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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                <text>This is page one of The Spectrum Newspaper, Volume 19, Number 58 from April 28, 1969.  One of Tom Toles' political cartoons is featured on the page.</text>
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                <text> State University of New York at Buffalo -- Periodicals </text>
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                <text>The First Folio of William Shakespeare (1563-1616) was published in 1623, seven years after Shakespeare’s death, and brought together 36 of his plays, including 18 that had not previously appeared in print. Printed in London by Isaac and William Jaggard and Edward Blount, the First Folio contains a portrait of Shakespeare by Martin Droeshout, dedications by the editors John Heminges and Henry Condell, and verse epigraphs by Ben Jonson. Lockwood’s copy, one of the 234 known to exist as of April 2016, bears his bookplate and was bound by Riviere &amp; Son in deep red crushed morocco. It features giltstamping on the front and rear covers, cover edges, and spine; gilt edges; and marbled endpapers. The title page featuring Shakespeare’s portrait is a facsimile, and although genuine the page with Jonson’s “To the Reader” has been inlaid. There are also numerous pagination errors. Records indicate that Lockwood purchased his copy of the First Folio from The Brick Row Book Shop, and that it had previously belonged to W. H. Woodward and Francis Edwards.</text>
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                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text> J.W. Clement Co</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Emerling, Dan'l W. </text>
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                <text>Associated Buffalo Artists</text>
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                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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