Exit from sanctuary into hallway, First Unitarian Church of Rochester, Rochester, New York
First Unitarian Church of Rochester, N.Y.
A dimly lit interior space features a board-formed concrete ceiling and support column, adjacent to a cinder block wall and a wooden-framed door with narrow vertical windows. Beyond the doorway is a brighter hallway with polished concrete floors, folding tables, and light wood paneling. In the background, display cases, pendant lights, and a framed portrait are visible against a brick wall.
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State University of New York at Buffalo. University Archives
State University of New York at Buffalo. University Libraries
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First Unitarian Church of Rochester, Rochester, New York
The exterior of a modernist brick building features a series of vertical window recesses and angular projections along its lower volume. Two tall blocks with clerestory windows rise from the roof, allowing light into the upper areas of the building. The structure is surrounded by a trimmed hedge, young trees, and a lawn bordered by a sidewalk and road. The sky is partly cloudy, and playground equipment is faintly visible near the building.
Entryway to the sanctuary with left door closed, First Unitarian Church of Rochester, Rochester, New York
Interior view framed by wooden sliding doors and a central concrete column. A solid wooden door with vertical glass panes is partially visible on the left. Through the open entryway, a large room with cinder block walls, long wooden tables, rows of chairs, and a wooden podium at the far end can be seen. The space is lit by a wall-mounted round light on the right, casting warm light on the block wall.
Entryway to the sanctuary, First Unitarian Church of Rochester, Rochester, New York
View of a polished concrete floor leading toward an open passageway framed by wooden door panels and a central vertical column. Beyond the doorway is a larger room with cinder block walls, long wooden tables lined with chairs, and a wooden podium set on a platform at the far end. Cylindrical pendant lights hang from the white ceiling, and light from an adjacent area partially illuminates the right side wall.
Sanctuary entryway from the lobby of the First Unitarian Church of Rochester.
View of an interior space with pendant light fixtures hanging from a white ceiling. The room features folding tables with metal legs and a polished concrete floor. An open doorway leads to a larger adjoining room visible in the background, containing long wooden tables, chairs, and cinder block walls. A round wall-mounted light illuminates part of the adjacent space on the right. Structural elements include exposed concrete beams and columns.
Entryway to the sanctuary with lectern in background, First Unitarian Church of Rochester, Rochester, New York
Interior view looking through an open doorway into a spacious room with polished concrete floors and cinder block walls. The room contains long wooden tables with rows of wooden chairs aligned on both sides. At the far end stands a wooden podium on a slightly raised platform. The ceiling is supported by a vertical concrete column and a horizontal beam. Light enters from an upper opening, illuminating the back wall and podium area.
Hallway, wood paneled entryway, and lights, First Unitarian Church of Rochester, Rochester, New York
View of an interior hallway featuring a wood-paneled wall on the right with a thermostat and large wooden doors. The space opens into adjoining rooms with concrete floors and cinder block walls. Hanging cylindrical pendant lights are suspended from the white ceiling, and a round wall-mounted light illuminates a section of cinder block wall in the background. Several tables and chairs are partially visible through the doorways.
Block wall, two overhead lights, and beams, First Unitarian Church of Rochester, Rochester, New York
View of an interior space with a textured board-formed concrete ceiling intersected by a vertical seam and two square recessed light fixtures. A prominent horizontal concrete beam crosses the middle, meeting a central V-shaped joint. Below the beam is a tall cinder block wall with a dark vertical concrete strip at its center, flanked by additional blocks and vertical elements on both sides. Natural light enters from the upper corners, highlighting the structure's geometry and material textures.
Architectural interior showing a textured board-formed concrete ceiling intersected by a central vertical seam and two square recessed light fixtures. A horizontal concrete beam spans the space, meeting a V-shaped vertical joint element. Beneath the beam is a tall gray cinder block wall with a narrow vertical concrete strip running down its center. The lighting and material textures emphasize the structure’s geometric design.
Block wall, overhead light, and beams, First Unitarian Church of Rochester, Rochester, New York
Interior view showing a vertically oriented V-shaped concrete joint connecting a ceiling panel to a horizontal concrete beam. Below the beam, a tall cinder block wall is bisected by a narrow vertical concrete strip. The surfaces are composed of board-formed concrete above and uniformly laid gray blocks below, creating a clear separation of textures and structural components.
Interior architectural view showing a cinder block wall rising toward a board-formed concrete ceiling. A large horizontal concrete beam intersects a vertical element that connects to the ceiling structure. One square recessed light fixture is embedded in the ceiling. Light enters from an upper corner, creating contrast along the surface textures and structural elements.
Sanctuary ceiling, First Unitarian Church of Rochester, Rochester, New York
View of a concrete ceiling surface showing a symmetrical pattern formed by intersecting board-formed panel lines that radiate from a central point. Several cracks and stains are visible, particularly near the intersection, where the concrete shows signs of wear and discoloration. The surface texture and lines emphasize the geometric division of the panels.
Podium with lectern and sideboard, First Unitarian Church of Rochester, Rochester, New York
A single wooden podium is centered on a raised, light wood platform. Behind it are paneled wooden cabinets partially visible against a backdrop of light gray cinder block wall. The composition highlights simple geometric forms and the contrast between wood and masonry materials.
Wood podium with lectern and sideboard, First Unitarian Church of Rochester, Rochester, New York
A wooden podium stands on a raised, tiered platform made of light-colored wood. Behind the podium are rectangular wooden cabinets with vertical paneling. The background consists of a light gray cinder block wall with an electrical outlet visible near the floor on the left. The setting is simple and structured, highlighting the natural finish of the wood against the masonry wall.
Bench seat and narrow window, First Unitarian Church of Rochester, Rochester, New York
A built-in wooden bench with maroon cushions is set into a corner of a room constructed of light gray cinder blocks. The bench sits beneath a narrow vertical window framed in wood, allowing natural light to enter and illuminate part of the wall and bench surface. The surrounding architecture emphasizes simple materials and clean lines.
Block wall, three overhead lights, and beams, First Unitarian Church of Rochester, Rochester, New York
Interior view of a space with a high cinder block wall at the bottom and a dark, angled board-formed concrete ceiling above. A thick horizontal concrete beam spans the width of the wall and intersects a vertical V-shaped concrete element. Three square recessed light fixtures are embedded in the ceiling, and natural light enters from openings at both ends of the ceiling. The composition emphasizes geometric alignment and material contrast.
Block wall, overhead lights, and beams, First Unitarian Church of Rochester, Rochester, New York
The view looks upward at an interior section featuring cinder block walls in the lower portion and a prominent horizontal concrete beam intersecting a V-shaped concrete element. Above, the ceiling is made of dark board-formed concrete, with two recessed square light fixtures spaced evenly apart. The materials emphasize geometric alignment and contrast between textures.
Architectural details including block wall and upper concrete wall, First Unitarian Church of Rochester, Rochester, New York
View of an interior architectural space featuring a tall wall constructed of uniformly laid gray cinder blocks. Above the block wall is a section of exposed board-formed concrete with evenly spaced form tie holes. Natural light enters from an unseen opening at the top, illuminating the upper portion of the structure. The surfaces emphasize texture and geometric order.
Architectural details including block wall sections, light well, and beams, First Unitarian Church of Rochester, Rochester, New York
View of a large, angular concrete interior space. The structure features tall, smooth, and textured concrete walls with sharp vertical and horizontal lines. Openings in the ceiling and upper walls allow natural light to enter, casting shadows across the surfaces. The geometric arrangement emphasizes the depth and height of the space.
Block wall and tables, First Unitarian Church of Rochester, Rochester, New York
A tall concrete block wall with subtle tonal variations and a vertical black joint running through the center. A small wall-mounted sign with red text is affixed to the left side. Along the base of the wall are several small wooden tables or stands, spaced apart. The lighting highlights the texture and geometry of the masonry surface.
Interior architectural details including block wall, light well, and beams, First Unitarian Church of Rochester, Rochester, New York
A view of an interior architectural corner with tall, board-formed concrete walls rising above a base of concrete block masonry. The upper portion is illuminated by daylight entering through angled clerestory openings. A small square opening is present near the upper left wall. Red panels are attached to the lower section of the concrete block wall, and structural beams run diagonally and vertically through the space. The lighting highlights the textures and intersecting planes of the concrete surfaces.
Interior architectural details including block wall and beams, First Unitarian Church of Rochester, Rochester, New York
An interior architectural view showing a high concrete block wall beneath a sloped, board-formed concrete ceiling. The ceiling is supported by visible concrete beams, including a central vertical beam with a cross-shaped junction. Several box-shaped light fixtures are recessed into the ceiling. Light enters from narrow vertical openings at both sides of the room. Rows of red paneling is partially visible along the bottom edge of the wall.
Interior of light well with occupancy sign and chairs, First Unitarian Church of Rochester, Rochester, New York
An interior space featuring high concrete block walls rising toward a ceiling made of board-formed concrete. A large vertical beam intersects the corner, with a small square opening near the top. Sunlight enters through an unseen opening, illuminating the upper section of the wall. Below, a sign with red text is mounted on the right wall. Wooden tables or benches are positioned along the floor, which remains mostly in shadow.
Interior architectural details including sky lights, First Unitarian Church of Rochester, Rochester, New York
A darkened interior view of a concrete building corner, where a concrete block wall meets a vertical concrete support structure. Above the wall, angled and horizontal concrete beams frame the ceiling. A tall vertical window near the top allows daylight to enter, illuminating a portion of the pale, board-formed concrete wall. The overall lighting is low, with much of the lower area in shadow.
Interior of architectural details including wall and ceiling, First Unitarian Church of Rochester, Rochester, New York
An upward interior view showing a ceiling constructed of board-formed concrete with exposed beams intersecting near the top of a concrete block wall. A cross-shaped concrete beam joint is visible at the center, supporting horizontal and vertical elements. A square recessed light fixture is mounted on the ceiling. The concrete block wall below displays a subtle color variation, and natural light enters from an opening in the upper left corner.
Interior of light tower with occupancy sign on wall, First Unitarian Church of Rochester, Rochester, New York
A view of a building’s interior showing a high corner where light-colored concrete walls meet near the ceiling. A shaft of natural light enters from an opening above, illuminating the upper portion of the space. Below, darker concrete block walls rise partway toward the ceiling, with vertical joints dividing the surface. A small square opening is visible near the top right corner. A wall-mounted sign with red text appears on the block wall. The lighting creates a sharp contrast between the brightly lit upper area and the shadowed lower section.
Interior wall with occupancy sign, First Unitarian Church of Rochester, Rochester, New York
An interior scene featuring a high concrete block wall divided into sections between structural beams. Above the wall, structural beams and angled concrete ceiling elements are visible, forming a grid-like pattern. A small, rectangular sign with red text is affixed to the left side of the wall. Several wooden tables or cabinets are positioned along the base of the wall. Lighting is low, casting the majority of the space in shadow.
Window and door, First Unitarian Church of Rochester, Rochester, New York
A view of a brick building corner featuring a wooden door with two glass panels set into a recessed wall under a shallow brick arch. To the right of the door is a large window with a wood frame and a concrete lintel above it, reflecting part of an exterior stairway and partially revealing an interior concrete block wall. Above the entry area is another window, smaller in size, also wood-framed. The entry rests on a raised brick platform bordered by grass.
Windows, First Unitarian Church of Rochester, Rochester, New York
A close-up of a building's exterior corner showing reddish-brown brick walls meeting at a right angle. A large recessed window with a wood frame occupies the right wall, and a raised brick platform extends below it. The interior space behind the window appears dark, with concrete block walls partially visible. A narrow vertical slit window is present on the left wall. Grass borders the base of the structure.
Close-up of windows and pillar, First Unitarian Church of Rochester, Rochester, New York
View of the lower and middle levels of a brick façade, featuring two vertical bays of large, wood-framed windows separated by a central brick column. The windows are set into angled recesses and span two floors, with some showing indoor plants behind the glass. The base level includes recessed areas beneath the windows, without visible doors or detailing. Vertically set, angled bricks are integrated above recessed areas and windows.
A detailed view of the upper portion of a brick building showing two angled vertical bays separated by a central column. Each bay contains stacked, rectangular windows with wooden frames, some of which are partially open. Light fixtures and an indoor plant can be seen through the windows. The brickwork follows the angled geometry of the façade.
Windows and a pillar with grass in foreground, First Unitarian Church of Rochester, Rochester, New York
A three-story brick structure with a symmetrical façade featuring eight large, vertically oriented windows arranged in two angled bays. A tall brick column runs vertically at the center, dividing the bays. Each window has a wooden frame, and some include operable sections. The lower level consists of recessed brick alcoves without visible doors or windows. A strip of grass is visible in the foreground.
Windows and a pillar with a plant visible through a window, First Unitarian Church of Rochester, Rochester, New York
A section of a three-story building constructed from reddish-brown brick. The façade features vertically aligned, tall rectangular windows set into angled bays that create a rhythm along the surface. A large central brick column supports an overhang at the entrance level. Some windows are open, and interior lights are visible on the upper floors. A plant can be seen through one of the windows on the right.
Close view of a brick building section featuring large, vertically aligned rectangular windows framed by sloped and angled brick surfaces. The windows span two stories, with wood-framed panes and visible reflections or interior plants. Below the windows, recessed openings form a sheltered ground-level area. A vertical brick pier divides the window bays at the center of the composition.
Windows with a wood slat wall and steps in foreground, First Unitarian Church of Rochester, Rochester, New York
A portion of a brick building featuring several tall, narrow vertical recesses creating deep shadows. The recesses are arranged in a rhythmic pattern, some containing windows. A section of a wooden structure appears at the right edge. In the foreground, a wide concrete staircase leads up toward the building. The sky above is mostly clear with a few light clouds.
Windows and steps in foreground, First Unitarian Church of Rochester, Rochester, New York
A view of a multi-volume brick building with a series of vertical recesses and tall, narrow windows. On the left, several window bays are deeply set between projecting brick walls. Toward the center and right, a lower wooden structure with a flat roof and stacked materials appears to be part of a construction or maintenance area. The building also features some standard rectangular windows and a vertical brick shaft near the foreground. The sky above is clear with some wispy clouds.
Windows and pillar, First Unitarian Church of Rochester, Rochester, New York
A brick wall featuring two tall, vertical bays filled with large, two-story angled windows. Each bay is flanked by slanted brick walls and divided by a central vertical pier. The lower portion includes recessed entrances beneath the window bays. The surrounding wall is plain brick with no additional openings, and a grassy lawn extends across the foreground under a blue sky.
Windows and pillar with grass in foreground, First Unitarian Church of Rochester, Rochester, New York
A brick building elevation featuring two vertical bays, each containing two levels of large, vertically oriented windows set at angles. The windows are divided by a central brick pier and framed by slanted side walls, creating a sculptural effect. The lower level has four recessed openings below the windows. A grassy lawn extends across the foreground, and the sky above is mostly clear.
Concrete steps at the First Unitarian Church of Rochester, Rochester, New York
A wide view of a brick building complex featuring angular forms and deep vertical window recesses. In the middle ground, a staircase leads up a grassy slope toward a small tree and a recessed doorway. The building's sections recede into the background on the left, with consistent vertical brick patterns and narrow windows. The foreground consists of an expansive green lawn, and the sky above is mostly clear with a streak of white cloud.
A modern brick building with angular volumes and vertically recessed windows. In the foreground, a wide concrete stairway leads up from a grassy lawn to a landing near a wooden door. Several narrow windows are set into deep vertical recesses. Two small trees grow near the stairs, and additional brick sections of the building extend into the background under a blue sky.
Tall windows and light tower, First Unitarian Church of Rochester, Rochester, New York
A close side view of a brick building featuring five tall, narrow windows deeply recessed into the wall. The brickwork forms vertical projections between the window bays, casting sharp shadows. Above the façade, a larger vertical volume rises, topped with a clerestory window structure. The building sits adjacent to a sidewalk and a paved road, with a strip of grass in between.
Tall windows, First Unitarian Church of Rochester, Rochester, New York
A side elevation of a modern brick building showing a series of tall, narrow window recesses set into projecting vertical bays. The structure features staggered rooflines, with a central tower-like mass rising above adjacent sections. Two clerestory window structures are visible at the top of the building. The building is bordered by a sidewalk and grass, with a dark rectangular signpost in the foreground. The sky is mostly clear.
Exterior of the First Unitarian Church of Rochester, Rochester, New York
A large brick building characterized by angular, tiered volumes and deep vertical window recesses along the side. The upper sections include rectangular clerestory window structures that rise above the main roofline. The building sits on a corner bordered by a paved road and a sidewalk, with grass and a small shrub in the foreground. The sky is mostly clear with bright sunlight casting sharp shadows.
A modern brick building composed of interlocking geometric volumes with varying heights. The façade features a series of narrow, vertically recessed windows framed by projecting brick walls. Taller brick sections rise above the main structure, each topped with a rectangular clerestory window section. The building is bordered by a paved road, a sidewalk, and a grassy lawn with a small shrub in the foreground. A power line is visible across the top portion of the image.
Entrance to the First Unitarian Church of Rochester, Rochester, New York
A brick building façade featuring a recessed entryway with double wooden doors beneath a small metal canopy. To the right of the entrance, there are five narrow vertical windows set into deep brick recesses. A concrete paved area extends in front of the building, and a portion of the upper roof structure with skylight panels is visible at the top right.
Windows and light towers, First Unitarian Church of Rochester, Rochester, New York
View of a brick building façade with eight vertically recessed windows in a rhythmic pattern. Each window is deeply set into the wall, creating angled shadows. The roofline steps upward in the center, with a skylight structure visible at the top right. A door is partially visible on the far right. The building rests on a grassy lawn under a clear sky.
A section of a brick building featuring six tall, narrow windows set into deep vertical recesses. The windows are arranged in pairs, each framed by angled brickwork that casts strong shadows. The roofline above each window pair has a staggered, angular profile. The building stands on a grassy area with a narrow path in front.
Student activities--New York (State)--Buffalo
Lesbian college students--New York (State)--Buffalo
Gay college students--New York (State)--Buffalo
Article from student newspaper The Spectrum covering the LGBA's 1994 National Coming Out Day celebration.
Virk, K. (1994, September 12). LGBA celebrates. The Spectrum, pp. 1–1.
Three Designs for Wood Benches, June 1968
The drawing presents three distinct bench designs labeled “Design #1,” “Design #2,” and “Design #3.” Each design is shown in front elevation and side profile. The benches are uniformly 5 feet 8 inches long, with side views indicating varied angular backrests and base structures. Design #1 features a simple, straight-backed form; Design #2 includes a slatted back with a steeper incline; Design #3 incorporates a vertical slat back and a curved base. All views are precisely dimensioned and drawn in purple ink on a beige background. A title box at the bottom right credits Studio Sgraffito in Buffalo, NY, designed by Noel J. Silverman, dated June 1968, with a scale of 2" = 1'0".
Planting Plan for Evergreen Garden for the Estate of Darwin D. Martin, Esq., Graycliffe, Lake Erie View New York, blueprint, March 13, 1930
This blueprint is a Planting Plan for the Evergreen Garden at the estate of Darwin D. Martin in Graycliff, Lake View, New York, designed by Ellen Biddle Shipman. The plan outlines the arrangement of trees, shrubs, and other plantings around the rectangular garden. The perimeter features groupings of labeled plant species, including junipers, poplars, and various flowering shrubs. In the center, there are detailed Planting Notes with instructions about soil preparation, arrangement of species, and planting order. A List of Lilies specifies quantities of different lily types to be included. The lower margin identifies the project, estate owner, and designer, with the date March 13, 1930.
General Tree and Shrub Planting Plan for the Estate of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, March 10, 1930
General tree and shrub planting plan, Graycliff, Derby, N.Y., blueprint, by Ellen Shipman, landscape architect, March 10, 1930
This architectural landscape blueprint features a detailed planting and site plan layout. A large circular pathway dominates the center of the drawing, surrounded by evenly spaced, labeled tree placements. Various curving and straight walkways are illustrated, leading to and around building structures at the bottom and right of the blueprint. Clusters of trees and shrubs line the paths and property edges, with species names and planting instructions written in small, hand-lettered text. The title block at the bottom identifies the plan as the “General Tree and Shrub Planting Plan for the estate of Darwin D. Martin Esq. Grey Cliffe Lake View New York," dated March 10, 1930 and signed with a scale notation. The document shows signs of age, including visible fold lines and slight discoloration.
General Tree and Shrub Planting Plan for the Estate of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, circa 1930
This architectural landscape blueprint features a detailed planting and site plan layout. A large circular pathway dominates the center of the drawing, surrounded by evenly spaced, labeled tree placements. Various curving and straight walkways are illustrated, leading to and around building structures at the bottom and right of the blueprint. Clusters of trees and shrubs line the paths and property edges, with species names and planting instructions written in small, hand-lettered text. The title block at the bottom identifies the plan as the “General Tree and Shrub Planting Plan for the estate of Darwin D. Martin Esq. Grey Cliffe Lake View New York," and signed with a scale notation. The document shows signs of age, including visible fold lines and slight discoloration.
Plan and Details for Tennis Court Backstop for Darwin Martin, Esq, Derby, N.Y.
This detailed architectural blueprint presents three views related to a tennis court backstop design. Centered is the top-down plan of the tennis court backstop, featuring layout dimensions, gates, and tube placements. On the left is the elevation of the backstop, showing the structural framing with 2" pipes and round concrete-filled holes. On the right is the elevation of the gate opening, including side supports and detailed spacing. The blueprint is rendered in white ink on dark blue paper, with clear annotations and labels. The drawing was created by Harries and Hall, Landscape Architects and Engineers (Buffalo and Toronto), with A.L. Norton Associate, and is noted for client Darwin D. Martin of Derby, NY.
Drawing of Window Details, Graycliff, Derby, N.Y.
This architectural drawing on brown drafting paper illustrates multiple detailed views related to window sash construction. On the left, two front elevation views labeled "A" and "B" show window frames divided into panes, with handwritten measurements and notes below. The upper right features vertical cross-sections of wall and sash interactions, showing how elements interlock. Additional technical sections along the bottom illustrate joinery, trim profiles, and sill placements, annotated with labels like “Top Rail,” “Head,” and “Casing.” Notations throughout the drawing include dimensions and instructions, with the name “Geo. Ingersoll” and a reference to “Martin Job, North Evans” inscribed near the bottom right. The drawing uses pencil and occasional ink or stamp markings, indicating it was a working draft or construction document.
West and East Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, circa 1926
This architectural blueprint illustrates detailed exterior and sectional views of the country home of Darwin D. Martin, located on the Lake Shore of Lake Erie. The drawing includes labeled West Elevation, East Elevation, and a Section A-B through Living Room, showcasing the Prairie-style design typical of Frank Lloyd Wright. The elevations highlight prominent chimneys, horizontal lines, extended eaves, and grouped windows. The section view reveals interior details including room divisions, ceiling heights, and foundation structures. A smaller inset labeled Section C-D Thru Carriage Cover appears at the top center. Notes in fine handwriting identify materials and construction details such as “All exterior corners metal corner beads (flush)” and “plastered soffet. [sic]” The blueprint title block at the bottom confirms the architect as Frank Lloyd Wright of Taliesin, Spring Green, Wisconsin, aligning this drawing with Wright’s signature residential architectural style. The blueprint shows fold lines and signs of wear along the edges.
Tree and Shrub Planting Plan for House Area for the Estate of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, March 11, 1930
Landscape planting plan drawn on brown paper showing tree and shrub placement around the residence and boulevard area. The upper portion of the drawing includes the house footprint labeled "Residence" with surrounding tree groupings such as apple and white pine. Notes provide detailed planting instructions for tree spacing, arrangement, and soil preparation. At the bottom, the title block reads "Tree and Shrub Planting Plan for Boulevard Area, Estate of Darwin D. Martin Esq., Graycliff, Lake View, New York" with scale, architect information, and a March 1930 date.
Drawing of Standing Screen, Graycliff, Derby, N.Y.
Architectural drawing on brown paper showing detailed design plans for a panel structure. The sheet includes multiple views: two elevations of panels labeled "Tapestry" and "Panel," a vertical section with a base labeled "Removable Frame," and a horizontal section showing construction elements labeled "Top Rail," "Center Rail," and "Bottom Rail." Dimensions and structural details are provided with precise measurements.
Drawing of Stairway Details, Graycliff, Derby, N.Y.
Draft sheet on brown paper with hand-drawn pencil sketches of architectural details. The page shows several partial diagrams, including measurements of a staircase with steps indicated, a small floor plan or layout sketch with labeled dimensions, and vertical notations of lengths. The lower left corner of the sheet is torn away, and faint handwritten notes are scattered across the drawings, some noting dimensions and construction details.
South Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, circa 1926
Blueprint of the South Elevation of the Darwin D. Martin summer home (Graycliff), designed by Frank Lloyd Wright. The drawing shows the long, two-story façade with horizontal emphasis, a central gabled bay, stone masonry on the lower level, and a large chimney rising above the roofline. Rows of windows span across both stories, with French doors and grouped casement windows below. The sheet includes the title “Country Home for D. D. Martin Esq. on the Lake Shore of Lake Erie — Frank Lloyd Wright, Architect, Taliesin, Spring Green, Wis.” The blueprint is creased and shows signs of aging.
Second Floor Plan of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, circa 1926
Faded blueprint showing the second floor plan of the Darwin D. Martin summer home (also referred to as Graycliff), designed by architect Frank Lloyd Wright. The drawing outlines multiple bedrooms, closets, bathrooms, and hallways arranged along a long central corridor. The top of the sheet includes the title block text: “Country Home for D. D. Martin Esq. on the Lake Shore of Lake Erie — Frank Lloyd Wright, Architect, Taliesin, Spring Green, Wis.” The blueprint is weathered, with creases, stains, and a torn lower right corner, but the structural and room divisions remain visible.
Drawing of Riser Plan, Graycliff, Derby, N.Y.
Sheet of brown drafting paper with faint pencil notations and simple line work. At the bottom center is a small sketch showing measurements and proportions, including text that reads: “10 Riser 6 11/16 x 9 7/8 Run” and “9 Treads 1 3/4 x” with corresponding dimensions. The drawing appears to record stair or step construction details, showing rise and run values with labeled widths. Margins on the right and bottom indicate part of a layout or frame.
Revised Design Plan for the Garden of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, November 1929
Landscape plan titled Revised Design Plan for the Gardens of Darwin D. Martin, Esq. at Graycliff, Lake View, New York. The drawing illustrates the estate grounds organized around the main house. Features include a croquet lawn with a marked court, apple orchard, garden beds near the house, and large lawn areas extending toward Lake Erie. Pathways connect the house to the orchard and croquet lawn, with heavy plantings indicated along property edges. The plan is attributed to landscape architect Ellen Biddle Shipman and dated November 1929.
Revised Design Plan for the Garden of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, January 8, 1930
Landscape plan titled Revised Design Plan for the Gardens of Darwin D. Martin, Esq. at Graycliff, Lake View, New York. The drawing shows the grounds organized around the main house, with labeled areas including croquet lawns, vegetable garden, apple orchard, and lawns extending to the lakefront. A circular drive and pathways connect the house to surrounding gardens and plantings. Heavy border plantings and tree groupings are marked along property edges, with apple trees arranged near the house. The design is attributed to landscape architect Ellen Biddle Shipman and dated January 8, 1930.
Revised Heavy Planting of East Boundary outside Property Line for the Estate of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, March 24, 1931
Revised planting plan for the Darwin D. Martin estate at Graycliff, Lake View, New York. The drawing details heavy planting along the east boundary property line, with labeled trees and shrubs such as native oak, viburnum, honeysuckle, and hemlock. A small inset at the upper right shows revised planting between the garage and forecourt, including hawthorn, honeysuckle, and viburnum around an existing hedge apple. Another inset at the left notes a vegetable garden with adjoining plantings. The sheet is titled “Revised Heavy Planting of East Boundary Property Line” and signed by landscape architect Ellen Biddle Shipman, dated March 24, 1931.
Planting Plan for Evergreen Garden for the Estate of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, blueprint, March 13, 1930
Planting plan for the evergreen garden on the estate of Darwin D. Martin, Lake View, New York. The drawing shows a rectangular garden bordered with labeled plantings, including evergreens such as Taxus cuspidata and Juniperus species, with paths and a seating area at one end. A detailed list of lilies and planting notes are written at the center of the plan, providing instructions for soil preparation, plant placement, and ground cover. The sheet is titled “Planting Plan for Evergreen Garden” and signed by landscape architect Ellen Biddle Shipman, dated March 13, 1930.
North Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, circa 1926
Blueprint of the north elevation for the Darwin D. Martin country home on the Lake Shore of Lake Erie. The elevation shows a long, horizontal two-story structure with a low-pitched roof, extensive rows of windows, and a prominent central stone chimney. The lower level includes grouped glass doors and stone base details. The drawing is labeled at the bottom with “Country Home for D. D. Martin on the Lake Shore of Lake Erie” and identifies Frank Lloyd Wright as the architect, with Taliesin, Spring Green, Wisconsin noted.
Heavy Planting of East Boundary outside Property Line for the Estate of Darwin D. Martin, Esq., Greycliffe, Lake View, New York, January 14, 1931
Landscape planting plan for the Graycliff estate of Darwin D. Martin in Lackawanna, New York. The drawing details tree and shrub placements along the east boundary and around the garage and entrance. Labels identify species such as maple, elm, hemlock, viburnum, rhododendron, and spruce. Notes specify spacing, substitutions, and adjustments for planting. The title block credits Ellen Biddle Shipman as the landscape architect, dated January 14, 1931.
Ground Floor Plan of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, circa 1926
Blueprint drawing of the Darwin D. Martin country home on Lake Erie, designed by Frank Lloyd Wright. The sheet includes a detailed floor plan with labeled rooms such as the living room, dining room, kitchen, sun porch, and terraces, along with structural and design notes. A small plot plan is located on the left side. The title at the top reads: Country Home for D.D. Martin Esq. on the Lake Shore of Lake Erie — Frank Lloyd Wright, Architect, Taliesin, Spring Green, Wis.
Section Details of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, August 29, 1926
Blueprint drawing for the Darwin D. Martin country home on Lake Erie, designed by Frank Lloyd Wright. The sheet shows detailed wall and structural sections, including through the sun porch, gallery, pantry, and kitchen. It highlights framing, foundation details, mullions, and finishing elements with notes and measurements. The title block along the bottom reads: Country Home for D.D. Martin Esq. on the Lake Shore of Lake Erie — Frank Lloyd Wright, Architect, Taliesin, Spring Green, Wis.
Blueprint architectural drawing for the Darwin D. Martin country home on Lake Erie, designed by Frank Lloyd Wright. The sheet shows multiple wall and structural sections, including construction details through areas such as the sun porch, gallery, pantry, and kitchen. Cross-sections highlight framing, foundations, window mullions, and finishing details, with precise annotations and measurements. At the bottom, the title block identifies the project and credits Frank Lloyd Wright, Architect, Taliesin, Spring Green, Wisconsin.
Site plan with landscaping of the Country Home of D.D. Martin on the Lake Shore of Lake Erie, November 1, 1929
Architectural site plan for the Darwin D. Martin country home on the shore of Lake Erie, designed by Frank Lloyd Wright. The drawing depicts the layout of the house, gardens, driveways, and landscape features. Key elements include the old house footprint, lawn, pool, garden area, and plantings labeled along pathways and borders. Handwritten notes and annotations indicate landscaping details. At the bottom, the title block credits Frank Lloyd Wright, Architect, based at Taliesin in Spring Green, Wisconsin.
West and East Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, August 19, 1926
Blueprint architectural drawing of the Darwin D. Martin country home on the shore of Lake Erie, designed by architect Frank Lloyd Wright. The sheet shows the west elevation, a section through the living room, and the east elevation. A central stone chimney is visible, along with multiple two-story gabled roof structures. Measurements and annotations are marked in pencil and yellow highlights. The title block identifies Frank Lloyd Wright as the architect, based at Taliesin in Spring Green, Wisconsin.
South Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, August 19, 1926
Blueprint architectural drawing of the Darwin D. Martin country home on the shore of Lake Erie, designed by architect Frank Lloyd Wright. The drawing shows the north elevation, featuring a central stone chimney, rows of tall windows on two levels, and structural details with notations in pencil. The title block identifies Frank Lloyd Wright as the architect, working from Taliesin in Spring Green, Wisconsin.
North Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, blueprint, August 19, 1926
Blueprint elevation drawing of the country home of Darwin D. Martin on the Lake Shore of Lake Erie, designed by architect Frank Lloyd Wright. The drawing shows the north elevation of the house, with a large central chimney, two stories of windows, and detailed annotations and measurements in yellow pencil. The title block at the bottom identifies Frank Lloyd Wright as architect, from Taliesin in Spring Green, Wisconsin.
Blueprint floor plan of the country home of Darwin D. Martin on the Lake Shore of Lake Erie, designed by Frank Lloyd Wright. The drawing shows a detailed layout of interior rooms, including bedrooms, closets, bathrooms, and circulation areas. A large balcony extends outward, and annotations indicate roof tiles, slopes, and interior divisions. The title block at the top identifies Frank Lloyd Wright as architect, working from Taliesin in Spring Green, Wisconsin.
Section Details of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, August 19, 1926
Architectural section drawing for the country home of Darwin D. Martin on the Lake Shore of Lake Erie, designed by Frank Lloyd Wright. The sheet shows multiple vertical cross-sections through different parts of the house, including walls, windows, porch, and kitchen gallery. Details include framing, plaster, stone foundations, and notes on construction materials and methods. The title block credits Wright as architect, working from Taliesin, Spring Green, Wisconsin.
West and East Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, August 19, 1926
This architectural drawing presents multiple views of the Darwin D. Martin country home on the shore of Lake Erie. The sheet shows the west elevation, a section through the living room (A–B), a section through the carriage cover (C–D), and the east elevation. The drawings emphasize the stone masonry, horizontal lines, and roof overhangs typical of Frank Lloyd Wright’s Prairie style. Notations indicate details such as plastered corners, stone facing, window placement, and proportions. At the bottom, the title block identifies the project: Country Home of D. D. Martin Esq. on the Lake Shore of Lake Erie, with attribution to Frank Lloyd Wright, Architect, Taliesin, Spring Green, Wis.
Second Floor Plan of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, August 19, 1926
This architectural drawing is a floor plan for the second story of the "Country Home for D.D. Martin Esq. on the Lake Shore of Lake Erie." The plan shows the arrangement of rooms, including multiple bedrooms, bathrooms, closets, and hallways, all organized along a long gallery corridor. Detailed notations specify room dimensions, construction details, and materials. The balcony, staircases, and fireplaces are clearly indicated.
Site Plan and Location Map, Graycliff, Evans, New York, February 3, 1999
Architectural title sheet and site plan for Graycliff, located at 6472 Lakeshore Road, Evans, New York. The sheet includes a location map showing the property along Lake Erie, a site plan indicating the main house, terrace, garage, and tennis court, and an index of drawings listing basement, floor plans, and elevations. Prepared for the Graycliff Conservancy, Inc. by Bero Associates Architects.
Existing Conditions Boiler House Plans and Elevations, Graycliff, Evans, New York, February 3, 1999
Architectural drawing sheet showing elevations and plans of a small stone structure at Graycliff. Includes north, south, east, and west elevations, a first floor plan, and a roof plan. The elevations depict a simple rectangular building with a hipped roof and a stone chimney. Produced by Bero Associates Architects for the Graycliff Conservancy.
Existing Conditions South and East Elevations, Graycliff, Evans, New York, February 3, 1999
Architectural drawing sheet showing the east and south elevations of Graycliff. The elevations depict a two-story structure with hipped roofs, a stone chimney, balconies, and stone foundation walls. Shading and dashed lines indicate later additions and modifications, with notes marking "Port Martin additions" and materials references. Produced by Bero Associates Architects for the Graycliff Conservancy.
Existing Conditions North and West Elevations of the Garage, Graycliff, Evans, New York, February 3, 1999
Architectural drawing sheet showing the west and north elevations of Graycliff. The west elevation depicts the long side of the house with a hipped roof, wide windows, stone foundation, and a shaded addition marked as "Port Martin addition." The north elevation shows a two-story facade with multiple doors and windows aligned vertically, along with a central chimney. Notes and shading indicate modifications from different construction phases. Created by Bero Associates Architects for the Graycliff Conservancy.
Existing Conditions Roof Plan Garage, Graycliff, Evans, New York, February 3, 1999
Architectural roof plan of Graycliff prepared by Bero Associates Architects for the Graycliff Conservancy. The drawing outlines multiple intersecting hipped roof sections with directional arrows indicating slopes. Different shading patterns denote construction phases, including late 1920s additions and earlier structures. Dimensions are marked along the perimeter, and notes specify roof material details.
Existing Conditions Second Floor Plan Garage, Graycliff, Evans, New York, February 3, 1999
Architectural second floor plan of Graycliff prepared by Bero Associates Architects for the Graycliff Conservancy. The drawing shows a central living room with access to north, west, and former east balconies. Four bedrooms are arranged around the central hall, with closets and a bath indicated. A stairway connects to the lower level. Dashed lines indicate earlier construction phases, including additions and modifications.
Existing Conditions First Floor Plan Garage, Graycliff, Evans, New York, February 3, 1999
Architectural first floor plan of the Graycliff garage prepared by Bero Associates Architects. The drawing shows the original garage with a 1929 addition, a utility room, a toilet room, and stairs. Dashed outlines indicate later additions, including one from circa 1960. Measurements and labels identify each section and its modifications.
Existing Conditions Building Section, Graycliff, Evans, New York, February 3, 1999
Architectural building section drawing of Graycliff prepared by Bero Associates Architects. The cross-section shows the interior layout including the living room, chapel, gallery, and bedrooms. A basement level is indicated beneath, with structural details such as stone walls, chimney, and storm vestibule noted. Measurements and a “no access” circular area are marked.
Existing Conditions North and East Elevations, Graycliff, Evans, New York, February 3, 1999
Architectural elevation drawing of Graycliff prepared by Bero Associates Architects. The sheet includes two views: the north elevation, showing the long façade with a central stone chimney, windows, and a recessed entry with steps; and the east elevation, depicting the side view with additional stonework, windows, and roof details. Notes provide information on storm vestibule and cooler locations.
Existing Conditions South and West Elevations, Graycliff, Evans, New York, February 3, 1999
Architectural elevation drawing of Graycliff by Bero Associates Architects. The sheet shows two views: the south elevation, featuring a long façade with rows of windows, a central gabled entry with stonework, and a large chimney; and the west elevation, which highlights additional stone details, a projecting covered area, and a mix of window groupings.
Existing Conditions Roof Plan, Graycliff, Evans, New York, February 3, 1999
Architectural roof plan drawing of Graycliff by Bero Associates Architects. The plan shows the layout of intersecting gable and hip roofs, with arrows indicating slopes and drainage directions. Dimensions are provided along the perimeter, and structural outlines, including a chimney, are marked.
Existing Conditions Second Floor Plan, Graycliff, Evans, New York, February 3, 1999
Architectural second-floor plan of Graycliff by Bero Associates Architects. The drawing shows multiple bedrooms labeled with their intended occupants (including Darwin D. Martin, Isabelle & Martin, guest rooms, and servants’ quarters), along with bathrooms, closets, hallways, and balconies. Stairs and roof outlines below are also indicated.
Existing Conditions First Floor Plan, Graycliff, Evans, New York, February 3, 1999
Architectural first-floor plan of Graycliff by Bero Associates Architects. The drawing details the main spaces, including the entry hall, living room, sun porch, breakfast room, kitchen, pantry, and chapel. Additional labeled areas include lavatory, service rooms, and stairs. Floor materials such as tile, brick, and stone are indicated by patterning.
Existing Conditions Basement Plan, Graycliff, Evans, New York, February 3, 1999
Architectural basement plan of Graycliff by Bero Associates Architects. The drawing outlines basement areas including sections labeled “no access,” a water storage tank, steel beams and posts, furnace locations, brick chimney, and drains. Stair access is shown at the right side.
South Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, August 19, 1926
Architectural south elevation drawing of the country home of Darwin D. Martin, designed by Frank Lloyd Wright. The rendering shows a long, two-story façade with stone and stucco detailing, a central chimney, rows of windows along both levels, and a projecting entry bay with a gabled roof. The title block identifies the project as located on the Lake Shore of Lake Erie, with Wright listed as architect from Taliesin, Spring Green, Wisconsin.
North Elevation of the Country Home of D. D. Martin, Esq. on the Lake Shore of Lake Erie, August 19, 1926
Architectural north elevation drawing of the country home of Darwin D. Martin, designed by Frank Lloyd Wright. The design shows a long, two-story façade with a prominent central stone chimney, rows of windows along both levels, and stonework at the base. The structure includes terraces and exterior steps. The title block identifies the project as on the Lake Shore of Lake Erie, with Wright as architect from Taliesin, Spring Green, Wisconsin.
Black Explosion 'Evolution' honors ballroom culture and the evolution of fashion, March 18, 2022
Black Student Union (State University of New York at Buffalo)
Article from The Spectrum titled "Black Explosion 'Evolution' honors ballroom culture and the evolution of fashion" by AJ Franklin, March 18, 2022. Printed from The Spectrum's website.
UB Black Student Union holds 'peaceful protest' at President Tripathi's annual address, October 9, 2015
Article from The Spectrum titled "UB Black Student Union holds 'peaceful protest' at President Tripathi's annual address" by Gabriela Julia. Printed from The Spectrum's website.
Black Explosion flyer, February 25, 2012
Photocopied flyer for Black Student Union Black Explosion events "Concrete Jungle" and "Black Excellence" on February 25, 2012.
Black Student Union collection (RG9-5-1366)
A Gentlemen's Night in Paris flyer, November 20, 2011
Photocopied flyer for the Black Student Union's Black Women United event, "A Gentlemen's Night in Paris" on November 20, 2011.
Howard University Homecoming flyer, 2011
Photocopied flyer for the Black Student Union's trip to Howard University for Homecoming on October 21-23, 2011.
Color photograph of a group of students and elders attending Black Student Union's "Annual Pre-Kwanzaa Dinner" event in the Student Union.
An indoor gathering takes place around a long table set with dishes, bowls, and a vase of flowers. One person wearing a patterned head covering stands near the center of the scene beside the table, facing slightly away. Another person sits to the left near the wall, and at least one more person sits at the far end of the table wearing a light-colored head covering and clothing. The table is decorated with a floral arrangement and several serving items, suggesting a shared meal or event. Chairs are positioned along the wall and around the table, and folding partitions or sliding panels are visible along the right side of the room.
Black Student Union photograph collection (RG9-5-1299)