135 100 60592 https://digital.lib.buffalo.edu/files/original/500c93c3fec71024e690457fe3701017.pdf 2938211aec68bdbcb6775cb885f4c4e2 PDF Text Text Evenings For New Music Program El Cimarron Biography of the Runaway Slave Esteban Montejo Recital for four Musicians (1969-70)*................ Hans Werner Henze Julius Eastman, baritone Eberhard Blum, flute Stuart Fox, guitar Dennis Kahle, percussion Beverly Wideman, theatrical advisor Paul Brown, lights Text from the book by Paul Barnet. Translated and adapted for music by Hans Magnus Enzensberger. English version by Christopher Keane. There will be an intermission between Parts 1 and 2. *First Buffalo Performance. The Center is supported in part by funds from the New York State Council on the Arts. Tax deductible gifts to the Center may be made through the University of Buffalo Foundation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-11-17 Note: Eastman performs El Cimarron Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_243 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/e1ea9bf116c4d68ffa1341c6722054da.pdf cdf97d72441e5771649536a71909e7f6 PDF Text Text evenings for new music albright-knox art gallery El Cimmaron The Biography of a Runaway Slave a recital for four musicians by Hans Werner Henze with Julius Eastman,baritone; Eberhard Blum,flute; Stuart Fox,guitar; Dennis Kahle,percussion Saturday evening at 8 November 17,1973 Sculpture Court (freeparking) Tickets $2.00(studentswithlD $1.00) at NortonUnion-SUNYat Buffalo Mail orders and information: Center of the Creative and Performing Arts Baird Hall, Telephone 831-4507 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-11-17 With references to the following additional composers: Hans Werner Henze Note: Eastman performs El Cimmaron Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_242 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/697e08863c0a077c2e9cb54912797e38.pdf 5154804f1af65c93fc8a6faf147a5ecb PDF Text Text Buffalo Evening News Nov. 12, 1973 Baird Hall Composers Concert A Delight With Pizza, Wine, Music By John Dwyer Pizza and Labrusco wine, tables and candles, red-check napkins, menu on the black board, strolling guitar player, shambling waiter, party re velers in tarantella dances. What was it? A concert piece, that’s what, on Baird Hall stage. And in the middle of it, a lecturer and soprano at a table and mike. The lecturer ate pizza and declaimed in a culti vated Brooklyn-shaded accent, softened by sips of wine. The singer added paragraphs in fitful squeaks, sprechtstimme and a demented form of coloratura. * * * Thus Composer Peter Gena’s “Schoenberg in Italy," the big staging out of 10 works on the UB Composers Work shop Concert. The Saturday program delighted a large crowd. The role of lecturer was taken by composer Morton Feldman of international re pute, current UB Slee Profes sor, who mastermindedthe af fair. The singing commentator was soprano Sylvia Dimiziani. Extraordinary. “Schoenberg in Italy" is about the happiest piece I’ve heard here in about five sea sons. Composer Gena uses a dreary and myopic 1924 essay by Italian composer Alfredo Casella on the subject of Vien nese composer Arnold Schoen berg and his disturbing atonal ist adventures. The score with mischievous parodies of Schoenberg mannerisms, for keyboards and percussion, vied with a burst of Italian ballad and dance favor ites on the speaker, and was conducted by Nils Vigeland. It would be a shame if it were not repeated here, somehow. The Other works: Two pianos and two violins in “Ash Wednesday” by Andrew Velcoff, clear and complex at the same time, in close-worked intervals and fine-wine tex tures. Lee Lovallo’s fragile, leavy “Unter den Linden” with alto Carol Grey, piano and percus sion. A chamber Trio of Robert Brainerd, revolving hypnotical ly on a two-note figure; "Air” by Leslie Kleen for singer Ju lian Eastman in psychophonic sounds with chamber group. “Ephemerae,” allusive string quartet by Margaret Sco ville; a crisp, brightly fugal March by Charles Casavant. “Nostalgia” By Yong Sook Won, a delicate web of memoir with soprano Marjorie Rosenberg, pianos and harp; an electronic tape work, “Mi thril Canticles” by Michael Christopher. A set of string quartet “Paganini” variations titled Test Pattern I by Andrew Still er, with some of his wit and reverie. Nothing is more vital to cur rent music activity than a decent forum for young composers. This was an impor tant project, and a highly entertaining one. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers concert a delight with pizza, wine, music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-11-11 With references to the following additional composers: Peter Gena, Morton Feldman, Alfredo Casella, Arnold Schoenberg, Andrew Velcoff, Lee Lovallo, Robert Brainerd, Leslie Kleen, Margaret Sconville, Charles Casavant, Yong Sook Won, Andrew Stiller Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_241 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/726c7c0cafdd0bde1acd915b5da3821b.pdf e929ddc135bf89609e1dbfd5f59cb49f PDF Text Text Buffalo Courier-Express, Sunday, November 11, 1973 Focus on Music ‘El Cimarron’ - - Slave’s Tale By Thomas Putnam Esteban Montejo was 104 years old when he was dis covered by writer Miguel Barnet in 1963 in a small vil lage in Cuba. Born into slavery, Monte jo became "a Cimarron” — a runaway slave, “a wild horse” — and fought in the war of in dependence against the Putnam Spaniards in 1895-1898. The history was taken down by Barnet with a tape recorder, and made into a book. Even tually this “biography of the runaway slave, Esteban Montejo” became the subject of a email opera by the German composer Hans Werner Henze. “El Cimarron” will be per formed in an English version by Christopher Keene on the Evenings for New Music pro gram at 8 P.M. Saturday in the Sculpture Court of the Al bright-Knox Art Gallery. included the complete in cidental music to Goethe's drama, a heroic sample of words and music. The actor may be the narrator if con ducts Henry Lewis decides to perform Schoenberg’s "Sur vivor from Warsaw” later this season in New Jersey. His work locally with the Buf falo Philharmonic usually com es at the last minute, so right now he is, philharmonically speaking, speechless. We’ve had part of the “Eg mont” incidental music here, and Mardirosian was the dramatic reader. Now someone should look into the Schoenberg work for a Buffalo program. Julius Eastman .. slave to music "El Cimarron” was pre miered at the Aldeburgh Festival in England. The original Spanish text by Barnet was translated and adapted for music for the composer by Hans Magnus Enzensberger. The Center of the Creative Performing Arts, which pre sents Evenings for New Music, Julius Eastman, creative has never performed Henze associate composer, will be before. Henze possibly will be here baritone soloist in the part of the runaway slave, a role he Saturday. The production will took for the U.S. premiere in be taken to the Brooklyn Academy of Music Dec. 29 as 1971 at Pittsburgh. part of Lukas Foss’s series The work which Henze com there. (Henze is in New York posed in 1969-70 lasts about 70 for the performance of his Viola minutes, and will take up the Concerto by Walter Trampler.) entire program. There will be. Other operas by Henze dramatic staging by Beverly include "The Young Lord” and Wideman of the University of "Elegy for Young Lovers.” Buffalo’s theater department. "El Cimarron” shows that the Besides Eastman, the three composer is also inspired by other performers also come to the story of an old man. this production with past ex perience with Henze’s “El Tom Mardirosian receiv Cimarron.” Stuart Fox, return ed good notices in New York ing guitarist for this program, for his performance of “Eg and percussionist Dennis Kahle mont” with the New Jersey were involved in the Pittsburgh Symphony recently in Carnegie production; and flutist Hall. "Excellent” said Ray Eberhard Blum witnessed the mond Ericson of the New York composer’s production in Ger Times. many. The all-Bethoven program Two International com petitors in the Buffalo Philhar monic Orchestra are harpist Suzanne Thomas and new se cond flutist Toshiko Kohno. Miss Thomas was one of 28 harpists from 10 countries who competed in the International Harp Contest held in Jerusalem in September. By the time all the strings had been beautifully plucked, Miss Thomas was fourth in the world. She is in her eighth season with the Philharmonic. Miss Kohno was the winning piper in the International Com petition for Musical Performers in September in Geneva, Swit zerland, where the winds are cold, the wind playing hot. There were 124 flutists from 36 countries who played below Miss Kohno’s pitch. Joining the Philharmonic this season, she also joins her father, Shuntatsu Kohno, a member of the viola section. Born in Tokyo, Miss Kohno came to this country with her parents when she was seven. Her teachers include John Burgess, principal of the Philharmonic, and Doriot An thony-Dwyer of the Boston Symphony Orchestra. She is a graduate of Buffalo’s Calasanc tius Preparatory School and the Eastman School of Music. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'El Cimarron' -- Slave's tale Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-11-17 With references to the following additional composers: Hans Werner Henze Note: Eastman as performer in El Cimarron Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_240 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a508f84e7515dd728b9baa7dec270db6.pdf c59c9e3b4166619e9ed5370bfb5efccb PDF Text Text Department Of Music State University Of New York At Buffalo presents Composer’s Workshop Concert Project 1 Baird Recital Hall, 8 P.M. Saturday, November 10, 1973 Program Lee Lovallo Unter den Linden Carol Grey, alto Margaret Scoville, piano Will Rogers and Tom Walsh, percussion Robert Brainerd Trio Eberhard Blum, flute Ronald Mendola, trumpet David Gibson, cello Ash Wednesday Vivian Hornik, piano Richard Feit, piano Air (text by Clark Coolidge) Andrew Velcoff Loren Pearson, violin Michael Rosenbloom, violin Leslie Kleen Petr Kotik, flute Julius Eastman, Voice Eberhard Blum, flute Amrom Chodos, clarinet Tom Walsh, percussion Ephemerae Ben Hudson, violin Delmar Stewart, viola Margaret Scoville Maureen Gallagher, viola David Gibson, cello � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer's workshop concert project I Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-11-10 Note: Eastman as performer on Leslie Kleen's Air Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_239 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/e372276bfbe2f12674116c1dcc4ee1d1.pdf ac0b49981e1bc46b1e242023844e8c4e PDF Text Text Department Of Music State University Of New York At Buffalo presents Informance* With Gwendolin Sims And ........ Petr Kotik Yvar Mikhashoff Marijke Verberne and others Amrom Chodos Julius Eastman Jean Hamlin Benjamin Hudson Baird Recital Hall, 8 P.M. Wednesday, November 7, 1973 Program "Ein Wort" (1965) Luis de Pablo for voice, clarinet, violin and piano on text by Gottfried Benn "Colors" (1970) Julius Eastman theatre piece for voices and tape Chansons Madecasses Maurice Ravel for voice, flute, cello and piano on French translations by Evariste Parny Frauenliebe und Leben Robert Schumann song cycle for voice and piano * a term developed by Affiliate Artists, Inc. Gwendolin Sims’ musical education took place at the Oberlin Conserva tory followed by concentrated study in Austria at the Salzburg Mozarteum. She has appeared in opera, concerts, radio and television concerts throughout Austria, Germany, and Switzerland as well as in this country. Among Miss Sims’ credits are appearances with The Boston Symphony Orchestra, The Pittsburgh Symphony and Nashville Symphony as well as awards from The Lilli Lehmann Society, Marian Anderson Scholarship, the Martha Baird Rockefeller Fund and the International Voice Competition in Montreal. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Informance with Gwendolin Sims Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-11-07 With references to the following works by Julius Eastman: Colors Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_238 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/5ce14dbc206631c6a014cfd7cc3264f8.pdf bc08e38227c752255ee8578dc128433d PDF Text Text Buffalo Courier-Express, Wednesday, Nov. 7, 1973 Gwendolin Sims is remem bered as a creative associate at the University of Buffalo. Now she has returned to the univer sity music faculty. “Inform ance” is the name for her in formal performance at 8 P.M. today in Baird Recital Hall. She will inform, or, perform Schu mann's “Frauenliebe und Le ben” with pianist Jean Hamlin. In addition to this major song cycle the program includes avant-garde works by Luis de Pablo, the current Slee profes sor of composition at UB, and Julius Eastman, a creative as sociate. The Baroque Chamber Players feel no necessity to live up to their name. Their program at 8 P.M. Friday in Baird Re cital Hall at the University of Buffalo includes music by Haydn, Stamitz and Saint-Saens, as well as Telemann, Handel and Scarlatti. Performers from the music faculty at the Univer sity of Indiana are James Pel lerite, flute; Jerry Sirucek, oboe; Murray Grodner, double bass; and Wallace Hornibrook, harpsichord. They have been associated in the past with (respectively) the Philadelphia Orchestra, Chicago Symphony Orchestra, NBC Sym phony Orchestra, and—note this —Fred Waring. The soprano is Dorothy Sarnoff. The musicians will give a free workshop at 10:30 A.M. the same day in Baird 101. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-11-07 With references to the following additional composers: Schumann, Luis de Pablo Note: unspecified work by Eastman to be perfomed by Gwendolin Sims Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_237 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/9addc83c56691a573535ccfd054b20db.pdf 1445378b3f8fcee19efc7809e975c80c PDF Text Text Gwendolyn Sims, soprano recitalist and orchestra solo ist in many parts of America and Europe, will give a pro gram at 8 PM tomorrow in Baird Hall: “Colors 1970” by Julius Eastman, “Ein Wort” by Slee Composer Luis de Pablo, both with chamber players, and the Schumann “Frauenliebe � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-11-07 With references to the following works by Julius Eastman: Colors With references to the following additional composers: Luis de Pablo, Schumann Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_236 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/b86736f2f9508699acc1d41d065a7a4b.pdf 6a5ae58ad16f58e69b82ec3e5967cc07 PDF Text Text Tonight! Nov. 2nd Monday, Tomarrow! Nov. 3rd Nov. 5th The Five Centuries Assisted Pianist Ensemble Music of Purcell, Monteverdi, Renosto and Davidovsky Baird Hall/8:00 P.M. Friday, 2 November 1973 Yvar Milhashoff & friends will offer a unique program! Central Library/3:00 P.M. Free Roma Pianist Leo Smit will offer music of Liszt, color slides & narration Baird Hall/8:00 P.M. Wed. Nov. 7th Informance With Gwen Sims an informal concert with music by Julius Eastman, de Pablo & Schumann etc. Baird Hall/8:00 P.M. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-11-07 With references to the following additional composers: Purcell, Monteverdi, Renosto, Davidovsky, Liszt, de Pablo, Schumann Note: unspecified work by Eastman to be performed by Gwendolin Sims Source A related resource from which the described resource is derived The Spectrum Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_235 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/b38f0280a68d11f0d964100b4d80dc7e.pdf 4adf03316a6466ff56cbd8b975a5be41 PDF Text Text Members Of The Center / 1973-74 Eberhard Blum, Flutist—Born in Germany, 1940. Studied with Aurele Nicolet and Severino Gazzelloni. MR. Blum has premiered new compositions by Stock hausen, Kagel, Alsina, Shinohara, de Pablo and Fukushima and has toured extensively throughout Europe. He has been a member of the International Chamber Ensemble and was co-founder of the "Gruppe Neue Musik” and "Ensemble 4'33.” Amrom Chodos, Clarinetist—BFA, MFA, State University of New York at Buffalo. Attended Manhattan School of Music. Clarinet studies with Leon Russianoff, Allen Sigel and Robert Marcellus. Member of the Niagara Woodwind Quintet and the faculty of the Community Music School of Buffalo. Julius Eastman, Pianist/Composer/Singer/Choreographer—Diploma in composi tion from the Curtis Institute of Music. Instructor of Theory at the State Uni versity of New York at Buffalo Music Department. Recipient of the 1973 CAPS Award for music composition. Co-director of the Inner City Ballet Company. David Gibson, Cellist/Composer—B.S. Juilliard School, M.M. Yale University. Cello studies with Claus Adam, Aldo Parisot and composition with Jacob Druck man. Served in the Army for three years and was a founding member of the USMA String Quartet. Member of the Choate School faculty for two years. Benjamin Hudson, Violinist—Violin studies at the University of Utah, the Cleveland Institute of Music and the University of Southern California. MR. Hudson has been soloist with orchestras in California, Utah, Ohio and Mexico and was the recipient of the Emma B. Yule "Outstanding Violinist” Award in 1968. He is a former member of the Los Angeles Chamber Orchestra, the Trio D’Amore and the Atlantic Quartet. Dennis Kahle, Percussionist/Composer—B.F.A. Carnegie-Mellon University, M.M. Duquesne University. Formerly percussion instructor at the University of Pittsburgh. Founder of the Duquesne University Percussion Ensemble. Has premiered works of Hans Werner Henze, Richard Felciano and Richard Moore. Petr Kotik, Flutist/Composer—Born in Prague, Czechoslovakia, 1942. Studied flute and composition in Prague and Vienna. Frequent tours through Europe and the United States since 1963 as soloist and with various ensembles. In 1970 founded the SEM Ensemble and in 1973, summer music program in Chororua, New Hampshire. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music, tenth anniversary Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-10-27 Note: Eastman listed as member of the center Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-27 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_234 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/fc9ef32dbc1268ffddae1bc8d7147ddb.pdf 186506172108b10f8dd932e2f87bcb13 PDF Text Text beginning at 8 PM. The program is designed as tribute to the roots of contemporary music and will feature the works of several American composers, among whom is a former Creative Associate.. Co-director Lukas Foss will conduct the program, which will begin with the study in Sonorities for Ten Violins by Wallingford Riegger, in which each violin signifies a year in the life of the center. Aaron Copland’s Threnody 1 and Threnody 2 (1972) will receive their Buffalo premieres; Threnody 1 was written as a memorial to the late Igor Stravinsky. Following will be a performance of George Crumb’s Vox Balanae (Voice of the Whale, 1972) for electric piano, electric flute, and electric cello. MR. Crumb, who was a member of the original group of Creative Associates back in 1964, had his work represented on the very first Evenings for New Music concert ten years ago; he has since been awarded the Pulitzer Prize in composition. theater pieces, will perform the part of the slave, with instrumentalists Eberhard Blum, Stuart Fox (a former Creative Associate now in California), and Dennis Kahle, the stage direction and theatrical supervision by Beverly Wideman. Other evenings are scheduled for Dec. 16., 1973and March 31, May 4 and 5, 1974. The present members of the Center are Lukas Foss and Lejaren Hiller, co — directors, Renee Levine, co ordinator; Amron Chodos, Clarinetist; Eberhard Blum, Flutist; Thorkell Sigurbjornsson, pianist — composer; David Gibson, cellist — composer; Dennis Kahle, percussionist; Benjamin Hudson, violinist; Julius Eastman, singer, pianist, and composer; and graduate student fellowship recipients Delmar Stewart, violinist, After intermission, Conductor Foss will direct a performance of Igor Stravinsky’s L ’Histoire du Soldat for chamber ensemble and speakers, accompanied by a Text by C.F. Ramuz in a translation by Lukas Foss. County Executive Edward Regan will participate in the role of the soldier; Seymour Knox will perform the role of the narrator; and Max Clark will speak the role of the Devil. Since seating will be limited, interested persons should attempt to purchase the $5.00 ticket in advance, either at the Norton Union Ticket Office or by sending a self — addressed envelope to the Center of the Performing Arts, Department of Music, 110 Baird Hall, SUNY at Buffalo, Buffalo, New York, 14214 Of almost equal importance is the second in the series, for on November 17 in the Gallery Sculpture Court will be presented the American premiere of Hans Werner Henze’s El Cimarron the autobiography of a runaway Cuban slave. Julius Eastman, who has won much praise for his vocal performances in dramatic and Ralph Jones, composer. The renowned composer Morton Feldman acts as advisor to the group. These people are all working together in that state of ardent expectation and desperate adventure peculiar to those who anticipate a goal out there somewhere, yet with no really crystalline conception of the means by which it will be attained. This confidence issteadiedby reliance on an association designed with the resolution of their external difficulties at its very heart. There are more that a few who wish it continued life and health — and a happy birthday. for the Creative and Performing Arts October 18, 1973 Ethos Page 21 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Happy birthday Creative Associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following additional composers: Lukas Foss, Wallingford Riegger, Aaron Copland, Igor Stravinsky, George Crumb, Hans Werner Henze, Lejaren Hiller, Thorkell Sigurbjornsson, Ralph Jones, Morton Feldman Creator An entity primarily responsible for making the resource Kelly, Clara Source A related resource from which the described resource is derived Ethos Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_233 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/08ec2af665bef05c2d31815c1eacd886.pdf 595b7a86a54ae8961259cc34eede288d PDF Text Text Creative Associates some nationally noted performances. Julius Eastman’s rendition of Peter Maxwell-Davies’ Eight Songs for a Mad King made the work famous. The consequent special favor for financial support it has earned is also partially due to the administrative genius of people like center co-ordinator Renee Levine, and to the sustaining interest of patrons of the arts like Knox. Ever since its organization in 1964, the Center has presented its Evenings for New Music at the Albright-Knox Art Gallery. With the departure of Allen Sapp from the University of 1969, Lejaren Hiller, a pioneer in computer music and a senior professor in composition here, took a special interest in the center, becoming its co-director with Foss in that year. He has become a sort of guiding light and traveling scout; on his frequent journey's abroad (he is at present on sabbatical leave in Poland) he seeks to further the careers of young and promising composers and instrumentalists among the Creative Associates, as the members of the Center are called. He also brings back fresh blood to add to the Associate’s own roster, which this year includes people of such diverse backgrounds as Eberhard Blum, a flutist from Germany; Benjamin Hudson, a violinist from California; and Thorkell Sigurbjornsson, a pianist-composer from Iceland. Many of Hiller’s old friendships from the University of Illinois, where he worked for some years, are also profitable to the Center, for their friendly interest has often become a professional one and they have been attracted by unique opportunities present here for experimentation. The tenth anniversary celebration will be particularly orientated to the music of American composers. There will be an attempt this February, during their European Tour, to concentrate on the exposure of American music to European audiences and other European composers. Some have said that the European avant-garde tends to look somewhat askance on their fellows in the States, as they think them somewhat eccentric and purposely obtuse. Well-known is the remark of a noted European conductor, who when asked who was the best contemporary composer in the States replied, "Hans Werner Henze”. But the Center believes that there is an intense curiosity about and a strong and growing admiration of the new American music all over Europe. They intend to show that the mainstream of this music, from Ives to Foss to Feldman, is carefully conceived, eloquent, articulated and profoundly rationalized. They will attempt to respond with the performances of a number of works which are both respected and representative of a wipum of American musical activities. This tour, which will last from February 11 to March 4, will be funded for the most part by fees and receipts - to the great joy of those in the center; they spread the work of their coming to friends in Europe and were eagerly snapped up for concerts in twelve cities. Not that they have been neglecting their American audiences, by any means. On Saturday, October 20, the the opening of its tenth season with a concert and birthday celebration Photographs are courtesy of the Center Page 20 Ethos October 18, 1973 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Happy birthday Creative Associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following additional composers: Peter Maxwell-Davies, Thorkell Sigurbjornsson, Lejaren Hiller Includes illustration Creator An entity primarily responsible for making the resource Kelly, Clara Source A related resource from which the described resource is derived Ethos Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_232 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/e162f99844684e613072c8cbb7531821.pdf 7db3124d8cf3afacb481e98df2aaa3f9 PDF Text Text 887 WBFO 3435 Main Street Buffalo, New York 14214 Dated Program — Do Not Delay! Non Profit Org. U.S. Postage Paid Buffalo, N.Y. Permit No. 311 Composer Morton Feldman with Creative Associates (L to R) Julius Eastman, Jan Williams, William Appleby and David Del Tredici. Baird Hall, 1972 The Staff Mike Algus * Babe Barlow * Dave Benders * Alen Berk * Bill Besecker * Jo Blatti * David Bloom * Midge Bork * Joe Brancato * Joe Britton (Rock Music Coordinator) * Jim Campbell (General Manager) * Henry Cohen * John Conley * Amanda Cordero * Anilda Davida * Susan Eastman * Paul Ericson * Jerry Farrell * John Farrell * Liz Farrell * Joan Feinen * Pat Feldballe * Pres Freeland * Mark Fruehauf (Production Manager) * Walter Gajewski (Operations Director) * Ellen Gibson * Terry Gross * Peter Hall * Bob Hill * Michael Karp * Madeleine Kaufman * Greg Kerekes * Stephen Kirsch * Dave Kostrzewski * Rick Lesniak * Mike Leuthe * Steve Levinthal * Gary Lubben * Janice MacKenzie * Julieanne Mahler * Judy Malone * Steve Mann * Joe Marfoglia * Lou Marinaccio * Tino Mejia * Leza Mesiah * Gene Nelson * Tom Newhouse * Philip Parker * John Riggs * Francisco Rivera * Miguel Rivera * Marci Rodriguez * Charles Roessler * Don Roth * Diane Rusczyk (Traffic Manager) * Simon Salz * Ricardo Sarfaty * Bill Savino * Fred Sandner * Rob San George * Mona Schroeder * Andrew Schultze * Terry Charles Schwarz * Francina Simmes * Charles Smith * Les Solomon * Jeff Sosnick * Arlene Stolzer * Elizabeth Steady * Mitch Tanenbaum (Assistant Chief Engineer) * Judith Treible (Program Guide Coordinator) * Lenore Tunkel * Paul Wandel * Susan Wehle * Burton Weiss * Fred Winters (Chief Engineer) * David Wolfe * Myron Yancey The WBFO Program Guide is published eleven times a year by WBFO, 3435 Main Street, Buffalo, New York 14214. WBFO is operated by the Division of Continuing Education, State University of New York at Buffalo. DR. Robert F. Berner, Dean; DR. Donald R. Brutvan, Associate Dean. For advertising information, please contact Judith Treible, 831 5393. If you would like a copy of the WBFO Program Guide, write to (or call) WBFO (831 5393), 3435 Main Street, Buffalo, New York 14214. Cover from "Treatise," by CorneliusCordew — performed while he was a member of the Center for the Creative and Performing Arts at the Albright Knox Art Gallery during the 1966-67 season. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Program Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program With references to the following additional composers: Morton Feldman, David Del Tredici Includes illustration Source A related resource from which the described resource is derived WBFO Program Guide Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_231 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/1d7a8b2053962e81b969137fd3e7baf4.pdf 336f7da0412196915315c36b102f4c7c PDF Text Text Friday 8:00 Prelude — with Andrew Schultze 10/5 10/12 10/19 10/26 The Italian Baroque: Cavalli-Scarlatti Josquin and His Contemporaries; Obrecht and Isaac Vocal Music by Johann Sebastian Bach The Sounds of the Avant-Garde 11:00 News Digest For The Blind Materials from the local print media not usually heard on radio as a service for the visually handicapped in our area from Service for the Sightless of Temple Beth Zion. 12:00 Spirits Known And Unknown 1:00 Ten Years Of Innovation: A Creative Associates Retrospective — produced by Les Solomon in cooperation with Renee Levine In celebration of the 10th Anniversary of the Center for the Creative and Performing Arts, WBFO presents highlights from Creative Associate Concerts, and interviews with past and present members of the Center. Highlights include: 10/5 Peter Maxwell-Davies: Eight Songs for a Mad King, featuring Julius Eastman as King George 3rd. Lukas Foss conducts 10/12 Marianne Amacher: City Links, performed by Marianne at the WBFO studios over a period of 28 hours. We will present a 32 minute condensation of that work 10/19 Terry Riley: In one version of his work which has been recorded by Columbia Records; tonight we will hear an alI-percussion version performed by the UB Percussion Ensemble, Jan Williams, director 10/26 Lejaren Hiller: Machine Music. DR. Hiller is co-director of the Center and a recognized expert on computer generated music. "Machine Music," for viola, percussion and tape, is a very early attempt to fully integrate electronic music with live performers 2:00 This Is Radio . . . 5:00 All Things Considered News and features from a different perspective in a different format, live from Washington, D.C. 6:30 Concert Hall — with John Conley 10/5 Sibelius: Symphony No. 4 in a Kodaly: Peacock Variations 10/12 Strauss: Death and Transfiguration Berg: Violin Concerto (1935) 10/19 Mahler: Symphony No. 1 in D Delius: In a Summer Garden (1908) 10/26 Debussy: String Quartet in G Ravel: Piano Trio in A 8:00 Present Tense WBFO's nightly program of news and public affairs. An in-depth examination of the issues that effect our lives. We begin at eight with a summary of the day’s local and regional news, then follow with features, debriefings of reporters, interviews and panel discussions Listener participation is integral to the program. Become part of Present Tense with your criticisms, questions and comments. Call 831 5393 9:00 Cleveland Orchestra Blossom Festival Concert Aldo Ceccato, conducting; Grant Johannesen, pianist 10/5 Schubert: "Rosamunde" Overture Grieg: Piano Concerto in a Dvorak: Symphony No. 8, in G, Op. 88 Blossom Festival Concert Louis Lane, conducting; Alexis Weissenberg, pianist 10/12 Hansow: Symphony No. 2 "Romantic" Strauss: Death and Transfiguration Tchaikovsky: Piano Concerto No. 1 in BB, Op. 23 "This evening's concert is made possible through a grant from the Western New York Savings Bank" Blossom Festival Concert Louis Lane, conducting; Penelope Jensen, soprano; Seth McCoy, tenor; Yi-Kwei Sze, bass; Blossom Festival Chorus 10/19 Rachmaninoff: The Bells Ruggles: Men and Mountains Ravel: Daphnis and Chloe; Suites 1 and 2 Blossom Festival Concert Matthias Bamert, conducting; Claude Frank, pianist 10/26 Nicolai: Merry Wives of Windsor Overture Mozart: Piano Concerto No. 17 in G, K.453 Erb: Klang-far-ben-funk 1 for Orchestra, Rock Band and Electronic Sound Ravel: Bolero 11:00 Codfish Every Friday America dances, sings, yells out its troubles with David Benders Now gather 'round good people And a Story I will tell It is of a phonograph record That sounds scratchy as hell But that's just the way we like um 'cause their folkie and funky and suit us swell -Anonymous 12:00 Solidarity: Working Class Radio 1:00 Brickbats A soothing balm for insomniacs, Pat Feldballe throws himself into the air and plays the currents . . . Become a part of the... Gay Community Services Center 45 Allen Street Buffalo,New York 14202 ...serving the needs of area gay people... Information Center & Social Activities & Library Resources Organizational Activities & Counseling Now Open: Mon. - Fri. 1-10 PM, Sat. 1-6 PM ...Open Coffeehouse Every Wed. 7-10 PM... for more information, call 881-5335 (after hours — 684-5315) sponsored by The Mattachine Society of the Niagara Frontier � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friday Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Note: Eastman performs Maxwell-Davies Eight Songs for a Mad King Source A related resource from which the described resource is derived WBFO Program Guide Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_230 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/037ad544b6c1abc680e4cddc202faa2f.pdf 1d27fbafe15095d1ce16c2c5abeee5c2 PDF Text Text October Notes The Center for the Creative and Performing Arts enjoys an international reputation as one of the major innovative forces in music in the world today. This year, the Center, which is based here in Buffalo at the State University, is celebrating its 10th Anniversary. Throughout the coming months, and especially during October, WBFO will be joining in the celebration by presenting highlights from ten years of performances by composers and musicians who have been Creative Associates at the Center. A special program, "Ten Years of Innovation: A Creative Associates Retrospective," will be aired every Friday at 1 P.M. during October. In addition, WBFO will be featuring interviews with, --Frank Parman "Map" by Lukas Foss; TV taping at Domus Theater. and music by, members of the Creative Associates on "Concert Hall" and during "This is Radio . . ." Whenever possible, special events in the celebration will be broadcast live. The reputation that the Center enjoys around the world is based on an eclectic and strong accomplishment in both composition and performance. The famed "Evenings for New Music" have featured works by some of the world's best contemporary composers, including Lukas Foss, Lejaren Hiller, Julius Eastman, and Morton Feldman, to name a few. CA Performers have included a tremendously diverse group of musicians, including Roger Shields, Don Ellis, TerryRiley, and Gwendolyn Sims, again to name only a few. In the ten years since Lukas Foss and Allen Sapp founded the Center, it has grown to be Buffalo's most famous contribution to contemporary culture in the eyes of the world, and Center musicians will be touring Eastern Europe in the coming months. If you have an interest in contemporary music, you can hear several of this year's concerts here in Buffalo before they go on tour around this country and abroad. And if you want to hear selections of past and present works by the Creative Associates, keep tuned to WBFO during October. No snow yet. You'll recall that last month we promised that you would be � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource October notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Lukas Foss, Lejaren Hilelr, Morton Feldman, Roger Sheilds, Don Ellis, Terry Riley, Gwendolyn Sims Note: Eastman mentioned as CA member Source A related resource from which the described resource is derived WBFO Program Guide Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_229 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/48362ac84abdc2786c50ca4657aebde9.pdf 8d732fa2ffabcaf943f27608227c4a79 PDF Text Text Would you believe setting 100 metronomes for a performance of Gyorgi Ligeti’s “Poeme Symphonique” and then leaving the stage to their instruments during the 16-minute number? While all Creative Associates have proven their mastery of music as it is taught in the conservatories, their real love is new music. Co-director Lukas Foss explained his approach to new music this way to a New Yorker reporter: “I feel that the way to advance into the new musical territory is to advance rearfirst, waving to the disappearing past—I mean to the home I left six years ago. the tonality I loved.” The list of present and former Creative Associates is a long and distinguished one and includes George Crumb. Don Ellis, Vinko Globokar, Terry Riley, Frederic Rzewski, David Tudor and Paul Zukofsky. The repertory of the Center has included over 300 works by contemporary com posers of all stylistic persuasions and includes Babbitt, Boulez, Cage, Carter, Maxwell-Davies, Pousseur, Stockhaus en, and Wuorinen. The Center gets some of its funds from the University at Buffalo Foundation. The University provides logistic and moral support and the Center also cooperates closely with the Buffalo Philharmonic Orchestra and the AlbrightKnox Art Gallery. The Center’s Creative Associates study new music, perform publicly and occasionally teach. Members of the Center are Eberhard Blum, flute; Am ron Chodos, clarinet; Julius Eastman, Composer-pianist; David Gibson, composer-cellist; Benjamin Hudson, violin; Dennis Kahle, percussion; Petr Kotik, composer-flutist; George Ritscher, electronicist; Frederic Rzewski, composer pianist; Thorkell Sigurbjornsson, composer-pianist. Grad uate fellows are Ralph Jones, electronicist-hornist-composer, and Delmas Stewart, violist. On February 12, Center artists will open a 21-day, 10-city European tour (see U/Ban for October-November 1973). When they return on March 4, they will play concert dates in Long Island; at the Carnegie Recital Hall and Albright-Knox Art Gallery, both familiar sites, and will be featured performers during the State University Convocation of the Arts, April 25-27 in Fredonia. The Center of the Creative and Performing Arts is now co-directed by MR. Foss and Lejaren Hiller, with com poser Morton Feldman as advisor, and Renee Levine as managing director. photo by Frank Parman Composer Morton Feldman with Creative Associates (L to R) Julius Eastman, Jan Williams, William Appleby and David Del Tredici (1972). iHller's "Three Rituals for Two Percussionists and Lights," Knox Art Gallery. (L to R) Howard Zwickler, Jan Williams. to be Buffalo's most ntemporary con culture in WBFO Program Guide Fall. 1973 1970 at the Honored with 1973 ASCAP awards (American Society of Composers, Authors and Publishers) were two well-known members of the University at Buffalo Music Department. Lukas Foss and Lejaren Hiller, co-directors of the Center for the Creative and Performing Arts, are among a select group sharing in the $629,000 cash awards in recognition of their unique contributions to music. 13 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A decade of new sounds Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following additional composers: Lukas Foss, George Crumb, Don Ellis, Vinko Globokar, Terry Riley, Frederic Rzewski, David Tudor, Paul Zukofsky, Babbitt, Boulez, Cage, Carter, Maxwell-Davies, Pousseur, Stockhausen, Wuorinenk, David Gibson, Petr Kotik, Thorkell Sigurbjornsson, Ralph Jones, Lejaren Hiller Note: Source date more accurately "Fall 1973" Includes illustration Source A related resource from which the described resource is derived UB Alumni News Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_228 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/b8f7d3a431893a8c2b97c8a46e1b1267.pdf f36963eeecb04a324c94a29f9ccb8648 PDF Text Text Buffalo Evening News Sept. 21, l973 Baird Hall Recital To Open 10th Year Of UB Arts Center The 10th anniversary season of the UB Center for the Crea tive & Performing Arts opens with a Baird Hall recital on Tuesday and goes on to a busy home and traveling schedule capped by a 21-day European tour starting in February. These are the young composer-performers from several countries called the Creative Associates. Their annual Evening for New Music series in AlbrightKnox Art Gallery, repeated in state campus tours and in Carnegie Recital Hall in New York, has earned them an international reputation. The gallery series opens Oct. 27. The opening Baird Hall reci tal at 8 PM Tuesday will give a new view of David Gibson as composer, following his wildly dramatic coup of last season as cellist-astor in the Ben John ston “Casta David.” The Baird Hall program will offer several Gibson premieres with assisting artists. The Gib son Fragment, No. 4, Embellishments No. 2 for string quartet, 1973 percussion trio “Shadows” and 1973 “Lion’s Head” with the composer on solo contrabass will be performed. Works of Joel Chadabe and James Drew will be included. The Creative Associates European tour will open Feb. 12 in London and go on to major music centers of Scot land, Spain, Italy, France and Germany. The opening gallery program of Oct. 27 will be supervised by Lukas Foss, noted composer, co-director of the center and former Buffalo conductor. A birthday party with cake and champagne will follow in the Sculpture Court. Associates in the coming year will be Eberhard Blum, Amrom Chodos, Julius Eastman, David Gibson, Benja min Hudson, Dennis Kahle, Peter Kotik, George Ritscher, Frederick Rzewski, Thorkell Sigurbjornsson. Graduate Fel lows are Ralph Jones and Delmar Stewart. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baird Hall recital to open 10th year of UB arts center Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-09-25 With references to the following additional composers: David Gibson, Joel Chadabe, James Drew, Lukas Foss Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-09-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_227 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/565acd11b1c706f2220f19f4da884e82.pdf f88ff6a3a649f7880e4dc031683af45b PDF Text Text Buffalo Courier-Express, Thursday, September 6, 1973 Europe Tour Will Crown UB Arts Center’s 10th Year By Thomas Putnam A 10-city European tour will be the crown of the 10th anniversary season of the new music Center of the Creative & Performing Arts at the Univer sity of Buffalo. The Center opens its 1973-74 season Sept. 25 with a Creative Associate recital by composer cellist David Gibson. The first Evenings for New Music pro gram Oct. 27 at the AlbrightKnox Art Gallery will be super vised by co-director Lukas Foss. Blooms in West Renee Levine, managing di rector of the UB Center, said the European tour grew from a seed dropped, in Poland, where Center co-director Lejaren Hil ler is currently in Warsaw as a Fulbright lecturer. The State Dept, became interested in hav ing the American musicians tour Eastern Europe. But State Dept, nurturing was long if tender, and the little seed bloomed in Western Europe, where Foss, Hiller and Center advisor Norton Feldman have musical connections. The 21-day tour begins with concerts Feb. 12 and 13 in Lon don, and includes programs in Scotland (University of Aber deen and Edinburgh), Lisbon, Portugal (two concerts spon sored by the Gulbenkian Foundation). Barcelona. Spain (part of “New Music Week”), Perugia, Italy (for Amici della Musica), Rome, Italy (Rome radio: RAI), University of Strasbourg, France and West Germany, where tapes will be made for South German Radio in Karlsruhe, and Radio Bremen. The 12-member com pany returns to Buffalo March 4. Snap Up Fees Once the idea of a tour was established, as Mrs. Levine ex plains it, “We started writing to all our friends that we’re com ing.” Well, the friends ended up “snapping us up for fees” — practically unheard of to hear MRS. Levine say it with pride — while State was exploring a tour to the east. (The State Dept, still could book concerts for the Center.) Tour expenses are simplified by the fact that the CA’s are on salary from the Center. The At lantic crossing is paid for by booking fees, which leaves per diem and hotel expenses to be picked up — Mrs. Levine hopes — by a $4,000-$5,000 supple mentary grant. American composers will populate the tour repertory. “They all want Ives,” MRS. Le vine said, adding that a cham ber piece by Charles will be in cluded. Also, works by George Crumb (“Voice of the Whale”), Morton Feldman (“For Frank O'Hara,” composed this year especially for the tour), Lukas Foss (“Paradigm”), Lejaren Hiller (Algoithms 1, new this year) and possible works by CA composers Julius Eastman and Frederic Rzewski. The birthday party for the Center will follow the Oct. 27 Evenings for New Music pro gram, with cake and cham in the Sculpture Court of pagne the Albright-Knox Art Gallery. There will be musical candles, too, when Wallingford Riegger’s “Sonorities” for 10 violins is performed, each violin sounding a year of history. Foss wants to use eminent persons from the community as speakers for a performance of Stravinsky’s “L’Histoire du Sol dat.” The program will include a work by George Crumb (“our Pulitzer Prize winning grad uate”), perhaps “Lux Aeterna” or the whale music (“Vox Balaenae”), and a recent piece by Aaron Copland, "In Memoriam Igor Stavinsky.” Evenings for New Music are scheduled also for State Univer sity at Plattsburgh, midNovember; Albright-Knox Art Gallery, Nov. 17, Hans Werner Henze’s “El Cimarron,” with Julius Eastman as the Cuban slave; Carnegie Recital Hall, New York, Dec. 5; State University at Albany, early December; Albright-Knox Gal lery, Dec. 16, music by new UB Slee composer Luis de Pablo from Madrid; and Brooklyn Academy of Music, Dec. 29. Final Evenings Following the European tour the remaining Evenings for New Music are Suffolk County Community College, L. I., March 22; Albright-Knox Art Gallery, concert of the tour music, March 31; Carnegie Recital Hall, April 10. The Creative Associates will be featured performers during the State University Con vocation of the Arts April 25-27 at the State College at Fredonia campus. The final Evenings for New Music at the Albright-Knox Gal lery will feature the Pennsyl vania Ballet May 4, and young Baird Hall composers, May 5. Members of the Center are Eberhard Blum, flute; Amron Chodos, clarinet; Julius East man, composer-pianist; David Gibson, composer-cellist; jamin Hudson, violin; Dennis Ben Kahle, percussion; Petr Kotik, composer-flutist; George Ritscher, electronicist; Frederic Rzewski, composer pianist (second semester); Thorke11 Sigurbjornsson, composer-pianist. Graduate Fellows are Ralph Jones, elec tronicist-hornist-composer, and Delmar Stewart, violist. There is an air of optimism around the Center office in Baird Hall, even though for the time being the Center has moved to the basement. Buffalo Evening News Wednesday, September 5, 1973 Blackearth Ensemble Opens New UB Season The UB Concert Series opens with the Blackearth Ensemble in ultramodern music for percussion, Monday at 8 PM in Baird Hall. Note the new cur tain time, a half-hour earlier than previous seasons. Works of Stockhausen, Bartok, Crumb, Cage, Berio and others will be performed, tickets at the box office. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Europe tour will crown UB arts center's 10th year Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Ives, George Crumb, Morton Feldman, Lukas Foss, Lejaren Hiller, Frederic Rzewski, Stravinsky, Aaron Copland Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-09-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_226 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a868201d93bbe9da1fb4f44fefbc6481.pdf 29f94b1143272f2342692d4f6b9cd931 PDF Text Text Buffalo Evening News Baird Hall Thursday, August 9, 1973 Percussion Beat Pulsates In Latin American Concert By Herman Trotter A towering mountain of a cantata for soprano and 16 percussionists brought to a simultaneous close Wednesday evening’s Baird Hall program of Latin American music and the State University at Buffalo Music Department’s extended summer series, “Music of the Americas.” The tour de force was “Can tata Para America Magica,” written in 1961 by Argentinian composer Alberto Ginastera. With Jan Williams conducting a formidable percussion army and Patricia Oreskovic as soloist, the rather cozy confines of Baird Hall were given yet another acoustic stretching. Texts for the five vocal movements invoke the memory of pre-Columbian America in settings whose simplicity of line and lack of overt sensuality had a hard pagan ring. MRS. Oreskovic gauged this well, singing with a kind of passionate detachment, ex pressive inflections of voice but always a cool aloofness of tone. Throughout, percussive con trasts were struck between the rhythmic impact of the myriad drums and the melodic capability of the celeste, glockenspiel and other tuned instruments. In songs of dawn and war the voice was often engulfed in a percussive avalanche, becoming only a textural element. Quieter moments depicting love and desolation found plaintive cantillation backed by melodic chirpings, while in the finale of prophecy MR. Oreskovic ascended to a scream and trailed off into sprechstimme and a closing gasp. * * * MR. Williams led a smaller ensemble in Carlos Chavez’ exciting 1942 Toccata with its strongly accented, recurring rhythms and gently pinging ostinato in the slow movement. Argentinian Hilda Dianda’s 1960 “Estructuras 1-2-3” was played by cellist David Gibson and pianist Julius Eastman, and quite ably, but the work seemed to have more dramatic gesture than musical substance. Far more interesting was the 1971 "Dualismos" by Venezuelan Alfredo De1 Monaco, with flutist Susan Stenger, trombonist Donald Miller, clarinetist Edward Yadzinski and pianist Eastman playing around, under and through an intriguing tape whose range of timbres overlapped those of the in struments to form an extended sound continuum. The com poser was unannounced, but nonetheless on hand to acknowledge the warm ap plause. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussion beat pulsates in Latin American concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-08-08 With references to the following additional composers: Alberto Ginastera, Carlos Chavez, Hilda Dianda, Alfredo Del Monaco Note: Eastman as pianist Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_225 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f1a7cc3bafa629adfaca02088e4ffdf3.pdf bef26e9accfd3dcc44b59d409c13c088 PDF Text Text PROGRAM INTERMISSION Carlos Ch~vez Mexico Toccata (1942) Robert Bolt Dennis Kahle Paul Mouradian Robert Previte William Rogers Andrew Ziemba Cantata Para Am~rica Mcl'gica (1961) AI berto Ginastera Argentina Preludio y canto a Ia aurura Nocturno y canto de amor Canto para la partida de los guerreros Interludio fantastico Canto de agonfa y desolacion Canto de la profecfa Percussion Jan Williams, Conductor Patricia Oreskovic, Soprano Jesse Kregal, Timpani I Paul Mouradian , Timpani II Lynn Harbold, Temple Blocks Dualismos ( 1971) Alfredo Del Monaco Venezuela Susan Stenger, Flute Donald Miller, Trombone Edward Yadzinski, Clarinet Julius Eastman, Piano Estructuras I-II-Ill (1960) Hilda Dianda Argentina David Gibson, Cello Julius Eastman, Piano John Rowland Andrew Ziemba Dennis Kahle Albert Furness Bruce Yonkers Robert Previte Robert Bolt William Rogers Thomas Walsh Edward Meirs Julius Eastman, Piano I Fran Kushin, Piano II John Landis, Celeste Jan Williams, Conductor Percussion � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource The original unproperly remediated PDF version of this document. https://digital.lib.buffalo.edu/files/original/e5ac2d256801eb365c2859865a2a1a06.pdf 4998989c6a171e4b6900a8be15e8cf2c PDF Text Text Program Toccata (1942) Carlos Chavez Mexico Robert Bolt Dennis Kahle Paul Mouradian Robert Previte William Rogers Andrew Ziemba Percussion Jan Williams, Conductor Dualismos (1971) Alfredo Del Monaco Venezuela Susan Stenger, Flute Donald Miller, Trombone Edward Yadzinski, Clarinet Julius Eastman, Piano Estructuras 1-2-3 (1960) Hilda Dianda Argentina David Gibson, Cello Julius Eastman, Piano �Intermission Cantata Para America Magica (1961) Alberto Ginastera Argentina Preludio y canto a la aurura Nocturno y canto de amor Canto para la partida de los guerreros Interludio fantastico Canto de agonia y desolacion Canto de la profecia Patricia Oreskovic, Soprano Jesse Kregal, Timpani 1 Paul Mouradian, Timpani 2 Lynn Harbold, Temple Blocks John Rowland Andrew Ziemba Dennis Kahle Albert Furness Bruce Yonkers Robert Previte Robert Bolt William Rogers Thomas Walsh Edward Meirs Julius Eastman, Piano 1 Fran Kushin, Piano 2 John Landis, Celeste Jan Williams, Conductor Percussion � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A program of music from Latin America Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-08-08 Note: Eastman as pianist on Alfredo Del Monaco's Dualismos and Hilda Dianda's Estructuras I-II-III Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_224 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/3c7628c4b3d9ba078dba24eabda7f4e5.pdf 40a882a6dc553ccaa9ee5eb0cc0e8e9a PDF Text Text Tuesday, August 7, 1973 Buffalo Evening News “Latin America” is the title of the program on the UB Music of the Americas series tomorrow at 8 PM in Baird Hall, the closing event. The grand opus occupying the entire second half will be the Ginastera "Cantata para America Magica” with mezzo Patricia Oreskovic and several percussion players, Jan Williams conducting. The 1942 Toccata of Chavez, Due Lismos of Alfredo del Monaco, Estructuras 1, 2 & 3 of Hilda Dianda also will be performed. Players include flutist Susan Stenger, clarinetist Edward Yadzinski, trombonist Donald Miller, pianist Julius Eastman, cellist David Gibson. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Latin America Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-08-08 With references to the following additional composers: Ginastera, Hilda Dianda Note: Eastman is pianist Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_223 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7d64834597252ef2d1c6ae17e3c1bf5c.pdf a348bef7fcded6cf495d04342f1cad71 PDF Text Text 10 Buffalo Courier-Express, Thursday, August 2, 1973 Black Music, Dance Foster Trio Adds Movement to Soul By Thomas Putnam Funky soul pervaded Baird Recital Hall for the program of black music and dance Wednes day night at the University of Buffalo. “Ronnie Foster and Energy Two,” a high-powered jazz trio, played two sets which included one interesting original compo sition with microtonal droning by the guitarist, Gregory Millar. No Help from Organ Foster had no consolation from the organ, which was buried by electric guitar and drums. Mar vin Schppell was the drummer, playing behind three cymbalic halos, knocking time with fired sticks. The remainder of the program was dance, including Julius Eastman’s “Wood In Time,” which he composed for metro nomes and choreographed for the Buffalo Inner City Ballet Company. Jan Williams manned the metronomes, which tocked fuzzily; the two dancers were Donna Farkas and Karl Single tary, the company director. “Wood In Time” is not origi nally a pas de deux, even in reduced form the dancing has an effective counterpoint. The dan cers are automatons — or are they? Dancers Strut Young dancers of silk ‘N’ soul strutted with style through “Papa,” with choreography by Sin gletary. Christopher Hughes was Papa, seated and clutching his cane, and Paula Hall, a bright little ballerina, was Papa’s Wom an. Colored lights spelling the name of this game were a “Pap”-out; only the final “A” followed the script. Two dances by Singletary opened the program. “Strange Fruit” with haunting music by Nina Simone was a solo meant to express “the pain and suffer ing that blacks endured during slavery.” The dance opens with Singletary standing on his neck, a static posture which was de veloped with agonized tempo. In a pas de deux from “A Quiet Movement,” choreograph ed by Singletary to music by William Fischer, Singletary sup ports Donna Farkas in move ment of tortured classicism. She hangs on him, drapes her body around his, but there is no passion. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foster trio adds movement to soul Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-08-01 With references to the following works by Julius Eastman: Wood in Time With references to the following additional composers: Ronnie Foster, Nina Simone, William Fischer Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_222 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/db02932fd9d26d568ea640afb7ee4496.pdf 71a568700fc4c6080c3257b315de201b PDF Text Text Buffalo Evening News Thursday, August 2, 1973 Baird Hall Inner City Ballet Shows Rare Talent In Varied Styles By Herman Trotter An absorbing cross section of black music and dance was Wednesday evening’s fare in the" continuing Baird Hall series entitled Music of the Americas, featuring the Buffalo Inner City Ballet Company. Although interest was sus tained throughout, there was a haunting pervasiveness to Karl Singletary’s opening solo dance interpretation of the searing Nina Simone recording of “Strange Fruit,” both words and dance eloquently expres sive of the agony of slavery. With head and shoulders on the floor and body bent over backwards behind, the commashaped form of MR. Singletary slowly unfolded and described a pathos-touched, near-classic adagio, returning to the inward turned and defensive comma position at the close. Beauti fully done. Out Of context and seem ingly too abrupt, the Pas de Deux from William Fischer’s “A Quiet Movement” also maintained the classic ballet postures and body relationships in strong and lithe performance by Mr. Singletary and Donna Frakas. Later the same duo danced to Julius Eastman’s “Wood In Time,” a counter point of amplified, cross-timed metronomes interpreted by me chanical body movement with graceful edges, gradually be coming more abandoned and freely expressive. Striking choreography by Mr. Singletary to the Tempta tions recording of “Papa” was danced by six Company mem bers, a semi-strobe-lighted stylized strut in black and bright silky satin costumes, marred only by the. failure of the title, inscribed in Christ mas tree lights on the stage wall, to operate properly. The solely musical portion of the evening was provided by Ronnie Foster and Energy Two, who filled both sides of the intermission with an imag inative amalgam of jazz, rock, blues and a dash of Latin American seasoning. MR. Foster performs rap turously and inventively on the organ and mini-Moog synthe sizer, using them both lyrically and persuasively with telling effect. Drummer Marvin Schell , who provides a hard-driv ing, continuous conic backdrop, and guitarist Gregory Millar, tastefully but pretty well-sub merged for the most part, com plete this group of Buffalo mu sicians, which is fresh from a European tour, will soon junket the orient, has a couple of re cordings under its belt and is otherwise appearing at the Club Soul. They made the strongest im pression in their own numbers, “Lamb Rudi” and “Boogie Juice,’ where MR. Foster’s key board flights of fancy took full wing. It’s promising group that has the rare capability to en compass styles from electronic cocktail music to hard, funky rock. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inner city ballet shows rare talent in varied styles Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-08-01 With references to the following works by Julius Eastman: Wood in Time With references to the following additional composers: Nina Simone, William Fischer, Ronnie Foster Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_221 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7e2c4101077fb80fcae36bd4c2f493d3.pdf 1c88dde24590426f0635af51bdbe61d6 PDF Text Text Buffalo Evening News May 15, 1973 Young Artists Competi tion under Philharmonic aus pices will present the finals at 8 PM tomorrow in Wick Center of Rosary Hill College. The contest for pianists and string players offers a first prize of $1000 and a Philharmonic con cert appearance, a second prize of $500. The finals are open to the public. Andrew Stiller, UB composer and bassoonist, is the guiding spirit and one of the principal players in an admis sion-free recital tomorrow at 8:30 PM in Baird Hall. The Mozart Trio K498, works of Gabrieli, Obrecht, Frescobaldi, composer Stiller’s Musica Un getutscht and Pierrot Solaire to texts of Diane di Prima will be performed. UB Choir under Harriet Simons, mezzo Patricia Ores kovic, organist Wilma Reid Ci polla will present a spring pro gram at 8:30 PM Thursday in Baird Hall, admission free, works of Zielenski, Palestrina, Pachelbel, Liszt. UB Composers Ramon Fuller, Lejaren Hiller, Petr Kotik, Robert Mols and Julius Eastman will present their works at 8:30 PM next Tues day in Baird Hall, tickets. The UB Strings and oboist Ronald Richards will be fea tured among other partici pants. Vocal Recital by Sheryl Kessner will be admission free Sunday at 4 PM in Baird Hall, works of Purcell, Pepusch, Brahms, Bernstein. Lejaren Hiller, UB Slee Professor, will present cham ber players in works of Berio, Johnston and Hiller at 8:30 PM Sunday in Baird Hall, tickets. Soprano Kai-Nan Chang, harp ist Suzanne Thomas, percus sionists Dennis Kahle and Jef fery Kowalski will perform. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-05-22 With references to the following additional composers: Ramon Fuller, Lejaren Hiller, Petr Kotik, Robert Mols Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-15 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_220 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8858c1c90826353a2f385217d93d91bc.pdf f4b284e8c36519344b02e810d9ceb77e PDF Text Text Buffalo Courier-Express Wednesday, May 2, 1973 Lukas Foss’s “Map,” a mu sical game for “contestants” and tape, will be played with Virgil Thomson as referee today in New York City at the Whitney Museum of American Art. Per formers are Petr Kotik, winds; Jan Williams, percussion; Jul ius Eastman, voice and key boards, and Jesse Levine, strings. This is the first per formance in New York of the definitive version of the work, which was presented earlier in Buffalo at Domus. Eastman's “Trumpet” for seven trumpets will introduce the program, part of the Composers Showcase se ries at the museum. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-05-02 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: Lukas Foss Note: Eastman as performer in Foss' MAP Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_219 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/682b69ffc781414f9879e17d5cb8495d.pdf 7d25e6f34901de7948731e58f2d82c0d PDF Text Text State University of New York at Buffalo Department Of Music and Center Of The Creative And Performing Arts present U.S.A.: Black Music And Dance Directed by Karl Singletary and Julias Eastman Wednesday, August 1, 1973 Baird Recital Hall 8:00 P.M. Program Nina Simone Strange Fruit Choreography - Karl Singletary The movement in this dance expresses the pain and suffering that Blacks endured during slavery. Pas de deux from A Quiet Movement William Fischer Choreography - Karl Singletary William Fischer, one of the most impressive of younger black composers is thoroughly at home and accomplished in all phases of contemporary music. Currently living in New York City, where he is musical director for Atlantic Records, he has composed a large body of works, including three operas, orchestral pieces, vocal and instrumental works, electronic music and jazz. A Quiet Movement was composed in 1966 and there are two deceptive things about the piece: at first one is tempted to associate the work with Vienna - or hints of Schoenberg’s milieu - but the work unfolds into some thing purely individual, something dynamically American. Ronnie Foster and Energy Two Ronnie Foster Gregory Millar Marvin Schppell Intermission Ronnie Foster and Energy Two Temptations Papa Choreography - Karl Singletary Julius Eastman Wood In Time Choreography - Julius Eastman Jan Williams at the Metronomes � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource USA: black music and dance Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-08-01 With references to the following works by Julius Eastman: Wood in time Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_218 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/0c306f791156d35197bec96a374124bf.pdf 82837b28bc63ab8ed05b6ad2d7f253e3 PDF Text Text Buffalo Courier-Express, Sunday, July 22, 1973 Focus on Music Inner City Ballet Making Leap to Own Home By Thomas Putnam Karl Singletary is most proud of his Sabre Dance boys, so-called because they actually do a dance with the swords. These Sabres are dancers, ages 12-15, all members of Single tary’s classical ballet company, Buffalo Inner City Ballet Com pany. Inner City Ballet Company (“But remember,” says Single tary. “Buffalo is part of the name") is mak ing the big leap into a home of its own. The company, which has been working out of the Allen town Com munity Center on Elmwood Ave., is getting ready its new studio at 728 Putnam Main and should have classes there by August (the five-year lease is partly subsidized by Leon Sidell). With a contingent of boys, Singletary has what other ballet groups frequently need. In addi tion he has manpower, which is put to work and not only in choreography. From The Model Cities program administered by the city Singletary has received funds which will go toward fixing up the new studio. Between 13 and 20 young men will be employed for 20 hours each week, with the time divided be tween work (manual labor in the studio) and work (ballet technique). Not surprisingly Singletary thinks highly of Buffalo Mayor Stanley M. Makowski, for it is the mayor’s summer pro gram which has put these dan cers on their feet. In fact, Anthony Nelle, 78-year-old for mer teacher of Singletary who lives In Gowan da, and who has assisted Single Makowski tary recently in putting together a dance pro gram, has re-choreographed a polka — Johann Strauss’s “Thunder and Lightning Polka’’ — and Inner City Ballet dances it as “Makowski’s Polka." “Makowski’s Polka” is part of the hour-long program by Inner City Ballet Friday at One M&T Plaza, on the noon series. Included Will be a segment of Singletary’s “Quiet Movement,” which he says was thought to be controversial when It was presented on the Buffalo Philharmonic Orchestra youth concerts. which will be presented Aug. 1 at Baird Recital Hall on a program of black music and dance (with composer Julius Eastman), part of the Univer sity of Buffalo’s “Music of the Americas’’ series. Karl Singletary .works of dance He and Donna Farkas will dance the opening minute of the work, which, Singletary says, “gets the girl in a position wrapped around my body.” Music is by Arthur Cunn ingham. Miss Farkas is a stu dent of Ginger Burke at the Royal Academy of Ballet. The snip from “Move Quiet ment” is meant to arouse in terest in the full 13-minute work The UB Program at 8 P.M. Includes music by Scott Joplin and William Grant Still, and Eastman’s “Wood In Time,” music for knocking metro nomes, with choreography for Inner City Ballet. Singletary is getting together an operation. He has a staff, including a technical director, Joe Kessler (formerly with Kathleen Crofton) and an ad ministrator, Lul Rawal (DR. Rawal was director of the Allen town Community Center). Kessler will teach Singletary and Farkas the parts of the Prince and the “Swan Lake,” which is technique indeed. Inner City, then, is moving ahead, gaining a foothold in the. establishment. The Sabre Dance boys are Marvin Askew, William Bland, Leon Hughes, Robert Townsel, Carl Askew, Christopher Hughes and Charles Townsel. They are students at Clinton Junior High School. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inner city ballet making leap to own home Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1973-08-01 With references to the following works by Julius Eastman: Wood in time With references to the following additional composers: Johann Strauss, Scott Joplin, William Grant Still Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-07-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_217 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f77a3182efe42a41da7ed0f50b217705.pdf c7a51d3f4c386ca8f916c700fda6b1c7 PDF Text Text Buffalo Courier-Express, Thursday, June 14, 1973 Music Review ‘Mad’ Eastman Show Satisfies By Thomas Putnam Julius Eastman wears several coats, the most frequently shown being those of composer and avant - garde performer. Sometimes these are clownish coats, worn with great style. Thus his dramatic role in Peter Maxwell Davies’s “Eight Songs for a Mad King,” in which East man actually does wear the coat of character, is a splendid tour de force, providing you are willing to accept nonsense — madness — delivered with vir tuosity. “Mad King,” which Eastman has performed here before (and recorded with the composer), was conducted by Jan Williams, for the final work on a pro gram Wednesday night in the Conference Theater of Norton Union at the University of Buffalo. Rich Tone, Inspiring But Eastman’s vocalism — itself a coat of many colors—is not displayed to full advantage in new music nonsense. It was satisfying therefore, to hear his performance, with upright pian ist Kathy Pogel, of Vaughan Williams’s “Five Mystical Songs,” romantic profusions of love for the Lord. The voice was rich in tone and inspration, and words — those carriers of sense which so often are jetti soned in favor of vocal tone words were sung with special articulate care. “Stay On It” by Eastman is redundant, its short phrase re peated by pianist (Eastman), soprano saxophones (Phil DiRe and Jay Beckenstein), flute (Peter Kotik), two vibraphones (Williams and Dennis Kahle) and soprano Georgia Mitoff. The phrase changes gradually, grow ing by a beat, or taking on the color of an added foreign tone, sustained by soprano sax, or hammered by vibes. Parlor Game for 8 The piece avoids the obvious plan of only playing a circular route, and instead of “staying on it,” it doesn’t. Dissonance be comes central; disjunct phrases fracture the monotony, and bent pitches introduce mystery if not mysticism. A final homage to the South America of Darius Milhaud percussive shaker and tambourine for a rhythmic coun terpoint with piano, eight against three. Kotik’s “Aria” was a parlor game for eight dancers who change and swap clothing in the dark, and freeze in humorous poses when the lights come on. The dark side of the dance has its own humor — a tape which was made by bugging a baby’s musical crib babble. Mozart sup plied the aria for the lighted part. The piece ends with real social dancing, from the 1920s, but an attempt to bring the audi ence into the swing fizzled in the aisle. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Mad' Eastman show satisfies Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-06-13 With references to the following works by Julius Eastman: Stay on it With references to the following additional composers: Peter Maxwell Davies, Vaughan Williams, Darius Milhaud, Petr Kotik Note: Eastman as performer of Maxwell-Davies' Eight songs of a mad king Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-06-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_216 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a5ea5cfd92a76bceb910ec2342c1f0aa.pdf fe23029cfefe6c0d9283abe44272a555 PDF Text Text Tuesday, June 12, 1973 Buffalo Evening News Music Notes certs under Joseph Wincenc in con Clarence Town Park, all Sun days at 7:30 PM, will have these highlights: June 24 — Saxophone virtuoso Michael Ried, the Erik-Larsson Concerto, light classics and operatta favorites. July 8 — Baritone Ralph Griffin of Rochester and Chautauqua productions, Prologue from “Pagliacci” and Largo al Factotum from “Barber of Seville,” with songs from popular musicals. July 22 — Violinist Harry Taub, Philharmonic associate concertmaster, the Vieuxtemps Concerto No. 4, orchestral works of Tchaikowsky, Mancini and others. Aug. 5 — Soprano Gwendolyn Sims, touring artist in return appearance, “Depuis le Jour” and “Un Bel Di, Gershwin Buffalo Chamber Music songs, orchestral works of Society annual meeting will be Verdi and Strauss. held tomorrow at 4:30 PM in the Buffalo residence of MR. and MRS. John Priebe. “Music Of Americas" series of UB concerts opens this evening in Baird Hail with “American Indian Music and Dance,” a panel at 7, the con cert at 8 by Running Deer’s Singers & Dancers of the Allegheny Singing Society, Richard Johnny John director. Field songs and ritual dances of the Seneca Nation will be featured. The panel will be moderated by Marvin K. Opler, professor of social psychiatry and anthropology. It will in clude MR. John; Ramona Charles, director of the Tonawanda Indian Community House; Ed Lawrence, ex ecutive director of the AfricanAmerican Cultural Center, and graduate student John Mohawk, specializing in American Studies. Soprano Ann D’Amico and mezzo Carolyn Jolley will be accompanied by Betty A. Riehle and John Landis in works of Vivaldi, Mozart, Gounod, Brahms, Faure, SaintSaens, Copland and Rorem, at 4 PM Sunday in Lafayette Presbyterian Church. Organist James Kosnik will present an admission-free faculty recital at 8:30 PM Sun day in Villa Maria recital hall, works of Buxtehude, Bach, Franck, Hindemith and Gerald Near. Young Musicians Chamber Festival, UB event June 23-30 will bring 40 gifted string players from eastern colleges and high schools to Baird Hall for intensive study under noted experts. They will be coached by conductor Pamela Gearhart, cellist Mischa Schneider, pianist Stephen Manes and the Cleveland Quartet. Clarence Summer Orchestra series of four Eastman to Repeat His Role In 'Mad King' at Norton Actor-singer Julius Eastman, whose unnerving portrayal of a deranged monarch in the Max well Davies “Eight Songs for a Mad King” earned high critical praise in New York City, Buf falo and other music centers, is going to do it again. The Buffalo-based artist will present it at 8 PM tomorrow in Norton Union Conference Theater, a nominal admission for expenses. The text is taken from ran dom, pathetic comments of British King George 3, who reigned at the time of the American revolution. The music by British composer Peter Maxwell Davies is for singer-actor and six players. MR. Eastman, a gifted bass baritone, also will sing the Five Mystical Songs of Ralph Vaughan Williams, with Kathy Pogel at the piano. MR. Eastman’s “Mad King” role was singled out for ex ceptional approval a season ago by the New York Times, and earlier won the year-end citation by The Buffalo Eve ning News as Best Perform ance by a Home-Based Artist. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-06-13 With references to the following additional composers: Peter Maxwell Davies, Ralph Vaughan Williams Note: Eastman to reprise role in Eight Songs for a Mad King Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-06-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_215 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/083000dc844e5a3c066db0e48d59a3ad.pdf 7c8de173fc1196bc7c95e7eb6e33f733 PDF Text Text summer activities music '73 consecutive evenings, the first performance being preceded by a panel discussion on the area of American Folk music covered in the performance. The Department of Music of the State University of New York at Buffalo is pleased to announce Music Of The Americas, a special series of concerts to be presented by distinguished faculty members and visiting artists. The programs will feature music of the Seneca Nation, Latin America, Canada, Appalachia, Black Music and Dance, and America: The Lighter side. The American Indian and Appalachian concerts will each be presented on two The programs will take place on Wednesday evenings at 8:00 P.M. Please Note Change Of Time. (Double performances will be presented on Tuesday and Wednesday with a Panel Discussion at 7:00 P.M. on Tuesday). Tickets will be available at the Norton Hall Ticket Office at $1.50 for General Admission; $1.00 for Faculty, Staff and U/B Alumni; and $.50 for Students. The American Indian and Bluegrass programs will be $3.00 for General Admission; $2.00 for Faculty, Staff and U/B Alumni; and $1.00 for Students. Music of the Americas Tuesday, June 12 Music Of The Seneca Nation. The Appalachian Singing Society under the direction of MR. Johnny John in a program of Indian song, dance and folklore. Panel Discussion: 7:00 P.M. Concert: 8:00 P.M. Wednesday, June 13 Music Of The Seneca (Concert only at 8:00 P.M.) Nation Panel Discussion: 7:00 P.M. Concert: 8:00 P.M. Wednesday, July 25 Appalachia (Concert only at 8:00 P.M.) Wednesday, August 8 Latin America. Performances by the U/B Percussion Ensemble under the direction of Jan Williams will include Ginastera's "Cantata Para America Magica" for 53 percussion instruments and dramatic soprano. Tuesday, July 3 America: The Lighter Side. Music by Stephen Foster, Gershwin, Bernstein and others. Canada (Date to be announced). Music of Canada by Canadian composers, performed by Canadian artists. Tuesday, July 24 Appalachia. The McLain Family Band. A program of the folk music of Appalachia and Bluegrass Music of yesterday and today. Black Music And Dance (Date to be announced). The music of Scott Joplin, William Grant Still, Julius Eastman and other Black composers. The program is under the direction of Julius Eastman. Other Faculty and Student Concerts Wednesday, June 20 Chamber Music Recital. Works for oboe and voice performed by Ronald Richards and Rachel Lewis with assisting artists. Program will include Heinichen Trio Sonata, Graupner Cantata, Vaughan Williams Blake Songs, Fortunati Three Romances. Friday, July 6 American Music Concert. A program under the direction of Lejaren Hiller. (Works to be announced). Friday, July 13 Graduate Recital/Garry Fisher, Piano student of Stephen Manes. Works by Mendelssohn, Schumann, Debussy, Granados, and Prokofiev. Tuesday, July 31 Graduate Recital/George Swietlicki, Piano student of Stephen Manes. Works by Beethoven, Bartok and Mussorgsky. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summer activities Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-08-01 With references to the following additional composers: Scott Joplin, William Grant Still Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_214 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/a997ae0a9e74b01f3fadfdd66d446d34.pdf 7b5a9fb99ca7769ff810b4d2b103dcd9 PDF Text Text Tuesday, July 24, 1973 Appalachia The McLain Family Band of Berea, Kentucky Panel Discussion at 7:00 P.M. Concert at 8:00 P.M. Wednesday, July 25, 1973 (repeat of the above program) Concert only at 8:00 P.M. An authentic presentation of “Bluegrass” music by Ray mond McLain, guitar, and his three children: Ruth, 15, bass; Alice, 16, mandolin; and Raymond, 19, banjo and fiddle. They will present a program tracing Bluegrass music from its beginnings to its present form as a fluid folk expression demonstra ting traditional principles of folklore. The McLain Family Band per formed in twelve festivals in twelve states last summer. In July, 1972, they performed seven times at Gian Carlo Menotti’s Festival of Two Worlds in Spoleto, Italy. Following that, they per formed throughout Germany and for the Belgium Radio. Tickets: $3.00/$2.00/$1.00 Wednesday, August 1, 1973 U.S.A.: Black Music And Dance Under the co-direction of Carl Singletary and Julius Eastman Performed by Guest Artists and the Inner-City Ballet CO. Co-sponsored by the Center of the Creative and Performing Arts The program will include Piano Rags by Scott Joplin; works by William Fisher and William Grant Still; and Julius Eastman’s recent composi tion, Wood In Time. Tickets: $3.00/$2.00/$1.00 Concert at 8:00 P.M. Wednesday, August 8,1973 Latin America Under the Direction of Jan Williams Performed by Guest Artists and the U/B Percussion Ensemble Co-sponsored by the Center of the Creative and Performing Arts Concert at 8:00 P.M. Works will include Alberto Ginastera’s Cantata para America Magica for 53 per cussion instruments and dra matic soprano. Other works by Latin American composers will be performed by various soloists and ensembles. Tickets: $1.50/$1.00/$.50 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource USA: black music and dance Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-08-01 With references to the following works by Julius Eastman: Wood in time Note: Eastman also co-director Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_213 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/783ab689b79f65fd70fe8f261706974d.pdf 8c83bc8aa418690b3b95092f23e3ff92 PDF Text Text Buffalo Evening News Wednesday, May 30, 1973 UB to Host Music of Americas Series Songs and dances of the Seneca Nation, Salon Americana, Kentucky Bluegrass performers, ancient ragtime, Canadian and Latin American moderns will make a most unusual UB Concert Series opening in mid-June in Baird Hall. The overall title is “Music of the Americas.” Some of the programs will be preceded by panel discussions, with well-known educators and specialists on hand. They’re all on Tuesdays and/or Wednesdays at 8 PM, and panels will be at 7 PM: June 12, panel, “The Seneca Nation,” Running Deer’s Singers and Dancers of the Allegheny Singing Society under Richard Johnny John. Explanation of Indian in struments and ceremonial music and dance. Repeat, June 13. July 2, “The Lighter Side,” American salon favorites in cluding two-piano settings of Gottschalk, Copland, Gershwin, the Bernstein Clarinet Sonata, songs of Stephen Foster, Gay Nineties, Tin Pan Alley. July 17, “Canada,” the Lyric Arts Trio in works of Canadian composers. July 24, panel “Appalachia,” the McLain Family Band of Kentucky, hits of a dozen festivals in 12 states and the Spoleto Festival in Italy. Repeat, July 25. Aug. 1, “Black Music & Dance,” co-directors Carl Singletary and Julius Eastman, ragtime of Scott Joplin, works of William Fisher, William Grant Still and Eastman. Aug., 8, “Latin America,” director Jan Williams and the UB Percussion Ensemble, Ginastera’s “Cantata para America Magica” for 53 percussion instruments a highlight. Ticket information is available in Baird Hall. Other concerts on the UB summer schedule: June 20, 8 PM, chamber recital, soprano Rachel Lewis, oboist Ronald Richards and others, works of Heinichen, Graupner, Blake, Fortunati. July 6, "Musical Americana,” works of Lejaren Hiller with guest artists and faculty performers, “Ballad of Jesse James,” settings of Ap palachian folk ballads, “Spoon River, Illinois,” Amplification for Theater Band and Tape, and the wild and garish “Avalanche.” July 8, 3 PM student recital, pupils of Frina Arschanska Boldt, admission free. July 13, pianist Gary Fisher, graduate recital, admission free. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB to host music of Americas series Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-08-01 With references to the following additional composers: Scott Joplin, William Fisher, William Grant Still Note: unidentified piece by Eastman to be played Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_212 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7f3c767d6ae0f99848c8b297cd02aa9d.pdf b02340b2c7614992a30d705c0ca6c444 PDF Text Text Baird Hall Computer Composition Enlivens UB Concert By Herman Trotter The unseen actions of a computer in Illinois tipped the balance of Thursday evening’s Faculty Composers Concert in Baird Hall towards the conservative. But — more of that later. One of the big centers of in terest was the premiere performance of Ramon Fuller’s String Quartet No. 1 by The Cleveland Quartet. Its flavor is one of dark-hued, atonal, late romanticism, opening with an inward-turned meditation of minor cast, becoming more argumentative and ruminative. Cello, violin and viola solos form a pivotal point in the structure and a good textural contrast to the tightly knit ensemble fabric that prevails elsewhere. Afterward the music becomes even more in tensely probing, ending with a twice-repeated, questioning, descending interval. A wellcrafted and absorbing work in an exemplary performance, and well worth additional hearings. * * * Ronald Richard was featured in Robert Mols’ Can tilena for Solo Oboe, Harp and Strings, the composer con ducting the University Strings. Wide-spaced and sonorous string chords form a firm anchor for the rhapsodic peregrinations of the oboe, with a brief, contrasting, rapid in terlude over mostly pizzicato support. A warm hand both for MR. Richards’ performance and MR. Mols’ atmospheric evocation. Balancing the scales were a couple of “now” pieces which shared very little except a strong orientation towards one dimensional single-mindedness. Petr Kotik’s 1964 Spontano for Piano and Ten Wind Instruments consists mainly of a series of changing piano chords to which the wind in struments respond with held tones in varying combinations, dynamics and duration. There were some interesting sonorities created by the unusual selection of winds, most of which were in the low end of their respective families, but the piece was rather long for its content. * * * Julius Eastman’s “Stay On It” was something else again. Coming on like an emcee, MR. Eastman in troduced his group from the keyboard and swung into a strong mock-jazz riff, joined by a couple of crooning soprano saxes, flute and vibes. Periodically vocalist Georgia Mitoff monotoned the title and MR. Eastman pitched in with whining falsetto. Thus it went for seeming ages, slight to moderate variations on this theme from time to time, with its obvious put-on keeping the audience amused. Lustry ap plause at the close. That computer in Illinois? Oh yes, it’s called Illiac and in 1957 it composed a suite of the same name for string quartet in response to programming setups and input by Lejaren Hiller and Leonard Isaacson. Mr. Hiller now calls it his String Quartet No. 4; “Illiac Suite.” It may sound like a formula for the wild and wooly, but it was just about the most con servative, cleanly structured work on the program, with bouncy fugatos, hymnlike sec tions and copious counterpoint, and only occasional mechanically repetitive phrases suggesting the com puter’s lack of imagination. It was played with fine intonation and generally good ensemble by a student quartet of Jac quelynne Leonard, Loren Pearson, Delmar Stewart and Wendell Haver. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Computer composition enlivens UB concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-05-22 With references to the following works by Julius Eastman: Stay on it With references to the following additional composers: Ramon Fuller, Robert Mols, Lejaren Hiller Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-23 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_211 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/99092644f738728bc1298d0e87228971.pdf 7600f6aa6ba8b274ca357aab0d64bb21 PDF Text Text Buffalo Evening News Tuesday, May 22, 1973 UB Composers Concert is presented this evening at 8:30 in Baird Hall, tickets at the door. The program: Premiere of String Quartet No. 1 by Ramon Fuller, Cantilena for Solo Oboe (Ronald Richards) with harp and the University Strings by Robert Mols, the composer con ducting; String Quartet No. 3 by Lejaren Hiller, “Spontano” for chamber group by Petr Kotik and “Stay on It,” new work by Julius Eastman. Chopin young pianists competition auspices of the Chopin Singing Society, finals Saturday at 8 PM in Baird Hall. * * * Laurence Bogue, baritone soloist in many Buf falo Philharmonic and UB Opera programs and former UB faculty member, has been appointed to the New England Conservatory faculty in Boston, announcement by conservatory director and noted composer Gunther Schuller. MR. Bogue UB Recital, will be will teach private classes in presented by pianist Marcella voice and diction, and even Faine on Friday at 8:30 PM in tually undertake an advanced class for choral and opera con Baird Hall, admission free. ductors. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-05-22 With references to the following works by Julius Eastman: Stay on it With references to the following additional composers: Ramon Fuller, Robert Mols, Lejaren Hiller, Petr Kotik Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_210 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/e7734994599dbf23fc9e7ab687bff739.pdf 4407789603a3578c86ddfa473c850001 PDF Text Text -2- Lejaren Hiller and Leonard Isaacson String Quartet No. 4 "Illiac Suite" (1957) Experiment Experiment Experiment Experiment One (Presto; Andante, Allegro) Two (Adagio, ma non troppo Lento) Three (Allegro con Brio) Four (Tanto Presto che Possibile) Jacquelynne Leonard, violin Loren Pearson, violin Delmar Stewart, viola Wendel Haver, cello Intermission Spontano for Piano and Ten Wind Instruments (1964)* Petr Kotik Jay Hersher, piccolo Petr Kotik, flute Amrom Chodos, bass clarinet Allen Sigel, clarinet Darlene Reynard, bassoon Ronald Daniel, contrabassoon Ralph Jones, French horn Lee Lovallo, trombone Donald Miller tuba Robert Laduca, tuba Julius Eastman, piano Stay on It* Julius Eastman J.E. and the Sunlights Jay Beckenstein Julius Eastman Phil DiRe Petr Kotik Georgia Mitoff Jan Williams *First Performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Comic gallery concert beds down bass fiddle Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1975-02-15 With references to the following additional composers: Luis DePablo, Arne Mellnas, Yannix Xenakis, Eric Richards, Robert Moran Note: Eastman as performer in Luis DePablo's Berceuse Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1975-02-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_209 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7f42cba3a1c99e1cdf921e564cc65fe3.pdf d746e8a6a03209bb30904f023c82629a PDF Text Text -2- Lejaren Hiller and Leonard Isaacson String Quartet No. 4 "Illiac Suite" (1957) Experiment Experiment Experiment Experiment One (Presto; Andante, Allegro) Two (Adagio, ma non troppo Lento) Three (Allegro con Brio) Four (Tanto Presto che Possibile) Jacquelynne Leonard, violin Loren Pearson, violin Delmar Stewart, viola Wendel Haver, cello Intermission Spontano for Piano and Ten Wind Instruments (1964)* Petr Kotik Jay Hersher, piccolo Petr Kotik, flute Amrom Chodos, bass clarinet Allen Sigel, clarinet Darlene Reynard, bassoon Ronald Daniel, contrabassoon Ralph Jones, French horn Lee Lovallo, trombone Donald Miller, tuba Robert Laduca, tuba Julius Eastman, piano Stay on It* Julius Eastman J.E. and the Sunlights Jay Beckenstein Julius Eastman Phil DiRe Petr Kotik Georgia Mitoff Jan Williams *First Performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty composers concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-05-22 With references to the following works by Julius Eastman: Stay on it Note: Eastman also performed Kotik's Spontano on the same program Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_209 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/cbbd5cc13233d6d198331e906c4e2639.pdf 2167f2a30d614d9f059d624937f3fc8c PDF Text Text Buffalo Courier-Express, Monday, May 14, 1973 New Music Albright Finale Is Varied Funny Situation By Thomas Putnam Chodos assembles his instru New music has many faces, ment on stage, while the tape as the Season’s final Evening is going: he is very calm, licking for New Music at the Albrighthis reed, taking his time. His Knox Art Gallery demonstrated. music, fast andshort intricate Some were pretty to behold, or phrases, does not really fit with amusing, or tiring. the tape music, although he David’s Gibson’s Fragment seems to want tobelong to the No. 5 for Viola and Vibraphone, electronic environment. At one despite its dry name, is attrac point he delivers a silent lecture tive in melodic and rhythmic about his instrument. patterns. Henry Rubin and Den He has a microphone behind is Kahle were the performers. him, and while playing he beams Rubin's opening viola cadenza selected tones into it, thus cre quivers with double-stop tremolo ating a cadenga which suddenly glissandos, trills, while vibra enters the electronic world. In phone punctuates with murmur one effective section, Chodos be ing harmonies, or a sudden comes part of the glissando metallic shatterin g. electronic landscape. Kahle’s vibraphone assumes Finally he seems to fall apart, prominence with music that an uncomprehending soul con changes speeds naturally, and fronted by the tape. He leaves eventually he and Rubin are the stage, defiant, blowing a toying with the same nine-note low tone into the speakers. phrase, which they play in con Own Composition flicting speeds to produce a Rocco DiPietro played his happy effect. Gibson, a Creative own “Acoustic Poems” for Associate, composed the music piano, in which nature rhythms for these performers. prevail. The technique em On Buffalo State Faculty ployed—such as cluster chords Anton Wolf, composer and or repeated figurations—are flutist on the faculty of Buffalo used to express sonic (acoustic) State College wrote his Three ideas well. Studies for Flute Alone in 1966. The final “poem,” “Wave,” Petr Kotik played the music is a kind of French boogiewith and good feeling. It is woogie at first, but even this melodious, alive in rhythm, at association is only momentarily tractive in its clear lines. No felt. DiPietro is Buffalo-born, a flute tricks, either, which is former student of Lukas Foss refreshing. Even the final 12- (he once led the “Phorion” im tone study is lyrical and open. provising ensemble while a stu Wolf closes each study neatly, dent here). His music is honestly with a flutter burr (the first), felt, and makes a good impres or a staccato dot (third). sion. Jacob Druckman’s “Animus Gardner Read’s “Haiku Sea 3” for clarinet and tape is a sons” is long-Haiku, tiring, parody of the fusion technique which is too bad; for the in which unites live performer and strumental sounds are clean electronic tape. Druckman’s lit and interesting. The 16 poems tle comic-drama concludes with were read in split form by the collapse of the live player, Georgia Mitoff, Cynthia Hadley, Amrom Chodos for this per Donald Hillard and Julius East formance. The tape is a trans man. The final look to the East formation of the voice and play was Richard Felciano’s “Crasis” ing of clarinetist Arthur Bloom, for instruments and tape, con quite unrecognizable. ducted by the composer. The music eventually joins live and electronic sounds in moods and colors. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albright finale is varied Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-05-13 Note: Eastman as performer in Read's Haiku Seasons Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_208 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/0075a9685cbafee2faebf03167a843ec.pdf 22273855aae25e0dc5f0c204008840d6 PDF Text Text Buffalo Evening News Monday, May 14, 1973 Albright-Knox Auditorium New-Music Evenings Appear to Be Aging By John Dwyer “I think maybe the avant-garde is getting a little old,” said composer Lukas Foss with a wryly goodhumored smile. The Two young composers We were chatting briefly at the “Evening for New Music” intermission on Sunday eve ning in Albright-Knox Art Gallery auditorium, the series finale. MR Foss, the former Buffalo Philharmonic conductor now dividing his time between the Brooklyn Philharmonic and orchestras in Israel, is co director of the series with UBbased composer Lejaren Hiller. I'd been telling composer Foss that I thought it was going distinctly conservative, now, after the earlier, fresher years of carefree anarchy. * * * But I don’t think it’s a question of age. A couple of older and naturally con servative composers on the program, Gardner Read and Anton Wolf, sounded right at home in lyric veins under mastered control. You noticed it more in com poser Jacob Druckman, for in stance. An old-timer, true enough, but considered an electronic insurrectionist and firebrand in his way. Yet here he seemed to be trying to relight an old fuse left over from the earlier days of joyful conspiracy against the prevail ing forms. This was the Druckman Animus 3 with clarinetist Amrom Chodos in an actor’s role, silent exhortation with gestures, mugging and postur ing and some brilliant playing in quite listenable, former in novations. Composer Richard Felciano, at 43, conducted his own 1967 “Crasis” for seven instruments and tape, this one inspired by sounds and mannerisms of the Japanese Noh Theater payers. Instant episodes, scatter-tone patterns, vocal brays and glides and yelps, it still seemed rather contained and evenminded to me, at the heart of it, for all the esoteric decor. affinity with 20th-Century French style and its grace and fluidity, and now I’m sure of it. These were finely shaped miniatures, fulfilling their own forms in spare pastoral lines and subtle decor, especially pleasing to the applauding au dience. Gardner Read’s “Haiku Seasons’’ presented sing­ speech performers Georgia Mitoff. Cynthia Hadley, Donald Hilliard and Julius Eastman, with a chamber group con ducted by Jan Williams in tonal versions of the short, allusive haiku, Japanese poetic form. Read is one of the most ac complished orchestrators alive, and his use of color and space is absolutely sure. * * * A Single word might pass through all four voices, and harp, open piano strings, celeste, harpsichord, mandolin gave symbolic impersonations of Eastern timbres. There were 16 haikus, and I thought he’d run through most of his repertoire of sounds and * * notions by about the halfway I Thought in previous Wolf mark. But then artistic redun works that the composer had dancy has its own force, as you an easy rapport and psychic would know from Schubert. “Haiku Seasons” is not in any real sense a modern piece, but it may well catch the at tention of some modern listeners, who like to be lulled by faintly reminiscent im ageries in Oriental dress. were lively and interesting, but equally on the side of the known and explored. David Gibson’s Fragment No. 5 offered a furious, melodramatic disturbance by Henry Rubin on the viola with sliding double stops, an ostinato inventively passing from the string to vibraphonist Dennis Kahle, who took it up as an accompaniment to a new lament in sighing cantillation. Very nice admirable performance. Young buffalo composer Rocco DiPietro played his own Acoustic Poems, three of them in recurring figures, something close to a passacaglia in the center, hypnotic repetitions of the same kind of chordal masses but with very slight changes in a slow surge to big sonority. Clear, well-defined ideas and a good, fresh sense of tonal theater. Buffalo-based composer Anton Wolf’s Three Studies for Flute Alone were played with considerable intentness and sensitivity by Petr Kotik. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New-music evenings appear to be aging Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-05-13 Note: Eastman performed Gardner Read's Haiku Seasons Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_207 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a50f87e5c0b3ac0dbaaa0f3eaa771294.pdf 42c96b9ab9011da0b1ed9306de40392d PDF Text Text Evenings For New Music Program Fragment No. 5 for Viola and Vibraphone (1973)............... David Gibson Henry Rubin and Dennis Kahle Haiku Seasons (1970)*...........................................................Gardner Read Claudette Brown, Cynthia Hadley, Donald Hilliard, Julius Eastman Richard Trythall, Paul Tydelski, Mario Falcao, Dennis Kahle, Jeffery Kowalsky, Michael Wellen Jan Williams, conductor Intermission Three Studies for Flute Alone (1966)*..................................... Anton Wolf Petr Kotik Animus III (1969)*........................................................... Jacob Druckman for B flat clarinet and tape Amrom Chodos Acoustic Poems (1972)*....................................................... Rocco DiPietro performed by the composer Crasis (1967)*.................................................................. Richard Felciano for instruments and tape Petr Kotik, Amrom Chodos, Henry Rubin, David Gibson, Mario Falcao, Dennis Kahle, Richard Trythall conducted by the composer *First Buffalo Performance The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-05-13 Note: Eastman performs Gardner Read's Haiku Seasons Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_206 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/79f417ea589536597db2f1ca9eee83de.pdf 1363568423d7c571f4cb8cc0e7e1b27c PDF Text Text the village Voice, May 10, 1973 It’s A Beautiful Spring evening here in the Whitney Mu seum, and it is still a close contest. Jesse Levine is now launching into some tricky violin passages that Jan Williams is trying to imitate on a recorder. Petr Kotik, who is primarily a flutist, is following along as best he can on another vi olin but . . . No. Referee Virgil Thomson has decided that it wasn’t good enough and has taken Kotik’s violin away from him. There were a few jeers from Kotik fans on that decision. Things were looking good for him, especially a few rounds ago, when he managed to play his flute without breaking, even though Continued on page 58 music Continued from page 51 Julius Eastman was sticking a toy whistle into his mouth and Williams was holding down some of his keys. But he is falling behind now. Scorekeeper Lukas Foss chalks up a penalty for Kotik on the large scoreboard, and now Williams will have a chance to challenge Levine, who appears to be going into this round with a cello. . . Yes, he’s starting to play sustained tones on the cello now, and it looks like Williams is hanging something onto Levine’s bow. Wait a minute. It’s a little hard to see. It appears to be some kind of rings. Yes, they are little metal rings. Williams has looped them around the tip of the bow, and they are giving Levine a good deal of trouble. He is still playing, though, and it looks as if Williams has failed to stop him. Yes. There’s the decision. Levine gets the point. I think one reason why Thomson gave the point to Levine is because his cello tones blended so well with the prerecorded in strumental sounds which are being played in the background. Most of the time, no one appears to be paying much attention to the background music, but it seemed important in that round. (Several rounds later) That makes the third penalty for Kotik, so he is out of the game now, but it’s still a close contest between the other three. Now Levine is playing bass, and Williams is crouched on the floor, trying to deaden the sound of his in strument by placing seat cushions over the front of it. Eastman looked as if he couldn’t think of anything to do there for a moment, but now he has begun unscrewing the pegs on the bass. Levine is still playing, but he will not be able to continue for long, judging from the speed with which Eastman is untuning his pegs. It looks to me like a clear point for Eastman, but Thomson has not decided yet. The referee crouches down to get a better look at what Williams is doing, deliberates a moment, signals the end of the round and . . . awards the point to Eastman. That puts Eastman out in front now, with three points and only one penalty. But the game could still go to Williams, with no points and one penalty, or to Levine, with one point and two penalties. Kotik, in cidentally, is still allowed to make sounds, even though he is now eliminated from the contest. Ac cording to the Whitney Museum ground rules, he may either bow on the many bells suspended from the ceiling, or vibrate superball mallets on the floor. But he has not been very active. I can’t say that I blame him. I would proba bly not feel much like doing those things if I had been eliminated ei ther. (Several rounds later) Eastman is still ahead, despite, the addi tional penalty he received when he dropped a mallet, in an unusually clumsy moment. But Levine is moving up, thanks to that nice maneuver when he thwarted Williams’s vibraphone playing by clanging a big chain across the vibes. Now Levine and Williams are confronting each other in one of the most intense challenges of the game. The audi ence is quite still now, listening to the tricky patterns they are tossing back and forth. It is quite remarkable how Levine, with his violin, seems to be able to imitate anything Williams plays on his vibraphone. Williams, in turn, has been doing some fine imitating himself. But now. Wait a minute. Williams has just ended one of his vibraphone phrases with a soft cymbal crash. How will Levine ever manage to imitate that on his violin? The audience is hushed. Levine takes his bow and plays. Will he make it? . . . No. Thomson’s decision is immediate. Levine’s cymbal imitation was not good enough, and that, unfor tunately, gives Levine his third and final, penalty, leaving only Williams and Eastman to battle it out in another round of imitation and . . . Williams wins the point easily. Thomson declares Wil liams the winner, and there is a nice round of applause. But wait. Scorekeeper Foss is intervening. Apparently there is some techni cality which I do not understand, as Foss has declared that they must have another play play-off round. Eatman wins that hands down, and now he is declared the winner. And so, after an hour and 20 minutes, the game ends with Eastman the winner. Most of the audience seems to feel that the referee was right and that the prize, which is a small bell, should have gone to Williams, but there is not much point in arguing with Foss, not only because he is the scorekeeper, but also because he is the inventor of this curious and totally involving game called “Map.” —Tom Johnson Hoofers at Town Hall A concert of jazz tap dances with the Hoofers will be presented on Wednesday, May 16, at 5.45 P. m. at Town Hall, featuring Chuck Green, Jonathan Nicol, Rhythm Red, Raymond Kaalund, and Le ticia Jay. Admission is $1.75. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: unknown With references to the following additional composers: Lukas Foss Note: Eastman performs Foss' MAP Creator An entity primarily responsible for making the resource Johnson, Tom Source A related resource from which the described resource is derived The Village Voice Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_205 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/52cc1639d430bad8767b0c400b78f649.pdf ab8d8b71ce7041fa3a30603bff7f3c34 PDF Text Text The University, the Community and the Arts- Conference Center of the Creative and Performin g Arts Albright-Knox Art Gallery Saturday, May 5, 1973 Aria, Fontana Mix And Solos For Flute, Alto Flute Piccolo And Violincello (1958)....... John Cage Julius Eastman, David Gibson, Petr Kotik Jan Williams Les Mouton De Panurge (1969)................ Frederic Rzewski Julius Eastman. David Gibson, Dennis Kahle, Petr Kotik Jeffery Kowalsky, Henry Rubin, Jan Williams Directions Lukas Foss Lejaren Hiller State University of New York at Buffalo, Baird Hall, Buffalo, New York 14214 (716)831-3411 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-05-05 Note: Eastman performs John Cage and Rzewski Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-05-05 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_204 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/54b2fb0833bea10b79ed857abaa86001.pdf f74ee88ba65f81bbebca01b41e7164fa PDF Text Text Evenings For New Music Program Songs, Drones, and Refrains of Death (1962-68) . . George Crumb Spyros Sakkas David Sussman, Louis Bruno, Richard Trythall, Jan Williams, Dennis Kahle Theodore Antoniou, conductor Intermission Second Round (1972)*...................................................... Richard Trythall for harpsichord and tape Performed by the composer Parodies (1970)*.......................................................Theodore Antoniou for voice (actor) and piano Spyros Sakkas and Jeffery Kowalsky Anaparastasis 3 (1969)*......................................................Jani Christou Julius Eastman and Ensemble Theodore Antoniou, conductor *First New York Performance The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. Assistance for tonight's concert from the Office of Cultural Affairs, SUNYAB, is gratefully acknowledged. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie Hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-04-18 Note: Eastman performs Christou's Anaparastasis III Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-04-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_203 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/1bd6474ebcbee92b9b1f26892ef0fbca.pdf f310af00c2885c920ffa25fd8d21726e PDF Text Text Buffalo Evening News April 16, 1973 Albright-Knox Music by SEM Ensemble An 'Exercise in Futility By Herman Trotter Over the week-end I was trying to read the label on my necktie, and sadly found that no longer can I get it far enough away from my eyes to focus properly without taking it off. This exercise in futility was acted out during a portion of the SEM Ensemble’s week-end bash in the lower level of the Albright-Knox Art Gallery. There was little else to do at the time, since I’d thrice scrutinized every “objet d’art” within eye-shot. Simultaneously a few other attendees rum maged idly in pocketbooks, more just left, a prominent visiting composer slept, and a small child avidly devoured a chocolate bunny. It was a doubleheader for this avant-garde group, simultaneous presentation of four John Cage works Sunday afternoon on a come-and-go-asyou-will basis, and a regular sit-down presentation Saturday evening, which this reporter attended. Julius Eastman, Jan Williams and Director Petr Kotik of the Ensemble were joined by guests cellist David Gibson, percussionists Jeffery Kowalsky and Will Rogers, trombonist Lee Lovallo, and metronome manipulator Geor gia Mitoff. • • • Visiting UB Slee Professor Morton Feldman’s 1967 “Intervals” saved the day, the full group sans metronomist bearing down intently on this essay in pianissimo. Even the bass drum and orchestra bells were played at this low dynamic level, as MR. Eastman hummed quiet tones or a low cantilena, answered by the other musicians. The in teraction and overlay of super subtle tones was most ap pealing, but requires an absolutely silent environment for full effectiveness. The normally unobtrusive sound of the heating system blowers prevented this. MR. Kotik played a live flute in consort with several chan nels of self-taped flute in his own “How Empty Is My Wilderness,” a hollowly Im pressionist piece built mostly of piled-up, long-held tones. Early arrivers heard the com poser putting together the multitrack tape, a rather in teresting insight. MR. Eastman’s “Wood In Time” explored the rhythmic interplay of eight highly amplified metronomes going in and out of synchronization and phase with each other with oc casional interjections grainy groans and other of non beating sounds. There were a few humorous hitches and halts of rhythm, but it grew tiresome. In Christian Wolff’s 1964 “For 1, 2 or 3 People” three guys did a bunch of things to a bunch of instruments, noisemakers, and a voice. Beyond that, no comment. This is not an indictment of MR. Wolff, who was in town for a Baird Hall program devoted to his works, well-reviewed elsewhere on these pages. It is only a criticism of this type of work, where whatever organization or structure exists is apparent only to the performers, making it a sort of “inside joke” from which the audience is excluded. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music by SEM ensemble an 'exercise in futility' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: unknown With references to the following works by Julius Eastman: Wood in Time With references to the following additional composers: John Cage, Morton Feldman, Petr Kotik, Christian Wolff Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-04-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_202 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/3787a8d2b3ac0766b2afd6d48f92754b.pdf 4974abc21febab17f139c12e447888af PDF Text Text Strait 4 April 1973 New Music Becomes New Theatre (I realize I have a tendency to gush all over when something affects me strongly. I’ve been known to excessively rave and praise a work of art when it especially moves me. I frequently yell, weep and jump around in incoherent ecstasy when I am very taken by something. I’ve also been known to stare blankly into space. . .mind you, I recognize that I have a tendency to do this. . .) Saturday evening, March 31, at the Albright-Knox Art Gallery, was an “Evening for New Music.” Five recent compositions were performed; four of them incorporating some aspect of theatre. The final work-Anaparastasis 3 (1969) by Jani Christou (1926-1970) (a composer “unique for his dramatic expression related to the subconscious”) was a musical/theatre piece in which an instrumental ensemble is crowded onto one side of the stage, and a soloist is alone on the other side. The soloist (Julius Eastman) enters stage in a very, very slow pantomime, very eventually reaching his position at piano. Through this there is a relentless machine-like musical ominous hum background (provided by tape) through stereophonic speakers placed around the auditorium. The sound is not at all annoying, it has very soothing qualities in many respects. It is reminescent of the hum of a giant generator. It grows louder and louder throughout the work, eventually adding a continually repeated rhythmic theme. This provides the sound foundation of the composition. The soloist, meanwhile, goes through spastic movements trying desperately to perform on the piano, and succeeds with only a few anguished, dissonant chords. He also croaks out garbled, unintelligible sounds. It is a pathetic sight. The ensemble punctuates his “successes” with loud noise-beats, and occasionally emits shouts or instrumental accompaniment during the piece. As the tape slowly continues its very gradual, but overpowering, crescendo, the soloist collapses under the piano, slides through sensual contortions, and emerges facing the audience. As the music becomes louder, the soloist attempts to communicate with he audience, but as the ensemble adds more and more noise, building to an awesome, loud, screeching ROAR, the man gives up; he cannot reach us. The ensemble stops its roaring, and the tape, slowly, sound by sound, winds down to its generative hum, which gradually fades out of existence. Finis. (here it comes:) Ladies and gentlemen: This was an overwhelming work. My description does it no justice, for I can only describe the theatre aspects; but it is the musical content which is the most moving. I cannot possibly convey to you the feelings it gives. . .but it is so fantastic, so totally obliterating. The tension it generates is unbelievable. I had chills for 90% of the twenty minutes, and I was wrecked at its close. I have never been more affected by a work of art. At its conclusion I felt as incredulously, startlingly aware as I did when I’d completed The Brothers Karamazov, when I heard Mahler's Ninth Symphony. People! This is an incredibly beautiful work of Art! The intelligent, controlled use of the tape surpassed any other utilization of tape sounds within music I have yet heard. This, along with the evocative performance by Julius Eastman, creates a horrifying composition. Musically, everything is with purpose, and everything works together. All sound and action focus on one immense expression of deep experience. I was so far drawn into what transpired that I was left, for hours afterward, with that peculiar sensation we have deep in our chests when we are truly moved. It was an intellectually jarring experience. The audience, it seemed, was relieved at its conclusion. Indeed, the ominous tension is virtually unbearable. Applause was not great, but the composition drains you to such a degree that is is hard to applaud. But also, in talking with many of those attending, I found that though most were impressed by it, no one else responded as strongly as I. I maintain, however, that Anaparastasis 3 is a masterpiece of music, and that as music/theatre it will endure as long as any other artistic work I can think of. I do not get this outraged often. Dear reader, I am not fooling around-this is a masterpiece! I wish I could show you... All I will say is, if ever in your life you have the opportunity to see this performed, do not pass it up. It is an experience you may never forget. Preceding Anaparastasis 3 were four works of contrasting qualities. Two were humorous escapades in music-theatre. Casta David (1968) by Ben Johnston involved a technician (who operated 4 tape recorders) and cellist David Gibson (dressed in 18th century wig and costume). David emitted a series of grotesque and scatological sounds while “playing” the cello-eventually moving to typewriter, and then back to cello, performing fragments of standard repertoire compositions while the tape accompanied him with instant replays of his yelps and moans. It is quite outlandish, and very funny. The importance of the performer in this work cannot be overestimated. He becomes as much the composer as Johnston himself (if not more). Ben Johnston recognizes this, and can become very apprehensive concerning the ability of the virtuoso to interpret his work. In this case David Gibson may well have provided the musical performance of the year. He uninhibitedly went about his work/play, and the audience loved it. The composer considers the work a satire which includes many aspects of self parody. His role in the composition is “the importance of creating a good plot.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New music becomes new theater Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-03-31 With references to the following additional composers: Jani Christou, Mahler, Ben Johnston Creator An entity primarily responsible for making the resource unknown Source A related resource from which the described resource is derived Strait Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-04-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_201 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f0ba8e4c7d32c8b0a90a9651ca53404c.pdf cb9550bdfc5d421c819e94c1b1325b0c PDF Text Text Buffalo Evening News April 1, 19 73 Albright-Knox Auditorium Mad Cellist David Gibson Flips His Wig and Steals the Show By John Dwyer The funniest stuff in town more often than not is found in the “Evenings for New Music” series by the UB Creative Associates in Albright-Knox Art Gallery auditorium, and this latest one was a mind-fracturing delight. It was a work by composer Ben Johnston called “Casta David," for cellist David Gibson as a freaked-out 18thCentury performer in wig and courtly swallow-tail, and elec tronicist George Ritscher as a bearded, white-coated, mad scientist at the dials of a de ranged tape machine. MR. Johnston, a nationally known and much-performed composer, was in here from the University of Illinois to watch his own cultural mayhem on the Saturdayevening program. Cellist Gibson seemed to me one of the most wildly comic poltroons since Bert Lahr, and I don't think he ever did anything like it before. He’s a regular, serious cellist and composer. Or he was. Anyway, he screamed, whimpered, imitated the sound of his own cello and sundry birds and animals, went into a kind of aphrodisiacal ecstasy. He moved to a typewriter and played to an inner drum, while the complex tape setup recorded him and played back mixtures of his own tantrum as a four-speaker ac companiment. He moved across stage and played snip pets of every salon and sym phonic cello favorite. I didn’t mention Bert Lahr lightly, though I have no il lusions that a gifted modern one-timer could sustain the late actor’s wondrous level. Still, there was that same kind of craven, fearful, paranoiac rage, mountainous pride, involvement with a private world of rapture. * * * The Audience loved him, and his career may never be the same again. General Cast ing may have him on the wire right now. I think one could fault the program design, to follow this a bit later with another portrayal of demented virtuoso and accompanist, this time visiting Greek-born baritone Spyros Sakkas and Buffalo­ based pianist Jeffery Kowalsky. They did the 1970 “Parodies” of Theodore Antoniou, Athens- born composer who was on the scene to take part in other works. MR. Sakkas was funny, engaging, expressive, and the pianist was an excellent straight man, but the audience had pretty well spent its response to the comic impulse by this time. They enjoyed the parody on the over-mannered, old-time pompous recitalist to a Dadastyle text by Hugo Ball in phonetic nonsense. But for all the considerable skill and com ic sense shown by MR. Sakkas and his aide, it seemed stretched out and overplayed. MR. Antoniou conducted the “Songs, Drones and Refrains of Death” by George Crumb, with MR. Sakkas as singer with a chamber group. Composer Crumb is a model of taste and tone-sure craft, but I found this rather monochrome and decorously static. Richard Trythall played his own “Second Round” at the harpsichord, a deftly woven fantasy on Scarlatti sonatas to a tape accompaniment of the same materials multiplied and overlaid in rolling clouds of sound. Julius Eastman, testimable actor-musician who has im pressed New York and Euro pean centers with his forceful roles, had a just-fair vehicle here in the Anaparastasis 3 of Jani Christou, MR. Antoniou conducting a tight-clustered ensemble of players and shouters, MR. Eastman moving slowly and agonized to the keyboard for adagio con vulsions at and under the piano. This, too, might have been saved for another tune. The crazy cellist had wrapped it up in the curtain raiser. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mad cellist David Gibson flips his wig and steals the show Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-03-31 With references to the following additional composers: Ben Johnson, Theodore Antoniou, George Crumb, Richard Trythall Note: Eastman performs Christou Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-04-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_200 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/d42f5e9e639157cc6070978760eda1a6.pdf 9b23e2c04ce353b0aff4ff6bbf43c7e2 PDF Text Text Evenings For New Music Program Casta David (1968) ** ........................................................... Ben Johnston David Gibson and George Ritscher Songs, Drones, and Refrains of Death (1962-68) ** . George Crumb Spyros Sakkas David Sussman, Louis Bruno, Richard Trythall, Jan Williams, Dennis Kahle Theodore Antoniou, conductor Intermission Second Round (1972) * ......................................................Richard Trythall for harpsichord and tape Performed by the composer Parodies (1970) ** ...................................................... Theodore Antoniou for voice (actor) and piano Spyros Sakkas and Jeffery Kowalsky Anaparastasis 3 (1969) ** ..................................................... Jani Christou Julius Eastman and Ensemble Theodore Antoniou, conductor *First Performance **First Buffalo Performance The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. Assistance for tonight's concert from the Office of Cultural Affairs, SUNYAB, is gratefully acknowledged. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-03-31 Note: Eastman performs Anaparastasis III by Christou Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-03-31 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_199 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/c1c9ee51a256b944bec6d2bb1814c6c9.pdf d357815a41f95dac97eb088ebe52d29c PDF Text Text Evening News Baird Hall Tuesday, March 6, 1973 UB Choir Gives New Lilt To Idea of 'Choral Program' By John Dwyer A hushed rapture for voices and a few instruments by Morton Feldman and Julius Eastman’s mystic geometry for dancers and metronomes showed us all that the UB Choir and Director Harriet Simons intend to give a whole new meaning to the rather routine idea of “choral pro gram.” The select 30-voice mixed choir, in formal black and grouped on rising tiers, also offered the more customary tributes to the Venetian Renaissance and American present. Monday evening in Baird Hall. But the character of the program was defined by its departures. The 1972 work titled “The Rothko Chapel” by visiting Slee Composer Feldman was inspired by the penumbrous canvases of the artist Rothko, gathered in what you might call a Western meditorium, in Houston. Philharmonic principal violist Jesse Levine, who may be composer Feldman’s favorite musician in all the world, played the con templative and long-dwelling lead voice. MR. Levine has figured in several Feldman works here. * Soft-Hammered bells, gongs and bars by percussionist Jan Williams and counter-tones of cellist Richard Trythall colored the texture and posed an anti-phonal mix to humming voices, the intervals in thread-thin widths. The close-clustered voice tones and the major-seventh breadth of the viola line make the prime valence of the work with an almost visual effect, though the composer disclaims any idea of repainting his model. This was very difficult performance as controlled flow and infinite gradation, very well done. It was hurt as a listening experience by a chronic cougher, a 30-time cougher who might have earned universal gratitude by leaving. But no. ** Inner City Ballet dancers Karl Singletary (the director), Donna Farkas, Steven Ma jewicz and Lisamarie Benedet ti offered the Eastman choreography to the Eastman score, which consisted of amplified metronomes operated at various speeds in a high-decibel rhythmic dispute. The dance was Greek-frieze and Euclid in motion, and while it seemed rather rudimentary as ballet and theater, it had a fairly persuasive sense of pattern and resolution of its own quandary. The performers were quite ap pealing, and came through on strenuous demands for balance. The choir hasn’t been just avante-garding it around. Three little ballettos of Gastoldi and an anthem lament of Moneverdi showed an ex cellent sense of those won derful early styles of Mantua and Venice. The Emily Dickinson poem "Musicians Wrestle Everywhere” in the 1945 set ting by Elliott Carter was a brief but many-level challenge, filling the air with dissonant Yankee sublimity and winding up in the jolting innocence of a C Major Triad. A fine evening. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB choir gives new lilt to idea of 'choral program' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-03-05 With references to the following works by Julius Eastman: Wood in time With references to the following additional composers: Morton Feldman, Gastoldi, Monteverdi, Elliott Carter Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-03-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_198 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/bcf72b852604387dc537049e5e68e762.pdf 8932c31080d934e6e4d5f05449f939ba PDF Text Text Baird Hall Buffalo Courier-Express, Tuesday, March 6, 1973 UB Choir Attuned To ‘Rothko Chapel’ By Thomas Putnam Coming out of “The Rothko Chapel" one hears soft campus bells tolling the hour, a con tinuation of Morton Feldman’s music. The performance of Feldman’s piece by the Uni versity of Buffalo Choir under Harriet Simons (who inserted a few solos with her back to us), with Jesse Levine (who continues to be the violinist in Feldman's music), Jan Wil liams (low, dark vibraphone; soft mallets on wood; rolled timpani—a murmur ) and Rich ard Trythall (whose celesta was somewhere), concluded a program by the choir Monday night in Baird Recital Hall at the University of Buffalo. Feldman’s music is intended to evoke or accompany “those large, dark canvases of Rothko’s installed in the chapel,” for the composer feels he shares with the painter the “abstract experi ence." The music was premiered in March last year at the Rothko Chapel, which was built solely for the display of the paintings, in Houston, Texas. He Could Use Chapel If Rothko’s paintings belong in a chapel, where does the music of Feldman belong? He could use his own chapel, a place of meditation, where his ethereal sounds would be safe. As in much of Feldman’s music, “The Rothko Chapel” is a work of spiritual suspense. There is almost no tension in the slow, spaced viola line, tervals drifting; or in the gentle in triumph of long, sustained hum ming chords which almost hide the chime strokes, Feldman in troduces near the end a melody (viola) he wrote when he was 15 and impressionable, and this moves slowly against a regular, beating undercurrent, a fournote motive played in melodic thirds by vibraphone. It is startling, this recapitula tion to an earlier time in the composer’s life, which is the one composition. The choir sang words earlier on the program, including those belonging to a poem by Emily Dickinson which Elliott Carter used for his “Musicians Wrestle Everywhere.” The choir was well coordinated, and alert to the muscular rhythms. One non-vocal work was Julius Eastman’s “Wood In Time” for four dancers (Inner City Ballet Company) and metronomes with contact mikes. The choreography is attractive, more mechanical than fluid, but this was the idea. The metro nomes tock in and out of phase, like so many clocks that don’t obey time, and eventually it gets to be quite a racket. One wondered about the appropriateness of sound and dance to gether, for sometimes the danc ers looked to be humming some other music to themselves (not Feldman, though). Yet in the final mechanized scene an intensity of robot-like activity by the dancers, who were alertly nervous, made the tocking tick. The four were Lisamarie Benedetti, Donna Farkas, Steven Majewicz and company director Karl Single tary. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB choir attuned to 'Rothko Chapel' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-03-05 With references to the following works by Julius Eastman: Wood in Time With references to the following additional composers: Morton Feldman, Elliott Carter Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-03-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_197 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/10c6299a5a649d6d745126ae095c3352.pdf 8fbdfeabcd710ad3d4e3e95ce43a8bb9 PDF Text Text Wood In Time- music and choreography by Julius Eastman Inner City Ballet Company of Western New York Director - Karl Singletary Dancers: Lisamarie Benedetti Donna Farkas Steven Majewicz Karl Singletary Metronome players: Donna Bernstein Fred Kirisits William Rogers Anne Stair � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Choir Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-03-05 With references to the following works by Julius Eastman: Wood in Time Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-03-05 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_196 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/4e38c799f3976dbbcca33054bbc5740e.pdf ea1684c6b81337ca915b8618ae912999 PDF Text Text Buffalo Courier-Express, Sunday, March 4, 1973 Julius Eastman Morton Feldman Jan Williams University Choir offers more than a song . . . metronomes, dancers, and music for dark paintings ‘Rothko Chapel’ Slated Local Premiere Set for Monday By Thomas Putnam Morton Feldman’s “The Rothko Chapel,” which the composer says was inspired by the “large, dark canvases of Rothko’s installed in the Rothko Chapel” in Houston, Tex., will receive its local premiere on a program by the University Choir of the University of Buf falo, directed by Harriet Simons, at 8:30 P.M. Monday in Baird Recital Hall. DR. Simons, director of choruses at the university, will direct the choir in “The Rothko Chapel,” assisted by violist Jesse Levine, percussionist Jan Williams, and Richard Trythall, celesta. The Rothko Chapel, dedi cated about two years ago in Houston, is attached to the In stitute of Religion Human Development, part of the Texas Medical Center. The donors of the chapel were Mr. and Mrs. John de Menil, who also com missioned Feldman to do the music for the paintings. Feldman says of his music: “My attempt . . . was to re create my own musical life, bringing together a music of identifiable emotions which occasionally and suddenly merges into the 'abstract ex perience’ which I felt I shared With Rothko.” The work was composed in May, 1871 in Pont point, France. (“The Rothko Chapel” will be recorded by these performers under the direction of Lukas Foss for Nonesuch.) The University Choir will open its program with 17th cen tury works by Giovanni Gas toldi and Monteverdi before singing Elliott Carter’s “Musicians Wrestle Every where” (1945), a setting of poetry by Emily Dickinson. One Nonchoir piece also will be presented when Julius Eastman conducts his “Wood in Time” (1972), scored for eight metronomes and four dancers. Eastman composed beats and steps for this choreographic metronomy. Dancers from the Inner City Ballet Company of Western New York are Lisamarie Bene detti, Donna Farkas, Steven Majewicz and Karl Singletary, their director. Metronomists are Donna Bernstein, Fred Kirisits, William Rogers and Anne Stair. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Rothko Chapel' slated Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1973-03-05 With references to the following works by Julius Eastman: Wood in Time With references to the following additional composers: Morton Feldman, Giovanni Gastoldi, Monteverdi, Elliott Carter Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-03-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_195 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/74a6ea96858baab8eeef6d93d89d10a3.pdf 200d83243bf89b92acff62c4224e8db6 PDF Text Text Music Baird Recital Hall: Harriet Si mon directs the University Choir at 8:30 P.M. Works by Gas toldi, Monteverdi, Carter, East man and Feldman. Guest artists are Jesse Levine, viola; Jan Williams, percussion; Richard Trythall, celesta; and Julius Eastman, who will conduct his “Wood in Time,” a ballet for the Inner City Ballet Company. Free admission. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-03-05 With references to the following works by Julius Eastman: Wood in Time With references to the following additional composers: Gastoldi, Monteverdi, Carter, Feldman Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-03-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_194 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/1f831069ba603dea225fe0a7aacd5de2.pdf 8160e8fc1917b1d2721771812c616fee PDF Text Text Monday, February 26, 1973 Buffalo Evening News Albright-Knox Auditorium SEM Is Something Else, With a Lively Future Ahead By John Dwyer Nothing in Buffalo, not the paintings of Burchfield or the baton of Michael Tilson Thomas or the Sabres or Bills or Coffee Rich, has had the in ternational effect of the UBbased touring group, the SEM Ensemble. The rest of them have car ried the name of Buffalo to far places. The SEM Ensemble has brought it back in the worst shape it’s been in a long time. Their ultra-modern concerts in Europe have brought im passioned urgings in several languages that, once they got back to Buffalo, the city should be declared in some kind of artistic quarantine. How do we know this? The four composer-players proudly document it themselves in their brochure announcing availability for further carnage. The members are Petr Kotik, flutist; Julius Eastman, keyboards and voice; Clifford Stoll, various electronic roles, and Jan Williams, percussion. Their Program in Albright-Knox Art Gallery auditorium brought out quite a fair attendance, considering the damp cold and the options of a Saturday evening. Their guest performers were Philharmonic principal violist Jesse Levine and principal trumpeter David Kuehn, and trombonist Donald Miller. Composer Kotik has an ongoing sequence of works called “There is Singularly Nothing.” They are a series of panels much like the Japanese water color books by old masters which can be untied and regrouped in any way, since they are re-sketches in subtle variants along guided lines. He offered five new ones and three earlier ones. The new ones are dwelling impressions in brooding hyp notics on a few half-steps, with amplified viola, bass flute, electronic organ, trumpet and trombone. For all the shock expectancy, this particular work was quite romantic, moody and sometimes misty, as if a pleasantly deranged Rachmaninoff had returned to rescore his falling two-tone preludes of 70 years ago in modern terms. I found it grace ful and gently mesmerizing, except Where the organ over rode the texture in some epi sodes. “Second Structure” by Frederic Rzewski set up a complex array of sound equip ment and tape, apparently giv ing a delayed playback through two huge side-wall speakers. Thus the players and singer Eastman in his remarkable falsetto were provided coun terpoint out of their own materials, a bunch of rappings and strung tone-clusters with a very complicated rhythmic ef fect. * * * “Olympia” BY Rudolf Kom orous put Messers Kotic and Williams at a small table of small instruments — bells, bird whistle, harmonica, whirly, ratchet — for a bright and amusing duo of tiny, spurting motifs. Eastman’s “Lines and Spaces” should have been further explained to the au dience. Some of the sound system mixtures were by two performers downstairs at the stairway entrance out of sight, MR. Williams rubbing a wired gong and MR. Kotik on an amplified fiddle. The work involved a scrambled recorded talk session on life and times in fragmented takes, the whole thing probably to be responded Buffalo Evening News Feb. 26, 1973 Roger Shields, pianist and allen Nisbet, cellist, Polish Composers recital, 8:30, UB's Baird Hall. to as a tonal mosaic. Not to be analyzed too closely, that is, or you’d be dealing with just chips and pieces. The finale was a col laboration, but I didn’t stay. My idea of a program of such hypermodern density is that it should be over by about 10 PM, Which was when they were just getting into the second half. Anyway, the SEM Ensemble is singularly something. Just what, no one may ever know, but as long as they continue to upset critics in Cologne, Berlin, Geneva, Paris and New York, they appear to have a lively future. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SEM is something else, with a lively future ahead Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-02-24 With references to the following works by Julius Eastman: Lines and Spaces With references to the following additional composers: Petr Kotik, Rachmaninoff, Rudolf Komorous Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_193 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/01d8543948543c8dbdb45a60e5c1e50d.pdf b658e14c66291fdb43c2899fa12ad876 PDF Text Text Petr Kotik There Is Singularly Nothing (1971/72) No. 4*,5,7,8,11*,14*,15*,16* * first performance Second Structure (1972) Frederic Rzewski first ensemble performance Rudolf Komorous Olympia (1967) intermission Julius Eastman S.E.M. Collaborative Work Lines And Spaces (1972/73) Juea Pekojaw (1973) first performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource S.E.M. ensemble Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-02-24 With references to the following works by Julius Eastman: Lines and Spaces Juea Pekojaw (SEM collaborative work) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_192 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/29d88d759b93154fda683f85af97000e.pdf 4248f970ca866a6c8a5d27bc7392cb1d PDF Text Text Spectrum Feb. 16, 1973 Evening for new music Concert presents new works by Martin Kalve Spectrum Music Critic Concerts of new music are rare events in Buffalo, and consequently people that are interested in observing new currents in music are bound to attach a certain precious aura to any live performance of new music that they are able to attend. Outside of any value judgments, which sooner or later must be made, the excitement derived from the exploration of unfamiliar grounds and unexperienced relationships allows a suspension of opinion-making and an increased participation in the search for a new beauty. This is the "perauditive" through which I listened to the "Evenings for New Music" concert this past Sunday at the Albright-Knox Gallery Auditorium. The concert began with "And Then, Toward the End," a work for trombone and tape by Donald Erb. The taped parts consisted of trombone sounds altered by simple electronic means. Above all else the piece revealed to me how humorous and amiable the sound of the trombone could be. Audio-comic relief The gestures evoked by the sounds of the taped trombone and those produced by Stuart Dempster all seemed to share in the light-hearted quality of the music of a Saturday morning cartoon show. Long and slowly climbing passages end in a laughable cascade of notes downwards, splatting on the ground in a pile of blurps and blats. The composer likes to think of this work as a miniature concerto and indeed there did exist a lengthy lyrical passage for solo live trombone which might be considered to be a cadenza. The first United States performance of David Bedford's "The Sword of Orion" was next performed by Petr Kotik, Jeffery Kowalsky, and Jan Williams, who also conducted the performance. MR. Bedford's program notes consisted mainly of the phenomena he observed in the night sky through his telescope. In describing the Pleiades, to the naked eye a cluster of six stars, he mentioned that on November 14, he was able to count 67 through the telescope. (There are actually over 300 in the cluster). If one substitutes the perception of sound for the visual perception of the Pleiades, a certain relationship between the performance and program notes evolves. Abstract textures with complex rhythmic relationships were contrasted with clearly defined percussive punctuations, linking indefinable realm with indefinable realm. Near the end of the piece all the performers moved about in a circle, playing on a variety of percussion instruments including four triangles, four cymbals, six flowerpots, four drums, six bottles, four gongs and four bells, ending the piece in a crystal cloud of fading sonorities. It is at this concert that for the first time I was fully able to appreciate the faint music of Morton Feldman. Perhaps it was the absence of a vibrating ventilator or uncomfortable chairs, or perhaps it was the intimate environment of the Gallery Auditorium. In any case it was the first time I was able to experience the long-held tones and super-soft dynamics without being interrupted by (comparatively) grossly inarticulated externalia. The dynamic level of Morton Feldman's "Voices and Instruments 2" is the dynamic level of the beginning and ending of all things, distant in space, highly intense in its presence, the first and last glimpse. The work was well performed by Julius Eastman, Sylvia Dimiziani, Harriet Simons, Petr Kotik, David Gibson, Shannon Shapp, Louis Bruno and was conducted by Jesse Levine. Beyond prestissimo MR. Levine also conducted the next work, "Piece in Two Parts" by Stefan Wolpe. In contrast to Feldman's work, which had a relatively low rate of delivery of surface information, the Wolpe work was a high-tension wire of events, demanding a focus of attention, yet so quickly shifting that my mind became incapable of the feat. MR. Feldman describes the work in the program notes as a fragmented lyricism in which the energy and clarity of all its parts arrive at one of those endings where we suddenly realize the extraordinary gifts of this composer. I join MR. Feldman in admiring the gifts of Stefan Wolpe, and also the gifts of the performers, Henry Rubin, Gerald Soffer, David Gibson, Suzanne Thomas, and Stephen Manes. "Rendez-Vous" by Carlos Alsina ended the program. This work, a complex of sound textures (some rather unusual: violin bow pulled across a plastic egg carton, double tones on the trombone, the sounds of a Yugoslavian flute) was performed by Edward Yadzinsky, Stuart Dempster, Jan Williams and Richard Trythall. Undoubtedly the reflections of this concert will change in time. My only wish is that I have transmitted some of the initial excitement in the experience of new sound. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert presents new works Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-02-11 With references to the following additional composers: Donald Erb, David Bedford, Morton Feldman, Stefan Wolpe, Carlos Alsina Note: Eastman as performer in Feldman's Voices and Instruments II Creator An entity primarily responsible for making the resource Kalve, Martin Source A related resource from which the described resource is derived Spectrum Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_191 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9d889eebcc79a477e2129d16b71f79a1.pdf e2772985fd2be330f5a8065d4f20a61e PDF Text Text NYC Feb. 14, 1973 Evenings For New Music Program . . . And Then, Toward the End . . . for trombone and tape (1971)......................................Donald Erb Stuart Dempster The Sword of Orion (1969)**........................................... David Bedford Petr Kotik, Amrom Chodos, Henry Rubin, David Gibson, Dennis Kahle, Jeffery Kowalsky Jan Williams, conductor Voices and Instruments 2 (1972)*................................ Morton Feldman Julius Eastman, Sylvia Dimiziani, Harriet Simons, Petr Kotik, David Gibson, Shannon Snapp, Louis Bruno Jesse Levine, conductor Intermission Piece in Two Parts (1961/62)...........................................Stefan Wolpe for Six Players Henry Rubin, Gerald Softer, David Gibson, Suzanne Thomas, Stephen Manes Jesse Levine, conductor Rendez-Vous (1970)**........................... Carlos Alsina Edward Yadzinsky, Stuart Dempster, Jan Williams, Richard Trythall *First Performance **First U. S. Performance The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. Assistance for tonight's concert from the Office of Cultural Affairs, SUNYAB, is gratefully acknowledged. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-02-14 Note: Eastman performs Feldman's Voices and Instruments II Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_190 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9231dfff27a0f656281776eb8b02110e.pdf b9a7a0f8151359c1afd2c93176eb6a85 PDF Text Text Courier Express Feb. 14, 1973 Henry Rubin, Creative Associate Violinist, will present a recital at 8:30 P.M. Monday in Baird Recital Hall, University of Buffalo. Assisting artists are pianists Stephen Manes, and percussionists Jeffery Kowalsky and Dennis Kahle. Admission is free. Music Of Polish composers will be performed by pianist Roger Shields and cellist Allen Nisbet on the Copernicus concert at 8:30 P. M. Feb. 23 in Baird Recital Hall, University of Buffalo. The program in cludes music by Krauze, Chopin, Lutoslawski and Szymanowski. S.E.M. Ensemble, fresh from Europe, will present a program of avant-garde music at 8:30 P.M. Feb 24 in the audi torium of the Albright-Knox Art Gallery. Petr Kotik, flutist, is di rector of the ensemble, whose members include vocalist Julius Eastman and percussionist Jan Williams. Admission is free. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1973-02-24 Note: SEM ensemble Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_189 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/57aade01ee79d286e06274ca4be6f6fa.pdf 7f3abdb946570ec9c43028cd63037422 PDF Text Text Monday, February 12, 1973 6_ Buffalo Evening News Drama Albright-Knox Auditorium UB Mod Group Returns To Its Wild Old Form By John Dwyer When one bell-and-bottle piece is about Orion (the con stellation, not the Irish poet) and another is a demented trombone concerto and then composer Morton Feldman hums us into frostbitten Nirvana, you know the UB Creative Associates are back in form. They’d had a relapse recently, offering pieces with scales and keys and words from languages. They were back into the primal babble here, and a good deal more in teresting. The program Sunday evening in Albright-Knox Art 'Gallery auditorium attracted a nearcapacity audience in some of the coldest weather of the winter. And they paid to get in, which is one of the really startling innovations of this “Evening for New Music” series. If you can find two other ticket-selling avantegarde series in the country outside of New York, I'll be surprised. Well, perhaps composer Morton Feldman first, since he’s the visiting UB Slee pro fessor and has already charm ed or mesmerized us with other dream-paintings in mo tion. * * This Was a first performance of his Voices and Instruments 2, Jesse Levine conducting. Three hummers — Julius Eastman, Sylvia Dimiziani and Harriet Simons — took part with an odd chamber quartet: Flutist Petr Kotik, cellists David Gibson and Shannon Snapp, and double bassist Louis Bruno. The piece is strangely eventful, for all its quiet poise, as thin lines cross slantwise and thin colors are laminated into deepened hues, and a form unaccountably is developed out of what seems to be allusive meandering. It’s quixotic that such a thoroughly radical composer should offer us restful beauty, but I notice that my mind, under the somnambulistic overcast, remains very active and inquiring through several Feldman works including this one. Vitality is one thing, we see, gymnastics another. “And Then, Toward the End” by Donald Erb is very like a concerto for tape and trombone, and this was the return of trombonist and com poser Stuart Dempster, former Creative Associate and the most extraordinary slide-horn man, I think, of them all. With an array of mutes, sometimes the mouthpiece alone, eerie double tones and growls and a superb open-horn cadenza against a tape elaborated from basic trom bone sounds, MR. Dempster of fered one of the outstanding virtuoso performances of the season. It was received with considerable enthusiasm and the visiting composer was called for a bow. * * “Sword Of Orion” by British composer David Bed ford was a joyful celebration of psychic and sidereal time, violinist Henry Rubin leaping over to help cellist David Gibson play his instrument, percussionists Dennis Kahle and Jeffrey Kowalsky playing on cowbells, strung bottles, triangles, cymbals, every last percussive thing in a big ring around the chamber group. Eventually every performer but one left his instrument and raced around the percussion ring, slamming everything in sight. A touch of finale slapstick, but quite musical all in all. Jan Williams conducted, making it seven performers. Orion has seven stars, east of Taurus over the Equator. And I’ll bet they didn’t even know that. A lovely Piece in Two Parts by a beautiful man and artist, the late composer Stefan Wolpe, explored a wide-angled theme and ripple and its in versions, Jesse Levine con ducting a mixed chamber sex tet including Piano and harp. “Rendezvous” by the im aginative Argentine composer Carlos Alsina, also a former associate, was a high-spirited jam session for saxophonist Edward Yadzinsky, trombonist Dempster, percussionist Jan Williams and Pianist Richard Trythall. They added vocal bleeps, shouts, yelps, bobbed and weaved, seized other in struments for quick variations, and generally cleaned up the place and the evening in outlandish style. So that drift to the right and decorous civility last time out was just a momentary lapse. We all make mistakes. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB mod group returns to its wild old form Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-02-11 With references to the following additional composers: Morton Feldman, Donald Erb, Stefan Wolpe, Carlos Alsina Note: Eastman performs Feldman's Voices and Instruments II Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_188 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/9abe7167f8aac037252f8e09a433f67a.pdf a08f99e80f0dc055a2b7fc13bf60b239 PDF Text Text ---------------------------------------------------------------------------------------- Buffalo Courier-Express, Monday, Februar Review ‘Voices and Instruments 2 Audience Listens-or Drowses By Thomas Putnam Morton Feldman’s new piece, "Voices and Instruments 2” which he wrote this season for the University of Buffalo’s Cen ter of the Creative and Perform ing Arts, and which premiered Sunday on the Evenings for New Music program at the Al bright-Knox Art Gallery, is quiet, quasi-religious, harmoni cally drifting, ego-less music. It engages the ear submissive ly; one either takes to it, or sleeps. Like Feldman’s “Pianos and Voices,” also composed in 1972, there are humming parts in "Voices and Instruments,” al though whereas the pianists performed a "hum-along” with their soft percussive music, in this work there are three so pranos who do nothing else but hum. (In this performance, baritone Julius Eastman did his customary falsetto role, the other sopranos being Sylvia Di miziani and Harriet Simons.) If there was an imagined text behind the hummed tones it was the “Agnus Dei.” The en semble Includes flute (Peter Kotik), two cellos (David Gib son and Shannon Snapp) and a double bass (Louis Bruno). The instrumental sound also hums, sings softly and smoothly, the only attacking sounds being flute (an instrument hard put to make a drifting entrance, although if Feldman had want ed a more easily disguised voice he could have chosen the clari net) and pizzicato double bass. And the double bassist had the closest thing a melodic state ment in his pizzicato, slow, chord-rooted solo near the end of the piece. High - pitched instrumental chords blend with the voices, and there is a certain ambiguity of sound source, especially between the strings and voices. Pitches emerge from silence, and cross the threshold of perception, spirits ascending. Feldman’s music may not be vigorous, but it stimulates peace. Jesse Le conducted the performance, vine unobtrusively. One rutted repetition of a particularly misty harmony, with only the flute producing a sharp articulation, sounded like a stuck celestial auto horn. Feld man’s presence at UB as Slee professor of composition, his talks, and the many perform ances this season of his music, have brought an audience closer to his very personal music. Stuart Dempster, remembered for his remarkable trombone performances when he was a member of the UB Center in 1067-68, returned for a perform ance of Donald Erb’s "And Then, Toward the End," for trombone and tape. Erb introduces his music with the note that “there is not a single electronic sound in the en tire work,” a sure warning that electronic sounds will seem to abound. And so they do. For al though “the source sounds for the tape were all taken from the trombone," they were altered, modulated and filtered, in pro cesses which to the engineer may be “very simple means” but which lead to dazzling hisci ends. This "miniature concerto for trombone’’ was composed with Dempster’s sound and talent in mind, and behind its sound-ef fects surface are virtuoso em bellishments, such as Demp ster’s clear “double-stop” inter vals, which he manipulates in counterpoint and in parallel glissando. The live performer and tape share articulate gestures, yet Dempster for all that kept his identity as a living source of peculating nervousness. He is a more classical, refined perform er than recent Center trombonist James Fulkerson, whose style was more delightfully uninhibi ted. Jan Williams conducted Da vid Bedford’s “The Sword of Orion,” which was equipped with star-gazing program notes all about what can be seen through a four-inch telescope. What can be heard at the start of this entertainment is metro nomes ticking at different speeds, while flute, clarinet; cel lo and violin follow their signals. The twittering score includes a bleating clarinet cadenza; a two-man cello solo, with Henry Rubin leaving his violin to bow along with David Gibson; and a finale in which the two percus sionists were joined by the others (all save clarinetist Am rom Chodos, who twittered) for a canonic circle game, a pa rade around the stage, follow the leader, going through the entire repertory of percussion sounds. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Voices and Instruments II' audience listens--or drowses Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1973-02-11 With references to the following additional composers: Morton Feldman, Donald Erb, David Bedford Note: Eastman as performer in Feldman's Voices and Instruments II Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_187 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/efd3a6f47c8ef883fba46e2a380625f6.pdf 12c5d3ba74392f1dfeb9cade18006d6f PDF Text Text Buffalo Courier-Express, Sunday, February 11, 1973 5 Focus on Music UB Lively Arts Center, Brockport Dancers to Join Talents By Thomas Putnam It Is A Busy week for the Creative Associates: Evenings for New Music today at the Albright-Knox Art Gallery (8:30 P.M.), and a dance-theater program with the visiting Brockport Resident Dance Com pany, Friday and Saturday in Upton Hall, Buffalo State Col lege (8:30 P.M. both days). Evenings for New Music in cludes the first performance of a new piece by UB Slee com poser Morton Feldman, “Voices and Instruments 2,” which recalls the earlier work, “Pianos and Voices” for humming pianists that Feldman performed with Lukas Foss, David Del Tredici, Julius Eastman and William Appleby in October. Feldman Wrote about “Pianos and Voices” that he be gan “by finding myself humming tones while improvising on the piano. The vocal or humming sounds were quite short, and as the piano sound lingered, I be gan to hear other pianos, other humming.” He added a celeste for occasional color, a brighten ing sound. The new piece is scored for three voices (Julius Eastman, Harriet Simons, Sylvia Dimizi ani), flute-piccolo, two cellos, and double bass, a grouping which goes beyond the usual re sources of the UB Center of the Creative and Performing Arts, al though Feldman wrote the mu sic this year for the Center. (Composers never should be ex pected to fit their imagination to a limited ensemble.) The program with the Brock port Dance Company also in cludes a work by Feldman, “Be tween Categories,” composed in 1969 but danced for the first time in January at the State University College at Brockport. The music is for two mirror en sembles, each including piano, cello, violin and percussion, each playing completely different mu sic independently of each other. Dancers In the Feldman work are Susannah Payton, Di ane Woodruff, Santo Giglio and James Payton, the company di rector. Musicians are from the UB Center. A larger musical ensemble is used, however, for Lejaren Hil ler’s “A Triptych for Hierony mus,” a dance-theater piece which was premiered on the same January program by the Center at Brockport. Hiller composed his score in 1966, but the work is a collaboration of three authors, including Webster Smalley, who did the scenario, and George Talbot, who made the film and collected the slides. (Film and slides are absent from this production.) Brockport Resident Dance Company ... will perform to music by Hiller and Feldman Hiller based his “Triptych” on the painting, “The Garden of Earthly Delights,” by the Flem ish painter Hieronymus Bosch (1450-1516). The painting itself is a triptych which is interpreted as a parable of man’s fall from grace, with visual depictions of the Garden of Eden, existence on earth, and hell; but Hiller says his work is not a literal transcription of the painting. The Music is scored for full symphony orchestra, but for this performance Hiller—lack ing space and money—will use “the bare bones.” Jan Williams will conduct about 30 musicians in the Upton Hall “pit,” with musicians from Brockport and the Eastman School of Music joining those of the UB Center. The music includes twochannel tape, which Hiller used alone for a slide-show presen tation of “Hieronymus” at the Electric Circus in New York. “A Triptych for Hieronymus” may be done in three ways: As a dance-drama, which is what the present production is; as a multi-media show with film and several thousand slides; or as “walk-through theater,” which Hiller said would present dif ferent scenes in different parts of a building. Hiller says his music is con trasting and chronological, pre senting, perhaps, the fall of music from primitive to modern disarray, passing through in nocent and pseudo-medieval states. Some of the music is described by the composer as “carnival-like.” The UB- Brockport col laboration puts to the service of a large multi-media piece artistic resources which have previously worked successfully alone. The joining of forces is an active expansion of regional activities, also, on the part of the UB Center, which looks for ward to collaborating with Fre donia, Geneseo and Buffalo State. More is accomplished than merely taking the Creative Associates on the road. In resi dence, the CA’s are able to communicate more fully the “Center style,” as Jan Wil liams puts it. And, as the saying goes, two are better than one. Hiller’s dramatic conceptions need more than the Center can give, and, apparently, Brockport has some thing to give. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB lively arts center, Brockport dancers to join talents Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following additional composers: Morton Feldman, Lejaren Hiller Note: Eastman listed as performer in Feldman's Pianos and Voices Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_186 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/eea70114d9b2249fae5f70321a4f2ddb.pdf 9e72eb656bd8028787b89d677f4cd9ad PDF Text Text Evenings For New Music Program . . . And Then, Toward the End . . . for trombone and tape (1971)..................................... Donald Erb Stuart Dempster The Sword of Orion (1969)**........................................... David Bedford Petr Kotik, Amrom Chodos, Henry Rubin, David Gibson, Dennis Kahle, Jeffery Kowalsky Jan Williams, conductor Voices and Instruments 2 (1972)* Morton Feldman Julius Eastman, Sylvia Dimiziani, Harriet Simons, Petr Kotik, David Gibson, Shannon Snapp, Louis Bruno Jesse Levine, conductor Intermission Piece in Two Parts (1961/62) for Six Players Stefan Wolpe Henry Rubin, Gerald Soffer, David Gibson, Suzanne Thomas, Stephen Manes Jesse Levine, conductor Rendez-Vous (1970)** Carlos Alsina Edward Yadzinsky, Stuart Dempster, Jan Williams, Richard Trythall *First Performance **First U. S. Performance The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-02-11 Note: Eastman performs Feldman's Voices and Instruments II Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-02-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_185 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/dc21e461d083eb20a4141371818d009f.pdf 0f99ab1217d5f3e78dfa4bf57593d01a PDF Text Text Evenings For New Music Program Postlude for Horn, Violin, Piano (1964)................................. Robert Helps William Lane, Henry Rubin, David Del Tredici Five Pieces for Violin and Percussion (1963) . . . George Andrix Henry Rubin and Jeffery Kowalsky Fantasy Pieces for piano solo (1960)............................ David Del Tredici Performed by the composer Computer Music for Percussion and Tape (1968) Lejaren Hiller and G. Allan O'Connor Jeffery Kowalsky Intermission Aria, Fontana Mix and Solos for Flute, Alto Flute, Piccolo and Violincello (1958).............................. John Cage Julius Eastman, David Gibson, Petr Kotik, Jan Williams Les Mouton de Panurge (1969)........................................Frederic Rzewski Ensemble The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Suffolk county community college) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1973-01-12 Note: Eastman performs Cage Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1973-01-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_184 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/95642ab0ea860d0196605fd5a97aef19.pdf 5b53d9871ed5de6c8ac252950c717445 PDF Text Text MUSIC OF ANTHONY PHILIP HEINRICH under the direction of Lejaren Hiller PROGRAM Elegaic Quintette Vocale (I 846) Vocal Quintet: Winifred Black, Ellen Lang, Keith Daniel, Andrew Schultze, Julius Eastman INTERMISSION Scylla and Charybdis, Capriccio Erratico for the Pianoforte and Violin (1851) Henry Rubin , violin Bronislava Melandinidis, piano Robin Pearce, organ A Voluntary for the Organ (1854) Otetto, for String Octet, Flute and Triangle (1851) David Fuller, organ The Columbiad (No. 1 of Artistic Perplexities) (1837) A Chromatic Ramble of the Peregrine Harmonist, for Piano (from The Dawning of Music in Kentucky) (I 820) Frina Arschanska Boldt, piano Violin Henry Rubin Donald Weilerstein Jacqueline Leonard Loren Pearson Viola Leonard Matczynski Diane Williams Multum in Parvo, for Piano (ca. 1830) William Appleby, piano An Offering of Song (I 848) The Rose of the Sea The Broken Heart Winifred Black, soprano William Appleby , piano Flute Petr Kotik Oarinet Amrom Chodos Dwight Decker Horn Ralph Jones Beye Fyfe Cello David Gibson Wendel Haver Trumpet Thomas Dee Bass Edwin Gordon Triangle Jeffery Kowalsky Lejaren Hiller, conductor � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original non-remediated document. https://digital.lib.buffalo.edu/files/original/76b700316461166d559e07d3d5388f75.pdf fb4c811b27d6c61215abe7e1ea838378 PDF Text Text Music Of Anthony Philip Heinrich under the direction of Lejaren Hiller Program Elegaic Quintetto Vocale (1846) Vocal Quintet: Winifred Black, Ellen Lang, Keith Daniel, Andrew Schultze, Julius Eastman Robin Pearce, organ A Voluntary for the Organ (1854) David Fuller, organ A Chromatic Ramble of the Peregrine Harmonist, for Piano (from The Dawning of Music in Kentucky) (1820) Frina Arschanska Boldt, piano Multum in Parvo, for Piano (CA. 1830) William Appleby, piano An Offering of Song (1848) The Rose of the Sea The Broken Heart Winifred Black, soprano William Appleby, piano �Intermission Scylla and Charybdis, Capriccio Erratico for the Pianoforte and Violin (1851) Henry Rubin, violin Bronislava Melandinidis, piano Otetto, for String Octet, Flute and Triangle (1851) The Columbiad (No. 1 of Artistic Perplexities) (1837) Violin Henry Rubin Donald Weilerstein Jacqueline Leonard Loren Pearson Viola Leonard Matczynski Diane Williams Flute Petr Kotik Clarinet Amrom Chodos Dwight Decker Horn Ralph Jones Beye Fyfe Cello David Gibson Wendel Haver Trumpet Thomas Dee Bass Edwin Gordon Triangle Jeffery Kowalsky Lejaren Hiller, conductor � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music of Anthony Philip Heinrich Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-12-17 Note: Eastman as performer Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_183 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/d74cf811b841f9fc070cdedaa05c4f75.pdf 59b135bce002c49e4e09eed173386a39 PDF Text Text Evenings For New Music Program Serenade (1960-64)* Fantasy Nocturne Postlude Robert Helps David Del Tredici, David Gibson, William Lane Frank Reilly, Henry Rubin, Marie Yadzinsky De Novo (1971)....................................................................Yehudi Wyner David Gibson Frank Reilly, Henry Rubin, Petr Kotik, Amrom Chodos, Louis Bruno Three Airs For Frank O’Hara’s Angel (1972) Lukas Foss Sylvia Dimiziani, Julius Eastman Lukas Foss, Oswald Rantucci, Guy Klucevsek, Dennis Kahle S.U.N.Y.—Stony Brook Chamber Chorus David Aurelius, Conductor Prepared by Sonja Neblett Intermission Seasons (1970)* Toru Takemitsu Lynn Harbold, Dennis Kahle, Jeffery Kowalsky, Jan Williams Night Conjure-Verse (1965)........................................ David Del Tredici Simples (J. Joyce) A Memory of the Players in a Mirror at Midnight (J. Joyce) Sylvia Dimiziani, Julius Eastman Henry Rubin, Marie Yadzinsky, Frank Reilly, David Gibson, Eiko Ito, Petr Kotik, Amrom Chodos, Edward Yadzinsky, Eugene Steinberg, Nelson Dayton, William Lane Conducted by the Composer *First New York performance. The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-12-13 Note: Eastman as performer on Foss and Del Tredici works Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_182 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/2ea12c9eb64dee1ac67397bc498e1730.pdf 344e5be93c77cca460a1582a1f89badb PDF Text Text Buffalo Evening News Dec. 4, 1972 Albright-Knox Foss Goes Along With Swing To the Right—If Only Briefly By John Dwyer Where have all the young Turks gone? They’ve gotten older, for one thing. And then the giant, rightward swing of the pendulum in life and arts has swept a number of composers along with it. Including Lukas Foss, if only for the moment. The UB Creative Associates’ “Evenings for New Music" program Sunday in AlbrightKnox Art Gallery auditorium was so listenable, appealing, instantly understood and sometimes soothing that you’d wonder what the complaint was. None at all, really. Except that the original idea of this series was to explore new ideas in composition, and provide an arena for composers young enough and inventive enough to be vastly ignored, if an arena were not found. * Here We had a lovely, ruminating Serenade by Robert Helps, three pieces written separately but seemingly with a subconscious inclination to the same feeling. Violin-piano, string quarter, trio of horn, piano, violin breathed through the movements — Fantasy, Nocturne, Postlude — in a spirit of what you might call intelligent reverie. "De Novo” by Yehudi Wyner conceivably could have been composed for the nostalgic delectation of a high-grade supper club, a cello and five instruments in a smoky memoir including elements of Doc Watson and Sibelius. The one piece with the old time netherworldly swing was Japanese composer Takerriitsu’s “Seasons,” for some quiet innuendo on tape and four light-touch percussion batteries, one at each corner of the hall. Mooning and noodling in the near-dark, they brought back fond memories of the dear old anarchy years on this series. The score says the performers should play just about any old thing, not too loud, guided mostly by “personal time.’’ That’s more like it. * Soprano Sylvia Dimiziani and baritone Julius Eastman sang settings of James Joyce verses, elaborated by a string quartet and winds septet in the “Night Conjure-Verse’’ of David Del Tredici, the composer con ducting. The notion was high-pitch, glassy reflections as in a mir ror, the true soprano voice at the same angle of incidence as the reflected voice of baritone Eastman, in his freakishly artful falsetto. Extremely complicated and close-worked canons and a ton of well-ordered tonal fragments suggested a composer of very high craft and control. A first hearing directed my mind more toward the elevated engineering than it should, though there were moments of lyric light and a graceful feel ing for song. “Three Airs for Frank O’Hara’s Angel’’ is Lukas Foss’ tribute to the late poet, soprano Dimiziani in a strong, expressive role with a small female chorus, the Fredonia Chamber Singers, MR. Foss at the piano, accordionist Guy Klucevsek, mandolinist Oswald Rantucci. * The Choristers sang, whispered, trilled, perhaps hissed and whistled into the open piano soundboard with unusual, reverberant effects. In an elegiac passacaglia on tape, the voice of the composer dwelled on O’Hara verses, and a large chamber group onstage was used sparely but with in cisive effect in emotional punctuations. Intense delicacy, if you can put those notions together, and the idea of infusing a work of mourning with a persistent yea-saying to life might be a wholly invented program for the work, but it was the one suggested to me. Moments of it are playful, some of it sheer gamesmanship in a late-era Foss manner, the soprano line often tenderly beautiful. It had few ideas newer than the Foss “Time Cycle” of nearly 20 years ago, but then it was a work of memory and the transfiguration of a personal loss. Composer Foss should be back in again, soon, with his sardonic fencing. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foss goes along with swing to the right - if only briefly Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-12-03 With references to the following additional composers: Lukas Foss, Robert Helps, Yehudi Wyner, David Del Tredici Note: Eastman performed Tredici Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_181 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/4b09a3d1e71673fece7f535c8e2ba8e2.pdf 0604acd1fa9a7a856732ed580e2e2675 PDF Text Text Buffalo Courier-Express, Monday, December 4, 1972 Review 'O' Hara’s Angel’ Salutes Poet By Thomas Putnam Each of Lukas Foss’ “Three Airs For Frank O’Hara’s Angel” has a different word source, all finally overlapping at the end of the work (the form is A-B-shortA with C overlay). Foss played slightly at the piano, directing the seven Fre donia Chamber Singers who were huddled around the piano, soprano Sylvia Dimiziani and the ensemble of mandolin, accor dion and percussion, in the Buf falo premiere Sunday night on the Evenings for New Music concert at the Albright-Knox Art Gallery Auditorium. Foss set the three poems (one of which, although printed in the “Collected Poems” of O'Hara, is actually by Violet Lang) as a sincere homage by a friend of the poet. They are honored in the simple, clear setting. Foss does not get in the way of the poetry, and he en hances it with his light rhyth mic reading of Lang’s “Words To Frank O’Hara’s Angel,” per formed by the seven ladies in two parts. The words dance in five-eight. The middle poem is beautiful music for soprano, with weird accompaniment by vibrating per cussions and voices reflected in the body of the piano. O’Hara’s “air” has pollution—“soot”—but it is rarefied by “a Chinese cloud” which Foss enlightens with shimmering sound. Miss Dimiziani delivered the song with a sense of beauty. During her performance Foss’ taped voice with electronic ghost ing read “I am no longer going out into the world.” and although this was intended to be read live by Julius Eastman, the dis embodied voice was terribly effective. Musical Links Robert Helps' Serenade is a group of three pieces which, when he had finished them, the composer decided would form a unity. They utilize different in strumental combinations, which explains their interesting diver sity; but they have musical links, too, which explains their coherence. (One such link is the use of tremolo as a means of establishing tonal balance.) Henry Rubin and David Del Tredici gave a fine performance of the lyrical and dynamic Fan tasy for violin and piano, which is the opening “movement;” the violin tone was small but inci sive, and both performers brought, the music to a musical boil before they were finished. The middle Nocturne for String Quartet is more refined, but powerful in its mood and color. The final Postlude for horn, vio lin and piano begins with off stage horn, played beautifully by William Lane, with the dis effect emphasized by his tant “echo” dynamic. The horn joins the others on stage for the re mainder. The Postlude is warm and melodious, and again the horn shines, with Lane provid ing vibrato gold. Music in Dark Toru Takemitsu's “Seasons” for tape and four percussionists at the corners of the auditorium was played in the dark, with dim lights over the stalls in this exotic marketplace. Some where in the distance, thought ful words were uttered, whispers of truth, a desperate attempt to redeem the music, give meaning to the sound of quiet indigestion and someone loading the dish washer. David Del Tredici’s “Night Conjure-Verse" is an ambitious setting for soprano (Miss Di miziani). counter-tenor (Julius Eastman) and 11 instruments, of two poems by James Joyce. It is difficult music, but the activity is diverting, and the dexterity in the writing is worthy of attention. The tone is somewhat Viennese — passion controlled by technique. The high voice writing made the microphones necessary, but even so the performers seemed un comfortable. Eastman, never mind his amazing agility, is after all a bass. The music is logical and beautiful, but word sense is often destroyed by reading backwards. Music, how ever, sounds good in either direction. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'O'Hara's Angel' salutes poet Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-12-03 With references to the following additional composers: Lukas Foss, Robert Help, Henry Rubin, David Del Tredici, Toru Takemitsu Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_180 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f284b44e6c7962b9b8efb79eb67a0c98.pdf 963c7dc568dbfb51dc4302bbe8d6f440 PDF Text Text Music Albright - Knox Art Gallery: Evenings for New Music by the Center of the Creative and forming Arts; Per 8:30 P.M. Lukas Foss will be p ianist in area premiere of his “Three Airs for Frank O’Hara’s Angel,” with the Fredonia Cham ber Singers, so prano Sylvia Di miziani and bari tone Julius East man. The pro gram includes Robert Help’s Serenade for piano, string quar tet and horn; Yehudi Wyner’s "De Novo”; Toro Takemitsu’s “Seasons” for percussion, tape and live electronics; and David "Del Tredici’s “Night ConjureVerse” on texts of Joyce for voices and 11 instruments. SR. Paul’s Cathedral: Christ mas portion of Handel’s “Mes siah” performed by the Cathe dral Choir of Men and Boys, di rected by Frederick Burgo master, 5 P.M. Soloists are Dan iel Yox, Kenneth Ferrie, Gor don Salisbury, John Priebe JR., Donald Greatbatch. With harpsi chord (Jeanne Lawless) and or chestra. Baird Recital Hall: Graduate recital by soprano Kai-Ning Chiang and pianist George Swietlicki, 3 P.M. Music by Bel lini, Brahms, Chausson, Puccini, Debussy, Stravinsky, Chinese folk songs. Free admission. Buffalo and Erie County Pub lic Library Auditorium: Piano recital by Ireneus Zuk, 7 P.M., sponsored by the Ukrainian Stu dent Club of the University of Buffalo. Zuk currently studies with Leon Fleischer at the Pea body Conservatory. The program is works by Beethoven, Chopin, Lysenko, Revutsky, Kos-Anatol sky.Debussy and Liszt Music Baird Recital Hall: Harriet Simons directs the University of Buffalo Choir. 8:30 P.M. Assisting artists are Charlotte Roe derer, organ, and duo-pianists Fri na and Kenwyn Boldt. Music by Bach, Richard Deering, Kenneth Leighton, Britten and Brahms. Free admission. Fredonia State College: Cleveland String Quar tet performs at 8:30 P.M. in the Arts Center Concert Hall. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-12-03 With references to the following additional composers: Lukas Foss, Robert Help, Yehudi Wyner, Toro Takemitsu, David Del Tredici Note: Eastman as performer on Foss piece, MAP Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_179 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/ccd5c5fb8e3f140187c4dc198488f658.pdf bf5eb33df433d583e82ceff85ae4cc9e PDF Text Text Buffalo Courier-Express, Sunday, December 3, 1972 Premiere by Del Tredici Is Based on James Joyce By Thomas Putnam "He's Murdering the time!” the Queen of Hearts re marks about the performance of the Mad Hatter in the tea party scene from Lewis Carroll’s “Alice in Won derland.” In his musical setting of the scene, University of Buffalo Creative Associate com poser David Del Tredici also murders T. Putnam the the time, by composing the song (“Twinkle, twinkle, little bat”) at different speeds, simultaneously. “Off with his head!” the Queen com mands. But Del Tredici is spared, for the composer’s art is the art of killing time. He needs no permit, only the abil ity to distort beautifully. “‘Murdering the time,’ in fact, becomes a creative image throughout the entire piece,” Del Tredici explains in the pro gram notes for “Vintage Alice,” the third of four pieces which he is completing which comprise the complete verse and many of the scenes from “Alice in Won derland.” “As different episodes that follow the Hatter’s Song unfold ... all are treated to, and affected by, this idea of dis tortion and scrambling.” Del Tredici will have an other Buffalo premiere when his “Night Conjure-Verse” on texts by James Joyce is performed on the Evenings for New Music program at 8:30 P.M. today in the Albright-Knox Art Gallery Auditorium. Julius Eastman and Sylvia Dimiziani are the vocal soloists (Miss Dimiziani sang and spoke the parts of Alice, the Mad Hatter, March Hare and Dormouse in “Vintage Alice”); and the composer will conduct the instrumental ensem ble. “I’m horribly addicted to poetry,” Del Tredici said re cently. For the last seven years, he has composed music that in cludes voice. Moreover, the composer has long been fas cinated with the poetry of Joyce. David Del Tredici is addicted to vocal music . composer uses James Joyce poetry “I Did A whole bunch of Joyce before I got interested in ‘Alice in Wonderland,’” Del Tredici said. His Joyce setting, “I hear an army,” for soprano and string quartet, was performed on a Creative Associate pro gram several seasons ago. “You remember that?” he asked. “Joyce is passionate, and I like the Catholic sentiment in his poetry, and in his life. I’ve al ways identified with that.” He does not feel a continuity of spirit between Joyce and “Alice.” “They’re different,” he said. “The early Joyce poems are serious, intense and vivid; ‘Alice’ is humor and whimsy.” Another setting of Joyce texts is “Syzygy” (pronounced “seezee-gee”). “I made up the title. It’s an English word, believe it or not, which refers to that sec ond of time when things line up.” “Syzygy” was performed earlier this season in New York by the New York Philharmonic and Michael Tilson Thomas con ducting the Encounter program; it is scored for soprano and 20 instruments. “Night Conjure-Verse” is made from two poems by Joyce—“Simples” and “A mem ory of the players in a mirror at midnight.” The key image is that of the mirror, which is mus ical as well as poetical. Del Tre dici describes the work as “an odd singing complement for so prano and counter-tenor” (Ju lius Eastman is a singer of nearly unlimited range and ef fect). Del Tredici opposes the two high voices in mirror reflection. “Both have the same range of notes,” he says, “although a very different tone quality. The soprano is the real voice, the actual events before the mirror, and the counter-tenor is the false voice, the reflection in the mir ror.” The mirror idea extends to the technical means of the piece. “It is a symbiosis in which the poetic image and the technique become in my mind the same,” Del Tredici explained. “To be specific: Musical passages are followed by their mirror (back ward) versions in both small de tails and over long sections.” The Instrumental en semble also is designed accord ing to this mirror plan. “Two opposing sonority groups—string quartet versus wind septet—are employed behind the two oppos ing voices,” Del Tredici said. “High tessitura (range) in the parts is meant to suggest flashes of light from a mirror,” the com poser explained. “There is fre quent splintering of syllables of the text, and retrograding of the text.” An example of poetic retro grade (a procedure used in 12tone counterpoint) would be “Gnash the 13 teeth—teeth 13 the gnash.” The technique of mirror reversal IS the meaning here. The use of retrograde causes re flections in the music. “Simples,” Which was com posed last, is described by Del Tredici as “another Tight’ poem, although a much softer, more mysterious moonlight. It, too, abounds in much retrograded motion—rhythmic and melodic— and canonic chasing of similar lines, though here with a more playful, delicate moonlighting quality.” “I like pyrotechnical voice and odd instruments,” Del Tre dici said, recalling his use of a folk ensemble—including two soprano saxophones, accordion and man dolin—in “Vintage Alice.” For example, he might use a rock group, associated with a particular kind of music, and be forced to write music which brings the rock instruments into a new sound world. Del Tredici’s scores are all hand made by him. He has never used improvisation in his music, and when he writes for a pop group he composes difficult music. “I’ve neverdone.it much myself,” the composer said about improvisation. “As a pianist I have played a lot of classic contemporary music.” Lately he has found less time for performing as a pianist. He Will Perform, how ever, on a CA recital with Julius Eastman Dec. 15 at Baird Re cital Hall, presenting some of his “small” works “for modest groupings” composed around 1960. Included will be his first Joyce song for piano and voice, and a four-hand piano piece, as well as music by Robert Helps. Del Tredici’s vocal obsession may be broken—who knows?—by this revisiting of those times long ago when the composer was con tent to compose music without the aid of poetry. But he’s not sure when he’ll come out of his addiction for words and voice. Is there a cure for his artistic habit? � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Premiere by Del Tredici is based on James Joyce Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1972-12-03 With references to the following additional composers: David Del Tredici Note: Eastman as singer Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_178 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/e57056af770e1a9bb9440170e09d57ea.pdf 84e9abe4e06aab8145e49ab7fa663f76 PDF Text Text Evenings For New Music Program Serenade (1960-64)*........................................................... Robert Helps Fantasy for Violin and Piano Nocturne for String Quartet Postlude for Horn, Violin and Piano David Del Tredici, David Gibson, William Lane Frank Reilly, Henry Rubin, Marie Yadzinsky Yehudi Wyner De Novo (1971) David Gibson Frank Reilly, Henry Rubin, Petr Kotik, Amrom Chodos, Louis Bruno Three Airs For Frank O’Hara’s Angel (1972) Lukas Foss Sylvia Dimiziani, Julius Eastman Lukas Foss, Ozwald Rantucci, Guy Klucevsek, Dennis Kahle Fredonia Chamber Singers William Graf, Director Intermission Seasons (1970)* ............................................................ Toru Takemitsu Lynn Harbold, Dennis Kahle, Jeffery Kowalsky, Jan Williams Night Conjure-Verse (1965)*.................................David Del Tredici Simples (J. Joyce) A Memory of the Players in a Mirror at Midnight (J. Joyce) Sylvia Dimiziani, Julius Eastman Henry Rubin, Marie Yadzinsky, Frank Reilly, David Gibson, Eiko Ito, Petr Kotik, Amrom Chodos, Edward Yadzinsky, Eugene Steinberg, Nelson Dayton, William Lane Conducted by the Composer *First Buffalo performance. The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-12-03 Note: Eastman as performer in Three Airs for Frank O'Hara's Angel by Foss and A Memory of the Players in a Mirror at Midnight Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_177 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/965b0aaa4b96219297dedb91dd6b334d.pdf e64273d8f2dc34c772492f689c447617 PDF Text Text musicounciI presents the center of the creative and performing arts of SUNY Buffalo in Lukas Foss' Map the combatants Jan williams, percussion Jesse levine, strings petr kotik, winds Julius eastman, voice and keyboard william novak, tape operator lukas foss, referee MAP for the performer it’s a game for the spectator it’s a piece of music The musicians derive their live sounds from tapes they made according to the composer’s specification. They do not play from a page of music, they play from the tape. They interpret the tapes the way one interprets a score. react to and interfere with one another. They also The "Game" was an afterthought, designed to make the "piece of music" happen. The game insures the constant grouping and regrouping of the musicians. Solos, Duos, Trios, etc. happen of their own accord in different corners of the performance space like invasions of territories. MAP is an interplay of chance and skill, a game without props, extraneous, non musical elements. No dice, no cards, no numbers. The traditional gamesmanship of musicians (to play the right note at the right time) is replaced by plain gamesmanship (to play so that you come out ahead in the game). funded by student tax state university of new york at albany december 1 & 2 at 8:30 performing arts center � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lukas Foss' MAP Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Date of event: unknown Note: Eastman as performer *exact date of performance unknown* Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_176 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/3fb0a3158ae012c00e5bee1734a88830.pdf e6064a6b799be388efd6420d3d5c812d PDF Text Text Buffalo Evening News Nov. 28, 1972 Music Notes Violin-Piano duo of con siderable note, Jaime and Ruth Laredo, appear this evening at 8:30 in Kleinhans Mary Seaton Room on the Buffalo Chamber Music Society series, perform ing the Fanck Sonata in B Minor, Mozart “Helas” Varia tions, Stravinsky Suite Itali enne, Schubert Fantasy in C.. * Sigurd Rascher, the world’s most famed concert saxophonist, will give a lecture-recital tomorrow at 8 PM in Clarence Junior High School, and a concert on Thursday at 8:15 PM in Clarence Senior High School with the Clarence Wind Ensemble. * Post 264 American Legion Band under Herbert Ludwig, National Legion Champions, will perform tomorrow at 8 PM in East Aurora High School, a Lions’ Club Music Scholarship Benefit. * * * A. Robert Koch, former opera singer and teacher now a Buffalo resident, writes: “Your article on great voices of the past in recordings brings back fond memories. Also, of my own singing in and out of New York. I am 80 years old. I heard Caruso and talked with him and others. Gigli was one of my favorites." * “P.N.” Of Batavia writes: “Your record review of Nov. 13 was utterly incomprehensible to me. The Odyssey recording of the art of Lauritz Melchior must rank as one of the fine vocal issues of the year.” * Korean Children’s Choir and youthful violinist Young Keun Kim will offer their pro gram “To the World With Love” tomorrow at 8 PM in Kleinhans Music Hall, touring auspices of World Vision International, and local auspices of Metropolitan Chapel of Buffalo. Yoon Hak Won is director. * Pianist Bronislava Melan dinidis, pupil of Frina Arschanska Boldt, will give a recital tomorrow at 8:30 PM in Baird Hall, admission free, works of Beethoven, Bartok, Debussy, Scriabin. Beethoven Cycle pro grams Friday by the Juilliard Quartet, Dec. 6 by the Lenox Quartet, Dec. 8 by the Guarneri Quartet in Baird Hall are sold out. A waiting list will be started at 7:30 each eveni g. Miss Ross Miss Fargnoli “Nutcracker” by the Festival Ballet of New York with the Philharmonic under Melvin Strauss will be given Friday at 7:30 PM for the general public, Saturday in shortened versions for children at 10:30 AM and 2:30 PM in Kleinhans Music Hall. Paul Sutherland of the Joffrey Ballet, Donna Ross and Donna Fargnoli will be featured, with specialties by Paul Hall and Thomas Kinney. Nationally known director James Starbuck is in charge of the production. * Pianist Ireneus Zuk, young touring performer, will be presented by the UB Ukrainian Club Sunday at 7 PM in Cen tral Library auditorium, Chopin Ballades in F and G Minor, works of Ukrainian composers, a Liszt group and the Debussy “Pagodes.” * * * Villa Maria College Chorus under Susan Slaven will give a Christmas program Sunday at 8 PM in the recital hall, admission free. * ST. Paul’s Cathedral Choir of Men & Boys, Frederick Burgomaster conducting, will present the Handel “Messiah” Sunday at 5 PM, with orchestra. * * * Candlelight Vesper Program, 17th annual event sponsored by the Martin Luther School PTL and Valparaiso Guild, will be presented Sunday at 7:30 PM in Kleinhan’s Music Hall. The 200-voice choir, massed children’s voices, brass ensemble, candlelight pro cessional will be featured. Director and co-ordinator is the Rev. Richard E. Blemaster, assisted by MRS. Julius Kovach. * * * Fredonia Concert Series will present the Cleveland Quartet Monday at 8:30 PM in Rockefeller Arts Center. * “Humorous Mozart” is the theme of the recital Satur day as 3 PM in Central Library auditorium by singers Heinz Rehfuss and Suze Leal, pianist Carlo Pinto, double bassist James Van de Mark, the UB Chamber Orchestra under Pamela Gearhart. Admission is free. * Baroque Program on Saturday at 8:30 PM in Baird Hall will feature Robert Don ington, gambist, with harpsichordist Gloria Rose, organist David Fuller, violinists Donald Weilerstein and Peter Salaff of the Cleveland Quartet, works of Handel, Purcell, Vivaldi, Bach. * UB Opera Studio under Muriel Hebert Wolf will hold an open rehearsal, admission free, next Tuesday at 8 PM in Baird Hall. The Vaughan Williams “Riders to the Sea” and Pasatieri “La Divina” will be performed. New Music Series by the UB Creative Associates will feature a new work by Lukas Foss Sunday at 8:30 PM in Albright-Knox Art Gallery auditorium. “Three Airs for Frank O’Hara’s Angel” is the title, the soloists Sylvia Dimiziani and Julius Eastman, MR. Foss at the piano with ensemble. Works of Robert Helps, Yehudi Wyner, Toru Takemitsu, David del Tredici will be included. * * Soprano Kai-Ning Chiang, pupil of Heinz Rehfuss, and pianist George Swietlicki, pupil of Ruslana Antonowicz, will present works of Bellini, Brahms and others and Chinese folk songs, admission free, Sunday at 3 PM in Baird Hall. UB Choir under Harriet Simons, organist Charlotte Roederer, duo pianists Frina Arschanska and Kenwyn Boldt will give an admission-free concert Monday at 8:30 PM in Baird Hall. Works of Bach, Deering, Leighton, Britten, Willcocks and Brahms will be performed, several on the Christmas theme. * Niagara Civic Ballet will present Floriday Ballet Arts director Jane Spear in a workshop Sunday at Niagara University, registration at 9:30 AM. Auditions for the com pany’s “Swan Lake” Act 2 will be held Friday in the basement studios, 217 Falls St. * * * Hassidic Singer Schlomo Carlebach will appear Satur day at 8:30 PM in Norton Hall, auspices of Hillel Foundation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-12-02 With references to the following additional composers: Lukas Foss, Robert Helps, Yehudi Wyner, Toru Takemitsu, David del Tredici Note: Eastman as soloist Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-11-28 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_175 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/39eba49198de860340e1ad46c73762d0.pdf 8c7d8bf4d835861b8b2fbdd51fa691cb PDF Text Text State University of New York at Buffalo Department of Music Student Recital Tuesday, November 28, 1972 Baird Recital Hall 12:00 Noon Program George Gershwin (1898-1937) Prelude No. 2 Bela Bartok (1881-1945) Ostinato from "Mikrokosmos” Andrea Gilbert, piano Chansons de Bilitis (Pierre Louys) La Flute de Pan La Chevelure Le Tombeau des Naiades Claude Debussy (1862-1918) Adrienne Tworek, soprano Julius Eastman, piano Der Schwanendreher (1935) 1 2 3 Paul Hindemith (1895-1963) "Zwischen Berg und tiefem Tal” ”Nun laube, Lindlein, laube”; Fugato: "Der Gutzgauch auf dem Zaune suss” Variationen: "Seid ihr nicht der Schwanendreher” Sonata in F Minor, Op. 120, No. 1 for Viola and Piano Allegro appassionata Andante un poco Adagio Allegretto grazioso Vivace Delmar Stewart, viola Karen Vogelsang, piano Johannes Brahms (1833-1897) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-11-28 Note: Eastman accompanies Adrienne Tworek, soprano Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-11-28 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_174 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/c669fb062f974200ff215eb1cf8b3326.pdf 0dcea10c56fbd43fd5a5d7322bf9e28c PDF Text Text Slee Professor Morton Feldman (seated) and members of the Creative Associates. An Associates' concert is set for Saturday at 3 at the Downtown Library. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-11-11 With references to the following additional composers: Morton Feldman Includes illustration Source A related resource from which the described resource is derived Reporter Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-11-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_173 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/e578e8a5fa3fe773171e5822517ab6a7.pdf 0caec2a8d623f0fe728d14a0a2581acb PDF Text Text At Albright-Knox Delightful Variety of Clever Music By John Dwyer series co-director and First, Alice in Wonderland by composer David del Philharmonic alumnus; William Appleby, MR. Del Tredici as a concerto for coloratura soprano, pop com Tridici, Julius Eastman and bo and orchestra in the zingy anemics of Conservatory the composer himself. This kind of thing is in the Modern and American Supper Club Jazz. Then, a dream work by Morton Feldman, a som nambulant Riddle of the Pharynx for five humming pianists at five grand pianos. Noodling around the keyboard in augmented thirds and gossamer tone clusters, they went mmmm, mmmm as they voiced their amorphous dreams. The composer caught the essential spirit of the thing in the title. It’s called “Pianos and Voices.” And so the annual “Evenings for New Music” Series by the UB Creative Associates and guest performers opened to a near-capacity audience in Albright-Knox Art Gallery auditorium. The Saturday at tendance is especially worthy of comment because they’re charging a small ticket fee, as they should, and still getting almost as good houses as when they were free. * * * It Means, beyond argu ment, that modern music under this admirable project is building a committed audience of repeaters, and you can’t say that about more than four other music centers in the country. “Vintage Alice” is composer Del Tredici’s fantasy, involved entirely with the zany Tea Party from the immortal book by Lewis Caroll, and cen tering on his satirical version of “Twinkle Twinkle Little Star, “which goes “Twinkle Twinkle Little Bat, How I Wonder What You’re At.” Soprano Sylvia Dimiziani took all the Tea Party roles — Alice, The Mad Hatter, The March Hare, The Dormouse and general narrator — and gave about the best and big gest performance I’ve ever heard from her. In the pop combo I recogniz ed the Philharmonic’s Oswald Rantucci in natty beret on mandolin and Edward Yadzinski on tenor sax. Three dudes in beards and floppy ---------------------------------------hats on accordion, clarinet and banjo would have been Phil DiRe, Andrew Frech and Guy Lucevsek, maybe not in that order. * * It Was As clever as you can imagine, by one of the most polished and detailed craftsmen among composers, and genuinely funny. There’s no reason to indict it for being so very conservative. But for us ear-stretched veterans of the series it did sound a little closer to sprightly Haydn than we usually hear. Or, the other way around, a 1972 modern-series piece staying for some stretches in an actual scale of E flat might be regarded as an inverse wild adventure. MR. Del Tredici, a new Creative Associate and former Harvard composer, conducted. Miss Dimiziani soared, ranted, caroled ip airy roulades to flute and pop-group obliga,tos. admirable. At one point, after 113 varia tions on “Twinkle Twinkle" to cunningly familiar pop-style intervals, she suddenly stopped and as narrator said to the au dience: “Perhaps you know this tune?” A nice moment. * * * Morton Feldman’s “Pianos and Voices” is a little on the far side of artistic monomania for me, though I’ve admired this composer’s sensitive, fine-line work for some years and believe he figures in the account of his musical generation. He is now the UB Visiting Slee Composer. He certainly had one of the highest available con centrations of talent at the keyboards — Lukas Foss, air, I would guess from the circular hypnotics of Stockhausen’s “Stummung” and various visions of Kagel, Cage and others. A single motif in delicately elaborated variants of time, distance and inner relationship, in a quiet trance. All right, just this once. “Alice” went on in the auditorium, “Pianos and Voices” in the Sculpture Court, where the five up-wing pianos made a striking tableau against the Greek columns and statuary. * * In The lower gallery at in termission the strollers heard the broadcast Tape Piece No. 6 by Ralph Blauvelt and Egerya by Peter Gena, a nice idea but hardly to be commented on, buzzing crowd and all. I can tell you, however, that the score for the Gena work was a rug woven by his wife, and it was on exhibit in the corridor. There are things in this series you can’t get anywhere else. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Delightful variety of clever music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-10-28 With references to the following additional composers: David del Tredici, Morton Feldman, Ralph Blauvelt, Peter Gena Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_172 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8f7fd4b219842bda03dbaf4722728e86.pdf 218b91ccd2e77394d53ac7715ad2df31 PDF Text Text 6 Buffalo Courier-Express, Sunday, October 29, 1972 Review Wall-to-Wall Piano Music Is Hum-Dinger By Thomas Putnam Yawn_ but contented yawn from listening to music of Morton Feldman for five pianos softly droning and five pianists softly humming. “Pianos and Voices" might have been written for some insomniac monarch hoping for a good doze of music. It was performed by the com poser and four other composer pianists: Lukas Foss, William Appleby, David Del Tredici and Julius Eastman (who also played celesta) on the Evenings for New Music program Saturday night at the Albright-Knox Art Gallery in the Sculpture Court. The seats were uncomfortable. How often while listening to music do you wish you could lie down on a soft rug and close your eyes? The music is floating clouds, spaced out voices which are intended not to cohere, but drift in separate slow times. The music is triadic, with a minor tonality implied, and in a long section the pianos release slow scaler motives which ascend like heavy balloons. There are near unisons, as when celesta and another piano, whose sound was disembodied in the court, canonized the lazy theme. (The Sculpture Court has bewitching acoustics. When the pianists started humming— and it was no surprise that they would hum — the voices seemed to be all around, as if members of the audience had caught to to Feldman’s idea of filling out his harmonic piano tapestry with human sounds). The other work on the pro gram was David Del Tredici’s “Vintage Alice,” one of four pieces by the composer based on Lewis Carroll’s “Alice in Wonderland.” “Alice” was performed in the gallery auditorium by soprano Sylvia Dimiziani, who also told the story, and 20 instruments conducted by the composer. Like so many contemporary composers, Del Tredici uses par ody technique, quite effectively in this humorous work, but also it allows him to use traditional harmonies, pop sounds. Parody is a way of going home again. The idea of “Alice” is time, more precisely, the distortion of time. “I have to beat time when I learn music,” Alice remarks, and the Mad Hatter or the March Hare or the Dormouse, at the scene of the mad tea party, re marks that time won’t like that. The Hatter, in his song for the Queen of Hearts, was “murder ing the time,” and that is what Del Tredici does in his “Hatter’s Song,” with its Ivesian scramble. There is some confusion in having the soprano sing each character. Miss Dimiziani was a fine voice, but it was a woman, no male Hatter. Her mouse was wee enough. But what technique can a soprano use to simulate maleness? (Julius Eastman, the bass, sang a soprano role once using falsetto, nor was it a comic in terpretation.) Miss Dimiziani also was heard through a loud speaker, which put a limit on the effect of her singing voice, although it was fine for her nar ration. The chamber orchestra in cludes a “folk” group comprised of two soprano saxophones, man dolin, banjo and accordion. The Hatter’s Song, “Twinkle, twinkle, little bat,” moves at different speeds, the instrument twice as fast as Miss Dimiziani. The music is busy, amusing, out of phase but in the control of the composer. There were two corridor pieces heard during intermis sion — Ralph Blauvelt’s Tape Piece No. 6, which is a version of “Little Liza Jane,” and Peter Gena’s computer piece, “Egerya,” whose buzzing uses for score a Swedish rye rug woven by his wife, very pretty, too (the rug).. The performers are from the University of Buffalo Center of the Creative and Performing Arts, which is co-directed by Lukas Foss and Lejaren Hiller Admission is no longer free to these events, but a public is willing to pay a couple of dollars. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wall-to-wall piano music is hum-dinger Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-10-28 With references to the following additional composers: Morton Feldman, David Del Tredici, Ralph Blauvelt, Peter Gena Note: Eastman as performer in Feldman piece Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-29 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_171 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/6b3ad8e0b52d4ab6d05f661768687dbf.pdf 0ec88cb1271862cf624a8b61e70fd4b7 PDF Text Text Evenings For New Music Program Part 1 Auditorium Vintage Alice (1972)*...................................................... David Del Tredici Soprano: Sylvia Dimiziani Folk Group: Edward Yadzinsky, Phil DiRe, Oswald Rantucci, Andrew Frech, Guy Klucevsek Chamber Orchestra: Petr Kotik, Amrom Chodos, Andrew Stiller, Ronald Richards, William Lane, Beye Fyfe, Dave Kuehn, Donald Miller, Dennis Kahle, Jeffery Kowalsky, Henry Rubin, Jacqueline Leonard, Len Matczynski, David Gibson, Edwin Gordon Conductor: David Del Tredici Intermission Gallery Corridor Tape Piece No. 6 (1972) . . . Ralph Blauvelt Egerya (1972)........................................... Peter Gena Part 2 Sculpture Court Pianos and Voices (1972)**........................................... Morton Feldman William Appleby, David Del Tredici, Julius Eastman, Morton Feldman, Lukas Foss *Buffalo Premiere **American Premiere � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-10-28 Note: Eastman performs Feldman's Pianos and Voices Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-28 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_170 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/7fea67a973dbc4412df08c3b54475b42.pdf d5b462f80b449e19f92e9fbddfd84fb2 PDF Text Text Buffalo Evening News Oct. 24m 1972 Music Notes New Music series by the UB Creative Associates will open Saturday at 8:30 PM in Albright-Knox Art Gallery auditorium. “Vintage Alice” by David Del Tredici, a witty version of the Mad Hatter’s Tea Party for soprano and 20 instruments and UB Slee Professor Morton Feldman’s Pianos & Voices 1, will be performed. The Feldman work calls for five pianists. They will be center co-director and composer Lukas Foss, Julius Eastman, William Appleby, MR. Del Tredici and MR. Feldman. Electronic works of Ralph Blauvelt and Peter Gena will be played in the lower gallery at intermission. Anton Kuerti, highly esteemed pianist born in Vien na, trained in the United States and now a Canadian resident, will appear in recital at 8:30 PM Monday in Baird Hall. The artist has played with virtually every leading orchestra of Europe and America, and has made notable recordings. The Buffalo program will include Bach Ricercare, the Beethoven “Les Adieux” Sonata, and several works of Scriabin, in cluding the Sonata No. 5. Paniagua Quartet, an cient-music group from Spain, will appear on Friday at 8:30 PM in Baird Hall, in a pro gram of Spanish music from the 12th to 14th Centuries. UB Chamber Orchestra under Pamela Gearhart will give its first concert of the season, admission free, tomor row at 8:30 PM in Baird Hall, with a special bonanza for a feature. First violinist Donald Weilerstein of the UB-based Cleveland Quartet, national touring group, will be soloist in the Mozart Adagio & Rondo. The Bach Overture from the Suite in D and the Stravinsky “Apollon Musagete” will be inc luded. Philharmonic under Michael Tilson, Thomas offer the second program in the cur rent concert pair, this evening at 8:30 in Kleinhans Music Hall: All-Beethoven, pianist Stephen Manes and Fredonia Festival Chorus in the Chora Fantasy, the orchestra in the Fifth Symphony, Elegiac Song and “King Stephen” Overture. * Conductor Michael [illegible] Thomas will offer an all French program on the second concert pair of the Philharmonic series, Sunday a 2:30 PM and next Tuesday at 8:30 PM in Kleinhans Music Hall: Pianist Gilbert Kalish with the orchestra in the Messiaen “Colors of the Celestial City,” clarinetist James Pyne in the Debussy First Raphsody, the Debussy “La Mer,” Berlioz “King Lear” Overture and Moure “Music for the Hunts of Louis XIV.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-10-28 With references to the following additional composers: David Del Tredici, Morton Feldman, Ralph Blauvelt, Peter Gena Note: Eastman to perform on Feldman piece Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_169 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/971c5cb5dad1ae43f7ca3a4eea1b04cd.pdf 6db5737f7c5ae61c230adb2545d2eb9b PDF Text Text Buffalo Courier-Express, Sunday, October 22, 1972 Happening Saturday Music Albright-Knox Art Gallery: The Center of the Creative and Performing Arts of the Univer sity of Buffalo presents Even ings for New Music at 8:30 P.M. The pro gram: David Del Tredici’s “Vintage Alice,” conducted by the composer; Morton Feldman’s “Pianos and Voices 1” with vocal pianists Feldman, Lukas Foss, Del Tre dici, Julius Eastman and Wil liam Appleby; Ralph Blauvelt’s Tape Piece No. 6: and Peter Gena's “Egerya.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Happening Saturday Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-10-28 With references to the following additional composers: David Del Tredici, Morton Feldman, Ralph Blauvelt, Peter Gena Note: Eastman performs Feldman piece Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_168 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/af1e03dec6091c931a0893fbc70bf6d3.pdf 7924ab9263fc65f76cfc10da14b4c888 PDF Text Text Buffalo Evening News Oct. 19, 1972 Baird Hall Monistic Music Is Decorative, Puts Audience in Bondage By Jeff Simon To explain somewhat his electronic tape piece “Bohor I,” Iannis Xenakis said it was essentially “monistic” rather than pluralistic. In other words, that it was concerned with one element which may or may not slowly change. Hacking away even further at the claustrophobic syntax, you could say that the opera tive law of “monism” would be “if something is worth do ing once, it’s worth doing 27 times with minor variation (although that really isn’t necessary).” Monistic music is clearly what flutist Petr Kotik is “into” judging from the first recital of the Creative Associ ates Wednesday evening in Baird Hall. With the exception of John Cage’s “Atlas Eclipti calis” and tape piece “Fontana Mix” played simultaneously, all the pieces on the program were single-minded and un varied, to put it mildly. * * It’s Easy to put an audience in bondage when you meant to transport them to Nirvana, and I’m afraid that seems to be what happened. The trouble here is that this music (played this way) doesn’t lend itself to a concert situation but rather to a recording—where it can be picked up at will when the mood strikes—or to a casual sprawling communal rite. The first piece on the pro gram was Julius Eastman’s “Comp I” Which Eastman’s program notes describe as a bringing together of two chants the composer heard from a “very strange tribe” in East Africa with accompanying choreography by Eastman. “I have composed this work with this particular combina tion of chants in order to give courage to those Gay brothers and sisters Who may need power to become one’s self ness.” The capable dancing of Karl Singletary, Marnie Lipke and Jaime Nesbitt was clearly Gay Lib at the piece’s close when Miss Lipke and MR. Nes bitt each performed the same amatory motions with MR. Singletary. The music was folkish and decorative but little more than that. * * * “There Was Singularly Nothing No. 1” by Kotik was an extensive, boring piece in which virtually the same rhythm and phrase structure was emotively played over and over by Kotik into a kind of echo chamber. The echo be came a kind of tormenting double for the music after a while, until the piece came to mean almost what the title said. Cage’s “Atlas Eclipticalis” is essentially a bonding piece written to be performed simul taneously with something else the way electrons aren’t really supposed to go off by them selves but are supposed to hang around a nucleus (“Atlas Eclipticalis” is usually per formed with Cage’s tape piece “Winter Music”). It was decently done, though the glorious, ferocious noises of the taped “Fontanta Mix” eventually swallowed up Kot ik’s piping of the well-spaced "Atlas Eclipticalis”. The recital ended with Mr. Kotik performing La Monte Young’s “Composition 1960 No. and “Composition 1960 No. No. 9 entailed incense, an Mental rug, one note inter rupted only by breath. I’m afraid I didn’t stay for No. 2 Mea culpa. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monistic music is decorative, puts audience in bondage Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-10-18 With references to the following works by Julius Eastman: Comp I With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young Creator An entity primarily responsible for making the resource Simon, Jeff Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-19 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_167 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/1cd0179f604f966bef881bc9f9545a28.pdf 8b6872fb79177b3944e72180386d81a5 PDF Text Text Buffalo Courier-Express, Thursday, October 19, 1972 Review Kotik’s Recital A Study in Sound By Thomas Putnam A definition of music as sound which gets our attention was suggested during Petr Kotik’s Creative Associate recital Wednesday night in Baird Recital Hall at the Uni versity of Buffalo. Following intermission, the audience returned to the hall to find Kotik on stage playing his flute sotto voce, as if he were warming up. Conversation sprang up all over. Kotik might as well have not been there. Then the lights went down, and what he was playing suddenly became “music.” Interesting Situation Probably not even the com poser John Cage would have cared if his music (“Atlas Eclipticalis”) had continued to be little noticed. An interesting situation developed that was certainly not called for in any plans of the composer. From that point on, after “listening” became a part of the perform ance, the situation was less in teresting, less experimental per haps, even when Cage’s fourchannel tape music, “Fontana Mix,” was turned on to produce a collage of live and tape music. The tape music was percus sive, a splicing together of frag ments of pitchless sounds and garbled spoken messages, com munication being no object. Tape can make disjointed reality cohesive, but the effect is not enlightening. Tape Fills in Gaps What the tape music also did was take away the silence from Kotik’s solo flute music. The tape filled in the gaps formerly occupied by other sounds in the environment (such as the very quiet music from another part of the building). Works by Kotik and fellow Creative Associate Julius Eastman explored simplicity. Eastman's “Comp 1" has an entertaining program note which explains its genesis, the music being “made up of two chants,” although the performer (flutist Kotik) seems to be improvising the piece from the composer’s raw materials. (In his note East man tells of a trip to East Africa where he and his guide “came upon a very strange tribe,” and were introduced to “the chief who was the witch doctor and the keeper of the magical chants. We were to stay in his tent for the night, but I ended up staying there for six months." But that's another story.) Dancers Perform Three dancers moved in inde pendence against Eastman's mu sic, which is largely triadic and interesting for the rhythmic per mutations of the performer Kotik. In automatic, jerky, ma chine-like movements, the dan cers sometimes worked together in coordinated choreography, sometimes danced in isolation, although the total effect was refreshing visual counterpoint. The fine dancers were Marni Lipke, Jaime Nesbitt and Karl Singletary. Kotik’s “There Is Singularly Nothing” is solo flute music which is taped and played back immediately in several layers to create a web of canonic noodling, although the counterpoint is homogenized and seems more “with-it” than “counter” (“withit-point”?). The simple legato flute music is sustained from beginning to end. quite breath less. The smooth texture is broken at times by accented points, staccato barbs, which are points of identification in the tape relay. Kotik casts a spell: his aim seems to be not to awaken the mind but to put it in a trance. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kotik's recital a study in sound Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-10-18 With references to the following works by Julius Eastman: Comp I With references to the following additional composers: Petr Kotik, John Cage Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-19 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_166 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/d8426045e09080c0d61b64d1c50ee6ad.pdf b3fc98ac02f0f349a0f0b10b0cde5b9b PDF Text Text State University of New York at Buffalo Department Of Music American Experimental Music Wednesday, October 18, 1972 Baird Recital Hall - 8:30 P.M. Program Notes Julius Eastman, Comp 1 (1972) (Azuleli) While traveling in East Africa, my guide and I came upon a very strange tribe. I was attracted to this tribe because of the drumming which we heard from a distance. Strange, because to me it was very atypical of what I considered to be African drumming. When we neared the village, we were suddenly surrounded by a hostile people. And we found ourselves being interrogated. When I explained to them that I was a musician from the west, they were very awed, and suddenly welcomed us as if we were relatives. We were finally brought to the chief, who was the witch doctor and the keeper of the magical chants. We were to stay in his tent for the night, but I ended up staying there for six months. While I was at the village, I wrote down the various rhythms and melodies, unbeknownst to the natives. If they had found this out, I am sure that I would have been in deep trouble. And this brings us to the work that you are going to hear tonight. It is made up of two chants. The main one is called the One's Selfness Chant (literal translation). The doctor said that man lets himself to be drawn into events and patterns of life which are not true to one's self. Therefore the natives teach this most important chant to their children at a very young age. This instills strength in them to become ones own very self. The second chant is a love chant that impressed me very much for it's natural beauty, and therefore I have composed this work with this particular combination of chants in order to give courage to those Gay brothers and sisters who may need power to become one's selfness. Although in order to gain real power from the chants, one must repeat these chants over and over again, to gain power from their essence. Julius Eastman Petr Kotik, There is Singularly Nothing #1 (1971) "There is Singularly Nothing is a large work containing many independent solos. Any combination of solos may be performed together." John Cage, Atlas Eclipticalis (1961 & Fontana Mix (1958) LaMonte Young, Composition 1960 #9 & Composition 1960 #2 "What makes a work classical? Recognition of its beauty." Petr Kotik � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American experimental music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program notes Date of event: 1972-10-18 With references to the following works by Julius Eastman: Comp I Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_165 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/17a6c2274b7d08fb9d9b276079dd0c47.pdf a1513797f856fdd744b885f614d250ca PDF Text Text Program Comp 1 (1971) Julius Eastman (B. 1940) There is Singularly Nothing #1 (1971) Petr Kotik (B. 1942) Intermission Atlas Eclipticalis (1961) and Fontana Mix (1958) John Cage (B. 1912) Composition 1960 #9 LaMonte Young (B. 1935) Composition 1960 #2 Young Dancers Karl Singletary Jill Spengler Jaime Nesbitt George Ritscher, Technical Assistant *Courtesy of Kathleen Crofton � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American experimental music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-10-18 With references to the following works by Julius Eastman: Comp I Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_164 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/513cc1b98ba7ab570dcba3ef90b737ca.pdf ea596626f4efcde6be30840c251b3984 PDF Text Text Buffalo Evening News Tuesday, October 17, 1972 Quartetto Di Roma, one of the finest European cham ber groups, will be presented on the UB Concert Series on Friday at 8:30 PM in Baird Hall. This is a piano quartet, and works in that lesser-heard, richly resonant form will in clude the Mendelssohn OP. 2 No. 2, the Dvorak OP. 87 and Quartet No. 1 of Martinu. The group is on its seventh Ameri can tour. It has made notable recordings for Deutsche Gram mophon Petr Kotik, Czech-born flutist and composer, will be featured in the opening UB Creative Associates program tomorrow at 8:30 PM in Baird Hall, admission free. Julius Eastman’s Comp 1, the Kotik “There is Singularly Nothing” and works of John Cage and LaMonte Young will be per formed by the flutist and asso ciate artists. Pianist Jane Cary, student of concert pianist Frina Ar chanska Boldt, will give a re cital of works by Bach, Moz art, Brahms, Ives and Griffes on Sunday at 3 PM in Baird Hall, admission free. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Announcement Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-10-18 With references to the following works by Julius Eastman: Comp I With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_163 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c541a8776ecfd9d1f164c5aceee835dd.pdf c2290c7c9a0e63dcc0a0600d5758a36b PDF Text Text Courier-Express, Sunday, october 15, 1972 Music Baird Recital Hall: Petr Kotik, composer and flutist, presents a Creative Associate recital 8:30 P.M. at the University of Buffalo, works of Kotik, Julius Eastman, John Cage and La Monte Young. Admission is free. at � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-10-18 With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-15 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_162 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/0b27407585b4da67fe83f4bf382c3939.pdf 209cd2429bb3183910462fab93522615 PDF Text Text 20 Buffalo Courier-Express, Monday, October 9, 1972 Music Notes Flutist to Give Recital At Baird Hall on Oct. 18 Petr Kotik Composer and flutist, will present a CreaAssociate recital Oct. 18 at 8:30 P.M. in Baird Recital Hall, Uni versity of Buffalo. This is the first in a series of recitals by members of the Center of the Creative and Performing Arts. The recitals are free. Kotik’s program of "American Experimental Music” will include music by himself. Julius Eastman, John Cage and LaMonte Young. Kotik’s ‘‘There is Singularly Nothing No. 1” is described by the composer as ‘‘a large work containing many independent solos. Any combination of solos may be performed together.” In Eastman’s “Comp 1” Kotik will be assisted by dancers Karl Singletary, Jill Spengler and Jaime Nesbitt. Other works on the program are “Atlas Eclipticalis” and “Fontana Mix” by John Cage, which will be performed simul taneously, and LaMonte Young’s Composition 1960, No. 9, and Composition 1960, No. 2. Kotik was born in Czecho slovakia in 1942 and was graduated from the Conserva tory of Music in Prague in 1962. He has formed several experi mental music groups, including “Musica Viva Pragensis,” QUAX and S.E.M. Ensemble, the last in 1970 when he was a Creative Associate at UB. This is his fourth season here. Petr Kotik singular � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flutist to give recital at Baird Hall on Oct. 18 Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-10-18 With references to the following works by Julius Eastman: Comp I With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_161 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a72ad1d827e52f4b1041df11c8301aaa.pdf 6fc650e65922276706d6d952a0b80c97 PDF Text Text Friday, September 22, 1972 Buffalo Evening News Following Attracted By SEM Ensemble Membership in the brand-new Center for New Music is almost exclusively limited to its headquarters city, New York. The only outside groups invited to join are both from Buffalo: The Center for the Creative & Performing Arts at the State University of Buffalo and the SEM Ensemble. In two short years since its founding the SEM Ensemble has built an attractive reputa tion for itself in the new music centers of Europe and America. There has been some shift in personnel, but the two founding members remain, Petr Kotik and Jan Williams, both of whom are associated with the university and the Center for the Creative & Performing Arts. Another member is Julius Eastman, associated with the university and the Center. The newest member is Jay Becken stein, an undergraduate student at the university. The ensemble devotes itself to new music, and the works of composers such as Cage, Carnelius Cardew, Rudolf Komorous, Frederic Rzewski, La Monte Young, Emmett Williams, as well as works by Eastman and Kotik. This year new pieces by Eastman and Gordon Mumma will be in troduced into the repertoire. SEM will tour Belgium and Germany Jan. 12-22, will perform a major concert in New York’s New School, one at Dartmouth College in the spring and will participate in the John Cage Festival planned for early December at Albany State University College. Locally SEM will perform three concerts in the AlbrightKnox Art Gallery and in Lockport’s Kenan Center. Dates are yet to be set. Friday, 22 Available at the Tickets � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Following attracted by SEM ensemble Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following additional composers: Petr Kotik, Jan Williams, Jay Beckenstein, Cage, Carnelius Cardew, Rudolf Komorous, Frederic Rzewski, La Monte Young, Emmett Williams Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-09-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_160 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a599c6b389d91e0aaf609d73b151a02b.pdf d95b84f2956ce2c27d39ca9beac0e567 PDF Text Text SEM Ensemble (SEM does not stand for anything in particu lar) is well known in experimental music centers around the wor ld. The group from Buffalo lists its proposed season of [Buffalo Evening News New Music events Friday, Sept. 22, 1972] � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SEM Ensemble Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Includes illustration Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-09-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_159 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a1ed3fb625045c37f566f08ab61ba111.pdf 93e4d97749f9e7625b2d42efab8a96bd PDF Text Text Buffalo Courier-Express, Friday, September 1, 1972 Evenings for New Music To Start Series Oct. 28 The Center of the Creative & Performing Arts at the Univer sity of Buffalo will present the first of five Evenings for New Music Oct. 28 at the AlbrightKnox Art Gallery. The Center also will present 10 recitals by Creative Associ ates during the 1972-73 season. However, the Evenings for Music Theater is being discon tinued after one season “be cause of money problems” ac cording to Center Coordinator Renee Levine. “We will go back to the old format and try to in clude theater on our regular pro grams,” she said. Once again Lukas Foss and Lejaren Hiller are co-directors of the Center, and Jan Williams, percussionist, is the asistant di rector. There are 12 Creative Associ ates, including four musicians new to the Center. David Del Tredici, pianist composer, will join the Center for the first semester. His “I Hear An Army,” a setting for soprano and string quartet of a poem by James Joyce, was per formed under his direction in 1968 on the Evenings for New Music series. Other new CA’s include Dennis Kahle, percussionist from Du quesne University, and David Gibson, cellist from Yale Uni versity. Amron Chodos, clarinetist, who is a member of the Niagara woodwind Quintet, also joins the Center this season. Returning CA’s are Richard Trythall, pianist-composer, for the second semester only: Henry Rubin, violin; Petr Kotik, flut ist-composer; Julius Eastman, singer - composer - pianist; and Jan Williams. The two returning graduate fellows are Jeffery Kowalsky, percussion, and Andrew Stiller, composer-bassoonist. The elec tronicist once again is George Ritscher. The CA recital series begins Oct. 18, probably with a pro gram by David Del Tredici. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music to start series Oct. 28 Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-10-28 With references to the following additional composers: Lukas Foss, Lejaren Hiller, David Del Tredici, Richard Trythall, Petry Kotik, Andrew Stiller Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-09-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_158 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/3497d3912daf5208fc0c6042e1a9bbb8.pdf f6114ecd6fe922057ef9679d8befadbf PDF Text Text Music of the Week The Buffalo Philharmonic Orchestra will play two com munity concerts, this week — Monday at the Marygold Manor in Cheektowaga, and Saturday at Villa Maria College. Also this week Josephine Krakamp will give a harpsichord recital Monday at the University of Buffalo. Here is the music calendar for the week: Today S.E.M. Ensemble with Petr Kotik, Julius Eastman, Roberto Laneri, Jan Williams, guest performer Jay Beckenstein and electronicist Clifford Stoll will present a concert of avantgarde music at 2 P.M. in the Sculpture Court of the AlbrightKnox Art Gallery. The program will include Eastman’s “Tripod” and Kotik’s “There is Singularly Nothing." Admission Is free. George Kelver’s piano students will give recitals at 2 P.M., 3:30 P.M. and 5 P.M. in the recital hall of the Villa Maria Institute of Music. Marguerite McCarthy’s piano, organ, guitar and voice pupils will present a recital at 2:15 P.M. at Warsaw High School in Warsaw. Carlo Pinto will conduct the Kenmore-Tonawanda Sym phony Orchestra at 2:30 P.M. at Benjamin Franklin Junior High School, Town of Tonawanda. Frina and Kenwyn Boldt will be two-piano soloists in SaintSaens's “Carnival of the Ani mals,” with narration by Bob Wells. The program includes Rossini’s “Siege of Corinth” overture; Stravinsky’s “Song of the Volga Boatman” and Rachmaninoff’s Piano Concerto No. 2, with Karen Vogelsang as soloist. Admission Is free. Herbert Hoover Junior High School Band and Chorus under Carmen Hughes and Grace Millward will present a concert at 3 P.M. in the Boland Memorial theater at Lackawanna Senior High School. Admission is free. Chromatic Club will hold auditions for the Leon Trick and summer camp scholarships at 3 P.M. in the Snyder home of MRS. Fred Whaley JR. International Institute will present a concert by Edith Lenar Horowitz, soprano, and pianists Eva Rautenberg and Persis Vihar at 3:30 P.M. at the Institute, 1260 Delaware Ave. The program is songs by Schubert, Wolf, Malotte, MillerJackson and Dungan; and piano works by Grieg, Handel, Chopin and Liszt. The program is open to the public. Crescendo Club will hold its annual Green Tea at 5:30 P.M. at Lincoln Memorial Methodist Church, 641 Masten Ave. Janiece Epke, soprano, and Suzanne Thomas, harp, will be soloists in a concert at 7:30 P.M. at Kenilworth United Church of Christ, Kenmore. Wallace Van Lier is the organ ist. The program includes works by Purcell, Karg-Ellert, Guilmant, Handel, BachGounod, Glinka, Debussy, Salzedo, Falla and Ravel. Claudio Vaszuez will give a piano recital at 8:30 P.M. in the Wick Center of Rosary Hill College. The program includes the first performance of Vlaho poulos’s “Sonata 1971” and works by Angles, Haydn, Mendelssohn and Villa-Lobos. Monday May Etts will conduct the Guy Maier workshop at Rosary Hill College in sessions at 9 A.M. and 1 P.M. The workshop is sponsored by District 13 of the New York State Music Teachers Assn. Buffalo Philharmonic Orchestra will present a community concert at 8 P.M. at the Marygold Manor, Cheek towaga. Josephine krakamp will give a harpsichord recital at 8:30 P.M. in Baird Recital Hall, University of Buffalo. MRS. Krakamp is director of the summer music festival in Stau fen, Germany, and an editor of harpsichord music. She will play music by Bach, Locke, Mozart and other composers of the baroque and rococo periods. Tuesday Anne Paolini, piano pupil of Irma Kordinak, will give a recital at 8:30 P.M. in Livings ton Hall of Kleinhans Music Hall. Friday Frederick Burgomaster will give an organ recital at 12:30 P.M. at ST. Paul’s Cathedral. He will play Jan de Macque’s "Canzon alla Francesa,” three chorale prel udes by Max Reger, Leo Sowerby’s Sonatina (first move ment), and Marcel Dupre’s Prelude and Fugue in G Minor. The public is welcome. Saturday David Cassidy will present a popular program for young people at 8 P.M. at Memorial Auditorium. The event is sponsored by Buffalo Festival. Buffalo Philharmonic will continue its invasion of the community with a concert at 8 P.M. at Villa Maria College auditorium. Music Notes Marilynn Kregal, prin cipal second violinist in the Buffalo Philharmonic, has re ceived a grant of $1,000 from the Oregon Arts Commission to present a series of summer con certs with her group, the Port land Chamber Players. The concerts in the Northwest will Involve various ensembles com posed from string quartet, piano and voice. Dan Schroeder, son of MR. and MRS. Fred J. Schroeder, 112 Dirkson Ave., bassoonist at North Texas State University, has won a scholar ship for study at the Sewanee Music Festival in Sawanee, Tenn. Schroeder, while a bas soonist with the 4th Army Band, wrote a song, “Cornin’ Back” which placed first in its division in the All-Army Composers-Ar rangers Showcase. He is a graduate of the University of Buffalo. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music of the week Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-05-21 With references to the following works by Julius Eastman: Tripod With references to the following additional composers: Petr Kotik Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_157 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/96d5de915a4ea6ea8a39485739f52f39.pdf 524ed4642f91c4d69b7ff5dc295d2aa5 PDF Text Text Tuesday, May 16, 1972 Buffalo Evening News Music Notes Kenton Symphony under Carlo Pinto will feature duo pianists Frina Arschanska and Kenwyn Boldt and solo pianist Karen Vogelsang in the season-closing concert on Sun day at 2:30 PM in Benjamin Franklin Junior High School, admission free. The SaintSaens “Carnival of Animals” with the pino duo and narrator Bob Wells, and the Rachmaninoff Concerto No. 2 with pianist Vogelsang will be performed, with added works of Rossini and Stravinsky. * Soprano Janiece Epke with pianist May Goehler Od die will present selections from Romberg and Victor Herbert operettas tomorrow at 8 PM in Parkside Lutheran Church, with costumes and com mentary. * SEM Ensemble, UB-based composer-performers, will give concerts on Saturday at 2 and 8:30 PM, and Sunday at 2 PM in the Sculpture Court of Albright-Knox Art Gallery. Peter Kotik, Roberti Laneri, Jan Williams and Julius Eastman will be joined by Jay Beckenstein, guest performer, and Clifford Stoll, electronics. Several works of John Cage, Kotik’s “Singularly Nothing,” Eastman’s “Tripod” and Cardew’s “Treatise” will be performed. * Recitals by piano pupils of George Kelver will be given on Sunday at 2, 3:30 and 5 PM in Villa Maria Institute recital hall. National Piano Guild diplomas will be presented, in cluding an award to senior Karen Huntley, who will con tinue studies in Fredonia State College. * Syracuse Symphony Orchestra boasts a new opera company and will offer “Pagliacci” and “Amelia Goes to the Ball” tomorrow through Friday evening at 8:30 in the University Regent Theater. Nationally-known conductor Frederik Prausnitz and stage director James de Blasis are in charge. * Southside Junior High School spring concert will be presented under directors Daniel L. Pieczynski and Reynold Scott on Friday at 7:30 PM, a varied program by band, orchestra, chorus and several soloists. TES in Windermere Blvd. School, Eggertsville. The Telemann Flute Concerto, works of Boyce, Elgar, Delius and Mozart will be included. * Willis Page, former Buf falo Philharmonic associate conductor, will take his Jacksonville (Fla.) Symphony Orchestra on spring tour in cluding appearances Thursday in Kennedy Center, Washington, and Friday in New York’s Carnegie Hall. * Pianist Claudio Vasquez will give a faculty recital on Sunday at 8:30 PM in Wick Center of Rosary Hill College. Sonata 1971 of Vlahopoulos, composed for the soloist, and works of Haydn, Mendelssohn, Villa Lobos will be performed. * Deerhurst Presbyterian Church of Kenmore will present a sacred concert by students of Vivian Girard, ad mission free, on Sunday at 7:30 PM, organist Betty Bissonette, pianist Betty A. Riehle. * Chromatic Club audi tions for Leon Trick Scholar ship end Summer Camp Scholarships will be held Sun day at 3 PM in the Snyder residence of MRS. Fred R. Whaley JR., who is available for information. * Recital by piano, organ, guitar and voice pupils of Mrs. Rex McCarty will be given Sunday at 2:15 PM, admission free, in Warsaw High School. * Kenilworth United Church of Christ and organist director Wallace Van Lier will present a Spring Musicale on Sunday at 7:30 PM, soprano Janese Epke and Philharmonic harpist Suzanne Thomas soloists. A wide range of works from the Renaissance to modern Spanish will be performed. * Harpsichord recital by European performer Josephine Krakamp, admission free, will be presented on Monday at 8:30 PM in Baird Hall. The soloist is a graduate of Cologne Conservatory in Germany and editor of rare and ancient works for the instrument. She has recorded for Deutsche Grammophon. Works of Bach, Locke, Mozart and others will be performed. Clarence Senior High Chorale, Mixed Chorus and Chamber Singers under Robert Vehar will give a spring con cert on Friday at 8 PM in the auditorium. * Amherst Symphony Chamber Orchestra directed by Ronald Richards will feature Philharmonic flutist Eiko Ito in the admission-free program Saturday at 7:30 PM Erie Educators picnic will day at The Colden. Country Music Association annual be held next Tues Embers, Davis RD., * Pianist Anne Paolini, award winner and soloist in area orchestral concerts will give an admission-free recital next Tuesday at 8:30 PM in Kleinhans Music Hall. Miss Paolini, a pupil of Irma Kordinak, will play the Schubert Sonata OP. 120, a Chopin group, works of Saclat ti, Liszt and others. * ST. Paul’s Cathedral organ recital series will present host choirmaster Frederick Burgomaster in the Men delssohn Sonata 2 and works of Buxtehude and Durufle on Friday at 12:30 PM. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-05-21 With references to the following works by Julius Eastman: Tripod With references to the following additional composers: John Cage, Cardew Note: Sub-heading: SEM Ensemble Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_156 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/dd9ba3aa340584a06271b8eaa3893cdb.pdf 426911dfe96c10377963b140dd5d29e4 PDF Text Text May 11, 1972 Review Composers Offer Music By Thomas Putnam The five faculty composers from the University of Buffalo who presented their music Wednesday night in Baird Re cital Hall do not belong to one school of composition. Most successful in its divertis sement air was Robert Mols’ “3 for 8,” a bright piece with strong melodic writing and a good ear for the instruments. The composer conducted. Solo Cadenzas Mols gives solo cadenzas to the players in the middle move ment, “Exhibition,” and these were smartly played by the en semble: John Burgess, alto flute; Ronald Richards, Eng lish horn; James Pyne, clari net; Dave Kuehn, trumpet; pianist Carlo Pinto; timpanist Jeffery Kowalsky; and, sharing a cadenza with the timpani, Lowell Shaw and John Park, horns. Jazz glisses lightened the spirit nicely, and in the final movement this spirit dominated in the harmonies and melodic riffs. Julius Eastman has many musical talents, and he also is a good choreographer. His new work, “Mumbaphilia” is a mechanical ballet for three dancers, automatons, mech anical dolls, toys which move their limbs in herky-jerky fash ion. There is humanity, too, in the small embraces, although arms encircle without touch ing. Ballet Style Machine gesture suddenly gives way when Carl Singletary lifts Kimberly Dye in ballet style, but this is further com on mechanical human ac ment tivity. Sanson Candelaria was the third dancer, all of whom were very good. Eastman per formed his own music on ampli fied violin, and he sang some ritual incantations; he is many talents, but his fiddling is unique. Lejaren Hiller’s new piece was “A Cenotaph” for two pianos, performed by Frina and Kenwyn Boldt. Hiller bucks cur rent disdain for perfect fifths and triads, and has written music “comprised of nothing but perfect fifths, chains of parallel fifths and triads.” It is a long piece, redundant, without conflict in its reintera tion of polytonal chords, a non dissonant harmony. Stage Setting The stage setting by Ed Cox was a graveyard, left-over from the camp romanticism of Hiller’s “Rage for the Lost Beethoven.” The work seems an experiment that grew be yond itself; the composer ex hausts his material and his audience. Completing the program were Ramon Fuller’s Three Improvi sations for Tape, made with the Moog synthesier, a lot of turmoil and violence, as the composer suggests in his notes; and William Kothe’s “Two Bod hisattvas,” with erudite texts by the composer, performed by the choir of the Unitarian-Uni versalist Church under Barbara Wagner. Kothe’s music is tonal, opti mistic, and pleasant. He is not given to tricks in composition, and it may be that his peaceful choral music is appropriate for describing the state of the soul. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers offer music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-05-10 With references to the following works by Julius Eastman: Mumbaphilia With references to the following additional composers: Robert Mols, Lejaren Hiller, Ramon Fuller, William Kothe Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_155 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/36b9c2d58ceb6b1a355ff3fd4178087b.pdf 1d121825070ace0c8ee4d5c490a2231f PDF Text Text Baird Hall Thursday, May 11, 1972 Buffalo Evening News ‘Cenotaph’ Compelling but Overlong By Herman Trotter A mock-up graveyard stood between the two grand pianos for the opening of the Faculty Composers Concert in Baird Hall Wednesday evening, and for a very good reason. It’s like this. Taking a jovial jab at authorities of the ultra ultra who decry the use of fifths, parallel fifths and triads in today’s music, composer Lejaren Hiller responded to a request by duo-pianists Frina and Kenwyn Boldt for a twopiano work by writing one which contained nothing but the heinous fifths and triads, calling the piece “A Cenotaph for Two Pianos.” Now, a cen otaph is an empty tomb of strictly monumental, rather than burial purpose, and in this case the deceased are — you guessed it, the fifths and triads. At any rate, "Cenotaph,” played by the Boldts, is a long, arching, plodding, chord-uponchord structure, which gen erates considerable plaintive power. Its rhythm is doggedly “in three’’ and, conventional intervals notwithstanding, it hews the modern line by avoid ing any fixed key. As a surface impression, the sonorities of this commanding but overlong work He somewhere between Messiaen and Shostakovich. With continually thickening texture, Ramon Fuller’s Three Improvisations for Tape evolve from a single whooshing, whis tling, grinding voice to a dense three-voice counterpoint, most interesting in the threat ening middle section punc tuated by peaceful, humming synthesizer chords. An octet of Philharmonic and university musicians played “3 For 8” by Robert Mols, a pleasant, wind dominated work displaying shifting color planes, a series of fast, virtuoso solos, and a jazzy finale. The com poser conducted. Dancers Carl Singletary, San son Candelaria and Kimberly Dye were evidently set in mo tion in Julius Eastman’s “Mum baphilia” by the sound of two violins, one scratched by the composer and the other sawed by Daren Watson, who seemust be all of 5 years old. It was one of those do-your-own thing pieces, and the dancers did just beautifully, highly styl ized, mannered and measured movements with many comic overtones, in patterns far more circumscribed and mechanical than the music suggested. Even when he is making awful sounds, and these were, MR. Eastman is just too full of music for a few pleasing ef fects not to appear, and they did. Also on the program were “Two Bodhisattvas” by Wil liam Kothe sung by the Choir of the Unitarian-Universalist Church of Buffalo, directed by Barbara Wagner. Soprano Ruth Mohn was soloist in “Erotion” and was joined by alto Marlene Badger and baritone William Wagner in the second work, “Vittorino da Feltre.” Due to the unusual circumstances that your correspondent was also a performer in these two choral pieces, he feels disqualified to make any further commentary than the above. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Cenotaph' compelling but overlong Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-05-10 With references to the following works by Julius Eastman: Mumbaphilia With references to the following additional composers: Lejaren Hiller, Ramon Fuller, Robert Mols, William Kothe Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_154 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/48b07856acea6d353ffdfcbe59e16335.pdf 2bb35d0f957033ee7aa6f55e3c1ff6e4 PDF Text Text PROGRAM **A CENOTAPH FOR TWO PIANOS (1971) (Dedicated to Frina Arschanska Boldt and Kenwyn Boldt) Lejaren Hiller (b. 1924) **TWO BODHISATTVAS (texts by W. Kothe) William Kothe (b. 1932) I Erotion Frina Arschanska Boldt and Kenwyn Boldt, duo-pianists Stage arrangements by Ed Cox Erotion : Ruth Mehn, soprano II Vittorino da Feltre **THREE IMPROVISATIONS FOR TAPE (1971-72) Yksi Kaksi Kolme Ramon Fuller (b . 1930) Choir of the Unitarian-Universalist Church of Buffalo Barbara Wagner , Director 2-track tape 3 FOR 8 (1970) Robert Mols (b . 1921) I Slow II Exhibition III Fast John Burgess, flute, alto flute , piccolo Ronald Richards , oboe , English horn James Pyne , clarinet Dave Kuehn , trumpet Lowell Shaw, French horn John Park , French horn Jeffery Kowalsky, timpani and percussion Robert Mols , conductor INTERMISSI O N Vittorino : William Wagner , baritone Maria : Marlene Badger, alto Anna: Ruth Mehn, soprano **MUMBAPHILJA (1972) *Dancers : Carl Singletary, Sanson Candelaria, Kimberly Dye Performer: Daren Watson Score Realization : Jeannine Dent *courtesy of Kathleen Crofton **first performance Julius Eastman (b . 1940) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original un-remediated document. https://digital.lib.buffalo.edu/files/original/8ed93052da36147003432b7fb09f66e1.pdf bbc752e6377fa6e2512c136c22313747 PDF Text Text Program **A Cenotaph For Two Pianos (1971) (Dedicated to Frina Arschanska Boldt and Kenwyn Boldt) Lejaren Hiller (B. 1924) Frina Arschanska Boldt and Kenwyn Boldt, duo-pianists Stage arrangements by Ed Cox **Three Improvisations For Tape (1971-72) Yksi Kaksi Kolme Ramon Fuller (B. 1930) 2-track tape 3 For 8 (1970) Robert Mols (B. 1921) 1 Slow 2 Exhibition 3 Fast John Burgess, flute, alto flute, piccolo Ronald Richards, oboe, English horn James Pyne, clarinet Dave Kuehn, trumpet Lowell Shaw, French horn John Park, French horn Jeffery Kowalsky, timpani and percussion Robert Mols, conductor Intermission �**Two Bodhisattvas (texts by W. Kothe) William Kothe (B. 1932) 1 Erotion Erotion: Ruth Mehn, soprano 2 Vittorino da Feltre Vittorino: William Wagner, baritone Maria: Marlene Badger, alto Anna: Ruth Mehn, soprano Choir of the Unitarian-Universalist Church of Buffalo Barbara Wagner, Director **Mumbaphilia (1972) *Dancers: Carl Singletary, Sanson Candelaria, Kimberly Dye Performer: Daren Watson Score Realization: Jeannine Dent *courtesy of Kathleen Crofton **first performance Julius Eastman (B. 1940) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty composers concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-05-10 With references to the following works by Julius Eastman: Mumbaphilia Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_153 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/c2d4a3b769601f29cd2dcd0eafe37219.pdf 1e92f8a86820df4e117b8315452ad5dc PDF Text Text Buffalo Evening News May 9, 1972 Openings Music Notes UB Composers will range from electronics through chorus and piano duo to mod dancers in the admission-free program tomorrow at 8:30 PM in Baird Hall. Works of Slee Composer Lejaren Hiller, Ramon Fuller, Robert Mols, William Kothe and Julius Eastman will be presented. Duo pianists Frina and Kenwyn Boldt and the Unitarian Universalist Choir and soloists directed by Barbara Wagner are among the performers. * Music Forum for Piano Teachers will present its an nual scholarship to East Amherst student Carolyn G. Fiegl, a pupil of Anne Moot, and hear a performance by the winner, tomorrow at 10 AM in Denton, Cottier & Daniels. * Pianist Robert Winter will give an admission-free recital on Thursday at 8:30 PM in Baird Hall, works of Beethoven, Bach, Schumann. * Jazz Trumpeter Marvin Stamm, formerly with Stan Kenton and Woody Herman and currently making recordings with leading vocalists, will be presented by the Hamburg High School Band on Friday at 8:15 PM in Hamburg Senior High School. * WNY Master Chorale directed by Carl E. Druba will present works for chorus, soloists and orchestra in the program on Saturday at 8:30 PM in Cheektowaga Central High School. The Handel Utrecht Te Deum, Mozart Solemn Vespers and Regina Coeli and three works of Robert Washburn will be performed. * Judith Burganger, former Western New York pianist and Leventritt Award winner, and her violinist hus band, Erich Eichhorn, were warmly received in a recent Cleveland recital, including the Mendelssohn 1838 sonata discovered only a few years ago by Menuhin, and the Big Max Reger Sonata in C Minor. * Romantic Festival, elaborate and colorful celebra tion of neglected 19th-Century works, is under way for the fifth year on the Indianapolis campus of Butler University, with pianist and educator Frank Cooper as producer. The concluding extravaganza on Thursday will be Adolphe Adam’s vastly neglected Parisian ballet of 130 years ago, “Beatrix, the Beauty of Ghent.’’ Polish Singers of America new officers: Presi dent, Thaddeus J. Zolkiewicz, Polish Singing Circle; vice presidents, Frank Oliwiecki, Echo Singing Society of Niagara Falls, and Adeline Wujcikowski, Paderewski Singing Society; secretary, Gladys M. Zolkiewicz, Kalina Singing Society; treasurer, Stanley Dziemianczyk, Polish Singing Circle, and librarian, Mary Galas, Kalina Singing Society. * Treble Clef Society will hear soprano Patricia Yannello with pianist Betty Riehle in Menotti arias, and soprano Barbara LaRou with ac companist Mary Ellen Burgomaster in Mozart arias, tomorrow at 8:30 PM in the North Tonawanda residence of MRS. Edward F. Smistek. * Anton Wolf, composer and Buffalo State College faculty member, will be honored by the performance of his two-piano and percussion work, “Why I Live on a Moun tain,” on Thursday evening in Bennett College, Greensboro, N. C. * Soprano Edith Lenar Horowitz and pianist Eva Rautenberg will give a Mothers Day program on Saturday at 7 PM in Carlton Home. A piano recital by Christopher Brzuza will be presented on May 18. * Piano Recital by pupils of MRS. Robert Nagel will be presented on Monday at 7 PM in Kleinhans Livingston Hail. Pop Music This Evening Stephen Stills and his group Manassas at 8 in Memorial Auditorium, aus pices of Harvey & Corky Productions. Music * Tomarrow UB Composers, works of Ramon, Fuller, Robert Mols, William Kothe, Julius East man, Lajaren Hiller, at 8:30 PM in Baird Hall, admission free. Movies Tomarrow Tales Of The Crypt, PG, fright flick with Ralph Rich ardson, Joan Collins, Peter Cushing, Amherst and down town Cinema Theaters. Christ United Methodist, Amherst Community and North Presbyterian Choirs will be conducted by Cyrus Hamlin on Sunday at 8 PM in Christ Church, Snyder, admission free, no offering. Works of Scarlatti, Christoph Bach, Brahms and spirituals will be included, coffee hour to follow. * Kennedy Center “American Youth Performs” concert in Washington this evening by a countywide selection of student singers and players will include Buf falonian Susan A. Nichols. Morton Gould is the featured guest maestro. Calvary Episcopal Church, Williamsville, will present an all-Britten choral concert on Sunday at 5 PM, Thomas Foster conducting, Ken List organist, the Britten Hymn to St. Cecelia, Hymn to ST. Columba, Hymn to ST. Peter. * “Spectrum Of Dance” will be presented by area dance teachers Ginger Burke, Norma Ferrar, Beverly Fletcher, Doreen Jones and Sonia Tuttle, on Sunday at 3 PM in Upton Hall. Director Ed Lawrence of the African Cultural Center will be guest speaker. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-05-10 With references to the following works by Julius Eastman: Unnamed work With references to the following additional composers: Lejaren Hiller, Ramon Fuller, Robert Mols, William Kothe Note: Sub-heading UB Composers Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_152 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/889fcf6f1c08f12293cefe6e0318ea5f.pdf bc4d688b5d2a5c449bac62348e0079df PDF Text Text Courier Express May 7, 1972 Music This Week Duo-Harpists Marcela Kozikova and Lucile Johnson Will present a concert today at the Albright-Knox Art Gallery, Also this week, Robert Schulz will lead the Buffalo Choral Arts Society today at Kenmore Presbyterian Church, and Carl Druba will direct the Master Chorale of Western New York Saturday at Cheektowaga High School. Here is the music calen dar for the week: Today Harp Concert—Marcela Koz ikova and Lucile Johnson, duo harpists, will present a concert at 4:30 P.M. today in the audi torium of the Albright-Knox Art Gallery. The program is music by Handel, Vivaldi, Brixi, Debussy and Ravel. Johnny Gibson and Jazz Company will present a concert as part of the Community Mu sic School’s faculty recital se ries at 2:30 P.M. in the audi torium of the Buffalo and Erie County Public Library. Per formers include the blues sing er, Miss Allie B, saxophonist Phil DiRe, bassist Jimmy Pleasant and drummer Maurice Sinclaire. Admission is free. Jazz Dance Workshop from Buffalo State College and the jazz-rock group, Thermo pylae, will present a program at 2:30 P.M. and 8:30 P.M. in Upton Hall Auditorium at the college. Jean Sabatine directs the dance workshop. Members of the rock group are Richard Shuman, keyboards; William Savino, bass; and Robert Pre vite, drums. Frank Collura directs the Buffalo State College wind ensemble at 3 P.M. in the Stu dent Union Quad. Rain moves the program to the lobby of the Student Union. Buffalo Public Schools music department presents its May Music Festival at 3 P.M. in Kleinhans Music Hall. Per forming groups are School 67 Chorus, All-City Intermediate Band, All-City Intermediate Orchestra, Southside Junior High Festival Choir, Bennett High School Choir, and All-City High School Symphonic Band. Carroll C. Geiger directs the symphonic band and combined choirs in the finale, “America the Beautiful.” Robert Schulz directs the Buffalo Choral Arts Society in a concert at 4 P.M. at Kenmore Presbyterian Church. The pro gram is Peloquin’s “Missa Samba” and Rossini’s “Missa Solennelle.” Soloists are Sylvia Dimiziani, soprano; Marlene Badger, alto; Warren Hoffer, tenor; and Edward Bogusz, Robert Duerr JR. will give an organ recital at 4 P.M. at Westminster Presbyterian Church. The program includes works by Bach, Franck, Vierne, Manz, Bender, Huzella and Fel ciano. Duerr is a senior at North Tonawanda Senior High School and organist at Salem Lutheran Church in Buffalo. Duo-Harpists Marcela Kozikova and Lucile Johnson will present a concert at 4:30 P.M. in the auditorium of the Albright-Knox Art Gallery.The program is Handel’s Concerto in F; Vivaldi’s Concerto in D; Francescum Xaverius Brixi’s Concerto in F; Debussy’s “Danse Sacre and Danse Pro fane"; and Ravel’s Introduction and Allegro. The duo played at the Marlboro Music Festival in Vermont in 1970. Marjorie Rosenberg will give a graduate voice re cital at 8:30 P.M. in Baird Re cital Hall, University of Buf falo. Monday Royale Dance Theater, directed by Bernadine DeMike, will present a program at 1:15 P.M. at Akron Senior High School. Guest artists are Keith Martin and Michelle Lucci from the Pennsylvania Ballet. Marcia Gold, soprano, will present a program of opera arias with pianist Carlo Pinto and a chamber ensemble at 8:30 P.M. in Livingston Hall of Kleinhans Music Hall. Included are selections from “Dido and Aeneas,” "Don Giovanni,” “Der Freischuetz,” "Peter Grimes,” “Turandot” and “Carmen.” Romantic Music will be presented by graduate students of Lejaren Miller on the pro gram, “Oddments of Romantic Music,” at 8:30 P.M. in Baird Recital Hall, University of Buf falo. The program includes music by Beethoven, Robert and Clara Schumann, Glinka, Robert Schulz Choral Arts—Robert Schulz will direct the Buffalo Choral Arts Society in works by Ros sini and Peloquin at 4 P.M. today at Kenmore Presbyterian Church. Reyer, Liszt, Bruckner, Chopin and Brahms. Tuesday Buffalo Philharmonic Orchestra, conducted by Melvin Strauss, will present a concert at 9:45 A.M. at Akron Central School. The program Is music by Mozart, Ravel, Proko fiev, Ives and Bartok. Stephen Stills will pre sent a concert with Manassas at 8 P.M. at Memorial Auditorium. Wednesday Faculty Composers from the University of Buffalo will present a program of their mu sic at 8:30 P.M. in Baird Recital Hall. The composers are Le jaren Hiller, Ramon Fuller, Robert Mols, William Kothe and Julius Eastman. Thursday Robert Winter will give a graduate piano recital at 8:30 P.M. in Baird Recital Hall, Uni versity of Buffalo. He will play music by Beethoven, Bach and Schumann. Saturday Master Chorale of West ern New York under Carl Druba will present a concert with solo ists, brass ensemble and or chestra at 8:30 P.M. at Cheek towaga Central High School. The program includes Handel’s “Utrecht Te Deum,” a per formance made possible by a grant from the Handel Assn, of America. Works by Mozart and Robert Washburn complete the program. Chopin Young Pianists Competition will present finalists in concert at 8 P.M. in the auditorium of the Campus School, Buffalo State College. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music this week Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-05-10 With references to the following works by Julius Eastman: Unnamed work With references to the following additional composers: Lejaren Hiller, Ramon Fuller, Robert Mols, William Kothe Note: Sub-heading: Wednesday Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_151 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/e3241453336cb489b559bc3de1498330.pdf 5be1f3c12cd435294e6e818431832452 PDF Text Text Works Performed by the Center of the Creative and Performing Arts on Evenings For New Music and Evenings For Music/Theater 1971-72 season Albright, William Salvos (1964) Antoniou, Theodore Synthesis (1971) Belglarian, Grant Of Fables, Foibles and Fancies (1971) Bortolotti, Mauro Grazie per essere venuti! (1970) Boulez, Pierre Sonatine (1946) Brant, Henry Ice Age (1954) Chadabe, Joel Rounds (electronic score) Shadows and Lines (electronic score) Eastman, Julius Macle (1971) Erickson, Robert Concerto for Piano and Seven Instruments (1963) Foss, Lukas Ni Bruit Ni Vitesse (1971) Fulkerson, James Co-ordinative Systems, No. 1 (1971) Patterns 2 (1971) Globokar, Vinko Griffes, Charles Hiller, Lejaren Correspondences (1969) Kairn of Koridwen (1917) (In progress) Machine Music (1964) Rage Over the Lost Beethoven (1971-2) Kagel, Mauricio Match (1964) Kolb, Barbara Solitaire (1971) Matthews, Justus Four Miniatures (1967-68) Milhaud, Darius Concertino de Printemps (1934) Perle, George (theater) Sonata quasi una fantasia (1972) Reichman, Richard Nocturnes (theater) Rzewski, Frederic Les Moutons de Panurge (1969) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works performed by the Center of the Creative and Performing Arts on Evenings for New Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program With references to the following works by Julius Eastman: Macle Note: Exact date of document unknown Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-05 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_150 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/7061c74bfc971ada35b1793c34a6b1ec.pdf d05372a50c133b7a546c1adababdf00b PDF Text Text 8 Buffalo Courier-Express, Monday, May 1, 1972 Review Sahl Relaxes Mind With 50s Pop Traits By Thomas Putnam There is a comfortable 1950s pop music ambiance in the Sym phony by Michael Sahl which was performed for the first time with the composer playing organ in an ensemble conducted by Jan Williams, on the season’s final Evenings for New Music program Sunday night in the auditorium of the Albright-Knox Art Gallery. Sahl is not the first explorer in the retreat from intellectual density, but he is a pleasant guide, a good composer of what at times sounds like film music or music for the theater. His Symphony, composed this year, reflects the new simplicity as composers tire of modernism and the effects of the avantgarde. Another composer on the pro gram, Darius Milhaud, also is known for his simple, popular musical style. Milhaud’s “Con certino de Printemps,” a cham ber concerto for violin, opened the program in a bright and happy performance, with Henry Rubin as the very capable solo ist, and Jan Williams conduct ing the chamber ensemble. Mil haud is celebrating his 80th birthday this year, the unneces sary reason for playing his music. Mind Relaxation Milhaud and Sahl were played in order, which was a dose of double mind relaxation. Sahl dedicates his Symphony to the French composer, and indeed his music shares with the Con certino jazz dance rhythms, al though Sahl makes his popular source less personal. Sahl’s ear is very good but it does not hear striking sonorities. His music does not stimulate, but it pleases. Milhaud perks and brightens the air in his own French voice. Sahl, who was a Creative As sociate at the University of Buf falo in 1966, was one of two as sociates returning for this program by the Center of the Creative and Performing Arts. The other was Vinko Globokar, who also was here in 1966. Globokar was born in France, resides in Cologne and is a citi zen of Yugoslavia. He is an ex perimental trombonist, whose technique is novelized by vari ous multiphonics, and the adap tation of speech effects to trombone sound. He often plays in a kind of growling speech. Harmonious Blend Two works by Globokar were presented. “Correspondences" is an exercise in decomposition; it is group music from the start, but by the time it is over the performers are free. Yet the common tone of this perform ance was notable, and whether it was pain or rage or groping, the musicians felt similarly, and their sounds blended in a theatrical harmony. A contingent of young people provided an unsophisticated re sponse to this music which, hon estly, was refreshing: one an gry listener “Shhh" shed in a tone which would have been more effective only if it had been heard through the filter of a muted trombone. The slapstick is offered seri ously, however, although that could be doubted. Jan Williams sawed on a cymbal, and ca ressed a length of chain on the floor. Globokar moaned some unclear cry for help through his trombone. (Roberto Laneri played clarinet and bass clari net, and Stuart Fox played gui tar, both amplified by micro phones. ) Whooshing Globokar’s “Discours 2” for five trombones was played by Globokar, using a tape for the other trombones. The attention fixes on the live performer in such an arrangement, which must change the nature of the piece. Vocal utterances become trombone tones as the mouth piece is engaged. The sound is of big boats, and there is an electronic atmosphere in the wooshing, popping vocabulary of this artist. The music ex presses a search for expres sion; it is inarticulate speech. Completing the program was R. Murray Schafer's “Requiems for the Party-Girl,” with Julius Eastman singing falsetto, speak ing, sometimes using his natu ral voice in the effective con clusion to the monodrama about suicide. The chamber ensemble evoked mood with decaying con sonances. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sahl relaxes mind with 50s pop traits Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-04-30 With references to the following additional composers: Michael Sahl, Darius Milhaud, Vinko Globokar, R. Murray Schafer Note: Review of Eastman as performer in Schafer's Requiems for a Party-Girl Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-05-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_149 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/2df4f49d29ec8543f32f49794bedd899.pdf 760e4068c2619e0b6636aefe69f66dc9 PDF Text Text Music Calendar Courier Express Apr. 30, 1972 Final Evenings for New Music Set Today Evening For New Music will be presented by the UB Center of the Creative and Per forming Arts for the final time this season today at the AlbrightKnox Art Gallery. Vinko Globo kar and Michael Sahl, former Creative Associates, will return to perform in their own compo sitions. Here is the music cal endar for the week: Today Iroquois Pops Orchestra, di rected by Richard Zona, will pre sent a concert at 3 P.M. at Iro quois Central High School in Elma. Martha Zona will be piano soloist in Gershwin’s “Rhapsody in Blue.” Thomas Gutowski will lead the choir of Gethsemane Luth eran Church in a concert of sacred music at 4 P.M. at Geth semane Church, 427 Goodyear Ave. John Hofmann will give an organ recital at 4 P.M. at ST. James United Church of Christ, Hamburg. The program will be Bach’s Prelude and Fugue in A Minor; Vierne’s "Carillon de Westminster”; and, with assist ing soprano Ruth Gleaves, Sam uel Barber’s "Prayers of Kierke gaard” and Mozart’s "Alleluia.” ST. Paul's Cathedral CHOIR of Men and Boys will pre sent a concert at 5 P.M. at the cathedral. Frederick Burgomas ter will direct the program, which will include music by Pur cell, Daniel Pinkham, Michael Tippet, Vaughan Williams, Jos quin and Handel. The organist will be Carol Foster, and as sisting trumpets will be David Kuehn and Charles Gleaves. The featured work will be Britten’s "Rejoice in the Lamb.” Villa Maria College mu sic department will present a concert at 8 P.M. in the college auditorium. Miranda Currie will direct the choral program, in cluding music by Peloquin, Per sichetti and Mendelssohn; and Eugene Hale will direct the col lege wind ensemble in music by Cacavas, Vaughan Williams, Nestico and Madden. Also on the program will be the Niagara Frontier Brass Ensemble in se lections ranging from Gabriel to the Beatles’ “Sun King.” Evenings For New Music will be presented at 8:30 P.M. at the Albright-Knox Art Gallery. The program will be Vinko Globokar’s "Correspond ences” for four soloists, per formed by the composer with Jan Williams, Roberto Laneri and Stuart Fox; Michael Sahl’s Symphony for seven players; R. Murray Schafer’s "Requiems for the Party Girl,” featuring Julius Eastman as vocalist; Theodore Antoniou’s "Synthe sis” for oboe, percussion, ham mond organ and bass; and Darius Milhaud's Concertino de Printemps, with Henry Rubin playing the violin solo and Jan Williams directing the chamber ensemble. Lighthouse, a Canadian rock group, will appear with the Mahavishnu Orchestra in a con cert at 8:30 P.M. at Kleinhans Music Hall. Monday "Daisy: A Concert Sculp ture” by composer Joel Chadabe will be presented in half-hour shows between 8 P.M. and 10:30 P.M. in Room 100 of Baird Hall, University of Buffalo. “Daisy” is live electronic music produced on Moog equipment. There are 30 pillars of plexiglas designed by Dennis Byng, and colored lights projected by John Roy. Chadabe is director of the elec tronic music studio at the State University at Albany. Tuesday Nichols Ensemble, Not tingham Ensemble and the Not tingham Ballet will present a program at 8 P.M. in the Not tingham Gym at the Nichols School, part of Fine Arts Week. Amrom Chodos, clarinetist, will present a graduate recital at 8:30 P.M. in Baird Recital Hall, University of Buffalo. The program will be Walter Piston’s Three Pieces for flute, clarinet and bassoon; Lee Lovallo’s Etude; William O. Smith’s Five Pieces; Louis Spohr’s "Sechs Deutsche Lieder”; and Mozart’s Clarinet Quintet Wednesday Robert Cantrick will pre sent his compositions, including a score written in symbolic logic, on a program celebrating the centennial of Buffalo State Col lege at 8:15 P.M. in the audi torium of the Campus School. Pianist Kenwyn Boldt will per form the symbolic music for solo piano, “Person at the Piano: Forms for pianist to interpret,” the first performance. Other works will be "Acoustical Mu sic” for brass, conducted by Frank Collura; Woodwind Quin tet, performed by the Niagara Woodwind Quintet; and the song cycle, “The Friendly Beasts,” with soprano Janiece Epke and pianist Paul Homer. Admission is free. Marsha Hassett, cellist, will present a graduate recital at 8:30 P.M. in Baird Recital Hall, University of Buffalo. Mary Lane, cellist in the Buffalo Philharmonic, will gath er some of her best musical friends for a program at 8:30 P.M. at the Jewish Center, 787 Delaware Ave. Sylvia Dimiziani, Karin Reuthe, Marilyn Kregal, Frances Bugdol, Inti Marschall, James Pyne, William Lane and Lowell Shaw will be on hand for music by Brahms, Debussy, Beethoven and David Del Tre dici. Thursday Alex Taylor with friends and neighbors will present a concert of popular rock music at 7:30 P.M. in the College Cen ter at D’Youville College. Andrew Stiller, bassoon ist, will present a Creative As sociate recital at 8:30 P.M. in Baird Recital Hall, University of Buffalo. Friday Ruth Kovach will give an organ recital at 12:30 P.M. at ST. Paul’s Cathedral. The pro gram will be music by Dandrieu, Franck, Messiaen and Jongen, She is organist regularly at Nazarene Lutheran Church. The public is welcome. Karen Bernstein, pianist, will give a senior recital at 8:30 P.M. in Baird Recital Hall, University of Buffalo. Dance Theater Of Harlem , directed by Arthur Mitchell, will present a program with the Buffalo Philharmonic Orchestra on the pops series at 8:30 P.M. in Kleinhans Music Hall. Saturday Melvin Strauss will con duct the Buffalo Philharmonic in a cabaret concert at 8 P.M. at the Main Place Mall. The or chestra will salute the Buffalo hockey team with the “Sabre Dance” from “Gayne” ballet by Khachaturian. Other works are Rossini’s “La Gazza Ladra” Overture; Tchaikovsky’s “Romeo and Juliet”; Ellington’s “Black, Brown and Beige”; Lowell Shaw’s arrangements of the theme from “Romeo and Juliet” and “MRS. Robinson,” as well as music from “No, No Nan ette”; and “Summer Knows” from the film, “Summer of ’42.” Music Notes Susan Nichols, a senior from South Park High School, sing as part of the. American Youth Performs concert May 9 at the Kennedy Center in Wash ington, D.C. The soprano is the daughter of MRS. Frances Nichols. The vocal selections are Randall Thompson’s “Alleluia” and the first movement of “Sea Symphony” by Ralph Vaughan Williams. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Final evenings for new music set today Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-30 With references to the following additional composers: Vinko Globokar, Michael Sahl, R. Murray Schafer, Theodore Antoniou, Darius Milhaud Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_148 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/65a16634fbad93ca3db0740a0bc5304e.pdf bddde4c69641bf9c8795c0f1018377a7 PDF Text Text Evenings For New Music Program On the occasion of the composer's eightieth birthday Concertino de Printemps (1934)................................ Darius Milhaud Henry Rubin Petr Kotik, Ronald Richards, Roberto Laneri, Andrew Stiller, William Lane, Dave Kuehn, Garry Kvistad, Marie Yadzinsky, Jon Shallit, Jesse Levine, Wendell Haver, Louis Bruno Jan Williams, conductor Vinko Globokar Correspondences (1969)** Stuart Fox, Roberto Laneri, Vinko Globokar, Jan Williams Symphony (1972)* Michael Sahl Petr Kotik, Henry Rubin, Garry Kvistad, Jeffery Kowalsky, Stuart Fox, Richard Trythall, Michael Sahl Jan Williams, conductor Intermission Discours 2 (1970)*.......................................................... Vinko Globokar for trombone and pre-recorded tape Performed by the composer Requiems For The Party-Girl (1966)**_ R. Murray Schafer Julius Eastman Petr Kotik, Roberto Laneri, William Lane, Richard Trythall, Mario Falcao, Garry Kvistad, Henry Rubin, Jesse Levine, Wendell Haver The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. * First Performance **First Buffalo Performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-04-30 Note: Eastman as performer in Schafer's Requiems for the Party-Girl Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_147 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/fb02365fefdd542c6c505ad74652f3f6.pdf 001c17e7d0ba267688cc5f9caeaedede PDF Text Text Buffalo Evening News April 25, 1972 Music Notes Mitch Miller, nationally known broadcasting personal ity, will be guest conductor and sing-along guide on the Philharmonic pops concert, Friday at 8:30 PM in Kleinhans Music Hall. Mr. Miller will be narrator of the witty Ogden Nash verses to the Tchaikow sky “Nutcracker,” and con duct the Wagner “Meister singer” Overture, Ravel Bo lero, Rossini “William Tell” Overture and music from “Oliver.” * “Coppelia” by the Em pire State Ballet, Barbara Striegel director, principal roles by Nancy Jo Scalice, Thomas Banascak and Frank Moltz, will be presented tomor row at 8 PM in Villa Maria College auditorium. * Tonawandas Post 264 American Legion Band Schol arship Concert, director Her bert Ludwig, co-featuring the Morgan St. Seven, will be given tomorrow at 8:15 PM in Tonawanda Senior High School. * “Music A La Carte,” spring concert by the Clarence Junior High Concert Band Treble Chorus, conductor George Whittier, will be pre sented Thursday and Friday at 8 PM in the auditorium. * UB Orchestra under Pamela Gearhart will present an admission-free concert on Thursday at 8:30 PM in Baird Hall, the Sibelius “Swan of Tuonela,” Handel Concerto Grosso in B Minor, works of Copland, Mendelssohn, Stravin sky and Wagner. Schola Cantorum and the Philharmonic under Mel vin Strauss will present an allBruckner concert on Saturday at 8:30 PM in Kenmore East High School, soloists Jan Valerio, Patricia Oreskovic, Warren Hoffer, Laurence Bogue, the Bruckner Mass in E Minor, Overture in G Mi nor and Te Deum. * Polish Singing Circle and the guest Kalina Singing Society directed by Peter Gor ecki will feature soprano Kazia Wojciechowska of Poland in the 75th annual concert and ball on Saturday at 8 PM in the Buf falo Trap & Field Club, Cheek towaga, Felix Galas general chairman. Songs of Chopin, Moniuszko and folk airs will be included, Roy Wilhelm ac companist. * Guitarist Oswald Rantuc ci, who also is a Philharmonic violinist, has been invited to teach classic guitar this sum mer in the National Music Camp, Interlochen, Mich. * ST. Joseph's Collegiate In stitute Glee Club and Swing Choir attended a music work shop on the week-end in Alfred University. * Piano and organ pupils of MRS. Petrina Paoletti will give a program on Saturday at 7:30 PM, 43 Marne Rd. * ST. Paul’s Cathedral 10th annual Choir Concert will be directed by Frederick Burg omaster on Sunday at 5 PM, with organist Carol Foster and Trumpeters David Kuehn and Charles Gleaves. Jubilates of Purcell and Pinkham, Magnifi cats of Stanford and Tippet, works of Vaughan Williams, Josquin, Handel and Britten will be included. * Villa Maria College spring concert on Sunday at 8 PM in the auditorium will present the Community Cho ral and Instrumental Ensem ble, directors Miranda Currie and Eugene Hale, trumpeter Robert Smith and the Niagara Frontier Brass Ensemble. * Gethsemane Lutheran Church will present a sacred music concert on Sunday at 4 PM, Thomas Gutowski directing. * Library Recital will pre sent Philharmonic violinist Marilynn Kregal, mezzo Emilie Berendsen-Bloch and pianist John Landis on Saturday at 3 PM in Central Library audi torium, works of Mozart, Dvork, Haieff, Ravel, Blach er and Bach. * Organist John Hofman of Trinity Episcopal Church and Fredonia faculty will give a re cital on Sunday at 4 PM in ST. James United Church of Christ, Hamburg, with Mrs. Charles Gleaves as soprano soloist, works of Butler, Vierne and Mozart. Voices, INC., New York music and repertory troupe, will appear Sunday at 8 PM in Bennett High School audi torium, auspices of Gamma Kappa Chapter of Delta Sig ma Theta Sorority. * New Music concert by the UB Creative Associates will bring back two well-known composer alumni for the pro gram Sunday at 8:30 PM in Albright-Knox Art Gallery aud itorium. Trombonist Vinko Globokar of Yugoslavia will take part in his own “Corres pondences,” and Michael Sahl, now active in New York, will present his 1972 Symphony, Jan Williams conducting. Works of Murray Schafer, Theodore Antonious and Mil haud will be included. Violinist Henry Rubin and baritone Julius Eastman will take part. * Joel Chadabe, UB elec tronic composer, will present his “sculpture work” titled “Daisy,” on Monday at 8 PM in Baird Hall, Room 100, half hour runs to 10 PM. * Fredonia Choir under William Graf will appear on Sunday at 4 PM in Delaware Ave. Baptist Church, the Schu bert Mass in G, works of Brahms, Mozart, Bruckner, Fine. * Organ Recital by host choirmaster Frederick Burgo master will include works of Searle, Langlais, Johns and Bach, Friday at 12:30 PM in ST. Paul’s Cathedral. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-30 With references to the following additional composers: Vinko Globokar, Michael Sahl, Murray Schafer, Thedore Antonious, Milhaud Note: Eastman as performer Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-25 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_146 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a58fbad4301ad9af8a207276b53c12cd.pdf dcf385de2b67cc8ce0ae11bf45008039 PDF Text Text Apr. 11, 1972 Baird Hall Four UB Composers Present Musical Dinner, Real Dessert By John Dwyer Four composers sat down to dinner with wine Monday eve ning and discussed their re cent European tour. They did it on Baird Hall stage before a hungry audi ence, various of whose mem bers were fed snippets of the cuisine from time to time. Eventually they all got a piece of the white-cake dessert and wine punch. It was a kind of theater, with some music before the dessert, but it was a real din ner, served by the chef him self who is also a ballet dancer. He executed a soaring grand jete after handing around the Galantine Ronsard. * * * Julius East man, Roberto Laneri, Peter Kotik and Jan Williams, have formed a performance group called the SEM Ensemble. They are also UB Creative As sociates, but this thing is their own idea. They’ve appeared here and in several other modern music centers, and their tour took them to Cologne and other mu sical arenas in Europe. Striped tablecloth, papaya colored napkins, tossed salad, a variety of casseroles, corn bread, two kinds of wine, four microphones at the table and a lot of conversation were fea tures of the staged repast. The chef was dancer Carl Single tary. Composers * * “Marvelous Cook,” said MR. Eastman. “I know. I used to live with him, but he’s gone on to new and better things. Still, a great cook.” They talked about the Co logne electronic studios (best in the world) and Stockhausen and Cage, about monotonalists Steve Reich and Terry Riley, about jazz prophets James Brown and John Coltrane, about improvisation and how it doesn’t seem to get anyplace after a while, about names in the Bible, about themselves. Before the dessert they got up and played two pieces at once, the Eastman “Nachtmu sik” which consists of raising hell behind a closed door, per haps a pun on Knock Music, and the Kotik “There is Singu larly Nothing.” ** MR. Kotik played a lovely chant on a low-voiced flute. MR. Laneri keened and wailed on a piercing clarinet high-note. MR. Williams played soft hammers on two lovely-sounding, large wood resonators. MR. Eastman got behind the closed stage door and tried to kick it down. The program notes consisted entirely of translated press quotations from Switzerland, West Germany, and so on, col lected on tour. The one from the Berlin Tag esswiegel seemed to express the spirit and nature of this event, too, with uncanny pre cision. It reads: “The only piece of the eve ning which intimated some thing musical was releases into the air endlessly swinging col orative.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four UB composers present musical dinner, real dessert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-04-10 With references to the following works by Julius Eastman: Eine Kleine Nachtmusik With references to the following additional composers: Petr Kotik, Stockhausen, Cage, Steve Reich, Terry Riley, James Brown, John Coltrane Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_145 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only