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    <dcterms:title><![CDATA[Self-Portrait]]></dcterms:title>
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    <dcterms:title><![CDATA[Officers of the Haarlem Militia Company of St. Adrian]]></dcterms:title>
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    <dcterms:title><![CDATA[Catharina Hooft and Her Nurse]]></dcterms:title>
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    <dcterms:title><![CDATA[St. Sebastian Tended By St. Irene]]></dcterms:title>
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    <dcterms:title><![CDATA[Charles I at the Hunt]]></dcterms:title>
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    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:title><![CDATA[The Raising of the Cross (Left Wing, Center Panel, and Right Wing)]]></dcterms:title>
    <dcterms:description><![CDATA[Painted for the Church of St. Walburga, Antwerp, Belgium.]]></dcterms:description>
    <dcterms:creator><![CDATA[Peter Paul Rubens]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:title><![CDATA[Self-Portrait With Isabella Brandt]]></dcterms:title>
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    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:date><![CDATA[ca. 1660 - 1665]]></dcterms:date>
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    <dcterms:title><![CDATA[Las Meninas (The Maids of Honor)]]></dcterms:title>
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    <dcterms:title><![CDATA[Self-Portrait as the Allegory of Painting]]></dcterms:title>
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    <dcterms:title><![CDATA[Susannah and the Elders]]></dcterms:title>
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    <dcterms:title><![CDATA[The Conversion of St. Paul]]></dcterms:title>
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    <dcterms:spatial><![CDATA[Contarelli Chapel, Church of San Luigi dei Francesi, Rome.]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://digital.lib.buffalo.edu/index.php/items/show/36298">
    <dcterms:title><![CDATA[Landscape with the Flight Into Egypt]]></dcterms:title>
    <dcterms:creator><![CDATA[Annibale Carracci]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1603 - 1604]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Galleria Doria Pamphili, Rome.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Bacchus]]></dcterms:title>
    <dcterms:creator><![CDATA[Caravaggio]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1595 - 1596]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Galleria degli Uffizi (Florence, Italy)]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://digital.lib.buffalo.edu/index.php/items/show/36296">
    <dcterms:title><![CDATA[Spear Bearer (Doryphoros)]]></dcterms:title>
    <dcterms:subject><![CDATA[Athletics]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Nudes (representations)]]></dcterms:subject>
    <dcterms:subject><![CDATA[ men]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Human beings]]></dcterms:subject>
    <dcterms:description><![CDATA[Tree trunk and brace strut are Roman additions.]]></dcterms:description>
    <dcterms:creator><![CDATA[Polykleitos]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 450 - 440 BCE]]></dcterms:date>
    <dcterms:date><![CDATA[BCE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:medium><![CDATA[marble]]></dcterms:medium>
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    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[VS4562392]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[vw-20100831-1]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[Museo Archeologico Nazionale (Naples, Italy)]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Archaic (Greek)]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[Ancient Greek]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[ Ancient Roman]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://digital.lib.buffalo.edu/index.php/items/show/36295">
    <dcterms:title><![CDATA[A Bronze Foundry]]></dcterms:title>
    <dcterms:subject><![CDATA[Nudes (representations)]]></dcterms:subject>
    <dcterms:subject><![CDATA[ men]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Human beings]]></dcterms:subject>
    <dcterms:description><![CDATA[The Foundry Painter has masterfully organized this workshop scene within the flaring space that extends upward from the foot of the vessel and along its curving underside up to the lip, thereby using a circle as the groundline for his composition.]]></dcterms:description>
    <dcterms:creator><![CDATA[Foundry Painter]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[490 - 480 BCE]]></dcterms:date>
    <dcterms:date><![CDATA[BCE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:extent><![CDATA[Diameter of kylix 12]]></dcterms:extent>
    <dcterms:medium><![CDATA[ceramic]]></dcterms:medium>
    <dcterms:type><![CDATA[kylikes]]></dcterms:type>
    <dcterms:type><![CDATA[ cups]]></dcterms:type>
    <dcterms:type><![CDATA[ drinking vessels]]></dcterms:type>
    <dcterms:type><![CDATA[ containers (receptacles)]]></dcterms:type>
    <dcterms:type><![CDATA[ vase paintings]]></dcterms:type>
    <dcterms:type><![CDATA[ paintings (visual works)]]></dcterms:type>
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    <dcterms:identifier><![CDATA[VS4562239]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[vw-20100831-1]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[Staatliche Antikensammlungen (Munich, Germany)]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Red-figure]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[Ancient Greek]]></dcterms:temporal>
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    <dcterms:title><![CDATA[Queen Elizabeth I (The Ditchley Portrait)]]></dcterms:title>
    <dcterms:creator><![CDATA[Marcus Gheeraerts the Younger]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1592]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:identifier><![CDATA[VS4569428]]></dcterms:identifier>
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    <dcterms:spatial><![CDATA[National Portrait Gallery (London, United Kingdom)]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Burial of Count Orgaz]]></dcterms:title>
    <dcterms:creator><![CDATA[El Greco]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1586]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Church of Santo Tome, Toledo, Spain.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[The Last Supper]]></dcterms:title>
    <dcterms:description><![CDATA[Tintoretto, who had a large workshop, often developed a composition by creating a small-scale model like a miniature stage set, which he populated with wax figures. He then adjusted the positions of the figures and the lighting until he was satisfied with the entire scene. Using a grid of horizontal and vertical threads placed in front of this model, he could easily sketch the composition onto squared paper for his assistants to copy onto a large canvas. His assistants also primed the canvas, blocking in the areas of dark and light, before the artist himself, free to concentrate on the most difficult passages, finished the painting. This efficient working method allowed Tintoretto to produce a large number of paintings in all sizes.]]></dcterms:description>
    <dcterms:creator><![CDATA[Tintoretto]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1592 - 1594]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:identifier><![CDATA[VS456909X]]></dcterms:identifier>
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    <dcterms:spatial><![CDATA[Church of San Giorgio Maggiore, Venice.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Feast in the House of Levi]]></dcterms:title>
    <dcterms:creator><![CDATA[Veronese]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1573]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[From the refectory of the monastery of Santi Giovanni e Paolo, Venice. Galleria dellAccademia, Venice.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Noli Me Tangere]]></dcterms:title>
    <dcterms:creator><![CDATA[Lavinia Fontana]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
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    <dcterms:subject><![CDATA[ Temples]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Greece--Antiquities]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Antiquities]]></dcterms:subject>
    <dcterms:description><![CDATA[View from the east. Porch of the Maidens at left]]></dcterms:description>
    <dcterms:description><![CDATA[ the north porch can be seen through the columns of the east wall]]></dcterms:description>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[421 - 406 BCE]]></dcterms:date>
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    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
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    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Akropolis (Athens, Greece)]]></dcterms:spatial>
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    <dcterms:title><![CDATA[The Education of the Virgin]]></dcterms:title>
    <dcterms:creator><![CDATA[Georges de la Tour]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:date><![CDATA[ca. 1650]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
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    <dcterms:identifier><![CDATA[VS4560334]]></dcterms:identifier>
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    <dcterms:spatial><![CDATA[The Frick Collection, New York.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Reconstruction Drawing of Durrington Walls]]></dcterms:title>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:date><![CDATA[2600 BCE]]></dcterms:date>
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    <dcterms:spatial><![CDATA[The settlement at Durrington Walls, near Stonehenge in southern England.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Decorated Ocher]]></dcterms:title>
    <dcterms:description><![CDATA[From Blombos Cave. Southern Cape coast, South Africa.]]></dcterms:description>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[77,000 years ago]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
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    <dcterms:spatial><![CDATA[From Blombos Cave. Southern Cape coast, South Africa.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Paleolithic Hand-Axe]]></dcterms:title>
    <dcterms:subject><![CDATA[Wealth]]></dcterms:subject>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[60,000 years ago]]></dcterms:date>
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    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
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    <dcterms:extent><![CDATA[Height 10]]></dcterms:extent>
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    <dcterms:spatial><![CDATA[From Isimila Korongo, Tanzania.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[No. 3/No. 13 (Magenta, Black and Green On Orange)]]></dcterms:title>
    <dcterms:creator><![CDATA[Rothko, Mark]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:isPartOf><![CDATA[VS001]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[7&#039;1 3/8&quot; x 5&#039;5]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[VS4560279]]></dcterms:identifier>
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    <dcterms:spatial><![CDATA[Museum of Modern Art (New York, New York)]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Map of Prehistoric Europe]]></dcterms:title>
    <dcterms:description><![CDATA[As the Ice Age glaciers receded, Paleolithic, Neolithic, Bronze Age, and Iron Age settlements increased from south to north.]]></dcterms:description>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
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    <dcterms:title><![CDATA[Rainbow Serpent Rock]]></dcterms:title>
    <dcterms:description><![CDATA[Appearing in Australia as early as 6000 bce, images of the Rainbow Serpent play a role in rituals and legends of the creation of human beings, the generation of rains, storms, and floods, and the reproductive power of nature and people.]]></dcterms:description>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Western Arnhem Land, Australia.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Mme. Charpentier and Her Children]]></dcterms:title>
    <dcterms:creator><![CDATA[Renoir, Pierre-Auguste]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1878]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-07]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Map, Crusader States]]></dcterms:title>
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    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
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    <dcterms:created><![CDATA[2011-09-07]]></dcterms:created>
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    <dcterms:title><![CDATA[Symposium]]></dcterms:title>
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    <dcterms:source><![CDATA[Personal Collection, L. Vance Watrous]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
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    <dcterms:title><![CDATA[Aspects of Negro Life: from Slavery Through Reconstruction]]></dcterms:title>
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    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
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    <dcterms:title><![CDATA[Man Shot Down (1) Erschossener (1) from October 18, 1977]]></dcterms:title>
    <dcterms:description><![CDATA[The Sidney and Harriet Janis Collection, gift of Philip Johnson, and acquired through the Lillie P. Bliss Bequest (all by exchange)]]></dcterms:description>
    <dcterms:description><![CDATA[ Enid A. Haupt Fund]]></dcterms:description>
    <dcterms:description><![CDATA[ Nina and Gordon Bunshaft Bequest Fund]]></dcterms:description>
    <dcterms:description><![CDATA[ and gift of Emily Rauh Pulitzer. (169.1995.g.).]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerhard Richter]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:date><![CDATA[1988]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:title><![CDATA[Self-Portrait as a Fountain]]></dcterms:title>
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    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1966 - 1967]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Courtesy Leo Castelli Gallery, New York.]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Vir Heroicus Sublimis]]></dcterms:title>
    <dcterms:creator><![CDATA[Barnett Newman]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1950 - 1951]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
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    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Museum of Modern Art (New York, New York)]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Knight Watch]]></dcterms:title>
    <dcterms:creator><![CDATA[Jean-Paul Riopelle]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1953]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[National Gallery of Canada (Ottawa, Ontario)]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Woman I]]></dcterms:title>
    <dcterms:creator><![CDATA[Willem de Kooning]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1950 - 1952]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
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    <dcterms:title><![CDATA[The Seasons]]></dcterms:title>
    <dcterms:description><![CDATA[Purchased with funds from Frances and Sydney Lewis (by exchange), the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee (87.7).]]></dcterms:description>
    <dcterms:creator><![CDATA[Lee Krasner]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1957]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:spatial><![CDATA[Whitney Museum of American Art (New York, New York)]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Garden in Sochi]]></dcterms:title>
    <dcterms:description><![CDATA[Acquired through the Lillie P. Bliss Bequest (492.1969).]]></dcterms:description>
    <dcterms:creator><![CDATA[Arshile Gorky]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1943]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Guernica]]></dcterms:title>
    <dcterms:description><![CDATA[On permanent loan from the Museo del Prado, Madrid. Shown installed in the Spanish Pavilion of the Paris Exposition, 1937.  (122  292  196 cm). In the foreground: Alexander Calders Fontaine de Mercure (Mercury Fountain), 1937, Mercury, sheet metal, wire rod, pitch, and paint, 44  115  77  Fundacio Joan Miro, Barcelona.]]></dcterms:description>
    <dcterms:creator><![CDATA[Pablo Picasso]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
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    <dcterms:title><![CDATA[Zambezia, Zambezia]]></dcterms:title>
    <dcterms:description><![CDATA[Gift, Mr. Joseph Cantor, 1974.2095.]]></dcterms:description>
    <dcterms:creator><![CDATA[Wifredo Lam]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1950]]></dcterms:date>
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    <dcterms:title><![CDATA[Painting]]></dcterms:title>
    <dcterms:description><![CDATA[Gift of D. and J. de Menil Fund (29.1956).]]></dcterms:description>
    <dcterms:creator><![CDATA[Wols (Wolfgang Schulze)]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
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    <dcterms:title><![CDATA[Head Surrounded by Sides of Beef]]></dcterms:title>
    <dcterms:description><![CDATA[Harriott A. Fox Fund.]]></dcterms:description>
    <dcterms:creator><![CDATA[Francis Bacon]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1954]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Marpacifico (Hibiscus)]]></dcterms:title>
    <dcterms:description><![CDATA[Gift of IBM.]]></dcterms:description>
    <dcterms:creator><![CDATA[Amelia Pelaez]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
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    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:title><![CDATA[Abaporu (The One Who Eats)]]></dcterms:title>
    <dcterms:creator><![CDATA[Tarsila do Amaral]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1928]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:title><![CDATA[The Two Fridas]]></dcterms:title>
    <dcterms:creator><![CDATA[Frida Kahlo]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1939]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
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    <dcterms:title><![CDATA[Big Raven]]></dcterms:title>
    <dcterms:description><![CDATA[Emily Carr Trust (VAG 42.3.11).]]></dcterms:description>
    <dcterms:creator><![CDATA[Emily Carr]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1931]]></dcterms:date>
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    <dcterms:title><![CDATA[The Jack Pine]]></dcterms:title>
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    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:title><![CDATA[Composition]]></dcterms:title>
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    <dcterms:title><![CDATA[Violin and Palette]]></dcterms:title>
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    <dcterms:title><![CDATA[The Horde]]></dcterms:title>
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    <dcterms:date><![CDATA[1905]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:isPartOf><![CDATA[Visual Resources Collection]]></dcterms:isPartOf>
    <dcterms:isPartOf><![CDATA[VS001]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[6&#039;11 3/4&quot; x 7&#039;6 3/8]]></dcterms:extent>
    <dcterms:medium><![CDATA[oil on canvas]]></dcterms:medium>
    <dcterms:type><![CDATA[oil paintings (visual works)]]></dcterms:type>
    <dcterms:type><![CDATA[ paintings (visual works)]]></dcterms:type>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[VS4573092]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[vw-20100831-1]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[National Gallery of Art (Washington, District of Columbia)]]></dcterms:spatial>
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