Composer David Felder at the podium with conductor Stefan Sanders during a rehearsal of the Buffalo Philharmonic Orchestra at June in Buffalo 2015
Buffalo Philharmonic Orchestra - Ensemble
Two people stand behind music stands, one adjusting papers and the other holding an open score. Seated musicians in the foreground hold bows and look toward music stands. The background consists of a dark performance space with illuminated vertical panels.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
A group of musicians sits behind music stands with sheet music, holding instruments such as cellos and violins. Two people stand in the center of the ensemble, one in a dark blue sweater and the other in a black shirt with glasses. The background consists of tall pillars and vertical curtains in a dimly lit performance space.
Several people are seated with their backs to the camera, including one person in a white and green shirt and another in a black vest. They face a person who is gesturing with a hand while standing in front of a wall with vertical wooden panels. To the right, another person wearing glasses stands and looks toward the group.
A person in a navy blue shirt stands and gestures while another person in a black shirt looks toward them. Three seated people are viewed from behind, with sheet music and a violin bow visible in the foreground. A vertical wooden paneled wall serves as the background.
Composer David Felder checking his score of Six poems from Neruda's Alturas while Stefan Sanders rehearses with the Buffalo Philharmonic Orchestra at June in Buffalo 2015
A person wearing glasses and a black shirt stands at a desk in the foreground, holding a pen and looking at open sheets of music. Behind them, an orchestra with various instruments is positioned on a stage in front of a large pipe organ. A conductor stands on a podium in the center of the ensemble, and empty red seats fill the lower portion of the frame.
Composer David Felder checking his score of Six poems from Neruda's Alturas while Stefan Sanders conducts the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2015
A person wearing a black shirt and glasses looks down at papers near a row of theater seats. On the stage in the background, numerous musicians are seated with stringed instruments under the direction of a conductor. The concert hall features light wood paneling on the walls and a large pipe organ built into the center of the back wall.
Stefan Sanders conducting the Buffalo Philharmonic Orchestra in a rehearsal at June in Buffalo 2015
A conductor stands on a podium facing an orchestra of musicians playing violins, cellos, and other instruments. The stage features vertical wood paneling and a large pipe organ in the background. Several rows of red seating are visible in the foreground.
Composer Harvey Sollberger presenting a lecture at June in Buffalo 2015
A person wearing glasses and a light-colored patterned shirt stands behind a podium on a wooden stage, positioned in front of a large blank screen. They have one hand raised and are facing a group of people seated in rows of chairs with their backs to the camera. A microphone stand is visible to the right of the podium.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
A person stands behind a wooden podium on a raised stage, with a large white screen on the wall behind them. In the foreground, the backs of several people in the audience are visible facing the stage. A tall microphone stand is positioned in front of the platform, and a piano is visible in the background to the right.
Composer David Felder onstage with conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal after the June in Buffalo 2015 performance of Felder's Les quatre temps cardinaux
A group of musicians is gathered on a stage featuring numerous microphones and music stands. Two individuals stand in the center next to a small platform, while another person to the left has arms raised. Seated musicians hold string instruments, and large percussion equipment is visible in the background.
An orchestra stands on a wooden stage with a dark backdrop, holding various musical instruments. A person in a suit and bowtie is positioned at a podium in the center foreground near multiple microphone stands. Many performers are dressed in black, and music stands are positioned throughout the group.
A group of people stands on a stage holding musical instruments, including string and woodwind instruments. Several individuals have their hands raised or held together, while one person in a dark suit stands near a platform. Microphones on tall stands are positioned across the stage, and a watermark spans the center.
A group of musicians stands on a stage with instruments including violins, a cello, and wind instruments. Two individuals dressed in black shake hands in the center foreground near microphones and music stands. The background consists of a plain gray wall, and various pieces of recording equipment are positioned throughout the ensemble.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal after the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux
Musicians in formal black attire stand with violins, cellos, and other instruments on a stage featuring a wooden side wall and a dark backdrop. In the foreground, people sit in red auditorium chairs, some with their hands raised. Multiple microphone stands and sound equipment are positioned throughout the performance space.
A large ensemble of musicians sits on a stage with instruments including violins, cellos, a harp, and a piano. In the center, three individuals stand near microphones while audience members in the foreground have their hands raised. The stage features a wooden wall to the left and a large plain backdrop behind the ensemble.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal during the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux
A person in black clothing stands with their back to the viewer, pointing one hand toward the left. Several people sit behind them with musical instruments and microphones against a solid blue backdrop. One person sits in the foreground to the left of the conductor.
A person stands with their back to the camera, gesturing towards a group of seated musicians and singers on a stage. Microphones on stands are positioned throughout the ensemble, which performs in front of a blue backdrop. A watermark is superimposed over the middle of the scene.
A person in dark clothing stands with their back to the viewer and arms raised, facing a group of musicians on a stage. To the left, a person sits in a black strapless dress next to another musician holding a violin. On the right, a person in a tuxedo sits behind a music stand, with other performers and microphones visible across the stage against a solid blue backdrop.
A person in black clothing stands with their back to the camera, arms raised toward a seated group of musicians. The performers are arranged on a stage with a blue backdrop, accompanied by music stands and microphones. Seated musicians wear formal attire and hold instruments such as a violin and woodwinds.
An orchestra in black attire performs on a wooden stage in front of a large blue screen. A conductor stands on a podium in the center with a soloist standing to their left. Music stands, instruments, and microphones are positioned across the stage, while dark theater seats are visible in the foreground.
An orchestra sits on a stage in front of a large blue backdrop, with a conductor on a podium and a soloist standing nearby. Musicians play various instruments, including violins and cellos, while rows of empty red seats occupy the foreground. The stage is equipped with multiple microphones and stands, and a wood-paneled wall borders the left side.
A large musical ensemble is positioned on a stage with wood-paneled side walls and a tall blue background. A conductor stands on a central podium facing the group, while a soloist is positioned nearby. Musicians are seated playing instruments such as violins and cellos, surrounded by microphones and stage equipment, with empty red seats in the foreground.
A large group of musicians sit on a stage playing string and percussion instruments. A person stands on a podium in the center of the ensemble, directing the players while facing a blue wall. The foreground consists of dark theater seating, while the stage is bordered by a wood-paneled wall on the left.
Musicians play string and wind instruments while seated on a wooden stage. A conductor stands on a central podium facing away from rows of dark auditorium seating. Several microphones on tall stands are positioned around the performers against a large blue background.
A large group of musicians sits on a stage, playing string and wind instruments. A person stands with their back turned, facing the group and holding a baton. The stage is set against a solid blue background, and rows of empty red seats are visible in the foreground.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal during the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux with video projection by Olivier Pasquet
A conductor leads an orchestra and a solo singer on a stage in a darkened auditorium. Behind the ensemble, a large screen displays a bright blue sky with clouds and white streaks. Musicians play various instruments including violins, cellos, and percussion.
An orchestra is seated on a stage with a conductor on a podium and a soloist positioned at a microphone. A large screen in the background displays a bright blue sky with white vapor trails. Various microphones and music stands are visible throughout the performing area.
A musical ensemble performs on a stage while a person on a podium conducts and a vocalist stands nearby. A large screen behind the performers displays a bright blue sky with diagonal white contrails. Microphones on tall stands are positioned around the group, and instruments such as a harp, violins, and cellos are visible.
An orchestra is positioned on a stage with red seating in the foreground. A conductor stands on a central platform with arms raised, facing a vocalist and musicians playing various instruments. A large screen in the background displays a solid orange-red color with faint cloud-like shapes.
An orchestra is positioned on a stage with a large red screen in the background. A conductor stands on a podium in the center, facing the musicians and vocalists who are arranged with instruments like violins, cellos, and a piano. Several tall microphone stands are placed in front of the performers, and rows of empty red theater seats are visible in the foreground.
A conductor stands on a platform facing an ensemble of musicians and two vocalists. Behind the group, a large screen shows a red and orange gradient with cloud-like shapes. The musicians play various instruments including violins, cellos, and a harp.
A conductor leads a large ensemble of musicians and a vocalist on a stage in a concert hall. A rectangular screen behind the performers shows a bright, abstract graphic composed of orange and purple wavy lines. The musicians are seated with instruments including violins, cellos, and a piano, and a large watermark is visible across the center of the scene.
A musical ensemble is arranged on a stage in a darkened auditorium. In the center, a conductor stands on a podium with arms outstretched, facing a vocalist and several instrumentalists. Behind the performers, a large screen displays abstract purple and orange shapes, and rows of red seating are visible in the foreground.
An ensemble of musicians performs on a stage, with a conductor standing on a podium and a vocalist positioned at a microphone. In the background, a large screen shows abstract orange and purple projections. The scene includes various instruments such as violins, cellos, and a piano under stage lighting.
An orchestra and a vocalist perform on a stage in front of a large screen displaying a horizontal blue line of light. A conductor stands on a podium in the center, facing the musicians while gesturing with one arm raised. The stage is filled with performers playing instruments including violins, cellos, a harp, and a grand piano, surrounded by several microphones and stands. Rows of empty red chairs are visible in the foreground of the auditorium.
Conductor Brad Lubman, soloists Heather Buck and Ethan Herschenfeld, and the Slee Sinfonietta with Ensemble Signal before the June in Buffalo 2015 performance of David Felder's Les quatre temps cardinaux
Three people stand at the front of a stage while an orchestra with string and percussion instruments sits behind them. One individual wears a black gown, another wears a black shirt, and the third wears a suit with a bow tie. Multiple microphones on stands are positioned throughout the performance space.
Composer David Felder with Matt Sargent, J. T. Rinker, Olivier Pasquet, and Patty Rihn at the control consoles for a performance of his Les quatre temps cardinaux at June in Buffalo 2015
Five people are positioned around a table covered in laptops and audio gear within a large theater. Two individuals stand on the left while three others sit behind various monitors and mixing boards. Rows of red theater seats and tall white columns occupy the background of the space.
Composer David Felder with J. T. Rinker, and Olivier Pasquet at the control consoles for a performance of his Les quatre temps cardinaux at June in Buffalo 2015
Three people sit at a long table equipped with laptops, a computer monitor, and audio mixing boards in a room with tiered red seating. A fourth person stands behind the desk, looking toward the side. Multiple cables connect the electronic equipment across the workspace.
Composer Augusta Read Thomas during a seminar at June in Buffalo 2015
Four people are in a room that features a large whiteboard with music staff lines. One person sits behind a desk in the center background looking down at papers while others are seated in the foreground. A laptop on a desk in the foreground shows digital sheet music.
Composer David Felder talking to conductor Brad Lubman at a rehearsal for Felder's Les quatre temps cardinaux with Ensemble Signal and Slee Sinfonietta at June in Buffalo 2015
Signal (Musical group : 2008- ) - Ensemble
A conductor stands on a podium facing an orchestra on a stage with wood-paneled walls. Several musicians play string instruments or hold sheet music while multiple microphones on stands are positioned across the performance area. In the foreground, a person wearing an orange jacket and a cap stands with one arm extended toward the musicians.
A group of musicians and vocalists sit on a stage with a conductor standing in the center. The ensemble includes string players, a pianist, a harpist, and a percussionist positioned behind music stands and microphones. A person wearing a red shirt and a cap stands in the foreground facing the performers.
Individuals sit on a stage with instruments including violins, a cello, a harp, and a grand piano among music stands and microphones. A central person stands on a podium facing the group, and an individual in a red jacket stands in the foreground near rows of red seats. The background features wooden wall panels and various pieces of technical equipment.
An orchestra is arranged on a stage with a conductor positioned on a raised platform in the center. Musicians play instruments including violins, cellos, and a harp, while microphones on tall stands are placed throughout the ensemble. In the foreground, empty red theater seats and a person wearing an orange-red jacket and a light-colored hat are visible.
A large group of musicians with instruments sits on a wooden stage, while one person stands on a central podium. Numerous microphones on tall stands are positioned throughout the ensemble. Red theater seats occupy the foreground, where a person in a red jacket stands looking toward the stage.
Musicians sit on a stage with string and percussion instruments, while another person stands on a small platform in the center. Tall microphones and music stands are distributed throughout the performance area in front of a wooden wall. In the foreground, empty rows of red auditorium seats are visible.
Musicians sit in an orchestra on a stage, with one person standing on a central platform conducting. Multiple microphones on tall stands are positioned around the performers, and a person in an orange jacket stands in front of red theater seating. The background consists of tall wood-paneled walls.
A conductor stands on a podium directing an ensemble of musicians playing string and woodwind instruments. The stage is set with music stands and microphones for a performance or recording session. In the foreground, a person in a red jacket faces the stage with their arms raised above their head.
Musicians are seated on a stage playing string, wind, and percussion instruments under bright lights. One person in a red jacket stands with their back to rows of empty seats while looking toward the ensemble. The stage is equipped with music stands and microphones, set against a large neutral backdrop and wood-paneled walls.
Brad Lubman conducting bass Ethan Herschenfeld, Ensemble Signal, and Slee Sinfonietta in a performance of David Felder's Les quatre temps cardinaux at June in Buffalo 2015
A person stands with their back to the camera, arms raised in a conducting motion toward a group of musicians. A seated individual in formal attire performs into a microphone in the center. Other ensemble members are visible playing stringed instruments and reading from music stands under focused lighting.
Brad Lubman conducting soprano Heather Buck, Ensemble Signal, and Slee Sinfonietta in a performance of David Felder's Les quatre temps cardinaux at June in Buffalo 2015
A person stands center stage behind a microphone and music stand with their mouth open. To the right, another person stands with their back to the camera, gesturing with their arms. Dimly lit orchestral musicians are positioned around them, including one individual playing a violin in the foreground. A translucent copyright notice is layered over the center of the scene.
A person with their back turned leads a singer who is performing into a microphone on a stage. Orchestral musicians are positioned in the dimly lit foreground, some holding stringed instruments. A large, solid red rectangle occupies the background above the performers.
Soprano Heather Buck and bass Ethan Herschenfeld onstage prior to the performance of David Felder's Les quatre temps cardinaux at June in Buffalo 2015 with Ensemble Signal and Slee Sinfonietta
Several people occupy a stage, some holding violins while others sit behind music stands with integrated lamps. A central person in a dark, sleeveless gown sits amidst microphones and recording equipment. The background is dark, and the stage floor is covered with various cables and stands.
Composer David Felder talking with soprano Heather Buck and bass Ethan Herschenfeld at a rehearsal for Felder's Les quatre temps cardinaux at June in Buffalo 2015
A person in a red jacket and white cap stands on a riser on the left side of a stage. Other people are positioned across the floor, some standing behind microphones and others seated with cellos. The background consists of a wood-paneled wall, and a watermark is visible across the center.
Two people are engaged in conversation near a microphone on a stand, while another person sits behind a music stand with sheet music. In the background, other musicians hold instruments, and more microphones are visible throughout the space against a wood-paneled wall.
One image from Olivier Pasquet's video accompanying David Felder's Les quatre temps cardinaux performed at June in Buffalo 2015
A large rectangular screen displays an abstract pattern of vibrant pink, orange, and blue light in a darkened space. Below the screen, several silhouettes of people and equipment are visible in the shadows. A watermark reading "Copyright by Irene Haupt" is superimposed across the center of the scene.
Composer Augusta Read Thomas presenting a lecture at June in Buffalo 2015
A person with short hair sits on a wooden stool on a stage, wearing a blue patterned outfit and gesturing with their hands. Behind them, a large screen displays a blue background with text indicating a lack of input signal from a computer. A laptop and a projector are positioned on stands on either side of the person, while silhouettes of an audience are visible in the foreground.
A person sits with eyes closed on a wooden stool in the center of a stage. Behind them, a large screen displays a solid blue color with white text indicating no signal. The stage area includes a wooden podium, a projector on a stand, and other electronic equipment.
Harvey Sollberger playing flute at a June in Buffalo 2015 concert
A flute player stands behind a music stand in a room with dark curtains, red walls, and a glowing exit sign. Seated audience members appear in silhouette in the foreground while watching the performance. A large painting of a person with flowers in their hair hangs above the performer, and track lighting illuminates the scene from the ceiling.
A person in a patterned shirt plays a flute while standing behind music stands in a room with dark gray curtains. A large red painting of a person with white flowers in their hair hangs on the wall behind the performer. Audience members are seated in the foreground and along the sides of the room, looking toward the stage.
A person in a white and orange floral button-down shirt stands indoors playing a silver flute. A microphone on a black stand is positioned in front of the musician. The background features a dark door and a speaker mounted on a wall shelf.
Harvey Sollberger playing accordion at a June in Buffalo 2015 concert
A person with grey hair and a goatee plays a black accordion while seated in a room with a microphone positioned in front of them. Their mouth is open as they sit between a grey curtain and a dark red wall. The accordion features a white keyboard and a black frame with several white switches.
A person wearing a short-sleeved white and orange patterned shirt sits while holding a black piano accordion. A microphone on a boom stand is positioned in front of them, and part of a drum set is visible in the background. The scene includes a red wall and a gray curtained area.
A person wearing a patterned short-sleeved shirt plays a piano accordion positioned in front of a microphone on a stand. In the background, another individual in a dark sweatshirt labeled "UNIVERSITY AT BUFFALO" sits behind a music stand. The indoor space contains reddish-brown walls, a window, and vertical grey curtains.
June in Buffalo Performance Institute 2015 faculty and participants, Jonathan Golove, Mia Detwiler, Adam Sherkin, Pei-Lun Tsai, Sarah Bish, Wayla Chambo, Anna Whistler, Matthew Chamberlain, Cynthia Bryndis Schilling, T. J. Borden, Samuel Wells, Eric Huebner, Nicholas Emmanuel, Benjamin Havey, Max Fahland, Joe Desotelle, and Daniel Bassin
Fifteen people are positioned side-by-side in front of a light-colored wood-paneled wall. The group wears various outfits, including button-down shirts, dark dresses, and sweaters. A translucent watermark with copyright text spans across the middle of the group.
Seventeen people stand in a line in front of vertical wood-paneled walls. The individuals are dressed in a variety of clothing including suits, dresses, and button-down shirts. Some people have their arms placed around the shoulders of those next to them. A watermark reading "Copyright by Irene Haupt" is layered over the center of the group.
The group is dressed in a variety of attire, including button-down shirts, dresses, and a suit. Several individuals have their arms around those standing next to them. A large watermark with the text "Copyright by Irene Haupt" is visible across the middle of the people.
June in Buffalo Performance Institute 2015 faculty and participants, Pei-Lun Tsai, Jonathan Golove, Adam Sherkin, Sarah Bish, Wayla Chambo, Matthew Chamberlain, Anna Whistler, T. J. Borden, Cynthia Bryndis Schilling, Samuel Wells, Eric Huebner, Nicholas Emmanuel, and Benjamin Havey
Thirteen people are gathered in a space with light wood walls and a decorative border along the floor. The group wears a mix of attire, including black dresses, collared shirts, and a suit jacket with a tie. A translucent watermark is positioned across the center of the scene.
Matthew Chamberlain conducting a performance of Jacob Druckman's Come around at June in Buffalo 2015
A group of musicians plays various instruments, including a grand piano, flute, and percussion, in the center of a concert hall stage. People are seated in rows of chairs on the stage around the performers, with additional audience members in the darkened seating area in the foreground. The hall is composed of tall, light-colored wooden panels illuminated by warm overhead lighting.
Musicians play instruments including a grand piano, cello, and marimba on a wooden stage surrounded by tall, light-colored panels. An audience sits in several rows of chairs facing the performers. A conductor stands in the center of the ensemble, which also features a flute and a gong.
Several musicians with instruments including a piano and percussion are positioned at the center of a stage. An audience sits in semi-circular rows around the performers, all situated within an expansive auditorium featuring wood-paneled walls and soft overhead lighting. The view is taken from the darkened house seating area looking toward the brightly lit stage.
A small ensemble of musicians performs in the center of a large wooden stage, surrounded by an audience seated in chairs. The group includes performers playing a grand piano, strings, wind instruments, and a marimba. The concert hall features tall, light-colored wooden walls and a high, recessed ceiling with warm lighting.
Pianist Cynthia Bryndis Schilling and cellist Sarah Bish performing Lukas Foss's Capriccio at June in Buffalo 2015
On a stage with wood-paneled walls, two people sit at a grand piano while a third person plays a cello nearby. A seated audience occupies rows of chairs in the foreground facing the performers. A tall microphone stand and various percussion instruments are also positioned on the stage.
Composer Augusta Read Thomas shaking hands with cellist Veronica Nettles after a performance of Thomas's Passion prayers at June in Buffalo 2015
A person in a blue patterned top shakes hands with another person holding a cello on a stage. Other individuals stand or sit nearby with instruments including a flute and an oboe, while a grand piano is visible in the background. Music stands and percussion equipment are scattered throughout the performance space.
Mezzo-soprano Julia Bentley and cellist Veronica Nettles after a performance of Bernard Rands's Walcott songs at June in Buffalo 2015
A person in a patterned dress and black leggings stands behind a music stand. To the right, another person holds a cello and a bow beside a black grand piano. Both individuals have their heads turned to the left with their mouths open.
Composer Augusta Read Thomas shaking hands with conductor Daniel Bassin after a performance of Thomas's Scat at June in Buffalo 2015
Two people shake hands in the center of a stage with light-colored wood walls and flooring. One person wears a patterned blue dress, and the other wears a dark suit jacket. In the background, other individuals stand with a flute, a cello, and a piano.
Daniel Bassin conducting flutist Wayla Chambo, violinist Christina Courtin, clarinetist Michael Tumiel, and cellist Sarah Bish in a performance of Augusta Read Thomas's Scat at June in Buffalo 2015
A conductor stands with an arm raised toward four musicians seated with their instruments in a room with a grand piano. The musicians play a flute, a violin, a clarinet, and a cello while reading from music stands on a wooden floor. A watermark is visible across the center of the scene.
Mezzo-soprano Julia Bentley, cellist Veronica Nettles, and composer Augusta Read Thomas at June in Buffalo 2015
Three individuals stand in a row in front of a light-colored wall and musical percussion instruments. The person on the left wears a black dress with green and yellow patterns, the person in the middle wears a black top and holds a cello, and the person on the right wears a blue patterned top. A watermark is visible across the lower middle of the frame.
Three people pose in front of light wood-paneled walls with musical instruments visible in the background. The person in the center holds a cello and a bow, while the others wear patterned clothing and stand on either side. Percussion equipment, including a drum and vibraphone, is positioned on the left side of the stage.
Three individuals stand side-by-side on a wooden stage in front of percussion instruments. The person in the center holds a cello and bow, while the individuals on either side wear patterned clothing. The background consists of light wood-paneled walls and musical equipment.
Cellist Veronica Nettles with composer Augusta Read Thomas at June in Buffalo 2015
Two individuals stand indoors in front of a light-colored wooden wall. One person with long dark hair wears a black top and holds a cello, while the other person with short blond hair wears a blue patterned top and rests an arm on the first person's shoulder.
Cellist Veronica Nettles with conductor Daniel Bassin at June in Buffalo 2015
A person with long dark hair and glasses holds a cello and bow while standing next to a bald person wearing a dark checkered suit. They are positioned in front of a black grand piano and a wooden wall. A copyright watermark is present across the bottom of the frame.
Two people stand in front of wood-paneled walls next to a black grand piano. One person wears a black lace-trimmed top and glasses while holding a cello and bow. The second person wears a dark plaid suit jacket over a light-colored button-down shirt and vest.
Mezzo-soprano Julia Bentley and cellist Veronica Nettles performing Bernard Rands's Walcott songs at June in Buffalo 2015
One person stands behind a music stand with their mouth open and hands raised, while another person sits nearby playing a cello. A large black grand piano with an open lid sits behind them in a room with light wood paneled walls. The foreground shows the backs of two heads belonging to other people.
A person stands at a music stand and sings while another person seated nearby plays a cello. Behind them is a black grand piano in a room with wood-paneled walls and a light-colored wooden floor. Several people are seated in the foreground with their backs to the camera, facing the performers.
On a stage with tall wood-paneled walls, one person stands at a music stand while another plays a cello. A black grand piano is positioned behind the performers. Several audience members are seated in the foreground with their backs to the viewer.
Matthew Chamberlain conducting rehearsal of Jacob Druckman's Come around at June in Buffalo 2015
Musicians sit and stand on a wooden stage with a grand piano, violin, flute, clarinet, cello, and various percussion instruments. One person stands in the center of the group, and audience members are visible in the foreground. A large wood-paneled wall serves as the background.
A group of people performs music on a stage with a large wooden backdrop in front of an audience. The ensemble includes a grand piano, violin, flute, clarinet, cello, and percussion instruments such as a marimba and drums. The performers are positioned around music stands, with some seated and others standing.
Several musicians are positioned across a room with high wooden walls and a white ceiling. One person stands on the left with raised arms, while others are situated with instruments such as a piano, string instruments, and percussion equipment. Music stands holding sheet music are placed in front of the performers.
Several people play instruments including a piano, cello, and various percussion pieces on a wooden stage. In the foreground, a person is positioned behind a large circular gong and a marimba. An American flag hangs on the wall in the background of the wood-paneled hall.
Several individuals are gathered on a stage surrounded by instruments such as a large gong, a bass drum, and a marimba. One person is seated at a grand piano while others stand or sit near music stands. The room has high ceilings with tall vertical panels and an American flag displayed in the background.
Violinist Irvine Arditti and pianist Eric Huebner performing Elliott Carter's Duo for violin and piano at June in Buffalo 2015
A person with curly grey hair and glasses plays a violin in the foreground. Behind them, a second person wearing glasses sits at a grand piano with the lid propped open. A music stand with sheet music is positioned to the left in front of a neutral-colored wall and dark curtains.
Violinist Irvine Arditti performing at June in Buffalo 2015
A person with curly graying hair and glasses wears a dark short-sleeved shirt while playing a violin. Their right arm and bow are blurred from movement across the strings. A music stand with sheet music sits in the foreground, and a copyright watermark is visible across the center.
Composer Roger Reynolds at June in Buffalo 2015
A person with white hair and rectangular glasses stands against a dark brick wall. They are wearing a black jacket over a blue collared shirt. A translucent watermark reading "Copyright by Irene Haupt" is layered across the center of the frame.
Trumpeter Samuel Wells performing Paul Hembree's Blue sky catastrophe at June in Buffalo 2015
A person with short brown hair and facial hair wears a light-colored button-down shirt while playing a brass instrument. One hand rests on the valves while the other holds a mute inside the bell. A black music stand is positioned to the left against a plain, neutral background.
A person in a light blue button-down shirt stands playing a trumpet in front of a music stand. Behind them, a piano and sound-dampening wall panels are visible in the room. The individual holds the instrument with both hands while pressing the valves with their right hand.
Trumpeter Samuel Wells and composer Paul Hembree at June in Buffalo 2015
Two individuals stand together in a room with a grand piano and wooden flooring. One person wears a light blue button-down shirt and holds a trumpet, while the other wears a dark blazer over a blue shirt. A watermark reading "Copyright by Irene Haupt" appears across the middle of the frame.
Percussionist Joe Desotelle with composer Steven Crane at June in Buffalo 2015
One person in a black shirt leans forward with hands resting on the wooden slats of a marimba. A second person with glasses and a beard stands behind them looking toward the instrument. A covered grand piano and a music stand are visible in the background of the room.
Pianist Eric Huebner with composers Brian Ferneyhough, Roger Reynolds, and Harvey Sollberger at June in Buffalo 2015
Four people gather indoors, with one individual in a black shirt holding a tablet for the others to see. The group wears a variety of attire, including jackets, hoodies, and glasses, while standing near a wall with wooden panels. A large watermark reading "Copyright by Irene Haupt" spans across the middle of the scene.
Pianist Eric Huebner with composers David Felder, Brian Ferneyhough, Roger Reynolds, and Harvey Sollberger at June in Buffalo 2015
Five individuals are gathered in an indoor space with grey curtains and wooden wall panels. They are dressed in casual attire, including jackets and a patterned shirt. One person holds a tablet with a grey cover.
Pianist Eric Huebner with composers Roger Reynolds and Steven Stucky at June in Buffalo 2015
The person on the left wears a black shirt, while the center person has white hair and wears a dark jacket over a blue shirt. On the right, a person with a beard wears a navy blazer over a purple shirt. They are all standing in front of horizontal wooden slats.