Bird Johnson holding flowers and New York Governor Nelson A. Rockefeller smiling while looking toward the speaker. Several others are seated in the background, some wearing formal attire and sunglasses. A bunting-covered railing runs along the front of the platform.
Niagara Square outside City Hall in Buffalo, New York.
Lyndon B. Johnson stands at a podium with the seal of the President of the United States, delivering a speech in front of a large building with tall columns. A banner above reads “BUFFALO WELCOMES PRESIDENT JOHNSON.” Several people are seated and standing behind a bunting-covered railing, including individuals in formal attire. The setting suggests a ceremonial or public welcoming event.
Audience at President Lyndon B. Johnson's 1966 speech in Buffalo, New York
A large group of people stands in the street and on the steps of a building with tall columns. The building’s facade is decorated with striped bunting and a banner that reads “BUFFALO WELCOMES PRESIDENT JOHNSON.” Flags are visible in the crowd, and some uniformed individuals and a band can be seen on the steps. A white vehicle is parked on the left, and people in mid-century attire walk or stand facing the building, suggesting a public event or rally.
Lyndon B. Johnson stands at a podium decorated with the seal of the President of the United States, delivering a speech in front of a neoclassical building with tall columns. The person is mid-gesture, raising one hand with a pointed finger. The podium is draped with patriotic bunting. Other individuals are partially visible around the speaker, including one seated in front and another standing behind the podium.
Robert F. Kennedy at 1964 campaign speech in Buffalo, New York
Robert F. Kennedy stands at a podium on a raised outdoor platform, speaking to a densely packed crowd of people. The event takes place in front of a group of ivy-covered multi-story buildings with tall windows, some of which are open with people watching from inside. Several individuals, including photographers and suited figures, are positioned around the speaker. The crowd stretches across the foreground and background, with many looking toward the platform.
Squire Hall terrace on the University at Buffalo South Campus. Squire Hall was formerly Norton Union.
Robert F. Kennedy stands at a wooden podium on an elevated outdoor platform, speaking into multiple microphones. Several photographers and individuals are gathered nearby, some kneeling or aiming cameras at the speaker. A large crowd is visible in the background, separated by a metal railing. The scene takes place under clear daylight with no visible clouds in the sky.
Senator Robert F. Kennedy at the Buffalo Model City Conference, 1967
Robert F. Kennedy in a dark suit and striped tie stands at a small podium in a dimly lit indoor space. Multiple microphones are positioned in front of them, and their head is slightly bowed while appearing to read from notes. A large horizontally striped flag hangs behind them on the wall. Several individuals are partially visible in the foreground, including someone clapping and others seated and facing the speaker. Strong shadows are cast on the wall behind the speaker.
Common Council Chamber, Buffalo City Hall
A close-up view of Robert F. Kennedy wearing a dark suit, white dress shirt, and diagonally striped tie. The individual is seated or standing behind a microphone and is looking downward, with the face partially shadowed. A pocket square is visible in the jacket's breast pocket, and a tie clip is fastened to the tie. The background is softly focused and neutral.
Buffalo Mayor Frank A. Sedita and Senator Robert F. Kennedy at the Buffalo Model City Conference, 1967
A large room with an American flag hanging on the wall serves as the backdrop for a formal event. Senator Robert F. Kennedy is seated at a desk in the foreground wearing a dark suit and striped tie, looking to the side and holding a pen. Buffalo Mayor Frank A. Sedita stands behind a raised desk in the background, also wearing a dark suit and glasses, and appears to be reading or speaking into a microphone. Multiple microphones are arranged on both desks. The room includes wooden paneling and leather chairs.
A group of individuals in formal attire stands in a dimly lit interior space. Senator Robert F. Kennedy near the center, wearing a dark suit and striped tie, smiles slightly while looking toward a large television camera positioned at the right edge of the frame. Buffalo Mayor Frank A. Sedita stands in front and slightly to the left, looking forward with a serious expression. The background is crowded, with additional people in suits visible among the shadows. A hand holding a stack of papers is visible on the left side.
Senator Robert F. Kennedy stands at a podium, speaking into a microphone. The individual wears a dark suit, white shirt, and a striped tie with a tie clip and pocket square. Hands are clasped together in front of the podium. Behind the speaker, a large American flag hangs on the wall. The setting appears dimly lit, with shadows on the wall and across the speaker's face.
Senator Robert F. Kennedy stands at a podium equipped with several microphones, wearing a dark suit, white shirt, and striped tie with a tie clip. A glass of water is placed on the podium to the left. Behind the speaker, a large American flag is partially visible against a stone wall. The lighting casts shadows on the background.
Senator Robert F. Kennedy stands at a podium, appearing to speak or address an audience. They are dressed in a dark suit, light shirt, and striped tie with a tie clip. Several microphones are positioned on the podium, and a glass of water is placed to the side. The backdrop includes an American flag and a tiled wall. The person is turned slightly to the left.