A human brain specimen viewed from below, showing the base of the cerebrum and brainstem. Multiple colored pins indicate specific regions.
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State University of New York at Buffalo. Jacobs School of Medicine and Biological Sciences
State University of New York at Buffalo. University Libraries
IN COPYRIGHT - EDUCATIONAL USE PERMITTED. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).
A human brain specimen viewed from above, showing both hemispheres with a central cut exposing inner structures. Colored pins are placed in multiple areas of the cortex
The cerebellum viewed from below, showing the layered folds and branching white matter. Several colored pins are present in central regions.
A medial view of the brain cut along the midline, exposing the inner cerebrum and brainstem. Numerous colored pins mark anatomical features.
A clear anatomical model of the brain inside a metal outline of a human head profile, mounted on a stand.
A medial view of the brain with the inner structures of the cerebrum and basal ganglia exposed. Several colored pins highlight regions.
Another sagittal view of the brain from the left side, with cerebrum, cerebellum, and brainstem visible. Multiple colored pins are inserted into different regions.
A medial brain section showing the cerebrum and subcortical regions, with colored pins placed in various areas.
Putamen, Globus Pallidus, Internal Capsule
A close sagittal section of the brain showing the brainstem and surrounding structures. Several colored pins are arranged symmetrically.
A sagittal section of a human brain viewed from the left side. The cerebrum, corpus callosum, and brainstem are visible, with colored pins marking different regions
A sagittal section of the brain viewed from the right side, showing the cerebellum at the base and inner white matter of the cerebrum. Pins mark several anatomical areas
Two separate sections of the brainstem and cerebellum, viewed from below. The folds of the cerebellum and base of the brainstem are visible, with pins marking structures.
A sagittal view of the brain model with cortical regions highlighted in color. The cingulate gyrus is painted orange, and other lobes and gyri are distinguished by various colors.
A lateral view of the brain with different lobes painted in distinct colors: frontal in red, parietal in green, occipital in blue, temporal in yellow, and cerebellum left uncolored.
Inferior view of the brain with the cerebrum, cerebellum, and brainstem visible. Colored pins are placed across different structures.
Limbic System - medial and inferior hemisphere
A sagittal section of the left hemisphere, showing the corpus callosum, ventricles, and brainstem. Colored pins indicate anatomical landmarks.
Horizontal section of the brain exposing the ventricles and subcortical regions. Pins of various colors are placed in internal structures.
Inferior view of the cerebellum and brainstem. The layered folds of the cerebellum are clear, with pins placed on both sides and the central midline.
Close-up of the cerebellum and attached brainstem viewed from an angle. Multiple colored pins mark regions on the folds and midline structures.
Inferior oblique view of the cerebellum and attached brainstem with several colored pins marking regions on the brainstem surface
Left sagittal section of the brain showing the corpus callosum, ventricles, and brainstem, with pins placed across cortical and subcortical regions.
Coronal brain section viewed from the front, showing ventricles and surrounding white matter, with colored pins marking internal structures.
Right sagittal brain section highlighting the corpus callosum, thalamus, and cerebellum. Multiple colored pins mark specific areas.
Sagittal section with enlarged ventricular space visible. Pins are placed along the corpus callosum, thalamic area, and surrounding subcortical structures.
Lateral sagittal view of the brain and cerebellum showing brainstem structures, with many colored pins marking specific areas.
Inferior brain view focused on the brainstem and optic chiasm region. Colored pins are distributed across central and lateral structures.
Cross-sections of cerebellum (left) and brainstem (right), both pinned at multiple locations. The cerebellar folds are visible in detail.
Sagittal view of the brain and cerebellum with pins marking the corpus callosum, ventricles, and brainstem.
Oblique coronal slice through the brain showing ventricles and subcortical structures with colored pins.
A sagittal section of the human brain showing the cerebral cortex, corpus callosum, and deeper brain structures. Several colored pins are placed throughout the cortex and subcortical regions to mark anatomical features.
A sagittal section of the brain highlighting the cortex, corpus callosum, thalamus, and surrounding structures. Multiple colored pins are inserted into areas of the limbic system and adjacent cortical folds.
A sagittal cut of the brain displaying the cerebral cortex, ventricular system, and midline structures. Colored pins are distributed across gyri, sulci, and deep regions such as the thalamus and hypothalamus.
Inferior view of the brain showing the cerebellum, brainstem, and basal regions of the cerebral hemispheres. Numerous colored pins are placed to identify features of the midbrain, pons, and surrounding structures.
Dorsal view of the cerebellum with the brainstem attached, highlighting cerebellar hemispheres and the vermis. Several colored pins are inserted into the surface to denote key anatomical regions.
Two sagittal cerebellar sections showing the arbor vitae pattern of white matter branching. Each section is marked with multiple colored pins indicating lobules and deep nuclei.
Posterior view of the cerebellum and attached brainstem. The surface folds of the cerebellar cortex and central brainstem structures are visible, with colored pins marking regions of interest.
Posterior view of two cerebellar hemispheres and the brainstem. The cerebellar folds and midline connections are visible, with colored pins identifying regions on both hemispheres.
Ventral view of the cerebellum and brainstem. The pons, medulla, and cerebellar folds are shown with multiple colored pins identifying structures on the ventral surface
Inferior view of the cerebellum and brainstem. The cerebellar hemispheres and vermis are visible, with colored pins marking the surface folds and brainstem connections.
A dorsal view of a bisected brain showing the internal structures, with multiple colored pins marking anatomical landmarks. The cerebral cortex is sectioned to expose the white matter tracts and deep brain nuclei.
A lateral view of a brain section showing the exposed internal structures. Multiple colored pins are placed in the region of the insula and surrounding white matter tracts. The cerebellum is visible at the lower left.
A colored anatomical model of the brain in lateral view, with regions painted to distinguish lobes and internal structures. The frontal lobe is red, parietal lobe green, occipital lobe yellow, temporal lobe purple, and the cerebellum blue.
A lateral view of a whole brain specimen showing the convolutions of the cerebral cortex. Multiple colored pins are inserted across different gyri and sulci, marking anatomical landmarks.
Sagittal section of a brain showing the cerebrum, cerebellum, and brainstem. Colored pins are placed in the cerebellum, midbrain, and cortical areas
Sagittal brain section highlighting the cerebellum and brainstem. Several colored pins are placed along the arbor vitae and midline structures.
Sagittal section of a brain showing the corpus callosum, ventricles, and adjacent cortex. Multiple colored pins mark different anatomical landmarks along the midline.
Superior view of a bisected brain showing cortical folds and central white matter. Colored pins are positioned along the midline and ventricle area.
Sagittal slice through the brain showing the arbor vitae of the cerebellum. Colored pins mark cortical and deep cerebellar structures.
Sagittal brain section displaying the arbor vitae pattern of the cerebellum and surrounding cortex. Colored pins identify cortical folds and internal features.
Sagittal brain section with pins marking deep white matter, ventricles, and surrounding cortical structures.
Sagittal cut of the brain showing midline structures and cerebellum. Several colored pins mark cortical folds and internal regions
Sagittal brain section showing the arbor vitae of the cerebellum. Multiple colored pins mark the cerebellar white matter and surrounding cortex.
Lateral view of a brain model with cortical folds visible. Colored pins are clustered in the temporal and parietal regions, marking anatomical landmarks.
Lateral view of a brain model with colored clay strips outlining major sulci. The central sulcus is marked in blue, the lateral sulcus in red, and the occipital boundary in yellow. Several black pins mark regions on the cortex.
Sagittal view of a brain model showing the inner surface of the cerebrum and brainstem. Colored pins are placed near the hypothalamus, thalamus, and adjacent midline structures.
Sagittal section of a human brain model showing the cerebrum, cerebellum, and brainstem. Multiple colored pins are inserted to mark anatomical regions within the internal structures.
Posterior view of a bisected brain model, exposing the midline with multiple colored pins marking different anatomical features along the brainstem and surrounding areas.
Inferior view of the brain model, highlighting the underside of the brain and brainstem. Multiple colored pins are placed throughout the surface to indicate anatomical structures.
Lateral view of the cerebellum and brainstem from a dissected brain model. Colored pins are inserted along the brainstem and cerebellar regions to indicate structures.
Functional areas of Cortex - medial surface
Sagittal brain section with highlighted cortical areas painted in yellow, red, blue, and orange. These colored regions mark specific functional areas of the brain.
Functional areas of Cortex - lateral surface
Lateral view of the cerebral hemisphere with several cortical regions marked in bright colors, including green, purple, blue, and yellow, indicating functional areas.
Lateral view of the brain showing the cerebral cortex and cerebellum without pins or painted regions. The surface gyri and sulci are clearly visible.
Inferior view of a dissected cerebellum and brainstem. Colored pins are inserted to highlight anatomical landmarks along the brainstem and surrounding structures.
Inferior view of the brain with the cerebellum at the bottom. Multiple colored pins are placed around the brainstem and midline regions to mark anatomical features.
Sagittal section of the brain model showing the cerebrum, cerebellum, and brainstem. Several pins are inserted, and black markers highlight divisions within the cerebellum.
Close-up portrait of Morton Feldman with dark, combed-back hair and thick-rimmed eyeglasses. He is resting his head on his left hand, with fingers touching his temple. Feldman is wearing a striped shirt, and the background is plain and evenly lit. His expression is neutral.
State University of New York at Buffalo. Music Library
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Morton Feldman and the Kronos Quartet stand side by side on a sidewalk in an urban setting, with buildings and traffic visible in the background. They appear to be engaged in conversation or laughing, with arms around each other. Several instrument cases, including one that appears to be for a cello or guitar, are visible in front of or held by the individuals. The setting suggests a casual moment among musicians in a city environment.
Morton Feldman wearing glasses and a checkered shirt leans on a piano and smiles, resting his head on one hand. In the foreground, a baby with light hair and a bib stands close to the piano, looking off to the side. The setting appears to be indoors, with bookshelves visible in the background. The photograph is in black and white.
A black-and-white profile portrait of Morton Feldman facing left. He has dark, slicked-back hair and is wearing thick-rimmed eyeglasses. A cigarette is held between his lips. Feldman is dressed in a checkered shirt and a textured jacket. The background is out of focus, showing vertical architectural lines.
Close-up portrait of Morton Feldman with dark, combed-back hair and thick-rimmed eyeglasses. He is resting his head on his left hand, with fingers touching his temple. Feldman is wearing a striped shirt, and the background is plain and evenly lit. The expression is neutral.
Close-up portrait of Morton Feldman with dark, combed-back hair and thick-rimmed eyeglasses. He is resting his head on his left hand, with fingers touching the temple. Feldman is wearing a striped shirt, and the background is plain and evenly lit. The expression is neutral.
Morton Feldman with Barbara Monk Feldman in foreground
A black-and-white photograph showing Morton Feldman with dark, slicked-back hair and glasses standing slightly off-center. He is wearing a dark blazer over a collared shirt and appears to be gesturing or holding his fingers near his face. Barbara Monk Feldman is in the left foreground. Several other individuals, partially out of focus, are positioned in the foreground and background, suggesting a casual conversation or gathering.
Morton Feldman with unidentified people at gathering
A group of six individuals is gathered in an outdoor setting. Two are seated in the foreground at a round table with plates, cups, and papers. Seated, Morton Feldman wears a light-colored suit, sunglasses, and a wide-brimmed hat, and appears to be gesturing with an extended arm toward the other seated individual, who is dressed in a light outfit and head wrap. The remaining four people are standing, dressed in suits and dresses, and appear to be engaged in conversation or observing the interaction. The scene is lit by natural sunlight, with trees and foliage in the background.
Morton Feldman examining score, Cologne, 1978
Morton Feldman with slicked-back hair and glasses sits at a desk, holding open large sheets of printed music. They have a cigarette in their mouth and appear to be studying the pages closely. The setting includes a bookcase and other documents in the background, suggesting a study or music room. The black-and-white photograph is marked with the watermark “Copyright by Roberto Masotti.”
Morton Feldman portrait with music score of Neither in background (also used with superimposed image of Samuel Beckett)
Morton Feldman wearing glasses and a checkered shirt stands with their back to a corner where the walls are covered in rows of taped-up sheet music. The individual is looking slightly over their shoulder toward the camera with a serious expression. The photograph is in black and white, and the sheet music stretches across both visible walls, attached with tape at the top.
A group of individuals is gathered in front of a stylized wall map. In the foreground, two people are speaking closely, both holding cigarettes. Morton Feldman is wearing glasses and a striped suit, John Cage is dressed in a dark suit and tie. In the background, additional individuals are visible, one with glasses looking on, and another partially obscured. A large film camera is set up to the right, suggesting a filmed or recorded event. The image is in black and white.
Morton Feldman at the Perisphere, New York World's Fair, 1939 or 1940
Morton Feldman dressed in a dark double-breasted suit and tie stands in the foreground, facing the camera and smiling. Behind them, several individuals walk past from left to right. The backdrop is dominated by a large, smooth, curved structure that arches overhead, supported by columns on the right. The setting appears to be an open, paved area with scattered trees in the distance.
Photographic print of first page of Feldman's The Swallows of Salangan
A black-and-white scanned page of a handwritten musical score titled “The Swallows of Salangan” by Morton Feldman. The score is arranged for multiple instruments and voices, including flute (FL), alto flute (ALTO FL), two trombones (TRB, TRB A), choral voices (C CHOIR, T, B), vibraphone (VIB. B), piano (PN 1, PN 2), and cello (VC). Each system contains sparse notations, consisting mostly of single notes or chords spaced across the staves. The layout suggests a slow, quiet, and minimalistic composition style characteristic of Feldman. The name of the composer appears handwritten in the upper right corner.
Exhibit display of scores by Earle Brown
Three mounted sheets displaying orchestral music scores are set up on individual easels behind a rope barrier in a sunlit indoor area. The center sheet is titled Two pages from the score of Available Forms II (1964) by Earle Brown and includes dense musical notation. The sheets are displayed in front of large glass windows through which a city street, buildings, cars, and a streetcar are visible. Shadows from objects outside cast onto the central sheet. The space appears to be a curated exhibition or museum display highlighting contemporary musical works.
A black-and-white close-up portrait showing Morton Feldman in profile, facing left. They are wearing large, round eyeglasses and a collared shirt layered with a sweater or jacket. Their expression appears engaged or animated, and a partially blurred hand is raised in the foreground, possibly gesturing during a conversation. The background is plain and uncluttered.
A black-and-white photograph showing John Adams and Morton Feldman standing side by side outdoors in a sunny setting. Both are wearing glasses and casual sweaters, Adams with a plain textured design and Feldman with a bold diamond pattern. Trees, rooftops, and clear skies are visible in the background, suggesting a warm and relaxed environment. Both men are smiling and looking toward the camera.
Morton Feldman with John Adams and Frans van Rossum, Dean of the CalArts Music School
A black-and-white photograph taken indoors shows three individuals. Morton Feldman in the foreground, wearing a diamond-patterned sweater, is smiling broadly and gesturing with raised hands while seated at a table scattered with papers and a plastic cup. Behind them, John Adams is seated and laughing, while Frans van Rossum stands near the wall, resting their hand on their face as if in thought. The background includes bookshelves, a music stand, and a framed chart or poster.
Morton Feldman In conversation at table, Darmstadt
Morton Feldman with glasses and an open-collared shirt sits at a table covered with papers and a plastic sheet, facing another individual with short hair and a dark sweater. The two appear to be engaged in discussion. The setting is a long, bright room filled with other people and tables, likely a classroom or studio environment. Large windows run along the right wall, letting in natural light.
Morton Feldman wearing a dark blazer over an open-collared shirt stands indoors, appearing mid-sentence while gesturing with their hand. They have slicked-back hair and large eyeglasses. In the background, another individual is partially visible, smiling and looking in a different direction. The photograph is in black and white.
Morton Feldman in bus window, with photographer seen in reflection, Palermo
A sepia-toned photograph captures Morton Feldman’s face and hand through a pane of glass. The person is wearing glasses and holding a cigarette between their fingers. The image is layered with additional reflections, including hands holding a camera, creating a complex visual composition. The lighting is soft, and the scene appears to be viewed from outside a vehicle or windowed space.
Morton Feldman in conversation, Darmstadt
Morton Feldman wearing glasses and an open-collared shirt under a blazer is seen mid-gesture, engaged in conversation in a crowded indoor environment. In the background, several other individuals are visible, some facing away and others partially out of frame. The lighting is soft and the scene has a candid, social atmosphere. The image is black and white.
Morton Feldman sits with a serious expression, hands folded in their lap, and a piece of paper partially visible under one arm. They are wearing glasses, a collared shirt, and a V-neck sweater with a diamond pattern on the front. The background is dark and plain, drawing focus to the individual, who is centered and well-lit in the black-and-white photograph.
A black-and-white portrait of Morton Feldman with slicked-back hair and dark-rimmed glasses, looking directly at the camera with a neutral expression. They are wearing a collared shirt under a V-neck sweater with a diamond pattern. The background is plain and dark, and the lighting is focused on Feldman's face and upper body.
A black-and-white portrait of Morton Feldman sitting in a relaxed position with arms crossed over the lap. They are wearing a collared shirt beneath a V-neck sweater with a diamond pattern, and dark-rimmed glasses. The background is plain and dark, focusing attention on Feldman, who looks slightly downward with a neutral expression. The lighting highlights the face and upper body.
A black-and-white portrait of Morton Feldman with slicked-back hair and dark-rimmed glasses, wearing a suit jacket over an open-collared shirt. Morton Feldman is standing with one hand resting on their chin and the other arm crossed, suggesting a contemplative posture. A blurred artwork or display is visible in the background.
Morton Feldman with slicked-back hair and large glasses is shown in profile, appearing to speak or present with expressive hand movements. They are wearing a dark jacket over an open-collared shirt. In the background, a framed abstract artwork hangs on a white wall, and the setting appears to be an indoor room or gallery. The image is black and white.
Morton Feldman, Nils Vigeland, and Eberhard Blum in group hug, Darmstadt
A black-and-white photo captures a moment on stage where three people are hugging near a grand piano and microphones. Morton Feldman is wearing a dark jacket, and the others is in light shirts. The audience in the foreground and background appears engaged, with some clapping and others watching attentively. The room is large with tall windows, curtains, and chandeliers, indicating a formal or concert setting. The mood appears celebratory or emotional.
Nils Vigeland, Eberhard Blum, and Morton Feldman at an event
In a formal setting with large windows and a grand piano in the background, Nils Vigeland and Eberhard Blum in dress shirts and ties stand before a stage, appearing to acknowledge one another after a performance. In front of the stage, Morton Feldman, wearing a dark jacket and glasses bends down to greet or speak with seated audience members. The audience, some clapping or engaged, is seated in rows facing the stage. The atmosphere suggests a post-performance interaction or recognition. The photograph is in black and white.
Morton Feldman with Eberhard Blum and Nils Vigeland, Darmstadt
Three individuals stand on a stage in front of large windows with curtains. Eberhard Blum on the left is slightly bowing, dressed in a light shirt and patterned tie. Nils Vigeland, also in a tie, stands upright and smiles. Morton Feldman on the right, wearing a dark jacket and open-collared shirt, is looking toward the middle person. A grand piano and multiple microphones are positioned on the stage, suggesting a post-performance moment. Several audience members are seated in the foreground, with one clapping. The scene is in black and white.
Morton Feldman in Rome with Accademia di Francia (Villa Medici) in background
Morton Feldman with slicked-back hair, wearing glasses and a suit jacket, stands on a balcony or terrace, facing slightly to the side while looking at the camera. The background features a large historic building with multiple windows and two towers, likely a European palace or villa. The image is in black and white, and the setting appears elevated, with rooftops and trees visible below.
A black-and-white image showing three individuals standing in front of a stage, upon which rests a grand piano and multiple microphones. Nils Vigeland on the left is clapping while dressed in a shirt and tie. Morton Feldman in the center, wearing glasses and a dark jacket, is facing slightly to their right. Eberhard Blum on the right side of the frame, also in a shirt and tie, stands with arms relaxed. Audience members are partially visible in the foreground, and the setting appears to be a formal or musical event in a hall with large windows and curtains.
Morton Feldman with Nils Vigeland and Eberhard Blum, Darmstadt
Three individuals stand near the front of a performance space, positioned in front of a grand piano and several microphones. Nils Vigeland on the left faces Eberhard Blumin the center, who is wearing a patterned tie, smiles and looks back at Nils. Morton Feldman on the right, wearing a dark jacket and glasses, stands with hands at their sides. Several audience members are seated in the foreground, some clapping. The setting features large windows, high ceilings, and curtains, indicating a formal or concert environment. The image is in black and white.
Morton Feldman in a dark jacket bends forward toward seated audience members in what appears to be a gesture of thanks or conversation. The audience, composed of people facing the front, is applauding. The hall features tall windows, chandeliers, and high ceilings, indicating a formal performance space. The atmosphere appears celebratory, with many people smiling or engaged in clapping. The photograph is in black and white.