Conductor Michael Lewanski acknowledging applause with Ensemble Dal Niente (Chris Wild, violoncello, Greg Beyer, percussion, Stephen Solook, percussion, Mabel Kwan, piano, Tam Travers, violin, Susan Ung, viola, Emma Hospelhorn, flute, and Katie Schoepflin, clarinet) after a performance at June in Buffalo 2016
Nine individuals are lined up on a wooden stage equipped with a double bass, a violin, and a grand piano. The background features vertical wood paneling, and music stands are positioned near the performers. Silhouetted audience members sit in rows of red chairs in the foreground.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Clarinetist Katie Schoepflin of Ensemble Dal Niente performs part of David Felder's Rare air at June in Buffalo 2016
A person with blonde hair stands on a light-colored wooden stage, swinging a long, transparent, flexible tube that has a yellow funnel-shaped attachment. In the background, music stands, black chairs, and two other people are positioned near wood-paneled walls. The foreground shows the backs of several people in an audience seated in red chairs.
Conductor Michael Lewanski and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Greg Beyer, percussion) acknowledge applause for a performance of Hans Abrahamsen's Winternacht at June in Buffalo 2016
Multiple performers stand on a wooden stage equipped with music stands, microphones, and instruments including a cello, guitar, and gongs. They are in front of a wood-paneled wall. The foreground shows the silhouetted heads and shoulders of an audience seated in rows of chairs.
Conductor Michael Lewanski and Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Greg Beyer, percussion) perform Hans Abrahamsen's Winternacht at June in Buffalo 2016
A group of musicians is seated on a wooden stage, performing with instruments including a violin, flute, guitar, woodwind, cello, and various percussion pieces. A conductor stands in the center with their back to an audience seated in the dark foreground. The stage features wood-paneled walls, a grand piano, and multiple music stands and microphones.
Clarinetist Katie Schoepflin and pianist Mabel Kwan of Ensemble Dal Niente perform David Felder's Rare air at June in Buffalo 2016
A seated individual in dark clothing plays a bass clarinet into a microphone on a stage. To the right, another person sits behind an open grand piano with its lid propped open. The performance space features light wood flooring, music stands, empty chairs, and a background of vertical wood panels.
Composer Chinary Ung acknowledges Susan Ung, viola as Michael Lewanski, conductor and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Chris Wild, violoncello, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) look on after a performance of Ung's Signing Inside Aura at June in Buffalo 2016
Several individuals in formal clothing stand on a stage featuring light wood walls and flooring. String, woodwind, and percussion instruments are arranged throughout the space alongside microphones and music stands.
Performers dressed in formal black and gray attire stand on a stage surrounded by music stands and equipment. Instruments including a violin, viola, and a percussion set with gongs are positioned across the space. Microphones and floor monitors are situated at the front of the stage area.
Composer Chinary Ung hugs Susan Ung, viola as Michael Lewanski, conductor and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Chris Wild, violoncello, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) look on after a performance of Ung's Signing Inside Aura at June in Buffalo 2016
Several musicians stand on a wooden stage amongst music stands, microphones, and instruments including a grand piano and percussion. Two individuals in formal wear embrace at the center of the stage while others hold a violin and woodwind instruments. The foreground contains the silhouettes of audience members seated in rows facing the performance area.
Composer Chinary Ung acknowledges Michael Lewanski, conductor, Susan Ung, viola, and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Chris Wild, violoncello, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) after a performance of Ung's Singing inside aura at June in Buffalo 2016
A group of musicians stands on a wooden stage with instruments including violins, a flute, a piano, and a percussion setup with gongs. One person on the far left stands with hands pressed together while others stand near music stands and instruments. In the foreground, an audience is seated in rows of red chairs facing the stage.
Composer Chinary Ung acknowledges Michael Lewanski, conductor, Susan Ung, viola, and Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Katie Schoepflin, clarinet, Stephen Solook, percussion, and Emma Hospelhorn, flute) after a performance of Ung's Singing inside aura at June in Buffalo 2016
A group of musicians stands on a wooden stage surrounded by instruments including a piano, gongs, and string instruments. One person stands on the far left while others hold their instruments or stand near music stands. In the foreground, the backs of audience members are visible as they sit in red theater seats facing the stage.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Chris Wild, violoncello, Stephen Solook, percussion, Katie Schoepflin, clarinet, Emma Hospelhorn, flute, and Greg Beyer, percussion) in a performance of Chinary Ung's Singing inside aura at June in Buffalo 2016
An ensemble of musicians is positioned across a wooden stage, with some seated and others standing. Various instruments are visible, including a grand piano, a cello, percussion racks with gongs, and music stands. Microphones are placed throughout the stage area, and an audience sits in the foreground.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Chris Wild, violoncello, Stephen Solook, percussion, Katie Schoepflin, clarinet, and Emma Hospelhorn, flute) in a performance of Chinary Ung's Singing inside aura at June in Buffalo 2016
A group of musicians plays in a wood-paneled concert hall while a conductor faces the ensemble. One person in the center holds a violin in one hand and a bow raised in the other. The stage contains a grand piano, a cello, woodwind instruments, and percussion such as gongs and glasses.
A musical group including string and wind instruments performs on a stage in front of a wood-paneled wall. A conductor stands facing a soloist who holds a violin bow high in the air. Seated musicians play instruments such as the cello and violin, with sheet music on stands before them. Percussion instruments like gongs and a piano are also positioned on the stage.
A group of musicians dressed in dark formal wear performs on a wooden stage with several music stands and microphones. A person at the center stands with a violin and holds a bow aloft while a conductor faces the group with outstretched arms. The ensemble includes players of a grand piano, cello, violin, woodwind instruments, and large gongs in the background.
Several people occupy a stage with instruments such as violins, a cello, a clarinet, and a gong. One person stands with their back to the viewer and gestures with a baton towards the group. Another person stands centrally, holding a violin while raising a bow high and keeping their mouth open.
Musicians perform with strings, piano, and a large percussion section on a wooden stage. A conductor stands in the center with their back to a seated audience in red chairs. The background features light-colored wood paneling and a pipe organ.
Conductor Michael Lewanski leads Ensemble Dal Niente (Tam Travers, violin, Mabel Kwan, piano, Chris Wild, violoncello, Katie Schoepflin, clarinet, and Emma Hospelhorn, flute) in performance at June in Buffalo 2016
A group of musicians including a violinist, cellist, woodwind player, and percussionists perform on a wooden stage led by a conductor. The ensemble is surrounded by music stands, microphones, and a grand piano against a backdrop of wooden wall panels. An audience is visible in the foreground, seated in rows of red chairs facing the performance.
Composer Chinary Ung coaches percussionist Greg Beyer of Ensemble Dal Niente on Ung's Singing inside aura at June in Buffalo 2016
One person wearing a grey suit and scarf stands next to another person in a blue shirt. In the foreground, several long-handled mallets with different colored tips lie on a dark cloth. The scene is set against a wall of vertical wooden slats and features a watermark across the middle.
Composer Chinary Ung coaches Ensemble Dal Niente on Ung's Singing inside aura at June in Buffalo 2016
An individual wearing a gray suit and glasses sits in front of a music stand with papers on it. They have one hand raised and pointing while looking toward the side of the frame. In the background are rows of red seats and a microphone stand, while the foreground shows parts of other people and musical instruments.
A person with grey hair and glasses stands behind a stand, looking at an open book with their mouth open and one hand pointing forward. They wear a grey suit jacket over a checkered shirt and a dark scarf. The background consists of a wall with vertical panels and a dark metal railing.
A person with grey hair sits in front of a music stand, pointing at a page in a spiral-bound notebook. They wear a grey blazer and a scarf while looking toward the stand. Rows of red theater seats fill the background.
A person wearing a grey blazer and glasses sits behind a stand holding a notebook. They point at a page in the notebook while looking downward. Behind them, several rows of empty red theater seats are visible under warm lighting.
A person wearing a grey suit and scarf stands in a theater looking down at a spiral-bound book on a music stand. Behind them, several rows of red seats are visible in an empty auditorium. The person wears glasses and has grey hair.
Composer Chinary Ung coaches Ensemble Dal Niente (Katie Schoepflin, clarinet, Chris Wild, violoncello, Emma Hospelhorn, flute, and Tam Travers, violin) on Ung's piece Singing inside aura at June in Buffalo 2016
A person in a gray suit and glasses sits on a high stool, gesturing with a raised hand toward a group of musicians. The musicians sit with their backs to the camera, surrounded by music stands, instruments, and microphones. Rows of empty red seats in a large auditorium are visible in the background.
Composer Chinary Ung coaches Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Chris Wild, violoncello, Stephen Solook, percussion) on Ung's Singing inside aura as Michael Lewanski, conductor at June in Buffalo 2016
Several people are on a wooden stage surrounded by musical instruments and recording equipment. One person stands with a violin behind a music stand, while another sits near large gongs in the background. Microphones, cables, and various speakers are positioned across the floor around the seated and standing individuals.
Composer Chinary Ung coaches Susan Ung, viola and Ensemble Dal Niente (Tam Travers, violin, Chris Wild, violoncello, Stephen Solook, percussion, Katie Schoepflin, clarinet, Emma Hospelhorn, flute, and Greg Beyer, percussion) on Ung's Singing inside aura as Michael Lewanski, conductor at June in Buffalo 2016
A group of musicians is positioned on a wooden stage with a grand piano, gongs, and other percussion instruments. Some individuals are seated playing string instruments, while others stand near music stands or racks of tuned gongs. Microphones and cables are distributed across the floor, and the back of an audience in red seats is visible in the foreground.
Composer Chinary Ung coaches Michael Lewanski, conductor and Ensemble Dal Niente (Emma Hospelhorn, flute, Chris Wild, violoncello, and Tam Travers, violin) in rehearsal of Ung's Singing inside aura at June in Buffalo 2016
Several individuals are positioned on a light wooden stage with music stands, microphones, and cables. One person in a suit stands near the edge of the stage by rows of empty red theater seats, while another person sits in the audience area. The background features white columns and vertical wooden wall panels.
Susan Ung, viola and Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Stephen Solook, percussion) rehearse Chinary Ung's Singing inside aura at June in Buffalo 2016
Several individuals play a variety of musical instruments in a wood-paneled rehearsal hall. In the foreground, a person stands at a vibraphone with mallets while another individual to the right operates a large percussion setup. Musicians playing a cello, violin, and grand piano are positioned in the center and background of the room. Sheet music sits on stands amidst a collection of gongs, drums, and keyboard percussion instruments.
Susan Ung, viola and Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, Chris Wild, violoncello, Mabel Kwan, piano, Stephen Solook, percussion) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
Multiple musicians play various instruments on a light-colored wooden stage. A person stands at a vibraphone in the foreground, while another is positioned at a marimba on the right side. In the middle ground, two people play string instruments near a grand piano and a large rack of gongs.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Emma Hospelhorn, flute, Greg Beyer, percussion, Katie Schoepflin, clarinet, Chris wild, violoncello, and Mabel Kwan, piano) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
A group of musicians performs in a room with wood flooring and paneled walls. In the foreground, a person plays a percussion instrument with mallets, while others in the background play the violin, cello, and piano. Multiple music stands and a variety of percussion equipment like gongs and marimbas are positioned throughout the space.
Conductor Michael Lewanski leads Susan Ung, viola and Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, and Stephen Solook, percussion) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
Multiple people perform on a stage equipped with diverse percussion instruments, a violin, and a grand piano. Sheet music stands are distributed among the players, and a large rack of gongs stands on the left. The scene is set in a spacious hall with wooden paneling and tall columns.
Multiple people are arranged on a stage with musical instruments such as gongs, drums, and a violin. A person stands in the background with arms raised, directing the group. The space features tall pillars and vertical wood paneling on the walls.
Several people play various musical instruments in a large, wood-paneled hall. The ensemble includes percussionists with gongs and drums, a violinist, and a pianist. Sheet music sits on stands positioned around the performers, and one person stands with arms outstretched toward the group.
Conductor Michael Lewanski leads Ensemble Dal Niente (Greg Beyer, percussion, Emma Hospelhorn, flute, Katie Schoepflin, clarinet) in rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
A group of musicians is gathered on an auditorium stage for a rehearsal featuring numerous percussion instruments, including a rack of gongs and a marimba. One person stands at the center conducting while others are seated with their instruments and music stands. The setting includes empty red theater seats in the background and tall columns lining the walls of the hall.
Conductor Michael Lewanski leads Susan Ung, viola and Stephen Solook, percussion in Ensemble Dal Niente's rehearsal of Chinary Ung's Singing inside aura at June in Buffalo 2016
A person with long hair and a beard uses mallets to play a marimba in the foreground. Behind them, another person stands with a raised hand facing a group of musicians and music stands. Cymbals, drums, a cello, and a gong are spread across a stage featuring tall white pillars and wooden walls.
Stephen Solook and Greg Beyer, percussion of Ensemble Dal Niente rehearse Chinary Ung's Singing inside aura with Susan Ung, viola at June in Buffalo 2016
A person with long hair tied back plays a drum while standing next to a large marimba. Other musicians are positioned around the stage near music stands and various percussion setups. The room features wood-paneled walls and large vertical columns in the background.
Stephen Solook and Greg Beyer, percussion of Ensemble Dal Niente rehearse Chinary Ung's Singing inside aura at June in Buffalo 2016
A person with long, tied-back hair uses mallets to play small drums while standing near a timpani and a large marimba. Another individual is positioned in the background near a rack of gongs and other percussion equipment. The stage features light-colored wooden flooring and walls with vertical wood paneling.
Susan Ung, viola rehearses Chinary Ung's Singing inside aura at June in Buffalo 2016
A person wearing a cardigan stands behind a music stand in a room with wood-paneled walls. They hold a violin to their shoulder and raise one arm straight up while holding a bow. Their head is tilted back with an open mouth, and a piano and gongs are visible in the background.
A person wearing glasses and a light-colored shirt stands behind a music stand on a stage. They hold a violin while raising their other arm high with a bow, their head tilted back and mouth open. The background includes wooden walls, a piano, and various percussion instruments.
A person wearing a light-colored sweater holds a bow to a stringed instrument in a room with wood-paneled walls. They are looking toward sheet music on a black stand, and a piano is visible in the background. A small microphone is attached to the instrument, and a watermark spans the center of the frame.
A person in a light yellow cardigan holds a string instrument under their chin while moving a bow across its strings. Behind them, several musical instruments are visible, including a large gong, cymbals, and a music stand. The room features vertical wood paneling on the walls.
A person with short brown hair and glasses holds a viola under their chin while drawing a bow across the strings. They are wearing a light-colored button-up cardigan and are positioned in front of a wood-paneled wall. A small microphone is attached to the body of the instrument.
A person in a light-colored cardigan holds a violin against their shoulder and raises a bow straight up. Their head is tilted back toward the ceiling with an open mouth in a room featuring wood-paneled walls. The background contains music stands, cymbals, a marimba, and a rack of gongs.
Susan Ung, viola rehearses Chinary Ung's Singing inside aura with Greg Beyer, percussion of Ensemble Dal Niente at June in Buffalo 2016
A person wearing a light-colored cardigan holds a viola and bow while standing behind a music stand. In the background, another person stands near percussion equipment in a wood-paneled room. Microphones are placed near the musicians.
A person wearing a light-colored cardigan and glasses holds a viola against their shoulder and chin. They use a bow in their right hand to play the instrument while in a room with vertical wooden panels. A watermark is visible across the middle of the frame.
A person with short hair and glasses holds a viola and a bow in a playing position. They are positioned in front of a music stand with sheet music against a wood-paneled wall. Musical instruments and equipment are visible in the background.
A person wearing a light-colored shirt and glasses holds a viola under their chin while drawing a bow across the strings. Their left hand is positioned on the fingerboard, and their mouth is slightly open. The scene takes place in a room with vertical wood-paneled walls and music equipment visible in the background.
Cover of Mabel Kwan's piano music for composer Chinary Ung's Singing inside aura with Ensemble Dal Niente members Emma Hospelhorn, flute, Katie Schoepflin, clarinet, and Tam Travers, violin, in the background at June in Buffalo 2016
A grand piano with an open lid displays sheet music for Chinary Ung's "SINGING INSIDE AURA" on its stand. In the background, musicians sit on a stage facing an empty auditorium with rows of red seats, while the inner strings of the piano are visible in the foreground.
Composer Joshua Fineberg coaches Michael Lewanski, conductor and Ensemble Dal Niente (Emma Hospelhorn, flute, Katie Schoepflin, clarinet) on Fineberg's piece Paradigms at June in Buffalo 2016
Four people are positioned on a wooden stage in front of rows of red auditorium seating. Two individuals sit on the left side holding wind instruments, while one stands in the center and another sits on a stool looking at sheet music. Multiple music stands, microphones, and the edge of a piano are visible across the performance area.
Composer Hans Abrahamsen watches as Michael Lewanski, conductor leads Ensemble Dal Niente (Mabel Kwan, piano, Tam Travers, violin, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, and Greg Beyer, percussion) in rehearsal of Abrahamsen's Winternacht at June in Buffalo 2016
Musicians play various instruments including a grand piano, cello, violin, flute, guitar, and percussion on a wooden stage. A large pipe organ is positioned on the wall behind the performers, and music stands and microphones are scattered across the floor. In the foreground, red theater seats are occupied by two people watching the performance.
Conductor Michael Lewanski leads Ensemble Dal Niente (Greg Beyer, percussion, Katie Schoepflin, clarinet, Mabel Kwan, piano, Chris Wild, violoncello, Emma Hospelhorn, flute, and Tam Travers, violin) in rehearsal of Hans Abrahamsen's Winternacht at June in Buffalo 2016
Several people are positioned on a wooden stage playing instruments such as a grand piano, marimba, and violin. One person sits at the piano with their back to the camera while others are seen with their instruments and music stands. The background features tall columns and rows of red theater seating.
Composer Hans Abrahamsen coaches Michael Lewanski, conductor and Ensemble Dal Niente (Tam Travers, violin, Emma Hospelhorn, flute, Magnus Andersson, guitar, Katie Schoepflin, clarinet, Chris Wild, violoncello, Greg Byer, percussion) on Abrahamsen's Winternacht at June in Buffalo 2016
Several individuals are positioned on a wooden stage with instruments including a cello, violin, and percussion equipment. They are arranged around music stands with sheet music, while microphones and recording equipment are placed throughout the area. In the foreground, a person sits on the floor with a laptop facing the stage. The room features wood-paneled walls and a piano in the background.
Musicians sit and stand on a wooden stage in a concert hall, with a conductor positioned in the foreground facing them. The ensemble includes various instruments such as a violin, a cello, a guitar, and percussion. Music stands, microphones, and technical equipment are dispersed around the performers against a backdrop of wood-paneled walls.
Composer Hans Abrahamsen coaches Michael Lewanski, conductor and Tam Travers, violin of Ensemble Dal Niente on Abrahamsen's Winternacht at June in Buffalo 2016
One person sits on a high stool with a score while another person stands in front of them with hands raised. A third person sits on the right holding a string instrument, and a fourth person is seated in the background. The wooden stage features microphones, music stands, and cables near rows of red auditorium seating.
A person sits on a high stool on a stage next to a music stand while another person stands in the center with raised hands. In the foreground, music stands hold sheet music, and a third person holds a musical bow. Rows of empty red theater seats fill the background of a darkened hall.
A person in a light blue shirt sits on a high stool while looking toward another person standing in a dark jacket. Rows of red auditorium seating are visible in the background behind them. Music stands with sheet music are positioned on the stage in the foreground.
Four people are positioned on a wooden stage with one person on a high stool and another standing behind a music stand containing sheet music. A third person in the foreground holds a stringed instrument, while a fourth person sits in the background among rows of empty red seats with a laptop. Various pieces of stage equipment and microphones are visible in the distance.
Sheet music for Josh Levine's Former Selves at June in Buffalo 2016
A collection of spiral-bound musical scores is arranged on a dark background. The top cover is titled "Former Selves" by Josh Levine and specifies it is for trombone. Additional scores for bass clarinet and flute are partially visible underneath.
John Smigielski, percussion works in a percussion setup at June in Buffalo 2016
An assortment of percussion instruments, including marimbas, xylophones, and various drums, is arranged across a light wood stage. Metal stands hold cymbals and gongs, while mallets and black cloths rest on the bars of the mallet instruments. In the background, a person stands near a set of instruments, and rows of red auditorium seating are visible.
Percussion setup at June in Buffalo 2016
Five bronze cymbals are arranged in a vertical row in the foreground on a wooden floor next to a marimba. A metal pipe structure with hanging percussion instruments stands behind them, and several smaller instruments are scattered across the stage. Tall white pillars and dark acoustic panels line the walls of the large interior space.
Stephen Solook, percussion, looks over a percussion setup at June in Buffalo 2016
A person with long hair and glasses is positioned behind several mallet instruments in a studio with wood-paneled walls. The foreground features the silver bars of a vibraphone and a tiered rack of small bronze-colored cymbals. A large wooden marimba and a bass drum occupy the background area.
Conductor Jozsef Hars and members of Ensemble Uusinta (Max Savikangas, viola, Pinja Laine, violoncello, and Väinö Jalkanen, piano, rehearse student composer Young Woo Yoo's String Trio at June in Buffalo 2016
Four people are gathered in a music room with dark flooring and several black music stands. One person sits on a wooden stool with a raised hand, facing others who are positioned at a grand piano, a violin, and a cello. Green chalkboards with musical notations and grey acoustic panels are visible on the walls behind them.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Katie Schoepflin, clarinet of Ensemble Dal Niente packs up after rehearsal of David Felder's Rare Ari at June in Buffalo 2016
A person wearing dark clothing sits on the floor beside an open black case containing a blue cloth. They hold a bass clarinet while looking at a small item in their hands. Dark curtains and red theater seats are visible in the background.
Composer David Felder coaches Katie Schoepflin, clarinet and Mabel Kwan, piano of Ensemble Dal Niente rehearse Felder's Rare air at June in Buffalo 2016
A person plays a woodwind instrument behind a music stand while another person sits at a grand piano. A third person stands in the foreground with their back to the camera. The background consists of a vertically paneled wood wall and organ pipes.
Katie Schoepflin, clarinet and Mabel Kwan, piano of Ensemble Dal Niente rehearse David Felder's Rare air at June in Buffalo 2016
Two people sit on a wooden stage performing in front of a wood-paneled wall. One person plays a grand piano while the other person plays a woodwind instrument behind a music stand and a microphone. A single empty chair sits on the right side of the stage.
Mabel Kwan, piano and Katie Schoepflin, clarinet of Ensemble Dal Niente rehearse David Felder's Rare air at June in Buffalo 2016
A person sits at a grand piano on a light wood stage, while another person sits nearby holding a large woodwind instrument. Both people face music stands in an auditorium with red seats and tall columns.
Composer David Felder coaches Katie Schoepflin, clarinet of Ensemble Dal Niente on Felder's Rare air at June in Buffalo 2016
One person with light-colored hair plays a bass clarinet while positioned in front of a music stand. A second person wearing glasses and a brown blazer stands behind them with a hand raised. The scene is set in a room with vertical wood panels.
A person with blonde hair is seated and playing a large woodwind instrument in front of a microphone and music stand. Another person wearing a blazer and glasses stands behind the musician in a room with vertical wood paneling. The scene includes musical equipment and a black speaker in the background.
Katie Schoepflin, clarinet of Ensemble Dal Niente rehearses David Felder's Rare air at June in Buffalo 2016
A person with light hair wears black clothing while seated and playing a large woodwind instrument on a wooden stage. A microphone on a stand is positioned in front of the instrument, and music stands are placed on either side. The background features dark wood-paneled walls and additional musical equipment.
J.T. Rinker and Chris Jacobs assist with electronics while Katie Schoepflin, clarinet of Ensemble Dal Niente rehearses David Felder's Rare air at June in Buffalo 2016
Three people are situated around a raised wooden stage in an auditorium featuring vertical wood paneling and red seating. One person sits on a chair holding a bass clarinet, a second person kneels on the stage edge near electronic equipment, and a third person stands on the floor level facing the others. The scene includes music stands, speakers on black stands, and coiled cables on the stage.
A person on a wooden stage plays a large woodwind instrument while seated in a chair. A second person stands below the stage level and looks toward the performer. The scene includes music stands, speakers, and a background of vertical wood paneling.
A person with light-colored hair stands in profile, blowing into a clear, flexible tube that loops around and ends in a yellow funnel. They are dressed in black and positioned against a background of vertical wood slats. Empty chairs and a music stand sit behind them.
A person dressed in black stands before a light wood-paneled wall on a stage. They hold one end of a flexible clear tube to their mouth while their other hand lifts the opposite end, which terminates in a yellow bell, into the air. Several black chairs and a music stand are situated in the background.
A person with blonde hair stands on a wooden stage holding a long, clear plastic tube that loops down to the floor and back up to their mouth. Behind them, a large pipe organ is integrated into a wood-paneled wall, accompanied by speakers and empty chairs. The back of another person's head is visible in the lower-left foreground, facing the stage.
A person with blonde hair stands on a stage wearing dark clothing and holding a clear plastic tube with a yellow funnel. Facing them is a person with a shaved head seen from the back, wearing a blazer with their hands raised. The background features wood-paneled walls and a pipe organ.
Composer David Felder coaches the Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, Ralf Ehlers, viola) on Felder's Netivot at June in Buffalo 2016
Four people are positioned on a wood-paneled stage, with three seated holding violins and a cello and one standing with papers. Music stands, black instrument cases, and a microphone stand are distributed around the performers. Red auditorium seating is visible at the bottom of the frame.
Composer David Felder and Olivier Pasquet, electronics, watch the Arditti Quartet rehearse Felder's Netivot at June in Buffalo 2016
Two individuals stand in front of a wall with vertical wooden slats. The person on the left wears a brown blazer and glasses, holding a white folder and a pencil. The person in the center is dressed in a black t-shirt and has their hand positioned on their chin.
Composer David Felder and Olivier Pasquet, electronics watch as the Arditti Quartet (Ralf Ehlers, viola, Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) rehearse Felder's Netivot at June in Buffalo 2016
Four musicians play string instruments while seated in a circle around music stands on a wooden stage. Two people stand nearby and look toward the performers. The background consists of rows of empty red seats in an auditorium.
Composer David Felder coaches the Arditti Quartet (Irvine Arditti, violin, Ashot Sarkissjan, violin, Lucas Fels, violoncello, Ralf Ehlers, viola) on Felder's Netivot as Olivier Pasquet, electronics listens at June in Buffalo 2016
On a stage with wood-paneled walls, three people sit behind music stands holding violins and a cello. Two people stand on the left side of the stage looking toward the seated individuals. The musicians wear casual clothing, and black wires cross the wooden floor in the foreground.
Three people are seated on a stage holding violins and a cello while looking at music stands. Two people stand in the foreground, one holding sheet music and facing the seated group. The background consists of wood-paneled walls and a tall speaker on a stand.
Four people sit on a wooden stage with instruments including a cello and violins. One person leans over a music stand while another person in the foreground leans forward with their back to the camera. Music stands, instrument cases, and chairs are distributed across the stage.
Four individuals play string instruments, including a cello and violins, while seated on a wooden stage. Music stands and microphones are positioned between the performers, and a fifth person stands in the foreground facing the group. The background consists of vertical wood paneling.
Composer David Felder coaches members of the Arditti Quartet (Ashot Sarkissjan and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
In a performance space with rows of red seating, three people are gathered near music stands. A person on the right wears a pink shirt and holds a violin, while a person in the center stands wearing a brown jacket and holding a score. A third person in a striped shirt is seen from behind in the lower left corner.
Composer David Felder coaches the Arditti Quartet (Ralf Ehlers, viola and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Several individuals are on a wooden stage with music stands, microphones, and stringed instruments. One person wears a blazer and holds open sheet music, while another person sits in a pink shirt and writes on a music stand. Rows of red theater seating fill the background behind the stage.
Composer David Felder coaches the Arditti Quartet (Ralf Ehlers, viola, Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Several people are gathered on a wooden stage with music stands and string instruments. One person in a striped shirt writes on a score while another person in a blazer holds a folder in the background. Rows of empty red auditorium seats fill the background.
Several people are gathered on a stage with music stands and string instruments. One person in a striped shirt uses a pencil to mark a page of sheet music while others hold bows. In the background, rows of empty red theater seats fill the space behind a person wearing a blazer and glasses.
Several individuals sit in a circle on a wooden stage, holding stringed instruments and bows while looking at sheet music. A person stands behind them, holding a score and a writing utensil. The background consists of numerous rows of red auditorium seating.
Five people are positioned on a wooden stage with rows of red theater seats in the background. One person stands in the center holding a document while four others sit with string instruments and bows around music stands. Sheet music is displayed on several stands throughout the group.
Composer David Felder coaches the Arditti Quartet (Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Four people are positioned on a wooden stage in front of several rows of empty red theater seats. Three individuals sit with stringed instruments and music stands, while a fourth person stands facing them with a musical score. Sheet music is positioned on black stands between the seated musicians.
Four musicians with string instruments are arranged in a circle around music stands on a wooden stage. A fifth person stands behind the group holding an open score in front of rows of empty red theater seats. Microphones and cables are positioned around the performers.
Matt Sargent, sound engineer, and J.T. Rinker and Olivier Pasquet, electronics rehearse David Felder's Netivot at June in Buffalo 2016
Three individuals are seated at a long table containing laptops, papers, and a mixing console in a darkened room. Rows of red auditorium seats are visible in the foreground. Various water bottles, a soda bottle, and electronic cables are spread across the table's surface.
Composer Hans Abrahamsen coaches Brad Lubman, conductor of Ensemble Signal, on Abrahamsen's Schnee at June in Buffalo 2016
Two people stand together, with one individual holding a light green spiral-bound notebook. Both individuals wear black jackets and look toward the pages of the open book. The person on the left has short dark hair and a beard, while the person on the right has short gray hair.
One person wearing a dark jacket over a grey shirt holds a musical score and points to its cover. A second person stands to the right, looking in the direction of the first person. The background includes music stands, white walls, and glass windows.
Composer Joshua Fineberg coaches the Arditti Quartet (Lucas Fels, violoncello, Ashot Sarkissjan, violin, Irvine Arditti, violin, and Ralf Ehlers, viola) on Fineberg's La Quintana for string quartet and electronics at June in Buffalo 2016
Four people sit in a semi-circle holding string instruments such as a cello and violas, while a fifth person sits to the right holding sheet music. They are seated in black chairs on a wooden floor in a room with vertical wood paneling. Music stands hold open scores in front of the musicians, and various bags and instrument cases are scattered around the floor.
Composer Hanna Eimermacher acknowledges applause with Malla Vivolin, bass flute and Marko Kassl, accordion after a performance of Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
Two people stand together on the left side of a wooden stage, with one holding a flute while the other has a hand on their shoulder. A third person stands to the right holding a black accordion. Music stands, black chairs, and microphones are positioned around the performers in front of a wood-paneled wall.
Three people stand together on a stage in front of a wood-paneled wall, holding hands. One individual on the left holds a woodwind instrument, the center person wears a patterned dress with a pink scarf, and the person on the right wears an accordion. Music stands, microphones, and chairs are positioned around the group on the stage floor.
Malla Vivolin, bass flute and Marko Kassl, accordion of Ensemble Uusinta perform Hanna Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
One person sits on the left holding a large vertical flute, while another person sits on the right playing an accordion. Both musicians are positioned behind music stands and microphones on a wooden stage. A dark red curtain serves as the backdrop, and a copyright watermark is overlaid across the center.
Conductor Jozsef Hars acknowledges composer Joshua Fineberg along with Ensemble Uusinta (Väinö Jalkanen, piano, Maria Puusaari, violin, Emma Hospelhorn, flute, Marko Portin, clarinet, John Smigielski, percussion, Pinja Laine, violoncello, Jonathan Hepfer, percussion) in a performance of Joshua Fineberg's Objects trouvés at June in Buffalo 2016
Eight performers stand on a wooden stage with a grand piano, string instruments, and percussion. One person walks toward the edge of the stage as audience members watch from red seats in the foreground. A large pipe organ is built into the back wall of the theater.
A group of musicians stands on a stage with a grand piano, percussion instruments, a violin, and a cello. One person on the stage leans forward to shake hands with another person standing in front of the platform. Red theater seats and silhouettes of audience members occupy the foreground.
Conductor Jozsef Hars leads Ensemble Uusinta (Väinö Jalkanen, piano, Maria Puusaari, violin, John Smigielski, percussion, Emma Hospelhorn, flute, Marko Portin, clarinet, Pinja Laine, violoncello, Jonathan Hepfer, percussion) in a performance of Joshua Fineberg's Objects trouvés at June in Buffalo 2016
Musicians perform with instruments including a grand piano, flute, and cello on a wood-paneled stage. A conductor stands in the center facing the ensemble with their arms raised. Rows of red theater seats and silhouettes of heads are visible in the foreground.