Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
A wide view of a stage shows multiple percussion instruments arranged across the performance area, including drums, keyboards, and large circular gongs or tam-tams. Three people are positioned at different instrument stations, appearing to prepare equipment or rehearse. Several music stands are spaced across the stage, while a person sits near the front edge facing the performers. Decorative acoustic panels line the upper wall above the stage.
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State University of New York at Buffalo. Music Library
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Ed Folger playing percussion at the Charles Ives Center for American Music at the Canterbury School
A stage is set up with percussion instruments, music stands, speakers, and audio equipment during what appears to be a rehearsal or setup. One person wearing a plaid shirt and light-colored trousers leans forward while adjusting or arranging percussion instruments. A grand piano is partially visible on the right, with additional stage equipment, cables, and decorative acoustic panels visible in the background.
A wide view of an auditorium stage shows several people positioned at percussion and keyboard instrument stations during a rehearsal or performance. Music stands, vibraphones, drums, keyboards, and additional percussion equipment are arranged across the stage. A few audience members are seated in the foreground facing the performers, while decorative acoustic panels line the upper wall above the brightly lit stage.
Richard Moryl, Jan Williams, Joan Moryl, and Lukas Foss outside the Charles Ives Center at the Canterbury School
Four people are standing side by side outdoors in front of a brick building with tall windows and greenery. One person wears a blue blazer with white trousers, another wears a light-colored suit and tie, a third wears a white dress with a colorful embroidered vest while holding a small purse, and the fourth wears a dark blazer with a tie and khaki trousers. The group stands close together, smiling toward the camera in a landscaped area near the building.
A rehearsal or performance space shows a person seated at an electronic percussion setup surrounded by drums, cymbals, and electronic equipment. The person wears a plaid shirt and holds a percussion mallet while looking toward the camera. A large window in the background lets in daylight, with two people seated at a table visible beyond the instruments. Microphone stands, cables, and audio equipment are arranged around the performance area.
Guy Klusevec, Chester Mais, and Jan Williams
A person wearing glasses is seated in an auditorium chair, holding a pen or pencil raised in one hand while looking attentively toward something off camera. Papers rest on a nearby surface in front of them. Behind the seated person stands another individual with a beard, glasses, and a patterned short-sleeve shirt, leaning slightly forward. Additional auditorium seating fades into the dark background, suggesting a rehearsal, meeting, or production setting.
A rehearsal room contains percussion instruments, music stands, and a grand piano. One person stands near the center wearing a striped shirt, facing toward a chalkboard at the back of the room, while another person stands at a vibraphone on the right holding mallets. Open sheet music rests on several music stands in the foreground, and the chalkboard behind them has faint handwritten markings, suggesting a music rehearsal or instructional session.
A stage is arranged with multiple percussion instruments, including timpani and keyboard percussion, along with music stands holding sheet music. Three people stand behind the instruments while another person kneels or crouches in the foreground, appearing to adjust equipment. The brightly lit stage has a plain backdrop, and the arrangement suggests a rehearsal or preparation for a performance.
Two people are indoors in a classroom or rehearsal room with a large chalkboard on the wall behind them. One person, wearing glasses, a tweed jacket, a checkered shirt, and a patterned tie, stands while holding a dark folder or binder and appears to be speaking. The other person is shown in side profile wearing a denim jacket over a blue shirt, facing the speaker. Faint chalk writing is visible on the board in the background.
Two people are standing indoors in a classroom or rehearsal room. The person on the left wears glasses, a tweed jacket, a red-and-white checkered shirt, and a dark tie, facing toward the other person. The person on the right wears a maroon top and looks toward the camera with a slight smile. A wall clock, bulletin board, cabinets, and tables with papers are visible in the background, suggesting an instructional or meeting space.
Two people are standing indoors in front of a large green chalkboard. The person on the left, partially visible, wears glasses, a tweed jacket, a red-and-white checkered shirt, and a dark tie, with one hand resting on the other person's shoulder. The person on the right wears a denim jacket over a blue shirt and holds a white cup and a small snack while looking off to the side. The room appears to be a classroom or rehearsal space with plain walls and instructional furnishings.
Equipment for John Cage's Atlas Eclipticalis
Cage, John. Atlas Eclipticalis -- Performances
A black-and-white photograph shows a close-up view of a percussion setup. Two circular percussion instruments are mounted at the top of the frame, while a tabletop below holds percussion mallets, drumsticks, beaters, small metal parts, chains, cables, and other accessories arranged across its surface. Part of a music stand with sheet music is visible at the left edge, emphasizing the performance or rehearsal environment.
Two people are seated side by side in an office or technical workspace, facing the camera. One person is wearing a tan blazer, white shirt, tie, and glasses, while the other is wearing a dark short-sleeved shirt and smiling. Shelves, boxes, and computer equipment are visible behind them, and part of a keyboard or electronic device appears in the foreground. The image has a warm color tone and the appearance of an older printed photograph.
Jan Williams playing percussion at the Akademie der Künste in Berlin
A black-and-white scene shows a person standing beside a large piece of equipment in a workshop or laboratory. The person is reaching upward with one hand while holding or adjusting a circular object connected by cables or wires. A large angled panel or enclosure occupies the right side of the scene, with additional electronic equipment and components visible below. The image is cropped closely, focusing on the person's interaction with the equipment.
Leo Smit, Jan Williams, and Diane Williams
Three people are standing together indoors against a plain wall. The person in the center is wearing glasses, a blue shirt, a dark tie, and a patterned jacket, facing the camera with a neutral expression. The people on the left and right are partially cropped from the frame, with the person on the left wearing glasses and a bow tie and the person on the right smiling while wearing a dark outfit. The image is closely framed and has the appearance of an older color photograph.
Jan Williams playing a berimbau in Hiller's An Apotheosis of Archaeopteryx
Hiller, Lejaren, 1924-1994. Apotheosis of archaeopterix -- Performances
A person is standing indoors beside a plain wall, holding a long pole marked with colorful bands while looking down at equipment in their hands. The person is wearing a dark jacket over a light shirt. A striped cylindrical object and additional equipment are positioned in front of the person, and a door handle is visible on the wall to the right. The image has the appearance of an older color photograph.
A person is standing indoors against a plain wall, holding a long pole marked with colored bands while looking down at equipment in their hands. The person is wearing a dark jacket over a light shirt. A round striped object is attached near the lower part of the pole, with additional equipment positioned in front of the person. A door handle is visible on the wall to the right. The image has the appearance of an older color photograph.
Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
Carter, Elliott 1908- Double concerto -- Performances
A black-and-white scene shows a conductor standing at the front of an orchestra, holding a baton in one hand and gesturing with the other. Blurred musicians and music stands are visible in the foreground, with an open sheet of music centered near the bottom of the frame. The background is dark, drawing attention to the conductor, who is wearing a jacket and glasses. The image is vertically framed and captures the conductor mid-performance.
A black-and-white scene shows a conductor standing at the front of an orchestra with both arms raised, holding a baton in one hand. The conductor is wearing a suit jacket, shirt, and tie, with glasses visible. Blurred musicians and music stands appear in the foreground, while the dark background emphasizes the conductor. The vertically framed image captures the conductor during a performance.
A black-and-white scene shows a conductor leaning forward while holding a baton and directing an orchestra. The conductor is wearing a suit jacket, shirt, tie, and glasses. Blurred musicians and music stands occupy the foreground, while the dark background keeps the focus on the conductor. The vertically framed image captures the conductor in the midst of a performance.
B&W contact-sheet of 35mm images of Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
A black-and-white strip of photographic film negatives is shown vertically, containing multiple rows of small sequential frames. The frames depict people in a performance or rehearsal setting, with repeated images of figures standing, seated, or gesturing on a stage. The film sprocket holes and frame borders are clearly visible, emphasizing the contact sheet or negative format rather than the individual images.
A black-and-white scene shows two people standing together in conversation. The person on the left, wearing a light-colored jacket and glasses, is holding a baton while looking downward toward the other person. The person on the right is wearing glasses, a dark jacket, a shirt, and a tie, facing the other person while speaking. The image is closely cropped, focusing on their interaction against a dark background.
Jan Williams, Elliott Carter, Ursula Oppens, and Paul Jacobs
A black-and-white scene shows four people standing together against a dark background. The two people in the center face each other, with one wearing a light-colored jacket over a dark turtleneck and the other wearing a dark top and skirt. The people at the far left and far right are partially cropped from the frame. The person on the far right has a hand raised near their face, and the image is loosely framed, capturing an informal group moment.
A black-and-white scene shows two people standing indoors at what appears to be a gathering or event. The person on the left is wearing glasses, a suit jacket, shirt, and tie, and is holding a small object while facing the camera. The person on the right is wearing glasses, a flat cap, jacket, shirt, and tie, looking downward with hands in their pockets. Several people are visible out of focus in the background, along with large windows that brighten the room.
Jan Williams, Ursula Oppens, and Paul Jacobs
A black-and-white scene shows three people gathered around a piano or music stand indoors. One person is seated in the foreground with a beard, looking toward the sheet music, while two people stand behind, both wearing glasses and leaning in to look at the same area. One of the standing people is gesturing with a hand toward the music. The image is closely framed, emphasizing their collaboration during what appears to be a rehearsal or discussion.
Jan Williams conducting Elliott Carter's Double Concerto at the Center Theater
A black-and-white scene shows a conductor standing with their back to the camera at the front of an orchestra on a stage. Musicians are seated in semicircular rows behind music stands, with percussion instruments visible toward the back. Two grand pianos occupy the foreground on opposite sides of the conductor. Audience members appear as dark silhouettes along the bottom edge of the image, framing the view from the seating area.
Jan Williams with Bent Lylloff and Brett Dietz at Niagara Falls
A color instant photograph shows six people standing outdoors in a row near a decorative railing. The group is dressed in coats and jackets, with some facing the camera and others turned slightly toward one another. The background is hazy, with a faint view of water or a distant landscape under an overcast sky. Handwritten notes are visible in the white border beneath the photograph.
Jan Williams and Luis De Pablo rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
Pablo, Luis de. Prie dieu sur le terrasse -- Performances
A black-and-white scene shows two people standing beside percussion instruments in an indoor rehearsal or workshop space. One person stands in the foreground facing the other while gesturing with one hand and holding a mallet in the other. The second person, who has a beard and glasses, stands opposite with a hand raised to their face. Metal shelving and equipment are visible in the background, and a drum occupies the foreground.
Frank Burkett Baird Music Building (State University of New York at Buffalo)
Gideon Steiner, Bent Lylloff, and Jan Williams in Copenhagen
Richard Dufallo conducting the Sjelland Symphony Orchestra in rehearsal of Lukas Foss' Concerto for percussion and orchestra
Foss, Lukas, 1922-2009. Concertos, percussion, orchestra -- Performances
A color photograph shows a conductor standing with their back to the camera at the front of an orchestra, holding a baton in one hand with both arms raised. Musicians are seated on either side behind music stands, with instruments and sheet music visible in the foreground. A large gong and other percussion instruments are positioned toward the back of the stage. The image is taken from behind the orchestra, looking toward the conductor and ensemble.
Jan Williams and Fuzzy on stage during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A color photograph shows two people in a dimly lit rehearsal or performance space. One person stands on the left, leaning over a piano or keyboard with a hand resting near the instrument, while the other person sits on the right, looking toward them. Open sheet music is spread across a music stand or surface in the foreground, and another music stand is visible in the background. The image is viewed from the side, focusing on their interaction around the instrument.
A color photograph shows an orchestra in a rehearsal or performance space. The scene is viewed from behind several seated musicians with string instruments and music stands in the foreground. At the front of the ensemble, a conductor stands facing the musicians with one arm raised while holding a baton. A dark stage curtain forms the background, and additional musicians are visible across the stage.
Jan Williams setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
A color photograph shows a person standing at a percussion setup in a rehearsal or performance space. A cymbal, drums, and mounted percussion instruments are arranged around the person, with a set of tubular bells hanging on the left side of the frame. Additional stands, mallets, and percussion equipment are visible throughout the scene. The person is viewed in profile, looking downward toward the instruments.
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A color photograph shows a person standing beside percussion instruments in a rehearsal or performance space. The person is holding a pair of drumsticks and facing another person who is partially visible on the right side of the frame. A music stand with open sheet music is positioned behind the standing person, and several drums or timpani occupy the foreground. The scene is dimly lit, focusing on the interaction between the two people and the percussion setup.
A color photograph shows two people standing at a percussion setup in a rehearsal or performance space. Both are holding percussion mallets while facing each other across several drums or timpani in the foreground. A music stand with open sheet music is positioned behind the person on the left, and additional percussion instruments and stands are visible around the space. The dimly lit scene focuses on the musicians and their percussion equipment.
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A black-and-white scene shows a person standing at a percussion setup in a rehearsal or performance space, facing the camera. Drums, cymbals, tubular bells, and other percussion instruments are arranged around the person, with a music stand visible in the foreground on the right. The background is dark, and the image is framed to include both the person and the surrounding percussion equipment.
A black-and-white scene shows a person standing at a percussion setup in a rehearsal or performance space. The person is reaching across several drums while holding percussion mallets. Tubular bells and additional suspended percussion instruments are positioned above and around the setup, with more drums visible to the right. The background is dark, and the image is framed to emphasize the percussion instruments and the person's activity.
Richard Dufallo conducting the Sjelland Symphony Orchestra n rehearsal of Lukas Foss' Concerto for percussion and orchestra
A black-and-white scene shows a conductor standing with their back to the camera at the front of an orchestra, holding a baton in one hand with both arms raised. Musicians are seated on either side behind music stands, with instruments and sheet music visible in the foreground. A large gong and other percussion instruments are positioned toward the back of the stage. The image is taken from behind the orchestra, looking toward the conductor and ensemble.
A black-and-white scene shows an orchestra in a rehearsal or performance space. The view is from behind several seated musicians with string instruments and music stands in the foreground. At the front of the ensemble, a conductor stands facing the musicians with one arm raised while holding a baton. A dark stage curtain forms the background, and additional musicians are visible across the stage.
Jan Williams rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
A black-and-white scene shows a person standing at a percussion setup indoors. The person is wearing glasses and a dark long-sleeved shirt, holding a percussion mallet above a drum or timpani while looking downward. A horizontal bar or frame extends across the foreground, with additional percussion equipment and stands visible around the instrument. The image is closely framed, focusing on the person and the percussion setup.
A black-and-white scene shows two people standing on opposite sides of a xylophone or marimba in a rehearsal or performance space. Both are holding percussion mallets and facing each other across the instrument. A music stand with open sheet music is positioned behind the person on the left, while additional percussion mallets rest on a nearby surface in the foreground. The image is closely framed, focusing on the musicians and the keyboard percussion instrument.
A black-and-white scene shows a conductor standing at the front of a stage with both arms raised, holding a baton while facing an orchestra. Several percussion instruments and stands are visible behind the conductor, while the edge of the stage runs along the right side of the frame. The image is viewed from the audience side, with the conductor captured mid-gesture during a rehearsal or performance.
Jan Williams and Lennart Fessel setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
A black-and-white scene shows three people gathered around a large percussion instrument in a rehearsal or performance space. One person stands with their back to the camera on the left, while another stands across the instrument facing them. A third person stands to the right with a hand near their face, watching the interaction. Additional percussion instruments and stands are visible in the background, and a stage curtain lines the right side of the frame.
Jan Williams setting up percussion instruments on stage for a performance of Lukas Foss' Concerto for percussion and orchestra
A black-and-white scene shows a person standing at a percussion setup in a rehearsal or performance space. A cymbal, drums, and mounted percussion instruments are arranged around the person, with a set of tubular bells hanging on the left side of the frame. Additional stands, mallets, and percussion equipment are visible throughout the scene. The person is viewed in profile, looking downward toward the instruments.
A black-and-white scene shows a person standing at a percussion setup in a rehearsal or performance space. The person is positioned among drums, cymbals, and mounted percussion instruments, with a large bass drum visible in the foreground. A music stand with a blank score or papers is positioned to the right, while additional percussion equipment and stands fill the background. The image is framed to show both the person and the surrounding instrument setup.
Richard Dufallo conducting the Sjelland Symphony Orchestra performing Lukas Foss' Concerto for percussion and orchestra
A black-and-white scene shows an orchestra rehearsal viewed from behind several seated musicians and their music stands. A person stands near a large gong and other percussion instruments at the back of the ensemble, facing toward the center of the stage. Additional percussion equipment is arranged nearby, while rows of empty audience seats are visible in the background. The image is framed to emphasize the percussion area within the larger rehearsal space.
A black-and-white scene shows two people standing on opposite sides of a xylophone or marimba in a rehearsal or performance space. Both are holding percussion mallets and facing each other across the instrument. A music stand with open sheet music is positioned behind the person on the left, while several additional percussion mallets rest on the edge of the instrument in the foreground. The image is closely framed, focusing on the musicians and the keyboard percussion instrument.
Jan Williams and Luis De Pablo discussing De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
A black-and-white scene shows two people standing indoors in a rehearsal or workshop space. The person on the left has a beard and glasses, is wearing a jacket over a hooded sweatshirt, and gestures with one hand while facing the other person. The person on the right is wearing glasses and a dark sweater, holding a sheet of paper while touching their forehead. Cabinets, chairs, and storage containers are visible in the background, suggesting a backstage or practice room.
A black-and-white scene shows two people standing at a percussion setup in a rehearsal or performance space. Both are holding percussion mallets while facing each other across several drums or timpani in the foreground. A music stand with open sheet music is positioned behind the person on the left, and additional percussion instruments and stands are visible around the space. The dimly lit scene focuses on the musicians and their percussion equipment.
Jan Williams setting up on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
A black-and-white scene shows a person standing on a stage in a rehearsal or performance space beside a large gong and an extensive percussion setup. The person has both hands raised near their head while facing the instruments. Additional percussion instruments, stands, and music equipment are arranged across the stage, with the stage edge visible in the foreground and a dark curtain forming the background.
A black-and-white scene shows two people standing at a percussion setup in a rehearsal or performance space. Both are holding percussion mallets while facing each other across several drums or timpani in the foreground. A music stand with open sheet music is positioned behind the person on the left, while additional percussion instruments and stands are visible around the space. The image is closely framed, emphasizing the musicians and the percussion setup.
A black-and-white scene shows a person leaning over a xylophone or marimba, holding mallets while playing or demonstrating the instrument. Several seated musicians are visible beyond the instrument, including one with a beard in the foreground, watching the performance. The keyboard percussion instrument occupies much of the lower half of the frame, with sheet music visible at the right edge. The dimly lit setting appears to be a rehearsal or performance space.
Jan Williams (barely visible) on stage with percussion set up for a performance of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A black-and-white scene shows an extensive percussion setup arranged on a stage without any people present. A large gong is centered in the display, surrounded by drums, cymbals, tubular bells, and numerous percussion stands and instruments. A bass drum is visible on the right side, while additional percussion equipment fills the stage. The dark curtain in the background emphasizes the organized instrument setup.
A black-and-white scene shows four people seated side by side in a rehearsal or performance space. Two people in the center are wearing glasses, while the person on the right is holding a clarinet across their lap and the others have woodwind instruments resting in front of them or across their laps. Music stands and a stage curtain are visible in the background. The image is closely framed, focusing on the seated group and their instruments.
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra for performance with the Sjelland Symphony Orchestra (conductor Richard Dufallo in background)
A black-and-white scene shows a person leaning over a xylophone or marimba while holding two mallets above the instrument. A large gong and additional percussion equipment are positioned behind the performer, with music stands and sheet music visible in the foreground. Another person is partially visible in the background with an arm raised. The image is closely framed, emphasizing the keyboard percussion instrument and surrounding percussion setup.
Jan Williams and Fuzzy performing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A black-and-white scene shows a person leaning over a xylophone or marimba while holding two mallets above the instrument. Another person with glasses and a beard is seated nearby, looking toward the performer from beside a music stand with open sheet music. Additional music stands and percussion equipment are visible in the dimly lit rehearsal space. The image is closely framed, emphasizing the interaction between the performer, observer, and keyboard percussion instrument.
Nils Vigeland, Morton Feldman, Jan Williams, and Eberhard Blum outside a door in London
A color photograph shows four people standing on a sidewalk in front of the entrance to a building. One person in the center is holding an object while speaking, and the others are turned toward them as if listening. The doorway features decorative trim and a dark interior beyond the open door. Brick walls, windows, and the building's facade frame the group, suggesting an informal gathering outside the entrance.
Jan Williams, Joan La Barbara, and Nora Post at a rehearsal at Albright-Knox Art Gallery Auditorium
A black-and-white scene shows three people on a stage in a rehearsal or performance space. Three microphone stands are positioned across the front, with two people standing at the microphones and a third person seated to the left playing a percussion instrument. A large gong and additional percussion equipment are visible in the background, along with stage curtains and music stands. The image is framed to show the performers and their stage setup.
Members of the Center of the Creative and Performing Arts at the Albright-Knox Art Gallery front steps
Scoville, Margaret, 1944-1978 - Composer
A black-and-white scene shows a group of people gathered on the steps of a large building with tall columns in the background. Some are seated on the lower steps while others stand behind them, creating several rows. The group is dressed in coats, hats, scarves, and winter clothing, with a few people smiling toward the camera. The image is centered on the group, with the building's entrance and architectural details framing the scene.
Jan Williams and Luis De Pablo rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in Baird Room 100
A black-and-white scene shows a person leaning closely over a xylophone or marimba while holding two percussion mallets above the instrument. Another person wearing glasses is visible through an opening in the background, watching from behind a structural frame. The keyboard percussion instrument fills the foreground, with additional equipment partially visible at the edges of the frame. The image is tightly cropped, emphasizing the performer's focused posture and the instrument.
A color photograph shows a group of people gathered in a living room, with some seated on chairs and the floor while others stand behind them. A coffee table in the center holds plates, cups, and refreshments. Windows with wooden trim, framed wall decorations, and household furnishings are visible in the background. The group is dressed in casual clothing and faces the camera in an informal group portrait.
UB Percussion Ensemble with Mark Sokol performing Lou Harrison's Concerto for violin and percussion
Harrison, Lou, 1917-2003. Concertos, violin, percussion ensemble -- Performances
A color photograph shows a conductor standing at the front of an ensemble on a stage, facing the musicians with raised arms. Musicians are seated behind music stands, with percussion instruments including a large gong, drums, and keyboard percussion arranged across the back of the stage. Tall stage curtains form the backdrop, and the image is taken from the audience perspective, capturing the full ensemble and stage setup.
A color photograph shows six people standing in a row indoors against a plain wall. They are dressed in a mix of casual and semi-formal clothing, including jackets, sweaters, vests, and patterned shirts. Several people have facial hair, and some are smiling while facing the camera. The image is closely framed, focusing on the group without showing much of the surrounding room.
A black-and-white scene shows several people gathered around an extensive percussion setup on a stage. Timpani, drums, a xylophone or marimba, a large gong, and other percussion instruments are arranged across the stage, with people standing or seated at different stations. Music stands and additional equipment are distributed throughout the space. The image is taken from a distance, showing the full percussion area and the people preparing or rehearsing.
A black-and-white scene shows two people standing indoors against a plain background. The person on the left is facing slightly toward the camera with shoulder-length dark hair and a dark top. The person on the right is wearing glasses, a suit jacket, shirt, and tie, turned toward the other person as if speaking. The image is closely framed, focusing on the two people and their interaction.
Jan Williams, in hat, playing double bass at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person wearing a light-colored hat, dark sunglasses, and a mustache while playing an upright bass with a bow. One hand holds the bow against the strings while the other steadies the neck of the instrument. The upright bass fills much of the right side of the frame, and the image is closely cropped, focusing on the musician and the instrument.
Jan Williams playing a musical saw at theNuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person bending forward while using a long-handled floor tool on a tiled floor indoors. The person is wearing a light-colored shirt and striped pants, with both hands gripping the handle. A large column stands to the right, and another person is visible in the background near a railing. The image is closely framed, focusing on the person and the floor-cleaning activity.
Jan Williams at the piano at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person standing behind a grand piano on a stage. Microphone stands are positioned around the piano, and audio equipment, including amplifiers and speakers, is arranged nearby. Additional stage equipment is visible at the edges of the frame, while the high ceiling and open stage create a spacious performance setting. The image is taken from a distance, showing the full stage arrangement.
Jan Williams conducting at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person standing behind a music stand indoors, holding a percussion mallet in each hand with both arms raised. The person is wearing a light-colored shirt and is positioned in front of a large geometric wall artwork. Part of another seated person is visible at the left edge of the frame, and chairs are arranged around the room. The image is centered on the standing person and the music stand.
A black-and-white scene shows a person wearing glasses and a light-colored T-shirt with both arms raised. The person is holding a baton in one hand and a small object in the other while looking upward. The background is dark, and the image is closely cropped, focusing on the person's upper body and expressive gesture.
Jan Williams painting at Nuits de la Foundation Maeght at St. Paul de Vence
A black-and-white scene shows a person standing beside a large suspended metal panel or percussion instrument on a stage. The person is holding a mallet raised near the instrument while facing it. A microphone stand is positioned to the left, and additional stage structures and equipment are visible around the performance area. The image is taken from a low angle, emphasizing the person and the large instrument.
Images from performance of Jan Williams' Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Williams, Jan, 1939- Dream lesson -- Performances
A black-and-white abstract image shows a mostly dark background with a cluster of thin, curved light trails sweeping diagonally across the lower left toward the upper right. The trails vary in length and brightness, creating the appearance of motion, while the rest of the frame remains largely empty and dark.
Jan Williams and Ed Yadzinski performing Jan Williams' Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person standing at the front of a stage with one arm raised, gesturing while facing the audience area. Behind them, another person is seated at a grand piano. Microphone stands and audio equipment are arranged around the piano, with additional stage equipment visible nearby. The high ceiling and open stage create a spacious performance setting, and the image is taken from a distance to include both people and the stage setup.
Jan Williams bowing at a performance of his Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows two people on a large stage separated by several meters of open space. One person stands on the left beside a large suspended gong, while the other stands on the right beside a keyboard percussion instrument such as a xylophone or marimba. The stage is otherwise mostly empty, emphasizing the wide performance area and the placement of the instruments against a plain backdrop.
Jan Williams and others practicing before a performance of Lukas Foss' MAP at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Foss, Lukas, 1922-2009. MAP -- Performances
A black-and-white scene shows four people gathered indoors in a rehearsal or performance space. One person is seated in the foreground holding an accordion, while three others stand nearby, talking and smiling. Music stands with sheet music are positioned in front of the group, and large curved wall panels or acoustic structures form the background. The image is closely framed, focusing on the interaction among the musicians.
Jan Williams bowing with Lukas Foss after a performance of Lukas Foss' Paradigm at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Foss, Lukas, 1922-2009. Paradigm -- Performances
A black-and-white scene shows two people standing on a stage in a rehearsal or performance space. One person is leaning forward while using a cane, and the other stands beside them with one hand extended in a gesturing motion. A large gong and additional percussion equipment are visible in the background, along with stage equipment and stands. The image is closely framed, focusing on the interaction between the two people.
Performance of Lukas Foss' Paradigm at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Yadzinski, Edward, 1940- - Saxophone (Tenor)
A black-and-white scene shows a person standing at the front of a rehearsal space with both arms raised in a conducting or directing gesture. Several musicians are seated behind music stands, facing the person, with instruments partially visible. Large windows, acoustic panels, and abstract wall art are visible in the room, creating a spacious rehearsal environment. The image is framed to show both the conductor and the ensemble.
Jan Williams and Ed Burnham performing Stockhausen's Plus-Minus during Evenings for New Music with Cornelius Cardew at the piano
Stockhausen, Karlheinz, 1928-2007. Plus Minus -- Performances
A black-and-white scene shows a person standing behind a marimba on a stage in a performance venue. The marimba is positioned in front of the performer, with microphones and additional percussion instruments visible nearby. Stage curtains and wall panels form the backdrop, while silhouettes of audience members appear along the bottom edge of the frame. The image is taken from the audience perspective, showing the performer and the stage setup.
A black-and-white scene shows two people on a stage in a performance venue. One person stands behind a marimba on the right side of the stage, while another is positioned at a keyboard instrument or piano toward the left. Microphones, music stands, and additional percussion equipment are arranged around the performers. Stage curtains and wall panels form the backdrop, and silhouettes of audience members appear along the bottom edge of the frame, indicating the view is from the audience.
Jan Williams and Ed Burnham performing William Albright's composition for 2 drummers, film, and tape at Hallwalls, Essex St.
A color photograph shows two people seated at separate drum kits in an indoor gallery or studio space. Both are wearing light-colored clothing and are positioned on opposite sides of the room with their drum sets facing forward. A large abstract relief sculpture spans the wall behind them, and additional artwork is visible along the right wall. The image is framed to show both performers and the surrounding exhibition space.
Creative Associates at performance of Klaus von Wrochem's Stücke
Wrochem, Klaus von. Stücke -- Performances
A black-and-white scene shows a group of musicians standing together on a stage in a performance venue. Several people are gathered near the center behind music stands, while percussion instruments, including a marimba and other equipment, are arranged on the right side of the stage. Additional instruments and microphones are visible across the stage, with tall curtains forming the backdrop. The image is viewed from the audience, with silhouettes of audience members visible along the bottom edge of the frame.
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
Kraft, William. Concertos, percussion, orchestra -- Performances
A black-and-white scene shows a conductor standing at the right side of the frame, facing a small ensemble of seated musicians behind music stands. Several musicians are wearing formal attire, and percussion instruments, including keyboard percussion, are arranged across the front of the ensemble. Tall wall panels form the background, and the image is framed to show both the conductor and the performers in the performance space.
A black-and-white scene shows a conductor standing at the right side of the frame, facing a small ensemble of seated musicians behind music stands. Several musicians are wearing formal attire, and a percussion section with timpani, keyboard percussion, and other instruments occupies the foreground. Tall wall panels form the background, and the image is framed to emphasize the interaction between the conductor and the ensemble.
A black-and-white scene shows a conductor standing near the percussion section at the front of a small ensemble in a performance space. Several musicians in formal attire are seated behind music stands, while percussion instruments including timpani, keyboard percussion, and other equipment occupy the foreground and right side of the stage. Tall wall panels form the backdrop, and the image is framed to show both the conductor and the ensemble during a rehearsal or performance.
Buffalo Philharmonic Orchestra - Ensemble
A black-and-white scene shows a full orchestra seated on a concert stage in a large performance hall. Musicians are arranged in sections behind music stands, with a conductor's podium positioned near the front center of the ensemble. The hall features tall wall panels and a high ceiling with broad, curved architectural elements. The image is taken from a distance, capturing the full orchestra and the spacious concert venue.
A black-and-white scene shows a large orchestra seated across a concert stage in a spacious performance hall. Musicians are arranged in sections behind music stands, with percussion instruments visible toward the right side of the stage. The conductor's podium is positioned near the front center, and tall wall panels with a high, curved ceiling frame the performance space. The image is taken from a distance, emphasizing the scale of the ensemble and the architecture of the hall.
A black-and-white scene shows a large orchestra seated on a concert stage in a spacious performance hall. Musicians are arranged in sections behind music stands, with string, wind, brass, and percussion sections visible across the stage. A conductor stands near the front center of the ensemble, facing the musicians. Tall wall panels and a high ceiling with broad, curved architectural elements frame the performance space. The image is taken from a distance, capturing both the full orchestra and the hall's distinctive architecture.
David Rosenboom with the New Percussion Quartet at an Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
A black-and-white scene shows four people standing side by side on a concert stage in front of stage curtains. They are dressed in formal attire, with three wearing suits and one wearing a dark outfit. Each has their hands extended forward in a gesture of acknowledgment, and several are smiling. Percussion instruments and music stands are visible behind them, while the arm of another person is partially visible at the left edge of the frame.
John Cage and unidentified girl performing his She Is Asleep at Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
Cage, John. She is asleep -- Performances
A black-and-white scene shows two people performing on a stage. In the foreground, one person is playing percussion instruments, with drums and cymbals partially visible. Behind them, another person is seated at a grand piano, leaning toward the keyboard. The raised lid of the piano dominates the upper part of the frame, while stage curtains are visible in the background. The image is closely framed, focusing on the two performers and their instruments.
John Cage with toy gun during performance of David Rosenboom's To That Predestined Dancing Place at Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
Rosenboom, David. To that predestined dancing place -- Performances
A black-and-white scene shows a person crouching near the edge of a stage, holding and aiming a long tube-shaped object toward the left side of the frame. Behind the person, a set of timpani, drums, cymbals, and other percussion instruments are arranged on the stage, with a music stand and tall stage curtains in the background. The image is taken from a low angle, emphasizing the crouching figure and the performance setup.
John Cage performing his A Room, She Is Asleep with the New Percussion Quartet at the Albright-Knox Art Gallery for the 2nd Festival of the Arts
A black-and-white scene shows a conductor standing at the front of an ensemble on a concert stage, facing the musicians. A grand piano is positioned on the left side of the stage, while music stands, percussion instruments, and additional performers are arranged across the center and right. Tall draped curtains form the backdrop, and audience silhouettes are visible along the bottom edge of the frame, indicating the view is from the audience.
New Percussion Quartet performing Lou Harrison's Fugue at old Baird Hall for 2nd Festival of the Arts
Harrison, Lou, 1917-2003. Fugue, percussion -- Performances
A black-and-white scene shows a small ensemble on a concert stage viewed from an elevated angle. A grand piano is positioned on the left beside timpani and other percussion instruments, while additional percussion and keyboard instruments are arranged across the stage. Several musicians are seated or standing behind music stands, with one person standing near the right side of the stage. Large folding acoustic panels form the backdrop, and microphone stands are visible among the performance setup.
New Percussion Quartet performing John Bergamo's Interactions for Vibe and Percussion Ensemble at old Baird Hall for 2nd Festival of the Arts
Bergamo, John. Interactions for Vibe and Percussion Ensemble -- Performances
A black-and-white scene shows a small ensemble on a concert stage viewed from an elevated angle. Percussion instruments, including a marimba, drums, and suspended percussion, are arranged across the stage, with several musicians seated or standing behind music stands. One person stands near the percussion section while others are positioned throughout the performance area. Large folding acoustic panels form the backdrop, and microphone stands and chairs are visible among the stage equipment.
New Percussion Quartet performing Bill Russell's Three Dance Movements at old Baird Hall for 2nd Festival of the Arts
Russell, Bill, 1905-1992. Three Dance Movements -- Performances
A black-and-white scene shows a small ensemble on a concert stage viewed from an elevated angle. A drum set is positioned near the center of the stage, with a grand piano on the left and additional percussion instruments, music stands, and chairs arranged across the performance area. Several musicians are seated or standing behind the music stands. Large folding acoustic panels form the backdrop, and microphone stands are visible among the stage equipment.
New Percussion Quartet performing Michael Colgrass' Inventions on a Motive at old Baird Hall for 2nd Festival of the Arts, Melvin Strauss conducting
Colgrass, Michael. Inventions on a motive -- Performances
A black-and-white scene shows a conductor standing with their back to the camera, facing a percussion ensemble on a concert stage. Several musicians are positioned among timpani, drums, keyboard percussion instruments, and music stands, with additional percussion equipment arranged across the stage. A keyboard instrument is visible on the right side, and tall wall panels form the background. The image is taken from an elevated audience perspective, showing the conductor, performers, and the full percussion setup.
New Percussion Quartet performing David Rosenboom's To That Predestined Dancing Place at old Baird Hall
A black-and-white scene shows three percussionists seated on a concert stage among timpani, drums, keyboard percussion instruments, and music stands. One person is seated behind a drum near the center, while the others are positioned to the left and right with percussion instruments in front of them. Additional percussion equipment is arranged around the stage, and tall wall panels form the background. The image is taken from an elevated audience perspective, focusing on the percussion section and surrounding instruments.
New Percussion Quartet performing John Cage's She Is Asleep at old Baird Hall
A black-and-white scene shows four percussionists performing on a concert stage. The musicians are positioned around timpani, drums, and other percussion instruments, with music stands placed in front of them. Additional percussion equipment and microphone stands are arranged throughout the stage, and tall wall panels form the background. The image is taken from an elevated audience perspective, showing the performers and the percussion setup.
A black-and-white scene shows a conductor standing with their back to the camera, facing a percussion ensemble on a concert stage. Several musicians are positioned among timpani, drums, keyboard percussion instruments, and music stands, with additional percussion equipment arranged across the stage. Microphone stands and other stage equipment are visible throughout the performance area, and tall wall panels form the background. The image is taken from an elevated audience perspective, showing the conductor, performers, and the full percussion setup.