136 100 60592 https://digital.lib.buffalo.edu/files/original/a5189716e1452d1f93d6a02e5f91d91f.pdf 76b90e9e2a62519acc080cf3f80a650d PDF Text Text State University of New York at Buffalo Department Of Music ______ presents Creative Associate Recital 7 S. E. M. Gives A Lecture Julius Eastman Petr Kotik Roberto Laneri Jan Williams Kotik: There is Singularly Nothing Eastman: Eine Kleine Nachtmusik Monday, April 10, 1972 8:30 P.M. Baird Recital Hall � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource S.E.M. gives a lecture Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-04-10 With references to the following works by Julius Eastman: Eine Kleine Nachtmusik Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_144 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/314275d4b9e5d32dbe29abcd6849f6f3.pdf 68bd42c962512e289011294e4c5f8c18 PDF Text Text Courier Express [April 9, 1972] Music Calendar Thomas Returns to Kleinhans To Conduct Tchaikovsky Program Michael Tilson Thomas, music director of the Buffalo Philharmonic Orchestra, re turns after a two-month ab sence to conduct the orchestra in a Tchaikovsky program to day and Tuesday at Kleinhans Music Hall. Also this week, Leo Smit, pianist and narrator, will give his “Roma” program, showing the “eternal city” in slides, poetry, literature and music on Saturday at the Buf falo and Erie County Public Li brary auditorium. Here is the music calendar for the week: Today Buffalo Philharmonic Orchestra, conducted by Mi chael Tilson Thomas, will pre sent a subscription program at 2:30 P.M. in Kleinhans Music Hall. Itzhak Perlman will be soloist in the Tchaikovsky Vio lin Concerto. Completing the Tchaikovsky program is the Symphony No. 1 in G Minor ("Winter Dreams”). Thomas Foster, organist and choirmaster of Calvary Episcopal Church, will direct the Evensong program at 5 P.M. at the church in Wil liamsville. Preservation Hall Jazz Band from New Orleans will present vintage jazz performed by the original cast at 8:30 P.M. at Kleinhans Music Hall. The program is sponsored by The ater Series. Monday Julius Eastman will pre sent a Creative Associate re cital at 8:30 P.M. in Baird Re cital Hall, University of Buf falo. The program, with works by Eastman and Petr Kotik, is called “S.E.M. Gives A Lec ture,” and it is open to the pub lic without admission charge. S.E.M. is an avant-garde en semble comprised of Eastman, Kotik, clarinetist Roberto La neri and percussionist Jan Wil liams. They experiment with sound. Linda Brocia Boland, soprano, will give a faculty re cital at Rosary Hill College at 8:30 P.M. in the college’s Wick Center. Assisting guest artists are Thomas Grubb, piano, and Amrom Chodos, clarinet. The program is Mozart’s “Exsul ate Jubilate,” Schubert’s “Der Hirt auf dem Felsen,” selections from Berlioz’s “Les Nuit d’ete,” Chausson’s “Chanson Perpetuelle” and Turina’s “Poema en forma de Can ciones.” Tuesday Buffalo Philharmonic Orchestra under Michael Thomas will repeat its Sunday subscription program with vio linist Itzhak Perlman at 8:30 P.M. in Kleinhans Music Hall. Wednesday Commander Cody and his Lost Planet Airmen will present a popular concert with New Riders of the Purple Sage at 8 P.M. and 11 P.M. in the Clark Gym, University of Buffalo. Waseda University Glee Club from Japan will present a concert at 8 P.M. at Amherst Central High School. The group is in this country taking part in the Lincoln Center International Choral Festival. Male Choir Bavaria will present the 33-voice Roland Fink Singers from Zurich, Swit zerland, in a program of Euro pean songs at 8 P.M. at the Deutsches Haus, 2090 Genesee ST. Thursday Clarence Central Schools music department will present a student concert at 8 P.M. at the Clarence Public Library, 9655 Main ST., Clar ence. Performers are a wood wind quintet, chamber singers, and a saxophone quartet. Rob ert Vehar directs the chamber singers, and Michael Ried coaches both wind groups. There is no admission charge. Friday George Perle, composer and musicologist, will perform in his scholarly role when he deliver a lecture on Schoen berg’s “Moses Und Aron” at 3:30 P.M. in Room 101 of Baird Hall, University of Buffalo. The lecture is titled, “Schoenberg and the ‘Supreme Commander’: The Libretto of ‘Moses Und Aron.’ ” Perle is a visiting pro fessor at UB from Queens Col lege of the City University of New York. The inquisitive are welcome. Canisius College Glee Club, directed by Robert Schulz, will present a concert at 8 P.M. in the Student Center of the college. The chorus recently returned from a series of con certs in Montreal, Quebec. Melvin Strauss will di rect the Buffalo Philharmonic Orchestra in a Jazz-Rock pops concert at 8:30 P.M. in Klein hans Music Hall. The program will feature the rock group, Sunday’s Child, led by Philharmonic bassist Nicholas Molfese, and the All-College Gospel Choir, directed by An drew Brown. The program is Duke Ellington’s “Black, Brown and Beige,” Richard Peaslee’s work for rock band and sym phony Orchestra, “October Piece,” and a few numbers by the Gospel Choir, including “Lord, Don’t Move This Moun tain” and “In Jesus’ Name,” both with orchestral arrange ments by Philharmonic hornist Lowell Shaw. Saturday David Johnson will give an organ and choral clinic be ginning at 1 P.M. at Amherst Lutheran Church in Williams ville. He is organist at Arizona State University, and music di rector at Trinity Episcopal Ca thedral in Phoenix. As a com poser Johnson helped celebrate the wedding of Tricia Nixon with his Trumpet Tune in D Major for solo organ, scored for strings for the White House per formance. The event is spon sored by the Buffalo chapter of American Guild of American Guild of Organists. A session at 4 P.M. will be devoted to choral music. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Returns to Kleinhans to conduct Tchaikovsky program Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-10 With references to the following additional composers: Petr Kotik Note: SEM to give lecture Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_143 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/14e0771cc4abda1d3ac662a902060b59.pdf 438a5170e03ceeecbfd6761ab682eeeb PDF Text Text Buffalo Courier-Express, Friday, April 7, 1972 Smit Program April 15 Will Focus on Rome By Thomas Putnam “Rome Is the only city that dates back to antiquity and is continuously creative," said Leo Smit, the University of Buffalo acuity pianist and composer who is a fearless adventurer into past cultures (the Indians of the American Southwest) and future worlds (a recent recital honored the astrologer Fred Hoyle). Now Smit is focusing on “the Eternal City” for his program, “Roma: A Classical and Roman tic View’’ which he will present at 3 P.M. on April 15 in the auditorium of the Buffalo and Erie County Public Library. (Ad mission is free.) The music for piano by Liszt will be “Carillon,” “Il Pense roso,” “Fountains of the Villa d’Este,” the transcription of Wagner’s “Liebestod,” and "Sur Corda,” an exhortation to sum “lift up your heart to God.” Besides Playing the piano, Smit will narrate a text which he has composed, some 80 pages which will be coordinated with slides he made when he was in Rome this past summer. The program has been 10 months in the making, and Smit says it “comes out like a great poem, one long legend; mythology and history intermingle.” Smit will show architecture and sculpture from the classical period, the baroque art of Michaelangelo, and romantic views of Stendahl and Haw thorne, Berlioz and Byron. He stops short of this century, but not because Rome has died. Chromatic Club vocal audi tions will be held April 15 at the home of MRS. Emilie Strauss, 625 Lafayette Ave. For informa tion call MRS. David Currie of Kenmore at 873-4647. Julius Eastman will give a Creative Associate recital at 8:30 P.M. Monday in Baird Re cital Hall, University of Buffalo. The program, “S.E.M. Gives a Lecture,” will include works by Eastman and Petr Kotik, who are members of the S.E.M. avant-garde ensemble. Admis sion is free. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smit program April 15 will focus on Rome Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-10 With references to the following additional composers: Petr Kotik Note: SEM to give lecture Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_142 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/e730c3f80df14f0c2042ceaf0ac1e6fb.pdf 0d047e6c6b1ca876f5335ecf35fa3972 PDF Text Text Buffalo Evening News Tuesday, April 4, 1972 Music Notes Frontier Press Club, social and cultural group of Western New York newspapermen and associated membership, will attend the Philharmonic performance next Tuesday evening and an after-concert coffee hour and reception in Kleinhans Liv ingston Hall, with conductor Michael Tilson Thomas as guest. * * Cleveland Quartet concert tickets will be available to the general public on Saturday at 8:30 PM in Baird Hall, though the pro gram is part of a distinguished scholarly week-end event, the Spring meeting of the American Musicological Society, New York Chapter. The gifted performers, now UB residents, will play the Mendelssohn Quartet in D, Itzhak Perlman Slonimsky “Antiphones” and Leading Violinist at 27 Bartok Fourth Quartet. The scholars will hear Philharmonic will papers in various sessions on present internationally famed Saturday and Sunday by Don violinist Itzhak Perlman in the Smithers, Syracuse University; series programs under Michael Keith Daniel, UB; Julie Ann Tilson Thomas on Sunday at Vertress, Cornell, and Sheila 2:30 PM and next Tuesday at M. Allen, Fredonia. A panel 8:30 PM in Kleinhans Music headed by Prof. David Fuller, Hall. UB, will include faculty col It will be an all-Tchaikowsky league James McKinnon and program with MR. Perlman in Edward Evans of The the Violin Concerto in D, the Eastman School, Rochester. orchestra in the “Winter Dreams” Symphony No. 1, the SEM Ensemble, modern revised 1874 version and in any music group, will present an case an infrequently heard admission-free program work of the durably popular organized by composer composer. MR. Perlman, born in Telperformer Julius Eastman, Monday at 8:30 PM in Baird Aviv, Israel, 27 years ago, first Hall, audience discussion of the appeared in the United States works included. The Eastman in an unlikely way for a “Eine Kleine Nachtmusik” and performer destined for such Peter Kotik’s “There is concert renown. He was 13, Singularly Nothing” will be and it was on one of the televised programs of the Ed performed. * * Sullivan Show in 1958. He went on to 20 concert ap Collegium Musicum of Wagner College under Ronald pearances that season, hun Cross will offer a program of dreds since and world acclaim medieval and Renaissance in many tours and record music on Friday at 8 PM in albums. The estimate of many Holy Trinity Lutheran Church. critics is that he is one of the Music of the 11th to 15th Cen select few leading violinists of turies will include chansons of several generations. * * Josquin des Pres. An offering will be taken. Rosary Hill College Faculty Recital will present International Institute soprano Linda Brocia Boland Open House program will be with pianist Thomas Grubb given by soprano Noel Frater and clarinetist Amrom Chodos rigo and pianist Margaret Monday at 8:30 PM in Wick Singer, the public welcomed, Center, admission free. on Sunday at 3:30 PM in the The lovely Schubert “Der recital hall, songs of Handel, Hirt auf dem Felsen” for voice Wolf, Vlahopoulos, Debussy, and clarinet obbligato, Chausson and folk airs. Turina’s “Poem in the Form of * * Songs,” The Mozart “Exsultate Organ Recital in ST. Jubilate” and songs of Berloiz Paul’s Cathedral at 12:30 PM and Chausson will be included. * * by Michael Pavone, former Buffalonian now organist Male Choir Bavaria choirmaster of ST. Bernard’s and the 33-voice Roland Fink Church, Bernardsville, N. J. Singers of Zurich, Switzerland, * * will present a concert, April 12 Trombonist Richard Fote at 8 PM in Deutsches Haus, of Fredonia appeared as soloist 2090 Genesee ST. with the Waycross High Band of Georgia in the recent Mid Billboard Company Sued East Music Conference in Tallahassee, Fla., April Pittsburgh. He performed 4 (UPI) — The State Depart “Awakening” by composer ment of Transportation Mon Christopher Dedrick of day filed a $4600 suit against Delevan. MR. Dedrick’s “Four the National Advertising Co., Love Seasons” also was a con claiming that the company cut ference feature, performed by down publicly-owned trees so the Jamestown High School drivers could see its billboards Orchestra and Chorus. on Interstate 95. * * Lutheran Chorale elec tions: President, Dorothy Mayer; vice president, George Krieger; treasurer and secre tary, Bernice Allen; board members Lori Weinreich, Al bert Ullrich, Paul Bittier, Pearl Bueche, Dorothy Mayer. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-10 With references to the following works by Julius Eastman: Eine Kleine Nachtmusik With references to the following additional composers: Petr Kotik Note: SEM to give lecture Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_141 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/d453ac6f40ebbc4229a4fcf11632252a.pdf f229c34224f07f5b8cc782a2bd125531 PDF Text Text State University of New York at Buffalo: page 3 Rip-Off Piece... (continued) "'The Lokapalas are never defeated,’ said Kubera, and the girl picked up the block and stared at it a long time before she named it.” -- Roger Zelazny Judith Kerman Andrew Stiller Eugene Steinberg Beye Fyfe Ralph Jones Martin Kalve Julius Eastman NO. 6 (Tape Piece) voice recorder oboe horn horn viola conductor Ralph Blauvelt [audio tape] L’Arte Del Violino Roberto Laneri Jacquelynne Leonard concert violin Kenneth Fung violin Roberto Laneri piano Julius Eastman piano Michael Levinson percussion Anonymous VII percussion Judith Sherman speaker Sheryl Kessner girl with violin Ralph Blauvelt stage director ...and many extras Room A: James Whitman GGK [audio tape] Concert Piece For String Quartet Ralph Jones This piece is mainly an exploration of string techniques, and of the construction of textures utilizing the sounds produced by these techniques. It consists of nine structural blocks heard in succession; the material used to construct these blocks is heard in the opening violin solo. R.J. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource International symposium for student composers Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Date of event: unknown Note: Eastman as performer in Laneri's L'arte del Violino and conductor in Stiller's Rip-Off Piece *Program revised on 4/4/72 but exact date of the International Symposium for Student Composers at UB unknown* Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_140 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/3f83123eba2cbb40bd6c0891cf60e2be.pdf b0572f27c1f1d27342968bd6da272d34 PDF Text Text Members Of The Center / 1971-72 Edward Cox, Theatrical Technician — B.A. Fine Arts, American University, Wash ington, D. C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Techni cal Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for Domus; Assistant to Maurice Strike, Shaw Festival Theatre, Ontario. Douglas Davis, Cellist — Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. Julius Eastman, Pianist / composer / singer — Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. Stuart Fox, Guitarist / electronicist — Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Con cert series, Hollywood Bowl, and Ojai Festival, Los Angeles. James Fulkerson, Composer working in intermedia — Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. Petr Kotik, Composer / flutist— Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. Garry Kvistad, Percussionist — B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. Terry Moore, Theater Director — B.A. Radio and Television, M.A. Theater Arts, University of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and "Hair”, San Francisco. Frank Parman, Playwright— From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. George Ritscher, Electronicist — Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-04-04 Note: Eastman listed as member of the center 1971-72 Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_139 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/86e4387d3cde081ed3c690debece6978.pdf 7209ab412df0486c7b8d1291717939ed PDF Text Text 6 Buffalo Courier-Express, Thursday, March 30, 1972 Review Laneri Stresses Multiphonics By Thomas Putnam Roberto Laneri, a man whose clarinet technique contains breezy flights on clouds of mul tiphonics, played a recital Wednesday night at the Univer sity of Buffalo’s Baird Recital Hall. He coaxed double-stops and more complex multiphonics from his instrument most con vincingly in William O. Smith’s “Mosaic” (1964), for clarinet and piano. The music by the leading experimenter with clari net sounds had a well-made cohesion; there was design in the floating clusters of clarinet tones, which outline a melodic phrase with the same cluster type rigidity one hears in the piano cluster-chords of Henry Cowell. Laneri bent his tone, he hummed into his instrument, he used his mute (designed by Smith) to produce an altogether weird sound, small and distant, and he played into the piano to reinforce overtones from the strings. The piano was worked on the inside and on the keys by Rob ert Winter. It was a successful piece which went as far as any thing all night in demonstrating the resources of multiphonics. Two works placed the clari netist in juxtaposition with tape music. Joel Chadabe’s “Street Scene” is tape music of some confusion, a restless mixture of popular musics and electronics, a scanning of the radio dial to pick up jazz solos (“Bird” fleets by) and nervous elec tronic music. Laneri began his thoughtful monologue, strange ly, in a tonality which con trasted with Chadabe’s real-life tape music. The clarinet music was calm and relaxed. Laneri presented two pieces for the first time — his own “Esorcismi” and Giancarlo Schiaffini’s “No Insistence Upon Compositional Values.” “Esorcismi” is a game piece for clarinet, voice (Julius East man), viola (Jesse Levine), trombone (Donald Miller) and percussion (Lynn Harbold). En trances are sudden, and there is a kind of follow-the-leader for mat, with the players each con tributing notes to the additive phrase. Eventually Laneri, who was the soloist on this occasion (there will be solo versions for the other instrumentalists), walked away from the circle and performed a solo, and there was a dialogue among him and the others. There were frenzied exhibitions by Levine and East man, and at one point Eastman delivered some quiet incanta tions into a large bell. The chief event in Schiaffini’s piece comes when two vocal prima donnas — Paula Green baum and Adrienne Tworek — have a fight in the middle of the performance, leaving Laneri dumbfounded, looking at heaven with great sorrow. The recita tive would be brilliant in Italian, but it would have to be spoken very quickly. Otherwise the music is pretty, with glissandos and pitch rubbings between the singers, who are at opposite sides of the stage, and nervous and colorful music by percus sion and clarinet. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laneri stresses multiphonics Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-03-29 With references to the following additional composers: Roberto Laneri, William O. Smith, Joel Chadabe, Giancarlo Schiaffini Note: Eastman as performer in Laneri's Esorcismi Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_138 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/0dd8a0f33f7e1a7923b6683f0c766a4a.pdf 2dee70840db2c3d877562f5c9005c092 PDF Text Text Buffalo Evening News [March 29, 1972] Creative Associates pro gram featuring clarinetist and composer Roberto Lanen will be admission-free tomorrow at 8:30 PM in Baird Hall. Works of Smith, Chadabe, Villa Kinder Konzert, annual Rojo, Perle, Kondo, Schiaffini Philharmonic event sponsored and Laneri will be performed, by Buffalo Panhellenic, will be with assisting artists—pianists conducted by Melvin Strauss Robert Winter and George and present television person Perle, singers Paula Green alities Tom Jolls and Dave baum and Adrienne Tworek, Thomas as narrators, next percussionists Jeffrey Kowal Tuesday at 2 PM in Klein sky and Garry Kvistad, violin hans Music Hall. Schuller’s ist Jesse Levine, trombonist “Journey into Jazz,” Proko Donald Miller, baritone Julius fiev’s “Peter and the Wolf” Eastman. and a specialty titled “Fun * * Time” will be offered. Violinist Florence Pear * * son will give an admission-free NY Federation of Music graduate recital, works of Mendelssohn, Mozart and Clubs, District 8, awards Na tional Gold Certificates to Bach, on Friday at 8:30 PM Paula Cooley and John Paolini, in Baird Hall. Dubois “Seven Last Words Gold Cups to George Jaworski, Colleen Todd, Maurine Berens, of Christ” will be performed Paula Cooley, Eve Brasure, on Good Friday at 8 PM in ST. Bartholomew’s Episcopal Michelle DeLuca, Martha Mar tin. Superior Ratings were Church, Brighton RD., Tona wanda, Lorna Humes director earned by 20 performers. and organist, soloists Jan * * Giaquinto, Dick Smalter, Brad Schola Cantorum, Mel Huddleston. vin Strauss director, is in in * * tensive rehearsal for its All D upre “ Stations of the Bruckner Program on April 29 in Kenmore East High School, Cross” by organist David with the Buffalo Philharmonic Bowman and Claudel poems as the accompanying orchestra by narrator Jean Hebborn, il under the Strauss baton. The ustrations by Rita Auerbach, Bruckner Mass in E Minor, will be given Good Friday at 8 Overture in G Minor and PM in Calvary Episcopal Church, Williamsville. Co-spon great Te Deum will be per formed. Soloists will be Jan sors are ST. Leo the Great Valerio, Patricia Oreskovic, Church, Williamsville United Warren Hoffer and Laurence Methodist Church and North Presbyterian Church. Bogue. * * * * “ T ransfiguration ” of Charles Gayle Ensemble Olivier Messiaen, huge ora will play works of John Col traine, Albert Ayler and Gayle torio of 14 parts, wil be per in an admission-free concert formed on Easter Sunday eve on Thursday at 8:30 PM in ning in New York’s Carnegie Norton Hall, Fillmore Room, Hall by the National Sym sponsored by the Union Activi phony and Westminster Choir under Antal Dorati, with sev ties Board. eral soloists including pianist Yvonne Loriod, the composer’s wife. The Messiaen “Turangalila” Symphony will occupy the en tire Buffalo Philharmonic pro gram in the series concerts of April 16 and 18 in Klein hans Music Hall, Michael Til son Thomas conducting. Music Notes Spring Meeting of the American Musicological Soci ety, NYS Chapter, will be a prestige-gathering affair and bring together visiting and Buffalo - based scholars in various events on the UB mu sic campus. The program chairman is David Fuller of the UB mu sic faculty, who also will head a panel. Highlights of the meeting: April 8—2 PM, Baird Room 107, papers by Don Smithers of Syracuse University, “Number and Symbolism in Bach’s B Minor Mass,” and Keith Daniel of UB on “Certain Aspects of Zarlino’s Theories;” panel on “The Periodization of Music History” with Prof. Fuller, Ed ward Evans of The Eastman School, Rochester; James Mc Kinnon, UB, and James Web ster, Cornell University. 8:30 PM, Baird Hall, the con cert feature, a program by the noted Cleveland Quartet, tick ets available to general public at the box office, the Mendel ssohn Quartet in D, Slonim sky “Antophones” and Bartok Fourth Quartet. A reception will follow in the Buffalo resi dence of UB music department chairman Albert Cohen. April 9, 10 AM, Baird 107, papers by Julie Ann Vertress of Cornell on “Mozart’s Quar tet KV 465, History of a Con troversy” and Sheila M. Allen of Fredonia State College on “Goethe’s Mignon Lieder in the Settings of Schubert and Wolf.” * * Juilliard String Quartet, with an august reputation earned in a generation of world-touring to the highest critical and audience response, appears this evening at 8:30 in Kleinhans Mary Seaton Room on the final program of the Buffalo Chamber Music Society. The Haydn Op. 77 No I, Webern Trio Op. 20 and Schumann Quartet in A Minor will be performed. * * Ken-Ton Symphony under Carlo Pinto presents mezzo Sharon Ann Schultz in arias of Bizet and Donizetti, this evening at 8:15 in Benjamin Franklin Junior High School, admission free. The Mozart Symphony No. 40, Humper dinck “Hansel & Gretel” Pre lude and “Music Man” tunes will be performed. Openings Music This Evening Juilliard Quartet, 8:30 PM Kleinhans Mary Seaton Room, Buffalo Chamber Mu sic Society Series, Haydn Op. 77 no. 1, Webern Trio Op. 20 and Schumann Quartet in A Minor. Ken-ton Symphony under Carlo Pinto, 8:15, Benjamin Franklin Junior High School; works of Mozart, Humper dinck and excerpts from “Music Man.” Tomarrow Creative Associates Concert, clarinetist Rob erto Laneri and assisting ar tists, 8:30 PM, Baird Hall, Free; works of Smith, Chad abe, Rojo, Perle, Kondo, Schiaffini and Laneri. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-30 With references to the following additional composers: Smith, Chadabe, Villa Rojo, Perle, Kondo, Schiaffini, Laneri Note: Eastman as performer *date of the paper is 3/29 and says the recital is tomorrow, but the recital program is dated 3/29* Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-29 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_137 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/73a56901e17f353aec584bafc6b83395.pdf 325669343b6e972c9ed9b203dbcf27af PDF Text Text Creative Associate Recital 6 Program Roberto Laneri clarinetist composer plays contemporary music for clarinet by assisted by Robert Winter piano William O. Smith: Mosaic (1964)* for clarinet and piano Carol Fortmeyer, Delmar Stewart, Leonard Matczynski violas Jesus Villa-Rojo: Unos Resultados (1970)** for clarinet and strings Marsha Hassett, Wendel Haver, Shannon Snapp cellos Allen Dennis double bass Jan Williams conductor Robert Winter tape operator Joel Chadabe: Street Scene (1967)* for clarinet and tape George Perle piano George Perle: Sonata Quasi Una Fantasia (1972) for clarinet and piano Intermission Robert Winter tape operator Jo Kondo: Summer Days (1970)** for clarinet and tape Paula Greenbaum, Adrienne Tworek voices Julius Eastman voice Lynn Harbold percussion Jeffery Kowalsky percussion Jesse Levine viola Lighting by Ed Cox Theatrical assistance by Frank Parman and Terry Moore Poster designed by Enrico Valeriani Donald Miller trombone Giancarlo Schiaffini: No Insistence Upon Compositional Values (1972)*** for clarinet, 2 voices and percussion Roberto Laneri: Esorcismi # 1 (1972)*** for clarinet, voice, viola, trombone and percussion ** *** * first Buffalo performance first American performance first performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associate recital VI Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-29 Note: Eastman as composer in Escorcismi #1 Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-29 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_136 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/692a398413e00fa7cdce63fb113faa53.pdf 49bcccabaef34449a7843c01a30d3b24 PDF Text Text 6 Buffalo Courier-Express, Sunday, March 26, 1972 Music Recital Slated By Clarinetist By Tom Putnam Clarinet “Multiphonics ” or "harmonics” — the production of more than one tone simultaneously through tricks of fingering and blowing — will be part of Roberto La neri’s repertory of sounds when the Creative Associate from the University of Buffalo gives a recital Wednesday in Baird Re cital Hall. Laneri will repeat his per formance with George Perle of the "Sonata quasi una fantasia” which Perle wrote for him, and which they played for the first time on the recent "Evenings for New Music” concert. Other tricks — "magic tricks,” says Laneri — will be used for the performance of La neri’s "Esorcismi” No. 1, com posed this year. Performers are Laneri, Jesse Levine, viola, Ju lius Eastman, voice, Donald Miller, trombone, and Garry Kvistad, percussion. Laneri Is Secretive about his new work, the title of which means "exorcism.” He did not say what evil spirits his music is aimed at. "We are on stage doing something,” Laneri explains, not letting his black cat out of the bag. There will be five versions of “Esorcismi” with a different soloist for each version. The version on Wednesday will be for clarinet solo. Laneri avoids the standard clarinet recital repertory. No Brahms sonatas, no concertos for clarinet and piano, no small contest pieces to display the traditional virtuoso technique. Laneri’s Work is In the direction of sound exploration, and improvisation. He is the founder of the group, Jazz in Progress, an orchestra which has performed in concert under Carlo Pinto’s direction, and he is one of the four members of the S.E.M. ensemble, which re cently took its avant-garde pro gram to Europe. Most recently Laneri pre pared the tape of his music for the Company of Man’s produc tion, “Black Ivory.” New sounds for clarinet have been developed by William O. Smith, the composer whose "Mosaic” (1965) for clarinet and piano will be performed on the recital by Laneri and pian ist Robert Winter. Laneri cred its Smith with much of the inno vation in developing double stops and triple-stops on the clarinet, and he thinks highly of "Mosaic,” which is un published. Laneri, a clarinetist and composer, Is a graduate fellow this season with the UB Center of the Creative and Performing Arts. He holds a diploma from the Conservatory of Music at ST. Cecilia, Rome, and he re ceived his bachelor of fine arts degree in music from the Uni versity of Buffalo in 1970. Laneri’s "Sleep, Soft Smil ing” composed in 1969 was per formed last season on Evenings for New Music. The text is from James Agee’s “A Death in the Family”: “Sleep, soft smiling, draws me unto her . . but oh will not, not now, not ever, will not ever tell me who I am.” The program notes by the composer provide some insight into his method of composition: “The text . . . has been con sidered for its poetic, image like and associative value rath er than for its meaning (a big cut reduces Intelligibility and essentially lends the text alto gether different overtones). “This Ambiguity, far from being disquieting, allows better communication by providing more diversity of meaning. The text is irregularly distributed throughout the sections of the piece, with a strong concen tration toward the end.” The fundamental sense of the text is distorted — given over tones and ambiguity — by the counterpoint of tape and live performance. Laneri’s values are freedom, diversity of meaning, communi cation through ambiguity. His Roberto Laneri ... tricks of sound clarinet technique is part of his expression of values. (It is instructive that composers who employ overtones or multi phonics in their music do so with varying amount of control. Whereas George Perle specifies precisely what in tervals and pitches he wants the clarinetist to play, a composer such as Pierre Boulez suggests to the performer that he get what pitches he can). The remainder of Laneri’s re cital includes Joel Chadabe’s "Street Scene” for clarinet and tape; Jesus Villa Rojo’s “Unos Resultados” for clarinet and string ensemble (students from the UB music department); Jo Kondo’s "Summer Days” for clarinet and tape, and Gian carlo Schiaffini’s “No In sistence Upon Compositional Values” for clarinet, two voices and percussion. In “No Insistence” Laneri will be joined by singers Paula Greenbaum and Adrienne Two rek, and percussionist Jeffery Kowalsky. The concert, like La neri’s point of view, is free and open to the public. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital slated by clarinetist Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1972-03-29 With references to the following additional composers: Roberto Laneri, Brahms, William O. Smith, Joel Chadabe, Jesus Villa Rojo, Jo Kondo, Giancarol Schiaffini Note: Eastman as performer in Laneri's "Esorcismi" Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_135 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/730b0b7a2dade958dc85c405b0a11e2d.pdf 6d052c5c817113136d0abc43ce94e7f9 PDF Text Text Courier-Express, Friday, March 24, 1972 Music Notes By Thomas Putnam The Juilliard String Quartet will conclude the sea son series by the Buffalo Chamber Music Society with a program at 8:30 P.M. Tuesday in the Mary Seaton Room of Kleinhans Music Hall. The program is Haydn’s Quartet in G Major, Op. 77, No. 1; Anton Webern’s String Trio, Op. 20: and Schumann’s Quartet in A Minor, Op. 41, No. 1. Members of the Juilliard are Robert Mann and Earl Carlyss, violins; Samuel Rhodes, viola; and Claus Adam, cello. Erie County Music Educa tors Assn, will present a con cert by the all-county senior high school orchestra and chorus at 8 P.M. Saturday at Akron Central High School. Richard Stephan from the State College at Potsdam will direct the orchestra, and Clyde Sechler, assistant director of Fred Waring’s Pennsylvanians, will lead the chorus. A swing choir under Arthur Staebell of Hamburg also will perform. Jan Williams will direct the University of Buffalo Per cussion Ensemble in a concert at 8 P.M. Saturday in Baird Recital Hall. Conductors include Jeffery Kowalsky, Garry Kvistad and Larry Stein. The program includes Paul Zonn's “Spice Island,’’ Carlos Chavez's Toccata, John Bergamo’s Interactions,” Henry Cowell’s Ostinato Pianissimo, Arne Nordheim’s Response I, and “SLTDR,” a group piece by the ensemble. Admission is free. Julius Eastman will present his music at 8:30 P.M. Saturday at the Unitarian Universalist Church of Buffalo, Ferry and Elmwood. The event is part of a Black and White Arts Festival. The Chopin Singing Society Chorus, directed by Peter Gorecki, will present a concert with the Buffalo Philharmonic Orchestra at 8:30 P.M. Saturday at Villa Maria College. Soloists are soprano Theresa Dybas, tenor Louis Distel, and pianist Krysztof Brzuza. The program includes music by Chopin, Zelenski and Moniuszko. The Cheektowaga Com munity Symphony Orchestra, directed by Robert Mols, will present a concert at 3 P.M. Sunday at Cheektowaga Central High School. David House is trumpet soloist, playing Haydn’s Trumpet Concerto. Admission is free. The 80-Voice Burlaky Chorus will present a concert at 4 P.M. Sunday in the Mary Seaton Room of Kleinhans Music Hall. The guest pianist is Zenon Lawryshyn. The chorus is directed by Yuri Lawriwsky. Bach’s Motet “Jesus, Priceless Treasure’’ and Cantata No. 135, “O Lord, This Grieving Spirit,” will be per formed with organ and chamber orchestra by the Chancel Choir of Kenmore Presbyterian Church under Kent Vander Band at 4 P.M. Sunday at the church. Soloists are Warren Hoffer, tenor, and Donald Johnston, baritone. Count Basie and his or chestra, with vocalist Mary Stallings, will present a concert at 8 P.M. Sunday in Kleinhans Music Hall. The program is for the benefits of Lincoln Memorial United Methodist � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-25 Note: Eastman will present his music Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_134 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7338b2a66f12879fd0e1fdbee2d6cd9f.pdf 6820b37f55aa6019ec87f8fd2e793f5f PDF Text Text Members Of The Center / 1971-72 Edward Cox, Theatrical Technician — B.A. Fine Arts, American University, Wash ington, D. C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Techni cal Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for Domus; Assistant to Maurice Strike, Shaw Festival Theatre, Ontario. Douglas Davis, Cellist — Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. Julius Eastman, Pianist / composer / singer — Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. Stuart Fox, Guitarist / electronicist — Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Con cert series, Hollywood Bowl, and Ojai Festival, Los Angeles. James Fulkerson, Composer working in intermedia — Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. Petr Kotik, Composer / flutist — Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. Garry Kvistad, Percussionist — B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. Terry Moore, Theater Director — B.A. Radio and Television, M.A. Theater Arts, University of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and “Hair”, San Francisco. Frank Parman, Playwright— From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while- working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. George Ritscher, Electronicist — Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Fulton-Montgomery Community College) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-23 Note: Eastman listed as member of the center 1971-72 Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-23 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_133 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/5dfccf25fb5324727d05f84b1a3543d8.pdf 740ad52a935e6ae74bdd79a6c5ae68b0 PDF Text Text Buffalo Evening News notes Tuesday, March 21, 1972 Osipov Balalaika Orchestra, singers and dancers will appear tomorrow at 8:30 PM in Loew’s Buffalo Theater, auspices of Buffalo Attractions. The 64-member troupe has been received with great en thusiasm on a 50-city American tour. * * Organ Recital by Catherine Thiedt of Heidelberg College faculty, former Western New York performer, is offered this evening at 8 in Trinity Episcopal Church, ad mission free, no offering. * * Rafael Druian, noted touring and recording violinist, will be guest conductor and soloist in a concert of the UB Chamber Orchestra on Friday at 8:30 PM in Baird Hall. MR. Druian will play the Bartok Solo Violin Sonata, Bach Con certo in E and Mozart Con certo in A. Tickets are available in Norton Union ticket office. An open rehearsal, admission free, will be held Thursday at 8:30 PM in Baird Hall. The concert and MR. Druian’s week of master classes are sponsored by College B. * * Amherst Male Glee Club Folk Songs and hymns will be presented by Frankie & directed by Walter E. Reitz Lionel Duff, tomorrow at 3 PM will present the 24th annual in Haas Lounge of Norton Musical Review on Friday and Saturday at 8 PM in Amherst Union, admission free. * * Central High School The Balkan North India music will be auditorium. performed and discussed to Serenaders will perform. * * morrow at 8 PM in the Com Chopin Singing Society and munications Center, Buffalo State College, admission free. the Buffalo Philharmonic will Mamta Bhargava, Lee be conducted by choral director Gorecki and Sengbusch and Michael Wright Peter Philharmonic associate con will take part. * * ductor Melvin Strauss on Villia Maria faculty Saturday at 8:30 PM in Villa College auditorium. recital will be presented Maria Thursday at 8 PM in the Soprano Theresa Dybas, tenor recital hall, admission free, by Louis Distel and the chorus harpist Suzanne Thomas, will take part in the operatic cellist Alta Mayer, violinist excerpts from “Halka,” and Marie Yadzinski, pianists pianist Krysztof Brzuza will Sister M. Emiliette and August play a Chopin Polonaise. * * Martin, works of Roussel, Britten, Harrison, Ravel, Noonday Series will Handel, Beethoven Trio Op. 1 present guest organist John Becker in works of Bach and No. 3. * * Schroeder, Friday at 12:30 PM Erie County Music in ST. Paul’s Cathedral. There Educators Association annual will be no recital on Good Fri Music Festival concert on day. * * Saturday at 8 PM in Akron High School will present the Cancellation is an Senior High Orchestra under nounced of the UB Orchestra Richard Stephan, Elizabeth program originally listed for Brown chairman, and Senior Sunday in Baird Hall. * * High Chorus, Clyde Sechler director and Clyde D. Kline Pianist Bronislava H. chairman. County Executive Melandinidis will play works of Regan will present the Beethoven and Dohnanyi in an scholarships. admission-free graduate recital * * on Sunday at 8:30 PM in Baird All-County Junior High Hall. * * Symphonic Band was a stellar feature of the ECMEA Music Juilliard Quartet, one Festival concert on March 12 of the foremost chamber in Kleinhans Music Hall, and groups on the international left out of a report by your circuit, will appear next Tues correspondent. The 107- day at 8:30 PM in Kleinhans member band directed by Mary Seaton Room, auspices Joseph Clouse with Manuel of the Buffalo Chamber Music Alvarez as chairman was ap Society, the Haydn Op. 77 No. plauded resoundingly for 1, Webern Trio Op. 20 and march, rhumba and popular Schumann Quartet in A Minor. * * themes and the “Niagara Overture” of Fote. Julius Eastman will present his own works with assisting players, Andrew Brown’s Gospel Choir quartet, slides and commentary, on Saturday at 8:30 PM in Unitarian Universalist Church, auspices of Black and White Action. * * David Fuller, touring organist and harpsichordist and UB faculty member, will give a July recital in France on a historic organ at the Festival d’Avignon, broadcast over Radio France. * * Clarence High Symphony Band pop concert will co feature the Floyd High School Band of Mastic Beach, Long Island, on Friday at 8 PM in Clarence High School. * * Gay ’90s Pops under John Landis will feature the Buffalo Barbershop Chorus under Michael Burke, the Banjo Band directed by Stephen Albrecht, Philharmonic percussionist Jesse Kregal in “The Worried Drummer,” Friday at 8:30 PM in Kleinhans Music Hall. Light orchestral favorites and a Sing Along will be included. * * Orchard Park School District juniors and sophomores are eligible to audition on Apr. 25 in the high school for a $200 music scholarship. Information is available from Mrs. Vivian R. Anderson, 40 Quaker Lane Ter., Orchard Park. UB Percussion Ensemble under Jan Williams with assisting conductors Jeffrey Kowalsky, Garry Kvistad and Larry Stein will give an ad mission-free concert on Satur day at 8 PM in Baird Hall, works of Zonn, Chavez, Cowell, Bergamo and Nordheim. Burlaky Chorus under Yuri Lawriwsky with Irene Lawrisky as commentator will commemorate Ukrainian poet Taras Schevchenko and feature soprano Eva Stolaruk Beames and pianist Zenon Lawryshyn, both of Toronto, on Sunday at 4 PM in Kleinhans Music Hall. MRS. Ala Mosijchuk is ac companist. * * Kenmore Presbyterian Church Choir, director Kent Vander Band, soloists Warren Hoffer and Donald Johnston will present the Bach Cantata 135 and motet “Jesu, Priceless Treasure” on Sunday at 4 PM, organ and chamber group. * * Zion Lutheran Church of Clarence Center will present Easter portions of “The Messiah” on Sunday at 7:30 PM, director Karl Hartwig, organist Mrs. Hartwig, soloists MRS. Richard Long, Mrs. Rodger Sillars, DR. Norman Hostetter, Larry Bernhard, in strumental group. * * Cheektowaga Com munity Symphony under Robert Mols will feature trumpeter David House, 16, in a Haydn Concerto, on Sunday at 3 PM in Cheektowaga High School, admission free, added works of Rossini, Strauss and others. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-25 Note: Eastman will present his own works with Andrew Brown's gospel choir Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_132 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/4fcb26bb3fb1c728c3d0e2b1a04e8440.pdf d0b6f46696f8f711c23137b500846665 PDF Text Text Courier Express [March 19, 1972] Music Calendar Christine Walevska Will Be Concert Soloist Christine Walevska will be cello soloist with the Buffalo Philharmonic Orchestra under Melvin Strauss in concerts today and Tuesday in Kleinhans Music Hall. Also this week, Evenings for New Music will be presented today at the Albright-Knox Art Gallery, and violinist Rafael Druian will conclude a week at College B with a solo per formance with the Chamber Orchestra, which he also will conduct on Friday at the Uni versity of Buffalo. Here is the music calendar for the week: Today Chloe Owen, soprano, will give a master class at 2:30 P.M. in Baird Recital Hall, University of Buffalo. Rosary Hill College dance group will present a pro gram of theater dance at 2:30 P.M. in the Daemen Little Theater at the college. Buffalo Philharmonic Orchestra, conducted by Melvin Strauss, will present a concert at 2:30 P.M. in Klein hans Music Hall. The cello soloist is Christine Walevska. The program is Telemann’s Concerto Grosso in D Major; Tchaikovsky’s Rococo Varia tions; Saint-Saens’s Cello Con certo in A Minor; and Stravin sky’s “Firebird” Suite (1945 version). Orchard Park Symphony Orchestra and the South Towns Community Chorus will present Mendelssohn’s “Elijah” at 3 P.M. at Orchard Park Senior High School. Theodore Hollen bach will conduct. Soloists are Jan Valerio, Vivian Rassiga Anderson, Ann Anspach, Ralph Griffin, Peter Minkler and Carl Burgwardt. Donald Farkas, piano pu pil of George Cassidy, will give a recital at 4 P.M. at Kenmore Presbyterian Church. Squire Haskin will give an organ recital at 4:45 P.M. at First Presbyterian Church, Symphony Cir. The program is works by Bach, Francois Couper in, Olivier Messiaen, Maurice Durufle, Marcel Dupre and Louis Vierne. John Becker will direct the Lutheran Chorale and the Trinity Orchestra in Bach’s “St. John Passion” at 5 P.M. at Holy Trinity Lutheran Church, Main near North. Soloists are Domenica Giuliani, soprano; Mary Alice Menge, alto; Warren Hoffer, tenor; Edward Bogusz, bass; Charlotte Shedd, harpsi chord; and John Hofmann, or gan. Shannon Snapp, cellist, will give a recital with pianists Jane Cary and Vivian Hornik at 5:30 P.M. in Baird Recital Hall, University of Buffalo. Admis sion is free. Wittenberg University Choir will present a concert at 7 P.M, at Ascension Lutheran Church, 4640 Main St., Amherst. Maria Institute of Music. Per formers are Suzanne Thomas, harp; Alta Mayer, cello; Marie Yadzinski, violin; Sister Mary Emiliette, piano; and August Mayer, piano. The program is music by Roussel, Britten, Har rison, Ravel, Handel and Bee thoven. Admission is free. Anita Keehn, soprano, will present a Lenten concert with organist James A. Chidester at 8 P.M. at Kenmore United Meth odist Church. Beach Boys will present a concert at 8 P.M. in Kleinhans Music Hall, auspices of Buffalo Festival. The boys have sold over 67-million records. Shirley Bassey and the Woody Herman Orchestra will present a concert at 8 P.M. in Kleinhans Music Hall, auspices of Buffalo Festival. Evenings for New Music will be presented at 8:30 P.M. in the auditorium of the Albright-Knox Art Gallery. Works by Xenakis, Matthews, Perle, Albright and Stockhausen will be performed. When necessary, Lukas Foss will conduct. The series is pre sented by the University of Buffalo’s Center of the Creative and Performing Arts. Friday John Becker will give an organ recital at 12:30 P.M. at ST. Paul’s Cathedral. He will play Bach’s Fantasia and Fugue in G Minor, and Schroeder’s “Kleine Praeludien” and “Inter mezzi.” The public is invited. Monday Chromatic Club will elect officers at 8 P.M. in Duns Sco tus Hall at Rosary Hill College. Following the meeting the club will present a recital program at 8:30 P.M. in Duns Scotus Hall. Performers are Donna Matthewson, soprano; John Landis, piano; August Martin, piano; Marie Yadzinski, violin; Alta Mayer, cello; Marguerite McCarthy, soprano; and Eva Rautenberg, piano. The program includes songs by Berg, Poulenc and Mahler, and Beethoven’s Trio in C Minor for piano, violin and cello. David Witten, piano, will play works by Copland, Schu mann, Stravinsky and Chopin at 8:30 P.M. in Baird Recital Hall, University of Buffalo. Ad mission is free. Symphony Band of the University of Buffalo, directed by Frank Cipolla, will present a concert at 8:30 P.M. at Brock port State College. Tuesday Catherine Thiedt will give an organ recital at 8 P.M. at Trinity Church, 371 Delaware Ave. She is on the music faculty of Heidelberg College in Tiffin, Ohio, and organist at Trinity United Church of Christ in Tif fin. The program is Bach’s Con certo in A Minor; Jean Francois Dandrieu’s Four Noels; Bach’s Passacaglia and Fugue in C Minor; Messiaen’s “Joy and Splendor of the Heavenly Host”; and Dupre’s Variations on a Noel. Buffalo Philharmonic will repeat its Sunday program at 8:30 P.M. in Kleinhans Music Hall. Melvin Strauss conducts. Jan Williams will direct a program by the University of Buffalo Percussion Ensemble at 8:30 P.M. in Baird Recital Hall, University of Buffalo. The pro gram is works by Chavez, Co well, Bergamo, Nordheim and Zonn. Admission is free. Black And White Arts Festival will present “An Eve ning With Julius Eastman,” the composer, at 8:30 P.M. at the Unitarian Universalist Church of Buffalo, West Ferry and Elm wood. Chopin Singing Society, directed by Peter Gorecki, will give a concert with the Buffalo Philharmonic Orchestra at 8:30 P.M. at Villa Maria College. Soloists are Krysztof Brzuza, pi ano; Theresa Dybas, soprano; and Louis Distel, tenor. Clarence High School Symphonic Band will present a pops concert at 8 P.M. at the school, 9625 Main St. Also on the program are the William Floyd High School Band from Mastic Beach, L.I., and pianist Marcella Sternisha. Amherst Male Glee Club will present a musical revue at 8 P.M. at Amherst Central High School. Walter Reitz directs. Rafael Druian, concert master of the New York Phil harmonic, concludes a week in residence at College B of the University of Buffalo with a concert with the UB Chamber Orchestra at 8:30 P.M. in Baird Recital Hall. He will conduct that orchestra, and be soloist in Bach's Violin Concerto in E, Bartok’s Solo Violin Sonata, and Mozart's A Major Concerto. John Landis will conduct the Buffalo Philharmonic Or chestra, and Jesse Kregal will be solo percussionist, on the “Gay Nineties Night” pops pro gram at 8:30 P.M. in Kleinhans Music Hall. Also featured are the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in Amer ica, directed by Michael Burke, and the Buffalo Banjo Band, directed by Stephen Albrecht. The program includes the over ture to Thomas’s "Raymond,” Schreiner’s “The Worried Drum mer,” and selections by Bern ers, Lake, Gounod and Ketelbey. The program ends with a sing along. Saturday Amherst Male Glee Club repeats its Friday pro gram at 8 P.M. at Amherst Cen tral High School. Erie Country Music Edu cators Assn, will present its fes tival chorus and orchestra in a program at 8 P.M. at Akron Central School. Julius Eastman Sounding Off—Julius East man will present his own music for piano, strings and gospel choir at 8:30 P.M. Saturday at the Unitarian Universalist Church of Buffalo, West Ferry and Elmwood, part of the Black and White Arts Festival spon sored by the church. Eastman will comment on his music, us ing slide projections. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christine Walevska will be concert soloist Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-25 Note: Eastman will present his own music Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-19 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_131 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/5e8d25c50f269ba4a9334161f1bc1e25.pdf aec957021ca26bb93ef2c9d627550f40 PDF Text Text Members Of The Center / 1971-72 Edward Cox, Theatrical Technician — B.A. Fine Arts, American University, Wash ington, D. C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Techni cal Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for Domus; Assistant to Maurice Strike, Shaw Festival Theatre, Ontario. Douglas Davis, Cellist — Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. Julius Eastman, Pianist / composer / singer — Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. Stuart Fox, Guitarist / electronicist — Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Con cert series, Hollywood Bowl, and Ojai Festival, Los Angeles. James Fulkerson, Composer working in intermedia — Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. Petr Kotik, Composer / flutist — Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. Garry Kvistad, Percussionist — B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. Terry Moore, Theater Director — B.A. Radio and Television, M.A. Theater Arts, University of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and “Hair”, San Francisco. Frank Parman, Playwright— From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. George Ritscher, Electronicist — Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-19 Note: Eastman listed as member of the center 1971-72 Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-19 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_130 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/81a8c0898958bb070a7a19bf3db1f900.pdf 5c608191dd531bb0d33d9f3659b3bec1 PDF Text Text ‘Black Music' Played For Children Music All-College Gospel Choir Steals Show With Three Numbers By Tom Putnam Music Is color-blind, sex blind even. It carries informa tion about personality, perhaps, and through habit we identify a certain music as being German or French. There is a danger in thinking that nationalism is always clearly communicated, how ever, for styles cross borders, and nowadays, with composers all over the world using the same techniques of making music, there are international styles, which could be German or American or English or Italian. The 20th Century is realizing the horror of the cliche that music is the inter national language. The international style sacrifices variety. So there is no such thing as “black music”; it is a false category. Jazz is thought to be black music, but there are white musicians who play jazz. One has to be color-blind to appre ciate this. A drummer I knew had a severe inferiority complex because he was white, but he had good rhythm. Andrew Brown Melvin Strauss Julius Eastman ... "Black Music” by the Buffalo Philharmonic Likewise, “Classical,” music with its European roots is thought to be white music, but there are black composers who ... It shouldn’t need to be state. We really do show sur prise when music by a black composer comes out sounding like Dvorak, as if the methods of composition were not avail able for all to learn. “Black Music” Is the name of a program which the Buffalo Philharmonic Orchestra is playing these days for school children who come in an inte grated audience to Kleinhans Music Hall. (The program last Tuesday was the second; it will be performed again March 27 and April 24.) Melvin Strauss planned the youth concert, which is about as well-rounded as any program could be. There are symphonic selections by two “classical” black composers — William Dawson and William Grant Still; there are performances by the All-College Gospel Choir from Buffalo State College, under the direction of Andrew Brown; there is a jazz composi tion by Duke Ellington; and there is a piece of new music by Julius Eastman, the composer from the Center of the Creative and Performing Arts. It Was A Fascinating program, one which should be heard by more than school children, although it is quite right that they too should hear it. The strongest Impression is the insignificance of “black” in the term “black composer” or “black music.” Dawson and Still, black Americans born in the last decade of the 19th Century, are composers from the European tradition. However, the programs for their music are black. Eastman is the liberated composer of the 20th Century. His music also has a program, which is universal, not black. Strauss Conducts all but Eastman’s untitled work, which is conducted by the composer. The Gospel Choir, during all this, merely steals the show. They do three pieces with the Philharmonic, in arrangements by Philharmonic horn player Lowell Shaw — “Lord, Don’t Move This Mountain,” “In Jesus’ Name” (an original composition by director Brown) and “We Shall Overcome,” which concludes the program. Brown conducts the choir on stage while Strauss directs the orchestra. But The Numbers Which the young audience most enjoyed were by the choir with accompaniment of electric bass, piano, and tambourine, such as “Oh Happy Day,” or “Put Your Hand in the Hand of the Man,” both of which brought cheers from the kids. Strauss faced the question of defining black music in his opening remarks. “We like to play music entirely by black composers,” he said. The emphasis would be on classical music, and gospel music. “Technically There Is no difference between black and white music,” Strauss told the audience. But, he said, this is a program of some examples of music by blacks. Music by blacks has a different connota tion from black music. The most interesting old piece was the third movement of William Dawson’s "Negro Folk Symphony,” composed in 1932 revised in 1952. The. literary idea is black; it attempts to make a statement of hope on the part of people who have been suffering for a long time, Strauss explained. Dawson was born in 1899 In Alabama, of poor parents. He wrote his symphony after a trip to West Africa, but the music is close to Dvorak, especially the “New World” Symphony, al though there are dance rhythms which are popular and light, happy. It would be very interesting to hear this symphony in full. William Grant Still’s music, "The Colored Soldiers Who Died for Democracy,” is quiet, lyrical (english horn), with a slow staccato rhythm; it is a requiem for black Americans who died in the Second World War. Still, born in 1895 in Mississippi, is the most famous black American composer. Eastman’s music has no be ginning; it has already started when we first realize that we are listening to it. Strauss in troduced the composer, and the music started in the strings as he came out to begin conducting. There Is No Name For Eastman’s music for string or chestra, although it might be called something like “Civiliza tion and Its Dissonance.” The composer stated the program, poetic and quite appropriate to the music, which most likely was composed first. “One day I was in the forest collecting sassafras,” Eastman began. “I rested and fell asleep . . I had a rehearsal .. I awoke, it was dark, my car was by the roadside, I could not see. “I Had To Listen for my way back . . . distant radios, cars that go by. Being a musician I began to hear harmonies that you hear now ... I finally found my way back to my car, to civilization, and the musical harmonies be gan to disappear.” It was music which affected the young audience. Jabbing string chords, disonant, provoked laughter, and when the musicians in the orchestra started hissing, this was echoed immediately by the young people. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Black music' played for children Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1972-03-27 With references to the following works by Julius Eastman: 'untitled work' With references to the following additional composers: William Dawson, William Grant Still, Duke Ellington, Dvorak Note: Photo of Melvin Strauss, Andrew Brown, and Eastman Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_129 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/5ef01362e21b10d0be2f60f85341fea6.pdf a90d846702c04e5d18dcf7ddfc457ab9 PDF Text Text Progam (continued) Ghosts In Love (Vachel Lindsay) I Will Lie Down In Autumn (May Swenson) In Time Of Silver Rain (Langston Hughes) Pierrot (Hughes) Reward Swanson (B. 1909) Macle (solo version) Julius Eastman Julius Eastman, electronicist Three Poems Of Paula Goodman Ned Rorem (B. 1923) For Susan Clouds What Sparks and Wiry Cries Nuvoletta (1947) (Finnegan’s Wake, James Joyce) Samuel Barber (B. 1910) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, Paula Greenbaum and John Adams Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-12 With references to the following works by Julius Eastman: Macle Note: Eastman also harpsichord performer in J.S. Bach cantata Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_128 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/17a91660141d16f9bef59540e665371d.pdf 6a9a56da63de59e88ac31cb38d871c79 PDF Text Text Buffalo Evening News [March9, 1972] Baird Hall Percussion Works Magnify Similarities in Stockhausen By Herman Trotter It has been said of Karlheinz Stockhausen’s music that each new work is unique, only tenu ously related to a previous one. Intentionally or not per cussionist Garry Kvistad’s Creative Recital Wednesday evening in Baird Hall put the magnifying glass on three of Stockhausen’s pieces from 1959 and showed them to be cut from similar, if not identical cloth. In “Refrain for Three Play ers" MR. Kvistad’s vibraphone was joined by Julius Eastman’s piano and Michael Collier, celesta, each also doubling on woodblock, cowbells and an tique cymbals. With sonorities on the delicate side, an ex pansive planar atmosphere was created, interrupted periodical ly by bursts of agitated scram bling described as a “varied refrain.” * * “Zyklus” presented MR. Kvistad alone, playing his way clockwise around a circle of percussion instruments. We were informed that the 16-page score could be begun at any point, the work terminating when the performer arrives back at the start, and that a continual change from indeter nominate to carefully pro scribed playing occurs. The performer also has the option of playing counterclockwise. MR. Kvistad seemingly played with great imagination, but because of the construction of the score one doesn’t know how to apportion the credit be tween composer and performer. Of MR. Kvistad’s technique, though, there’s no doubt. * * Much Bigger in scope, “Kontakte” used taped electronic sounds as a ground for contrasting textural and rhyth mic material from the percus sionist and pianist, Richard Trythall, who also doubled in a bit of percussion. Although only a dozen years old, much of the tape already sounds un imaginative and dated, show ing how far we’ve come in elec tronic music since Stockhaus en’s early probings. The great yawning electronic chasms and soaring arches do serve to de lineate the piece’s grand scale architecture, which, together with spaciousness and a sense of ongoing flow, unified these Stockhausen. Serving as the scherzo in this program of near-symphonic scope was a non-work by Cor nelius Cardew entitled “Memo ries of You” for solo piano. Well, the only sound the piano made was sympathetic vibra tion of the strings when MR. Kvistad honked a duck call for tissimo into the open lid. Other wise, he was busying himself with snapping hand clickers, busting balloons, etc. His final act was to set up the keyboard end of the piano with various percussion instruments to be used in the concluding “Kon takte” and flip the switch to start its tape. A medium crowd, heavy on fellow percussionists, mustered a couple of bravos and some solid applause at the recital’s close. Germans Resume Treaty Talks East Berlin, March 9 (Reuters)—East and West Ger man negotiators today resumed their negotiations on an over all traffic treaty after a break of over a month. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussion works magnify similarities in Stockhausen Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-03-08 With references to the following additional composers: Karlheinz Stockhausen, Cornelius Cardew Note: Review of Eastman as perfomer in Stockhausen piece Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_127 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f5a6ae86b622cff48884eb3664546eb7.pdf 2a918d7940ad149062a13ab963249b43 PDF Text Text Courier Express M [ arch 9, 1972] Percussive Art Shown By Kvistad By Thomas Putnam Garry Kvistad is a music-beat er, a percussionist with the Uni versity of Buffalo’s Center of the Creative and Performing Arts, and new to the center this season. For his Creative Associate re citalon Wednesday night in Baird Recital Hall Kvistad played music by Karlheinz Stockhausen and Cornelius Car dew. Two pieces by Stockhausen occupied the first half of the concert — “Refrain” for three instrumentalists and “No. 9 Zyklus” for one percussionist, both from 1959. Displays Talent The most interesting piece was “No. 9 Zyklus,” which at least displayed the considerable talent of Kvistad. Surrounded by the percussion instruments, he played with alertness, mov ing skillfully in his percussion kitchen, choosing a variety of pitched and nonpitched colorful sounds. (It is easy to see why “Zyklus” was written for per cussionists to play in a music competition showing their skills). There is a decorative quality to the music of Stockhausen. It is rather like background mu sic, somewhat pleasant to hear, but directionless. “Refrain” was performed by Kvistad on vibraphone and cow bells, Julius Eastman on piano and woodblocks, and Michael Collier on celesta and antique cymbals, all instruments which the composer chose for their decadence (their sounds decay). Timing Poor The music is made of attack and decay; splashes of sound form drifting clouds of harmo nies. Unfortunately ensemble attacks often were poorly timed. New music notation was pro jected on the wall behind the performers during “Refrain.” The black and white score had running through it the yellow horizontal line which is part of the Baird Recital Hall wall, and which always has resembled graphic notation of new music. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussive art shown by Kvistad Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-03-08 With references to the following additional composers: Karlheinz Stockhausen, Cornelius Cardew Note: Review of Eastman as performer in Stockhausen piece Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_126 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/685ac807a4adb841dd089a912f13199b.pdf 4816c416ba7e2306a4942b53a1b7d132 PDF Text Text Program A tape of Improvisations by members of the Blackearth Percussion Group will be heard before and after the program Refrain For Three Instrumentalists (1959) Karlheinz Stockhausen (B.1928) Julius Eastman, piano and woodblocks Garry Kvistad, vibraphone and cowbells Michael Collier, celesta and antique cymbals NO. 9 Zyklus For One Percussionist (1959) Stockhausen (clockwise version - realization date 1972) Intermission Memories Of You Piano Solo (1964) Cornelius Cardew (B.1936) Kontakte (1959/1960) For Electronic Sounds, Piano, and Percussion Richard Trythall, piano and percussion Garry Kvistad, percussion George Ritscher, electronicist Ed Cox, lighting technician Terry Moore, stage director Please refrain from applause until the intermission and the end of the program. Stockhausen � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associate recital V Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-08 Note: Eastman as performer in Stockhausen's Refrain for Three Instrumentalists Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_125 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/c91a3ff147faeb82ab49f8ca6d306be3.pdf 31c2e3da06c8612ec9f2b38433fb4b17 PDF Text Text [February 26, 1972] Music Czech-Ukrainian concert auspices of UB College B, Cleveland Quartet, Philharmonic principal violist Jesse Levine, pianist Roger Shields in works of Husa, Bezkorowainy and Dvorak, this evening at 8:30 in Campus School auditorium, tickets at door. Cellist Marsha Hassett, admission free recital this evening at 8:30 in Baird Hall, works of Mozart and Schu bert. Leonard Pennario, Buffalo-born world-touring pianist, with the Phil harmonic under Melvin Strauss, to morrow at 2:30 and Tuesday at 8:30 in Kleinhans Music Hall, the Prokofiev Piano Concerto No. 3, Bizet Symphony No. 1, Schuller Seven Studies on Themes of Paul Klee. Organ Recital by Robert Roubos, music department chairman of Cort land State College, tomorrow at 4 PM in Trinity Episcopal Church, works of Buxtehude, Ross Lee Finney, Badings, Bach, Haydn and Reubke. Ronald Richards, well-known oboist, and assisting artists in music of the 8th Century, Wednesday at 8:15 the 8th Century, Wednesday at 8:30 Baird Hall, tickets. Gershwin Pops, Philharmonic under Melvin Strauss, soloists Betty Jones and Julius Eastman, the Niagara County All-High Chorus, scenes from "Porgy and Bess," Gershwin orches tral favorites, Friday at 8:30 PM in Kleinhans Music Hall. "Carry Nation," Douglas Moore opera, director Barbara Wagner, solo ists Marlene Badger, Ruth Mohn, Wil liam Wagner, Edward Bogusz, Wal lace Mohn, staged and costumed, next Saturday and the following Saturday at 8:30 in Unitarian Universalist Church. "Susannah," Carlisle Floyd American opera, this evening at 8, tomorrow at 3 PM, Thursday and Friday at 8 PM, the annual Hillman Opera presenta tion, Fredonia College Theater. Dance Cristyne Lawson Black Ivory, modern ballet by the Company of Man choreographed by director Cristyne Lawson, based on Genet's "The Blacks," this eve ning and tomorrow at 8:30 in Al bright-Knox Art Gallery Sculpture Court, design by R. Shamask, mu sic by Roberto Laneri, verses by Mindy Aloff. Director of “Black Ivory,” this evening, tomorrow. Alwin Nikolais Dance Theater, na tion-touring modern troupe, March 10 and 11 at 8:30 PM in Upton Hall, advance tickets (general public) in � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-26 Note: "Black Ivory" - ballet by Eastman? Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_124 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/888be9b8b76dadd172867471da6e844a.pdf 888a9800de9c9fc4d94ac9698a380326 PDF Text Text Buffalo Evening News Tuesday, February 22, 1972 Music Notes Hamburg Senior High chamber performers give a recital this evening at 8 in Hilbert College auditorium. Violinist Coleen Kamery, flut ist Susan Kernahan and trum peter Robert Willet are solo ists. * * Janiece Epke, soprano heard in many Buffalo pro grams, and accompanist Paul Homer will present a recital tomorrow at 8:15 PM in Cam pus School auditorium, Schu bert and Rachmaninoff song groups and modern works in included, admission free. Henry Rubin, UB Crea tive Associate and violinist in several area programs, will appear with pianist Stephen Manes tomorrow at 8:30 PM in Baird Hall, admission free. Sonatas of Beethoven and Schumann, the Falla Suite Populaire Espagnole, works of of Brahms and Telemann will be performed. * * Clarence schools faculty members will present an ad mission-free recital tomorrow at 7:30 PM in Clarence Junior High auditorium. * * London Premiers of “Phorion” by Lukas Foss and “Echoes of Time and the River” by former UB Crea tive Associate George Crumb, Pulitzer Prize winner, will be conducted by American com poser Harold Farberman in a series of BBC broadcasts, Friday through Sunday. * * Dorian Woodwind Quintet will bring a brightly inventive program design to its recital on Friday at 8:30 PM in Baird Hall. A most unusual offering will be a woodwind setting by Henry Brant of the epical Bee thoven String Quartet Op. 131. George Perle’s Quintet No. 1 for Winds, the Francaix 1949 Quintette and Luciano Berio’s “Opus Number Zoo: Children’s Play for Wind Quintet” will be performed. * * “Susannah,” popular Car lisle Floyd opera, will be sung on Friday and Saturday at 8:15 PM and Sunday at 3 PM in Fredonia College Theater, the annual Hillman Opera presen tation. Repeats will be given the evenings of March 2 and 3. _________ * * Organist Robert Roubos, music department chairman of Cortland State College, will give a guest recital on Sunday at 4 PM in Trinity Episcopal Church, Delaware Ave. near Tupper. Admission is free, no offering. An unusual inclusion will be Fantasy on “The Leaves on the Trees Spoke” by mod ern American composer Ross Lee Finney. The Bach Prelude & Fugue in D, works by Bad ings, Buxtehude, Haydn and Reubke will be included. * * Alwin Nikolais Dance Theater, one of the most ex citing and discussed troupes in modern touring, will appear March 10 and 11 at 8:30 PM in Upton Hall, Buffalo State Col lege campus. A free lecture and demonstration will be giv en March 9 at 3:30 PM in Al bright-Knox Gallery auditor ium. Ballet Concert by mem bers of the former Niagara Frontier Ballet, Kathleen Crof ton director, will be given on March 31, at 8 PM in Lincoln Auditorium of Nottingham Academy, the Bournonville “Tyrolean Fantasy,” the Diver tissement from “Aurora’s Wed ding” and “Le Combat.” Czech-Ukrainian pro gram on Saturday at 8:30 PM in Campus School auditorium, tickets at the door, no admis sion-free as previously indi cated, will present Cleveland Quartet members, Philhar monic principal violist Jesse Levine and pianist Roger Shields. The program auspices of College B and cultural groups will include works of Karel Husa, Bezkorowajny and Dyorak. * * Cellist Marsha Hasset, pu pil of the renowned Mischa Schneider, will give a gradu ate recital, admission free, Sat urday at 8:30 PM in Baird Hall, works of Mozart and Schubert. “Black Ivory,” choreo graphed by director Cristyne Lawson, will be premiered by the Company of Man Saturday and Sunday at 8:30 PM in Al bright-Knox Art Gallery Sculp ture Court. Music for the ballet based on Genet’s “The Blacks” is by Roberto Laneri, UB Crea tive Associate, with verses by poet Mindy Aloff. Melvin Strauss takes the podium for the Philharmonic concerts Sunday at 2:30 PM and next Tuesday at 8:30 PM in Kleinhans Music Hall, and presents pianist Leonard Pen nario in the exciting Prokofiev Concerto No. 3, the orchestra to the Bizet Symphony No. 1 and the Gunther Schuller Seven Studies on Themes of Paul Klee. * * � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-26 Note: "Black Ivory" ballet by Eastman scheduled but Eastman's name not mentioned Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_123 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/291be0c775e1806588ff167a972576e7.pdf 59245ec87ba3d11b800b6eada978527b PDF Text Text The New York Times, Thursday, February 17,1972 Ingenious 'Solitaire' Stands Out In an Evening for New Music By Raymond Ericson The work’s attractive ele So much contemporary mu sic relies on choice, chance or ments, its figurations and so improvisation on the part of rorities, were sustained in a largely consonant way and oc the players that it becomes a casionally allowed to collide game for them. This turns the for contrast. Quotations from a listener into a kibitzer, who Chopin prelude intruded from may or may not enjoy that time to time, yet they somehow role. There was at least one fit into the scheme of the piece. This was both an ingenious and good “game” worth kibitzing appealing work. in the Evenings for New Music “Solitaire” opened the pro program in Carnegie Recital gram, which descended in in Hall Tuesday night. This was terest from there on. Leo Barbara Kolb’s “Solitaire,” Smit’s settings of poems by played by the pianist-composer Hardy, “Channel Firing,” and Richard Trythall against two Robert Lowell, “Myopia: A tapes. Night,” were expressive enough in a conventionally modern way. Lukas Foss’s “Ni Bruit Ni Vitesse” explored the sounds that the inside of a piano can make via a pianist and a percussionist, again with tape. It resembled the Kolb piece, but its material was less interesting. Makoto Shinohara’s “Con sonance,” for an instrumental sextet, was typical of the music of its time, 1967, and sounded dated. Julius Eastman’s “Macle” had four grown men sitting in front of microphones, making sounds the way little boys do in a tunnel or cave. This kind of childishness was fun for a few minutes, but as the work went on and on it became wit less, even with the introduction of some spoken lines. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ingenious 'Solitaire' stands out in an Evening for New Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-02-16 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Barbara Kolb, Leo Smit, Robert Lowell, Lukas Foss, Makoto Shinohara Creator An entity primarily responsible for making the resource Ericson, Raymond Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_122 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f8ed058c2fc754a3c9ab0ddd918ec5c4.pdf f85775b43f357f3c9f53278933f24ebd PDF Text Text [Soc/Geneso 2/17/72] Evenings For New Music Solitaire (1971)............................................................................... Barbara Kolb To Dick & Nona Trythall Richard Trythall Channel Firing (1970) and Myopia: A Night (1971).................... Leo Smit Laurence Bogue Richard Trythall, Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Les Moutons de Panurge (1969)............................................ Frederic Rzewski Julius Eastman, Petr Kotik, Jeffery Kowalsky, Garry Kvistad, Roberto Laneri, Henry Rubin, Jan Williams Intermission Consonance (1964-67)........................................................... Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor Macle (1971)............................................................................... Julius Eastman John Adams, Julius Eastman, Petr Kotik, Roberto Laneri, Jan Williams � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Geneseo) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-17 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_121 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/701046b744742115588938a3d1f0c423.pdf e1bc74fdfce437a7c18c0b30d2f974bb PDF Text Text Evenings For New Music Solitaire (1971)...............................................................................Barbara Kolb To Dick & Nona Trythall Richard Trythall Channel Firing (1970) and Myopia: A Night (1971)........................ Leo Smit Laurence Bogue Richard Trythall, Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Lukas Foss, conductor Ni Bruit Ni Vitesse (1971)................................................................ Lukas Foss Lukas Foss and Jan Williams Intermission Consonance (1964-67)........................................................... Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor Macle (1971)...............................................................................Julius Eastman John Adams, Julius Eastman, Petr Kotik, Roberto Laneri, Jan Williams The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Orange County Community College) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-16 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_120 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/8517e50b68804df4b344bfc8ae934a79.pdf 608bd4a1cd43abd78d6a296d3545642b PDF Text Text Evenings For New Music Solitaire (1971)*..........................................................................Barbara Kolb To Dick & Nona Trythall Richard Trythall Channel Firing (1970)* and Myopia: A Night (1971)*_ Leo Smit Laurence Bogue Richard Trythall, Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Lukas Foss, conductor Ni Bruit Ni Vitesse (1971)*.............................................. Lukas Foss Lukas Foss and Jan Williams Intermission Consonance (1964-67)*........................................................... Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor Macle (1971)*.............................................................................. Julius Eastman John Adams, Julius Eastman, Petr Kotik, Roberto Laneri, Jan Williams *First New York performance The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-15 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-15 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_119 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/ad769683c51b6135f83927776108661d.pdf a08ff5b7150146503ddac87abb79a83d PDF Text Text Courier Express [February 14, 1972] Metallic Purrs Fill Gallery Auditorium By Thomas Putnam Lukas Foss premiered a work for piano and two players, one of whom is a percussionist work ing on the strings of the instru ment: and Leo Smit conducted the first performance of his setting of Robert Lowell’s “My opia: A Night” for baritone and five instruments, on the Eve nings for New Music program Sunday night in the auditorium of the Albright-Knox Art Gal lery. Foss’s “Ni Bruit Ni Vitesse” is a micro-tonal piece for pianist and percussionist. The piano is an instrument of shifting tones and colors; it is flexibly pre pared, not fixed, so that boings and bongs are modulated. Foss played at the keyboard.' and manipulated “chance” ef fects by rolling balls inside the piano. Jan Williams was the percussionist who stood above the piano strings. A tape of the performers was used as a score for Foss and Williams to “play with.” Name From Sign Balls bouncing on the piano strings made bouncing sounds, micro-tonal waves. The music was mostly gentle in spirit, although there was a rather concerto-like climax; then the music died in a metallic purr. The work takes its name from a French traffic sign such as would be encountered near hos pitals, which means, Be Quiet and Don’t Speed. It was com missioned by the New York State Council on the Arts in honor of the 10th anniversary of the new wing of the AlbrightKnox Art Gallery, and is dedi cated to the gallery. It is slightly disappointing that Foss’ new work did not more fully utilize the performers of the Center of the Creative and Performing Arts, which he co directs with Lejaren Hiller. Sure Direction The most ambitious music per formed was Smit’s Lowell set ting, sung well by baritone Laurence Bogue, whose declara tion was secure and noble, and performed by an ensemble com posed of flute (Petr Kotik), trumpet (Donald Montalto), trombone (Lee Lovallo), violin (Henry Rubin) and cello (Doug las Davis). Smit’s music is notable for its sense, its sure direction; the vocal line is “singing,” which only these days is unusual, and the instrumental writing is bright and witty, as for example the syncopations which maintain a light and moving rhythm. Bogue also performed Smit’s more humorous setting of Thomas Hardy’s “Cannel Fir ing,” with pianist Richard Trythall. Trythall. a new member of the UB Center, performed “Soli taire” by Barbara Kolb, in which the mild and circular music is heard live and from a tape, with vibraphone, an echo and filter effects used on the tape. The music invites lazy browsing; it has a mood of French tranquil ity, although there is ugliness in the dissonant clash between the disparate tones of live and taped performance. Mind Sacrificed Julius Eastman's “Macle” composed for the S.E.M. en semble was performed by John R. Adams, Petr Kotik, Roberto Laneri and Jan Williams (the composer also was listed, but had not made an appearance when this reviewer exited). They seemed, at different times, to have indigestion, and a faulty sense of the direction of evolution. They make sounds into micro phones, and these are filtered and altered In various ways, so that a fine speaking voice sud denly will be all squawk. Per haps Eastman is trying to an swer his question, “Why is the heart dead?” His method of bringing heart back to life — “Take Heart!” is a motto — is to have the performers fragment sense, and if the mind is sacri ficed, what difference does it make? � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metallic purrs fill gallery auditorium Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Leo Smit, Lejaren Hiller, Barbara Kolb, Petr Kotik, Roberto Laneri, Jan Williams Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_118 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/9e66f7ab978bb55c65af9057a82c1d46.pdf cf8043a1f158619a685ba743614b879a PDF Text Text Albright-Know Gallery Brave Throng a Tribute ToComposers Foss, Smit By John Dwyer A capacity attendance in Albright-Knox Art Gal lery auditorium on the worst driving night of the year certainly was a tribute to the UB Creative Associates’ “Evenings for New Music” series in general, and to composers Lukas Foss and Leo Smit in particular. Nothing against the other three composers, but these two have been steady crowd drawers in Buffalo for a long time. And since MR. Foss, former Buffalo Philharmonic maestro, was appearing here after two seasons on tour about the world including Israel, Europe and Brooklyn, he must have been warmed by the show of cordiality on his brief re turn. The Sunday program featured a piano-percussion work by Foss titled “Ni Bruit Ni Vitesse” with himself at the keyboard and Jan Williams playing on the strings, and two songs of Leo Smit, the com poser conducting one of them. * * “Ni Bruit Ni Vitesse” is from a French traffic sign: No Noise or Speeding. There was little noise outside of one great wave of sound and a great deal of ruminative leisure in this generally lighttoned piece in hypnotic, revolving scales against a quiet tape complex recorded by the two performers beforehand and used as a flex ible counterpoint. The use of a few cow bells, light wood raps, metal balls rolled across the strings and the piano keys treated to sound like a muffled mandolin gave the whole thing a kind of Eastern texture, though based on Western tuning. It had a pleasing lyric effect touched with theater, and seemed to me of rather slight consequence, a bright-minded approach to musical motion. Baritone Laurence Bogue sang the Smit “Channel Fir ing” to a 1914 text of Thomas Hardy, an agonized protest against the onrushing World War. The heartfelt lament of the Smit setting was evoked feelingly by the soloist, with pianist Richard Trythall. * * * The Smit “Myopia: A Night” to a text of Robert Lowell is a chamber septet, six instruments and the voice as a seventh, though ascendant as needed and carrying the verbal message. Intoned speech and inflections at extreme registers, short instrumental spurts and exclamations and a grave chorale express the moods in a brief complex of high density with a quietly dramatic close. “Solitaire” by Barbara Kolb was played by pianist Trythall against a fine-line tape of matching keyboard sounds and other light effects. It is a sort of distillation of the Chopin A Flat Prelude blended with graceful scale figures and fleeting tonal pastels, romantic and mystic and one of the few modern pieces you might whistle on the way home. * * * “Macle” for four grunt ers, moaners and howlers and a similar tape was by Julius Eastman, the very gifted and versatile composer, singer, dancer, actor and poet, who has done so many things here so well and at least one, the Maxwell-Davies “Mad King” to national attention. “Macle” is a work that seems to me so em barrassingly bad and unreservedly ugly as to raise the question whether the com poser had not wrought some kind of revenge on either art or audience, or both. Taped divertissements before and after curtain time, “Rounds” and “Shadows and Lines,” were by Joel Chadabe, who likes urban sounds and jazz remembrances and makes them likable. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brave throng a tribute to composers Foss, Smit Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Leo Smit, Barbara Kolb, Chopin Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_117 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f7bca3558ad649c81c55c21fe6c1d5a8.pdf 2468b966431b72c84dde0b6a2a0837bd PDF Text Text Evenings For New Music (7:45 P.M.) Rounds a participatory electronic environment by Joel Chadabe (8:30 P.M.) Solitaire (1971)*...................................................................... Barbara Kolb to Dick & Nona Trythall Richard Trythall Channel Firing (1970) and Myopia: A Night (1971)**_ Leo Smit Laurence Bogue Richard Trythall, Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Lukas Foss, conductor Ni Bruit Ni Vitesse (1971)**................................................ Lukas Foss Lukas Foss and Jan Williams This composition was commissioned by the New York State Council on the Arts in honor of the 10th anniversary of the Albright-Knox Art Gallery, and is dedicated to the Gallery. Intermission Macle (1971)*................................................................. Julius Eastman John R. Adams, Julius Eastman, Petr Kotik, Roberto Laneri, Jan Williams **First Performance *First Buffalo performance (10:15 P.M.—Restaurant/Lounge) Shadows And Lines suspended electronic sounds by Joel Chadabe The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. Supplementary electronic equipment courtesy of Moog Music, Inc. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_116 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/6ed29ebe1880ed959ed4676329aa1a3e.pdf d3d2d6202ea2615998a9e3b749b89e9a PDF Text Text Buffalo Evening News [February 10, 1972] Foss Will Be Conductor For New Musicat Gallery Former Buffalo conductor be on hand as composer and Lukas Foss, who continues to maestro in the “Evenings for take a strong interest in mod New Music’’ program Sunday ern-music ventures here, will at 8:30 PM in Albright-Knox Art Gallery auditorium. MR. Foss will conduct a new work of Buffalo-based com poser-pianist Leo Smit titled “Myopia: A Night,” with bari tone Laurence Bogue as soloist with chamber group. It is based on a text by poet Robert Lowell. A new untitled Foss work also will be presented, by percu ssionist Jan Williams and he composer at the keyboard. Julius Eastman’s “Macle” or four performers and “Soli taire” by Barbara Kolb, current Guggenheim Fellow, will be in cluded with composer Smit’s “Channel Firing” for baritone and piano, on a text of Thomas Hardy. Electronic works by Joel Chadabe will be offered as prel ude (7:45 PM) and postlude to the program. The per formers will take the program to New York’s Carnegie Recital Hall, Orange County Commu nity College and Geneseo State College next week. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foss will be conductor for new music at gallery Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Leo Smit, Barbara Kolb, Joel Chadabe Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_115 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c9209d2e8362eb4954fdc3362096678f.pdf 39af5e1068f54b5979b93b8e780dd5c5 PDF Text Text Buffalo Courier-Express, Tuesday, February 8, 1972 Program to Include New Piece by Foss Evenings For New Music will be presented at 8:30 P.M. Sunday at the Albright-Knox Art Gallery. The program, cele brating the 10th anniversary of the gallery’s new building, will include a new piece by Lukas Foss commissioned for the occasion. There will be an electronic prelude at 7:45 P.M. — “Rounds” by Joel Chadabe, in which the audience will be in vited to participate. Also, Cha dabe’s “Shadows and Lines,” an electronic environment, will be produced following the con cert in the restaurant-lounge. Leo Smit's Settings of poems by Thomas Hardy and Robert Lowell will be per formed with baritone Laurence Bogue. Lowell’s “Myopia: A Night” is a first performance, composed in 1971, and scored for flute, trumpet, trombone, violin and cello; Hardy’s “Channel Firing” is for bari tone and piano, composed in 1970. Foss’ new work is for piano and two performers — a pianist who plays in the traditional manner on the keys, and a percussionist who performs in side the piano. There also is tape music made by the per formers, Foss and Jan Wil liams. Foss calls his work “Ni Bruit Ni Vitesse,” a title inspired by a traffic sign in France which means “Neither Noise Nor Speed.” (At one time this was a working title for a composition involving violist Jesse Levine, to have been performed with the Buffalo Philharmonic). Other Works on the pro gram are Barbara Kolb’s “Soli taire” for piano and tape, per formed by Richard Trythall, a new member of the University of Buffalo’s Center of the Crea tive and Performing Arts, and “Macle” by Julius Eastman. The 18th Annual Three Choir Hymn Festival will be presented at 5 P.M. Sunday at Holy Trinity Lutheran Church, 1080 Main St. Church music by Vaughan Williams will be per formed by the combined choirs of Trinity Episcopal Church, Westminster Presbyterian Church, and Holy Trinity Lu theran Church. Leo Smit ... Hardy and Lowell Florian Zabach will be violin soloist on the pops con cert by the Buffalo Phi1 harmonic Orchestra at 8:30 P.M. Friday in Kleinhans Music Hall. In his selections Zabach will be accompanied by pianist Tone Carnevale. The orchestra under John Landis will play music by Donizetti, Grieg, Gla zounov and Rodgers. The Pickwick Puppet The ater will present Prokofiev’s “Cinderella” with the Buffalo Philharmonic Orchestra on the young people’s program at 2 P.M. Saturday in Kleinhans Mu sic Hall. Melvin Strauss will conduct the program, which in cludes a puppet realization of Ibert’s Divertissement, and a Marionette Circus. The narrator is Robert Tolan from the Studio Arena Theater. Larry Berthel son is director of the Pickwick Puppet Theater, whose large puppets did “Sleeping Beauty” here last season. John Skeleton, organist at First Congregational Church in Winchester, Mass., will present a recital at 5 P.M. Sunday at Calvary Episcopal Church, Wil liamsville. The program, part of the Evensong series at the church, is a Young Artist Re cital sponsored by the Ameri can Guild of Organists. Skelton will perform music by deGrigny, Bach, Anton Heiller, Jehan Alain, Michael Tippett and Vierne. Carnatic Music of India will be presented in a concert at 8 P.M. today at Baird Recital Hall, University of Buffalo. Performers are L. Shankar, violin, from Wesleyan Uni versity, and Tiruchy Sankaran, mridangam-drum, from New York University. Admission is free. Teegarden And Van Win kle replace MC-5 in concerts at 7:30 P.M. and 10 P.M. today in the Fillmore Room of Norton Union. University of Buffalo. The program benefits Under current, a “counter-culture youthpaper” on campus. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Program to include new piece by Foss Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Joel Chadabe, Lowell, Thomas Hardy, Barbara Kolb Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_114 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/6d6e9a3600480cbb688979d8f3291cf0.pdf 227e6d96eb608dfb487dee3a5b974537 PDF Text Text Tuesday, February 8, 1972 Buffalo Evening News Music Notes New Music Series by the UB Creative Associates on Sunday at 8:30 in AlbrightKnox Art Gallery will present works of newly resident com poser George Perle, a new piece of Lukas Foss with the composer-conductor in at tendance, and a premiere of the Leo Smit “Myopia: A Night,” MR. Foss conducting. It is scored for baritone (Laurence Bogue) and chamber group, on a text of Robert Lowell. “Solitaire” by Barbara Kolb, “Macle” by Julius Eastman and the Smit “Channel Firing” with baritone Bogue to a text of Thomas Hardy, will be in cluded. Electronic environment pieces of Joel Chadabee will be heard as prelude and postlude. Cleveland Hill High School. The Beethoven Violin Concerto, works of Mozart, Gliere, and light favorites will be included, admission free. *** Pete Seeger, the veteran folk singer, will appear Sunday at 2:30 PM in Bennett High School, auspices of the UB Women’s Club. UB Chamber Orchestra new ensemble under well-known conductor Carlo Pinto, will make its debut on Monday at 8:30 in Baird Hall, admission-free to all. A feature will be the lovely Vaughan Williams Four Hymns with tenor Warren Hof fer as soloist, viola role by Delmar Stewart. Violinists Jacquelynee Leonard and Henry Rubin will play the * * * Bach Concerto in D Minor, and Calvary Episcopal Church works of Mozart, Barber and of Williamsville will present Hindemith will be added. visiting organ soloist John Skelton in a recital auspices of D’youville College will the American Guild of present Russian-born Polish Organists, Sunday at 5 PM, pianist Christopher Brzuza, not works of de Grigny, Bach, a Buffalo resident, in an all­ Heiller, Alain, Tippett and Chopin program, admission Vierne. free. The Second Ballade, *** Scherzo in B Minor, several Henry Rubin, young Buf Etudes, Mazurkas, Nocturnes falo violinist heard in a and Waltzes will be included. previous well-received pro gram this season, will be Rosary Hill faculty re soloist with the Cheektowaga cital, admission-free on Sun Community Symphony under day at 8:30 in Wick Center, will Robert Mols Sunday at 3 PM in present oboist Ronald Richards, flutist Robert Schneider, clarinetist Ray mond Fiutak, Flutist Mildred Wiseman, accompanist Eva Rautenberg and conductor Frank Collura with student performers in works of Heinichen, Kuhlau, Dutilleux, Etler, Poulenc and Chavez. *** Three-Choir Hymn Festival, 18th annual presen tation, will be held Sunday at 5 PM in Holy Trinity Lutheran Church, Main St. at North, with guest singers from Trinity and Westminster Churches. The centenary of Vaughn Williams’ birth will be celebrated in several works of the British composer. Urbie Green, nationally known jazz trombonist and recording star, will be soloist with the Clarence High Bands, directors Ron Sutherland and Ron Case Sunday at 2:30 PM in Kleinhans Music Hall. Chromatic Club recital Monday at 8:30 in Villa Maria auditorium will be given by soprano Patricia Yannello and accompanist Betty Riehle, duo pianists Janet Darrin and Dorthy Beynon, and clarinetist Hazel Hartmann. Ray Repp, modern sacred music composer, will give a program on Monday at 8 in Norton Fillmore Room, UB campus. French Flutist JeanPierre Rampal, harpsichordist and pianist Robert VeyronLacroix, distinguished world touring artists, will appear next Tuesday at 8:30 in Kleinhans Mary Seaton Room on the Buffalo Chamber Music Society series. Sonatas of Leclair, Bach, Prokofiev and the Copland Duo for Flute and Piano will be performed. Florian Zabach, popular violinist and a longtime Buffalo favorite, will be the Philharmonic Pops star Friday at 8:30 in Kleinhans Music Hall, with Buffalo pianist Tone Carnevale as accompanist in several numbers. The orchestra under John Landis will present light works of Donizetti, Grieg, Glazounov and music from “Carousel.” Metropolitan Opera District Auditions will be held on Saturday at 8 PM in Baird Hall, the public admitted at a small ticket Charge. Wednesday Musicale will hear a program by pianist Anne Moot, mezzo Marlene Badger, clarinetist Hazel Hartman and pianist Jean Hamlin on Wednesday at 10:45 AM in the Buffalo residence of Mrs. Peter B. Yates. Noted Educators of America, Europe and the Orient will attend the “Music Teaching and Learning Sym posium, Thursday to Sunday in the Eastman School, Rochester, an event in the year-long 50th Anniversary Celebration. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Leo Smit, George Perle, Lukas Foss, Barbara Kolb, Joel Chadabee Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_113 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8f865226e6bf52a1088370875815df08.pdf f82a1fc34408230a74c2abf0f0799a0d PDF Text Text Tuesday, February 1, 1972 Buffalo Evening News Arts—Drama Music Notes Berlin Octet, members of the famed Berlin Phil harmonic on tour, appear, this evening at 8:30 in Kleinhans Music Hall on the Buffalo Chamber Music Society series. The Mozart Divertimento K137 and Quintet in A, and the Schubert Octet will be per formed. * *[One side of the upcoming text is missing, causing borken words and incomplete sentences.] Suzanne Strauss Daniel Gildar, acwill present songs tomorrow eveAchavas Achim Lubawitz Synagogue, auspices of Mizrachi, for Jewish Music Month. [End of*ripped * * text] American Music Group of the University of Illinois will present re-discovered treasures of early American music in a program Friday at 8:30 PM in Baird Hall, tickets at the box office. An historic temperance play by McBride, “Don’t Marry a Drunkard to Reform Him,” and works of Billings, Breed love, Heinrich and many others will be performed. * * Noonday Series will pre sent host organist Frederick Burgomaster in a recital of the Anglican tradition, works of Clarke, Howells and Leigh ton, Friday at 12:30 PM in ST. Paul’s Cathedral. *** Orchard Park Symphony Orchestra Youth Concert under Robert Rasmussen will be given Sunday at 3 PM in East Aurora High School, and Feb. 11 at 7:30 PM in Orchard Park High School. ** Postponement: The Do rian Quintet recital originally listed for tomorrow has been re-scheduled for Feb. 25 in Baird Hall. * * * Amherst Senior High pro duction of “Fiddler on the Roof” will be given in the auditorium on Feb. 8 at 2 PM, Feb. 9 at 2:30 PM, with gen eral-public presentations on Feb. 10, 11 and 12 at 8 PM, Walter Reitz producer and music director, Paul Hangauer stage director; and choreogra pher, Rod Griffis dramatic di rector. Requiem Tenor Kenneth Riegel is a tal ented young tenor well-re ceived in New York and on tour appearances. He will be a soloist in the Mozart quiem Sunday at 2:30 and the Re following Tuesday at 8:30 in Kleinhans Music Hall with Michael Tilson Thomas con ducting. Singers Karen Alt man, Joan Caplan and Mi chael Devlin will have lead ing parts, with the Fredonia Festival Chorus. dent, with assisting officers Helmuth Wandrey, MRS. Marion Buettner, Stanley Niemczyk, MRS. Dorothy Trim mer, with Michael Blab as installation officer. *** Chromatic Club Active and Student Auditions will be held Sunday, information avail able from MRS. Daniel L. Pieczynski, 503 Fruitwood Terr., Williamsville. *** SEM Ensemble, four UB Creative Associates, have re ceived a $1500 grant from the State Council on the Arts for modern-music concerts in the current season. The members are composer-performers Petr Kotik, Julius Eastman, Roberto Laneri and Jan Williams. Future ventures include a *** three-week tour of cities in Herwegh Chorus have Germany and Switzerland, elected Adolph Mayer president dates to be announced. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Petr Kotik, Roberto Laneri, Jan Williams Note: SEM ensemble Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_112 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/03dfb2759938bfb9c1947addae9b195e.pdf d630802e9ac5f37a628723b9a4bec56f PDF Text Text Buffalo Evening News Tuesday, January 11, 1972 Music Notes Stephen Manes, the es timable home-based and tour SEM Ensemble, avant garde group of four composer ing pianist, will give a recital performers from the UB Creat Friday at 8:30 in Baird Hall, ive Associates, will give a conc the Haydn Sonata in C. Beeth ert Saturday at 8:30 in Kenan oven “Appassionata” Sonata in Center’s Taylor Theater, Lockpo F Minor, the complete Op. 25 rt. Peter Kotik, Julius Eastm Chopin Etudes and the 1968 an, Roberto Laneri and Jan Short Sonata by George Perle Williams will offer works of will be performed. John Cage, Eastman and * * * Kotik. G&S Pops will present the Mezzo Ellen Lang will give six-member Gilbert & Sullivan a la Carte company with the a UB Graduate Recital Satur Philharmonic under Melvin day at 8:30 in Baird Hall, ad Strauss, Friday at 8:30 in mission free. * Kleinhans Music Hall. The Erie Country Music Edu costumed troupe under Allan Lokos will offer scenes from cators’ Association and the host a dozen G&S favorites includ music department students will ing Iolanthe, Penzance, Pa sponsor a School Music Asso tience, Mikado, Ruddigore, ciation Solo Festival on Satur Yeomen, Gondoliers and Uto day in two North Collins Dist rict schools, Denise Domres pia Limited. * * student chairman. * * * Chromatic Club Exten sion Program will be given “Red Riding Hood,” a Friday at 9 AM in South Park one-act children’s opera, will High School by flutist Angela be presented Saturday at 2 PM Burr, mezzo Marlene Badger in Kleinhans Music Hall by and pianist Daniel Gorgolione. Gilbert & Sullivan a la Carte, A student program will be giv on the new Philharmonic en Sunday at 3 PM in the Ken Young People’s Concerts se more residence of MRS. Frank ries. The orchestra under John M. De Luca. Landis will take part in the musical fable, settings by Da vid Chapman, costumes by Le onie Norton. * * American Guild of Organ ists Student Competition Re cital will be given Sunday at 4 PM in Kenmore Methodist Church following Saturday playoffs adjudicated by Russell Saunders. * * Warsaw Quintet will ap pear next Tuesday at 8:30 in Kleinhans Mary Seaton Room, auspices of the Buffalo Cham ber Music Society. The Shosta kovish Quintet Op. 57, Brahms Op. 34 and Dvorak Op. 81 will be performed. * * Wednesday Morning Mu sicale will hear oboist Darlene Raynard, soprano Jan Valerio, pianists Eva Rautenberg and May Oddie, tomorrow in the Buffalo residence of MRS. Bernard Mandelkern. * * Theater Organ Enthusi asts will feature Pennsylvania soloists Nick Snow, an Our Gang Comedy and Sing along in the program Jan. 19 at 8 PM in the Riviera Theater, North Tonawanda. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-01-15 With references to the following additional composers: John Cage, Petr Kotik Note: SEM ensemble to perform Eastman work Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-01-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_111 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/d74184bb0a8bd3d5419f2525779c09a6.pdf 721704b6461184d10a2ad9ef9a70a689 PDF Text Text Buffalo Courier-Express, Sunday, January 9, 1972 Gallery Anniversary Events Feature Premieres of Foss, Hiller Compositions By Thomas Putnam Premieres of works by Lukas Foss and Lejaren Hiller, and a program by the Alwin Nikolais dance company are among the events scheduled to celebrate the 10th anniversary of the Al bright-Knox Art Gallery's new wing. The gallery festival begins Jan. 19 with a month-long exhi bition, “Abstract Expressionism — First and Second Genera tions.” one of six exhibitions to be mounted during the anni versary year. (Coincidentally, it is the 110th anniversary of the art institution.) Foss and Hiller are co-direc tors of the University of Buffa lo's Center of the Creative and Performing Arts, which presents Evenings for New Music and Evenings for Music Theater. Old Relationship The relationship between the UB Center and the AlbrightKnox Art Gallery has been evi denced in the past most strongly by the two Festivals of the Arts Today—and in fact the present anniversary celebration looks very much like the third Festi val of the Arts Today. Lukas Foss’s new work, which was commissioned by the Fine Arts Academy, will be pre miered on the Evenings for New Music concert at 8:30 P.M. Feb. 13 in the gallery auditorium, appropriately located in the new wing. Foss had not decided on the name for his new composition before he left for Israel, where he is now. It is a piece for pianist—who plays in the tradi tional manner on the keyboard —and percussionist, who plays inside the piano on the strings. There also is tape music, which consists of the same material that is played live, with slight manipulation. Performers will be Foss, piano, and Jan Wil liams Other Works The Evenings for New Music program will be distinguished also by two groups of songs by Leo Smit, although the new piece by George Perle will be delayed until a subsequent Eve nings concert in March. Other pieces on the gallery anniver sary program are by Julius Eastman and Barbara Kolb. Electronic music by Joel Chadabe will aid entering and exiting. The entrance music will be played in the hall of the gallery, and, through various mechanical devices, will be ma nipulated by the entering audi ence. The post-concert music will be a “sound environment’’ in the new wing below the audi torium. Lejaren Hiller’s “Rage Over a Lost Beethoven.” a one-hour “total-environment” work with piano music by Hiller and script by Frank Parman, will be given four performances, Feb. 19 and 20 in the Sculpture Court of the Gallery. Roger Shields is the pianist, and the director is Terry Moore. Parman, Shields and Moore are connected with UB's Creative Associates. Artifacts “Rage" is being presented as part of the UB Center’s new Evenings for Music Theater series The production will be decorated by artifacts valued at more than $100,000, brought from collections in this country and Europe, and including orig inal manuscripts, and busts of Beethoven by the French sculp tor Emile Bourdelle. Alwin Nikolais, the magician choreographer, will appear with his dance company in perform ances March 9, 10 and 11 in Upton Hall, Buffalo State Col lege. Nikolais performed here several seasons ago very suc cessfully. (The appearance dur ing the gallery celebration of this avant-garde dance com pany is reminiscent of Merce Cunningham’s performances during past Festivals of the Arts Today.) One of the Nikolais performances will be a work shop. The local dance - theater group, Company of Man, will present a new work based on Jean Genet's “The Blacks" at 8:30 P.M. Feb. 26 and 27 in the gallery Sculpture Court. Com pany directors are Cristyne Law son and Graham Smith. ‘Sampling’ Plan Another music event during the celebration will be the per formance by the S.E.M. Ensem ble May 22 and 23 in various rooms of the gallery. Petr Kotik is director of the group, which includes Jan Williams, Julius Eastman and Roberto Laneri, all Creative Associates. The aud ience will be able to sample the avant - garde music much the Lukas Foss . . . percussive piano way it samples the art hung on the gallery's walls — by walk ing about and hearing what live and electronic music is coming from the several exhibit areas. Subsequent exhibitions during the anniversary year are: “Op tical and Kinetic Painting and Sculpture” (March 4 — April 9); work by Clyfford Still and Jo seph Cornell (April 17 — May 28): “English Painting and Sculpture Since 1945” (June 13 — July 16); “Continental Paint ing and Sculpture Since 1945” (July 21 — August 27); and “American Painting and Sculp ture Since 1960” (Nov. 17 — Dec. 31.) Also, there will be lectures re lated to the exhibitions, and a special exhibition of paintings by Sam Francis will open Sept. 11. Alwin Nikolais . . . dance magician � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gallery anniversary events feature premieres of Foss, Hiller compositions Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1971-01-19 With references to the following additional composers: Lukas Foss, Lejaren Hiller, Barbara Kolb, Joel Chadabe Note: S.E.M. ensemble Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-01-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_110 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/3b2deb78501a22c5c6e49a2777098281.pdf 391a37634a6691e4e21e2de9e9ba2a96 PDF Text Text 20 Buffalo Courier-Express, Saturday, January 8, 1972 Quartet From UB Plans Concerts in Europe By Thomas Putnam S.E.M. Ensemble has a meaningless name (semi? seem? the inversion of mess?) but its purpose is clear. The quartet of Creative Associates from the University of Buffalo presents avant-garde music in a manner which they hope will break down the barrier between performers and audience. Petr Kotik formed S.E.M. in 1970, shortly after he came to UB as a member of the Center of the Creative and Performing Arts. In Prague he directed two new music groups, QUAX (from 1966 to 1969) and, before that, Musica Viva Pragensis. The ensemble has been working quietly in the avantgarde field, not so quietly, however, that its sounds were unheard by the New York State Council on the Arts, which this season awarded the group a small grant of $1,500. Some Of Its work has been remarkable, for example, the program in the fall of 1970 at the University of Buffalo, when simultaneous events were per formed in different spaces of Norton Union. Thus, the audience was encouraged to roam about, consulting their menus or time-tables, sampling Christian Wolff or Mozart in the Conference Theater, live elec tronic music (Cage and Kotik) in the Fillmore Room, or drop ping into the Hass Lounge for Indian Music. The group will leave for Europe at the end of the month for concerts in Cologne, Berlin and Geneva. Before leaving, the musicians will play a concert at the Taylor Theater in the Kenan Center in Lockport at 8:30 P.M. Jan. 15. Kotik is pleased about this concert, which he says is “our first engagement for money.” Members of S.E.M. are Kotik, composer-flutist; Julius East man, pianist-composer; Roberto Laneri, composer - clarinetist; and Jan Williams, percus sionist-conductor and assistant director of the UB Center. The visit to Geneva is the result of a collaboration be tween the UB Center and the Swiss composer Jacques Guyon net, who came here to direct a performance of his work, “Good Grief, Jerry,” written es pecially for the Center of the Creative and Performing Arts, on an Evenings for New Music concert in May, 1970. Julius Eastman Roberto Laneri Jan Williams Petr Kotik ... S.E.M. Ensemble to play Lockport and go on to Europe The Program at the Kenan Center will be three of the six works in the repertory which S.E.M. is taking abroad: John Cage’s Song Books 1,2; Julius Eastman’s “Macle”; and Kotik’s “There Is Singularly Nothing.” Chance, appropriately, played a part in S.E.M.’s going to Europe. It was after a concert by Karlheinz Stockhausen last spring in New York City that Kotik met a representative of the West German Radio, who invited the group to Cologne to participated in a mini-festival of important new music groups. Other new music groups ap pearing in Cologne at the large Westdeutscher Rundfunk head quarters are Cornelius Cardew's AMN London group (Cardew is a former Creative Associate, and bis “Treatise” has been realized by S.E.M.), Steve Reich’s group, and the Domaine Musical from Paris (Pierre Boulez is a former di rector of this group). The current edition of QUAX is scheduled to appear at the festival, although Kotik says the group may not be permitted to leave Prague in the present political situation. After Its Performance Jan. 29 in Cologne, S.E.M. will have two concerts before going to Berlin. The group plays Jan. 30 at the Neue Galerie in Alter, (this program was arranged by DR. Wolfgang Becker, director of the Neue Galerie, who was here in December on a visit to the Albright-Knox Gallery), and Feb. 1 at Dueren, a small town between Cologne and Aachen “with an interesting public of music-lovers” (the description of DR. Becker). The program Feb. 4 in Berlin at the Academy of the Arts is sponsored by Amerike Haus Berlin of the United States Cul tural Center, and the German Academic Exchange Service, through its Artists-in-Berlin Program. Guyonnet Wanted to have the whole Center come to Switzerland, so it is appropriate that at least the S.E.M. Ensemble will be able to go there. The program Feb. 7 in Geneva is sponsored by the Contemporary Music Studio, which Guyonnet founded. Besides the Cage, Eastman and Kotik pieces which S.E.M. will play in Lockport, the Euro pean repertory includes a group of pieces by Cage which will be played simultaneously (“Fontana Mix” for tape, Solos from the Piano Concerto for flute and clarinet. Aria for voice, and “Atlas Eclipticalis” for amplified percussion); LaMonte Young’s meditational “Day of the Unquiet Grave” and “Smoke of the Shore” from “Four Dreams of China,’’ whose four notes are C, F, Fsharp and G: and Frederic Rzewski’s “Les Moutons de Panurge.” The Cage Song Books 1, 2 are what Kotik calls “the last major work,” being composed in 1970, coming to some 300 pages of expensive music paper, and including about 100 pieces. “We are doing the ver sion for 45 minutes,” Kotik says, adding, ‘It is a very, very hard piece.’ The four musicians of S.E.M. will be vocalists for the Cage songs, and in addition there will be theatrical gestures and elec tronics, FM and contact micro phones, optional mixes and filters. The Title for Kotik's "There Is Singularly Nothing” is taken from Gertrude Stein’s lecture, "What Are Master pieces?” Kotik says it is “a huge piece,” now numbering 11 pieces, and projected to include 30 pieces when it is finished. It is a mutable composition, any part of which may be played as a solo or with any other part, and the pieces may be per formed on any instrument that can play the parts. This per formance will include pieces for flute, brass clarinet, voice and glockenspiel. Kotik’s music has exact pitches and rhythms. Finally, Eastman’s “Macle”’ composed this year is a vo altheater piece for performers and tape, what Kotik calls “collages of singing, screaming, making noises, discussing, talking.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Quartet from UB plans concerts in Europe Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following works by Julius Eastman: Macle With references to the following additional composers: Petr Kotik, Roberto Laneri, Jan Williams, John Cage, Karlheinz Stockhausen, Steve Reich, Pierre Boulez, Jacques Guyonet, Freceric Rzewski Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-01-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_109 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a4f41e9ad3a4fac0453516eade35aea6.pdf 8ebc35fa696c1c8836db6e8bbb3718ec PDF Text Text courier Express 1 (' 1 C.a.fi l 5iu.s 'Ago.p1L - - Fe_ h. • . '' :Jfn, 19 70 Con'd) Ecclesiatical robes, academic gowns and "mod" garb make procession study in variety C·E Photos by Art Melgier ••• brot herhood i s thread tying aU together � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original unremediated document. https://digital.lib.buffalo.edu/files/original/0371ac89bade89c93f32a4648cb1fad4.pdf f179f26bc9c165800c527a6af2588b6d PDF Text Text Courier Express [Feb. 26, 1970] [ ("Canisius 'Agape'..." Continued)] Ecclesiastical robes, academic gowns and “mod” garb make procession study in variety C-E Photos by Art Melgier ... brotherhood is thread tying all together � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Canisius' Agape Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Date of event: 1970-02- Note: Eastman in Agape Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_108 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/432d2ec79172d2f8e516b9a29be2405e.pdf 5722e889c01ec3f252c99d45dfe86961 PDF Text Text Buffalo Evening News [December 18, 1971] High Note Is Reached By Choir By Herman Trotter A young girl lurched across the stage and presented con ductor Julius Eastman a bou quet of yellow roses at the close of Friday evening’s Baird Hall concert by the University Chamber Choir. It was a touching show of affection, but with the disorganized shuffling out and in for curtain calls he almost didn’t get them. MR. Eastman had obviously spent his preparation time on essentials rather than stage decorum, however, for the program of music from the 14th to 20th Centuries went very well. Opening with two chansons by Machaut and the Sanctus from his Messe de Nostre Dame, the 10 singers showed uncommon mastery of 14th Century style, with its pure, vibratoless tone production and extreme delicacy of phrasing. A small accompanying string ensemble played with ap propriate linear tone, simulating the old fretted viols. If there was an occasional slight lack of over - all smoothness it only pointed up the complete control this music requires. * * * With Progressively less vocal restraint called for, the choir then went from a group of 17th Century madrigals by Thomas Greaves, through a Buxtehude cantata to the uninhibited and full-out style of Colonial American composer William Billings’ two fuguing tunes, “Creation” and “When Jesus Wept.” The shifting of stylistic gears was accurate and effortless. Two of the four Greaves madrigals, “Sweet Nymphs That Trip Along” and “Long Have The Shepherds,” were of special interest as this com poser’s contribution to one of history’s first great musical promotions, a 1601 collection of 32 madrigals by the greatest talents of the day, dedicated to Queen Elizabeth under the title “The Triumphs of Oriana.” Although I generally prefer one voice on a part for madrigals, the balance in this case was fine, save for a little loss of soprano tonal focus at the ex treme high end. * * The Remaining work, Stravinsky’s 1918 “L-histoire du Soldat,” seems a departure from the choir’s stated purpose, “the performance of rarely-heard literature.” Not only is this narrative ballet (dance w ithout the dance in this instance) frequently heard, but it isn’t even choral. Featured were an in strumental ensemble of students and Creative Associates plus three spoken roles; Rowena Greene as nar rator, John Schiavone, the Soldier; and Mike Robinson, the Devil, who cons the Soldier out of his fiddle and generally invades his life, confounding him at virtually every turn. The prominent violin solos were capably done by Jac quelynne Leonard. It was a spirited and well paced performance using a particularly whimsical translation of the original Ramuz text, heightened by the dramatic involvement of MR. Schiavone and MR. Robinson, and Miss Greene’s subtle in flections, ingenious yet somehow sarcastic. The modest pre-holiday audience obviously related well with the performers all the way, and gave them lusty applause at the close. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High note is reached by choir Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-17 With references to the following additional composers: Machaut, Thomas Greaves, William Billings, Stravinsky Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_107 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/15a0c836399da34c551e13be74d449ea.pdf 60163396baf74e6c8272fa500d36e7c2 PDF Text Text Courier Express [December 18, 1971] Review Revived UB Chamber Choir Good As a cloud of incense, which imparted to Baird Hall the mood of a medieval church, slowly cleared from the recital hall, the University (of Buf falo) Chamber Choir Friday night ably performed a series of choral works which ranged from the 14th Century cheerful religiosity of Machaut to the 20th Century wit of Igor Stravinsky. Under the direction of Julius Eastman, the choir of five male and five female voices seemed to be enjoying its melodic and full-bodied rendi tions of religious music and pastoral songs as much as did the “no admission charge” audience, which included many UB music students. In Firm Control The choir, accompanied by a string quartet on the Machaut pieces and in a religious can tata by 17th Century German Dietrich Buxtehude, was firmly controlled by the rail-thin East man, a member of UB’s Center of Performing and Creative Arts, who revived the defunct chamber choir this year. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Revived UB chamber choir good Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-17 With references to the following additional composers: Dietrich Buxtehude, Machaut, Igor Stravinsky Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource unknown Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_106 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/36330e0fdec7a67058613119d795626a.pdf a5fb8b5d9573f0414b4a90cc6f1feb99 PDF Text Text PROGRAM UNIVERSITY CHAMBER CHOIR Julius Eastman, Director John R. Adams, Assistant Director John R. Adams Ralph Blauvelt Margery Deutsch Gail Evans Karren Gartelmann Joseph Richardson Rowena Greene Mike Robinson John Schiavone Doris Van Winkle From MESSE DE NOSTRE DAME Guillaume de Machaut (c.l300-1377) Sanctus AMOUR ET BIAUTE Machaut PUIS QUE LA DOUCE ROUSEE Mach aut ENGLAND , RECEIVE THE RIGHTFUL KING Thomas Greaves (16th-17th cent.) INSTRUMENTAL ENSEMBLE Allen Dennis, double bass Jeffery Kowalsky, percussion Roberto Laneri, clarinet Jacquelynne Leonard, violin Lee Lovallo, trombone Donald Montalto, trumpet Gayle Roulston , violin Shannon Snapp, cello Delmar Stewart, viola Andrew Stiller, bassoon SWEET NYMPHS, THAT TRIP ALONG Greaves LONG HAVE THE SHEPHERDS Greaves COME AWAY, SWEET LOVE Greaves CANTATA: BEFIEHL DEM ENGEL, DASS ER KOMM' (Command Thine Angel, That He Come) Dietrich Buxtehude (1637-1707) INTERMISSION From THREE FUGUING TUNES The University Chamber Choir is a small select group dedicated to the performance of rarely-heard literature. Those who are good readers (student and non-student), and who would like to sing with us are very welcome. William Billings (1746-1800) Creation When Jesus Wept L'HISTOIRE DU SOLDAT Rowena Greene, Narrator John Schiavone, The Soldier Mike Robinson , The Devil Igor Stravinsky (1882-1971) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original unremediated document. https://digital.lib.buffalo.edu/files/original/b6494f85113f3e6a1dfc34e01f195346.pdf 3d5bfa88618f300488bb1e5d1733aa7d PDF Text Text University Chamber Choir Julius Eastman, Director John R. Adams, Assistant Director John R. Adams Ralph Blauvelt Margery Deutsch Gail Evans Karren Gartelmann Joseph Richardson Rowena Greene Mike Robinson John Schiavone Doris Van Winkle Instrumental Ensemble Allen Dennis, double bass Jeffery Kowalsky, percussion Roberto Laneri, clarinet Jacquelynne Leonard, violin Lee Lovallo, trombone Donald Montalto, trumpet Gayle Roulston, violin Shannon Snapp, cello Delmar Stewart, viola Andrew Stiller, bassoon The University Chamber Choir is a small select group dedicated to the performance of rarely-heard literature. Those who are good readers (student and non-student), and who would like to sing with us are very welcome. [Julius Eastman] �Program From Messe De Nostre Dame Guillaume de Machaut (c.1300-1377) Sanctus Amour Et Biaute Machaut Puis Que La Douce Rousee Machaut England, Receive The Rightful King Thomas Greaves (16th-17th cent.) Sweet Nymphs, That Trip Along Greaves Long Have The Shepherds Greaves Come Away, Sweet Love Greaves Cantata: Befiehl Dem Engel, Dass Er Komm’ Dietrich Buxtehude (Command Thine Angel, That He Come) (1637-1707) Intermission From Three Fuguing Tunes William Billings (1746-1800) Creation When Jesus Wept L'Histoire Du Soldat Igor Stravinsky (1882-1971) Rowena Greene, Narrator John Schiavone, The Soldier Mike Robinson, The Devil � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Chamber Choir Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-12-17 Note: Eastman as conductor Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_105 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/3cef19c0d8cef5d08cd4d2000547e0e2.pdf 23b68fcd26fba4a7f4c2bdbb399cf33b PDF Text Text Buffalo Evening News Tuesday, December 14, 1971 Music Notes Lockport Festival of Christmas Music by 15 Western New York choirs with organist Frederick Swann of New York is offered this evening at 8 in First Presbyterian Church of Lockport. * * Theater Organ Enthu siasts of America will present soloist Harvey Elsaesser, si lent film and Sing Along, to morrow at 8 PM in the Riviera Theater, North Tonawanda. MR. Elsaesser, a theater-organ res toration expert, teacher in adult education, church organ ist and music-theater director, has played theater-organ pro grams in Rochester and De troit, and in many broadcasts. * * Buffalo State College Concert Series will present the Wind Ensemble under Frank C. Collura and the Mixed Choir under Michael Wright in an admission-free ecumenical pro gram, tomorrow at 8:15 in Campus School auditorium. Hymns and Anthems of Stra vinsky, Victoria, Bach, Pou lenc, the Bach “For Unto Us a Child is Born,” and instru mental works of Dukas, Ginast era and Holst will be per formed. ** Choral Arts Society of Buffalo, soloists and orchestra under Robert F. Schulz will present Christmas Concerts Sunday and next Tuesday at 8:15 PM in Canisius College Student Center, Main & Dela van. The Buxtehude “Little Newborn Child,” Schubert Mass in G and Pfautsch “Day for Dancing” will be per formed. Soloists will be Jan Valerio, Warren Hoffer and Walter Miller. * * Polish - Hungarian re cital will feature pianist Roger Shields, UB Creative Associate, recording and touring artist, with soprano Sylvia Dimiziani and violinist Henry Rubin assisting, Friday at 8:30 PM in Upton Hall. Songs of Chopin, violin-piano works of Pender ecki, Szymanowski and Bar tok, and the outsized virtuoso “Don Juan” Fantasy of Liszt by pianist Shields will be in cluded. Handel “Messiah” with the Cornell University Glee Club and Chorus, soloists Ver onica Tyler, Beverly Wolff, John McCollum and Raymond Michalski, will be the Phil harmonic annual presentation under auspices of The Buffalo Evening News, Saturday at 8:30 PM and Sunday at 2:30 PM in Kleinhans Music Hall. * * Kenmore Presbyterian Church Chancel Choir will give a Christmas Concert Sunday at 5 PM, Kent Vander Band di recting. * * UB Chamber Choir di rected by Julius Eastman will present the Stravinsky “L" Histoire du Soldat,” madrigals of Thomas Greaves, works of Machaut and Billings, admis sion free, Friday at 8:30 PM in Baird Hall. * * Noonday Series will present host organist Fred erick Burgomaster in Bach chorale preludes, works of Franck and Daquin, Friday at 12:30 PM in ST. Paul’s Ca thedral. * * Early American Music Program will be presented un der the direction of Slee Pro fessor Lejaren Hiller, admis sion free, on Thursday at 8:30 PM in Baird Hall. A string quartet by Benjamin Franklin, piano rags by Scott Joplin, a wind-instrument Partita by David Moritz Michael will be among an array of works by several soloists and groups. * * Empire State Ballet Com pany, Barbara Striegel cho reographer, will offer dance settings to Gershwin and Beatles music, and the Proko fiev “Stone Flower” on Dec. 22 at 8 PM in Eden High School. * * Jongleurs of the Com munity Music School will enter tain at the Dec. 20 Christmas Party of the Lions Club in the Continental Inn, with Philhar monic harpist Suzanne Thomas as accompanist. Christmas Oratorio of Bach will be conducted by John Becker, with organist John Hofmann and harpsi chordist Charlotte Shedd, in a Lutheran Chorale and Trinity Youth Orchestra presentation Monday at 8:30 PM in Holy Trinity Lutheran Church. Solo ists will be Domenica Giuliani, Mary Alice Menge, Warren Hoffer, Olaf Malmin. * * Soprano Marjorie Janzen, former member of the UB Graduate School and 1965 “Voices of Tomorrow” final ist under the name of Mar jorie Andrews, earned critical approval in the New York press after a recent program in Carnegie Recital Hall. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-12-17 With references to the following additional composers: Stravinsky, Thomas Greaves, Machaut, Billings Note: Eastman listed as conductor of UB chamber choir Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_104 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/135e0e23858b972b2763e4e9383704a5.pdf 483bd891aa5ed57bb927730ba141b2de PDF Text Text Buffalo Courier-Express, Monday, December 13, 1971 Review Attendance Good Despite Small Fee By Thomas Putnam Perhaps the most remarkable thing about Sunday’s Evenings for New Music concert at the Albright-Knox Art Gallery audi torium was that the program was attended quite well even though there was a small admis sion fee. In the past these pro grams have been free. Musically the most interesting works were by Webern, and the interest was in the radical dif ference between the expressive and declamatory movement (the only one) of the Cello Sonata, and the delicate and abrupt Three Little Pieces, Op. 11 for cello and piano, both from 1914. Piece Limited Frederic Rzewski, a former Creative Associate at the univer sity, was on hand for a perform ance of his piece for any number of musicians playing in unison (there were nine for this per formance), called “Les Moutons de Panurge” after the story by Rabelais. Naturally it is severe ly limited, although the circular repetition expands in the num ber of notes to eventually include 65 notes, and these are given variety by the fading-out and fading-in of the different instru ments (piano, celesta, trombone, flute, clarinet, violin, marimba, vibraphone and cello), and by some sustaining by the instruments Gestures Appropriate Performers were Douglas Da vis, the cellist, and pianist Rog er Shields. They colored the musical extremes with appropri ate gestures—giving the sonata movement bold strokes, large phrases, and filling in the moods of the Three Little Pieces with fine and delicate strokes. The third piece ends with a dark, low piano chord, answered by three pure cello tones. Makoto Shinohara’s Conso nance, conducted by Julius East man, attempts to represent “the harmony of a heterogeneous ensemble,” instruments being flute, horn, vibraphone, marim ba, harp and cello. The music is dotted with percussive at tacks, light and perky, and in cludes such effects as popping sounds from the horn’s mouth piece, and playing the harp with a stick. The middle section is quiet, with bent pitches. Misalliance Noted Grant Belglarian’s “Of Fables, Foibles and Fancies” is a misal liance between an actor (Terry Moore) who reads a quartet of humorous tales, and a cellist (Douglas Davis) who plays music which is dramatic, rather mocking of the post-romantic style. The texts are amusing, and there seems to be a degree of coordination between what is spoken and what is played (in the tale about “The Tower” the words “threw the rope into the air” are accompanied by ascend ing pizzicato), but in the end one wishes the two performers were not so obviously at odds with one another. Are they room mates, one preparing for the theater while the other is prac ticing his concerto part? Davis sounded quite splendid in his part, a fine tone and steady technique, and after his partly hidden role in the Belglarian he deserved to be heard again in the Webern pieces. with pedals. The theme is happy, rather jazzy in the smooth syncopation, although the working out is tiring. Pierre Boulez’s Sonatine for flute and piano was ably per formed by Petr Kotik and Fred eric Rzewski, and Robert Erick son’s Concerto for Piano and Seven Instruments, conducted by Jan Williams, featured pianist Roger Shields. The music is angry, sometimes even ugly in the aggressive piano writing, although there are interesting counterpoints in the orchestra tion, in which the various in struments—double bass, percus sion, flute, bassoon, clarinet, trumpet and trombone—throw sudden flashes of light on the battle. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Attendance good despite small fee Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-12 With references to the following additional composers: Webern, Makoto Shinohara, Grant Belglarian, Frederic Rzewski, Petr Kotik, Pierre Boulez Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_103 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/ff302613b0bf016ce987cd8950e8aa98.pdf d1b625314e5896cb861f3740cd3ed6cb PDF Text Text Buffalo Evening News Monday, December 13, 1971 Albright-Knox Gallery Stars Amid the Beans: A Golden Music Touch By Herman Trotter Harry Golden, folk humorist and editor of the Carolina Israelite, is a man committed to the cosmic view of mundane matters. Or so it would seem if we take at face value one of the works performed by the UB Creative Associates during their Sunday evening program in Albright-Knox Art Gallery, continuing the eighth season of the popular Evenings for New Music series. The work was “Of Fables, Foibles and Fancies" by Grant Belglarian, four whimsical narrations delivered by actor Terry Moore with cellist Douglas Davis providing in strumental commentary and accompaniment. Drawing on a Golden text, MR. Moore ad vised against complaining about poor restaurant service then launched into a lengthy discussion of galactic vastness, describing the size of the Milky Way, the incredible distance to the next neighboring nebula, and the billions of larger formations even further out in space. “In view of this,’’ he added, “it seems silly to gripe if the waitress brings you string beans instead of limas.” Over, under and around the narration MR. Davis was filling the air with the most florid and fanciful of cello phrases, some complementing the text, others coolly detached, nad a few suggesting a stubbornly op posite view. The three other narratives were droll folk tales, also ornamented with romantic cello filigree, and the work got the biggest reception of the night. * * Attendance was almost capacity. There was a small admission fee for the first time. Previous free programs have played to standing-room only. “Les Moutons de Panurge” by Frederic Rzewski was performed by the composer and an eight-member ensemble, endlessly repeating in unison a melody of eastern character, extending then diminishing it, with greatly varied instrumental dynamics and coloration. It had the melodic contour and form of an Indian raga, fascinating but semi-hypnotic, and showed in the process that composer Rzewski, a former Creative Associate, is also an ex ceptionally articulate and sup ple pianist. This was proven conclusively later in Boulez’ Sonatine for flute and piano played by Petr Kotik and MR. Rzewski. It’s a big work, belying its diminutive title, clearly struc tured in its 12-tone idiom, and was given a top performance, MR. Rsewski playing the fiend ishly difficult part with ef fortless ease. * * Another Excellent pianist, Roger Shields, was featured in two works. He teamed with Douglas Davis in Webern’s 1914 Cello Sonata and Three Little Pieces, Op. 11, then returned as soloist in Robert Erickson’s Concerto for Piano and Seven Instruments, Jan Williams conducting. This work seems to have all the form and impulse of a roman tic concerto, but is also full of the noodly rhetoric of hard core atonalism, and doesn’t yield its pleasures easily. MR. Shields molded the massive sonorities impressively and showed exquisite control of the whisper-tones at the other end of the dynamic spectrum. The program opened with Julius Eastman conducting an ensemble of six in Makoto Shinohara’s “Consonance,” a work whose rambly random opening seemed to fly in the face Of its title. But its order and relevance became ap parent no longer view, as longheld tones and chords and quieter instruments like the scurrying vibes and marimba eased into dominance. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stars amid the beans: a golden music touch Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-12 With references to the following additional composers: Grant Belglarian, Frederic Rzewski, Boulez, Webern, Robert Erickson, Makoto Shinohara Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_102 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8651d3073f567e81d0aa1b738e7edb36.pdf ea70bab6cf607a667f464c939a2cffe3 PDF Text Text Evenings For New Music Consonance (1964-67)*.......................................................Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor Of Fables, Foibles and Fancies (1971)*.............................. Grant Belglarian for cellist and reader-actor Douglas Davis and Terry Moore Les Moutons de Panurge (1969)............................................ Frederic Rzewski the composer with members of the Center Intermission Cello Sonata (1914) and Three Little Pieces, OP. 11 (1914)_ Anton Webern Douglas Davis and Roger Shields Sonatine (1946)...............................................................................Pierre Boulez for flute and piano Petr Kotik and Frederic Rzewski Concerto for Piano and Seven Instruments (1963) *_ Robert Erickson Roger Shields Petr Kotik, Roberto Laneri, Andrew Stiller, Donald Montalto, James Fulkerson, Dennis Allen, Garry Kvistad Jan Williams, conductor *First Buffalo performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Buffalo Fine Arts Academy) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-12-12 Note: Eastman listed as conductor of Consonance by Makoto Shinohara Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_101 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/ee22df8644b6659241c95ca9c8e52e8b.pdf ee3a79054b098051df061a92b10bda30 PDF Text Text BUFFALO EVENING NEWS Saturday, December 11, 1971 ~ CMUSIC,., • ~ CHEEKTOWAGA Community Symp!1ony Orchestra u.-~der RQbW Mols youthful piano soloist Keith th@fi§ I~ the Grieg Concerto, concert favorites, admission fr~, tomorrow at 3 PM in Maryvale High School auditrorhJm. . . N~~t~~AB:r~;s:s sr.hl~haaJ.~~~~ uS~d.;~ In First United Presbyterian Coorch. THEATER ORGAN Enth·usiasts program, soloist Harvey Elsaesser , si lent film, Sing Along , Wednesday at 8 PM in lhe Riviera Theater, North Tona wanda. BUFFALO STATE College Concert Band under Frank Collura, admission free, Wedn esday at 8:15 PM in Cam· Pus School auditorium, Christmas and Hanukah music, works of Ginastera and Rimsky-Korsakov. . of Early Amerrcan A S~MPLER M·USIC, chamber conc~rt under. !he u· phony Chorus, soloists, the Handel "Messiah., tomorrow at 3·15 PM in 11 La Salle Senior High School: TREBL~ •EVE>N~ONG, Thomas Fost..r all. orga~lst and drre~tor, tomorrow at 5 [ OGER SHIELDS, pianist assisted by PM In Calvary EPISCoPal Church. . soprano Sylvi" Dimiziani and violinist ST. PAUL'S CATHEDRAL organ Henry Rubin, Polish and Hungarran recital by Frederick Burgomaster, program auspices of College B and chorales of Buxtehude, Bach, Franck cultural groups, works of Chopin, on Christmas Penderecki, Szymanowski, Bartok, and other works 1-/lemes, tomorrow at 5 PM. Liszt, Friday at 8:30 PM in Upton BACH CONCERT, Donald Bliss conHall . B CHOIR, JuliiJ$ E•astman director, ductor, Paul Staley organist,. chamber n orchestri!, Cantata 180 and Srnfo~1a to works of Machaut, Greaves, Reger, Cantata 156, tomorrow at 7 PM 1n St. Eastman admission free, Friday at Matthias Episcopal Church, East ' :30 PM 'in Baird Hall . Aurora. . . . HAND•EL "MES~IAH," Philharmon ic HANUKAH RECITAL, V 1sItIng annual presentation auspices of The Hassidlc folk-singer Sh Io m o Buffelo Evening News, noted visiting Carlebach, tomorrow- at 8 PM m soloists and chorus, Melvin Strauss Room 147, Diefendorf Hall, UB camconductor next Si!turday a1 8:30 PM us, auspices of Hillel Foundation. and the following. Sunday at 2:30 PM SYMPHONY BAND, ' Frank J. in Kleinhans Music Hall . _ admission free, CHORAL ARTS SOCIETY u.. der ipolla airector, omorrow at 8:30 PM in Gopdye_ar Robert F. Schulz, soloists and all, works of Makers, Delio Jo1o, orchestra Buxtehude "N e w born ovallo, Nethybel , Sousa. Chi ld," s~hubert Mass in G, Pfautsch W MUSIC SERIES, UB Creative "Oay for Dancing," Oec. 19 and 21 at Shinohara, 8:15 PM in Canisius College Student ssociates, works of Rzewski, Erickson, tomorrow at 8:30 Ce nter. M in Albright-Knox Art Gallery, ickets. EVELAND QUARTET, fin;, I Beethoven Cycle concert, Monday at :30 PM in ~ird Hall. LOCKPORT FESTIVAL of 15 area church choirs, visi ting organist Frederick Swann, tomorrow at 8 PM ~~~~ti¥~u~d;;la:ten8 ,~ ~M a~m~~\~~ B [j B � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource The original unremediated version of the document. https://digital.lib.buffalo.edu/files/original/ac52e16772c73ed31b279a181770d0fc.pdf 7fc52e58908c9b26bfefee7d84a6a91a PDF Text Text Buffalo Evening News Saturday, December 11, 1971 Music Cheektowaga Community Sympho ny Orchestra under Robert Mols, youthful piano soloist Keith Cheng in the Grieg Concerto, concert favorites, admission free, tomorrow at 3 PM in Maryvale High School auditrorium. Niagara FALLS Philharmonic under Milton Barnes, ST. Catherines Sym phony Chorus, soloists, the Handel "Messiah," tomorrow at 3:15 PM in La Salle Senior High School. Treble Evensong, Thomas Foster organist and director, tomorrow at 5 PM in Calvary Episcopal Church. ST. Paul's Cathedral organ recital by Frederick Burgomaster, chorales of Buxtehude, Bach, Franck and other works on Christmas themes, tomorrow at 5 PM. Bach Concert, Donald Bliss con ductor, Paul Staley organist, chamber orchestra, Cantata 180 and Sinfonia to Cantata 156, tomorrow at 7 PM in ST. Matthias Episcopal Church, East Aurora. Hanukah Recital, visiting Hassidic folk-singer Shlomo Carlebach, tomorrow at 8 PM in Room 147, Diefendorf Hall, UB cam pus, auspices of Hillel Foundation. UB Symphony Band, Frank J. Cipolla director, admission free, tomorrow at 8:30 PM in Goodyear Hall, works of Makris, Dello Joio, Lovallo, Nethybel, Sousa. New Music Series, UB Creative Associates, works of Shinohara, Rzewski, Erickson, tomorrow at 8:30 PM in Albright-Knox Art Gallery, tickets. Cleveland Quartet, final Beethoven Cycle concert, Monday at 8:30 PM in Baird Hall. Lockport Festival of 15 area church choirs, visiting organist Frederick Swann, tomorrow at 8 PM in First United Presbyterian Church. Theater Organ Enthusiasts pro gram, soloist Harvey Elsaesser, silent film, Sing Along, Wednesday at 8 PM in the Riviera Theater, North Tonawanda. Buffalo State College Concert Band under Frank Collura, admission free, Wednesday at 8:15 PM in Cam pus School auditorium, Christmas and Hanukah music, works of Ginastera and Rimsky-Korsakov. Sampler of Early American Music, chamber concert under the rection of Lejaren Hiller, admission ee, Thursday at 8:30 PM in Baird Hall. Roger Shields, pianist assisted by soprano Sylvia Dimiziani and violinist Henry Rubin, Polish and Hungarian program auspices of College B and cultural groups, works of Chopin, Penderecki, Szymanowski, Bartok, Liszt, Friday at 8:30 PM in Upton Hall. UB Choir, Julius Eastman director, works of Machaut, Greaves, Reger, Eastman, admission free, Friday at 8:30 PM in Baird Hall. Handel "Messiah," Philharmonic annual presentation auspices of The Buffalo Evening News, noted visiting soloists and chorus, Melvin Strauss conductor, next Saturday at 8:30 PM and the following Sunday at 2:30 PM in Kleinhans Music Hall. Choral Arts Society under Robert F. Schulz, soloists and orchestra, Buxtehude "Newborn Child," Schubert Mass in G. Pfautsch "Day for Dancing," Dec. 19 and 21 at 8:15 PM in Canisius College Student Center. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-12-17 Note: Eastman listed as director of the UB choir Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_100 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/2f0bfa8fcd35cea922045ab7c52649f6.pdf 577ca672cef5f0d69bac61ce611decf1 PDF Text Text Evenings For New Music Patterns 2 (1971)................................................................James Fulkerson Stuart Fox Ice Age (1954)...............................................................................Henry Brant Garry Kvistad, Roberto Laneri, Roger Shields “. . . Le sifflement des veuts-porteurs de l’amour . . .” (1970) . . . Gilles Tremblay Robert Cram and Jan Williams Intermission Grazie Per Essere Venuti! (1970)............................. Mauro Bortolotti Carnaval for violin, cello, piano, speaker Henry Rubin, Douglas Davis, Julius Eastman, Terry Moore Machine Music (1964)...........................................................Lejaren Hiller Roger Shields and Jeffery Kowalsky Stuart Fox, tape � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (McMaster University) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-11-21 Note: Eastman performs Bortolotti's Grazie per esser venuti! Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_099 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/726cd93d3afd54a3644a89339242b0bc.pdf a297fce854cc79d9d3a9992939adb3ac PDF Text Text Courier Express [November 7, 1971] Eastman Sings in Israel Concert Small Nation Thrives on Musical Diet Along With “Eight Songs By Tom Putnam for a Mad King,” the Israel Julius Eastman has been getting mileage from Peter Philharmonic program, pre Maxwell-Davies’ “Eight Songs sented in Tel Aviv and for a Mad King,” which the Jerusalem, included Bach or singing-actor performed last chestrations by Webern and season on an Evenings for Stravinsky, a piece by Gabrieli, New Music concert, a brilliant and a Beethoven symphony. performance of a great Future conductors on the new dramatic part. music series in Tel Aviv are Eastman returned last week Lukas Foss and Michael Tilson from Israel, where he per Thomas, past and present formed his “Mad King” role music directors of the Buffalo with the Israeli Philharmonic Philharmonic. By a certain under Zubin Mehta. He may be logic, then, Eastman might be tiring of the Maxwell-Davies in line for an important post. piece, although he certainly was He denied it, though. happy to have the opportunity Eastman will be busy again to go to Israel. “Israel is really very extraordinary,” this season as a multi-talented Eastman said. “First of all — member of the UB Center of the they have an orchestra series, Creative and Performing Arts. like our series, but Instead of One doesn’t know quite how to two concerts their orchestra has describe him, but to say he is a a series for 12 concerts. And composer, a baritone, a pianist, a choreographer and a poet. you can’t get a seat. Every con cert is packed.” Some Of His music may be recorded by Paul Freeman and In Israel music is con sidered necessary to life, not the Detroit Symphony Or chestra, and Melvin Strauss decorative. The Israel Phil harmonic plays more than 200 wants to include a piece of concerts a year, and to satisfy Eastman’s on a school program the demand in the small nation for music, it is possible that one concert could be played 17 times. The orchestra's home is the Frederic R. Mann Auditorium in Tel Aviv, where it plays about eight subscription series of 12 concerts each. In addition there are concerts in Haifa, Jerusalem and Beersheba, at the armed services locations, in the suburbs of the big cities, and in outlaying towns. Zubin Mehta is the musical adviser and principal conductor of the Israel Philharmonic, which he conducts for about four months each year. “They Probably are the most musical people going,” Eastman continued. “And they treat artists well.” He said the orchestra provides a house just for the visiting artists, with a cook, and a hostess. “I had a huge double-room, with a piano. And there was someone to drive me wherever I wanted to go. It's just ex traordinary. You don’t find that anywhere else. It makes an American artist feel un comfortable.” Eastman performed in Tel Aviv as part of a special series, slightly different in programs, with an emphasis on the new and the little known. There were perhaps 2,200 to hear Eastman in the role of the “Mad King” (800 heard him here at the Albright-Knox Art Gallery). of music by black composers. “I’ll have to write a new work,” the composer said. "The piece must be no longer than eight minutes, and it must be scored for full symphony orchestra.” Andrew Brown’s Gospel Choir from Buffalo State College will be on the program, and Eastman may find a way of working them into the music. Eastman also will be working this season with the SEM ensemble, the avant-garde group led by flutist-composer Petr Kotik. Others in SEM are Roberto Laneri, the clarinetist, and Jan Williams, percussionist and assistant director of the UB Creative and Performing Arts Center. With SEM Eastman will travel abroad to Cologne and Berlin in January and February. Julius Eastman ... music in Israel � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman sings in Israel concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: unknown With references to the following additional composers: Peter Maxwell-Davies Note: Eastman performed Eight Songs for a Mad King in Israel Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_098 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/db1f7b7f07765bc91af44e1e9d7dff84.pdf b7c8c75c2561aa66e2108cbfe6ece9e1 PDF Text Text Members Of The Center 1971-72 Douglas Davis, Cellist — Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. Julius Eastman, Pianist/composer/singer — Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. Stuart Fox, Guitarist/electronicist—Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Concert series, Holly wood Bowl, and Ojai Festival, Los Angeles. James Fulkerson, Composer working in intermedia—Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. Petr Kotik, Composer/flutist—Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. Garry Kvistad, Percussionist—B.A., Oherlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. Terry Moore, Theater Director — B.A. Radio and Television, M.A. Theater Arts, Uni versity of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and “Hair”, San Francisco. Frank Parman, Playwright — From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. George Ritscher, Electronicist — Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. Henry Rubin, Violinist — M.S., Juilliard School. Violin studies with Oscar Shumsky. Soloist with U. S. Army Band in Washington D. C., 1967-70. Member of the Concerto Soloists of Philadelphia, 1970. Roger Shields, Pianist — B.A., M.A., University of Illinois. Student of Soulima Stravin sky. As the Kinley Fellow 1965-66, studied with Yvonne Loriod in Paris. Prize winner, International Busoni Competition in Italy, 1969. Currently recording a series of albums surveying 20th Century American Piano Music from Ives to the present. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Middlebuy college) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-11-03 Note: Eastman listed as member of the center (1971-72) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_097 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/bcdb59f20eac5f6b4ca77fb0b00072f9.pdf 1d7ab4dac04e9ef448dc6c1c35d5c4ef PDF Text Text Members Of The Center 1971-72 Douglas Davis, Cellist—Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. Julius Eastman, Pianist/composer/singer — Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department Stuart Fox, Guitarist/electronicist—Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Concert series, Holly wood Bowl, and Ojai Festival, Los Angeles. James Fulkerson, Composer working in intermedia—Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. Petr Kotik, Composer/flutist—Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. Garry Kvistad, Percussionist—B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. Terry Moore, Theater Director — B.A. Radio and Television, M.A. Theater Arts, Uni versity of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and “Hair”, San Francisco. Frank Parman, Playwright — From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. George Ritscher, Electronicist — Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. Henry Rubin, Violinist — M.S., Juilliard School. Violin studies with Oscar Shumsky. Soloist with U. S. Army Band in Washington D. C., 1967-70. Member of the Concerto Soloists of Philadelphia, 1970. Roger Shields, Pianist — B.A., M.A., University of Illinois. Student of Soulima Stravin sky. As the Kinley Fellow 1965-66, studied with Yvonne Loriod in Paris. Prize winner, International Busoni Competition in Italy, 1969. Currently recording a series of albums surveying 20th Century American Piano Music from Ives to the present. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-11-02 Note: Eastman listed as member of the center (1971-72) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_096 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/a6ec728db80d4b91dd9bdaa9583d1785.pdf 3eb454d2a54d8e0699cf7d95678bacc3 PDF Text Text Center Of The Creative And Performing Arts Members 1971-72 Douglas Davis, Cellist —Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. Julius Eastman, Pianist/composer/singer — Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. Stuart Fox, Guitarist/electronicist—Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Concert series, Holly wood Bowl, and Ojai Festival, Los Angeles. James Fulkerson, Composer working in intermedia—Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. Petr Kotik, Composer/flutist—Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. Garry Kvistad, Percussionist-—B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. Terry Moore, Theater Director-—B.A. Radio and Television, M.A. Theater Arts, Uni versity of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and “Hair”, San Francisco. Frank Parman, Playwright — From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. George Ritscher, Electronicist — Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. Henry Rubin, Violinist — M.S., Juilliard School. Violin studies with Oscar Shumsky. Soloist with U. S. Army Band in Washington D. C., 1967-70. Member of the Concerto Soloists of Philadelphia, 1970. Roger Shields, Pianist — B.A., M.A., University of Illinois. Student of Soulima Stravin sky. As the Kinley Fellow 1965-66, studied with Yvonne Loriod in Paris. Prize winner, International Busoni Competition in Italy, 1969. Currently recording a series of albums surveying 20th Century American Piano Music from Ives to the present. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-10-30 Note: Eastman listed as member of the center (1971-72) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-10-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_095 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/08f0339c063774d661d7d93cebc18763.pdf 0034758bafe054823d75520764fce609 PDF Text Text Buffalo Courier-Express, Sunday, October, 24, 1971 FM Highlights Today 11:00 A.M., WADV — Challenge ’71—Discussion will center on the proposed rapid Mass Transit System to serve Erie and Niagara Counties, with guest Lewis G. Harriman, chairman of the area commit tee for transit. Noon, WBEN—Football—Buffalo Bills vs. the San Diego Charg ers, (Rebroadcast of 12 Mid night game on Oct. 23.) 1:00 P.M., WBUF—Football — New York Giants vs. Phila delphia Eagles. 6:05 P.M., WBNY—What’s Right About Buffalo—With host Al Cooper. 7:00 P.M., WBFO — Listener’s Choice—Buffalo’s only classi cal music request program. For requests call or write the station. Monday 6:15 P.M., WBFO—Concert Hall —Host Richard Malawista features selections from the works of Mozart, Shostako vich and Mendelssohn. 7:00 P.M., WBEN—Casper Cit ron-Producer, writer and di rector, Frank D. Gilroy, talks about his new film, “Desper ate Characters.” 7:30 P.M., WBCE—Concert Hall —“World's Favorite Over tures”; Leonard Bernstein conducting the New York Philharmonic. Tuesday 2:05 P.M., WBNY — Featured Album—Al Hirt: In Love With You, with selections: “With Pen In Hand,” “Don’t Give Up”, and “Eleanor Rigby.” 7:00 P.M., WBEN—Casper Cit ron Show—The story of the two most exhilarating heart surgeons in the world—DR. Michael DeBakey and DR. Denton Cooley, discussed by DR. Robert Rothenberg. 7:30 P.M., WBCE—“1812 Over ture”—By Tchaikowsky, per formed by the Los Angeles Philharmonic Orchestra with Zubin Mahata conducting. Wednesday 7:30 P.M., WBCE — Mendels sohn’s “Concerto In E Minor For Violin and Orchestra — Eugene Ormandy conducting the Philadelphia Orchestra. 9:05 P.M. WBCE—Musical In novations — Guest, Julius Eastman, an instructor in music and a member of the Creative Associates at UB will discuss his music scores and ballets. 10:30 P.M. WBFO—Searching — Topic for discussion and com ment: “Hair Is A Four Let ter Word.” 10:30 P.M., WBFO—Crossroad In Time—Continuing profile of the Athtbascan Indians, to night’s topic: “The Future of the Village.” Thursday 7:30 P.M., WBCE — “Opera’s Greatest Hits”—Arthur Fied ler conducting the Boston Pops Orchestra. 9 P.M., WBFO—Vox HumanaHost Laurence Bogue features Cesar Franck’s “Les Beauti tudes,” (Part Two). Friday 6:30 P.M., WBEN—Pipe Organ Memories—Billy Nalle is the guest organist with selections: “The Man That Got Away.” “Can’t Take My Eyes Off of You,” and “Lullaby of Broad way.” 7:30 P.M., WBCE—Leonard Bern stein and the New York Phil harmonic — Compositions of MR. Bernstein, including ex erpts from “West Side Story,” and “On The Town.” 8 P.M., WBFO — The Esoteric Phonograph—Featuring “Re discovered Romantic Com posers.” Saturday 2:30 P.M., WBFO—The History of Classical Jazz—With Host Charlie Smith. 6:30 PM., WBEN—UB Round table—Topic for discussion will be: “What Direction For The Supreme Court?”. Dis cussed by Atty. John E. Leach and professor of po litical science DR. Robert H. Stem. 11:05 P.M., WHLD—Concert Hall —Johann and Josef Strauss’ Waltzes and Polkas. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource FM Highlights Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-10-27 Note: Eastman to give a radio talk Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-10-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_094 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/74085d242869d9d54273fcd393ed24a2.pdf 1a7bd260a16468086c7648a204983f13 PDF Text Text Reporter September 30, 1971 Eastman: 'I Always Thought I Was Great, But Why Does Making It Big Take So Long?’ the field of music began when he was a boy soprano at his hometown Episcopal church in Ithaca, New York. He began piano lessons at the age of 14, wrote an opera at 15—“only two pieces were good.” By Suzanne Metzger Reporter Staff His tiger print shirt wet with summer rain, assuming an oc casional antic gesture, Julius Eastman flashed the comment, “I always thought I was just great and it shouldn’t be so hard, but I was shocked that the processes were so slow.” He was speaking of making it big in the field of contem porary music. Eastman fre quently explodes in loud laugh ter—breaks up the composure with an ironical gibe, often di rected at himself. His music expresses that same touch of irony. Sometimes a serene and inspiring passage is shattered by a scream; there are mo ments in the listening when you think you’ve walked in on some primeval jungle, or perhaps some futuristic scene. The voic es sometimes take on an animal range, noises intersperse with the vocal calls, primitive sounds blend with the taped hums of technology. His “Five Gay Songs” at times strike a sar donic key. Make It Sensational, Honey! Eastman says, “I’m not a world figure, but certain peo ple know me. I’ve never pushed my music at all. Maybe that’s not a good quality particularly, but I’ve always figured that once one is known the publish ers will come to you.” But he later added, “Write me a sen sational review, honey!” A member of the Creative Associates, director of the U/B Chamber Choir and an assis tant professor of music here, Eastman’s performances out number his publications and have displayed his wide scope of talents. Most of his contracts are for vocal parts. A bass bari tone with a rich, full quality, he has sung as soloist with the Los Angeles Philharmonic un der Zubin Mehta whom he terms “a very pleasant person to work with,” has recorded in London, and toured Norway. With his unusually flexible range, Eastman’s repertoire in cludes the extremely demand ing “Eight Songs for a Mad King,” by the English compos er Maxwell-Davies. Eastman says he knows of only one other singer in the world who can tackle these pieces. Word of his own performance spread from the Aspen Music Festival in Colorado to England, where the composer personally invit ed Eastman for an encore. But his first love is compos ing. “I would just like to com pose, but that’s only a dream.” Musical Therapy He acknowledges that it’s hard to get to the level of a Menot ti, or Barber or Copland who can live by composing alone. Composing, says Eastman, “begins with making yourself sit down and work. This is hard if you’re lazy,” which he’s not, disciplining himself to complete at least some work every day, and usually without the piano. One of his compositions, “Thru way,” a “multi-media thing with chorus, instruments, tape replay,” was created while he was riding (as passenger, not driver) on the New York State Thruway. He’s Never Nervous “I can hear what I want to hear without a piano,” says Eastman, who is very self-con scious about playing the piano when the neighbors might be disturbed, although he says he’s never nervous over a public performance. If he has to prac tice, he takes off for the priva cy of a music studio. Eastman can compose for all instruments—“that’s all part of the craft,” and his works have included pieces for seven trum pets, a piece for 14 women and works for electronic instru ments. He’s a choreographer, too. Last season at Domus, “The Moon’s Silent Modulation,” his poem play for three dancers, chorus and chamber players, was performed. Eastman also writes poetry and is presently working on “an adult play,” about a man who’s married and is having a homosexual affair. His neurosis, says Eastman, is that he des perately tries to keep it secret. “I haven’t decided how I’m go ing to reconcile the situation. I think I’m going to have him go crazy.” Eastman’s introduction into He studied at the Curtis Music Institute, after which he “went out into the wor1d,” which included a stopover in New York City, a Town Hall debut, a year in the Bronx, living with relatives and per forming the “deadly task” of playing for dance classes just to earn a little money. “Before you go to New York you have to be established. Don’t go just out of school!” He also admin istered “musical therapy” at a mental institution in Willard, New York, picked cotton for a while on a family farm in the South. All this before a musical tour of Europe as a member of the Greg Smith Singers, an American choral group. “But night after night, travelling all the time—some people like it, but I had had enough.” Eastman was drawn to Buf falo because of Lukas Foss and the Creative Associates. He won a part in the Christmas 1968 production of Menotti’s Amahl and the Night Visitors which gave him a firm footing in the Buffalo musical scene. He resumed a friendship with Billie Kirpich whom he had met years before when he played for her dance classes at the Indian Hill Camp in Mas sachusetts where he was on a music scholarship. ‘I Badgered Lukas' Eastman taught opera ap preciation at State College and worked himself into the Crea tive Associates. “I badgered Lukas Foss into letting me per form one of his piano works in the Creative Associates Series.” He was awarded “half a fel lowship,” and then finally in 1970 he became a full member of the group with a “fellowship just to play.” He also teaches theory and composition on campus. Though he devotes most of his time to creative efforts, Eastman has a busy social life, says he has “almost too many friends—mostly downtown peo ple who have nothing to do with music. I had to get rid of some of my friends recently. You know, I’m a clean living fellow. I like to get to bed by 11 o’clock and they were com ing to my door at 3 in the morning. That’s too much.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman: 'I always thought I was great, but why does making it big take so long?' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following works by Julius Eastman: Five Gay Songs Thruway The Moon's Silent Modulation With references to the following additional composers: Lukas Foss, Maxwell-Davies, Menotti, Barber, Copland Includes illustration Creator An entity primarily responsible for making the resource Metzger, Susan Source A related resource from which the described resource is derived Reporter Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-09-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_093 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/21d1db303ece96f32a4704de0d067b92.pdf 252b607bb3a9061e16d7d964b22ece96 PDF Text Text BuffaloEvening News Friday, September 24, 1971 Explorations Into Newest Music New ventures into music-theater, multi-media and dance, five “Evenings for New Music” and many re citals are scheduled in the 1971-72 season of the UB Creative Associates, the composers and players of the UB Center for the Creative and Performing Arts. The appointment of faculty member Jan Williams as new assistant director of the center is announced by co-directors Lukas Foss and Lejaren Hiller. MR. Williams, director of the Percussion Ensemble, has been a Creative Associate and conductor in many programs. New Creative Associates will be composer-pianist Richard Trythall, violinist Henry Rubin and percussionist Gary Kvisted. Continuing associates will be Edward Cox, theater; Douglas Davis, cello; Julius Eastman, composer-pianist and singer; James Fulkerson, composer trombonist; Petr Kotik, com poser-flutist; George Rischer, electronics, and Roger Shields, pianist. Composer-bassoonist Andrew Stiller and composer-clarinetist Roberto Laneri have been named to graduate fellowships. An expected Rockefeller Foundation grant renewal would re-employ Joseph Dunn, theater director; Frank Parman, playwright, and add director-actor Terry Moore and a dancer-choreographer not yet named. The "Evenings for New Music Series” given annually at 8:30 PM in Albright-Knox Art Gallery and on tour will be offered on these dates: Oct. 30, the gallery (Nov. 2 in Carnegie Recital Hall, Nov. 3 in Middlebury College) works of Stiller, Mauricio Kagel, Henry Brant and Hiller. Dec. 12, the gallery (Dec. 6 in State University at Albany, Dec. 7 in Carnegie) with con ductor Lukas Foss, works of Foss, Hindemith, Erickson. Works will be announced for the remaining programs: Feb. 13, the gallery (Feb. 15 in Carnegie, Feb. 17 in Geneseo State College); March 18 & 19 in Domus, 1695 Elmwood Ave. and March 23 in FultonMontgomery College; April 30. the gallery, following an April 4 presentation in Carnegie. Eight Baird Hall recitals of great variety in eras and styles will open Oct. 20, and other events will take place in Domus and Central Library. “Evenings for Music Theater” will be an added series of two or three pro grams, to be given in Domus. Of particular interest will be the 1916 “Kairn of Koridwen” by American composer Charles Griffes, a theater and dance work apparently not staged since the year of its com position. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Explorations into newest music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Lukas Foss, Lejaren Hiller, Richard Trythall, James Fulkerson, Petr Kotik, Andrew Stiller, Roberto Laneri Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-09-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_092 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/ff61d17d37a3dc567edcb483e7cc3110.pdf 81ef86afe726eba893ad7df2ab335da4 PDF Text Text Monday, August 16, 4 Carnegie Hall Dates For Creative Associates By John Dwyer New talent, four return appearances in Carnegie Recital Hall in New York, expansion into music theater and dance will be features of the 1971-72 season of the UB Center for the Creative & Performing Arts, home of the enterprising Creative Associates. Continuing co-directors are Lukas Foss and Lejaren Hiller. The new assistant director is Jan Williams, faculty member and percussion expert. New arrivals will be com poser-pianist Richard Trythall, percussionist Gary Kvisted and violinist Henry Rubin. Returning will be Edward Cox, theater; Douglas Davis, cello; Julius Eastman, com poser-pianist, bass and actor; James Fulkerson, composertrombonist; Petr Kotik, com poser-flutist; George Rischer, electronics; Roger Shields, piano. Graduate fellowships have been awarded to composer bassoonist Andrew Stiller and composer-clarinetist Roberto Laneri. Expected renewal of a Rocke feller Foundation grant would re-engage Joseph Dunn, theater director; Frank Parman, play wright, and add director-actor Terry Moore and a dancer choreographer to be named. The noted “Evenings for New Music Series" which has gained national attention will be given on these dates: Oct. 30, 8:30 PM, AlbrightKnox Art Gallery auditorium (repeated Nov. 2 in Carnegie Recital Hall and. Nov. 3 in Middlebury, VT., College) works of Stiller, Mauricio Kagel, Henry Brant and Hiller. Dec. 12, 8:30 PM, the gallery (Dec. 6 in State University at Albany, Dec. 7 in Carnegie) with conductor Lukas Foss, works of Foss, Hindemith, Erickson. Feb. 13, 8:30 PM, the gallery (Feb. 15 in Carnegie, Feb. 17 in Geneseo State-College, works to be announced. March 18 & 19 in Domus, 1695 Elmwood Ave. and March 23 in Fulton - Montgomery College, works to be announced. April 30, 8:30 PM, the gallery (previously offered April 4 in Carnegie) works to be an nounced. Several Baird Hall recitals, classic and modern, are listed beginning Oct. 20, and pro grams will be presented once again in Central Library. Two or three Evenings for Musical Theater will be added, all in Domus, including the staging of a long-neglected dance-theater work of Charles Griffes, “Kairn of Koridwen.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4 Carnegie Hall dates for Creative Associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Lukas Foss, Lejaren Hiller, Jan Williams, Richard Trythall, James Fulkerson, Petr Kotik, Andrew Stiller, Roberto Laneri, Charles Griffes Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-08-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_091 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/b297f0e6611501d15639af1b6ea2c545.pdf 256350e5733c42619b40e531d5012956 PDF Text Text Buffalo Courier-Express, Monday, August 16, 1971 Arts Center Names Associates The Center of the Creative and Performing Arts has announced its roster of creative associates for the new season at the Uni versity of Buffalo. Lukas Foss and Lejaren Hiller again are co directors, and Jan Williams is in the new post of assistant direc tor. Creative associates returning are Douglas Davis, cello; Julius Eastman, composer-pianist; Stu art Fox, guitar; Jim Fulkerson, composer - trombonist: Petr Ko tik, composer - flutist; Roger Shields, piano: Edward Cox, the atrical technician; and George Ritscher, electronics technician. Newly appointed CA’s are Richard Trythall, composer-pian ist; Gary Kvisted, percussion; and Henry Rubin, violin. (The previous Center violinist, Mark Sokol, has formed a string quar tet; and the violinist before that was Charles Haupt, now con certmaster of the Buffalo Phil harmonic Orchestra.) The university music depart ment has awarded graduate fel lowships for work with the Cen ter to Andrew Stiller, composerbassoonist, and Roberto Laneri, composer - clarinetist, who held the position last year. A grant from the Rockefeller Foundation will allow the Cen ter to continue work in multi media and theater by Joseph Dunn, Frank Parman, Terry Moore and a dancer-choreogra pher to be selected. Music Series The Center will present five Evenings for New Music, the first Oct. 30 at the Albright-Knox Art Gallery including works by Andrew Stiller, Mauricio Kagel (a UB Slee professor in 1965), Henry Brant. Giles Tremblay and Lejaren Hiller. Lukas Foss will conduct the program Dec. 12 at the Gal lery, including his Suite from “Antigone” and works by Hin demith, Xenakis and Robert Erickson. Remaining programs in the Evenings for New Music series are Feb. 13 at the Gallery, Jan Williams ...new post March 18-19 at Domus, and April 30 at the Gallery. The Center also takes the pro grams on the road to Carnegie Recital Hall in New York, Mid dlebury College in Vermont, State University of New York at Albany, McMaster University in Hamilton. Ont., State University of New York at Geneseo, and Fulton - Montgomery College in Johnstown. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts center names associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: unknown With references to the following additional composers: Lukas Foss, Lejaren Hiller, Jan Williams, Petr Kotik, Richard Trythall, Andrew Stiller, Roberto Laneri, Joseph Dunn, Frank Parman, Terry Moore, Hindemith, Xenakis, Robert Erickson Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-08-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_090 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8b2f7fd80731cbd75f73ed1ffa1431e8.pdf 27094130518410e8eb36812bf7edd4f0 PDF Text Text Buffalo Evening News Monday, August 2, 1971 Prepare for Unexpected When CH. 17 Broadcasts A Zany Series of Concerts By Jeff Simon WNED-TV (CH. 17) is determined to expose once and for all one of the best kept secrets in the Buffalo area: to wit, that the Creative Associates of the State University of Buffalo’s Music Department are one of the wildest and most entertaining groups of folks in a 1000 mile radius. The secret, of course, hasn’t been kept by anyone deliber ately. It’s just that “avantgarde music” can hardly be expected to supplant football, situation comedy or cops and robbers in peoples’ affections. The whole enterprise carries with it the awful, unwhisperable rumor of “high culture” Lukas Foss Don’t Let It Scare You in spite of the last Buffalo Festival of the arts in which parents took children to hear John Cage's “Concert for Piano and Orchestra” and found themselves confronted with violinist Harry Taub squeezing a rubber duck. The only way to dispel the bad rumors is what Ch. 17 has done and that is film a few of the Evenings for New Music concerts, put them on the air and hope that an audience will put aside understandable Wariness and approach the whole thing as an adventure. One is already televised and two are still in the process of final editing and will be aired sometime in the fall. If you’re adventurous and not easily scared off (and please don’t be), you can check the TV listings for the following hours of fun, games and then a little nuttiness: * * * Evenings Music 2 — For New Composed of Lukas Foss’ Map and Auto/Biographic, a poem for voices and visuals by Frank Parmen and Joseph H. Dunn. Don’t worry about the titles. In Map you will see a musical game played by five musicians. If you’ve never seen a percussionist dismiss a clarinet player from a group with a “never darken my doorstep again” gesture, don’t miss it. Auto/Biographic opens with a closeup of a catsup bottle, a bowl of sugar, a pitcher of cream and a salt and pepper shaker. The visual parts have nothing whatsoever to do with the narration and sounds and so you hear lines like “whadya gonna sleep here all night?” while no one on camera is sleeping. The nice thing about the Emperor’s New Clothes fairy tale is that the audience can’t lose either way: if his clothes are beautiful, then you’ve seen beautiful clothes; if the em peror is indeed naked, then you’ve gotten the most deeply satisfying laugh of all. * * * Evenings For New Music 3 — This is the most visual of all with Julius Eastman forming Peter per Maxwell Dav ies Eight Songs for a Mad King and actor James Hurt per forming Crockett by Wolf Rosen berg. Crockett is a particularly Julius Eastman insane delight because MR. Hurt performs the whole thing in a white bag and alternates Davy Crockett braggadoccio with Samuel Beckett despair. As Crockett, he yells “if I had a mind to, I could jump across the ocean on half a leg in even less time.’’ As a Beckett, he wonders endlessly “how do I get my foot up.” When these programs are broadcast, there would cer tainly be nothing wrong with approaching them as deadly serious art but I doubt whether any of the composers or the Creative Associates or anyone at Ch. 17 would mind in the least if you approach them as a kind of otherwordly “Laugh­ In.” As long as you approach them and help CH. 17 expose the secret. * * * � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prepare for unexpected when ch. 17 broadcasts a zany series of concerts Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: unknown Note: Eastman performs Eight Songs for a Mad King Includes illustration Creator An entity primarily responsible for making the resource Simon, Jeff Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-08-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_089 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/43e0fddbefa4b4606592a9fdd3623280.pdf faeeb551f62f585afea580386e05f8d2 PDF Text Text Buffalo Evening News Friday, March 26, 1971 Domus Auditorium Old New Music Fun for Fans By John Dwyer Deceptively, the inner spirit of this thing was not in the flowery-gowned dancer spraying dessert top ping on her own head, or the ordinary looking young man in mode-required long hair and mustache, start ing out quite nude and donning 28 thin-fabric gym suits out of a laundry bag. It was, in fact, just outside the Domus auditorium door, where a mod combo was playing 2437 slight but unrelent ing variations on the Major Ninth Chord, or inside where 14 musicians sounded a ceaseless Middle D in endless multiples. Probably the UB Creative Associates hoped to give us the Yin and Yang of music theater in this “Evenings for New Music” program on Thursday evening — the sublimation of tonal monotony contrasted with visual shock — but in all kindness and good nature, they were successful in half of it. The fixed-idea music, that is, number our sensibilities pleasantly so that the interest was heightened in small changes. But the theater stuff, while cheerful and mostly fun, was just a bit innocently presumptive in its posture of daring. These were long-used and very familiar gambits from the avant-garde archives, which themselves amount by now to a high card-file of repeats and just a few original inventions. * * Well, If these gifted com posers and players were going to it — a kind of hodge-podge Amateur Night among friends — this was the place to do it. At home, having a good time and not trying very hard for sure-handed craft. They’d done it earlier in Carnegie Recital Hall in New York, where I understand the ingenuous disarray of it all prompted the Times critic not to write anything, rather than report devastatingly on a Buf falo group he’d admired in print for other presentations in Manhattan. This was a quite different ambience. They were at home, not competing in the world in novation market, enjoying themselves. As a tour program it could be considered a bad mistake, especially in New York where the devotees can detect as aesthetic re-tread at 40 paces blindfolded. As it has been done before, various works overlapped — a solo tuba piece, dance work, string quartet and chamber work by James Fulkerson, chamber play by Frank Parman, “OM Entrance” by Philip Corner, “Alley” by Petr Kotik, “Trumpet” by Julius Eastman and the earlierreviewed pocket opera "Lady Blancarosa” by Rudolf Komorous. * * MR. Corner’s Ninth Chord was taken from the Chopin Prelude in D, and among its players was author and critic Peter Yates, who apparently just dropped by and was put to work at the celeste. He played a C Sharp. The Middle D was given no particular provenance, so let me say it’s the third note from the top in the opening chords of the Beethoven Piano Concerto No. 4. I don’t know, you can’t blast this kind of thing as long as the young performers know they’re getting by on largely borrowed impromptu and fresh-faced at tractiveness. But they ought to get to work again, and prepare something like the MaxwellDavies "Mad King,” that land ed them top-side in the na tional press. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old new music fun for fans Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: James Fulkerson, Frank Parnam, Philip Corner, Petr Kotik, Rudolf Komorous Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_088 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f76cb832e16facec77d5a63b567ace47.pdf 78696ac0c853372367eb9dc35514e651 PDF Text Text [Review of March 25, 1971] Review Concert Given at Domus By Thomas Putnam During the course of the col lage “Evenings for New Music” concert Thursday night at Domus (a more down-to-earth environment than the usual Albright-Knox Art Gallery) this happened: The Creative Associates from the University of Buffalo per formed Philip Corner’s “OM Entrance,” a single tone whose interest comes from intonation variances of winds, strings and voice; a nude man walked in o the central area and dressed himself and undressed himself and dressed himself (wraps in cluded three pairs of tights— gren, red and blue—and the kind of paper used for wrapping meat). Work for People This latter event was Jim Ful kerson’s “For Betty Johnston,” a work for people. Mary Fulker son walked around explaining, “They don’t come from good homes” (someone else thought she said, “They do come from good homes,” but it probably doesn’t matter to the sense of the piece). Another person handed out addressed envelopes to “Betty Johnston, 404 E. Oregon, Ur bana, Illonois 61801,” and inside of mine was a blank sheet of paper. Mrs. Fulkerson, while she circulated, was putting shav ing cream in her hair. From the smoking area of Do mus came the music of Phil Cor ner’s “Dominant Ninth Chord,” a rhythmically stimulating and even piece which provided ac companiment for the “Betty Johnston” ceremony (a lady lighted a candle). Felt Wrong But when “Dominant Ninth” continued through the intermis sion and into the start of Petr Kotik’s “Alley,” for the first time something felt wrong. Kotik’s music at least seems to ask attention. It is itself a mini-collage, Ives and Mozart in a tossed salad. Julius Eastman played the nonheroic Piano Con certo which begins “Alley,” and the group of wind musicians played what seemed to be im provisations. There was a jazz style in the stand-up solos and improvisations of tenor sax, trumpet and trombone. “Dominant Ninth” concluded abruptly and “Alley” ended with the sustained tones of the string quartet. The next work was Eastman’s “Trumpet,” whose bouncing motives were played by a mixed ensemble (trump ets, oboe, tenor sax, clarinet). The music stopped a few times, and the performers who were preparing the area for the final work froze into party game postures. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert given at Domus Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: Philip Corner, Jim Fulkerson, Petr Kotik, Ives, Mozart Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_087 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f52603fef04da437a2d89fe9d4776d0c.pdf 5381282a91b8d74aa9224fad5783522c PDF Text Text Members Of The Center 1970-71 Edward Cox, Theatrical Technician—B.A. Fine Arts, American University, Washington, D.C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for Domus; Assistant to Designer (Maurice Strike) Shaw Festival Theatre, Ontario. Douglas Davis, Cellist—Born in Los Angeles, California. Finalist in Tchaikovsky Com petition in Moscow. Has presented recitals throughout the United States and Europe. Associate Professor of Music at San Fernando Valley State College. Joseph Dunn, Theater Director—Attended Juniata College and the University of Pitts burgh. Director, American Contemporary Theater. Productions of Ferlinghetti and Arrabal at the Bleecker Street Theater Workshop, New York City. Julius Eastman, Pianist-composer—Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. In structor of theory at the State University of New York at Buffalo Music Department Stuart Fox, Guitarist—Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Performances on Monday Evening Concert series and in Ojai Festival, Los Angeles. James Fulkerson, Musician—Working in intermedia. Petr Kotik, Composer-flutist—Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Toured with John Cage and the Merce Cun ningham Dance Company, 1964. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, and the QUAX ensemble, 1966-69. Jesse Levine, Violist—Born in New York. Principal violist, Buffalo Philharmonic. Soloist, Stravinsky Festival at Lincoln Center, New York City Ballet. Recital tours of Argen tina for the State Department, 1966, 67. Soloist, Maeght Festival at ST. Paul de Vence, France, 1970. Frank Parman, Playwright—Born in Cordell, Oklahoma. Attended the University of Oklahoma, studied architecture, English. Studied play-wrighting with LeRoi Jones & Jack Richardson (1963-65) as a special student at Columbia University. Formerly with Depot Theater, Urbana, Illinois working as playwright, director, set designer and general dramatic advisor (1967-69). Special projects editor, contemporary theatre for Drama Book Specialists in New York. George Ritscher, Electronicist—Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Domus Theater) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-03-25 Note: Eastman listed as member of the center (1790-71) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-25 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_086 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9a33d566d6722570d3eb0e40aee28aaa.pdf 64e22ae78d134ae227177dffcb5928c1 PDF Text Text EVENINGS FOR NEW MUSIC CHAMBER PLAY* Two constructive-type composers and electronics technician are minimum performers. Use four composers only if they don't know anything about construction. If desired , legs can be made from left over material. Carnegie Recital Hall and Stony Brook performances are "pre-fab" versions. *Number of composers is variable for individual pe!iformanc e s : Schoenberg, Webern, Satie, Hiller, Xenakis, Kamin, Corner, Ashley, Cage, Tenney, any of a half dozen Russians and many more, like Frank Lloyd Wright, Bruce Goff, Herb · Greene or D.C. Bernshouse. - F.P. MARCH 18 , 21 , 25 Be mobile. How can an old shoe be beautiful? Many events in many places. You never miss something, You experience where you are. - J.F . OM ENTRANCE Every thing these musicians do shows off their mastery. Passages you would never think of playing for anyone with the subtle ways of putting attention where it usually is not, making into music all that which is usually preparation for it. How the high quality of playing reveals in the simplest things! "We are all in the service of this tone." - (on-going.) As much virture in hearing as in performing. Either way a good part of it. (Keep this.) When practicing a piano, hours go by inside of the difficulties which are solved for audiences. They go by in seconds. What a shame to let by so easily such fascinating resonances. This time it is a pattern from Chopin, and shared by many instruments_ - P.C. ALLEY, BOOK NO. 1 January 1970 - January 1971. A music composition consisting of independent pieces, most of which are for unspecified instrumenta- tion. Two pieces, however, have given instrumentation: String Quartet and Concerto for Piano and Orchestra. ALLEY may be performed by any number of musicians, from one soloist to an orchestra. Although it is not necessary to perform all the pieces in the book, tonight, all will be performed. Pieces may be played in any order, overlapping or simultaneously, resulting in a collage. -P.K. TRUMPET 1970. It came as quite a shock. "And can you believe it," I said sadly as I lifted up my dress, and took out a plate. "It was quite an accomplishment," she said, and not knowing the circumstances, I began to sing softly by myself and alone. Now this is how it was. It began on a winter's night with some singing, softly. The window was open and the faint smell of pink flowers seeped through the door. "Now , " she said softly , "can you come with me and bring the letter with you?" "No!" and presently he returned from a deep sleep and recited a poem, that seemed to make no sense at all, and this is the pity of it. "First one and then the other and then none at all," she cried; as the wolf began to gnaw at her underwear to my surprise; and before I knew it, it was all gone, and could not be mentioned. Unfortunately, I was alone, haggard, depressed and without a pill or a penny to my name. "Quite so," he said, and picked up the case and left. Now the pity of it is, "How can a man like J. Hoover, do a job so badly and still stay on?" I said, "Can you imagine?" "No," she said, and quietly sat down beneath the willow trees, quietly and alone, sad and without a friend. "Yes," I said, and without a moment's notice began to play a quiet tune laying my head upon his knee. -J.E . DEVELOPED IN U.S. Cucumbers were known to the ancient Romans and Greeks, but the small cucumber or gherkins origiated in America. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original un-remediated document. https://digital.lib.buffalo.edu/files/original/9cfdf9cc87cd074b9649be9e7f45bd53.pdf 83421eb9eae1dca026a38d23bc3acbba PDF Text Text Evenings For New Music Chamber Play* Two constructive-type composers and electronics technician are minimum performers. Use four com posers only if they don’t know anything about con struction. If desired, legs can be made from left over material. Carnegie Recital Hall and Stony Brook performances are “pre-fab” versions. *Number of composers is variable for individual per formances: Schoenberg, Webern, Satie, Hiller, Xenakis, Kamin, Corner, Ashley, Cage, Tenney, any of a half dozen Russians and many more, like Frank Lloyd Wright, Bruce Goff, Herb Greene or D.C. Bernshouse. - F.P. March 18, 21, 25 Be mobile. How can an old shoe be beautiful? Many events in many places. You never miss something, You experience where you are. -J.F. Om Entrance Everything these musi cians do shows off their mastery. Passages you would never think of playing for anyone with the subtle ways of putting attention where it usually is not, making into music all that which is usually prepa ration for it. How the high quality of playing reveals in the sim plest things! “We are all in the service of this tone.” (on-going.) As much virtue in hearing as in performing. Either way a good part of it. (Keep this.) When practicing a piano, hours go by inside of the difficulties which are solved for audiences. They go by in seconds. What a shame to let by so easily such fasci nating resonances. This time it is a pattern from Chopin, and shared by many instru ments. -P.C. Alley, Book NO. 1 January 1970 - January 1971. A music composition consisting of independent pieces, most of which are for unspecified instrumentation. Two pieces, however, have given instrumentation: String Quartet and Concerto for Piano and Orchestra. Alley may be performed by any number of musi cians, from one soloist to an orchestra. Although it is not necessary to perform all the pieces in the book, tonight, all will be performed. Pieces may be played in any order, overlapping or simulta neously, resulting in a collage. -P.K. Trumpet 1970. It came as quite a shock. “And can you believe it,” I said sadly as I lifted up my dress, and took out a plate. “It was quite an accomplishment,” she said, and not knowing the cir cumstances, I began to sing softly by myself and alone. Now this is how it was. It began on a winter’s night with some singing, softly. The window was open and the faint smell of pink flowers seeped through the door. “Now,” she said softly, “can you come with me and bring the letter with you?” “No!” and presently he returned from a deep sleep and recited a poem, that seemed to make no sense at all, and this is the pity of it. “First one and then the other and then none at all,” she cried; as the wolf began to gnaw at her underwear to my surprise; and before I knew it, it was all gone, and could not be mentioned. Unfortunately, I was alone, haggard, depressed and without a pill or a penny to my name. “Quite so,” he said, and picked up the case and left. Now the pity of it is, “How can a man like J. Hoover, do a job so badly and still stay on?” I said, “Can you imagine?” “No,” she said, and quietly sat down beneath the willow trees, quietly and alone, sad and without a friend. “Yes,” I said, and with out a moment’s notice began to play a quiet tune laying my head upon his knee. -J.E. Developed In U.S. Cucumbers were known to the ancient Romans and Greeks, but the small cu cumber or gherkins originated in America. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Domus Theater) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program notes Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-25 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_085 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/48fcbaa9b11efbeb68ae3d7aeaa219e4.pdf 6866381d11ada66437adf66d22709cc8 PDF Text Text � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Domus Theater) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-25 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_084 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/fc15d635718b34ac9c12d2b41914e1b0.pdf 4a31eae93ca8612f29a506c66adad26f PDF Text Text State University Of New York At Buffalo Music Department Presents Creative Associates And Guests Evenings For New Music At Domus Theater This concert is made possible through a grant from the New York State Council on the Arts Domus 1695 Elmwood Avenue Thursday. 8:30 P.M. March 25. 1971 Admission Free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music at Domus Theater Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-25 With references to the following additional composers: Corner, Fulkerson, Parman, Koik, Komorous Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_083 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9da07269445a4ba131d764ed83957c3c.pdf 8eb0130451756fc1bec529a1b28f77d9 PDF Text Text Juilliard String Quartet to Perform In Mary Seaton Room on Tuesday dances at 8 P.M. in Upton Hall Auditorium, Buffalo State Col lege. Music Events this week in clude a program by the Juil liard String Quartet, Tuesday in the Mary Seaton Room, and a pops concert by the Buffalo Philharmonic Orchestra, fea turing the Pickwick Puppet Theater, Friday in Kleinhans Music Hall. Also, the Univer sity of Buffalo Creative Asso ciates will present “Evenings for New Music” Thursday at Domus. Here is the week’s music calendar: Today — Tiffin Chamber Music Series will present a String Potpourri with violinists Judy Hershberger and Ira Weller at 4 P.M. in the Tiffin Room of Norton Union, Univer sity of Buffalo. A menu of wines, Cheeses and pastries is avail able. Seating is at tables. The “ST. John Passion” by Bach will be presented by the Cathedral Choir of Men and Boys, and an orchestra com posed of members of the Buf falo Philharmonic Orchestra, at 5 P.M. at ST. Paul's Cathedral under the direction of Frederick Burgomaster. Soloists are Pa tricia Yannello, soprano; Vivian Rassiga, alto; and Frank Pull ano, bass. John Priebe JR. will sing the part of the Evangelist, Donald Greatbatch will be Chrisi, and George Wands will sing Pontius Pilate. Akino Kato Baggs, mezzo, and Charlotte Shedd, piano, will present a recital at 4 P.M. at the International Institute of Buffalo, 1260 Delaware Ave. The program, which is open to the public, will include arias and songs by Bach, Gluck, Rossini, Mahler, Fernando Obradors, and Japanese folk and art songs. Erie County Music Educa tors Assn. will present its annual junior high school con cert at 3 P.M. in Kleinhans Music Hall. The Rosary Hill College Dance Club will present a pro gram of theater dance at 2:30 P.M. in the Daemen Little Theater on campus. Seenie Rothier directs the program, which includes “Plundered Planet" (music by Britten); “Design for Three”; “Design for Four”; “Drowned in Brown” (music by Debussy); and “Ark Appeals.” Also in cluded is “A Lazy Afternoon,” Choregraphed by Cynthia Soucheray, a student. Monday — The Dartmouth College Glee Club will present a concert at 8 P.M. at Amherst Central Junior High School. The program will benefit the Alumni Club’s Scholarship Fund. Tuesday - The Juilliard String Quartet will present a concert at 8:30 P.M. in the Mary Courier Express [March 21, 1971] Music Calendar Friday—Mark Sokol violin and Roger Shields, piano, will present a Creative Associate re cital at 8 P.M. in Baird Recital Hall, University of Buffalo. The program will be works by Bach, Penderecki, Webern, Wolpe and Franck. Admission is free. Buffalo Philharmonic will present a pops con cert at 8:30 P.M. in Kleinhans Music Hall. The featured work will be Tchaikovsky’s “Sleeping Beauty” performed by the or chestra and the Pickwick Pup pet Theater. Melvin Strauss will conduct the program, which will include Tchaikovsky’s “Romeo and Juliet.” The Alice Coltrane . . . jazz concert Friday Seaton Room of Kleinhans Music Hall. The program con cludes the season series by the Buffalo Chamber Music Society. The program will be Haydn’s Quartet in B-flat Major, Op. 55, No. 3; Beethoven’s Quartet in F Minor, Op. 95: and Bartok's Quartet No. 6. Members of the quartet are Robert Mann and Earl Carlyss, violins; Samuel Rhodes, viola; and Claus Adam, cello. Wednesday- Patricia Oreskovic, soprano, will present a recital at 8:30 P.M. in Baird Recital Hal, University of Buf falo. She wil sing songs by Mozart, Franz, Brahms and Maher. Admission is free. Sweet Home Central High School will present a senior recital at 8:15 P.M. at the school. Admission is free. Soloists are Anita King, piano, Debra Remson, violin. Thursday — Evenings for New Music will he presented by the Creative Associates of the University of Buffalo at 8:30 P.M. at Domus, 1695 Elmwood Ave. Admission is free. Music by Parman, Corner, Fulkerson, Kotik, Eastman and Komorous will be performed in separate spaces, sometimes overlapping. The Williamsville North High School Concert Band, di rected by Ronald Sutherland, and the William Floyd High School Band from Mastic Beach, Long Island, will present a con cert at 8 P.M. in the auditori um of Williamsville North High School. Music by Cacavas, Persichetti, Clifton Williams, Osterling and Walter Hartley will be performed. Admission is free. Grand Funk Railroad, a pop music group, will present a concert at 8 P.M. in Memorial Auditorium. The program is sponsored by Buffalo Festival. Dinizulu African Dance Company will present a concert of West African and Congo , Alice Coltrane and Pharoah Sanders will present jazz workshops from 4 P.M. to 6 P.M. in the Union Social Hall of Buffalo State College. They also will perform a concert at 7 P.M. in the New Gym of the college. The Orchard Park Sym phony Orchestra will present a concert at 8:15 P.M. at Orchard Park Senior High School. An drew Jennings will be soloist in the Violin Concerto by Jules Conus. Joseph Wineenc is the conductor. Saturday—Saxophonist Eu gene Rousseau will present a lecture-recital with pianist Frina Bold at 3 P.M. in Baird Recital Hall. University of Buffalo. Rousseau is on the music faculty of Indiana University. The pro gram will feature a perform ance of Paul Creston's Sonata. Gladys Knight and The Pips will present a rhythm and blues concert at 7 P.M. in the New Gym of Buffalo State Col lege. Also on the program is The Feeling Within. Frohsinn Singing Society will hold a Spring Liederabend and Dance at 8 P.M. at the Marygold Manor in Cheekto waga. Erwin Moessinger will di rect the choruses. Soprano Ellen Lang will present a senior recital at 8:30 P.M. in Baird Recital Hall, Uni versity of Buffalo. She will sing songs by Sartorio, Mozart, Rossini and Schubert. Admission is free. The Oberlin College Choir, directed by Harriet Simons, will present a concert at 8:15 P.M. in the Hughson Auditorium of Calvary Church in Williamsville. Eugene Rousseau Saxophone — Eugene Rous seau, saxophonist from Indiana University, will present a lec ture-recital at 3 P.M. Saturday in Baud Recital Hall, Univer sity of Buffalo. Next Sunday he will perform as soloist with the UB Concert Band at 8:30 P.M. in Goodyear Hall. Next Sunday — Tiffin Chamber Music Series will presen t the UB Percussion Ensem ble, directed by Jan Williams, at 4 P.M. in the Tiffin Room of Norton Union, University of Buf falo. Faure’s “Requiem” will be presented by the combined choirs of North Park United Presbyterian Church and Park side Lutheran Church at 5 P.M. at the Parkside Lutheran Church. Mrs. Jane McConnon will direct. Soloists are Janiece Epke, soprano, and Walter Mil ler, baritone. The organist is May Oddie. The public is invited. Frank Cipolla will direct the University of Buffalo concert Band in a concert at 8:30 P.M. in Goodyear Hall, UB campus. Eugene Rousseau Will be saxo phone soloist. Admission is free. Ruslana Antonowicz will present a piano recital at 8:30 P.M. March 29 in Baird Recital Hall, University of Buffalo. She will play works by Mozart, Bar tok, Schubert, Ravel, Chopin and Prokofiev. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julliard String Quartet to perform in Mary Seaton room on Tuesday Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: Parman, Corner, Fulkerson, Kotik, Komorous Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_082 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/20356031b203b895cf7619bf65c32a9d.pdf 22f7ff64deb529c033b45b1dc72de5bd PDF Text Text Courier Express [March 21, 1971 "Performers have..." Continued] Timetables Necessary For Concert Continued from Page Three man), which will begin the per formance of “Alley.” Another Kotik piece was scheduled for the concert at Carnegie Recital Hall. It is “All-Weather Music,” which Julius Eastman was to have performed outside on the piano before the concert inside began, and which Kotik says is music for all seasons (like the mail, it is delivered in rain or sleet or hail). Fulkerson Said he has recently composed an orchestra piece, “Behind Closed Doors,” in which, he explains, “no de cisions are left open for the per formers.” Did he write on com mission? “You don’t write be cause you think there’s a per formance around the corner,” the composer said. He says the piece uses only concert C, in any octave. “The orchestra, I think, is the most flexible instrument,” Fulkerson said. “That’s from the utopian position that the or chestra will continue. “There Are technical dif ficulties (in “Behind Closed Doors”) because of the extreme ranges of some of the instru ments. But I think it's well written. I’ve taken away prob lems that would have meant more rehearsals. It is a 13minute piece, so two hours of rehearsal would allow them to get through it.” Petr Kotik Jim Fulkerson Frank Parman ... Evenings for New Music Thursday at Domus � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timetables necessary for concert (continuation) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1971-03-25 With references to the following additional composers: Petr Kotik, Fulkerson, Parnam Note: Eastman as performer of All-Weather Music by Kotik Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_081 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7aef58777df32867badfc72e28d62e24.pdf 739b9de4c39d1d4e4a1b4393654d393f PDF Text Text Buffalo Courier-Express, Sunday, March 21, 1971 3 Performers Have Timetables Needed for Evenings for New Music Concert on Thursday By Tom Putnam The Performers for the Evenings for New Music con cert Thursday at Domus have individual timetables detailing the times they will be perform ing in the college concert of music and theater works. This is necessary because of the schedule of overlapping per formances, and the use of three areas of Domus for perform ance. The printed program for the audience is a time-table which diagrams the overlapping events. It also resembles a new music score. The Concert will feature works by four Creative As sociates from the University of Buffalo’s Center of the Creative and Performing Arts: Jim Fulkerson, trombonist and composer who is working in intermedia; Petr Kotik, flutist and composer, whose “Alley” (formerly “Alee”) will be per formed for the first time in its entirety on the program; Julius Eastman, pianist, singer, composer; and Frank Parman, playwright, who wrote the text for Lejaren Hiller’s "An Avalanche for Pitchman, Prima Donna, Player Piano, Percussionist and Prerecorded Playback,” a musical farce per formed on the “Evenings” series several seasons ago. Here is a sketch of how the program will work: At 8:15 P.M. in Area B. (Auditorium of Domus) “OM Entrance” by New York composer Philip Corner will begin, this being what Jim Fulkerson calls “prep aration for a concert ... OM is one tone.” Then While “OM” is get ting everyone in tune, three works by Fulkerson will join the music of “OM” in Area B: “For Betty Johnston” will begin at 8:47 P.M., “Patterns 3" for solo tuba (Ellis Wean) will start at 8:45 P.M., and “I should've called it something ... for String Quartet will begin at 9:07 P.M. Another work by Corner, “Dominant Ninth Chord, Chopin Prelude,” will begin at 9 P.M. in Area A (Smoking Area of Domus), and will last for one hour, beginning and ending with piano solo (the ensemble will perform also). According to Fulkerson, Corner takes the opening chord of Chopin’s D Major Prelude “and treats it like a found object. He examines it in several ways, but it is different from what Terry Riley would do in that there is no transformation." Frank Parman’s “Cham ber Play "will begin also at 8:47 P.M. in Area B with “For Betty Johnston” (or rather, “For Betty Johnston” will begin with the sound of “Chamber Play”). Parman’s work is a set of instructions on how to build a piano; the sounds resulting from this activity will be amplified with contact microphones (although a tape was to be used for per formances last Thursday at Carnegie Recital Hall and to day at Stony Brook State University). Performers in “Chamber Play” are Terry Moore, actor; Stuart Fox, assistant; George Ritscher, re cording engineer; and Parman, who will be Manufacturer. The final starter in the first segment of the program is Fulkerson’s “Episode 1,” which will begin at 9:10 P.M. in the hallway and last 10 minutes, until Intermission. The Audience will hear several musics simultaneously; in fact one piece, “For Betty Johnston,” is dependent on the college form for its sound. Fulkerson explains that “Pat terns 3” for solo tuba “func tions as part of the sound of ‘For Betty Johnston.’" “For Betty Johnston” also ends at Intermission (in the collage format, Intermission seems to determine when other pieces end, rather than be de termined by the conclusion of the pieces). The work will be performed by Fulkerson’s wife, Mary Fulkerson, and John Rolland, Judy Savage, Terry Moore, Frank Parman and Ed Cox. “Don't call them dancers,” Fulkerson says, “but you could think of them as dancers.” Fulkerson Explains that “ ‘For Betty Johnston’ isn’t concerned with music. It’s really about people working to gether. We make a collective creation, which is not concerned with compositional problems, which I am concerned with in ‘Patterns 3.’” “Patterns 3" is "a composed piece,” Fulkerson ex plains, “part of a series of ‘Pat terns’ for solo instruments.” Fulkerson said that the connec tion between the composed “patterns” is made by the player, who has some liberty in phrasing and tempo. “I should’ve called it some thing ... for String Quartet” will be performed by violin, oboe, guitar and tenor sax. “If we can’t laugh about music and our own pieces, we’re in bad shape,” Fulkerson says. During Intermission “Chamber Play” and “Domi nant Ninth Chord” will con tinue. Kotik's “Alley” will be gin at 9:30 P.M. in Area B. and when it is finished at 10:05 P.M. the piano which was built in “Chamber Play" will be removed from the auditorium. The two closing works are Julius Eastman’s “Trumpet,” composed for seven trumpets (or seven instruments of the same family), but performed on this program by four trumpets, tenor sax, clarinet and oboe; and, finally, “Lady B1an carosa,” an opera in one act by Rudolf Komorous. If all goes according to plan the concert will finish at 10:45 P.M. Kotik’s “Alley” is a book of independent pieces. The en tire book will be performed, in cluding two pieces for the first time. These are “Unfinished Quartet” for strings, a fully no tated work which Kotik said will be heard “mostly by it self,” and the Piano Concerto (performed by Julius Eastman Continued on Page 32 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Performers have timetables Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: Jim Fulkerson, Petr Kotik, Frank Parnam, Lejaren Hiller, Philip Corner, Chopin Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_080 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/3a258c234915104ab7e9a92c69ebbde7.pdf 12e70c6377847017340a8868aae8f551 PDF Text Text Kotik: All-Weather Music Julius Eastman, piano Corner: Om Entrance Rhoda Gena, violin Diane Williams, viola Douglas Davis, cello Roberto Laneri, bass clarinet Donald Montalto, trumpet Kenneth Hafner, trumpet Ellis Wean, tuba Jeff Silberman, tenor sax Jim Fulkerson, trombone Petr Kotik, flute George Ritscher, trombonium Ronald Richards, oboe Julius Eastman, voice Adrienne Tworek, voice Fulkerson: For Betty Johnston (1970-) Terry Moore Mary Fulkerson John Rolland Judy Savage Frank Parman Ed Cox Fulkerson: Patterns 3 (1969) Ellis Wean, tuba Corner: The Dominant 9th Chord Which Begins the D Major Prelude of Chopin Ensemble Parman: Chamber Play (1971) Terry Moore, Actor Stuart Fox, Assistant George Ritscher, Recording Engineer Frank Parman, Manufacturer Kotik: Alley, Book #1 (1970) Julius Eastman, piano Mark Sokol, violin Rhoda Gena, violin Diane Williams, viola Douglas Davis, cello Petr Kotik, flute, conductor Ellis Wean, tuba Jim Fulkerson, trombone Jan Williams, piano Donald Montalto, trumpet Kenneth Hafner, trumpet Andrew Ploch, trumpet Jeff Silberman, tenor sax Ronald Richards, oboe Roberto Laneri, bass clarinet Fulkerson: I should’ve called it something. for String Quartet (1968) Rhoda Gena, violin Ronald Richards, oboe Stuart Fox, guitar Jeff Silberman, tenor sax Fulkerson: Episodes: Episode #1 (1968) Douglas Davis, cello Rhoda Gena, violin George Ritscher, trombonium Frank Collura, trumpet Eastman: Trumpet (1970) Frank Collura, trumpet Donald Montalto, trumpet Kenneth Hafner, trumpet Andrew Ploch, trumpet Jeff Silberman, tenor sax Roberto Laneri, clarinet Ronald Richards, oboe Jan Williams, conductor Komorous: Lady Blancarosa an opera in one act (1967) Adrienne Tworek, Helga Julius Eastman, Kamilla Terry Moore, Dwarf Erik George Ritscher, Tape Operator � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Stonybrook) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-03-21 With references to the following works by Julius Eastman: Trumpet Note: Eastman also performer in All-Weather Music and Alley, Bk. 1 by Kotik and Lady Blancarosa by Komorous Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_079 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/d82cbf259dd288c1fe243a1b2027db15.pdf 5c2a61f8fd241f2608a6b00c2058038c PDF Text Text New York Times tv'br !9 7 I ., An evening of unstructured music· theater designed for Carnegie Recital Hall, the 57th Street side.. · walk and other places by propinquity. A media collaboration by: Petr Kotik, Phillip Corner, Julius EastmarTf James Fulkerson, Rudolf Komorous, Frank Parman. Presented by the Carnegie Hall Corporation All Seats $3.00 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original un-remediated document. https://digital.lib.buffalo.edu/files/original/1bfe1c19dd3c240df43b135c44ac11e2.pdf 73a5ea99338474fc058d2bde6262d2ce PDF Text Text New York Times [March 1971] Carnegie Recital Hall • This Thursday., 8:30 Evenings for new music prepared by Lukas Foss and Lejaren Hiller An evening of unstructured music theater designed for Carnegie Recital Hail, the 57th Street side walk and other places by propinquity. A media collaboration by: Petr Kotik, Phillip Corner, Julius Eastman; James Fulkerson, Rudolf Komorous, Frank Parman. Presented by the Carnegie Hall Corporation All Seats $3.00 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-18 With references to the following works by Julius Eastman: Trumpet Note: Date of Carnegie Hall performance approximate, no program in archive for proof Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_078 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/0cf47e785355d1defd4fc8950de9f9d2.pdf 82d267072566dc864b35e3d78eea8f41 PDF Text Text Courier Express [March 10, 1971] [BCE 3/10/71] Music Notes Domus to Offer Collage March 25 "Lady Blancarosa” is a staged opera. Performers are Adrienne Tworek as the girl, Julius Eastman as the old lady and Terry Moore as the dwarf. By Thomas Putnam Music And theater works will be juxtaposed and per formed in several spaces of Domus Theater when the Crea tive Associates of the Univer sity of Buffalo present Evenings for New Music at 8:30 P.M. March 25 at the theater, 1695 Elmwood Ave. Admission is free, The collage will include works by James Fulkerson, Petr Kotik, Julius Eastman and Frank Parman, members of the UB Center of the Creative and Per forming Arts. Music by Philip Corner and the one-act opera, “Lady Blancarosa,” by Czech composer Rudolf Komorous, also will be presented. The Separate works on the program will overlap, and performers will move from piece to piece. For example, Corner's “Dominant Ninth Chord" begins and ends as solo piano music, but other musi cians will participate in this ex amination of the opening chord of Chopin’s D Major Prelude. The program will include Ful kerson's “Episode One’’ and “For Betty Johnston;” Par man’s “Chamber Play;” Kotik’s “Alley” (a book of independent pieces that includes a string quartet and a concerto for piano and orchestra); and Eastman’s “Trumpet,” which is composed for seven members of the same family and will be performed The Julliard String Quar tet will present a concert at 8:30 P.M. March 23 in the Mary Seaton Room of Kleinhans Music Hall. The program, spon sored by the Buffalo Chamber Music Society, will be quartets by Haydn, Beethoven and Bar tok. The Buffalo Chamber Music Society has announced its pro grams for next seasons. The series will be Cleveland Quar tet, which will be in residence at the University of Buffalo, Oct. 26: Warsaw Quintet (with piano), Jan. 18; Berlin Philhar monic Octet, Feb. 1; JeanPierre Rampal, flute, with Vey ron-Lacroix, keyboard, Feb. 15; Guarneri String Quartet, March 14. and Julliard String Quartet, March 28. Julius Eastman .. . composer of “Trumpet" on this occasion by four trum pets, clarinet, alto saxophone and oboe. Stravinsky’s “L’Historire du Soldat” will be danced, acted and improvised by David Earle, Helen Jones and Keith Urban of the Toronto Dance Theater at 8:30 P.M. Friday at Domus, 1695 Elmwood Ave. Martin Brenzell directs the perform ance. The Four Seasons with Frankie Valli will present a concert at 8 P.M. Saturday in Kleinhans Music Hall. The pro gram is sponsored by Theater Series. The Creative Associates of the University of Buffalo will present a twice-postponed re cital at 8:30 P.M. today in Baird Hall at the University of Buf falo. The program will include “A Night Visitor” with dancer Doranne Shantz, and soprano Judy Sherman, by Roberto Laneri and Bill Furioso. Admis sion is free. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Domus to offer collage March 25 Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: James Fulkerson, Petr Kotik, Frank Parman, Philip Corner, Rudolf Komorous, Chopin Note: Eastman also to perform in Lady Blancarosa Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_077 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/462e8d71103fe9ec62e1aa803887e843.pdf 22203393e7981f292fd596c04980487c PDF Text Text High Fidelity / musical america [March 1971] Evenings For New Music Mad scenes have been part and parcel of western dramaturgy since the Year One. But as much as I’ve sympathized with poor Lear and Ophelia and Timon, and as much as I’ve relished the wayward warblings of Donizetti’s distracted heroines, I’ve never really come to terms with the whole madscene syndrome. It seemed a rather handy convention for summoning up lush melody or high-flying rhetoric— but little more. And then I saw, at the Evenings For New Music concert on December 9, the first New York performance of Peter Maxwell Davies’ Eight Songs for a Mad King, This piece, lasting about a half hour, is possibly the longest mad scene to go down in the annals of musical bed lam. The King is George 3, Eng land’s mad monarch of the eighteenth century, a man of wide-ranging musi cal interests—such as attempting to teach birds in cages to sing along with tunes that he played on his small auto matic chamber organ. One of his at tendants, Fanny Burney, wrote down some of his frantic utterances: these, as well as some written by George him self, are the source material from which the Australian poet Randolph Stow fashioned the eight poems; and it is these that Maxwell Davies has set to his unique and compelling brand of music. Presumably the Carnegie Recital Hall performance adheres to the com poser’s intentions, particularly in its resort to semistaging—a technique that has rendered ludicrous so many concert performances of opera. Here, and in my experience only here, the technique proves effective. The King, dressed in regal brocaded gown and furred cap, frequently addresses him self—not to other vocalists, there being none—but to the instrumental ists, who represent on one level the birds the King is trying to teach to sing. On other levels, the composer tells us, "they become the people with whom he has dialogues, real or imagi nary, such as a former mistress, or his doctors.” Even the river Thames find: itself the object of his declamation. Julius Eastman sang, proclaimed shrieked, and moaned the part of the King in a manner I shall not soot forget. He was hair-raisingly effective maintaining in the midst of his ran dom outburst just the right degree of stylization. Other pieces on the program were by Alcides Lanzy, William Heller mann, and Jan Williams. Maxwell Davies and Eastman dwarfed them all J.H. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-12-09 Note: Review of Eastman as performer in Eight Songs for a Mad King Creator An entity primarily responsible for making the resource J.H. Source A related resource from which the described resource is derived High Fidelity Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_076 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c71f05818f7ad382c348c00e15474f52.pdf a4cece068e2aacf8d6b1dcc8509eb71a PDF Text Text [Carnegie Hall] Evening For New Music Sleep, Soft Smiling (1969)*............................................ Roberto Laneri Judith Sherman Petr Kotik, Darlene Reynard, Jesse Levine, Fred Stroud, William Furioso, Howard Zwickler Jan Williams, conductor Roberto Laneri, tape operator Improvisaties Uit Het Labyrint (1964)............................. Peter Schat Judith Sherman, Julius Eastman, John Thomas, James Whitman, Roberto Laneri, William Furioso, Fred Stroud Projection For Violoncello And Piano (1967) *_ Douglas Davis and Roger Shields Joji Yuasa Sacrifice (1962)*................................................................. Toru Takemitsu Stuart Fox, John Heitmann, William Furioso Refractions (1968)*....................................................... Francis Miroglio Petr Kotik, Roger Shields, Mark Sokol, Jan Williams Intermission The Wonderful Widow Of Eighteen Springs (1942) with Amores (1943).................................................................. John Cage John Thomas, Roger Shields Jan Williams, William Furioso, Thomas Renzi Concerto For The Violin (1959).............................. Lou Harrison Mark Sokol U. B. Percussion Ensemble Jan Williams, conductor *First New York Performance This concert is made possible through a grant from the New York State Council on the Arts. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie Hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-02-24 Note: Eastman as performer in Improvisaties Uit Het Labyrint by Schat Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-02-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_075 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/ee9c34a809f344ba10f19dfd553576c0.pdf 014801ab4db0776987f67162e5cf516a PDF Text Text Evenings For New Music Projection For Violoncello (1967).............................. Joji Yuasa Douglas Davis and Roger Shields Sacrifice (1962).................................................................... Toru Takemitsu Stuart Fox, John Heitmann, William Furioso Concerto For The Violin (1959).................................. Lou Harrison Mark Sokol U. B. Percussion Ensemble Jan Williams, conductor Intermission Eight Songs For A Mad King (1969)_ Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Nassau community college) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-02-21 Note: Eastman as performer in Eight Songs for a Mad King Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-02-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_074 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/8852c0886c682c413ede2a545f22a0a4.pdf 7a5c7c0aa56333fe90c159bb8ecf07c3 PDF Text Text Members Of The Center 1970-71 Edward Cox, Theatrical Technician—B.A. Fine Arts, American University, Washington, D.C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for Domus; Assistant to Designer (Maurice Strike) Shaw Festival Theatre, Ontario. Douglas Davis, Cellist—Born in Los Angeles, California. Finalist in Tchaikovsky Com petition in Moscow. Has presented recitals throughout the United States and Europe. Associate Professor of Music at San Fernando Valley State College. Joseph Dunn, Theater Director—Attended Juniata College and the University of Pitts burgh. Director, American Contemporary Theater. Productions of Ferlinghetti and Arrabal at the Bleecker Street Theater Workshop, New York City. Julius Eastman, Pianist-composer—Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. In structor of theory at the State University of New York at Buffalo Music Department. Stuart Fox, Guitarist—Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Performances on Monday Evening Concert series and in Ojai Festival, Los Angeles. James Fulkerson, Musician—Working in intermedia. Petr Kotik, Composer-flutist—Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Toured with John Cage and the Merce Cun ningham Dance Company, 1964. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, and the QUAX ensemble, 1966-69. Jessie Levine, Violist—Born in New York. Principal violist, Buffalo Philharmonic. Soloist, Stravinsky Festival at Lincoln Center, New York City Ballet. Recital tours of Argen tina for the State Department, 1966, 67. Soloist, Maeght Festival at ST. Paul de Vence, France, 1970. Frank Parman, Playwright—Born in Cordell, Oklahoma. Attended the University of Oklahoma, studied architecture, English. Studied play-wrighting with LeRoi Jones & Jack Richardson (1963-65) as a special student at Columbia University. Formerly with Depot Theater, Urbana, Illinois working as playwright, director, set designer and general dramatic advisor (1967-69). Special projects editor, contemporary theatre for Drama Book Specialists in New York. George Ritscher, Electronicist—Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-02-14 Note: Eastman listed as member of the center (1970-71) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_073 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/c765314496fcc8a671f311fa0e66ebc3.pdf ef8b2c359e50d91479c4d6cdc85c840f PDF Text Text New York Times [December 11, 1970] ‘Eight Songs foraMad King’ a Delight By Harold C. Schonberg Half of the Evenings for New Music program, on Wednesday at the Carnegie Recital Hall, was made up of routine academic ditherings. But then, after the intermis sion, came “Eight Songs for a Mad King” toy Peter Max well-Davies, and suddenly the audience was thrust into the presence of a creative mind, “Eight Songs for a Mad King” is a mad piece of music, hard to describe. MR. Maxwell-Davies, a British avant-garde composer, used as a text eight poems by Randolph Stow. These poems use actual words of the in sane King George 3. Sample: “Dear Elms, Oaks, Beeches, Strangling Ivy, green snakes of Ivy, Pythons. God guard trees. Blue, yellow, green is the world like a chained man’s bruise. I think of God. God also is a King.” • Weird, frightening and powerful these words, and also touched with an awful kind of poetry. A composer who is going to set this kind of material cannot do it in an orthodox manner. Fortunate ly, MR. Maxwell-Davies does not have an orthodox kind of mind. He has conceived the eight songs as a kind of theater piece, in which the mad King goes to the stage from the rear of the auditorium, moves among the musicians, occa sionally sits on an uphol stered chair. The vocal line is post-Pierrot Lunaire—very post. It has passages in falset to and the lowest of chest registers; it makes the singer (or actor, if you will) go into screeching, rumbling, mewl ing, squealing, squeaking The Program Evenings For New Music, Center for the Creative and Performing Arts, State University of New York, Buffalo. Lukas Foss and Lejaren Hiller, direc tors. At Carnegie Recital Hall. Penetrations V (1970) Alcides Lanza Formata (1967)..........William Hellermann Dream Lesson (1970)............ Jan Williams Eight Songs for a Mad King (1969) Peter Maxwell-Davies sounds. These are used in an amazingly expressive man ner. They also end up glo riously unintelligible as far as the words themselves are concerned. Elsewhere, the verbal settings are more direct, in clear declamation. As for the music, it is the background music of a com poser with a real feeling for the theater. The score, for flute, clarinet, violin, cello, piano/harpsichord and per cussion is hard to describe. It is completely dissonant most of the time, avoids serial cliches, constantly comments on the words and the action. Every now and then there are parodistic ele ments—a touch of burlesque Peter Maxwell-Davies jazz, or a perky treatment of 18th-century music, or an English dance tune. It is a score that is closely tied up with the action and the meanings of the words, and this kind of score can not exist by itself. MR. Max well-Davies has created his own kind of Gesamtkunst werk. And it works. “Eight Songs for a Mad King” is a theater piece that has direct communication, and it hits the listener like a collective shriek from Bedlam. • The composer was fortu nate in his protagonist. Julius Eastman recited the poems. He is a black pianist-compos er currently teaching at the State University in Buffalo. For the occasion his face was made up as an old man; and he wore regal going-to-bed clothes. His voice is unusual. Obviously, he is not a trained singer, but he had the style and the vocal command; and also there was a lot of noble ham in his stage posturings as he lurched around like a mad Lear. Toward the end he snatched the violin from the player, tore off its strings and smashed it. We used to get violin burnings in the old (c. 1955) days, from the Cage group. That was Dada. This was theater. There were other things on the program, such as Alcides Lanza’s “Penetrations V” (live musicians and tape); William Hellermann’s “Formata” (trombone doodlings in post serial style); and Jan Wil liams’s “Dream Lesson” (tape, plus swinging lights in a dark hall). All of these were typi cal products of the New Aca demicism, with a life span of a half-dozen performances. Maybe. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Songs for a Mad King a delight Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-12-09 Note: Review of Eastman as performer in Eight Songs for a Mad King Includes illustration Creator An entity primarily responsible for making the resource Schonberg, Harold C. Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_072 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/32ad7c0350e4b2878bcb22508d81e53d.pdf 3b28498b542dd29f556a4aa19c61b5c7 PDF Text Text [12/9/70 New York] Evenings For New Music Penetrations 5 (1970-4)*............................................. Alcides Lanza Group 1 Group 2 Roberto Laneri Jesse Levine Howard Zwickler James Fulkerson William Furioso Petr Kotik Jan Williams, conductor George Ritscher, Stuart Fox—electronics Edward Cox, Geoffrey Germony—lighting Formata (1967)................................................................William Hellermann James Fulkerson Petr Kotik, Roberto Laneri, Howard Zwickler, Stephen Manes Jan Williams, conductor Dream Lesson (1970)*........................................................... Jan Williams Jan Williams Intermission Eight Songs For A Mad King (1969)*_ Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis *First New York Performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-12-09 Note: Eastman performs Eight Songs for a Mad King Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_071 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/4fa5d3abab8b7b9299468ee29bcc88fc.pdf 7438ba310e5fb25c6fb58bd50de204bc PDF Text Text prepared by Lukas Foss and Lejaren Hiller an evening of contemporary chamber music Wednesday, December 9 “Penetrations 5” for two groups of musicians, tape and lights......... Alcides Lanza “Formata” for trombone and other instruments............ William Hellermann “Dream Lesson” for unspecified ensemble. A sound piece governed by a pendulum......................... Jan Williams “Eight Songs for a Mad King.” A music-theatre work for voice and six players.................................. Peter Maxwell-Davies an evening of new music for mixed ensembles Wednesday, February 24 “Projection” for violoncello and piano..................................... Joji Yuasa “Stanza 1”................................................................... Toru Takamitsu “Breezes”............................................................................. Jo Kondo “Refractions” for flute, violin, piano and percussion......... Frances Miroglio “Interferences” for twelve instruments................................ Paul Mefano "Concerto for Piano and Seven Instruments”..................... Robert Erickson an evening of unstructured musical theater designed for carnegie recital hall Thursday, March 18 A media collaboration by James Fulkerson, Petr Kotik, Philip Corner, Frank Parman an evening of musical theater Wednesday, April 28 “Scatola”.................................................................. Franco Evangelisti “In Time and Not”....................................................... Dorrance Stalvey “Crockett”.................................................................... Wolf Rosenberg "Sho Jo”....................................................................... Charles Griffes An open forum for the presentation of new musical ideas presented by The Carnegie Hall Corporation in association with The Center for the Crea tive and Performing Arts in the State University of New York at Buffalo. evenings at 8:30 in carnegie recital hall Series of four concerts: $10.00 Tickets, single concerts: $3.00 Mail orders accepted up to two weeks before concert. Make checks payable to Carnegie Hall box office and mail to 154 W. 57 St., N. Y. 10019. Please enclose stamped, self-addressed envelope. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-12-09 Note: Eastman performs Eight Songs for a Mad King Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_070 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/87f36ce5bce0baf898f720bbd97e4cf0.pdf 87a288c4bc7332be2b1da8572ddf4ea5 PDF Text Text New York Times [December 8, 1970] carnegie recitalhall Tomorrow Evening at 8:30 evenings for new music planned by lukas foss lejaren hiller An Evening Of Contemporary Chamber Music Alcides Lanza "Penetrations V" for two groups of musicians, tape and lights; William Hellerman "Formata” for trombone and four other instruments; Jan Williams “Dream Lesson” for unspecified ensemble. A sound piece governed by a pendulum. Peter Maxwell-Davis “Eight Songs for a Mad King." A music-theatre work for voice and six players. All Seats $3.00 Auspices: The Carnegie Halt Corpo ration in association with the Center for the Creative and Performing Arts in the State University of New York at Buffalo. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-12-09 Note: Eastman will perform in Eight Songs for a Mad King Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_069 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/3213d6b594d9e4bf01392f467a987abe.pdf 7b706d64e76c0147e0882a5e8e8a9852 PDF Text Text Members Of The Center 1970-71 Edward Cox, Theatrical Technician—B.A. Fine Arts, American University, Washington, D.C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for DOMUS; Assistant to Designer (Maurice Strike) Shaw Festival Theatre, Ontario. Douglas Davis, Cellist—Born in Los Angeles, California. Finalist in Tchaikovsky Com petition in Moscow. Has presented recitals throughout the United States and Europe. Associate Professor of Music at San Fernando Valley State College. Joseph Dunn, Theater Director—Attended Juniata College and the University of Pitts burgh. Director, American Contemporary Theater. Productions of Ferlinghetti and Arrabal at the Bleecker Street Theater Workshop, New York City. Julius Eastman, Pianist-composer—Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. In structor of theory at the State University of New York at Buffalo Music Department. Stuart Fox, Guitarist—Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Performances on Monday Evening Concert series and in Ojai Festival, Los Angeles. James Fulkerson, Musician—Working in intermedia. Petr Kotik, Composer-flutist—Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Toured with John Cage and the Merce Cun ningham Dance Company, 1964. Founded the new music ensemble, “Musica Viva Pragensis,” 1961-64, and the QUAX ensemble, 1966-69. Jesse Levine, Violist—Born in New York. Principal violist, Buffalo Philharmonic. Soloist, Stravinsky Festival at Lincoln Center, New York City Ballet. Recital tours of Argen tina for the State Department, 1966, 67. Soloist, Maeght Festival at St. Paul de Vence, France, 1970. Frank Parman, Playwright—Born in Cordell, Oklahoma. Attended the University of Oklahoma, studied architecture, English. Studied play-wrighting with LeRoi Jones & Jack Richardson (1963-65) as a special student at Columbia University. Formerly with Depot Theater, Urbana, Illinois working as playwright, director, set designer and general dramatic advisor (1967-69). Special projects editor, contemporary theatre for Drama Book Specialists in New York. George Ritscher, Electronicist—Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-12-06 Note: Eastman listed as member of the center (1970-71) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_068 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/e4f98c3a42a78a5724e704e3b528ede3.pdf 176c4bf7ba3f99e55a7b7fdb0931a564 PDF Text Text Buffalo Evening News [November 2, 1970] Gallery Auditorium Eastman’s ‘Mad King’: Mighty Work of Theater By John Dwyer The dramatic sensation of this town over many sea sons was the portrayal of mad King George 3 by singing actor Julius Eastman, Sunday evening in Albright-Knox Art Gallery auditorium, hailed by a stand ing crowd with noisy applause and bravos. This was the opening of the annual “Evenings for New Music” series by the UB Crea tive Associates, the audience packed to the walls. The music-theater work was “Eight Songs for a Mad King” by British composer Peter Max well-Davies, with verses by Randolph Stow including wistful, pathetic, ranting passages by the monarch himself, as taken down at court. It’s for the one voice and six players. ** Modern Medical science attributes the undoing of George 3 to a genetic disease called porphyria, but the result was a garish derangement in any case, and the inspiration here for a wonderful and frightful role. MR. Eastman is a basso, pianist, composer, dancer and actor who has had a good deal of impact in Western New York, but this performance puts him at quite another level. It would be a shame if it were not re peated in Buffalo. The Creative Associates already had presen ted it in New York’s Carnegie Recital Hall on tour, to a big reception, * * Appearing In royal broc aded gown and furred cap, MR. Eastman played the pitiable monarch as stricken and crazy but endlessly human, as he roved the stage or sank, spent and muttering, on his centered throne. His spastic delivery included squeaks, moans, growls and roars, a marvelous falsetto right on the tone, a remarkable mi metic gift in responding with matching timbres to string, flute, bell, bird-whistle or drum. But the underlying agony, the imploring for human under standing, the wrenching effect of the king’s straining for reason amid the whirlwinds of his own mind, these were the heights of the Eastman performance. And the music with its rav aged strains of court dance, folk air and Handel oratorio re flected the twice-terrible insanity of familiar things in frightful disarray. I understand the composer chose MR. Eastman for a recent recording of the work. It seems to have been made for him. * * There Were three other works. A 1961 Trio by Israeli composer Ben Zion Orgad moved in cantillation, pizzicatos and drum sounds with quite tradi tional, even movie-style effect, in a very able performance by violinist Mark Sokol, violist Jesse Levine and cellist Douglas Davis. “Cocktail Music” by Salvatore Martirano with pianist Roger Shields was brief, witty and quite French to my ears, with 37-note adornments, triple trills and upper-tone chirps in fineline grace, well-done. “Penetrations V” by Argentine composer Alcides Lanza was elaborately staged, with two big spotlights changing color, thrum ming strobe effects and 10 mu sicians playing and speaking lines in anti-phonal contrast to an electronic score. It moved through shock channels that have become fairly well-grooved in the past decade, on to an angry-mob climax and rumbling denouement. This was music theater, too, but the ensuing soul-force of Mad King George put it out of our minds. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman's 'Mad King': mighty work of theater Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-11-01 With references to the following additional composers: Peter Maxwell-Davies, Ben Zion Orgad, Salvatore Martirano, Alcides Lanza Note: Review of Eastman's performance of Peter Maxwell Davies' Eight Songs for a Mad King Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_067 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c9ad13627e417c7b1f59de7fdbec18b0.pdf aee936ac65daa6431ef5f6653d0a5e91 PDF Text Text Courier Express [November 2, 1970] Review [BCE 11/2/70] Destroys Violin The most active scene follows a rumination by the King on sin, when he takes the violin from Mark Sokol and destroys it. Eastman entered from the back of the auditorium, making his way cautiously to the stage and the chair on a red royal stand. He left bellowing, after delivering his own funeral ora tion, pursued by booming bass By Thomas Putnam There is more than meets the drummer. ear in “Evenings for New Fine Old King Music,” the concert series which In majestic dress, Eastman began its seventh season Sun day night at the Albright-Knox acted with fine gestures and ex. pressions. His king was a fine Art Gallery. The opening program included old mad king, who spit out a brilliant dramatic piece by words with agony, and whose cry for pain was dry and barely Peter Maxwell-Davies: a con fusing electronic - lights - music utterable. He shouts, “I am ner construction by Alcides Lanza; vous,” and we are amused. Davies’s music is the right and purely musical works by Ben Zion Orgad and Salvatore accompaniment, and it sings well by itself, with sense, co Martirano. “Evenings” are presented by ordination, design. The overture the Center of the Creative and prepares for the entrance of the Performing Arts at the Univer King. A fine little interlude con sity of Buffalo. That the series is nects the somber music of one still popular was demonstrated song with the gay march of an by the overflow crowd sitting in other. “Comfort ye,” Eastman sang the auditorium aisles. (“Messiah” was a favorite of Excellent Performance the King) and a dance combo Davies’s “Eight Songs for a with violin accompanied the Mad King” (1969) enjoyed the song. Jan Williams gave the signals excellent performance of Julius Eastman, who recently has done for a performance of Alcides the work in England with the Lanza’s “Penetrations V” which combined electronically altered composer’s performing group. The Mad King is a great part. instrumental sounds and lighting The King is none other than effects in a manner which was King George III, who was music supposed to communicate “a ally mad. The King, a program definite message for the human note by the composer explains, race.” “Blue and red,” the per “tried to teach birds in cages formers said, “gradually.” It to sing the tunes” which his au was not interesting. Ben Zion Orgad's Trio for tomatic chamber organ played. Eastman is not the only dra Strings is a tense, expressive matic performer: he addresses work, and it received a solid himself to the players, and re performance by the Center’s sponds to them. In one song, trio, Mark Sokol, Jesse Levine “The Lady-in-Waiting,” the and Douglas Davis. Finally, the Eastman sings to his bird, brilliant playing of Roger Shields made Salvatore Martirano’s “Madam, let us talk,” and flu tist Petr Kotik responds with “Cocktail Music for Piano” an attractive piece to hear. Shields the bird’s pipings. is skilled in playing quick, light figurations, which abound in this cocktail, and his attacks are powerful. ‘Evenings’ Presented At Gallery � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Evenings' presented at gallery Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-11-01 With references to the following additional composers: Peter Maxwell-Davies, Alcides Lanza, Ben Zion Orgad, Salvatore Martirano Note: Review of Eastman's performance of Peter Maxwell Davies' Eight Songs for a Mad king Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_066 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/4e3b8397ad9f336c6687206ceb3761ac.pdf b618a9309cb3f5c3fbcc977431750827 PDF Text Text Courier Express [November 1, 1970] Music Calendar Mitch Miller to Conduct Concert music by composers from ST. Mark’s Cathedral in Venice at 5 P.M. today at Westminster Church. Music by Gabrieli and Lotti will be performed. The public is invited. Mitch Miller will be guest conductor of the Buffalo Philharmonic Orchestra when the orchestra opens its pops concert series at 8:30 P.M. Frid ay in Kleinhans Music Hall. The program will be Rossi ni’s “Semiramide" Overture; Mussorgsky’s “Night on Bald Mountain’’; Gounod’s Ballet Music from “Faust”; selections from “The Sound of Music’’; Strauss’s “Thunder and Light ning" Polka; Pierne’s “The March of the Little Lead Sold iers”; and Wagner's “Tann hauser” Overture. A sing-along with Mitch will conclude the pops program. The Beethoven Cycle of string quartets presented each year by the University of Buf falo will begin with programs by the Guarneri Quartet at 8:30 P.M. Monday and Wednesday in Baird Hall. The Monday program will be Quartet in E flat, Op. 127; Quartet in F major, Op. 18, No. 1; and Quartet in C major, Op. 59, No. 3. The Wednesday program will be Quartet in E flat, Op. 74 (“Harp”); Quartet in G major, Op. 18, No. 2; and Quartet in C sharp minor, Op. 131. Remaining programs in the Beethoven Cycle will be played by the Guarneri String Quartet (Nov. 9) and the Amadeus String Quartet (Dec. 14, 16, 18). Leo Smit will present “Musical Viewpoints” on Mo zart and Stravinsky at 8:30 P.M. Friday (Mozart Self-Por trait) and Saturday (Stravin sky’s hommage to Tchaikovsky) in University of Buffalo Baird Hall. A third “Viewpoint” Frederick Burgomaster will conduct the Cathedral Choral Society in Kodaly’s “Missa Brevis” at 8 P.M. today at St. Paul’s Cathedral. Solo ists are Patricia Yannello, Norma Jean Lamb, Mary Hart rick, Vivian Rassiga, John Priebe JR. and George Wands. The organist is Joy Des Georges. The public is invited. Mitch Miller . . . guest conductor Nov. 8 will focus on Aaron Copland. Evenings For New Music will be presented at 8:30 P.M. today at the Albright-Knox Art Gallery. The performers are from the University of Buffalo Center of the Creative and Per forming Arts. Admission is free. The program will include Peter Maxwell-Davies's “Eight Songs for a Mad King,” con ducted by Lukas Foss. Baritone Julius Eastman will be soloist. Other works are Ben Zion Orgad’s String Trio; Salvatore Martirano’s “Cocktail Music for Piano"; and “Penetrations V” by Alcides Lanza. Westminster Church Choir, directed by Hans Vige land, will join with the Third Presbyterian Church Choir from Rochester, directed by Theodor Hollenbach, for a festival of Kalina Singing Society will present its annual concert and ball at 8 P.M. today in the Terrace Room of Hotel Statler Hilton. Peter Gorecki will di rect the program of Polish and American music. Patricia Ores kovic, mezzo-soprano, will be guest artist in songs by Dvorak. Judy Collins will present a concert at 8 P.M. today in Kleinhans Music Hall. The pro gram is sponsored by Buffalo Festival. Dixieland Music will be presented at 8:30 P.M. today at the Kenan Center, 33 Locust ST., Lockport. Sergio Franchi will pre sent a concert sponsored by Theater Series at 8:30 P.M. Wednesday in Kleinhans Music Hall. Also on the show will be Lonnie Shorr. Graham Smith and Chris tyne Lawson of the Company of Man will present a program, “Towards New Dance,” at 8:30 P.M. Saturday at the New School of the Performing Arts in Williamsville. The faculty program is open to the public. Treble Clef Society will meet Wednesday evening in the Tonawanda residence of Mrs. Vincent Yannello. Contralto Ruth Oster will perform a song cycle by Elgar with pianist Betty Riehle. George Kalogeropoulos , bouzoukee player from At hens, is appearing with a small ensemble of Greek and Spanish musicians weekends at the Em bassy Restaurant, 189 Delaware Ave. The Orchard Park Sym phony needs singers for its Dec. 11 performance of music from Handel’s “Messiah.” Weekly re hearsals begin at 8 P.M. Tues day at Orchard Park United Presbyterian Church. Singers in terested in volunteering may contact Carl Burgwardt at 662­ 7882. Niagara Falls Philhar monic Orchestra, conducted by Milton Barnes, will present a concert at 3:15 P.M. today at LaSalle Senior High School, Ni agara Falls. David Zafer will be soloist in Vieuxtemps’s Violin Concerto No. 4. New York City Ballet will perform Monday through Sat urday at the O’Keefe Centre in Toronto. Repertory includes “Jewels” (Monday evening, Sat urday matinee); “Dances at a Gathering” and “La Valse” (Tuesday evening, Wednesday matinee); “Prodigal Son,” “Movements for Piano and Or chestra” and “Who Cares?” (Wednesday evening, Friday evening); and “Symphony in C,” “Dim Lustre” and “Slaugh ter on Tenth Avenue” (Thurs day evening, Saturday evening). � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mitch Miller to conduct concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-11-01 With references to the following additional composers: Peter Maxwell-Davies, Ben Zion, Salvatore Martirano, Alcides Lanza Note: Eastman performs Eight Songs for a Mad King by Maxwell-Davies Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_065 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/fae04ca28723af702edad1e48b36032f.pdf 519f2e9c30e24d0fca484ec68f6e12a1 PDF Text Text Evenings For New Music Trio For Strings(1961).................................................... Ben Zion Orgad Mark Sokol, Jesse Levine, Douglas Davis Cocktail Music For Piano (1962)..........................Salvatore Martirano Roger Shields Penetrations 5 (1970-4)..................................................... Alcides Lanza Group 1 Group 2 Roberto Laneri Jesse Levine Howard Zwickler James Fulkerson William Furioso Petr Kotik Jan Williams, conductor George Ritscher, Stuart Fox—electronics Edward Cox, Geoffrey Germony—lighting Intermission Eight Songs For A Mad King (1969). Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis Lukas Foss, conductor All the works on this evening’s program are being performed in Buffalo for the first time. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-11-01 Note: Eastman performs Maxwell-Davies' Eight Songs for a Mad King Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_064 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/c52683bf95acdc8141ad434daecd99a3.pdf c4fc813c6e64c8ac0dbbf554c88731b1 PDF Text Text [Albany] Music Council Presents the creative associates of the Enter Of The Creative And Performing Arts Lukas Foss and Lejaren Hiller, co-directors An Evening Of New Music Program Trio for Strings (1961) Mark Sokol, Jesse Levine, Douglas Davis Cocktail Music for Piano (1962) Ben Zion Orgad Salvatore Martirano Roger Shields Penetrations 5 (1970 - 4)* Group 1 Alcides Lanza Group 2 Roberto Laneri James Fulkerson Jesse Levine William Furioso Howard Zwickler Petr Kotik Jan Williams, conductor George Ritscher, Stuart Fox - electronics Edward Cox - lighting Intermission Non-Improvisation Lukas Foss, Douglas Davis, Roberto Laneri, Jan Williams Eight Songs for a Mad King (1969) Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis Lukas Foss, conductor * U.S. Premiere Main Theater, Performing Arts Center October 30, 1970, 8:30 P.M. Next Music Council Event: Zone Intermedia Project Main Theater, Performing Arts Center, November 6,7,8, 1970 This concert funded by Student Tax music council, department of music, state university of new york at albany, 1400 Washington avenue, albany, new york, 12203 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of new music (Albany) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-10-30 Note: Eastman performs Eight Songs for a Mad King by Maxwell-Davies Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-10-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_063 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/4a43a3deecd6c8689abe6ae45ac5e6a5.pdf 20176269a8fc29846e7d16d168fce577 PDF Text Text Courier Express [October 2, 1970] Review Variety Is Offered In Musical Menu By Thomas Putnam the program will be performed Kill the concert, certain avant- simultaneously in three rooms. garde musicians have been cry Move Freely ing. before it kills music. You can move freely from one The concert—or concert situa tion—is something we are all room to another and you can familiar with. You remember: choose the one most interesting to you from the exact time It involves one or more perfor mers who play a program be schedule . . .” fore an audience in something For a break, it suggested, usually referred to as a concert there was ping-pong or bowling hall. in the basement. People move around quite Net Important freely, from live electronic mu It is a good time—the concert sic in the Fillmore Room to the —for seeing friends, for showing final part of “Stiks" in the Con oneself in public, for getting out ference Theater — Christian of the house. One hears music Wolff’s piece which Kotik and at a concert, too. but that of course is not the important Jim Fulkerson did by throwing thing. Which is why some people a lot of branches over the stage. It was possible to be delayed see the death of the concert as crossing the hall by seeing old a good thing. The concert was killed friends. Wednesday night at University Right Music of Buffalo’s Norton Union, Back and forth people went, where Petr Kotik and a band of looking for the right music. A Creative Associates and accom ensemble improvised Kotik’s plices offered a musical menu big “Alee” in the Fillmore Room, with three main fares in dif which, proving less than inter ferent parts of the building. —Mostly live electronic music esting, was left for Mozart sona by the S.E.M. Ensemble was tas in the Conference Theater. presented in the Fillmore Room, Julius Eastman played two pi beginning at 8 o'clock with John ano sonatas by Mozart on a Cage’s “Atlas Eclipticalis” for piano that was not tuned be contact microphones on various cause of a two-hour bomb scare earlier in the day. percussion instruments. The Indian singer in Haas Indian Music Lounge offered her subtle art as people milled and lounged. —Across the lobby in the Con The event finally seemed to ference Theater pieces for flute, kill the concert without saving piano or harpsichord by Bus music. It was live background sotti, Berio and the 18th Cen tury Benda were done beginning music, and a good thing so long at 8:30. as one doesn't pretend to be —And in the more removed come involved in any one sound Haas Lounge was a program of —be it Berio or Mozart or raga. Indian music by Mamta Bhar Renee Levine, coordinator of gava, who played the sitar and the UB Center of the Creative sang. and Performing Arts, was ex The program (should there cited about opening the CA re even have been one?) read like cital series at Norton Union. “It a train schedule. And it warned brings this big place together,” us: “Do not let yourself be dis she said, which was true enough. turbed by the music. You can As a community event the night not hear it as a whole because was a big success. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Variety is offered in musical menu Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-09-30 With references to the following additional composers: John Cage, Busotti, Berio, Benda, Christian Wolff, Kotik, Mozart Note: Eastman performed Mozart piano sonatas Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-10-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_062 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f86bcfd5d07d472774ee891d1a28d9c8.pdf ab24ae3030cb463061539da9f948eb4a PDF Text Text Buffalo Evening News Thursday, October 1, 1970 Norton Union A Concert in 3 Rooms By Creative Associates By Anthony Bannon I met a man who said the whole thing reminded him of a bargain basement—not so much as to quality; more in the matter of abundant choice. He said the concert gave him too many choices, too many sensa tions to reduce. He called it “the evil workings of technol ogy” and took his horse and left. I met another man who said he was able to transcend the walls which separated the three UB Creative Associate concerts "and hear them simultaneously. I think he was a mystic. I met him in the bowling alley of Norton Union. I also met . . . well, many, many people you wouldn’t be lieve. At least I think I met them; it’s so hard to distinguish fact from fiction in the strange swirl of sound the Associates make. * * None the less, here’s a stab at truth: In three Norton Union rooms at the same time, artists played in the same concert. The audi ence, schedule in hand, played hopscotch. The schedule suggested not to “be disturbed by the music and/ or the musicians . . . move freely from one room to another and you can choose the one most interesting to you . . . you can take a break from listening and go to the basement for some refreshment, to play ping pong or bowl . . .” OK. In the Fillmore Room the SEM Ensemble performed “Al tas Eclipticalis,” an electronic piece by John Cage, composed of cymbal sawings, electrified tape pealings and chain crum blings, with resonances of a table top and coat rack: Sounds from strange places strung out with enough silence as to be in teresting. ** Associate Petr Kotik’s “Contrabandt,” was a hostile, alienating piece using the simi lar instruments. It as unlike Kotik’s later work “Alee,” per formed by wind instruments with three strings, a haunting development of single note sounds, which was strangely evocative of the droning Indian tanpura being played in Haas Lounge, where Mamta Bhargava sang and played the sitar with Subhash Nadkarni, who accom panied these “Songs from In dia” on the drum. Meanwhile, the audience scur ried from one room to another, darting glances at one another. Students with tape recorders in terviewed the passing crowds. Two dogs, who were not inter viewed, loped around, in a dis tracted manner. Some persons sat against the wall in the corridor. Some looked like they had just pulled their heads out of an electrical socket. Others, the para straights, looked like they’d like to find the socket. * * * If Haas Lounge was an other continent, the Conference Theater was, sometimes, anoth er time zone. Here was Franti sek Benda’s exciting “Sonata F dur (1760) for flute and harpsi cord” performed by MR. Kotik and Stephen Manes. Pianist Ju lius Eastman performed two Mo zart sonatas. But in the same room there was Christian Wolff’s 1969 “Stiks” during which tree branches with dying leaves were pummelled on stage, and Cage’s “Sole for Sliding Trombone,” performed by James Fulkerson, which was more a solo for silence with incidental trombone. So what about it all? An over heard conversation—“You want to hear the absolute, definitive explanation of this whole thing? “Sure, what is it?” "I don’t know.” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A concert in 3 rooms by Creative Associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-09-30 With references to the following additional composers: John Cage, Petr Kotik, Frantisek Benda, Mozart, Christian Wolff Note: Eastman performed Mozart piano sonatas Creator An entity primarily responsible for making the resource Bannon, Anthony Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-10-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_061 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c34796a49ac255324bf7418b43d61a8f.pdf 49560273e6f1abfe1d0c21cda092b0de PDF Text Text PETR KOTI K- Composer flutist CONFERENCE THEATRE You 8:30p.m. Couple (1959). . . . . . . . . . . . . . . . . . Sylvana Bussotti for flute and piano PETR KOTI K, director ROBERTO LANIERI JEFF SILBERMAN JAN WILLIAMS Sequenza (1958) .... . . . . . . . . . . . . . . Luciano Berio for flute Sonata F dur ( 1760) . . . . . . . . . . . . . . . Frantisek Benda for flute and harpsichord Adagio Allegro Vivace Stiks ( 1969) . . . . . . . . . . . . . . . . . . . . with friends Christian Wolff Petr Kotik, Stephen Manes and friends 9 :00p.m. Sonata for piano in E flat Major K 282 .... W. A . Mozart Sonata for piano in D Major K 311 . . . . . . . W. A. Mozart Julius Eastman 9:30p.m. Sequenza 5 . . . . . . . . . . . . . . . . . . . . . Luciano Berio for trombone Solo for sliding trombone ...... . . . . . . . . . John Cage ensemble GUESTS JOHN HEITMANN flute DARLENE REYNARD bassoon KENNETH WELLS French horn DON MONTANO trumpet JOHN ADAMS trumpet KEN HAFNER trumpet JAMES FULKERSON trombone MICHAEL KELLER trombone MARK SOKOL violin JESSE LEVINE viola DIANE WILLIAMS viola JULIUS EASTMAN piano STEPHEN MANES piano, harpsichord AcGfenos . . . . . . . . . . . . . . . . . . . . . . . Alcides Lanza James Fulkerson with Amram Chodos, Roger Sh~wan:l, Zwickle~ John Heitma ~ura - Conductor S.E.M. GEORGE RITCHER Audio Technician This program will be taped by WBFO for later broadcast � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original un-remediated document. https://digital.lib.buffalo.edu/files/original/546aa07f0e16aed1649782de104b0392.pdf 5b99cb4ab8dd08500cd21c7f2441d406 PDF Text Text Petr Kotik - Composer flutist Conference Theatre 8:30 P.M. Couple (1959)................................ for flute and piano Sylvano Bussotti Sequenza (1958)........................................... for flute Luciano Berio Sonata F dur (1760)...................................... Frantisek Benda for flute and harpsichord Adagio Allegro Vivace Stiks (1969)................................................ with friends Christian Wolff Petr Kotik, Stephen Manes and friends 9:00 P.M. Sonata for piano in E flat Major K 282_ W. A. Mozart Sonata for piano in D Major K 311............... W. A. Mozart Julius Eastman 9:30 P.M. Sequenza 5 ................................................... for trombone Luciano Berio Solo for sliding trombone...................................... John Cage Petr Kotik, director Roberto Lanieri Jeff Silberman Jan Williams ensemble Guests John Heitmann Darlene Reynard Kenneth Wells Don Montano John Adams Ken Hafner James Fulkerson Michael Keller Mark Sokol flute bassoon French horn trumpet trumpet trumpet trombone trombone violin Jesse Levine Diane Williams Julius Eastman Stephen Manes viola viola piano piano, harpsichord Acufenos........................................................ Alcides Lanza James Fulkerson with Amram Chodos, Roger Shields, Howard Zwickler, John Heitman, Franc Collura — Conductor S.E.M. George Ritcher Audio Technician This program will be taped by WBFO for later broadcast � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative Associate Recital I Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-09-30 Note: Eastman performs Mozart piano sonatas, original concert date was May 6th Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_060 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/129ab1774f2c5046466fd381ada02cc3.pdf 94102384499c37ac105bfc1c2739fd22 PDF Text Text Reporter Creative Associates Seventh Season Opener*: Three simultane ous musical events in Norton. Fillmore Room (begins at 8 P.M.): Live electronic music per formed by the Creative Associ ates, S.E.M. Ensemble, guest par ticipants and the audiences. Works by John Cage, Petr Kotik, Frederic Rzewski and Cornelius Cardew. Conference Theatre (begins at 8:30 P.M.): Performances by Cre ative Associates and guests. Works by Sylvano Bussotti, Luci ano Berio, Christian Wolff, W. A. Mozart and Alcides Lanza. Haas Lounge (begins at 9 P.M.): Mamta Bhargava sings, plays the sitar and introduces songs from India. Subhash Nad karni provides drum accompani ment. The Creative Associates, mem bers of the Center of the Creative and Performing Arts, are a group of young professional musicians and theatre people who come to live in Buffalo to study and per form new music, mixed-media and theatre. The Center was founded in 1964 with Lukas Foss and Allen Sapp as co-directors. Since 1968, Lejaren Hiller, a pi oneer in computer music, has been co-director with Mr. Foss. Members of the Center for the 1970-71 season include: Doug Davis, cellist; Joseph Dunn, the atre director; Stuart Fox, guitar ist; Roger Shields, pianist; Mark Sokol, violinist; Jesse Levine, vio list; Howard Zwickler, percussion ist; James Fulkerson, trombonist composer; Petr Kotik, flutist-com poser; Frank Parman, play wright; Julius Eastman, pianist composer; George Ritscher, elec tronic engineer; and Jan Wil liams, percussionist-conductor. [September 24, 1970] Music Recital**: Featuring Rus lana Antonowicz, piano, and Al len Sigel, clarinet. Works by Dussek, Reger, Hoddinott and Milhaud. Baird, 8:30 P.M. Tic kets available at the Baird Tic ket Office: general admission $1.50, faculty and staff $1.00, stu dents $.50. Allen Sigel is professor of mu sic at U/B and prior to joining the University in 1960, he was first clarinetist with the Buffalo Philharmonic Orchestra. He is the author of “The 20th Century Clarinetist” and “A Comparative Study of the Music Instruction at Selected European Conservator ies of Music.” He spent this sum mer in England on a Universitysponsored project, “The British Tradition of Clarinet Playing.” Ruslana Antonowicz was grad uated from the Academy of Mu sic in Vienna with highest honors and has toured extensively in this country as well as in Europe and South America. Before coming to Buffalo in 1968 as assistant professor of music she taught at the Peabody Conservatory of Mu sic and at Vassar College. She will tour major European cities in January 1971. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associates seventh season opener Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-09-24 With references to the following additional composers: John Cage, Petr Kotik, Frederic Rzewski, Cornelius Cardew, Sylvano Bussotti, Luciano Berio, Christian Wolff, W.A. Mozart, Alcides Lanza Source A related resource from which the described resource is derived Reporter Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_059 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/67b36bc7e16560a2fdea3df09e2b4217.pdf a92587389a5ea49cb6d1ac43c184824f PDF Text Text Buffalo Evening New September 18, 1970 Creative Associates Plan Bright Music Adventures Those far-out young com posers, players, stagers and all-purpose visionaries titled the UB Creative Associates are heading into their seventh season with bright plans in cluding a few jolts for customary tradition and new ventures into music theater. The Sunday series titled “Evenings For New Music” in Albright-Knox Art Gallery auditorium will be continued, with concerts on Nov. 1, Dec. 6, Feb. 14 and May 2. * * These programs will be taken on tour, and there will be presentations in Carnegie Recital Hall, Metropolitan Museum of New York, Donnell Library of New York, Nassau Community College, State University at Albany and Stony Brook, Niagara Community College, New York Automation Institute, and possibly Mont real or Ottawa. The Creative Associates also will offer their own recitals in Baird Hall, both classics and moderns, and there will be a new emphasis on programs in Domus arts center, six in all, stressing mixed media and theater. A season-opening pro gram will be held Sept. 30 at 7 PM in Norton Hall, presented by Czech-born, Vienna-trained composer Petr Kotik and col leagues. * * * The Opening gallery pro gram, Nov. 1, will honor center directors Lukas Foss and Le jaren Hiller with performances of their new compositions, and pay tribute to center co founder Allen Sapp, composer who now heads College B, with a presentation of his new chamber work. Of the 10 Creative Associates at work this season, five are newcomers; Douglas Davis, Los Angeles cellist and Tchaikovsky Com petition finalist in Moscow. He has been a member of San Fernando Valley State College faculty. Stuart Fox, guitarist, M.A. graduate of the University of Southern California, performer in the Ojai Festival. Roger Shields, pianist, bachelor and master degrees from the University of Illinois, a prize winner in the 1969 Busoni Competition in Italy. Mark Sokol, violinist, founder of the West Point Quartet, graduate of the Juilliard School, native of Percussionist William Furioso Seattle. and clarinetist Roberto Laneri, Jesse Levine, Buffalo Philharmonic principal violin both busy composers, will be ist, recitalist in Latin America graduate fellows in the pro under auspices of the State gram. The UB Center of the Department, featured perform er in several festivals and a Creative & Performing Arts, frequent Philharmonic soloist. co-ordinator Renee Levine, is * * * awaiting word from the Returning associates, all Rockefeller Foundation on the center’s proposal to add a composers, are: Ju1ius Eastman, bass singer and dancer, theater director and pianist; James Fulkerson, playwright to the program, trombonist; Mr. Kotik, a well- with a view to expanding its known flutist; George mixed media plans. But even Ritscher, electronic technician, as is, a season of considerable and Jan Williams, variety and inventiveness is percussionist and conductor. promised. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associates plan bright musical adventures Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-10-01 With references to the following additional composers: Petr Kotik, James Fulkerson, George Ritscher, Jan Williams, William Furioso, Roberto Laneri Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_058 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/95fd9d559d58f3cb441dbc751d7b7dec.pdf 4635bfe4a4154de1236a0f65088fdcc5 PDF Text Text 24 Buffalo Courier-Express, Sunday, Sept. 13, 1970 UB Arts Center Slays ‘The Usual’ Seventh Season Offers Wide Range of Original Works Returning Members of the Center are Julius Eastman, composer and pianist; James Fulkerson, composer and trom bonist; Petr Kotik, composer and flutist; George Ritscher, elec tronic technician; and Jan Wil liams, percussionist and con ductor. New members include Jesse Levine, principal violinist of the Buffalo Philharmonic Orchestra and a frequent performer in past seasons with the Center; Doug las Davis, cellist from Los An geles, and a finalist in the Tchai kovsky Competition in Moscow. By Tom Putnam The Creative Associates will resume new music activities this month when the Center of the Creative and Performing Arts begins its seventh season at the University of Buffalo. It should be another interest ing year, for the musicians and composers, who are the CAs, are an imaginative bunch. Programs generally run the scald of 20th century music—from Bartok to Berio, Stravinsky to Stock hausen. Dull routine is a monster easi ly slain on Center programs. Here Are Some of the events scheduled so far: —The opening “Evenings for New Music" concert Nov. 1 at the Albright-Knox Art Gallery Will Include the first perform ance of a quarter-tone string quartet by Lejaren Hiller, co director of the Center. —The same program Nov. 1 Will include the first perform ance of a chamber work writ ten for the Center by Allen Sapp, former director of the Center. —The new work by Lukas Foss, "M.A.P.,” will be perform ed Nov. 21 at Domus. “M.A.P.” was composed for the summer festival at St. Paul de Vence, France. —Center CO - Director Foss will conduct a work by British composer Peter Maxwell Davies on the “Evenings for New Music" concert Nov. 1. —The first CA recital will be a program organized by com poser and flutist Petr Kotik Sept. 30 at Norton Union, Uni versity of Buffalo. This year the Center plans to continue broadening its activity in mixed media and theater. Other New members are Stuart Fox, guitarist from Los Angeles, who has performed at the Ojai Festival in California; Roger Shields, pianist from the University of Illinois; Mark So kol, violinist from Seattle, found er of the West Point String Quar tet; and Howard Zwickler, per cussionist, former faculty mem ber of State University at Brock port. The graduate fellows are Wil liam Furioso, percussionist, and Roberto Laneri, clarinetist. Creative Associates in rehearsal at UB . . . Center begins 7th season Sept. 30 Special programs are scheduled at Domus, university perform ing arts center at 1695 Elmwood. There are 11 members of the Center this season, and two graduate fellows. Fellowships may be given to a dancer, a the ater director and a playwright— if the Center receives a founda tion grant. There Will Be five “Even ings for New Music” concerts— Nov. 1, Dec. 6. Feb. 14, and May 2 at the Albright-Knox Art Gallery, and March 24/25 at Do mus. Complementing the “Evenings" series are the CA recitals by in dividual members of the Center. Nine CA recital programs ara scheduled: Sept. 30 (UB Norton), Oct. 21 (UB Baird Hall), Dec. 30 (Domus), Jan. 23 (Domus), Feb. 6 (Baird Hall), Feb. 27 (Baird Hall), March 10 (Baird Hall), April 14 (Baird Hall), and May 9 (Domus). � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB arts center slays 'the usual' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: unknown With references to the following additional composers: Lejaren Hiller, Lukas Foss, Peter Maxwell Davies, Petr Kotik, James Fulkerson Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_057 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/d3a11e83b3d45d7e9a85b4b59621118c.pdf 93f2473225cd8d902f7d9a10ba1cb212 PDF Text Text The Library Buffalo Evening News [May 9, 1970] UB Composers Adjust Quickly, Head Downtown By Carol Steiner In a quick and resourceful arrangement, State University of Buffalo composers came downtown Friday evening, in a change of location from tear gassed Baird Hall, and gave their concert in Central Lib rary auditorium with a num ber of assisting performers. It seemed to give something added to think about during the performance of Carlo Pinto’s “Tre Frammenti di Guerra,” songs of the Resistance Move ment in Venice during World War 2. The text was by Rina Pinto, sung by baritone Heinz Rehfuss, MR. Pinto accompany ing. * * The Pieces express the cold fear, pride, and commitment of the Italian Resistance work ers, and the personal experi ence of the composer and his wife. The piano’s subtle word and mood painting balanced the calm, classic tones of MR. Reh fuss, usually a more emotional singer. Changing the mood, Lejaren Hiller’s 1950 Piano Sonata No. 4, performed by Frina Boldt, was a pedestal-tipping piece that spoofed every musical cliche of the past 200 years. It is boldly written in classic forms, all jumbled together, uses time-honored contrapuntal techniques with unholy cunning, and gives harmony a 10th Ave. slaughter. It delighted the audi ence. MRS. Boldt played the part like Victor Borge, and Prof. Hiller, a gentleman with salt and pepper hair who writes on the Moog Synthesizer, smiled paternally throughout. * * William Kothe’s “Johan nes Kelpius,” a short cantata about the German - American 17th Century mystic, showed again MR. Kothe’s inspired un derstanding of the human voice. All the purity and quality in the University Chamber Choir directed by Peter Van Dyck was needed. It is totally eco nomic in form and line, un pretentiously glorious, and as innocent as divine knowledge. John Thomas’ “Canciones,” sung by Julius Eastman with clarinetist Roberto Laneri, are terrifying pieces. MR. Thomas calls them neurotic. They are more the expression of the workings of the mind afflicted with deep psychosis-barren, desolate, unable to communi cate. Only at the end of this 1970 “Pierrot Lunaire” is there an interaction with the outside world, a bitter address to a linnet. Other works were Allen Sapp’s craftsmanlike, tradi tional Four Impromptus played by skilled pianist Nor ma B. Sapp; Ramon Fuller’s rather bland Three Paramet rical Studies for Moog Syn thesizer, and Robert Mols’ “Three for Eight,” a sound college cheerfully inventive. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB composers adjust quickly, head downtown Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-07 With references to the following additional composers: Carlo Pinto, Lejaren Hiller, William Kothe, John Thomas, Allen Sapp, Ramon Fuller, Robert Mols Note: Eastman as performer in John Thomas' Canciones Creator An entity primarily responsible for making the resource Steiner, Carol Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_056 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7005c14060776b7c0f242736cd3d0e2b.pdf ea2a0490674c5eeb4dec75822ef3b608 PDF Text Text Courier Express [May 9, 1970] Review UB Faculty[BC Composers Air Works By Thomas Putnam The program of music by University of Buffalo faculty composers Friday night at the Central Library Audit[illegible] drew a smaller audience than it deserved. The program was moved from UB Baird Hall which had been contaminated by tear gas Thursday night. Seven works were performed, ranging in mood from the very serious “Tre Frammenti di Guerra’’ by Carlo Pinto (poems by Rina Pinto) to the amusing Piano Sonata No. 4 by Lejaren Hiller. Heinz Rehfuss, the baritone, gave a dramatic performance of the Pinto songs, which form a continuity. The piano, played by the composer, is anxious with tight harmonic clusters and nervous lines. Big Toned Cascades The Hiller sonata, one of his more enjoyable pieces, is a hodgepodge of styles from Bee thoven to pop dance music, and it often sounds like good silent movie music. Frina Boldt gave a committed performance, al though she was broke up slight ly when audience laughter became unrestrained during the middle movements, Her roman tic cascades were big toned. William Kothe’s small dra matic piece for baritone (Den nis Price), tenor (Alan Creech) and chorus (the University Chamber Choir, directed by Peter Van Dyck), “Johannes Kelpius,” was well balanced and pleasant to hear — with quite fine singing by the cham ber choir. Rigid Rhythm John Thomas’s “Canciones” for baritone Julius Eastman and clarinet Roberto Laneri was an attractive work made from singing lines which skip widely, yet maintain musical direction. Allen Sapp’s Four Impromp tus were drifting and impres sionistic, muscular, rigidly rhythmic and boldy energetic. The performer. Norma Sapp, made the music a progression of intensity. The remaining work for com ment (Robert Molis’s "3 for 8” came too late for review) is Ramon Fuller’s Three Para metrical Studies for Tape. The electronic music is brightly articulated and includes a series of accelerating chipping sounds which were abstractly amusing. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB faculty composers air works Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-07 With references to the following additional composers: Carlo Pinto, Lejaren Hiller, William Kothe, John Thomas, Allen Sapp, Robert Mols Note: Eastman as peformer on Thomas' Canciones Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_055 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/14af19429f780ab0b5741966498781ef.pdf 067aa01ff5024f285a731ddf144d5b0c PDF Text Text Program * Four Impromptus (1957).............................................................. Allen Sapp Norma Sapp, piano 2 * Three Parametrical Studies for Tape (1970)..................... Ramon Fuller 1. Randomness in Pitch and Rhythm 2. Discontinuity 3. Temporal Density 3 *Tre Frammenti di Guerra (1970)................................................. Carlo Pinto I ferri. del mestiere Il sogno Leo Heinz Rehfuss, bass-baritone Carlo Pinto, piano 4 * Piano Sonata No. 4 (1950)..................................................... Lejaren Hiller 1. Andante ; Allegro vivace 2. Andante con moto; Allegretto vivace 3. Alla marcia 4. Prestissimo Frina Boldt, piano Intermission 5 * Johannes Kelpius (1970)....................................................... William Kothe Dramatis Personae Johannes Kelpius............................................... Dennis Price, baritone William Penn.............................................................. Alan Creech, tenor Chorus.................................................. The University Chamber Choir Peter Van Dyck, Director 6 * “Canciones” (1967)................................................................. John Thomas Del rosal vengo La sierra es alta A unjilguero Julius Eastman, baritone Roberto Laneri, clarinet � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Composers' Concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-05-08 Note: Eastman as performer in Canciones by John Thomas Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_054 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9cc541b8b8a07991864cc13a5865e696.pdf 148792e884653ff5f6296753e5e9dc83 PDF Text Text Conference Theatre 8:00 P.M. Sonata for piano in E flat Major K 282...... W.A.Mozart Sonata for piano in D Major K 311.............W.A.Mozart Julius Eastman 8:30 P.M. Couple (1959)....................................... Sylvano Bussotti for flute and piano Sequenza (1958).........................................Luciano Berio for flute Sonata F DUR.........................................Frantisek Benda Adagio Allegro Vivace for flute and harpsichord Density 21.5 (1936).................................. Edgar Varese for flute Shrinx (1913)....................................... Claude Debussy for flute Petr Kotik and Stephen Manes 9:00 P.M. Mignon 2 "Heiss mich nicht reden..."........ Hugo Wolf Mignon 2 "Nur wer die Sehnsucht kennt..."Hugo Wolf Mignon 3 "So lasst mich scheinen..."......Hugo Wolf Mignon - "Kennst du das Land" Petr Kotik - Composer flutist William Furioso Petr Kotik, director Roberto Lanieri Jeff Silberman Gwendolin Sims S.E.M. ensemble Jan Williams Guests Jerry Kirkbride Kenneth Wells clarinet French horn Frank Collura trumpet John Adams trumpet James Fulkerson trombone Michael Keller trombone Kenneth Fung violin Diane Williams viola Mary Lane cello Julius Eastman Stephen Manes piano piano, harpsichord Frauenliebe und Leben - a cycle....... Robert Schumann Gwendolin Sims and Stephen Manes This program will be taped by WBFO for later broadcast � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associate recital VII Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-05-06 Note: Eastman performs Mozart piano sonatas, performance was cancelled and rescheduled Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_053 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/f4f4ab484e50556de62664be5392b9e1.pdf 36d6bef37c69a918bc5e22119aff5326 PDF Text Text Buffalo Evening News [May 4, 1970] Albright-Knox Gallery Clear Voice, Unclear Work In New Music's Wide Range By Herman Trotter Only 11 years, but a huge philosophical gap, separated the oldest and youngest works on Sunday’s “Evenings for New Music” performance by the UB Creative Associates in AlbrightKnox Art Gallery. They were John Becker’s song cycle “At Dieppe”, and “Thruway,” a theater piece by Julius Eastman for which the entire audience was moved to the Sculpture Court. Becker’s 1959 cycle, perform ed by soprano Gwendolin Sims and pianist Evelyne Crochet, is an atmospheric work which skirts tonality. Miss Sims’ voice was restrained and clear, over chords and arpeggios. Well worth another hearing. MR. Eastman conducted “Thruway,” with Miss Sims, an instrumental ensemble, and the East High School A Capella Choir, Donald Hilliard director. A prologue of jazz in an ad jacent room and amoebic pro jections on the back wall ushered in a scene of recumbent bodies, running figures, religious chanting, abstract busy vocal noises, the chorus walking through the audience as though blind, then back, followed by in struments (ever see a cellist play while walking?) a barrage of film images, Miss Sims singing through the audience as in a trance, then escorted out, choir singing and collapsing one by one, more jazz, out. It all had a riveting dramatic effect, but don’t ask me what it meant. I do know this. If MR. Eastman can ever focus his im mense but scattered talents we’ll hear big things from him. More. The rather lengthy program also included Korean composer Isang Yun’s “Loyang,” featur ing sliding chords, glissandi and sharp bass-drum punctuation, conducted by Jacques Guyonnet, and Swiss composer Juerg Wyt tenbach’s “Three Pieces for Piano,” dedicated to soloist Crochet, brief and basically impressionist sketches of widely varying stride and dynamics, well done. MR. Guyonnet also conducted his own “Good Grief, Jerry,” four pieces written especially for the Creative Associates and their bass, composer Lejaren “Jerry” Hiller. They are es sentially lyric, returning time and again after flights of seem ingly inchoate fancy to touch base on some familiar ground, be it the sound of a string trio or quotations from Wagner. Furious battles on the deeper drums, runaway xylophones and an extended bass flute solo were among the more pleasurable fancies. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clear voice, unclear work in new music's wide range Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-03 With references to the following works by Julius Eastman: Thruway With references to the following additional composers: John Becker, Isang Yun, Jacques Guyonnet, Jerg Wyttenbach Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_052 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/426d756e853045e0841fa886bfbba7b2.pdf 7a6a4f1ba099564c650bcf5c8534caad PDF Text Text Review Courier Express Eastman’s ‘Thruway’ By Thomas Putnam Julius Eastman’s “Thruway,” which was the final work in the Evenings for New Music concert Sunday night at the AlbrightKnox Art Gallery, is described as “a Music Drama, whose sub ject matter concerns the his tory of the Worlds.” Up until the final minutes of the per formance it was not clear what was signified although individu ally some of the events were pleasant to witness. Walk Into Audience At the beginning, colorful changing shapes were projected on a wall of the Sculpture Court, the images of magnified water appearing as a globe of shifting continents. In a room off the main court three musicians play ed jazz. Members of the East High School A Cappella Choir ap peared, three of the young men lying down. The choir moved slowly, singing Eastman’s dense and fluctuating harmonies. Spot lights singled out the individuals, and the nine walked into the audience and touched faces with their hands. Another group of musicians, with violin, clarinet, cello and flute, herded the victims (choir) up against the wall. Some Fine Singing Movement in “Thruway” seemed more carefully plotted than sound, whose random char acter was emphasized by the separation in space of the in strumentalists. There was some fine dissonant singing by the East High Choir, who skillfully added notes to notes until a cluster was rich. The first part of the program in the gallery auditorium in cluded one beautiful musical work, the four songs of John Becker’s cycle, “At Dieppe.” Gwendolin Sims performed the songs with a bright voice and balanced expression. Becker is an American composer who was born in 1886 and died in 1961, The poems are by Arthur Symons. [May 4, 1970] The pianist in the Becker songs was Evelyne Crochet, who also performed Three Pieces for Piano by the con temporary Swiss composer, Jurg Wyttenbach. The music was distinguished by a disjunct piano technique, and, in the last piece, by “grinded timbres” produced by rubbing the piano strings with a wood mallet. Guyonnet Present The Swiss composer Jacques Guyonnet was present to conduct Isang Yun’s “Loyang,” an in strumental work that sounded clean but generated very little excitement, and his own music, “Good Grief, Jerry,” which Guy onnet composed for the UB Cen ter of the Creative and Perform ing Arts. Mostly the piece, des pite the title, was humorless, al though it did include some use of funny text and instrumental mu sic from “Das Rheingold.” The musical terrain was en livened at various spots by in strumental solos, including a quasi improved bass clarinet so lo, sultry bass flute (which on a quavering low minor third sound ed like a muted horn from a dis tance), and percussion with good primitive drumming by three percussionists. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman's 'Thruway' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-03 With references to the following works by Julius Eastman: Thruway With references to the following additional composers: John Becker, Jurg Wyttenbach, Jacques Guyonnet, Isang Yun Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_051 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/082ecd64c138359a9ed5ab5fbcc1997b.pdf c55f82c5a3bfd4d5e12b4bd5a8f40b01 PDF Text Text Evenings For New Music Loyang (1962)..................................................................................Isang Yun Misses Reynard, Verberne; Messrs. Kotik, Richards, Kirkbride, Cash, Furioso, Falcao, Haupt Jacques Guyonnet, conductor Three Pieces For Piano (1969).............................. Jurg Wyttenbach Evelyne Crochet At Dieppe A Song Cycle for Voice and Piano (1959)......................... John Becker Misses Sims and Crochet Good Grief, Jerry (1970)........................................ Jacques Guyonnet Ensemble Conducted by the composer Intermission Audience Proceed To Sculpture Court Thruway (1970).....................................................................Julius Eastman Ensemble and the East High School A Cappella Choir Donald Hilliard, director Conducted by the composer All the works on this evening’s concert are being performed in Buffalo for the first time. R M I Electric Piano/Harpsichord courtesy of Poppenberg’s Inc. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-05-03 With references to the following works by Julius Eastman: Thruway Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_050 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/44e97fca5a90fe7d6d50b2e5800b9736.pdf 65c066dc46aa35c41e44c6fe6a9741cf PDF Text Text The New York Times, Friday, May 1, 1970 5 Works In Finale Of Music Evenings The season’s final Evenings for New Music program, given last night in Carnegie Recital Hall, offered five works that seemed admirably structured for the composers’ purposes but seldom convinced this listener that the purposes were worth while. Isang Yun’s “Loyang,” a tribute to an ancient Chinese city, had a distinct quality, its slowly instrumental combina tions and solo arabesques lovely to hear. One of three trick piano pieces by Jurg Wyttenbach amused with its virtuosic leap ing of the right hand over a left hand holding down a cluster of notes. The late John Becker, once an American avant-gardist, was represented by a bland song cycle, “At Dieppe,” almost impressionistic in style. Jacques Guyonnet’s “Good Grief, Jerry,” long and free-wheeling, dipping once into Wagner’s “Rhein gold,” had some impressively colorful passages but left this listener a Charlie Brown loser. What could be heard of Julius Eastman’s “Thruway,” a “musi cal drama, whose subject mat ter concerns the history of the worlds,” was an ominous me lange of jazz, tape, and live vocal sounds, brilliantly per formed by some black high school singers. Raymond Ericson. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5 works in finale of music evenings Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-04-30 With references to the following works by Julius Eastman: Thruway With references to the following additional composers: Isang Yun, Jurg Wyttenbach, John Becker, Jacques Guyonnet, Wagner Creator An entity primarily responsible for making the resource Ericson, Raymond Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_049 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8e904169712918a114257dc52c5675f5.pdf b9563ec698a546f50de24ae936abae6c PDF Text Text contemporary music at carnegie hall evenings for new music prepared by lukas foss and Lejaren hiller season 1969-70 sixth annual series presented by the carnegie hall corporation in conjunction with the center of the creative and performing arts in the state university of new york at buffalo lukas foss and lejaren hiller directors four thursdays at 8:30 P.M. carnegie recital hall April 30, 1970 At 8:30 P.M. Loyang (1962)* ..................................................................................................... Isang Yun Misses Reynard, Verberne; Messrs. Kotik, Richards, Kirkbride, Cash, Furioso, Falcao, Haupt Jacques Guyonnet, conductor Three Pieces For Piano (1969)*........................................................ Jurg Wyttenbach Evelyne Crochet At Dieppe.................................................................................................................John Becker A Song Cycle For Voice and Piano (1959) Gwendolin Sims and Evelyne Crochet Good Grief, Jerry (1970)*...................................................................Jacques Guyonnet Ensemble Conducted by the composer Intermission Thruway (1970)* ........................................................................................ Julius Eastman Ensemble and the East High School A Capella Choir Donald Hilliard, director Conducted by the composer * First New York Performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-04-30 With references to the following works by Julius Eastman: Thruway Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_048 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/54556d763fa93a7fdb483cb397622dad.pdf f2bb9e1cf4714787dbfafa3874fa9b8c PDF Text Text 1. 2. 3. 4. Good Good Good Good Grief, Grief, Grief, Grief, Elaine (don't do that) Jerry (don't mention it) Anne Laurence (no comment) Alfonso (don't fall asleep) This work, written especially for the Center of the Creative and Performing Arts at the State University of New York at Buffalo, is comprised of four very different parts which may be performed in any order. Composed for ensemble and conducted by the composer. The composer writes: Good Grief, Elaine is written primarily for strings and celesta. This movement is derived in its entirety from four different sets of rhythmic durations. Moreover, the voice is treated purely as a musical instrument. Good Grief, Jerry features percussion, brass, and an organ and piano duo. Both conductor and the musicians have a broad range of choices of performance materials for this "piece mobile." Good Grief, Anne Laurence is a solo for bass flute which sounds an octave lower than the ordinary flute. The orchestra's entrances are cued by the conductor ad lib. Good Grief, Alfonso, in contrast to the previous movements is more concerned with reinforcing the discursive qualities of the voice. At the same time, it also makes use of musical materials drawn from earlier sections of the work. Intermission Thruway (1970)...................................... Julius Eastman (American, b. 1940) Composed for ensemble and the East High School A Capella Choir (Donald Hilliard, director). Conducted by the composer. Thruway is a Music Drama, whose subject matter concerns the history of the Worlds eon eon eon eon Steinway Piano This series is presented by arrangement with the Center of the Creative and Performing Arts in the State University of New York at Buffalo � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for New Music (Rutgers) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-04-29 With references to the following works by Julius Eastman: Thruway Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-29 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_047 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/a86c704477f8554411dafceb57f793bc.pdf 7f0f792c957b4cf818eb3f82bdaad0ad PDF Text Text Buffalo Evening News [April 20, 1970] Domus Center Eastman's Planetary Work Is Stellar Entertainment By Herman Trotter The manifold talents of Julius Eastman and the intense, refined pianism of Ronald Peters were focal points of UB Creative Associates Recital 6, Sunday evening in Domus arts center. MR. Eastman was billed only as composer-choreographer of “The Moon’s Silent Modula tion,” but he also served as nar rator, soloist and purveyor of special vocal effects in this multi-media opus. Supported by orchestra, chorus and soloists under Carlo Pinto's direction, dancers Deb bie Abrams, Mary Fulkerson and Carl Singletary, represent ing Earth, Moon and Sun, delineated variations on the ap propriate galactic motions. Sun and Earth become increasingly disenchanted with the barren moon and banish it to limbo with the deathless declamation, “Take a trip today in your Chevrolet. The universe is ask ing you to call.” * * But There’s trouble at the gulch. Sun and Earth, realizing the gravity of their loss, become totally disoriented and shout ex pletives to exhort the Moon back into its groove, a feat ac complished through a set of variations on solar system movement, and they lived hap pily eons after. The dancing had a sustained planetary momentum, clocklike and sinuous, and there was a spacious, distant quality to the bizarre instrumental-vocal ef fects. It could use some judicious editing, but, withal, was pretty entertaining. * * This Is a big work, full of gesture, it’s core based on an oft-repeated three-note motif. Slicing block-chords, tone clusters and a long crescendo diminuendo of two stolidly op posed repeated chords were played by MR. Peters with an excellent sense of timing, heightening the drama. Walter Kaufman’s 1960 Sonata, however, invites more emotional involvement from the listener. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman's planetary work is stellar entertainment Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-04-19 With references to the following works by Julius Eastman: Moon's Silent Modulation With references to the following additional composers: Walter Kaufmann Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-20 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_046 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a1b43b2f57186c84004a6617988af383.pdf 3b4668959abb04c376d920693477ff9e PDF Text Text Courier Express [April 20, 1970] Review ‘Moon’s Modulation’ Julius Eastman's ballet, “The Moon's Silent Modulation," was performed Sunday night on a program at Domus, 1695 Elm wood Ave. The University of Buffalo Creative Associate re cital included performances by pianist Ronald Peters of works by Robert Ricci, Walter Kauf mann and Lejaren Hiller. The ballet dramatizes the re lationships between the sun, earth and moon, and the disrup tion which results when these relationships are upset. It is an allegory, yet the drama is suc cessful as metaphor. One is in terested in the progress of planets. Orbital Pattern The three dancers move into the open space from two cor ners. The movement is part of an orbital pattern: moon circles earth, earth and moon circle sun. The orbital circles are peaceful. It is the way things are supposed to be. There are fine performances by Debbie Abrams as the earth, Mary Fulkerson as the moon and Carl Singletary as the sun. Their dance of the planets is a slow, smooth coordination of rhythm and space. Disorder first appears as a nervous tic. a quick, mechanical step. Miss Fulkerson moved with crazy, jerky hops and Miss Abrams became a mechanical toy wound too tightly. Moon leaves the dancing space, and the dance of earth and sun be comes turbulent. Miss Abrams circled slowly while placing her hands on different places of her body, giving the impression of fear and uneasiness. Singletary was a proud jumping sun. Orbiting Game In the resolution of the im balance the dancers play an orbiting game. Miss Fulkerson re-establishes her position in the trio of forces by running to catch up with the pattern of earth and sun. Eastman, who composed the music and did the choreography, read his own poem. It was effec tive in providing reference points, but much of the text was obscured. The music by string players, chorus, percussion and flute was conducted by Carlo Pinto. The score was heavy with dense string and choral sound, percussion clamor, and elec tronic flashes of flute. T.P. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Moon's Modulation' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-04-19 With references to the following works by Julius Eastman: Moon's Silent Modulation With references to the following additional composers: Robert Ricci, Walter Kaufmann, Lejaren Hiller Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-20 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_045 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only