Composer Louis Karchin prepares Matthew Chamberlain, conductor and Slee Sinfonietta members Daniel Brottman, horn, Tiffany DuMouchelle, soprano, and Will Knuth, violin to rehearse Karchin's pieces at June in Buffalo 2018
Five people are positioned on a stage in front of several rows of empty red auditorium seats. One person in the foreground holds a violin, while others stand or sit near music stands containing sheet music. A person on the left sits on a tall stool and looks at a handheld tablet.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer Louis Karchin prepares Matthew Chamberlain, conductor and Slee Sinfonietta members Tiffany DuMouchelle, soprano and Will Knuth, violin to rehearse Karchin's pieces at June in Buffalo 2018
One person on the left sits looking at a tablet behind a music stand. In the center, an older person wearing a light-colored shirt and glasses gestures with one hand. A person with long curly hair and a red scarf stands to the right, with a violin visible in the lower foreground.
June in Buffalo managing director Robert Phillips and Slee Sinfonietta members Daniel Brottman, horn, Michael Matsuno, flute, and Will Knuth, violin on break from rehearsing Louis Karchin's pieces as Slee Sinfonietta member Jean Kopperud, clarinet speaks with Karchin at June in Buffalo 2018
Several individuals are positioned on a wooden stage with music stands and various instruments. One person holds a flute while seated, another stands with a French horn, and a third sits with a violin in the background. Two people sit in chairs near the center facing each other while percussion instruments like a vibraphone and tubular bells are located on the right.
Matthew Chamberlain, conductor and Slee Sinfonietta members Daniel Brottman, horn and Michael Matsuno, flute look at a piece of music in rehearsal of Louis Karchin's pieces at June in Buffalo 2018
Three people wearing glasses and casual clothing stand together in an auditorium with red seating in the background. The person in the center holds a brass French horn across their chest. The person on the left holds a silver water bottle, while the person on the right holds a metal tool and a grey cloth.
Composer Louis Karchin talks with Slee Sinfonietta member Jean Kopperud, clarinet on a break from rehearsing Karchin's pieces at June in Buffalo 2018
Two people sit in chairs on a wooden stage among music stands, a black grand piano, and a set of tubular bells. Both individuals wear glasses and are turned toward each other with open mouths. The room features vertical wood paneling and a dark curtain in the background.
Matthew Chamberlain, conductor and Slee Sinfonietta members Michael Matsuno, flute and Daniel Brottman, horn look at a piece of music in rehearsal of Louis Karchin's pieces at June in Buffalo 2018
Three people in t-shirts stand together in front of a music stand in a wood-paneled room. The person on the left holds a silver flute, while the person in the middle holds a metal bottle and the person on the right has a hand near their mouth. A wooden percussion instrument is visible in the background on the left.
Matthew Chamberlain, conductor and Slee Sinfonietta members Michael Matsuno, flute and Daniel Brottman, horn look at a piece of music and smile in rehearsal of Louis Karchin's pieces at June in Buffalo 2018
Three people in t-shirts and glasses are gathered behind a music stand containing sheet music. One person looks toward the music, another holds a silver cylindrical object, and a third person stands with their hand near their mouth. The background consists of a vertical wood-paneled wall.
Matthew Chamberlain, conductor and Thomas Meglioranza, baritone talk and laugh as Slee Sinfonietta members Jonathan Golove, violoncello and Will Knuth, violin look on in rehearsal of Louis Karchin's Gods of Winter at June in Buffalo 2018
In a performance space with tiered seating, two people stand behind a music stand and examine an open book. In the foreground, musicians are seated with a cello and a violin in front of music stands with sheet music. One standing person holds the book while looking toward the other.
Composer Louis Karchin coaches Matthew Chamberlain, conductor, and Slee Sinfonietta members Daniel Brottman, horn, Jean Kopperud, clarinet, Thomas Meglioranza, baritone, and Michal Matsuno, flute on his piece Gods of Winter at June in Buffalo 2018
A person in an orange shirt stands center stage by a music stand, while another person sits on a tall stool nearby looking at sheet music. In the background, musicians are seated with a cello, French horn, and clarinet. To the right, another individual stands looking at a handheld score against a backdrop of vertical wooden panels.
Slee Sinfonietta members Will Knuth and Hanna Hurwitz, violin, Jonathan Golove, violoncello, and Daniel Brottman, horn rehearse Louis Karchin's Gods of Winter at June in Buffalo 2018
A person in a patterned shirt plays the violin in the foreground, while another person plays a cello behind a music stand. To the right, a third person performs with a French horn. Sheet music rests on a stand in the center of the ensemble.
Composer Louis Karchin coaches Matthew Chamberlain, conductor, and Slee Sinfonietta members Will Knuth, violin, Jonathan Golove, violoncello, Daniel Brottman, horn, Hanna Hurwitz, violin, Jean Kopperud, clarinet, Michael Matsuno, flute, and Thomas Meglioranza, baritone on his piece Gods of Winter at June in Buffalo 2018
Several musicians are seated on chairs with music stands and string instruments on a light wood floor. Three people stand on the stage, including one on the right holding a printed score and two in the center near a music stand. The background consists of vertical wooden wall panels and a tiered seating area.
Several people are on a wooden stage with instruments including a cello, French horn, and violin. Music stands holding sheet music are placed in front of several seated individuals. One person stands center stage near a person on a stool, while another person stands off the stage looking at a book.
Matthew Chamberlain, conductor rehearses Louis Karchin's Gods of Winter with Slee Sinfonietta members Tom Kolor, percussion, Jonathan Golove, violoncello, Thomas Meglioranza, baritone, and Will Knuth and Hanna Hurwitz, violin at June in Buffalo 2018
In the foreground, a person holds mallets above two timpani drums while looking toward a central figure with raised arms. The ensemble includes individuals playing violins, a piano, and several types of percussion instruments like a vibraphone and cymbals. Music stands with scores are distributed across the dimly lit stage.
Several people are positioned on a stage surrounded by musical instruments such as timpani, a gong, and a piano. In the foreground, a person holds mallets over a drum while looking toward others in the group. Additional individuals play a violin and sit at percussion stations.
June in Buffalo managing director Robert Phillips speaks to Matthew Chamberlain, conductor as Slee Sinfonietta members Daniel Brottman, horn, Jonathan Golove, violoncello, Thomas Meglioranza, baritone, and Hanna Hurwitz and Will Knuth, violin look on in rehearsal of Louis Karchin's Gods of Winter at June in Buffalo 2018
A large collection of instruments, including tubular bells, cymbals, a cello, and a piano, is arranged on a wooden stage. Several people are positioned among the instruments, some seated while others stand, with some looking at sheet music. The background consists of a dark auditorium with rows of red seats.
In the foreground, various percussion instruments such as tubular bells, a glockenspiel, and vibraphone bars are laid out on a stage. Several people are positioned across the middle ground, some sitting with musical instruments while others stand and converse near music stands. The background shows empty red auditorium seats and large vertical pillars under low light.
Composer Louis Karchin coaching Matthew Chamberlain, conductor as Slee Sinfonietta members Daniel Brottman, horn and Will Knuth, violin look on in rehearsal of Karchin's Gods of Winter at June in Buffalo 2018
Four people are positioned on a stage in front of rows of red theater seats. A music stand with a score sits in the foreground, while two individuals stand in the background and two others are partially visible on the sides.
Composer Louis Karchin coaching Matthew Chamberlain, conductor in rehearsal of Karchin's Gods of Winter at June in Buffalo 2018
Two individuals stand together looking at a musical score placed on a stand in a dimly lit environment. One person wears a beige t-shirt and glasses, while the other wears a blue and white striped button-up shirt, glasses, and a gold watch. The background is dark with rows of red seats visible in the lower section.
Composer Louis Karchin coaching Matthew Chamberlain, conductor as Slee Sinfonietta member Hanna Hurwitz, violin looks on in rehearsal of Karchin's Gods of Winter at June in Buffalo 2018
Two people stand over a music stand and look at a score while one person points a pencil at the page. A third person sits in the foreground holding a stringed instrument and a bow. The setting is a stage with rows of red theater seats visible in the background.
Two people stand on a stage and look at a sheet of music placed on a music stand. One person holds a pencil over the page while the other rests a hand on the stand's edge. In the foreground, a third person holds a cello and a bow while looking toward the right.
Composer Louis Karchin at June in Buffalo 2018
A person with curly hair and glasses sits in front of a black grand piano on a wooden stage. They are wearing a light-colored striped short-sleeved shirt and holding a white pamphlet. The background consists of dark wood-paneled walls.
A person wearing a light-colored striped shirt and glasses holds a musical score while standing in an auditorium. Behind them, rows of red seats and a second person are visible. A watermark is overlaid across the center.
A person with curly gray hair and oval glasses is shown from the chest up against a dark background. They are wearing a light blue and white pinstriped button-down shirt. A faint copyright watermark is visible across the middle of the frame.
A person with short, curly hair and oval glasses is positioned against a dark background. They wear a light-colored, thin-striped button-down shirt. The person faces slightly to the left with their teeth visible, and a copyright watermark is present across the center of the frame.
Brad Lubman, conductor leads Irvine Arditti, violin and Ensemble Signal members Rosanna Moore, harp, Thomas Kolor, percussion, Olivia De Prato, violin, Alex Ishov, flute, Victor Lowrie, viola, unidentified, oboe, Eric Huebner, piano, Lauren Radnofsky, violoncello, Adrián Sandí, clarinets, Tristan Kasten-Krause, double bass, and Kate Sheeran, horn in a performance of David Felder's "Violin Concerto preview" at June in Buffalo 2017
Signal (Musical group : 2008- ) - Ensemble
A group of musicians wearing black clothing performs on a wooden stage under warm lighting. A conductor stands on a platform in the center, facing away from the viewer and toward performers playing instruments such as the harp, violin, cello, and double bass. Music stands are positioned in front of the seated and standing musicians, and a tall microphone stand is visible in the foreground.
A conductor stands on a podium facing away from the camera while leading a group of musicians dressed in black. The ensemble features various instruments including a harp, cello, double bass, and woodwinds, each positioned behind a music stand. The performance takes place on a wooden stage in a hall with vertical wood-paneled walls.
Stefan Sanders, conductor leads the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2017
Buffalo Philharmonic Orchestra - Ensemble
Musicians playing string and wind instruments sit in rows on a concert hall stage while a conductor leads from a central podium. A large pipe organ is built into the wooden wall behind the orchestra, and microphones on tall stands are placed throughout the performing area. Rows of empty dark seats face the stage from the foreground.
David Dzubay coaches Stefan Sanders and the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2017
An ensemble of musicians sits on a wooden stage with instruments like violins and cellos. A conductor stands on a central platform facing the group, with music stands holding sheet music placed throughout the stage. Dark wood paneling forms the background, and theater seating is visible in the foreground.
Musicians sit in an ensemble on a wooden stage, playing instruments like violins and cellos while referencing sheet music on stands. A conductor stands on a podium facing the group, and another person stands in the foreground with an arm raised. Dark wooden paneling serves as the backdrop for the performance area.
A large group of people sit on a wooden stage playing instruments like violins and cellos while looking at sheet music. A person stands on a raised platform in the center facing the group and holding a thin baton. The stage has dark wood paneling in the background and microphones on tall stands are placed around the performers.
A large group of people sits on a wooden stage playing instruments including violins, cellos, and a harp. A person stands on a small podium in the center, facing the group with one arm extended. The background consists of wood-paneled walls and organ pipes, while rows of dark seats are visible in the foreground.
David Felder coaches Stefan Sanders and the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2017
Two people stand with their backs toward the camera, focused on a music stand in the center of a rehearsal space. Other individuals are seated at music stands in the background against a dark wood wall. A watermark is visible across the middle of the frame.
Several musicians are seated at music stands in a wood-paneled hall, facing a person standing on a small podium. The group includes individuals with brass instruments such as trumpets and trombones. In the foreground, a person wearing an orange shirt is seated and writes on a musical score.
David Felder, Brad Lubman, conductor, Phil Rehard, concert manager, and Ian Kerr-Mace, concert assistant acknowledge J. T. Rinker, electronics after a performance at June in Buffalo 2017
Five people stand on a stage in front of wood-paneled walls. One person on the left wears all black and raises a hand, while others to the right wear various shirts and clap. A vibraphone and music stands are positioned on the stage among the people.
Brad Lubman, conductor, Irvine Arditti, violin, and Ensemble Signal members Steven Parker, trombone, Alex Ishov, flute, unidentified, oboe, Kate Sheeran, horn, Mike Gurfield, trumpet, Blaire Koerner, bassoon, Adrián Sandí, clarinets, and Tristan Kasten-Krause, double bass acknowledge applause after a performance of Brian Ferneyhough's "Terrain" at June in Buffalo 2017
Ten people in dark attire stand across a wooden stage holding instruments including a violin, trombone, French horn, trumpet, clarinet, and double bass. Music stands are positioned in front of them, and a marimba and piano are visible in the background against wood-paneled walls. A seated audience fills the foreground of the darkened concert hall.
Ten musicians stand behind music stands on a wooden stage, holding instruments including a double bass, trumpet, and trombone. Behind them is a wood-paneled wall, and in the foreground, an audience is seated in rows of red chairs.
Nine people dressed in black stand in a row on a wooden stage behind music stands, holding instruments including a violin, trombone, French horn, and double bass. In the foreground, an audience is seated in rows of red chairs within a darkened auditorium. The background features a wood-paneled wall and a grand piano.
A group of nine musicians in black attire stands in a row on a wooden concert stage, holding instruments including a violin, trombone, French horn, clarinet, and double bass. Music stands are positioned in front of the performers, and a grand piano and large percussion instrument are visible in the background. A seated audience is silhouetted in the foreground of the wood-paneled hall.
Brad Lubman, conductor, acknowledges Irvine Arditti, violin as Ensemble Signal members Alex Ishov, flute and Steven Parker, trombone look on after a performance of Brian Ferneyhough's "Terrain" at June in Buffalo 2017
A person with short curly hair stands center stage playing a violin behind a music stand. To the left, a person dressed in all black stands with their hands together. A third person sits to the right, and a vibraphone is visible in the background against the wood-paneled walls.
A person dressed in black stands on the left side of a stage, gesturing with both arms toward a central individual. The central figure holds a violin and bow while standing behind a music stand with sheet music. To the right, another person is seated holding a flute.
The ensemble includes performers with a violin, trombone, flute, French horn, trumpet, bassoon, bass clarinet, and double bass. They are positioned behind music stands on a wooden stage that also features a piano, vibraphone, and a tall microphone stand. The silhouettes of audience members are visible in the foreground of the concert hall.
Brad Lubman, conductor, acknowledges Irvine Arditti, violin as Ensemble Signal members Alex Ishov, flute, Steven Parker, trombone, and unidentified, oboe look on after a performance of Brian Ferneyhough's "Terrain" at June in Buffalo 2017
Two people stand and shake hands on a wooden stage, with one individual holding a violin and bow. Behind them, three other musicians sit behind music stands with various instruments. The room has vertical wood paneling and several music stands are dispersed across the stage.
Brad Lubman, conductor leads Irvine Arditti, violin and Ensemble Signal members Alex Ishov, flute, unidentified, oboe, Kate Sheeran, horn, Michael Gurfield, trumpet, Blaire Koerner, bassoon, Adrián Sandí, clarinets, and Tristan Kasten-Krause in a performance of Brian Ferneyhough's "Terrain" at June in Buffalo 2017
A group of musicians in dark clothing plays various instruments, including a violin, trumpet, and double bass, on a wooden stage. A person stands with their back to the audience, leading the ensemble. Several music stands are positioned in front of the performers, and the silhouettes of an audience are visible in the foreground.
David Dzubay acknowledges Brad Lubman, conductor and Ensemble Signal members Alex Ishov, flute, unidentified, oboe, Kate Sheeran, horn, Blaire Koerner, bassoon, and Adrián Sandí, clarinet in a performance of his "Kukulkan III" at June in Buffalo 2017
Seven individuals are positioned across a wooden stage, with several holding instruments including a French horn, a bassoon, and a clarinet. On the far left, one person stands and claps. The scene includes music stands, chairs, and a piano against a wood-paneled wall, with the heads of an audience visible in the foreground.
David Dzubay acknowledges Brad Lubman, conductor and Ensemble Signal members Alex Ishov, flute, unidentified, oboe, Kate Sheeran, horn, and Blaire Koerner, bassoon in a performance of his "Kukulkan III" at June in Buffalo 2017
Six people are positioned across a wooden stage in a concert hall with wood-paneled walls. Two people on the left gesture toward each other while others stand nearby holding a flute, horn, and bassoon. Music stands, black chairs, and orchestral equipment are visible in the background.
Brad Lubman, conductor leads Ensemble Signal members Alex Ishov, flute, unidentified, oboe, Kate Sheeran, horn, Blaire Koerner, bassoon and Adrián Sandí, clarinet in a performance of David Dzubay's "Kukulkan III" at June in Buffalo 2017
Five musicians in dark clothing are seated in a semi-circle on a wooden stage, playing instruments such as a flute, French horn, bassoon, and clarinet. A conductor sits on a tall stool in the center with their back to the viewer and hands raised. The performance space features wood-paneled walls, music stands, and a grand piano in the background.
Eivind Buene acknowledges Brad Lubman, conductor and Ensemble Signal members Olivia De Prato and Lauren Cauley, violin, Thomas Kolor, percussion, Alex Ishov, flute, Victor Lowrie, viola, Mariel Roberts, violoncello, Adrián Sandí, clarinet, and Tristan Kasten-Krause, double bass after a performance of his piece "Nature Morte" at June in Buffalo 2017
Several people dressed in black stand on a wooden stage holding stringed instruments, including a cello and a double bass. A person in a suit stands to the left with an arm raised toward the group, and one person claps their hands. The stage has a wood-paneled background, and the silhouettes of audience members are visible in the foreground.
Brad Lubman, conductor and Ensemble Signal members Olivia De Prato and Lauren Cauley, violin, Thomas Kolor, percussion, Alex Ishov, flute, Victor Lowrie, viola, Mariel Roberts, violoncello, Adrián Sandí, clarinet, and Tristan Kasten-Krause, double bass acknowledge Eivind Buene after a performance of his piece "Nature Morte" at June in Buffalo 2017
Performers in dark clothing stand on a wooden stage with instruments including violins, a cello, and a double bass. A person in a dark suit stands to the left of the ensemble while some of the performers clap. The hall features wood-paneled walls, and audience members are visible in the foreground.
Brad Lubman, conductor leads Ensemble Signal members Olivia De Prato and Lauren Cauley, violin, Thomas Kolor, percussion, Alex Ishov, flute, Victor Lowrie, viola, Mariel Roberts, violoncello, Adrián Sandí, clarinet, and Tristan Kasten-Krause, double bass in a performance of Eivind Buene's "Nature Morte" at June in Buffalo 2017
A group of musicians in dark attire performs on a stage with wood-paneled walls. A conductor stands on a podium facing the ensemble, which includes violinists, a cellist, a double bassist, and a keyboardist. Music stands are placed before each musician as they play their respective instruments.
Several people play violins, a cello, a double bass, and percussion in a wood-paneled concert hall. A conductor stands on a podium in the center facing the performers, who are seated or standing with music stands. The silhouette of an audience is visible in the foreground, and a grand piano sits on the right side of the stage.
David Felder, Brad Lubman, conductor, Irvine Arditti, violin, and Ensemble Signal members Rosanna Moore, harp, Thomas Kolor, percussion, Olivia De Prato, violin, Alex Ishov, flute, Victor Lowrie, viola, unidentified, oboe, Eric Huebner, piano, Lauren Radnofsky, violoncello, Adrián Sandí, clarinets, Tristan Kasten-Krause, double bass, and Kate Sheeran, horn after a performance of David Felder's "Violin Concerto preview" at June in Buffalo 2017
A group of musicians stands on a wooden stage holding various instruments, including a harp, strings, and wind instruments. All individuals on stage are dressed in black attire, and another person walks across the stage toward the group. In the foreground, several people sit in a darkened theater with their backs to the camera.
David Felder acknowledges Brad Lubman, conductor. Irvine Arditti, violin, and Ensemble Signal members Rosanna Moore, harp, Olivia De Prato, violin, and Alex Ishov, flute after a performance of his "Violin Concerto preview" at June in Buffalo 2017
Several musicians dressed in black stand on a stage with a wooden paneled background. Two people in the foreground shake hands while others hold instruments, including a violin and a harp. Music stands and a black speaker are arranged across the platform.
David Felder acknowledges Brad Lubman, conductor. Irvine Arditti, violin, and Ensemble Signal members Rosanna Moore, harp, Thomas Kolor, percussion, and Olivia De Prato, violin after a performance of his "Violin Concerto preview" at June in Buffalo 2017
Five people dressed in black are positioned on a wood-paneled stage with various musical instruments. A large harp stands between two people on the left, while others hold violins and stand near music stands. One person has their arms outstretched toward another holding a violin in the center of the group.
Brad Lubman, conductor acknowledges Irvine Arditti, violin and Ensemble Signal members Rosanna Moore, harp, Thomas Kolor, percussion, Olivia De Prato, violin, Alex Ishov, flute, Victor Lowrie, viola, unidentified, oboe, Eric Huebner, piano, Lauren Radnofsky, violoncello, Adrián Sandí, clarinets, Tristan Kasten-Krause, double bass, and Kate Sheeran, horn after a performance of David Felder's "Violin Concerto preview" at June in Buffalo 2017
A group of musicians dressed in black stands on a light-colored wooden stage in a concert hall. A conductor stands on a podium in the center, surrounded by performers holding instruments such as a harp, violins, cellos, a double bass, and wind instruments. The background consists of wood-paneled walls and organ pipes, while audience members are partially visible in the foreground.
Brad Lubman, conductor acknowledges Irvine Arditti, violin and Ensemble Signal members Rosanna Moore, harp, Thomas Kolor, percussion, Olivia De Prato, violin, Alex Ishov, flute, Victor Lowrie, viola, unidentified, oboe, Eric Huebner, piano, Lauren Radnofsky, violoncello, Tristan Kasten-Krause, double bass, and Kate Sheeran, horn after a performance of David Felder's "Violin Concerto preview" at June in Buffalo 2017
Several musicians wearing black attire are positioned on a wooden stage with instruments including a harp, double bass, cello, and French horn. One person stands to the left with an arm extended toward the group. In the foreground, the silhouettes of audience members are visible in a darkened seating area.
Irvine Arditti, violin rehearsing Brian Ferneyhough's "Terrain" at June in Buffalo 2017
A person wearing a tan short-sleeved shirt and glasses plays a violin against a dark background. They hold a bow against the strings while their other hand is on the neck of the instrument. A music stand with sheet music is positioned in front of them.
A person wearing a beige short-sleeved shirt and glasses plays a violin. They draw a bow across the strings while looking down at a music stand with open pages. The background is dark with a maroon curtain on the right side.
A person wearing a light-colored shirt and glasses holds a violin under their chin and a bow across the strings. They look down at sheet music on a stand positioned to the right. The scene is set against a dark background with focused light on the subject.
A person wearing a light-colored short-sleeved shirt holds a violin and draws a bow across its strings. They look down at sheet music resting on a black stand against a dark background. A watermark with copyright text is visible across the center.
A person wearing glasses and a light-colored button-up shirt holds a violin and bow. Their left hand is positioned on the neck of the instrument while they look down toward the music stand in front of them. The background consists of dark vertical panels.
A person with gray curly hair and glasses wears a short-sleeved shirt and plays a violin. They look down at sheet music resting on a black music stand while holding a bow against the strings. A dark wall with vertical lines is in the background.
A person with curly gray hair and glasses stands before a music stand with open sheet music. They hold a violin and a bow in front of them against a dark, indistinct background. A watermark is visible across the middle of the frame.
Brad Lubman, conductor leads Irvine Arditti, violin and Ensemble Signal members Adrián Sandí, clarinets, Blaire Koerner, bassoon, Tristan Kasten-Krause, double bass, Kate Sheeran, horn, and Steve Parker, trombone in rehearsal of Brian Ferneyhough's "Terrain" at June in Buffalo 2017
Several musicians are positioned around sheet music stands, holding instruments such as a double bass and a bassoon. A person stands on the left side of the stage with their hands raised toward the ensemble. The setting features light wood walls and a dark background behind the performers.
Several people are on a wooden stage with wood-paneled walls and music stands. One person stands with raised hands facing the group, while others hold instruments such as a double bass and a bassoon. A grand piano is partially visible on the right side of the stage.
Brad Lubman, conductor and Irvine Arditti, violin rehearsing Brian Ferneyhough's "Terrain" at June in Buffalo 2017
A person in light-colored clothing stands with their back to the viewer, playing a violin while reading from a large sheet of music on a stand. Another person wearing a black shirt stands facing them on a wooden stage with their hands held out in a gesturing position. The background shows several rows of unoccupied red seats in a dark theater setting.
The person is shown from a side profile wearing a light-colored, short-sleeved shirt and glasses. They stand before a music stand holding a wide, multi-page score with complex musical notation. The background contains rows of empty red theater seats and a dark auditorium space.
Ensemble Signal member Lauren Radnofsky, violoncello rehearsing Brian Ferneyhough's "Terrain" at June in Buffalo 2017
The bridge, f-holes, and dark wood body of a large string instrument are shown in a close-up, sepia-toned view. A person's hand in the foreground holds a bow against the four strings. A faint watermark spans across the center of the frame.
Ensemble Signal member Blaire Koerner, bassoon rehearsing Brian Ferneyhough's "Terrain" at June in Buffalo 2017
A woodwind instrument with metal keys is held diagonally in front of a music stand holding spiral-bound sheet music. The back of a person's head is visible in the blurred foreground on the right side. A wooden floor is visible in the background beneath the music stand.
Picture of the score of Brian Ferneyhough's "Terrain", Clarinet in Bb and Bass Clarinet part at June in Buffalo 2017
The cream-colored cover of the book displays the composer's name, "FERNEYHOUGH," and the title "Terrain" in bold black lettering. It specifies the piece is for "Solo Violin with Chamber Ensemble" and that this particular copy is for "Clarinet in Bb/Bass Clarinet." The top of the page includes the publisher "EDITION PETERS" and a set number field.
Michael Lewanski, conductor and Ensemble Dal Niente members Eric Derr, percussion, Mabel Kwan, piano, Emma Hospelhorn, flutes, Andrew Nogal, oboe, Hanna Hurwitz, violin, Jeanann Dara, viola, Katie Schoepflin, clarinets, and Mira Luxion, violoncello pose for a portrait after a performance at June in Buffalo 2017
Eight individuals stand on a wooden stage in front of a grand piano and music stands. Several people hold instruments including a flute, violin, and cello, while others wear suits or black clothing. The background consists of vertical wood-paneled walls.
David Felder acknowledges Michael Lewanski, conductor and Ensemble Dal Niente members Mabel Kwan, piano, Emma Hospelhorn, flutes, Katie Schoepflin, clarinets, Eric Derr, percussion, Hanna Hurwitz, violin, Mira Luxion, violoncello, and Jeanann Dara after a performance of his "Partial [dist]res[s]toration" at June in Buffalo 2017
Several performers dressed in dark clothing stand on a wooden stage with a grand piano, music stands, and various instruments. One person gestures with an arm raised while others stand with their instruments in front of a wood-paneled wall. Chairs and microphone stands are positioned across the stage floor.
Eight people dressed in black are positioned across a stage featuring a grand piano, music stands, and chairs. Several individuals hold instruments, including a flute, a violin, and a cello, while a large microphone boom stands in the foreground. The background is composed of vertical wood panels and architectural structures.
David Felder greets Michael Lewanski, conductor, and Ensemble Dal Niente members Emma Hospelhorn, flutes, Katie Schoepflin, clarinets, Eric Derr percussion, Hanna Hurwitz, violin, Mira Luxion, violoncello, and Jeanann Dara, viola after a performance of his "Partial [dist]res[s]toration" at June in Buffalo 2017
Musicians stand on a wooden stage in a concert hall with instruments including a flute, clarinet, violin, and cello. Two individuals in the center shake hands while others stand nearby holding their instruments. A grand piano and various percussion items are visible in the background against wood-paneled walls.
David Felder greets Michael Lewanski, conductor, and Ensemble Dal Niente members Mabel Kwan, piano, Emma Hospelhorn, flutes, Katie Schoepflin, clarinets, Eric Derr percussion, and Hanna Hurwitz, violin after a performance of his "Partial [dist]res[s]toration" at June in Buffalo 2017
Six people dressed in dark clothing are gathered on a wooden stage in a concert hall. In the center, two individuals shake hands in front of a grand piano while others stand nearby holding a flute and a violin. Music stands, a set of gongs, and other percussion instruments are visible in the background against vertical wooden wall panels.
Michael Lewanski, conductor leads Ensemble Dal Niente members Mabel Kwan, Emma Hospelhorn, flutes, Katie Schoepflin, bass clarinet, Hanna Hurwitz, violin, Eric Derr percussion, Mira Luxion, violoncello, and Jeanann Dara, viola in a performance of David Felder's "Partial [dist]re[s]toration" at June in Buffalo 2017
Multiple individuals perform on a wooden stage with instruments including a piano, flute, cello, and violin. A person in a suit stands at the center with their back to the camera, while other musicians are seated or standing at music stands. The background consists of vertical wood paneling and orchestral equipment.
An ensemble of musicians is positioned on a wooden stage in front of wood-paneled walls. One person conducts the group from the center, while others play instruments such as a piano, a flute, and string instruments. Sheet music stands and percussion equipment are arranged around the performers.
Eivind Buene acknowledges Michael Lewanski, conductor and Ensemble Dal Niente members Emma Hospelhorn, flute, Katie Schoepflin, clarinets, Hanna Hurwitz, violin, and Mira Luxion, violoncello after a performance of his "Ultrabucolic Studies" at June in Buffalo 2017
Six people are positioned across a wooden stage in front of various musical instruments, including a grand piano, music stands, a harpsichord, and string and woodwind instruments. One person on the right side of the stage stands with an arm outstretched toward the group. The background consists of vertical wooden panels.
Six people stand in a row on a wooden stage holding various musical instruments. A piano and a harpsichord are visible in the background against a wood-paneled wall. One person on the far right gestures with an open hand toward the rest of the ensemble.
Eivind Buene greets Michael Lewanski, conductor and Ensemble Dal Niente members Emma Hospelhorn, flute, Katie Schoepflin, clarinets, Hanna Hurwitz, violin, and Mira Luxion, violoncello after a performance of his "Ultrabucolic Studies" at June in Buffalo 2017
Several musicians are positioned on a stage alongside a grand piano, a cello, woodwinds, and percussion instruments. One individual in a light-colored jacket shakes hands with another in a dark suit. Multiple music stands and overhead recording microphones are also visible across the stage.
Michael Lewanski, conductor and Ensemble Dal Niente members Emma Hospelhorn, flute, Katie Schoepflin, clarinets, Hanna Hurwitz, violin, and Mira Luxion, violoncello acknowledge applause after a performance of Eivind Buene's "Ultrabucolic Studies" at June in Buffalo 2017
Five people stand on a stage in a wood-paneled hall with musical instruments and music stands. From left to right, the individuals stand with a flute, a grand piano, a bass clarinet, a violin, and a cello. A rack of percussion instruments and additional music stands are positioned behind them.
Michael Lewanski, conductor leads Ensemble Dal Niente members Emma Hospelhorn, flute, Katie Schoepflin, clarinets, Hanna Hurwitz, violin, and Mira Luxion, violoncello in a performance of Eivind Buene's "Ultrabucolic Studies" at June in Buffalo 2017
A person stands conducting a small ensemble on a wooden stage in front of a grand piano. Three seated musicians are arranged with instruments including a flute and a cello. Various music stands and percussion instruments are positioned throughout the performance space.
David Dzubay acknowledges Ensemble Dal Niente members Mabel Kwan, harpsichord and Andrew Nogal, oboe after a performance of his "Nine Fragments" at June in Buffalo 2017
Three individuals are positioned on a stage with a wooden paneled backdrop among instruments such as a grand piano, a vibraphone, and a harpsichord. Two people stand with their hands together in a clapping motion while the third individual holds a woodwind instrument.
Composer Jeffrey Mumford acknowledges Michael Lewanski, conductor and Ensemble Dal Niente members Mabel Kwan, piano, Emma Hospelhorn, flute, Hanna Hurwitz, violin, Eric Derr, percussion, and Mira Luxion, violoncello after a performance of his "a garden of flourishing paths" at June in Buffalo 2017
Six people are positioned across a light wood stage in a hall with wood-paneled walls and organ pipes. The group includes individuals holding a flute, a violin, and a cello, with a grand piano and a harpsichord also visible. A tall microphone stand is positioned in front of the ensemble.
Seven individuals are positioned across a wooden stage alongside two grand pianos, a harpsichord, and percussion instruments. Several people stand near the center holding a flute, violin, and cello, while one person stands behind them and another stands alone on the far right. Music stands and microphones are distributed across the stage floor.
Seven individuals are positioned across a wooden stage with various instruments such as a grand piano, a vibraphone, and string instruments. One person gestures toward the group while another person on the far right claps. Microphone stands are placed in front of the performers, and a watermark text spans the center.
Six people stand on a concert stage in front of a wood-paneled wall. The group features individuals with a flute, violin, and cello, positioned among a grand piano, marimba, and harpsichord. One person in a suit gestures with an outstretched arm while another person stands on the far right.
A group of individuals is gathered on a stage in front of wood-paneled walls and organ pipes. They hold or stand next to various musical instruments such as a flute, violin, cello, and harpsichord. A tall microphone stand is positioned in front of the group, and a person on the right side of the stage is clapping.
Composer Jeffrey Mumford greets Michael Lewanski, conductor and Ensemble Dal Niente members Emma Hospelhorn, flute, Hanna Hurwitz, violin, Eric Derr, percussion, and Mira Luxion, violoncello after a performance of his "a garden of flourishing paths" at June in Buffalo 2017
Six individuals are positioned across a concert stage featuring wood-paneled walls and various musical instruments. Three people hold a flute, a violin, and a cello, while others stand near a grand piano, percussion equipment, and a harpsichord. The group is dressed in professional attire and arranged near music stands on a wooden floor.
Michael Lewanski leads Ensemble Dal Niente members Mabel Kwan, piano, Emma Hospelhorn, flute, Hanna Hurwitz, violin, Eric Derr, percussion, and Mira Luxion, violoncello in a performance of Jeffrey Mumford's "a garden of flourishing paths" at June in Buffalo 2017
Six individuals are positioned on a wooden stage surrounded by wood-paneled walls. A conductor stands in the center with their back to the viewer, while other musicians play a grand piano, flute, violin, cello, and percussion instruments. Music stands are placed in front of several performers across the stage.
Ensemble Dal Niente members Mabel Kwan, harpsichord and Andrew Nogal, oboe rehearse David Dzubay's "Nine Fragments" at June in Buffalo 2017
A standing person plays an oboe while facing music stands in a concert hall setting. Another person sits in the foreground at a marimba with their back to the camera. The space features wooden walls and tall vertical pillars.
Student composers Zhuosheng Jin and Sunyeong Park with Mivos Quartet members Lauren Cauley, violin and Victor Lowrie, viola at June in Buffalo 2017
Five people are gathered in a space with music stands and stringed instruments like violins and cellos. Three individuals are seated while two stand behind them, looking toward the center of the group. The room features neutral walls and a wooden floor.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Student composer Sunyeong Park with Mivos Quartet members Victor Lowrie, viola and Mariel Roberts, violoncello at June in Buffalo 2017
Three people are in a room with acoustic wall panels and music stands. One person sits on the left with a violin, another sits on the right playing a cello, and a third person stands between them. Sheet music is visible on the stands in the foreground.
Student composer Joseph Bohigian with Mivos Quartet members Olivia De Prato and Lauren Cauley, violin and Victor Lowrie, viola at June in Buffalo 2017
Four people are positioned with string instruments in an indoor setting. One person in a plaid shirt stands in the center holding a bow while others hold violins. A music stand with sheet music is situated in the foreground between the people.
Mivos Quartet members Lauren Cauley and Olivia de Prato, violin, Victor Lowrie, viola, and Mariel Roberts, violoncello rehearse at June in Buffalo 2017
Three people are seated on a wooden stage, with two playing violins and one playing a cello. Each musician has a black music stand with sheet music in front of them. The individuals are positioned on a light-colored wooden floor in an indoor setting.
Mivos Quartet members Victor Lowrie, viola, Lauren Cauley, violin, Mariel Roberts, violoncello, and Olivia De Prato, violin rehearse at June in Buffalo 2017
Four individuals sit in a dimly lit room playing violins and a cello. They are arranged around music stands holding sheet music, and a copyright watermark covers the middle of the frame.
Student composer Paul Duffy coaches Mivos Quartet member Victor Lowrie, viola on his piece "Arctic" at June in Buffalo 2017
One person wearing a light blue shirt holds a bow and plays a wooden string instrument while looking at sheet music on a stand. Another person in a red and blue plaid shirt stands beside them, looking in the same direction. The background consists of a neutral-colored wall with a dark horizontal feature.
Student composer Alex Huddleston coaching Mivos Quartet member Olivia De Prato, violin on his piece "I found a few configurations :: some stripes" at June in Buffalo 2017
A person with short curly hair holds a violin vertically and a red pen. Beside them, another person with glasses and a white shirt over a red shirt sits behind a music stand. They are both positioned in front of a light-colored wall.
An individual on the left holds a string instrument and uses a red pen to mark a piece of paper on a music stand. A second individual wearing glasses and a light-colored shirt sits behind the stand and faces the first person. The scene is set indoors against a plain, neutral wall.
One person with short curly hair is seated behind a music stand wearing a dark patterned shirt and necklace. A second person wearing glasses and a white long-sleeved shirt leans forward over another music stand. A watermark is visible across the center of the scene.
Composer David Felder and Irvine Arditti, violin at June in Buffalo 2017
A person dressed in dark clothing stands behind several music stands on a wooden stage, holding a violin and a bow. To the left, a person wearing glasses and dark attire stands with their hands raised in front of them. Silhouettes of audience members are visible in the foreground.