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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                    <text>A vintage newspaper page featuring two theater reviews. On the left is an article titled “’Blue Leaves’: the deification of media” with multiple columns of text and a cartoon illustration of a television with an eye holding a microphone. On the right is a black-and-white photo of actors performing a scene at a table, above another review titled “Misplaced style ‘Taming’: a tame production.” The layout is aged with a yellowed paper background.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A vintage newspaper page featuring a film review titled “Save the viewer, not ‘Tiger’” by Jay Boyar. The layout includes columns of text, a small illustration by Tom Toles of a tiger-headed man in a suit, and a black-and-white photo of a dramatic theater scene with a man leaning back and a person behind him. Additional sections include a theater department announcement, a trip advertisement, and a boxed notice for a University-Wide Assembly.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>Front page of The Spectrum, the student newspaper of the State University of New York at Buffalo, Vol. 23, No. 58, dated Wednesday, February 21, 1973. The lead story reports the resignation of Collegiate Assembly director Wayland P. Smith, accompanied by a large pen-and-ink portrait illustration by Tom Toles. The second major story concerns dental students criticizing the university bookstore over alleged overpricing of dental kits, illustrated with another Tom Toles drawing depicting a distressed figure suspended beneath a dollar sign.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                    <text>Page five of The Spectrum, dated Friday, February 16, 1973. The page contains three news articles. On the left is a story about the Graduate Student Association's busy meeting, accompanied by a small photograph of two men in discussion. The upper right features a large headline about imprisoned activist Martin Sostre being transferred to a new prison, alongside a large Tom Toles portrait illustration of Sostre. The lower right contains a boxed reproduction of a letter from Sostre titled "Covert transfer." Three advertisements line the lower left side, including ads for a speed-reading course, a jewelry store, and a Bible/gem shop.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A vintage newspaper page from The Spectrum featuring two major articles. On the left is “Phone tap tracers finding harassment,” accompanied by a surreal black-and-white illustration of a telephone receiver shaped like an animal skull. On the right is “Projects give wide range of aid,” about community volunteer programs. The bottom contains advertisements and notices for election workers, College A tutoring, and an office supply product.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>The front page of The Spectrum, dated Monday, 5 February 1973, from the State University of New York at Buffalo. The main headline reads “Training grants and fellowships imperiled by NIH funding cuts,” accompanied by a large black-and-white illustration of a bald man’s head with dollar-sign symbols embedded in the top of his skull. A second article below discusses minority hiring goals passed by the Faculty-Senate, alongside a portrait photograph of Will Brown in a suit and tie.</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A vintage Prodigal Sun arts page featuring a long concert review of the Mahavishnu Orchestra by Norman Salant. The page is dominated by a large pen-and-ink caricature of guitarist John McLaughlin seated cross-legged on a cloud while playing an electric guitar. The article describes a live performance in highly enthusiastic, spiritual language, and a large pull-quote-style headline at lower right reads: “Mahavishnu Orchestra: you just had to be there.”</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>The front page of The Spectrum, dated Friday, 2 February 1973, from the State University of New York at Buffalo. The page features two major news stories. On the left is “Reappointment case victim of poor timing,” about a faculty reappointment dispute involving Dr. Franklin. On the right is “Opening of new dorms in peril,” concerning sewage-treatment capacity and delays affecting new Amherst campus dormitories. A large editorial cartoon shows a toilet connected by pipes to a disembodied human head emerging from plumbing.</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>The Spectrum, page 11, dated Monday, 29 January 1973. The page features two main news articles across the top. On the left, an article titled Course dispels sexual myths discusses a University at Buffalo non-credit course on human sexuality and includes a large illustration of a shaded sphere with abstract interlocking shapes inside a square border. On the right, an article titled Soul’s nature sought at Krishna ceremony reports on a Hare Krishna event and teachings. The bottom half of the page contains three advertisements: a large ad encouraging students to get their 1973 Buffalonian yearbook portrait taken, illustrated with a cartoon of a pleading student at a yearbook editor’s desk; a small advertisement for the film Five Easy Pieces starring Jack Nicholson at the Conference Theatre; and a notice for a Student Assembly meeting titled “Money Talks,” scheduled for 3 PM in Room 233 Norton. The page footer reads “Monday, 29 January 1973 · The Spectrum · Page eleven.”</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>The Spectrum, page 7, dated Monday, 29 January 1973. The page is dominated by a feature article titled Sweet talk of sugar hides dangers, discussing nutrition research on sugar by British nutritionist Dr. John Yudkin. A large pen-and-ink illustration shows a hand holding a spoon filled with sugar crystals spilling downward. Beneath it is a secondary news article, Alleged improprieties fixed, about Inter-Residence Council financial issues involving Gary Cohn, accompanied by a halftone portrait of Cohn. The bottom left contains a boxed advertisement for Best Optical Co. featuring drawings of eyeglasses. Across the bottom center is a notice about 1973–74 financial aid applications. The footer reads “Monday, 29 January 1973 · The Spectrum · Page seven.”</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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