Lawrence Bennett as the character Acis in a production of Handel's Acis and Galatea
Bennett, Lawrence, 1940- - Voice (Tenor)
A person stands center stage wearing a medieval-style outfit with a cloak and boots. They grip a long staff topped with a large feather. The background features a painted backdrop with curved, abstract patterns, and the bottom edge shows the credit "PHOTO by V. SLADON".
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
On a stage, a performer wears a long, flowing cloak and a feathered headdress. They have one hand on their hip and the other resting on their chest area. The background features a painted, abstract backdrop with swirling lines. The image is black and white and includes a photographer credit in the lower-right corner.
A person stands with hands on hips, wearing a metallic chest piece, layered tunic, cape, tall boots, and a large plume-feather headdress. The face is painted white and the backdrop features swirling abstract patterns; photo credit at the bottom reads "PHOTO by V. SLADON."
The performer wears a dark, layered costume and a tall feathered headpiece. They are captured mid-dance with one leg lifted. The painted backdrop resembles a rocky landscape. The image has a grainy black-and-white appearance.
Joseph Chouinard (left) as the character Polyphemus and Lawrence Bennett as Acis in a production of Handel's Acis and Galatea
Two performers stand on a stage facing each other and raise one arm in a high-five gesture against a textured, sculpted backdrop. The left performer wears a striped, loose-fitting tunic, while the right performer wears a dark, elaborate outfit with a feathered headdress and cape. The image is in black and white, giving a vintage theater feel.
Chouinard, Joseph Jerod, 1926-2014 - Voice (Bass-baritone)
One wears a patterned tunic and has short hair; the other is in a dark, flowing garment. They stand close together and seem to handle a prop. A musician sits in the foreground playing a string instrument with sheets of music visible. The backdrop features large painted rock formations.
A black-and-white portrait showing a person from the shoulders up wearing a suit, tie, and round glasses. The image is mounted on a light mat, with a handwritten note visible beneath the photograph.
Joseph Chouinard (2nd from left) as Dr. Grenvil in the Tri-Cities Opera production of Verdi's La Traviata
A black-and-white interior features striped walls, a marble mantel, and an oval mirror. A person bends toward another person lying on a bed, while two other figures stand nearby in formal attire. The scene appears staged with vintage furnishings and subdued lighting.
The character Violetta Valery (either Rosalie DeFelice or Lois Crane) in a Tri-Cities Opera production Puccini's La Traviata
A large ornate bed with an elaborate headboard sits on a stage, framed by striped curtains. A round table with a candelabrum is beside the bed. Several people are seated or reclining around the bed on white bedding, some wearing glasses as they face forward. The scene is captured in black and white and appears to be a theater or studio set.
Joseph Chouinard (3rd from left) in costume as the character Talpa in Tri-Cities Opera production of Puccini's Il Tabarro
From left to right, four individuals stand in front of a dark background. The first wears a striped short-sleeve shirt; the second wears dark clothing; the third wears a head covering; the fourth wears a checkered garment. The image is grainy and black-and-white.
Prompter of the Tri-Cities Opera Company (probably John Sportelli)
The black-and-white image shows a person wearing a textured knit sweater and a white-collared shirt, seen from the side with mouth open as if speaking. Their right arm is extended, with the index finger raised. A wooden structure or cabinet to the right and dark surroundings form the background.
Joseph Chouinard (left), Gene Talley-Schmidt (3rd from left) and two unidentified males in costume in a production of Romberg's The student prince at Chastain Park, Atlanta
They wear matching striped coats with white lace cravats and white stockings, facing forward. A piano or organ is visible on the left, and a dark backdrop fills the background. The image is in black and white.
Joseph Chouinard (center) in costume in the role of Bonze in Puccini's Madame Butterfly, presented by the Tri-Cities Opera Company
A large group of people wearing patterned robes or kimonos gathers on a performance space. Lanterns hang overhead, and a torii-style gate is visible on the right with a painted mountain backdrop behind. Floral branches and blossoms decorate the foreground as attendees mingle.
Joseph Chouinard with unidentified female singer, both in costume, possibly as characters in The Mikado
On verso: Opera Guild party, Binghamton, N.Y. during Butterfly run, Sept. 59.
Two people wearing traditional Japanese clothing face each other across a table. The left person leans toward the right, while the right person holds a large folding fan and wears a floral hair accessory. A painted screen with a figure and a vase with branches is visible behind them, contributing to the staged scene.
Ballet scene from Arundel Opera's production of Die Fledermaus
A group of dancers in white tutus perform on a large stage with decorative scenery and drapery. The composition shows dancers in various poses, some on pointe, arranged in a symmetrical formation beneath a chandelier. The scene captures a classical ballet performance in progress.
Arundel Opera Theatre (Kennebunkport, Me.)
Unidentified female character in Arundel Opera's production of Die Fledermaus
A person wearing a voluminous, layered gown and a large bonnet stands on a stage, raising a flower-adorned prop above their head. The backdrop features ornate wallpaper, draped curtains, and a framed painting to the left. The scene is in black and white and resembles an old theater or film production.
Celeste Maggiore as Annie Oakley in Arundel Opera production of Annie get your gun
Maggiore, Celeste - Voice (Mezzo-soprano)
A row of people on a stage, wearing long gowns and formal suits, with arms extended in a line. The dark background is punctuated by a string of lanterns overhead, some featuring Chinese characters. On the far right, one person wears a feathered headdress and a patterned outfit.
Joseph Chouinard on stage as the character Frank Butler and Celeste Maggiore as Annie Oakley in the Arundel Opera production of Annie get your gun
Two people stand facing each other and hold each other in a dance pose on a stage with a curtain backdrop. One wears a long gown with gloves, and the other wears a suit with a bow tie. The scene is in black and white.
Portrait of Joseph Chouinard during his college years
A sepia-toned studio portrait of a person from the chest up, wearing a light checkered blazer, white shirt, and a geometric-pattern tie. The subject has short, neatly styled hair and rectangular glasses.
Drawing of Joseph Chouinard by Annis Martin
A pencil and light watercolor drawing shows the upper portion of a face and neck. The subject has short, wavy hair and blue eyes. The clothing suggests a V-shaped neckline, and there are faint inscriptions near the neck area.
Portrait of Joseph Chouinard in his Navy uniform with his adoptive parents, George and Elizabeth Bradley
A sepia-toned studio portrait shows three people; the central figure wears a sailor-style uniform and round glasses and stands behind the others; the left figure has short, curly white hair and glasses; the right figure wears a suit and tie and also has glasses. They face the camera and are posed closely together.
Portrait of Joseph Chouinard in his Navy uniform
A sepia-toned studio portrait of a person wearing a dark sailor suit with a striped collar and round glasses. The head is turned slightly to the side, with neatly styled short hair. The background is plain and light.
Portrait of Joseph Chouinard during his high school years
A sepia-toned studio portrait of a young person wearing a blazer, shirt, and striped tie. They are seated and slightly turned to the side, with hands resting on a surface. The background is plain and softly lit.
A sepia-toned studio portrait of the upper torso and head. The person has short, dark hair combed to the side and wears rectangular glasses. They are dressed in a white collared shirt, a patterned tie, and a knit cardigan, with a softly blurred background.
Boys' choir of Holy Trinity Church in Middletown, Connecticut
Church of the Holy Trinity (Middletown, Conn.). Boys' Choir - Choir
A large group of people in white robes with dark collars lines both sides of a central aisle inside a church. They face an ornate Gothic altar featuring arches, statues, and a central crucifix. Flags sit at the sides of the altar, and decorative pinnacles and carved details fill the background. The scene is monochrome with pews visible in the foreground.
Church of the Holy Trinity (Middletown, Conn.)
Portrait of an unidentified woman, possibly Elizabeth Bradley, Joseph Chouinard's adoptive mother
A sepia-toned portrait shows a person with short, wavy hair resting their cheeks on their hands. They wear a light garment with lace details and a bracelet on one wrist. The background is soft and neutral, drawing focus to the face.
Portrait of Joseph Chouinard and brother Thomas as young children
A sepia-toned studio portrait shows one child seated on a small chair wearing a light dress with long sleeves and knee-high socks, and another child standing beside them in a sailor-style outfit with a striped collar. The standing child places a hand on the seated child's shoulder. A staircase railing and a softly patterned backdrop are visible behind them.
Portrait of an unidentified woman, possibly the mother or grandmother of Joseph Chouinard
A sepia-toned studio portrait shows an individual wearing a high-waisted, puff-sleeved white dress with a gathered bodice and a layered floor-length skirt. A necklace with a circular pendant rests at the neckline. The subject stands beside an elaborately carved chair.
Marching bands -- New York (State) -- Buffalo
State University of New York at Buffalo. University Archives
COPYRIGHT NOT EVALUATED. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the University Archives. If you believe material in our digital collections infringes copyright or other rights, please review our Notice and Takedown Policy for information on how to report your concern.
A black-and-white patch for the University of Buffalo's Veteran's Club featuring a shield-shaped crest with a stylized buffalo head at the top. The letters “U” and “B” appear on either side of the head. Below, the shield is divided into sections containing various symbols, including a graduation cap in the center and small illustrated objects in the surrounding quadrants. The letters “VETS” are displayed along the bottom of the crest.
The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.
State University of New York at Buffalo. University Libraries
School of Pharmacy, State University of New York at Buffalo -- Alumni and alumnae
V-News, the School of Pharmacy Class of 1941 newsletter edited by Everett F. Reed, Jr.
Ens. Clifford L. Schmitt, University of Buffalo School of Pharmacy alumnus
This black-and-white photograph, featured on the cover of the "V News" School of Pharmacy, Class of 1941 newsletter, Issue 5, November 1943, features Ens. Clifford L. Schmitt crouching outdoors against a plain block wall. He is smiling and facing the camera, with one knee bent and one hand resting on the ground. He wears a long-sleeved button-up shirt, trousers, and dark shoes. Strong sunlight casts a distinct shadow of his figure on the wall behind him.
Fred Szklarz, University of Buffalo School of Pharmacy alumnus
This black-and-white photograph, featured on the cover of the "V News" School of Pharmacy, Class of 1941 newsletter, Issue 4, October 1943, is a portrait of Fred Szklarz wearing a military uniform and cap. He is facing forward and smiling slightly. The uniform includes visible buttons, a tie, and insignia on the lapels. The background is blurred, and the image has a slightly faded or overlaid appearance.
Students in uniform marching in front of Abbott Hall
A black-and-white photograph showing a group of people walking in a line across a paved area in front of Abbott Hall, a large neoclassical building with tall columns. The individuals appear to be dressed in light-colored clothing and are moving from left to right. In the background, the building’s façade features multiple columns and large windows. A person stands off to the right side, facing the group, possibly observing or directing them. Partial text reading “V Ne” is visible at the top of the image. This photograph was featured on the cover of the "V News" School of Pharmacy, Class of 1941 newsletter, Issue 2, August 1943
Shakespeare, William, 1564-1616--Appreciation--United States
Shakespeare, William, 1564-1616--Criticism and interpretation
Sheet music--New York (State)--Silver Creek
Copy of the sheet music for The Cuckoo, the club song of the Silver Creek Shakespeare Club, Silver Creek, New York.
Hanover historical, September 1, 1989 issue.
Copy of the Hanover historical newsletter featuring news and events of the Silver Creek Shakespeare Club, Silver Creek, New York dated September 1, 1989.
Silver Creek Shakespeare Club Constitution
Full text of the constitution of the Silver Creek Shakespeare Club, Silver Creek, New York founded in 1889 by Methodist minister the Rev. Robert Newton Stubbs.
1964-1965 season program of the Silver Creek Shakespeare Club
Calendar of events for the 1964-1965 season of the Silver Creek Shakespeare Club, Silver Creek, New York.
1939-1940 season program of the Silver Creek Shakespeare Club, 1889-1939
Calendar of events for the 1939-1940 season of the Silver Creek Shakespeare Club, Silver Creek, New York
1914-1915 season program of the Silver Creek Shakespeare Club
Calendar of events for the 1914-1915 season of the Silver Creek Shakespeare Club, Silver Creek, New York.
1891 season program for the Silver Creek Literary Union
Silver Creek Literary Union (Silver Creek, N.Y.)
Calendar of events for the 1891-1892 season of the Silver Creek Literary Union, Silver Creek, New York
Group portrait of the Silver Creek Shakespeare Club members with two wearing Medieval-style headdresses, circa 1930.
Group portrait of the all-female members of the Silver Creek Shakespeare Club with with two wearing Medieval-style headdresses, circa 1930s
Group portrait of the members of the Silver Creek Shakespeare Club, Silver Creek, New York, circa 1930.
Portrait photograph of the all-female members of the Silver Creek Shakespeare Club, circa the 1930s. Members are seated and standing in rows, with one person centered in front holding folded papers or a pamphlet with a framed painting on the wall behind.them. Founded in 1889, the membership of the Silver Creek Shakespeare Club was composed exclusively of women by 1895 and thereafter.
Group portrait of the Silver Creek Shakespeare Club members at their 50th Anniversary celebration. in 1939.
Shakespeare Club (Silver Creek, N.Y.)--Anniversaries, etc.
Shakespeare, William, 1564-1616-- Criticism and interpretation
Group portrait photograph of the all-female members of the Silver Creek Shakespeare Club celebrating its 50th anniversary in 1939. Members are seated at long, neatly set tables inside a café or dining hall, many looking toward the camera, with curtained windows and floral centerpieces in the background. Founded in 1889, the membership of the Silver Creek Shakespeare Club was composed exclusively of women by 1895 and thereafter.
Group portrait of the members of the Silver Creek Shakespeare Club with many dressed in period costumes in 1904.
Sepia-toned vintage group portrait of the all-female members of the Silver Creek Shakespeare Club in 1904 gathered indoors. Some members are seated and others standing, wearing formal and costume-like period clothing, posed closely together. Founded in 1889, the membership of the Silver Creek Shakespeare Club was composed exclusively of women by 1895 and thereafter.
Group studio portrait of the Silver Creek Shakespeare Club members dressed in period and character costumes, circa 1890.
Sepia-toned group studio portrait of the members of the Silver Creek Shakespeare Club posed together in period costumes, some as men and some as women, against a painted backdrop with elaborate architectural details, circa 1890. Founded in 1889, the membership of the Silver Creek Shakespeare Club was composed exclusively of women by 1895 and thereafter but, prior to that year, included both women and men,
A rock-and-roll zine from the early 1970s, predating the advent of the punk rock music genre. Vol. 1, No. 2, 30 July 1973.
COPYRIGHT NOT EVALUATED. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the University Archives.
If you believe material in our digital collections infringes copyright or other rights, please review our Notice and Takedown Policy for information on how to report your concern.
"The rag you are clutching in your sweaty mitts is punk magazine, devoted mainly to rock 'n' roll, sports and anything else that isn't boring." A rock-and-roll zine from the early 1970s, predating the advent of the punk rock music genre. Vol. 1, No. 1, 7 May 1973.
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).