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                    <text>A vintage newspaper page featuring two theater reviews. On the left is an article titled “’Blue Leaves’: the deification of media” with multiple columns of text and a cartoon illustration of a television with an eye holding a microphone. On the right is a black-and-white photo of actors performing a scene at a table, above another review titled “Misplaced style ‘Taming’: a tame production.” The layout is aged with a yellowed paper background.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A vintage newspaper page titled “The Prodigal Sun” with a large decorative header. Below is a film review titled “‘Sleuth’: A maze of games and puzzles” by Jay Boyar, arranged in multiple columns of text. On the right side is a black-and-white illustration of a surreal jack-in-the-box figure with a segmented, bending body emerging from a box, next to a small artist signature.</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A vintage newspaper page featuring a film review titled “Save the viewer, not ‘Tiger’” by Jay Boyar. The layout includes columns of text, a small illustration by Tom Toles of a tiger-headed man in a suit, and a black-and-white photo of a dramatic theater scene with a man leaning back and a person behind him. Additional sections include a theater department announcement, a trip advertisement, and a boxed notice for a University-Wide Assembly.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                <text>This is page four of The Spectrum Newspaper, Volume 22, Number 37 from December 1, 1971. One of Tom Toles' political cartoons is featured on the page. </text>
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                <text>Toles, Tom </text>
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                <text> State University of New York at Buffalo -- Periodicals </text>
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                <text> Noise pollution </text>
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                <text> Deafness </text>
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                <text>Toles, Tom </text>
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                <text> State University of New York at Buffalo.</text>
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.  This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;.  If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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