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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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                <text>Barbara Ann Conlogue Collection of Eleanor Steber Photographs and Clippings, circa 1935-1977 </text>
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                <text> LIB-MUS020</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1739615">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;    </text>
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                  <text>&lt;p&gt;The Barbara Ann Conlogue Collection of Eleanor Steber Photographs, circa 1935-1977 contains 373 images of soprano Eleanor Steber. The collection includes stock publicity photographs, but is special for the many informal snapshots of Steber at various functions throughout her career. The snapshots include photographs of a television screen during broadcasts of Steber performances.&lt;/p&gt;
&lt;p&gt;Eleanor Steber was born 17 July 1916 in Wheeling, West Virginia. She made her premiere with the Metropolitan Opera in 1940 and remained with the company until 1963. She is noted for her work as the first Vanessa in Samuel Barber’s opera of that name and she also commissioned the composer for his work,Knoxville: Summer of 1915. She performed the title role of Arabella in Richard Strauss’s opera in the American premiere at the Metropolitan Opera in 1955 and sang the part of Marie in Alban Berg’s Wozzeck in the first performance by the Metropolitan Opera in 1959. Steber devoted her later years to teaching, working at the Cleveland Institute, Juilliard, and her alma mater, New England Conservatory. She established the Eleanor Steber Music Foundation to assist young singers in the early stages of their careers. Steber died in Langhorne, Pennsylvania 3 October 1990.&lt;/p&gt;
&lt;p&gt;For more details about the collection please refer to the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0036.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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                  <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;https://library.buffalo.edu/music/about/copyright.html&lt;/a&gt;</text>
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                <text>Eleanor Steber in costume as Marguerite in Gounod's Faust</text>
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                <text>William Morris Agency, Inc.</text>
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                <text>State University of New York at Buffalo. Music Library</text>
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                <text>Conlogue, Barbara Ann, 1928-1995</text>
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                <text>Mus. Arc. 36</text>
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                <text>Barbara Ann Conlogue Collection of Eleanor Steber Photographs and Clippings, circa 1935-1977 </text>
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                <text> LIB-MUS020</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1739616">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;    </text>
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                  <text>Frances Proctor Ames Collection</text>
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                  <text>In the 1880s, it was difficult to find a woman who worked in any profession outside the home, much less a female physician. In 1885 Frances Proctor Ames graduated from the University of Buffalo Medical Department and began practicing as an obstetrician/gynecologist in Western New York. Dr. Ames was born in 1856 and was one of the first women to graduate from UB’s medical school. This collection features letters received by Frances Proctor Ames until her death in 1929. The majority of the correspondence is between Dr. Ames and Louise Downer, a classmate. The remaining correspondence is between Dr. Ames and a Dr. W.O.A. Langs, who also practiced in the area and graduated from UB’s medical school, as well as a mentor, Dr. John Eddy. There are several examples of letters sent from patients, asking Dr. Ames for her assistance with childbirth or a health emergency. The collection also features prescriptions written by Dr. Ames, medical notes scribbled on scraps of paper, treatment plans, and old examinations from her time at UB. Dr. Ames’ thesis can be read as a part of the collection, and is surprisingly short. From the prescriptions to the thesis, this collection reflects a time when patients sent their doctors letters asking for a house call when they were ill. With constant changes in medical research and technology today, it is important to appreciate just how far medicine has come.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1266569">
                  <text>Researchers must contact University Archives to obtain reproductions of images and to request permission to use any image. Persons who publish or use this material in any manner assume all responsibility for identifying copyright holders and meeting any requisites for use.</text>
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                  <text>LIB-UA041</text>
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                  <text>In 2023, University at Buffalo graduate students Allie Fuller and Lawrence Lorraine Mullen collaborated with University Archives and the Robert L. Brown History of Medicine Collection to complete a digital humanities project mapping Frances Proctor Ames and Louise Downer Benzing as they moved throughout Western New York during the 19th century. &lt;a href="https://uploads.knightlab.com/storymapjs/9291328be3ef005a2f8ba1a128432a8d/nineteenth-century-century-medical-women-tracing-frances-proctor-ames-and-louise-downer-benzig-through-western-new-york/index.html"&gt;"19th Century Medical Women: Tracing Frances Proctor Ames &amp;amp; Louise Downer Benzing Through Western New York"&lt;/a&gt; combines digital scans of archival material, narrative text, and an interactive map of Western New York to tell the story of these two medical professionals</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Correspondence</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Letter written by Louise Downer Benzing and sent to Dr. Frances Proctor Ames, August 10, 1922</text>
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            <name>Subject</name>
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                <text>Letter writing ; Ames, Frances Proctor, 1856-1948 </text>
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            <name>Description</name>
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                <text>This is a photograph of a letter written by Louise Downer Benzing and sent to Dr. Frances Proctor Ames on August 10, 1922. The first page, verso, depicts page one and four, and the second page, recto, depicts page two and three. </text>
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                <text>Ames, Frances Proctor, 1856-1948</text>
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                <text>State University of New York at Buffalo. University Archives</text>
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                <text>Ames, Frances Proctor, 1856-1948</text>
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                <text>RG9-12-1043_1_2_017</text>
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                <text>2016-05-10</text>
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                <text>Frances Proctor Ames Papers, 1882-1948 (RG 9/12/1043)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.  This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;.  If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                <text>Paterboro, Aug 10-22&#13;
My Dear Fanny:-&#13;
Your letter was forwarded and I was pleased to hear, but surprised that you and your husband were alone childless so that is hardly fair either as your [?]  gained three children to not maintain that wonderful little Frances.&#13;
&#13;
&#13;
Yes the summer is going forth. And it has been a [?] one for me–I came to the old house in Early May remaining two weeks–returned to Buffalo and my sister began preparations for a trip to California as I have not not rested since my husband’s death. Cousins that we had not seen for years came to visit us–and we gladly postponed our trip for a time after they left–the railroad strike started. So we came down to the Old Home–and will go to Cal. in the Fall–if the strike is ended.&#13;
&#13;
&#13;
We would have visited you before leaving but Dr Earl said if he visited Paterboro it would have to be before Aug–so I came down and postponed everything and then Dr and wife Downes and Eshter his children 13 and 10 and my sister came down in Dr. auto and just left us yesterday. We had plans and things and Downer fished to his hearts content. I suppose you know of the Buffalo streetcar strike. It is terrible and my sympathies are with the company. I detest the unions.&#13;
&#13;
&#13;
It is my birthday today and as you know I am nearly 100 but do not tell your family when is your birthday. For [?] and tell me–brothers daughters wine Aug 18 - Aug 14. Aug 10 sisters Amy died when [?] what are the prospects for fruit in your county. This is an apple county. some pears. No peaches [?]. Storms have damaged capes. One of our beautiful cedars was blown down last week. Our trees are are friends [?] [?] [?] from [?] [?] send regards to [?] family - Louise&#13;
&#13;
&#13;
For I go home early in Oct. I shall see you.</text>
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                  <text>Frances Proctor Ames Collection</text>
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                  <text>In 2023, University at Buffalo graduate students Allie Fuller and Lawrence Lorraine Mullen collaborated with University Archives and the Robert L. Brown History of Medicine Collection to complete a digital humanities project mapping Frances Proctor Ames and Louise Downer Benzing as they moved throughout Western New York during the 19th century. &lt;a href="https://uploads.knightlab.com/storymapjs/9291328be3ef005a2f8ba1a128432a8d/nineteenth-century-century-medical-women-tracing-frances-proctor-ames-and-louise-downer-benzig-through-western-new-york/index.html"&gt;"19th Century Medical Women: Tracing Frances Proctor Ames &amp;amp; Louise Downer Benzing Through Western New York"&lt;/a&gt; combines digital scans of archival material, narrative text, and an interactive map of Western New York to tell the story of these two medical professionals</text>
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Syrupi scillae [?]&#13;
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Fannie Ames M.D.</text>
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                  <text>In 2023, University at Buffalo graduate students Allie Fuller and Lawrence Lorraine Mullen collaborated with University Archives and the Robert L. Brown History of Medicine Collection to complete a digital humanities project mapping Frances Proctor Ames and Louise Downer Benzing as they moved throughout Western New York during the 19th century. &lt;a href="https://uploads.knightlab.com/storymapjs/9291328be3ef005a2f8ba1a128432a8d/nineteenth-century-century-medical-women-tracing-frances-proctor-ames-and-louise-downer-benzig-through-western-new-york/index.html"&gt;"19th Century Medical Women: Tracing Frances Proctor Ames &amp;amp; Louise Downer Benzing Through Western New York"&lt;/a&gt; combines digital scans of archival material, narrative text, and an interactive map of Western New York to tell the story of these two medical professionals</text>
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                <text>For making the best cough syrup: take one oz. of thorough [?], one oz. of slippery elm; one oz. of stick licorice and one oz. of flaxseed; [?] together in one qt. Of water until the strength is all extracted. Strain carefully, add one pint of best molasses, ½ lb of loaf sugar. [?] these all together and when cold bottle tight. Best medicine ever used. A first dose of one taste often at a time will alleviate the most distressing cough of the lungs. [?]&#13;
Dr. Chassis Ruphus&#13;
Chlorate of potash&#13;
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Spr. Peppermint Drops 30&#13;
Comp. Phosphorus Tonic-Dowd oz 1&#13;
Glycerine qs, ad oz 4&#13;
&#13;
&#13;
Teaspoonful in milk half hour&#13;
After meals&#13;
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&#13;
&#13;
ANY DRUGGIST can fill THIS: NO HABIT FORMING DRUGS.</text>
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                  <text>In the 1880s, it was difficult to find a woman who worked in any profession outside the home, much less a female physician. In 1885 Frances Proctor Ames graduated from the University of Buffalo Medical Department and began practicing as an obstetrician/gynecologist in Western New York. Dr. Ames was born in 1856 and was one of the first women to graduate from UB’s medical school. This collection features letters received by Frances Proctor Ames until her death in 1929. The majority of the correspondence is between Dr. Ames and Louise Downer, a classmate. The remaining correspondence is between Dr. Ames and a Dr. W.O.A. Langs, who also practiced in the area and graduated from UB’s medical school, as well as a mentor, Dr. John Eddy. There are several examples of letters sent from patients, asking Dr. Ames for her assistance with childbirth or a health emergency. The collection also features prescriptions written by Dr. Ames, medical notes scribbled on scraps of paper, treatment plans, and old examinations from her time at UB. Dr. Ames’ thesis can be read as a part of the collection, and is surprisingly short. From the prescriptions to the thesis, this collection reflects a time when patients sent their doctors letters asking for a house call when they were ill. With constant changes in medical research and technology today, it is important to appreciate just how far medicine has come.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1266569">
                  <text>Researchers must contact University Archives to obtain reproductions of images and to request permission to use any image. Persons who publish or use this material in any manner assume all responsibility for identifying copyright holders and meeting any requisites for use.</text>
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              <name>Identifier</name>
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                  <text>LIB-UA041</text>
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                <elementText elementTextId="1671575">
                  <text>In 2023, University at Buffalo graduate students Allie Fuller and Lawrence Lorraine Mullen collaborated with University Archives and the Robert L. Brown History of Medicine Collection to complete a digital humanities project mapping Frances Proctor Ames and Louise Downer Benzing as they moved throughout Western New York during the 19th century. &lt;a href="https://uploads.knightlab.com/storymapjs/9291328be3ef005a2f8ba1a128432a8d/nineteenth-century-century-medical-women-tracing-frances-proctor-ames-and-louise-downer-benzig-through-western-new-york/index.html"&gt;"19th Century Medical Women: Tracing Frances Proctor Ames &amp;amp; Louise Downer Benzing Through Western New York"&lt;/a&gt; combines digital scans of archival material, narrative text, and an interactive map of Western New York to tell the story of these two medical professionals</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Correspondence</text>
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              <text>5x7.6</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Prescription slip, undated</text>
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            <description>The topic of the resource</description>
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                <text>Letter writing </text>
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                <text> Ames, Frances Proctor, 1856-1948 </text>
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              <elementText elementTextId="1271831">
                <text>  Medicine--Formulae, receipts, prescriptions </text>
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                <text> Bloodroot</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1271833">
                <text>This is a photograph of a prescription slip. It includes bloodroot as an ingredient for the treatment. The note is undated. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1271834">
                <text>undated </text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="1271835">
                <text>2016-05-10</text>
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                <text>Text</text>
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            <name>Format</name>
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                <text>image/jpeg</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="1271838">
                <text>RG9-12-1043_1_6_024</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="1271839">
                <text>Frances Proctor Ames Papers, 1882-1948 (RG 9/12/1043)</text>
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                <text>LIB-UA041</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1271841">
                <text>State University of New York at Buffalo. University Archives</text>
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                <text>en-US</text>
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              <elementText elementTextId="1271846">
                <text>Ames, Frances Proctor, 1856-1948</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Ames, Frances Proctor, 1856-1948</text>
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            <description>The size or duration of the resource.</description>
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                <text>5x7.6</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1926500">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.  This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;.  If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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        <description>Manages transcriptions of items and files</description>
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            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
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                <text>Rice’s Prescription Pharmacy&#13;
PORTVILLE, N.Y.&#13;
&#13;
&#13;
No Dr&#13;
Ion Blood Root&#13;
Lobelia&#13;
[?] 1 oz&#13;
Ess arise [?]&#13;
Tinct [?]</text>
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