Jan Williams, John Patrick Thomas, Robert Black, and Eberhard Blum eating at a restaurant outdoors
Thomas, John Patrick - Voice (Counter-tenor)
A color photograph shows four people seated around a white plastic table at an outdoor café. Cups, saucers, and small dishes are arranged on the table, and all four people are facing toward the camera. A chalkboard menu stands beside the group, while additional patrons and a server are visible in the background near the café entrance. White plastic chairs, storefront windows, and the café setting suggest a casual gathering in an outdoor dining area.
The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.
State University of New York at Buffalo. Music Library
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A color photograph shows a large crowd of people gathered on a grassy lawn facing a monumental building that is completely wrapped in white fabric. The wrapped structure features visible towers and rooflines beneath the covering, with several flags flying above it. Low hedges and a gravel path occupy the foreground, while the sky is partly cloudy. The scene appears to document a public art installation attracting many visitors.
Eberhard Blum, Jan Williams, and Werner Uehlinger in front of the Reichstag, wrapped by Christo
A color photograph shows three people standing side by side on a grassy area, facing the camera. The person in the center is wearing sunglasses and a light-colored shirt, while the people on either side are dressed in darker clothing. Behind them, a large crowd has gathered in front of a monumental building wrapped entirely in white fabric, with flags visible above the structure. The scene takes place outdoors under a partly cloudy sky.
Eberhard Blum, Ann Holyoke Lehmann, and Jan Williams in front of the Reichstag, wrapped by Christo
A color photograph shows three people standing arm in arm on a grassy field, smiling toward the camera. One person is wearing a dark jacket, the person in the center is wearing a striped shirt and glasses, and the person on the right is wearing sunglasses and a light-colored shirt. Behind them, a large crowd has gathered in front of a monumental building wrapped entirely in white fabric, with flags visible above the structure. The scene takes place outdoors under a partly cloudy sky.
Jan Williams and Ann Holyoke Lehmann outside of the Reichstag, wrapped by Christo
A color photograph shows two people standing together on a grassy lawn, smiling toward the camera. Behind them, a monumental building is completely wrapped in white fabric, with towers and rooflines visible beneath the covering and a tall flagpole rising in front of it. A large crowd is gathered along the edge of the lawn, separated by low hedges. The scene takes place outdoors under a lightly clouded sky.
Jan Williams outside of the Reichstag, wrapped by Christo
A color photograph shows a person wearing a light-colored cap, striped shirt, and khaki pants standing on a paved plaza facing the camera. Behind the person, a monumental building is completely wrapped in white fabric, with towers and rooflines visible beneath the covering. Small groups of visitors are walking and standing around the plaza, and additional people are gathered near the base of the installation. The scene takes place outdoors under a bright sky.
Jan Williams and Robert Black in front of the Reichstag, wrapped by Christo
A color photograph shows two people standing together on a grassy lawn, facing the camera. One person is wearing sunglasses, a light-colored shirt, and light pants, while the other is wearing a dark shirt and light-colored pants. Behind them, a monumental building is completely wrapped in white fabric, with towers and rooflines visible beneath the covering and a flagpole rising in front. Low hedges separate the lawn from a large crowd gathered near the installation under a bright, lightly clouded sky.
A color photograph shows two people standing side by side on a paved plaza, facing the camera. One person is wearing sunglasses, a light-colored striped shirt, and khaki pants, while the other is wearing a blue shirt and light-colored pants. Behind them, a monumental building is completely wrapped in white fabric, with towers and rooflines visible beneath the covering. Several visitors are walking and standing around the plaza, and the scene takes place outdoors under a bright sky.
Jan Williams outside of the Reichstag, which had been wrapped by the artist, Christo
A color photograph shows a person with white hair wearing dark sunglasses, a light-colored striped shirt, and khaki pants standing on a paved plaza. Behind the person, a monumental building is completely wrapped in white fabric, with towers and rooflines visible beneath the covering. A few visitors are walking through the plaza, and temporary fencing is visible near the installation. The scene takes place outdoors under a bright sky.
Jan Williams, John Patrick Thomas, Gudrun Reschke, Eberhard Blum, Iven Hausmann, and Robert Black during rehearsal of for John Cage's Ryoanji in the Akademie der Künste
A color photograph shows a spacious indoor performance area with concrete floors, columns, and exposed ceiling beams. Several musicians are positioned on separate raised platforms throughout the room, with music stands placed nearby. String instruments, including double basses and other bowed instruments, are visible among the performers. A seated audience member or participant is visible at the left edge of the image, and the open layout suggests a rehearsal, installation, or contemporary music performance.
Stage setup for John Cage's Ryoanji in the Akademie der Künste
A color photograph shows a large open indoor space with concrete floors, square columns, and exposed ceiling beams. Several low platforms are arranged across the room, some holding chairs, music stands, or percussion instruments, while others are empty. The wide layout suggests the space is being prepared for or used for a contemporary music performance, rehearsal, or installation.
Jan Williams, John Patrick Thomas, Gudrun Reschke, Eberhard Blum, Iven Hausmann, and Robert Black in the garden of the Akademie der Künste
Five adults pose together on a paved courtyard outside a low-rise building. Two people stand in the front center, with three others positioned behind and to the sides. The group is dressed in casual to business-casual clothing, and trees, shrubs, and a ladder leaning against the building are visible in the background. The photograph appears slightly dark and softly focused.
Two adults are seated facing each other at a small table in a cluttered office or study. One person wears a white shirt and looks downward, while the other wears a red shirt and glasses and faces the camera. The table holds several bottles, cups, glasses, and small containers. Behind them, floor-to-ceiling shelves are densely packed with books, binders, stacks of papers, and magazines, creating a crowded workspace.
Ann Holyoke Lehmann and Eberhard Blum eating
An indoor scene shows two adults seated at a table. One person in a striped shirt is partially visible on the left, looking down at something in their hands, while another person in a white shirt leans forward in a chair. The table holds several bottles, glasses, and other drink containers. Behind them is a wooden exercise frame with suspended straps or handles, and the room has plain walls with a few furnishings along the edges.
Ann Holyoke Lehmann sitting beside her work, De Consolatione Philosophiae
An indoor scene shows a large circular artwork with concentric rings and radial segments leaning against a wall. A person wearing a striped top is seated at the edge of the frame beside a table, looking toward the camera. Part of a window and exposed ceiling beams are visible in the background, and bottles and other items sit on the table in the foreground.
Bent Lylloff, President of the Danish Percussion Society, shaking hands with Jan Williams, being inducted as an honorary member
An indoor social gathering shows several adults standing and talking in a room with large windows. Two people stand in the center facing each other in conversation, while others are grouped around the room, some holding drinks. Framed artwork hangs on the walls, and a decorative hanging light fixture is suspended from the ceiling. The room is softly lit, giving the photograph a warm appearance.
Jan and Diane Williams at a reception in Bent Lyllof's house following Williams' induction as an honorary member into the Danish Percussion Society
An indoor scene shows three adults near a wooden doorway. One person in a dark sweater and plaid skirt stands with arms crossed, facing toward the doorway. Another person wearing a dark red sweater leans forward near the open door, while a third person is partially visible at the left edge of the frame. A framed picture hangs above the doorway, and a stove or heater is positioned against the wall beside the standing person.
Jan Williams and Carlos Stasi outside in São Paulo
Two adults stand side by side on a sidewalk, smiling with their arms around each other. One person wears a light-colored shirt with a dark sweater draped over the shoulders and light trousers, while the other wears a gray blazer over a white outfit. Trees, benches, parked cars, utility poles, and nearby buildings line the street, and bright daylight illuminates the scene.
Jan Williams with Bent Lyllof, Gideon Steiner, and Dave Weckl at a reception in Lyllof's house following Williams' induction as an honorary member into the Danish Percussion Society
An indoor gathering shows four adults standing side by side and facing the camera. One person wears a patterned blue shirt, another wears a dark suit and tie, a third wears a white shirt with a waist pouch, and a fourth wears a dark red sweater. A young child with blond hair is partially visible in the foreground. The room contains a chandelier, a hanging green light fixture, framed artwork, and a dining table with dishes and flowers in the background.
Carlos Stasi and John Boudler standing outside in São Paulo
An outdoor scene shows two adults standing face to face in conversation on a wide sidewalk. One person wears a gray blazer with light-colored trousers, while the other wears a striped long-sleeve shirt and dark trousers. Benches, ornamental plants, a lamppost, parked cars, and a large building with tall windows are visible in the background under bright daylight.
Jesse Levine at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows two adults standing on a grassy area beneath tall trees. One person, wearing a dark long-sleeve top and light-colored shorts, stands with a hand raised to the side of their face. The other person wears sunglasses, a short-sleeve button-up shirt, and dark trousers while facing toward the camera. A picnic table covered with a patterned cloth and a small shelter or wooden structure are visible in the background, with sunlight filtering through the trees.
Unidentified man, John Boudler, and Jan Williams dining in São Paulo
An indoor scene shows three adults seated side by side at a dining table. One person wears a gray suit and tie with glasses and a mustache, the person in the center wears glasses and a dark shirt, and the third wears glasses with a light blue shirt under a dark jacket. Plates, cutlery, and glasses are arranged on the table in front of them. A framed artwork featuring a red trolley or streetcar hangs on the wall behind the group.
Jan Williams and guide by a monumnet in Warsaw's Old Town Market Square (Rynek Starego Miasta)
Warsaw (Poland) -- Buildings, structures, etc.
An outdoor scene shows two adults standing arm in arm beside a large anchor-shaped metal sculpture mounted on a circular base in a cobblestone plaza. One person wears a long dark coat and a fur hat, while the other wears a dark jacket, knit cap, and scarf. A small bag rests on the ground beside them. Multi-story historic buildings with rows of windows surround the square in the background.
Dennis Kahle and guide at a monument in Warsaw's Old Town Market Square (Rynek Starego Miasta)
An outdoor scene shows two adults standing close together and smiling beside a large anchor-shaped metal sculpture attached to a decorative post in a cobblestone plaza. One person wears a long dark coat and a fur hat while holding a light-colored handbag, and the other wears a dark winter coat and glasses. Historic multi-story buildings with rows of windows line the far side of the square in the background.
Lejaren Hiller and guide outside of a hat store in Warsaw
An outdoor street scene shows several people gathered near the entrance of a shop or café. A person wearing a dark coat with a fur collar stands in the center carrying a large shoulder bag, while others stand nearby conversing or entering and leaving the doorway. Warm interior lighting is visible through the windows, and additional people, including a child in a pink hat, can be seen inside the entrance. The image has a film-strip border along the bottom edge.
Galleria nazionale dell'Umbria portale maggiore
Perugia (Italy) -- Buildings, structures, etc.
An outdoor scene shows the entrance to a large historic stone building with an elaborately carved arched doorway. Sculptures stand on either side of the entrance, and a decorative mosaic or relief depicting figures is set above the door. A person stands near the open doorway beside a yellow signboard, emphasizing the scale of the entrance. The building's stone façade fills most of the frame.
Poster for a concert by Jan Williams and Dennis Kahle at the Filharmonia Narodowa in Warsaw
A printed concert poster is mounted on a wall. The poster prominently features the names "DENNIS KAHLE" and "JAN WILLIAMS" in large red letters beneath the heading "CENTER OF THE PERFORMING ARTS." Additional text above and below provides concert details, including references to "Filharmonia Narodowa," "Koncert Kameralny," and other venue and event information in both English and Polish. The poster shows signs of age, with worn edges and overlapping paper at the bottom.
Lejaren Hiller and Dennis Kahle in front of a billboard with poster for a concert by Jan Williams and Dennis Kahle at the Filharmonia Narodowa in Warsaw
An outdoor street scene shows two adults standing several feet apart on a sidewalk in front of a storefront or display window. Behind them are several large posters, including one prominently advertising a performance by Dennis Kahle and Jan Williams under the heading "Center of the Performing Arts." The two people wear winter coats and glasses, and the building façade and display windows extend across the background.
Dennis Kahle, Joseph Patkowski, and Jan Williams standing by a monument in Warsaw's Old Town Market Square (Rynek Starego Miasta)
An outdoor scene shows three adults standing together beside a large anchor-shaped metal sculpture attached to a decorative post in a cobblestone plaza. All three wear winter coats, and two wear glasses. Historic multi-story buildings with colorful façades and rows of windows line the far side of the square, forming the background. The image has a cool, muted color tone consistent with a winter day.
Sale Maggiore in the Galleria nazionale dell'Umbria
A spacious interior hall is filled with neatly arranged rows of empty chairs facing the front of the room. Tall arched windows with decorative tracery line the far wall, allowing daylight to illuminate the space. A few people stand near the walls and among the seating, while equipment cases and other items are visible in the foreground, suggesting the venue is being prepared for or cleaned up after an event.
George Ritscher at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a person wearing sunglasses and a light-colored T-shirt seated behind audio or electronic equipment beneath a canopy or tent. In front of the person are cables, a mixer or control device, a drum, and an open binder or notebook resting on a table. Tarps, fabric, and stacked materials surround the workspace, suggesting a temporary setup for an outdoor event or performance.
Image of a crucifixion in the Galleria nazionale dell'Umbria
An interior wall displays two framed artworks, one mounted above the other. The larger lower painting depicts a human figure shown upside down with arms extended against a dark background. Above it hangs a smaller framed artwork featuring standing figures. Small labels are mounted beside the frames, indicating the works are part of an exhibition or museum display.
Inside the concert venue at the Gulbenkian Foundation
Lisbon (Portugal) -- Buildings, structures, etc.
A large indoor auditorium is viewed from the back, showing many rows of empty seats facing a stage. The stage has a closed curtain with several people and equipment visible near one side, suggesting setup or rehearsal. Large glass doors and windows on the left let daylight into the room, and the ceiling features a grid of recessed panels.
Kiosk in Karlsrühe covered in posters, including several for the Creative Associates concert
An outdoor scene shows a cylindrical advertising column covered with multiple orange posters promoting "Musik unserer Zeit." The posters are arranged in a repeating pattern around the column, which has a decorative top. Parked cars, leafless trees, and nearby buildings are visible in the background, along with a modern dark-colored building on the right.
Two unidentified people sitting on a bench
An outdoor scene shows a person seated on a park bench reading or reviewing a stack of papers. The bench is set along a paved path bordered by shrubs and tall trees. In the background stands a large historic stone building with rows of windows and a cross mounted on its roofline. A few other people are visible walking through the courtyard or garden, and sunlight casts soft shadows across the scene.
An outdoor scene shows a person standing beside a large round stone planter on a raised stone platform in a courtyard. Trees and shrubs partially obscure a historic stone building with arched doorways and rows of windows in the background. The person wears a dark double-breasted coat and faces the camera, while sunlight illuminates the courtyard.
An outdoor scene shows a person seated on the edge of a large circular stone planter with arms crossed. The person wears a brown jacket, dark trousers, and glasses. The planter is set within a courtyard featuring trees and paved walkways, with a historic stone building and arched entrances visible in the background. Sunlight casts tree shadows across the foreground and the seated person.
Poster for Semana de nueva musica, presented by the Creative Associates
A vertically oriented poster is displayed inside a black-framed case. The poster features a red background with white and orange geometric shapes and prominently displays the Spanish text "I Semana de nueva música" near the top. Smaller text along the bottom includes event dates and location information, though it is partially obscured and difficult to read. The image focuses closely on the poster with little surrounding context.
Jan Williams at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a person wearing a light-colored hat, sunglasses, a mustache, and a light yellow short-sleeve shirt standing beneath a canopy. The person is holding a small object while standing beside audio or electronic equipment, cables, and cases. Support poles, fabric coverings, and additional event equipment are visible around the temporary setup, suggesting preparations for or operation of an outdoor performance or event.
Percussionist Dennis Kahle writing at stop during concert tour with Creative Associates
An indoor scene shows a person with glasses, a beard, and a light-colored cable-knit sweater seated at a table while writing in a notebook or on a sheet of paper. The person is looking down and holding a pen, with a wristwatch visible on one wrist. The softly lit background is out of focus, drawing attention to the writing activity.
Jan Williams and Ed Yadzinski setting up inside the tent at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An indoor stage is set with musical equipment, including a keyboard or electronic instrument on the left and a large drum on the right. Two people are visible on stage, one standing near the center and another positioned behind the keyboard. The backdrop features bold red, white, and pink geometric shapes covering the wall behind the performers. The stage is viewed from the audience area, with the front edge of the stage visible in the foreground.
Ed Yadzinski setting up inside the tent at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An indoor stage is shown with a person standing near the left side, gesturing toward the center of the stage. A keyboard or electronic instrument is positioned on the far left, while a large drum and another electronic instrument stand are placed on the right. The backdrop is covered with large red, pink, and white diamond-shaped geometric patterns. The front edge of the stage is visible in the foreground, and no audience is shown.
Jesse Levine and Charles Haupt walking outside at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows two adults walking side by side along a paved path in a park. One person wears a striped long-sleeve shirt and dark trousers, while the other wears sunglasses, a short-sleeve button-up shirt, and dark trousers. Trees cast shade across the path, and a grassy area with benches and a few people is visible in the background.
Setting up inside the tent for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
The image shows the inside of a large tunnel-like or pavilion structure with a vaulted ceiling decorated in alternating red and light-colored curved stripes. Narrow skylight openings run along the ceiling, allowing daylight into the space. A vertical pole stands near the center, and a few people are visible in the distance near the far end of the structure. The curved architecture creates a repeating pattern that dominates the scene.
New Percussion Quartet rehearsing in old Baird Hall
An indoor rehearsal or performance space shows a person standing with their back to the camera at a set of timpani, reading from sheet music on a music stand. Another person is seated farther back among additional percussion instruments, also with sheet music in front of them. The room has concrete block walls, tall windows, and various percussion equipment arranged throughout the space.
Frank Burkett Baird Music Building (State University of New York at Buffalo)
Ed Yadzinski playing his clarinet outside at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a person seated on a wooden deck or platform playing a woodwind instrument, likely a clarinet. The person wears a light-colored hat with a band, sunglasses, and a white short-sleeve shirt. Trees and foliage partially frame the foreground, creating a shaded setting with dappled sunlight. The background includes a wooden walkway and additional outdoor structures.
The image shows the interior of a large vaulted structure with alternating red and light-colored striped walls and ceiling. Several people stand together on the left side near speakers, cases, cables, and other audio equipment arranged on the floor. A bright shaft of sunlight enters through a narrow opening in the ceiling, illuminating part of the interior. Platforms and additional equipment are visible on the right side, suggesting the space is being prepared for a performance or event.
Portrait of Ed Yadzinski with his clarinet at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A close-up outdoor portrait shows a person wearing dark sunglasses and a light-colored shirt. The person holds a clarinet upright so that it runs vertically through the center of the image, partially obscuring their face. The background consists of softly blurred trees and foliage, emphasizing the person and the instrument.
Lukas Foss and Charles Haupt assisting with set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows three adults gathered near a metal fence in a sunny area. One person wearing a light-colored sweater and white shorts bends over near a table or equipment, while another person stands shirtless facing them. A third person, wearing a striped shirt, stands with their back to the camera. Trees and foliage fill the background, and the bright daylight suggests a warm-weather setting.
Two unidentified people walking outside at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows two people walking side by side across a grassy park while talking. One person wears a dark top with a red skirt or shorts, and the other wears a dark top with light-colored trousers. The view is partially framed and obscured by several tree trunks in the foreground, with a paved path, open lawn, and scattered trees visible throughout the park.
Charles Haupt assisting with set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a person wearing a striped short-sleeve shirt and dark trousers standing and looking toward the camera while holding a bottle in one hand and a small object in the other. Behind them, two shirtless people sit near a low wall or table beside equipment or containers. Trees and dense greenery fill the background, and the bright sunlight suggests a warm day.
Lukas Foss and Ed Yadzinski at the set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows two adults standing and talking in a work or event setup area. One person wears a light-colored hat, sunglasses, and a white T-shirt with hands on their hips, while the other wears a white sleeveless shirt and dark trousers, leaning against a structure. A ladder stands behind them, with temporary buildings, equipment, and trees visible in the background. The bright daylight and surrounding materials suggest preparations for an outdoor event or installation.
Jesse Levine walking outside at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a person wearing sunglasses, a short-sleeve shirt, and dark trousers standing on a grassy lawn. The view is partially framed and obscured by dark tree trunks or nearby structures in the foreground, with another person partially visible at the left edge of the image holding a bag or folder. Sunlit grass, trees, and a paved path are visible in the background, creating a park-like setting.
Portrait of Jesse Levine at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A close-up shows a person outdoors wearing dark sunglasses and a collared, striped shirt. The person has a shaved or bald head and is smiling toward the camera. The image is dimly lit with strong shadows across the face, and the background is blurred with patches of green and indistinct figures, suggesting an outdoor setting.
Jesse Levine and Ed Yadzinski at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A person stands outdoors wearing dark sunglasses and a short-sleeved collared shirt with horizontal striped patterns across the chest. The person is smiling toward the camera, with a shoulder strap crossing the front of the shirt. Trees, a stone building, and a parked vehicle are visible in the softly blurred background under bright daylight.
An indoor rehearsal room contains several percussion instruments, including multiple timpani in the foreground and a drum set in the background. A person seen from behind stands at the timpani wearing a light-colored shirt and dark trousers, facing a music stand with an open score. Another seated person is positioned at the drum set, while shelving, cinderblock walls, and windows are visible around the room.
Two unidentified people walking outside the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows two people walking side by side on a paved path, partially obscured by several tree trunks in the foreground. One person wears light-colored pants and a dark top, while the other wears darker clothing. A brick building, shrubs, a grassy area, and a metal handrail are visible in the background. The image is slightly out of focus.
Francis Miroglio and Ed Yadzinski talking during set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows several people gathered near a structure with multiple wooden ladders leaning against it. In the foreground, a smiling person wearing a light-colored hat, sunglasses, and a short-sleeved shirt turns toward the camera. Two other people stand nearby, one with gray hair wearing a striped top and another in a checkered shirt, while a fourth person wearing a hat walks behind them. The partially constructed or renovated building fills the background.
George Ritscher, Marie Yadzinski, Diane Williams, Brian Israel, and one unidentified person outside the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows six people standing together on a grassy lawn beneath a tall abstract metal sculpture with hanging geometric forms. Trees surround the area, casting shade across the grass, and buildings are partially visible through the trees in the background. The group faces the camera while standing in front of the sculpture.
Ed Yadzinski playing clarinet outside during set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a person standing on a dirt path in a wooded area, holding a long, narrow object upright with both hands. The person is wearing sunglasses, a short-sleeved collared shirt, and dark trousers. Stacks of lumber are piled behind the person, with trees, tall grass, and scattered sunlight visible throughout the background.
A spacious indoor area is covered by large sheets of red, white, and blue fabric suspended across the ceiling, creating a tent-like canopy. Lighting stands, cables, speakers, chairs, and other equipment are arranged across the floor, suggesting an event or production setup. One person stands near the center of the space, while additional equipment and structural supports are visible throughout the scene.
A wide view of a spacious indoor area shows large red, white, and blue fabric panels suspended overhead, forming a canopy across the ceiling. Lighting stands, speakers, cables, chairs, and various equipment cases are spread across the floor, suggesting preparations for an event or production. A vertical dark structural element frames the right edge of the image, and no people are visible.
Setting up percussion for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a person standing and holding an electric guitar near a collection of percussion instruments and equipment. In the foreground, parts of several drums and a seated person facing away from the camera are visible. Music stands, a large gong, amplifiers, and other equipment are arranged around an open paved area, with trees and shrubs surrounding the space in bright daylight.
Setting up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows a group of people standing with their backs to the camera, facing a large red-and-white striped tent or canopy. The roof of a white car occupies the foreground, while trees surround the area under a clear blue sky. Another large white tent-like structure is partially visible on the left, suggesting an outdoor event or gathering.
An outdoor performance or rehearsal area contains percussion instruments, including parts of a drum set and timpani in the foreground. A seated person faces away from the camera at the drum set while another person stands nearby holding and playing an electric guitar. A large gong, music stands, amplifiers, and other equipment are arranged around the open space, with trees and shrubs surrounding the area in bright daylight.
An outdoor scene shows a large red-and-white striped tent or canopy set up in a parking area surrounded by trees. Several people stand in small groups facing the tent, while parked vehicles, including a van on the left and a white car on the right, frame the foreground. The tent appears partially open or being assembled, with the fabric draped unevenly across its structure under a clear blue sky.
Musicians preparing for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
An outdoor scene shows several percussion instruments, including timpani in the foreground and a large gong mounted on a stand in the middle distance. A person wearing light-colored clothing stands at the left edge of the frame near the instruments. Temporary structures, music equipment, and a partially covered platform are visible in the background, with tall trees surrounding the area in bright daylight.
An outdoor scene shows the side of a person partially visible in the left foreground beside an open vehicle door. In the middle distance, several people are gathered near a large red-and-white striped tent or canopy set up among trees. Parked vehicles, including a blue vehicle in the foreground, frame the scene, with bright daylight and a wooded setting visible throughout.
Bent Lylloff with Claus B. Jensen and his son outside of the Lylloff Musikstudie
Douglas Davis, Ed Yadzinski, and Lukas Foss dining at a table
A dimly lit indoor dining scene shows three people seated around a table covered with a white tablecloth. The table holds plates, glasses, bottles, cups, and condiments as the group appears to be eating and conversing. One person in the center looks down toward their plate, while the others sit on either side. Additional diners and restaurant furnishings are faintly visible in the background.
Ed Yadzinski playing piano on stage during Warsaw Autumn Festival
A stage in an auditorium is set up with percussion instruments, including large bass drums and music stands, while a grand piano sits on the right side. A person is seated at the piano facing the keyboard. Blue stage curtains hang in the background, and the wooden stage floor is brightly lit. A blue bag rests on the floor near the front edge of the stage.
Poster for Creative Associates concert in Warsaw
A close-up shows three printed posters mounted on a wall. A large yellow poster in the center prominently features the word "KOMEDIA" in bold lettering along with smaller Polish text and a simple black line illustration of a standing figure. It is flanked by two red posters with additional Polish text in vertical and horizontal layouts. The posters show signs of wear and overlap slightly at their edges.
A close-up focuses on a red poster covered with Polish text arranged in multiple sections. The word "WARSZAWSKA" appears vertically in large letters along the left edge, while smaller headings and lists of names or program details are printed across the center. The poster is mounted against a dark background, with only a narrow strip of an adjacent surface visible along the right edge.
Douglas Davis, Lukas Foss, and others exiting a plane in Warsaw, Poland
An outdoor airport scene shows several people walking down the mobile stairs from a passenger airplane. Most are wearing dark business suits, while one person near the front wears sunglasses and a light-colored jacket over darker clothing. The airplane's white fuselage with blue accents is visible behind them under a clear blue sky, and the group appears to be arriving or disembarking.
Douglas Davis, Ed Yadzinski, and Bent Lylloff looking at a poster in Copenhagen
An outdoor scene shows two people wearing dark suits standing beside a bulletin board or poster display. One person gestures toward the display with an outstretched hand while the other looks on. A residential-style building with windows, greenery, and trees is visible in the background, and part of the display contains printed text and graphics.
Creative Associates (State University of New York at Buffalo) - Ensemble
A black-and-white collage poster displays numerous photographs of people arranged around a central panel that reads "WHO ARE THESE PEOPLE?" with "UB Creative Associates" printed beneath the title. The surrounding images depict individuals in a variety of settings, including portraits, conversations, performances, and work activities. Additional text appears along the bottom of the poster, though it is too small to read clearly.
Erik Oña conducting at a rehearsal for Yvar Mikhashoff's The Windwife
Mikhashoff, Yvar. Windwife -- Performances
An indoor auditorium scene shows a bearded person seated near the front of the seating area, facing toward the stage while gesturing with both hands. The person is wearing a light blue long-sleeved shirt and appears to be engaged in discussion or directing. Rows of red upholstered theater seats, tall columns, and the stage edge are visible in the background, with papers resting on a nearby surface in the foreground.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Aki Takahashi and Frances-Marie Uitti at a reception following memorial concert for Yvar Mikhashoff
An indoor social event shows two people standing close together and smiling toward the camera. One person holds a stemmed glass containing a beverage, while the other holds a large folder or portfolio under one arm. Warm overhead lighting illuminates the space, and additional attendees are visible in the softly blurred background.
Yvar Mikhashoff and Fred Cohen at Jan and Diane Williams' house (63 Anderson Place, Buffalo, New York)
An indoor social gathering shows two people standing with their arms around each other, smiling toward the camera. One person is wearing a light-colored blazer over dark clothing, while the other is dressed in formal attire with a black jacket, red bow tie, and red cummerbund. Several seated attendees are visible in the foreground and to the right, with framed artwork and a chandelier decorating the room.
John Boudler in a chair at Jan and Diane Williams' house (63 Anderson Place, Buffalo, New York)
An indoor scene shows a bearded person wearing glasses seated in a wooden armchair. Behind the chair, white bookshelves are filled with books, framed artwork, and decorative objects, including pottery and small sculptures. Additional framed pictures hang above the shelves, and papers are partially visible in the foreground.
Bent Lylloff on a couch at Jan and Diane Williams' house (63 Anderson Place, Buffalo, New York)
An indoor scene shows a person seated in a wooden chair with one leg crossed over the other. The person is wearing a long-sleeved tan shirt, light-colored trousers, and a wristwatch, with one hand resting near the chest. A large window with white curtains, a cushioned bench, and a handbag are visible in the background, while a small table is partially visible at the left edge of the image.
Diane Williams, Carol Plantamura, Renee Levine, and Sylvia Dimiziani on a couch at Jan and Diane Williams' house (63 Anderson Place, Buffalo, New York)
An indoor scene shows four people seated side by side on a couch, smiling toward the camera. Behind them, white bookshelves are filled with books, framed artwork, and decorative objects. A floor lamp stands beside the shelves, and a coffee table in the foreground holds a handbag and several books or magazines. A window is partially visible on the left side of the room.
Bent Lylloff and Yvar Mikashoff on a couch at Jan and Diane Williams' house (63 Anderson Place, Buffalo, New York)
An indoor scene shows two people seated side by side on a red couch, smiling toward the camera. One person is wearing a tan long-sleeved shirt and light-colored trousers, while the other is wearing a gray long-sleeved shirt and dark trousers. White curtains frame a large window behind them, and both appear relaxed with their arms resting comfortably as they sit together.
A black-and-white studio portrait shows a person with short dark hair smiling directly toward the camera. The person is wearing a dark top and geometric dangling earrings. The background is plain and dark, drawing attention to the person's face and expression.
Merce Cunningham portrait with reflection in mirror, inscribed to Jan Williams
A black-and-white promotional photograph shows two people standing back-to-back with their shoulders touching, each facing in opposite directions. One person is smiling with their head tilted back, while the other faces away from the camera with their head lowered. A handwritten dedication appears on the right side of the image. Printed text along the bottom identifies the performers and includes management and contact information.
Diane Williams at rehearsal of John Cage's Concerto for Prepared Piano
Cage, John. Concertos, piano, orchestra -- Performances
A black-and-white photograph shows a person with short hair in profile, holding a violin beneath their chin while looking forward. The person is seated among other musicians, with blurred figures partially visible in the foreground and background. The close framing emphasizes the musician's face, instrument, and attentive posture.
John Cage and John Rowland looking ovr percussion part at rehearsal of Cage's Concerto for Prepared Piano
A black-and-white photograph shows two people seated side by side, viewed from behind, looking at an open sheet of music on a stand. One person has light-colored hair, while the other wears a light shirt with dark suspenders. Additional music stands, blurred musicians, and large columns are visible in the background, suggesting an orchestra or ensemble rehearsal.
John Cage examining percussion instruments before rehearsal of his Concerto for Prepared Piano, with Coni Burnham and Diane Williams in background
A black-and-white photograph shows a person wearing a light-colored shirt and dark tie standing beside a music stand holding an open score. The person looks downward with one hand at their waist. Large percussion instruments, including tubular bells, are visible to the right, while several other people stand and converse in the background, suggesting a rehearsal or performance setting.
Ed Burnham at performance at the Albright-Knox Art Gallery
A black-and-white photograph shows a person wearing a light-colored long-sleeved shirt turning to look over their shoulder. Large percussion instruments are visible nearby, including a tall cylindrical drum or case in the foreground and additional equipment to the left. Recessed ceiling lights illuminate the indoor rehearsal or performance space, with the background softly out of focus.
Inside of piano, prepared for John Cage's Concerto for Prepared Piano
A black-and-white close-up shows the interior of a grand piano with rows of strings, tuning pins, and structural braces extending across the frame. Part of a circular metal component is visible on the right side, while the image emphasizes the instrument's internal construction and hardware.
John Cage conducting his Concerto for Prepared Piano
A black-and-white photograph shows a person wearing a light-colored long-sleeved shirt standing beside a music stand with an open score. The person is looking down while holding a small object with both hands. Several empty chairs and additional music stands are arranged around the rehearsal space, with a door and wood-paneled walls visible in the background.
A black-and-white photograph shows a person standing on a stage wearing a light-colored long-sleeved shirt and dark tie. The person has one hand raised near their face while standing behind a music stand with an open score. Additional music stands, a stool, and stage equipment are arranged around the performance space, with several blurred objects visible in the foreground.
A black-and-white photograph shows a person wearing a light-colored long-sleeved shirt standing beside a music stand with an open score. The person is looking downward while holding a small object with both hands. Empty chairs and additional music stands are arranged throughout the rehearsal space, with wood-paneled walls and a large column visible in the background.
Buffalo Philharmonic Orchestra - Ensemble
A black-and-white photograph shows a spacious rehearsal hall with numerous empty chairs and music stands arranged across the floor. In the distance, a person wearing a light-colored shirt stands beside a music stand, while several other musicians are seated nearby. A piano is partially visible in the left foreground, and large columns, wood-paneled walls, and percussion instruments are visible throughout the room.
John Cage conducting his Concerto for Prepared Piano with Lukas Foss at the piano
A black-and-white photograph shows a stage with a grand piano at the center. Two people are seated near the piano, while another person stands beside it facing toward the group. Music stands and chairs are arranged across the stage, with wood-paneled walls forming the backdrop. The image is taken from the audience area, with the front edge of the stage visible in the foreground.
A black-and-white photograph shows a large rehearsal hall with rows of empty chairs and music stands in the foreground. In the middle distance, a person wearing a light-colored long-sleeved shirt stands beside a music stand while several seated musicians are positioned nearby. A grand piano, percussion instruments, and additional music stands are arranged across the room, with tall wood-paneled walls and large columns forming the background.
A black-and-white photograph shows a large stage set up for an orchestra rehearsal. Musicians are seated across the stage behind music stands, with a grand piano positioned near the center and large percussion instruments, including tubular bells, on the right. A person stands near the center of the stage, while wood-paneled walls form the backdrop. The photograph is taken from the audience area, with the front edge of the stage visible in the foreground.
A black-and-white photograph shows a rehearsal hall with numerous empty chairs and music stands in the foreground. In the middle distance, a person wearing a light-colored long-sleeved shirt and dark tie stands beside a music stand with one hand raised near the face. A grand piano and several seated musicians are positioned behind the person, with additional music stands and stage equipment visible throughout the hall.
A black-and-white photograph shows a spacious rehearsal hall with a grand piano positioned on the stage. A person wearing a light-colored shirt stands near the piano, while another seated person is partially visible at the instrument. Empty chairs and music stands occupy the foreground, and tall wood-paneled walls with large vertical columns rise behind the stage.
Jan Williams with the NEXUS Percussion Ensemble at the OJAI Festival after a performance of Les Noces
An indoor group portrait shows eight people standing close together behind several percussion drums in the foreground. Most are dressed in dark jackets or sweaters, with one person near the center wearing a suit and tie. The group is smiling toward the camera in a rehearsal or performance space with overhead lighting and a dark background.