356 100 60586 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Notes] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 120 minute Sony sound cassette possibly in the 1980s. Recording of notes by Joy Walsh on poetry and for her magazine Moody Street Irregulars. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC006 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC006.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, September 2, 1972] / John Clennon Holmes and Joy Walsh. Creator An entity primarily responsible for making the resource John Clennon Holmes and Joy Walsh. Description An account of the resource Recorded by Joy Walsh on two 90 minute Realistic sound cassette on September 2, 1972. Recording of an interview with John Clennon Holmes conducted by Joy Walsh on the topic of Jack Kerouac. Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context MSC016 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC016.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Original music] / Connie Makris. Creator An entity primarily responsible for making the resource Connie Makris. Description An account of the resource Recorded by Joy Walsh on a 90 minute sound cassette recorded possibly in the 1980s. Recording of original music by Connie Makris inspired by a Jack Kerouac musical. Recorded by Joy Walsh. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC030 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC030.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Prose reading] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 90 minute Realistic sound cassette in the 1980s. Recording of Joy Walsh reading prose and poetry, including Gregory Corso's work on Jack Kerouac. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC056 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC056.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Joy Walsh interview] / Mary Van Vorst, interviewer. Creator An entity primarily responsible for making the resource Mary Van Vorst, interviewer. Description An account of the resource Recorded on a 60 minute Supertape sound cassette and broadcast as a Spoken Arts Radio interview on October 17, 1989 on National Public Radio. Mary Van Vorst interviews Joy Walsh about her poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context MSC043 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC043.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 90 minute Radio Shack sound cassette. Recording of interviews and notes taken at Nicky's in Lowell, Massachusetts conducted by Joy Walsh on the topic of Jack Kerouac for her magazine Moody Street Irregulars. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context MSC029 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Title A name given to the resource [Interviews and notes taken at Nicky's in Lowell, Massachusetts, April 6, 1979] / Joy Walsh. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC029.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and notes] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on two 90 minute Radio Shack sound cassettes possibly in the 1980s. Recording of interviews and notes by Joy Walsh on the topic of Jack Kerouac for her magazine Moody Street Irregulars. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC049 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC049.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University] / David Wilk ... [et al.]. Creator An entity primarily responsible for making the resource David Wilk ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.David Wilk reading:Sassafras --The change --Plants and prayers --Valley life --Babe Ruth poems --Nevada U.S. 50 --Green River --They love to see you totter --Hammer and whistle --I'm sick --Rocky boy --The story of death retold. --Charles Stein reading:The danger --I noticed --Old chair, hello --Nepture on Stony Island --There are among men --The ancestors --He is looking at something --Misty morning --The obstacle unblocks --The day of the bell --Buzz saws --Pile of coins --Pile of coins --The shapes of time --In a postcard. --Disc 2.The seed was planted --That stone you should call --There is a dog. --John Wieners reading:Just an ordinary Joe --A poem for the old man --A poem for cocksuckers --Strange --For I have seen love --My mother --The acts of youth --Music for Gerrit. --Kenward Elmslie reading:Gerrit in the hotel of death --Ducal day --Sky diver curbs --Revolutionary letters --Motor disturbance --Fig mill. --Disc 3.From The orchid stories. --Charles Shively reading:In avocado splendor --Visions are forced upon me --License to innocence. Description An account of the resource Recorded at Kent State University by Robert Bertholf in the 1970s. Poetry readings by David Wilk, John Wieners, Charles Stein, Kenward Elmslie, Charles Shively. There are some audio issues on disc 2 which slightly impact the listenability of the recording. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context CUR018 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR018.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Allen Ginsberg. Creator An entity primarily responsible for making the resource Allen Ginsberg. Description An account of the resource Recorded by Joy Walsh on a 90 minute Realistic sound cassette in the 1980s. Recording of a poetry reading by Allen Ginsberg however, the sound recording is very poor and almost inaudible throughout its entirety. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC013 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC013.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, June 15, 1975] / William Bronk. Creator An entity primarily responsible for making the resource William Bronk. Table Of Contents A list of subunits of the resource. Gnomon of the pronouns (excerpts) --Finding losses (excerpts) Description An account of the resource Recorded at Kent State University by Robert Bertholf on June 15, 1975 on a 60 minute Scotch sound cassette. Poetry reading by William Bronk at Kent State University. The audio quality is very poor and distorted. Bronk reads from Gnomon of the pronouns and from Finding losses. Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context CUR007 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:34:18 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR007.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, February 12, 1977] / Tony Landreau and George Butterick. Creator An entity primarily responsible for making the resource Tony Landreau and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Scotch sound cassette on February 12, 1977. Recording of an interview with Tony Landreau conducted by George Butterick which focuses on Landreau's recollections of Charles Olson. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context BUT002 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:20:14 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT002.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, January 4, 1980] / Alex Smith with Alan Bernheimer. Creator An entity primarily responsible for making the resource Alex Smith with Alan Bernheimer. Description An account of the resource Recorded for George Butterick on a 90 minute TDK sound cassette on December 6, 1979 and broadcast on Pacifica Radio in San Francisco on January 4, 1980. Recording of an episode of In the American Tree hosted by Alan Bernheimer. This episode features poet Alex Smith. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context BUT016 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:10 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT016.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Review of George Butterick] / Alex Smith. Creator An entity primarily responsible for making the resource Alex Smith. Description An account of the resource Recorded for George Butterick on a 90 minute Scotch sound cassette on March 21, 1977 in Willimantic, Connecticut from radio station WILI. Recording of Alex Smith's review of George Butterick's Reading Genesis. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context BUT013 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:03:28 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT013.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Gerard Malanga, Charles Olson and George Butterick. Creator An entity primarily responsible for making the resource Gerard Malanga, Charles Olson and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Realistic sound cassette. Specific information on the date and place are unknown, but the interview was probably conducted in the 1969. Recording of an interview with poet Gerard Malanga and Charles Olson conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1969? Identifier An unambiguous reference to the resource within a given context BUT007 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:55:27 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT007.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion of Charles Olson] / George Butterick. Creator An entity primarily responsible for making the resource George Butterick. Description An account of the resource Recorded for George Butterick on a 7 inch Lafayette reel-to-reel tape, possibly in 1963. Recording of a discussion of Charles Olson by George Butterick on WFUV-FM radio program "The Poet's Corner". Butterick was a senior at Manhattan College at the time of this interview. Date A point or period of time associated with an event in the lifecycle of the resource 1963? Identifier An unambiguous reference to the resource within a given context BUT040 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:25 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT040.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, December 7, 1975] / William Bronk and Robert Bertholf. Creator An entity primarily responsible for making the resource William Bronk and Robert Bertholf. Description An account of the resource Recorded at Kent State University by Robert Bertholf on December 7, 1975 on a 7 inch reel-to-reel tape. Robert J. Bertholf interviews William Bronk while the poet was at Kent State University. Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context CUR037 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 02:04:59 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR037.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Allentown Community Center, Buffalo, N.Y., April 10, 1987] / Alice Notley. Creator An entity primarily responsible for making the resource Alice Notley. Table Of Contents A list of subunits of the resource. Love song --In ancient December --Get away --All my life --Songbook --Homage to Marianne Moore --Margaret and Dusty --Sweetheart --Fate --I was born --Corpus Sagrada --In this paradise --What to bring --I the people --In the dark I --We live in a city of dead voices --Where one keeps faster than that --More important than having been born is your city --But might the earth & wind --You want to too hard --Parts of a wedding --You were walking away --This chair --Guard this mark with your air --Amorcord --At night the states --Too many of these stories. Description An account of the resource Recorded at Allentown Community Center in Buffalo, N.Y. on April 10, 1987 by Paul Hogan on Maxell 60 minute cassette tape. Hogan donated the recording to the Poetry Collection. Alice Notley reads poems from her works: Margaret and Dusty and Parts of a wedding. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG068B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:42:59 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG068B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, February 20, 1991] / Steve McCaffery, Karen Mac Cormack. Creator An entity primarily responsible for making the resource Steve McCaffery, Karen Mac Cormack. Table Of Contents A list of subunits of the resource. Karen Mac Cormack reading:In the editing of a current violence --Sentinel --Dominoes --Two candelsticks --Fifth force --Quirks and quillets (excerpts) --Hardcover. --Steve McCaffery reading:The code of system four --The printer to the reader --Invariant --Little Hans --Gnotes. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on February 20, 1991 on a 90 minute Maxell sound cassette. Recording of a poetry reading by Steve McCaffery and Karen Mac Cormack. Date A point or period of time associated with an event in the lifecycle of the resource 1991 Identifier An unambiguous reference to the resource within a given context PCR209 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR209.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival at Kent State University, April 1974] / Joel Oppenheimer ... [et al.]. Creator An entity primarily responsible for making the resource Joel Oppenheimer ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Ines Brolaski:When the earth had been created --They have made the teepee poles of Galena. --Barbara Einzig reading:In the east, the big blue mountain spirit. --Disc 2.Ed Dorn reading:Green poems --The nicest of cities --The Apache dispatch. --Joanne Kyger reading:Into the self --Oh great and gifted one --When I used to focus on the worries, everybody --As usual, there are several simultaneous rushes --Without her, no woman has the power --What is the matter --The light load --Never do a thing until --When I was well into being savored, I did not want --You leave a pretty room --When I step through the door. --Joel Oppenheimer reading:Events --Lesson I --The boys whose fathers --Ikay --The fourth ark royal. --Ines Brolaski reading:Long ago the Apaches were on their way --And so then the women began --There is beauty before me. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio in April 1974 on a 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of a poetry reading by Joanne Kyger, Ines Brolaski, Ed Dorn, Barbara Einzig, and Joel Oppenheimer. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context CUR048 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:27:57 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR048.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Panel discussion at the Creative Arts Festival at Kent State University, April 1974] / Sam Fuller ... [et al.]. Creator An entity primarily responsible for making the resource Sam Fuller ... [et al.]. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio in April 1974 on a 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of a panel discussion on the American West. Panelists included: Sam Fuller, Ines Brolaski, Ed Dorn, E.L. Doctorow, Joel Oppenheimer. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context CUR050 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:03:03 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR050.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, October 19, 1973] / Frank Sampieri. Creator An entity primarily responsible for making the resource Frank Sampieri. Table Of Contents A list of subunits of the resource. Disc 1.Song book --Morning and evening --The triune --In the midst of nature --The poet --Purified of all imagery --Inward the eye --Beyond voice --Sitting seeing another --The god in the wood. --Disc 2.Lecture by Will Petersen. Description An account of the resource Recorded by Robert J. Bertholf on a 7 inch Scotch reel-to-reel tape on October 19, 1973 at Kent State University. Recording of Frank Samperi poetry reading. The poet reads from Song Book, published in 1960 and The Fourth, published in 1973. Disc 2 features a lecture by Will Peterson about lithography. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context CUR044 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:57:45 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR044.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Martin House, Buffalo, N.Y., April 13, 1988] / Rosmarie Waldrop ... [et al.]. Creator An entity primarily responsible for making the resource Rosmarie Waldrop ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Rosmarie Waldrop reading:Inserting the mirror. --Charles Bernstein reading:Dark city (excerpts). --Disc 2.Susan Howe reading:first line of text:[Daniel Ricket's son from Henry David Thoreau walked on mount vision] --John Clarke reading:Cake --The man who looks at the world --The return of Pecody --Broke him up from his delving root --The new writing conundrum --Metanoya --Although I don't compete with Herman Melville --Completing the circuit of Circe --The torn leaf --The sirian goddess --Sirian halocentrism --Untitled (My apple) Description An account of the resource Recorded by Paul Hogan at the Martin House in Buffalo, N.Y. on April 13, 1988 on a 90 minute TDK sound cassette. Poetry reading by Rosmarie Waldrop, Charles Bernstein, Susan Howe and Jack Clarke. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context HOG045 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:25:50 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG045.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and lectures at the University at Buffalo, October 13-14, 1970] / W.S. Merwin. Creator An entity primarily responsible for making the resource W.S. Merwin. Table Of Contents A list of subunits of the resource. Disc 1.Make this simple test --Lemuel's blessing --Sabato rola --In the night themes --The poem --My friends --[Chayon tautering the public] --Dachau --The last one --Our coming extinction --Western country --The free --Ash --The woods --The signals. --Disc 2.translations of Jean Follain:Voluntary mutilation --Landscape of a child --On his way to the place of the regions --Appeal to the red haired soldiers --Last judgement --Father and daughter --The tragic in time --Exile --Eve --Signs --Couple --The square --Another time --Light --Humans --A new right arm. --Disc 3.translation of Niconar Parra:The viper. --translation of Blastio Terro:On this earth. --translation of Joseph Brodsky:The monument --The Jewish cemetery --translations of Pablo Neruda:They came for the islands, 1493 --Ode with a lament --translation of Jorge Louis Borges:The generous enemy --I am going because. --translation of folk songs --Throw a crust to the dog --Go sighs --In Avila my eyes --My mother sent me to draw water --The beekeeper kissed me --Do not go out at night. --translation of Friedrich Nietzsche:Casting of the third skin. --translation of Theodore Chucheff:Cicero. --translation of Alexander Blok:Those born in backwater years. --translation of Osip Mandelstam:Tristia --Tartar songs --The sun --Little finger painted with henna --translation of various folk songs:I want someone --Oh sun rising --She is fallen in the dance. --translation of Eskimo poems:Into my head --The dead who climb up to the sky --Last night, you were in a dream. --translation of Sanskrit Indian poems:Bear in mind regrets --When he comes back to my arms. --translation of Crow Native American poetry:It carries death in its eyes --Oh you from when it came --I am climbing --Whatever place. Description An account of the resource Recorded at the University at Buffalo on October 13 and 14, 1970 on a 7 inch Scotch reel-to-reel tape. Recording of a poetry reading and two lectures which featured translations of foreign language poetry by W.S. Merwin. Introduction by Max Wickert. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCR215 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR215.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Program on war May 27, 1958] / Robert Beloof. Creator An entity primarily responsible for making the resource Robert Beloof. Description An account of the resource Recorded on May 27, 1958 on a 7 inch reel-to-reel tape. The program features Robert Beloof discussing the poetry and the life of Hart Crane. Date A point or period of time associated with an event in the lifecycle of the resource 1958 Identifier An unambiguous reference to the resource within a given context OST001 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-OST001.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 23, 1964] / Richard Murphy. Creator An entity primarily responsible for making the resource Richard Murphy. Table Of Contents A list of subunits of the resource. Sailing to an island --Girl at the seaside --Elegy for a battle --The woman of the house. Description An account of the resource Recorded at the University at Buffalo on October 23, 1964 on a 7 inch Sarkes reel-to-reel tape. Poetry reading by Richard Murphy at the University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1964 Identifier An unambiguous reference to the resource within a given context PCR234 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR234.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the San Louis Obispo Poetry and Jazz Festival, June 8, 1976] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. Disc 1.first line of poem:[You entered my sleep] --first line of poem:[Moonlight on Malibu] --first line of poem:[Come, my love] --first line of poem:[Guardian of the gate] --first line of poem:[Who is there?] --first line of poem:[A sword in a cloud of light]. --Disc 2.[Rexroth tells a tale] --Between myself and death --Nicholas, the experimental dog --Sunyappa --An Asian pilgrim on a darkened path --The map of India. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape. Recording of the San Louis Obispo Poetry and Jazz Festival concert featuring Kenneth Rexroth reading poetry with jazz music support by the Marty Wright Quintet, featuring Dick Collins and Johnnie Neville. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context REX001 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX001.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Clayspace in Erie, Pennsylvania, August 6, 1983] / Jack Micheline. Creator An entity primarily responsible for making the resource Jack Micheline. Table Of Contents A list of subunits of the resource. Reflections on saints --Night city --Aunt Tilly's wreck --Hot chicken soup --I wandered around America for years like a lost soul --Love poem on a spring afternoon --I look back at my youth --Board to the Lower East Side --Submarine poem --Dollar bill --Son --Song St. Jacob's Hall --There are hiding places in my room (song) --Poem for proper and the rest of the universe --Poems hidden away in dark moments waiting to burst into the flames of light --Zero is nothing --Zion fell on West Oak Street --People of light --Soul of a lion --Red shirts --The clothes line in the backyard --Some lines written on Kerouacs --No home --Rock song. Description An account of the resource Recorded on a 90 minute TDK sound cassette at Clayspace in Erie, Pennsylvania on August 6, 1983. Spirited poetry reading by Jack Micheline features two separate sets of poetry and music. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Identifier An unambiguous reference to the resource within a given context PCR217 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR217.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Victor Hern? Table Of Contents A list of subunits of the resource. I remember the Lower East Side /Victor Hern? Description An account of the resource Recorded in Buffalo, N.Y. on March 6, 1986 and broadcast on June 8, 1986 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan airs portions of a poetry reading by Cruz and Pietri on his radio program Spoken Arts. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG078A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:36 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG078A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at University at Buffalo, February 1, 1968] / George Montgomery. Creator An entity primarily responsible for making the resource George Montgomery. Table Of Contents A list of subunits of the resource. Of the war --The wounded key --Cram saw for Ezra Pound --Trip --A peace poem for Isabella --A better means of propulsion --Utopic --The classification of hours for Charles Bukowski --The cardinal blessed the soldiers --She sat at the window --Red --The not really nonesense poem --Views from a gorilla --Children, children --1984, if --Boulevard blues for Ray Bresmer --Alice twice between. Description An account of the resource Recorded at the University at Buffalo in on February 1, 1968 on a Scotch 7 inch reel-to-reel tape. Poetry reading by George Montgomery. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR227 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR227.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Allentown Community Center, May 8, 1986] / Victor Hern? Creator An entity primarily responsible for making the resource Victor Hern? Table Of Contents A list of subunits of the resource. Miguel Algarin reading:Mirania sentir tanta calore. --Pedro Pietri:Call to arms --Call to head and shoulders --Fuck all wars --After the 21st drink --Letter from a Vietnam veteran. --Victor Hernandez Cruz:If we woke up tomorrow --The problem is who drank the water --The idea of something called the greehouse effect --I remember the Lower East Side. Description An account of the resource Recorded at the Allentown Community Center, May 8, 1986 by Paul Hogan on a 90 minute Memorex sound cassette. Reading by Victor Hern? Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG026 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:04:12 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG026.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading] / George Kimball. Creator An entity primarily responsible for making the resource George Kimball. Description An account of the resource Recorded by Robert Bertholf, possibly in the 1970s in Ohio on a 7 inch Scotch reel-to-reel tape. Reading of sports-related writing by George Kimball. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context CUR053 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:01:46 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR053.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at SUNY Brockport, April 30, 1971] / W.D. Snodgrass. Creator An entity primarily responsible for making the resource W.D. Snodgrass. Table Of Contents A list of subunits of the resource. Disc 1.Matisse: The red studio --The mother and sister of the artist --discusss Monet's Water lillies. --Disc 2.Monet: Les nympheas --discusses Edouard Manet's The execution of the Emperor Maximilian 1867 --The execution of the Emperor Maximilian 1867 --discussion of Vincent Van Gogh --Van Gogh: The stary night. Description An account of the resource Recorded on April 30, 1971 at SUNY Brockport by Allen De Loach recorded the event on a 7 inch Scotch reel-to-reel tape. Poetry reading and lecture by W.D. Snodgrass at SUNY Brockport as part of the Poetry in the 70s conference. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context INT059 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:34:05 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT059.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Allentown Community Center, Spring 1976] / Michael Kabotie ... [et al.]. Creator An entity primarily responsible for making the resource Michael Kabotie ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Allen De Loach reading:Mudhead Kachina. --Michael Kabotie reading:Endless all around, dark and cold --first line of poem:[we send first light] --Cubes of Hopi architecture --Flower of rising sun --Our land no more forever --17 Brentwood Mesa --New Indian uprising --The alcoholic --Cats --Along waterless heights. --Milland Lambrana and Delbridge Homaine perform folk songs. Description An account of the resource Recorded at the Allentown Community Center, Spring 1976. Recorded on a 120 minute Tracs sound cassette tape by Allen De Loach. Performance of Native American poetry, songs and folk literature by Michael Kabotie, Milland Lambrana, Delbridge Homaine, Norman Harris and Allen De Loach. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context INT101 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:40:48 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT101.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, September 30, 1992] / Ray A. Young Bear. Creator An entity primarily responsible for making the resource Ray A. Young Bear. Table Of Contents A list of subunits of the resource. Flags shall wave forever --Columbus and beyond --Black eagle child --We shall sing for you. Description An account of the resource Recorded at the University at Buffalo on April 26, 1976 on a 90 minute Maxell sound cassette. Poetry reading and song performance by Ray A. Young Bear. He was introduced by Dennis Tedlock after announcements by Charles Bernstein. Date A point or period of time associated with an event in the lifecycle of the resource 1992 Identifier An unambiguous reference to the resource within a given context PCR359 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR359.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 14, 1986] / David Bromige. Creator An entity primarily responsible for making the resource David Bromige. Description An account of the resource Recorded at the University at Buffalo on October 15, 1986 on a TDK 90 minute sound cassette. David Bromige reads poetry from his works Redhats and a long piece which bage with "I like listening to you." He is introduced by Robert Creeley. A question and answer session is at the end of the reading. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context PCR033 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR033.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Readings at the University at Buffalo, March 30, 1967] / Joseph Heller, Leonard Cohen. Creator An entity primarily responsible for making the resource Joseph Heller, Leonard Cohen. Table Of Contents A list of subunits of the resource. Disc 1.Joseph Heller reading of Catch 22. --Disc 2.Leonard Cohen poetry reading:This is for you --first line of text from Beautiful losers:[A few days after her baptism] --first line of poem:[Long ago scene I wakened in my bed] --Suzanne --The stranger --Master song --O God your morning is perfect --I'm writing this to say goodbye --Love calls you by your name. Description An account of the resource Recorded at the University at Buffalo on March 30, 1967 by Allen De Loach on a 7 inch Sunset reel-to-reel tape. Disc 1 features a poetry reading by Joseph Heller as part of the U.B. spring reading series. Heller was introduced by John Barth. Disc 2 features a performance of poetry and song by Canadian poet and songwriter Leonard Cohen. The exact date of this spring 1967 performance of Cohen at the University at Buffalo is unknown. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context INT189A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT189A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, May 12, 1976] / Thomas Meyer. Creator An entity primarily responsible for making the resource Thomas Meyer. Table Of Contents A list of subunits of the resource. Lusty sparrows --Kiva in clear light --Anna versus --Rock and root cunning --Calends --Mountain peaks, ravines sleep --Solstice hymn, loon song --How many times I saw --Simple meeting --No power time has --In an old new mode --The same and old things wake --The garden again. Description An account of the resource Recorded by Robert J. Bertholf on a 60 minute Scotch sound cassette on May 12, 1976 at Kent State University. Recording of Thomas Meyer reading poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context CUR006 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:42:26 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR006.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading in Buffalo, N.Y. on June 22, 1973] / George Economou. Creator An entity primarily responsible for making the resource George Economou. Table Of Contents A list of subunits of the resource. first line of poem:[Let the man in his dying, cling to those works that he has made out of his very body and brain] --33 1/3 rpm for John Coltrane --The angelic previously omitted from the traditional anunciation story --A poem for Rochelle -The cheer --Question and answer --Driving home through Jamestown, North Dakota --The white wolf --The secret life --Yearn yeah yearn --Orange light over blue expression --The train --Praise the earth for whom our hands have worked --For the day of St. George the Great, April 23, 1972 --Your sexability questionnaire --The scoring --Stand in front of a mirror and declare, I am the champ --When despondancy clogs your throat --Make positive and purposeful proposals --Equilibriums part, equanimity the rest --Your world, your mind --After removing all clothing and ornaments --It makes very good common sense --You must bring two such contiguities --Beyond the mare's tails --He thought he smelled a goat --The winter wind from the mountain -- I am like the wind, no, more like a creature --Recreation, re-creation. Description An account of the resource Recorded in Buffalo, N.Y. on June 22, 1973 on a 7 inch Sarkes reel-to-reel tape by Allen De Loach and was acquired by the Poetry Collection from Allen De Loach. Allen De Loach introduces poet George Economou to the University at Buffalo audience. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context INT091 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:59:06 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT091.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Allentown Community Center, Buffalo, N.Y., February 27, 1976] / Kathy Rudi, Bob Mavero. Creator An entity primarily responsible for making the resource Kathy Rudi, Bob Mavero. Table Of Contents A list of subunits of the resource. Kathy Rudi reading:She ate a bag of dried pears --The dead man --Brother --Her old man is a really nice piece of flesh --Museum poem --Scratch --Rock perch --Up the road, pickup truck --Aware of her body --To downtown Buffalo --Worn out, she cried and battered her dreams against her eyes --Vinny wouldn't let them go --Traveling across that white gold country --Everyday she must tell her story. --Bob Mavero reading:Summer solstice --Traumatic content --Earth star --Hey mind if I join you --Okey-dokey, artichoke --Listen that is John Daly speaking --Taxonomic revolution --Liturgia de los difuntos --Often dock and walking. Description An account of the resource Recorded on February 25, 1976 on a 60 minute Scotch sound cassette by Allen De Loach. Poetry reading by Kathy Rudi and Bob Mavero at the Allentown Community Center. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context INT100 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:03:10 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT100.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, December 5, 1992] / Richard Blevins, Loss Glazier. Creator An entity primarily responsible for making the resource Richard Blevins, Loss Glazier. Table Of Contents A list of subunits of the resource. Richard Blevins reading:Carl's Motel --In the dream of pony --Lapwai --I am standing here --I've never been that cold --Bear paws woman --Letters from Kansas --A letter, Ford County, August 1986 --A notice to be posted on motel doors in this state --Poem noir --The paranoid crematorium --The long goodbye --The drunkeness of great fear --Playback.Loss Peque??o Glazier reading:Impulse settles so the night enters in his body --20 palms --Where these sheets twisted into languorous knots --Harsh taste of Mexican cigarettes --preparing for departure --Insight clear moments --The story revolves around a Mexicali hotel --And then one morning the world had that scene from the window --Treating the 20th century in its entirety --We walked among the eyelet --Captain Novellum must manage himself --Milk-white mornings --In the morning, sudden desire immediately penetrates. Description An account of the resource Recorded at the University at Buffalo on December 5, 1992 on a 90 minute Maxell sound cassette. Mark Hammer introduces poets Richard Blevins and Loss Peque??o Glazier. Date A point or period of time associated with an event in the lifecycle of the resource 1992 Identifier An unambiguous reference to the resource within a given context PCR023 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR023.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, December 9, 1971] / Ed Sanders. Creator An entity primarily responsible for making the resource Ed Sanders. Table Of Contents A list of subunits of the resource. Babylonian creation epic --I see thee --Daughter of the king --This is my wife --The day oozes --Eric Weinberger --Last night I had a dream --The day of the famous --If John Sinclair --Two pieces of grit --The VFW crawling contest. Description An account of the resource Recorded at the Haas Lounge at the University at Buffalo on December 9, 1971 on a Scotch 7 inch reel-to-reel tape. Recorded by Allen De Loach. Ed Sanders returns to Buffalo and provides a lively poetry reading for the University audience. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context PCR286 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR286.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, November 9, 1994] / Elizabeth Willis, Ted Pearson. Creator An entity primarily responsible for making the resource Elizabeth Willis, Ted Pearson. Table Of Contents A list of subunits of the resource. Elizabeth Willis reading:The enemy --The relation of the lion to the book is the number five --Bee Island --A few stones for Lorine Niedecker.Ted Pearson reading:Descant --Acoustic mask --[Untitled poems]. Description An account of the resource Recorded at the University at Buffalo on November 9, 1994 on a 90 minute Maxell sound cassette. Juliana Spahr introduces Elizabeth Willis and Jena Osman introduces Ted Pearson as they read to the University at Buffalo audience. Willis reads from the first and fifth sections of Second law. Date A point or period of time associated with an event in the lifecycle of the resource 1994 Identifier An unambiguous reference to the resource within a given context PCR350 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR350.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, March 26, 1974] / Gary Snyder. Creator An entity primarily responsible for making the resource Gary Snyder. Table Of Contents A list of subunits of the resource. Disc 1.from Turtle Island:Introductory note --As asazi --Chants for Michael McClure --Source --Manzanita --The bath --Found poem --Facts --The real work --Pine tree tops --Night herons --The egg for Robert Duncan --The uses of light --By Frazier Creek Falls --For him --The wild mushroom --Mother Earth: her whales --Affluence --Straight Creek --Two logging songs --Avocado --What steps. --Disc 2. Bedrock --It pleases --One should not talk to a stilled hunter about what is forbidden by the Buddha --The humpback flute player --LMFBR --Tomorrow's song --What happened here before --Magpie song. Description An account of the resource Recorded at the University at Buffalo on March 26, 1974 on a 120 minute Tracs sound cassette by Allen De Loach. Poet Gary Snyder performs his poetry and reads from his book Turtle Island. He is introduced by Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context INT099 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:27:51 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT099.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, January 25, 1963] / John Berryman. Creator An entity primarily responsible for making the resource John Berryman. Table Of Contents A list of subunits of the resource. Untitled /written by W.H. Auden --Lucky's speech /written by Samuel Beckett as part of Waiting for Godot --Visits to Saint Elizabeths /written by Elizabeth Bishop --Venice 1820 --A sympathy, a welcome --Note to Wong-Wei --Ball poem --Homage to Mistress Bradstreet --The dream songs --A stimulant for an old beast --Pleaides --The lay of Ike --Baby and Eddy --If he had 100 years --The green of the Ganges Delta --Spellbound. Description An account of the resource Recorded at the University at Buffalo on January 25, 1963 on a 7 inch reel-to-reel tape. Poet John Berryman reads his poems to the University at Buffalo audience. Date A point or period of time associated with an event in the lifecycle of the resource 1963 Identifier An unambiguous reference to the resource within a given context PCR012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, July 23, 1969] / John Knoepfle. Creator An entity primarily responsible for making the resource John Knoepfle. Table Of Contents A list of subunits of the resource. from Rivers into islands:The white mule --Old moon planter --Night fire --Harpe's head --Poem for a child who lives six hours --Henan Avenue holiday --Country sweat --from Songs for Gail Guidry's guitar:Hammer man song --Young girl song --Chippewa whittle song. --The sun is a goldfish --David when you dream --Epithalmion --The four morticians. --from Intricate land:Washington nocturne --White --A dog poem for the perplexed --Doing the last things --Tunnel blaster on bear and brotherhood --Funeral of Christ --Northwestern moon mask --Farmer and the owl --State of the union message --At the fountain. Description An account of the resource Recorded at the Norton Conference Theater at the University at Buffalo on Wednesday, July 23, 1969 at 3 p.m. on a 7 inch Scotch reel-to-reel tape. Poet, teacher and translator, John Knoepfle reads his poetry for the University at Buffalo audience. He reads from Rivers into islands, Songs for Gail Guidry's guitar and Intricate land. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR175 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR175.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 18, 1962] / Philip Booth. Creator An entity primarily responsible for making the resource Philip Booth. Table Of Contents A list of subunits of the resource. Great farm --Adam --First lesson --Maine --Mores --Spit --Propeller --Was a man --The islander. Description An account of the resource Recorded at the University at Buffalo on October 18, 1962 on a 7 inch Ampex reel-to-reel tape. Poet Philip Booth reads his poetry to the University at Buffalo audience. Date A point or period of time associated with an event in the lifecycle of the resource 1962 Identifier An unambiguous reference to the resource within a given context PCR401 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR401.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 17, 1963] / Howard Nemerov. Creator An entity primarily responsible for making the resource Howard Nemerov. Table Of Contents A list of subunits of the resource. A primer of the daily round --Moment --Sarabande honoring the musicians --Metropolitan Sunday --Redeployment --Boom --IX absent-minded professor --Sunday at the end of summer --For Robert Frost in the autumn after his death --Runes --Death of the maiden --The view from an attic window. Description An account of the resource Recorded at the Baird Hall Recital Room, University at Buffalo on October 17, 1963 on a 7 inch Sarkes reel-to-reel tape. Following an introduction by an unnamed University at Buffalo representative, Howard Nemerov reads his poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1963 Identifier An unambiguous reference to the resource within a given context PCR237 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR237.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, February 20, 1968] / Gilbert Williams. Creator An entity primarily responsible for making the resource Gilbert Williams. Table Of Contents A list of subunits of the resource. reading from Richard Fari??a's Been down so long, looks like it's up to me. --Celebrations for a poet, lately dead /written by Mimi Baez Fari??a --In Blauvelt, New York --Notes from a music critic's musical evening --On a gallop --Growth --Three intellectuals on the independent --Museum piece --A tree that was above me --My brother --Two, two, two --Frozen meat --Bluehill --Possibilities --Letter to Westdale --Winter nightmare of a Finnish soldier --Before the call for supper --Over to the Delaware --Bongo trio on the independent --Deaths for Glen --Suzuki powered cowboy --In a rambler on a rally --The centaurs --Townhall concert and records --St. Stevens is bombed --Cycle poet, in black and white --On the shelf, it reminds me --Tattoo and at the doghouse --Stog, still --When you became a souvenir of traveled roads --Carson McCullers 2/19/17-9/29/67 /written by Michael Rumaker --On April 15th, 1966, Maria Jessie died at 80 --Chapped cowboy --A painting --The cowboy cyclist at the newsstand --An old man collects branches in Washington Park, Albany --Like the drums of Shostakovich. Description An account of the resource Recorded at the University at Buffalo on February 20, 1968 on a Scotch 7 inch reel-to-reel tape. Poet Gil Williams reads from his poetry. He dedicates reading to Richard Fari??a and reads from his novel, Been down so long, looks like it's up to me. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR349 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR349.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 30, 1970] / Cid Corman. Creator An entity primarily responsible for making the resource Cid Corman. Table Of Contents A list of subunits of the resource. From Plight: One:The light is dark --Gone the moon --Much ground covered, long sea days --That old liar crow --Who can say what the tides weave --The infinite --The root of all evil --Ultimate facts, general laws --We're driven but take time --Two: The diaspora --The plight --Parallels --After school on the train --Three: These days of asphalt --Late spring early morning --The big bee looks --Was was was was --Leaves --Ise --Four: I opened --Sky --Chilly June --Rain invites --You sit there at the bed's edge --I have come it seems --Five: The colloquy --The talk --The finials --The grace --Now the rain has stopped --Often I say nothing --If you knew I called --Shall I live or die? --I can't tell you --Each day we live --Who counts rain drops -Waking the light.From Livingdying:More song -Stranger, tell the Lacedemonians --We drink --The unforgivable --Making love --The poet --The journal --Mister Young --The counter --The invitiation --The gentle man --The blessing --As if it had thrown itself away --On the blank paper --I bring you a bag of oranges --Mother, you will die --If all there were were death --Kites --At dawn they're --Willows --We call it optimism --Of course --Gift of a cage of fireflies --I mean hot! --Train window --Leaf by leaf --Snow mills. --For keeps. Description An account of the resource Recorded in Diefendorf Hall, room 146 at 8 p.m. at the University at Buffalo on November 30, 1970 on a Scotch 7 inch reel-to-reel tape. Poet Cid Corman talks about his life and works, and follows with a reading of selections from his books Plight, Livingdying, and the entire book of For keeps. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCR058 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR058.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the One Eyed Cat in Buffalo, N.Y., November 16, 1971] / Frank Antonazzi, Peter Levitt. Creator An entity primarily responsible for making the resource Frank Antonazzi, Peter Levitt. Table Of Contents A list of subunits of the resource. Frank Antonazzi reading:When you are gone --Saturday --The word function has a strange sound --first line of poem:[I avoid the crowds, not unlike the winter] --first line of poem:[Why before the waiting on the edge of] --The calm pain of your homeless wish. --Peter Levitt reading:I get up out of boredom --The challenge --Letter in absentia to eighth and ball --A prescription --They find you in an alley --The Clock (parts 1 and 2) --A complaint in the old style --Lines for a mountain in New York State --Cigarettes and love --Heaven's ass don't go for 69 cents a pound --The merchant, the priest, then Buddha --Request --Walking my baby back home. Description An account of the resource Recorded in Buffalo, N.Y. on November 16, 1971 on a 60 minute Certron sound cassette by Allen De Loach. Poetry reading by Frank Antonazzi and Peter Levitt. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context INT104 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:24:51 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT104.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading in San Francisco, California, April 25, 1970] / Andrea Wyatt. Creator An entity primarily responsible for making the resource Andrea Wyatt. Table Of Contents A list of subunits of the resource. first line of poem:[You opened and let me lie by your belly one winter] --As many as --You turned into a young apricot treet --As I memorize your back --first line of poem:[Could have passed this place out wandering at night] --first line of poem:[And you fill space the trees move through] -- Because there will be a last time --To begin again. Description An account of the resource Recorded at a bookstore in San Francisco, California on April 25, 1970 on a 7 inch Ampex reel-to-reel tape. Recorded possibly by Allen De Loach for the Poetry Collection. Poetry reading by Andrea Wyatt reading from Three moons published by Oyez in 1970. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCR356 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR356.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, December 16, 1968] / Dennis Lee. Creator An entity primarily responsible for making the resource Dennis Lee. Table Of Contents A list of subunits of the resource. The difficulty of living on other planets --On Tuesdays, I polish my uncle --I lived in Tomogony --Civil elegies --The children in Nathan Phillips Square --first line of poem:[Among the flaws that mar my sleep] --first line of poem:[I come to the square and each time there's nothing] --first line of poem:[Withdrawal in the gut] --first line of poem:[Coming back, seeing crabgrass, plaintain, begonia] --Brunswick Avenue --Recollection --Late night monologue --Early ripeness --first line of poem:[Walking north from his other lies]. Description An account of the resource Recorded at the Norton Conference Theatre, University at Buffalo on December 16, 1968 on a 7 inch Scotch reel-to-reel tape. Following an introduction by Allen De Loach, Dennis Lee reads his poetry to the University at Buffalo audience. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR188 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR188.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lectures in Buffalo, N.Y., April 8, 1969] / Chinua Achebe, Gabriel Okara. Creator An entity primarily responsible for making the resource Chinua Achebe, Gabriel Okara. Table Of Contents A list of subunits of the resource. Disc 1.Chinua Achebe lecture. --Disc 2.Gabriel Okara lecture. Description An account of the resource Recorded on a 5 inch RCA reel-to-reel tape by Allen De Loach on April 8, 1969, probably in Buffalo, N.Y. at the University at Buffalo. De Loach recording acquired by Poetry Collection. Lectures by Chinua Achebe and Gabriel Okara on literature. Some parts of the recording is inaudible. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context INT172A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:27:00 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT172A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Carolyn Kizer. Creator An entity primarily responsible for making the resource Carolyn Kizer. Table Of Contents A list of subunits of the resource. Winter song --first line of poem:[Though it's true we were young girls when we met] (translation from Po Chu-i) --D??jeuner cel? Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape. The logistics of the recording are not identified. The tape was from the personal collection of John Logan. Poetry reading by Carolyn Kizer. Date A point or period of time associated with an event in the lifecycle of the resource 19--? Identifier An unambiguous reference to the resource within a given context LOG040 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG040.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. The rescue --Suzanne --Lines for Michael in the picture --Poem, slow to come, on the death of e.e. cummings --Three moves. Description An account of the resource Recorded on a 7 inch Melody reel-to-reel tape. The logistics of the recording are unidentified, but was made when his 1969 work The zigzag walk was in manuscript stage. Poetry reading by John Logan. Logan reads from his new manuscript for The zigzag walk. He is introduced by "Mr. Clack" as a current professor at the University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1969? Identifier An unambiguous reference to the resource within a given context LOG009 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG009.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Buffalo, N.Y.] / John Logan, David Ignatow. Creator An entity primarily responsible for making the resource John Logan, David Ignatow. Table Of Contents A list of subunits of the resource. Homage to Rainer Maria Rilke --Three moves --Suzanne --Love poem --Letter to a young father in exile --The search. --David Ignatow reading:Come --Bowery --The dream --Ritual one --Ritual two --Ritual three --open letter to Logan to come visit him in Cape Cod --A poem recording James Tate --first line of poem:[Another dawn, the boots are tied]. Description An account of the resource Recorded on a 5 inch Scotch reel-to-reel tape in Buffalo, N.Y., possibly in 1969 in support of The zigzag walk. Poetry reading by John Logan features works from his book, The zigzag walk. Reading cuts over to a David Ignatow reading at track 11. At the end of the reading, Ignatow invites Logan to visit him in Cape Cod and mentions that he has already invited James Tate and Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1969? Identifier An unambiguous reference to the resource within a given context LOG046 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG046.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. A chance visit to her bones --Recollection --Mother Cabrini crosses the Andes. Description An account of the resource Recorded on a 5 inch Soundcraft reel-to-reel tape by the author, possibly in the late 1950s or early 1960s. John Logan reads poems from his 1955 book, Cycle for Mother Cabrini. Date A point or period of time associated with an event in the lifecycle of the resource 195-? Identifier An unambiguous reference to the resource within a given context LOG048 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG048.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings, Buffalo, N.Y., December 6, 1986] / Alan Bigelow, William Anthony Navero. Creator An entity primarily responsible for making the resource Alan Bigelow, William Anthony Navero. Table Of Contents A list of subunits of the resource. Alan Bigelow reading:The adventures of Hero --The covenant (section II) --Revolutions --Dream, the dog. --William Navero reading:Author's preface --first line of poem:[In the back of the day, certain ways find their form] --first line of poem:[When the ball of Buffalo hide is thrown] --Este --Horoscope for the 80s --first line of poem:Winter's not are dry in --I wish to eat the fanciful desire of the district --Key West --Callueso --Sketch for Damaru --first line of poem:[Who does not love the woman in the rain?] --Antique postcard --Traumatic content --first line of poem:[Her smile radiates along the line] --first line of poem:[She remembered the voices riding in on dream wind] --first line of poem:[Stars was the word she awoke with] --Afterglow --first line of poem:[After reading Tom Clark and kissing you] --Regarding vision --first line of poem:Where we were --Advice --Looking down the road (dub version) --Looking down the road (II for Mr. R.C.) --At last --Stumps --Dear Wendy --first line of poem:[You're the boat]. Description An account of the resource Recorded in Buffalo, N.Y., December 6, [1986?] on a 90 minute Certron sound cassette by Paul Hogan, who donated this recording to the Poetry Collection. Poets Alan Bigelow and William Navero read their poetry to a Buffalo audience. Navero's reading starts at track 8. Date A point or period of time associated with an event in the lifecycle of the resource 1986? Identifier An unambiguous reference to the resource within a given context HOG037 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:58:40 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG037.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 12, 1987, and an interview] / Maxine Kumin. Creator An entity primarily responsible for making the resource Maxine Kumin. Table Of Contents A list of subunits of the resource. Disc 1.interview of Maxine Kumin by Paul Hogan. --Kumin poetry reading:You are in Bear Country --Atlantic City, 1939 --Spree --A distant grandchild listens to farm sounds --Getting through --My elusive guest --Fraulein reads instructive lines --Purgatory --Morning swim --After love --Hello, hello Henry --Henry Manley looks back --Beans. --Disc 2.The hermit wakes to bird sounds --The agnostic speaks to her horses hoof --How it goes on --The excrement poem --Splitting wood at six above --Birthday poem --The envelope --Leaving my daughter's house --Relearning the language of April --Our groundtime here will be brief --The long approach --Grandchild. Description An account of the resource Recorded at Baird Hall, University at Buffalo on November 12, 1987 by Paul Hogan, who donated a copy of the recording made on a 90 minute TDK sound cassette. Interview of poet Maxine Kumin by Paul Hogan for future use on his radio program Spoken Arts. Kumin discusses being a consulting poet to the Library of Congress, her time in New Hampshire and political writing. Interview is followed by a poetry reading held at the University at Buffalo beginning at track 3. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG025 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:15:23 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG025.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings at the Allentown Community Center, Buffalo, N.Y., October 13, 1986] / Joan Murray, Lyn Lifshin. Creator An entity primarily responsible for making the resource Joan Murray, Lyn Lifshin. Table Of Contents A list of subunits of the resource. Disc 1.Joan Murray reading:Two bracelets --What the son really is --Whose woods, parts 1-6 --My father used to like to gamble a lot. --Disc 2.Lyn Lifshin reading:The no more apologizing, the no more little laughing blues --Pedestal Madonna --Minestrone Madonna --Blood red nail polish Madonna --Stamp Madonna --first line of poem:[When I'm around Carl, I don't eat] --first line of poem:[I got the bucks, figure a long slow] --first line of poem:[How it happened] --first line of poem:[I remember haifa being lovely but] --first line of poem:[Fat] --first line of poem:[Arizona ruins]. Description An account of the resource Recorded at the Allentown Community Center on October 13, 1986. Paul Hogan donated a copy of the recording made on a 90 minute Sony sound cassette. Poetry readings by Joan Murray and Lyn Lifshin at the Allentown Community Center in Buffalo, N.Y. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG039 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:17:50 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG039.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Fred Wah poetry reading] / Table Of Contents A list of subunits of the resource. first line of poem:[Father, when you died you left me] --first line of poem:[My father hurt] --August 8th, in Canton --So what have I got going besides this father list --first line of poem:[About a year after you died, I saw you] --Monday, August 7th, we travel all day --Elite --Elite III --first line of poem:[When you return from China] --first line of poem:[Your father owned the Regal] --Number seven --Number nine --Maybe my grandmother's went north --Syntax --first line of poem:[You want to know until I found you in your skin]. Description An account of the resource Recorded at the Allentown Community Center in Buffalo, N.Y. in February 1987 and broadcast on April 12, 1987 via Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan features part of a February 1987 poetry performance by Fred Wah. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG052A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:07 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG052A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Charles Olson Memorial Lectures, the University at Buffalo, March 27, 1980] / Michael McClure. Creator An entity primarily responsible for making the resource Michael McClure. Table Of Contents A list of subunits of the resource. Disc 1.from AntechamberThe rains of February --Watching the vulture --Borrowed feet --Old men sleeping in speeding cars (Robert Bly) --True wildness is comprised of acts --To the drive-in teller at the bank --Freewheelin's tattoo --Poem with a gift --Emily Dickinson's house --Poetics. --Yes, teach machines --Revive the pleistocene --The flame is ours --For Bob Dylan, My eyes are wide explosions --Begun on Mount Tamalpais --Antechamber --Ah yes, how perfect to be within a dream --Scarlet night --The quantum mechanics of black holes --How beautiful gravity is --The death of Kin Chuen Louie. --Disc 2.Listen Lawrence --Watching the stolen rose --Sure! Let me burst again and see who I am --Dream, the night of December 23rd --Let energy flow throught the system --discussion. Description An account of the resource Recorded at the Charles Olson Memorial Lectures at the University at Buffalo on March 27, 1980 on a 7 inch Ampex reel-to-reel tape. The reading was held off-campus at the Shuper House. This recording is of the poetry reading given by Michael McClure as part of the Charles Olson Memorial Lectures at the University at Buffalo. He was introduced by John Daley. He reads from his recent work, Antechamber, Fragments of Perseus, and from some earlier works. The reading is followed by a discussion session. The lectures McClure gave earlier in the series may be found on PCF108A, PCF108B and PCF109A in the Poetry Collection's digitized audio collection. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF109B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF109B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Memorial reading for Ruthven Todd at the Poetry Collection, University at Buffalo, May 6, 1979] / Ruthven Todd. Creator An entity primarily responsible for making the resource Ruthven Todd. Table Of Contents A list of subunits of the resource. Such balance and perfection few have dared --Varieties of hero --Excess --Drawings of Guernica --Garland for winter solstice --Laugharne Churchyard in 1954" Description An account of the resource Recorded on a 60 minute Scotch sound cassette on May 6, 1979 in the Poetry Collection Room at the University at Buffalo. Recording of a memorial poetry reading for the poet Ruthven Todd. Following an introduction by Irving Feldman, members of the University at Buffalo English department read poems and shares remembrances of Todd. Participants include: Feldman, William Sylvester, (who read a variety of quotations), and Mac Hammond, (who read from Todd's novel, The lost traveller). Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context PCR328 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR328.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture, October 20, 1977] / Stan Brakhage. Creator An entity primarily responsible for making the resource Stan Brakhage. Description An account of the resource Recorded on two 90 minute Scotch sound cassette on October 20, 1977. The location of the recording is not available. Recording of lecture and discussion with Stan Brakhage following the screenings of his 1976 film Tragoedia and his 1977 film The governor. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context PCR394 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR394.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the Charles Olson Memorial Lectures, the University at Buffalo, March 25, 1980]"Into the theater" / / Michael McClure. Creator An entity primarily responsible for making the resource Michael McClure. Description An account of the resource Recorded at the Charles Olson Memorial Lectures at the University at Buffalo on March 25, 1980 on a 7 inch Ampex reel-to-reel tape. This recording is of the final of three lectures and one poetry reading given by Michael McClure as part of the Charles Olson Memorial Lectures at the University at Buffalo. This lecture was titled "Into the theater." It continues McClure's focus on the biological basis of poetry, poetry and science, the architecture of the poem and the organism it describes and the importance of the work of Charles Olson. McClure was introduced by Robert J. Bertholf. The other lectures may be found on PCF108A, PCF108B and PCF109B in the Poetry Collection's digitized audio collection. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF109A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF109A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the Charles Olson Memorial Lectures, the University at Buffalo, March 20, 1980]"Hammering it out" / / Michael McClure. Creator An entity primarily responsible for making the resource Michael McClure. Description An account of the resource Recorded at the Charles Olson Memorial Lectures at the University at Buffalo on March 20, 1980 on a 7 inch Ampex reel-to-reel tape. This recording is of the second of the three lectures and one poetry reading given by Michael McClure as part of the Charles Olson Memorial Lectures at the University at Buffalo. This lecture was titled "Hammering it out." It focused on the biological basis of poetry, poetry and science, the architecture of the poem and the organism it describes and the importance of the work of Charles Olson. McClure was introduced by Robert J. Bertholf. The other lectures may be found on PCF108A, PCF109A and PCF109B in the Poetry Collection's digitized audio collection. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF108B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF108B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the Charles Olson Memorial Lectures, the University at Buffalo, March 18, 1980]scratching the Beat surface / / Michael McClure. Creator An entity primarily responsible for making the resource Michael McClure. Description An account of the resource Recorded at the Charles Olson Memorial Lectures at the University at Buffalo on March 18, 1980 on a 7 inch Ampex reel-to-reel tapes. This recording is of the first of the three lectures and one poetry reading given by Michael McClure as part of the Charles Olson Memorial Lectures at the University at Buffalo. This lecture was titled "Scratching the Beat surface." It focused on the Beat generation of poets, poetry and biology, and contemporary American poets that were influenced by poets such as Olson. The other lectures may be found on PCF108B, PCF109A and PCF109B in the Poetry Collection's digitized audio collection. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF108A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF108A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Round table discussion at the University at Buffalo by faculty members] / Description An account of the resource Recorded on a three 90 minute Maxell sound cassette at the University at Buffalo. A date for the recordings is not provided. Recording of a round table discussion by University at Buffalo English Department faculty members. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context PCF028 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF028.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, San Francisco, California, August 1972] / Robert Creeley. Creator An entity primarily responsible for making the resource Robert Creeley. Table Of Contents A list of subunits of the resource. Ten variations for Diane --The eye of Bridget has gazed upon L.A. --In this circle of Galilee --[Ardhari] --An African painting --The initiation --The untitled Triad de Luna --Words of the king at mid-summer --Twelve wishes for any season --Cernunnos --first line of poem:[The wind takes me] --This world, this glower now I share with you --Listening to Hibaldi a few days before Easter --Birth chant --Number two --Ordinary song for purification. Description An account of the resource Recorded on a 90 minute TDK sound cassette by Allen De Loach in San Francisco in August 1972. Recording acquired by Poetry Collection. Poetry reading by Grant Fisher. Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context INT134A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:40:03 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT134A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings] / John Logan, Dylan Thomas. Creator An entity primarily responsible for making the resource John Logan, Dylan Thomas. Table Of Contents A list of subunits of the resource. Disc 1.Dylan Thomas reading:Thomas lectures on his education, his early poems and reading the works of other poets --On the marriage of a virgin --The hunchback in the park --Over Sir John's Hill --Light breaks where no sun shines --Never and never, my girl riding far and near. --Disc 2.John Logan reading:Grandfather's railroad --Monologue for the Good Friday Christ --The lives of the poet --Nude kneeling in sand --Concert scene --Lines to his son on reaching adolescence --On reading Camus in March --Lines to a young poet who fled before I could say he was good --On a photograph by Aaron Siskind. Description An account of the resource Recorded on a 7 inch Knight reel-to-reel tape. The logistics of the Dylan Thomas reading are unidentified. It is not clear if Logan, the owner of the tape, recorded the reading from a record or if he recorded the reading live during a Thomas reading in the United States in the 1950s. John Logan's reading was recorded at Stephen Facet's home in Boston on April 21, 1961. Recording of poetry readings was made and owned by John Logan. Disc 1 features a recorded a spirited reading by Dylan Thomas. The logistics of the reading are unidentified. Thomas discusses his early education, early poems and his views, sometimes comical, on reading the works of fellow modern British poets. Disc 2 features a poetry reading by John Logan. He reads from Cycle for Mother Cabrini, Ghosts of the heart, and from the manuscript for Spring of the thief. Date A point or period of time associated with an event in the lifecycle of the resource 1961 Identifier An unambiguous reference to the resource within a given context LOG036 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG036.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Larry Wendt. Creator An entity primarily responsible for making the resource Larry Wendt. Table Of Contents A list of subunits of the resource. first line of poem:[Four species in prose arise out] --first line of poem:[And language parted among the principal vowels that is] --simultaneous poem with Stephen Ruppenthal:Souvenir adolescence, number 27 glossary --playing of a found sound poem using a record on a gramaphone (Philip S. Olt on squirrel hunting) while reading the next title --Joy of looking --Elegy for F.T. Marinetti "8" --first line of poem:Touch the ground --first line of poem:Being in a desert and wandering in the foothills --text sound composition. Description An account of the resource Recorded on a sound cassette. No recording information is available, but it was probably recorded in the late 1990s. Recorded by Allen De Loach and acquired by the University at Buffalo. Larry Wendt performs his sound and experimental poetry. The performance may have been held in Buffalo, N.Y. The container had a label written: "In case you miss us in Toronto, Union Gallery." Date A point or period of time associated with an event in the lifecycle of the resource 199-? Identifier An unambiguous reference to the resource within a given context INT137 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT137.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 5, 1969] / Emmett Williams. Creator An entity primarily responsible for making the resource Emmett Williams. Table Of Contents A list of subunits of the resource. The boy and the bird. Description An account of the resource Recorded in Norton Hall, Room 231, University at Buffalo on November 5, 1969 on two Scotch 7 inch reel-to-reel tapes. Emmett Williams reads The boy and the bird in its entirety. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR348 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR348.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three preludes / E.B.M.A. Creator An entity primarily responsible for making the resource E.B.M.A. Table Of Contents A list of subunits of the resource. Crash test results --Homage to the barbarians. Description An account of the resource Recorded possibly in the 1980s on a 60 minute Sony sound cassette. Performance of sound poetry by E.B.M.A. (East Buffalo Media Association). Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context CUR119 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:12:27 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR119.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Gwendolyn Ashbaugh reading Elizabeth Willis's poetry in her absence. Creator An entity primarily responsible for making the resource Gwendolyn Ashbaugh reading Elizabeth Willis's poetry in her absence. Table Of Contents A list of subunits of the resource. The ghost that flies out of us in dreams and can it carry a tune --From a series of tautologies --Jesus comes to Buffalo --White meaning geometry --Poem after years I imagine where you are --To Carenza --Make ten reasonable sentences --A long way, along time --Two women --Letters home. Description An account of the resource Recorded in Buffalo, N.Y., possibly in 1986, on a 90 minute TDK sound cassette by Paul Hogan, who donated this recording to the Poetry Collection. Poet Gwendolyn Ashbaugh reads the poetry of her friend Liz Willis, while Willis was travelling and researching in Indonesia. Date A point or period of time associated with an event in the lifecycle of the resource 1986? Identifier An unambiguous reference to the resource within a given context HOG074B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:21:53 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG074B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Buffalo, N.Y., May 4, 1986] / Gwendolyn Ashbaugh reading her own and Elizabeth Willis' poetry in her absence. Creator An entity primarily responsible for making the resource Gwendolyn Ashbaugh reading her own and Elizabeth Willis' poetry in her absence. Table Of Contents A list of subunits of the resource. Gwendolyn Ashbaugh reading the poetry of Liz Willis:The ghost that flies out of us in dreams and can it carry a tune --From a series of tautologies --Jesus comes to Buffalo --White meaning geometry --Poem after years I imagine where you are --To Carenza --A long way, along time --Two women. --Ashbaugh reading her own poetry:Mouse anthem --Blue moon --For my son Theopholous --Dear Mary. Description An account of the resource Recorded in Buffalo, N.Y., May 4,1986 on a 90 minute TDK sound cassette by Paul Hogan, who donated this recording to the Poetry Collection. Poet Gwendolyn Ashbaugh reads the poetry of her friend Liz Willis, while Willis was travelling and researching in Indonesia. Ashbaugh closes the reading with a performance of her own original poetry. Both poets shared poetry written about members of their family. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG002A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:26:52 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG002A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings at the Canisius College, March 13, 1972] / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Table Of Contents A list of subunits of the resource. Disc 1.Introduction /[unidentified man] --Interrupted forms --Preface to the Suite (translated from Thom Gunn's Moly, published as Poems from the margins fo Thoms Gunn's Moly: preface to the Suite) --Poems from the Margins of Thom Gunn's Moly: not far from Circe's house (published as The Moly suite: near Circe's house) --Rites of passage (published as Rites of passage II) --Moly --Second page upon Rites of passage (published as Rites of passage) --Before judgment, Passages 35 --A song of the old order (sung) --A poem beginning with a line by Pindar. --Disc 2.5th sonnet --A seventeenth century suit in homage to the metaphysical genius in English poetry (1590-1690) : being imitations, derivations & variations upon certain conceits and findings made among strong lines --Transgressing the real, Passages 27. Description An account of the resource Recorded at the Canisius College in Buffalo, N.Y. on March 13, 1972 by Allen De Loach on 120 min. Dynasound sound cassette. The Poetry Collection acquired the recordings from De Loach. Recording of a poetry reading by Robert Duncan held at Canisius College. He was introduced by an unidentified man. Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context INT081 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:31:44 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT081.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the State University of New York College at Geneseo] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. On reading Camus in early March --Song on the dread of a chill spring --Lament in spring --A trip to four or five towns --Lines for Michael in the picture --Three moves --The rescue --Suzanne. Description An account of the resource Recorded at SUNY College at Geneseo on a 7 inch Scotch reel-to-reel tape possibly in the 1968, before the publication of The zig zag walk. Poetry reading by John Logan was sponsored by the Geneseo College English Department and the New York Council on the Arts and the YM and YWHA, New York. Logan was introduced by Dave Kelley. Date A point or period of time associated with an event in the lifecycle of the resource 1968? Identifier An unambiguous reference to the resource within a given context LOG006 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG006.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and lecture at the St. Mary's College, April 21, 1970] / John Logan and Thomas Hinde. Creator An entity primarily responsible for making the resource John Logan and Thomas Hinde. Table Of Contents A list of subunits of the resource. John Logan reading:Lines for a young man who talked --Century piece for poor Heine --Three moves --Grandmother dead on the aeroplane --Suzanne --Two poems based on photographs by Aaron Siskind's --Only the dreamer can change the dream --New poem. --Disc 2.Thomas Hinde lecture. Description An account of the resource Recorded at St. Mary's College on April 21, 1970 on a 120 min. Scotch sound cassette. Poetry reading by John Logan at St. Mary's College on April 21, 1970. He was introduced by Harold Isbell. Logan reads from The zigzag walk, Ghosts of the heart, and from the manuscript of The anonymous lover. This is followed by a leacture about writing and self-criticism by Thomas Hinde of St. Mary's College. Hinde also reads from "The day the call came" and discusses a writer's ability to be objective about one's own work. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context LOG013 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG013.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Isabella Gardner, John Logan. Creator An entity primarily responsible for making the resource Isabella Gardner, John Logan. Table Of Contents A list of subunits of the resource. The widow's yard /John Logan reads Gardner's poem --Isabella Gardner reading:Letter from Slough Pond --Revelry for a rocking horse --The accomplices --The ocean is salt, and the water's warm --Who spilled the salt --A collage of echoes --This room is full of clocks --In the museum --Clasping like butters to their body's books --A word from the Piazza del Limbo. --John Logan reading:Only the dreamer can change the dream --Suzanne --Poem for my friend Peter at Pihana --Poem for my son --The search. Description An account of the resource Recorded program from the December 11, 1981 radio broadcast of New letters on the air. Program features a November 1971 reading which is archived at the Library of Congress. The recording was on a 60 minute Scotch sound cassette and was made by John Logan himself. Poetry reading by Isabella Gardner and John Logan broadcast on David Ray's program "New letters on the air" radio program. The recording was made in November 1971. Logan introduced Gardner who reads from her body of work. At the close of the program, David Ray introduces more poetic works by John Logan. Date A point or period of time associated with an event in the lifecycle of the resource 1981 Identifier An unambiguous reference to the resource within a given context LOG022 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG022.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Keenan Hall, October 20, 1959] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Monologue for the Good Friday Christ --Honolulu and back --The brothers: two Saltimbanques --Nude kneeling in sand --Lines to Catherine --The bishop's suite. Description An account of the resource Recorded at Keenan Hall on October 20, 1959 on a 7 inch Scotch reel-to-reel tape. John Logan reads poetry from Cycle for Mother Cabrini. The end of the reading features a question and answer session. Date A point or period of time associated with an event in the lifecycle of the resource 1959 Identifier An unambiguous reference to the resource within a given context LOG004 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG004.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading on "Rediscovering poetry" on WTTW, Chicago, July 6, 1960] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Grandfather's railroad --The shrine and the monument: section 2 --New York scene: May 1958 --Homage to Christina Rossetti (sections 1 and 6) --Letter to John Logan from Marjorie Morgan. Description An account of the resource Recorded on July 6, 1960 on the Rediscovering poetry program on WTTW Chicago on a 5 inch Scotch reel-to-reel tape. Poetry reading by John Logan broadcast on the radio program "Rediscovering poetry." Program was hosted by Marjorie Morgan. Date A point or period of time associated with an event in the lifecycle of the resource 1960 Identifier An unambiguous reference to the resource within a given context LOG043 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG043.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Notre Dame University, April 12, 1957] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Grandfather's railroad --Mother Cabrini crosses the Andes --A dialogue with La Mettrie --Monologue for the Good Friday Christ --Prologue and questions for St. Augustine --Pagan Saturday --The death of Southwell: a verse melodrama with homilies on life and sin --Recollection on the publication day of a first book --A century piece for poor Heine. Description An account of the resource Recorded at Notre Dame University on April 12, 1957 on a 7 inch Scotch reel-to-reel tape. Poetry reading by John Logan recorded for archiving at the Library of Congress. Logan is introduced by Lee Anderson. Date A point or period of time associated with an event in the lifecycle of the resource 1957 Identifier An unambiguous reference to the resource within a given context LOG012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, summer 1955] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Mother Cabrini crosses the Andes --Lament for Misenus --A short life of the hermit --Narcissus: vision and retrospect --The death of Southwall --A ghost story --Two poems on the same theme: midcontinent moon --Dimanche soir --To his wife, on a birth --Have I declared my love? -Mirror, mirror --An unpleasant trifle --Cadenza --Christmas: the tree --Spring before Easter --For all that --The metamorphosis (ends abruptly) Description An account of the resource Recorded on Notre Dame University on April 12, 1957 on a 7 inch Knight reel-to-reel tape. Poetry reading by John Logan. Logan reads from Cycle for Mother Cabrini and the manuscript for Ghosts of the heart. Date A point or period of time associated with an event in the lifecycle of the resource 1955 Identifier An unambiguous reference to the resource within a given context LOG047 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG047.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / E.B.M.A. Creator An entity primarily responsible for making the resource E.B.M.A. Table Of Contents A list of subunits of the resource. Disc 1.Host. --Disc 2.Odin --Bells --Walk in the park --Mule cart --Crash test. Description An account of the resource Recorded on a 90 minute Realistic sound cassette in the 1990s. Performance poetry with musical accompaniment. Performers of E.B.M.A. include Michael Basinski, James E. Perone, Don Metz, and John Toth. Date A point or period of time associated with an event in the lifecycle of the resource 199-? Identifier An unambiguous reference to the resource within a given context CUR142 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:30:49 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR142.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at St. Mary's College, April 21, 1970] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Century piece for poor Heine --Three moves --Grandmother dead on an aeroplane --Suzanne --Two poems based on photographs by Aaron Siskund --Only the dreamer can change the dream --New poem. Description An account of the resource Recorded on St. Mary's Collge on April 21, 1970 on a 7 inch Melody reel-to-reel tape. Poetry reading by John Logan recorded at St. Mary's College in Indiana. Logan reads from The zigzag walk, Ghosts of the heart, and the manuscript of The anonymous lover. Logan speaks about his college experience and also about Freud and Heine. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context LOG002 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG002.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, April 1, 1988] / E.B.M.A. Creator An entity primarily responsible for making the resource E.B.M.A. Table Of Contents A list of subunits of the resource. Sidewalking --Saurs. Description An account of the resource Recorded on a 90 minute Maxell sound cassette on April 1, 1988. Performance poetry with musical accompaniment. Performers of E.B.M.A. include Michael Basinski, James E. Perone, Don Metz, Ed Sobala, and John Toth. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context CUR137 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:59:12 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR137.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. first line of poem:[Poem like moth's shell or milk tooth] --Prologue and questions for St. Augustine --Annapolis: pattern before church --Cycle for Mother Cabrini (part 1) --Recollection --Mother Cabrini crosses the Andes --A young pagan Saturday --Again, my guests. Description An account of the resource Recorded on a 5 inch reel-to-reel tape. The place and time of the recording are unknown, but it was probably recorded in the 1960s. Poetry reading by John Logan. The sound quality of the tape varies and at times in inaudable. The poem Annapolis cuts off shortly after the beginning and the quality gets very poor and the sound gets quiet in track 4. The quality improves in track 6. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context LOG039 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG039.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Notre Dame University] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Disc 1.John Logan Jr. playing guitar music --John Logan poetry reading:The zoo --Lines for a young man who talked --To a young poet who fled --Lines for a young wanderer in Mexico --Suzanne --Spring of the thief. --Disc 2.Spring of the thief (overdubbed with sound checks) --John Logan Jr. playing guitar music --Midwesterner at Waikiki again --Return to the island --Poem in progress (sections 2 and 7) --Poem for my brother --Prose poem for my brother and my teacher Gregory. Description An account of the resource Recorded on Notre Dame University on a 90 minute sound cassette, possibly in 1975. Poetry reading by John Logan at Notre Dame University during the South Bend Literary Festival, possibly in 1975. Logan reads from: The zigzag walk, Ghosts of the heart, Spring of the thief, The anonymous lover, and Poem in progress. The disc begins with John Logan Jr. playing guitar music until track 4 of disc 1. and from track 1 to track 5 of disc 2. Date A point or period of time associated with an event in the lifecycle of the resource 1975? Identifier An unambiguous reference to the resource within a given context LOG020 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG020.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 11, 1966] / Robert Lowell. Creator An entity primarily responsible for making the resource Robert Lowell. Table Of Contents A list of subunits of the resource. Stalag Luft /written by Randall Jarrell --Eighth Air Force /written by Jarrell --Visits to St. Elizabeths /written by Elizabeth Bishop --Lady Lazarus /written by Sylvia Plath --My Last afternoon with uncle Devereux Winslow --Dunbarton --Grandparents --Commander Lowell --Terminal days at Beverly Farms --Father's bedroom --For sale --Sailing home from Rapallo --During fever --Waking in the blue --Home after three months away --Memories of West Street and Lepke --Man and wife --To speake of woe that is in marriage --Skunk hour. Description An account of the resource Recorded on May 11, 1966 on 7 inch Scotch reel-to-reel tape. Reading was possibly held in Buffalo, N.Y. and possibly recorded by Anthony Ostroff. This poetry reading by Robert Lowell was held on May 11, 1966. The location is unknown, but it would not have been Lowell's only time in Buffalo if in fact this reading was held there. In October 1959, Lowell visited Lockwood Memorial Library's curator Charles Abbott and his wife Theresa in their home. Lowell returned to Buffalo to give a reading and interview in Lockwood Memorial Library on October 3, 1973. In this recording of the 1966 reading, Lowell first read "Stalag Luft" and "Eighth Air Force" by Randall Jarrell ("He was the most brilliant mind of my generation, I think, in both poetry and prose, the best poet-critic we had and maybe the best poet."), "Visits to St. Elizabeths" by Elizabeth Bishop ("Miss Bishop has this tremendous power of description, and it's a natural gift, it's not just a stylistic one. You feel that she sees and notices more than other people."), and "Lady Lazarus" by Sylvia Plath ("I think she's one of the best poets in the language.") Before reading all of the poems of Part four of Life studies, Lowell said, "Now I want to read a poem of mine that, it's a sequence of thirteen poems, I think, called Life studies, and it's rather a personal poem, but I wrote it and I published it, and it's something you could only write once in your life and shouldn't read very often. It's a long time since I read it and it's a long time before I'll read it again, but I'd like to tonight, and it's about my family, my grandparents and my parents, and my wife and child come into it, and I think that one of the significances of it, one of the intentions, is that it begins in my grandparents' world, and that's a world that goes back into the last century, and it's no longer here anymore." Date A point or period of time associated with an event in the lifecycle of the resource 1966 Identifier An unambiguous reference to the resource within a given context OST012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-OST012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Film screening at the Creative Arts Festival, Kent State University, April 17, 1973] / Stan Brakhage. Creator An entity primarily responsible for making the resource Stan Brakhage. Table Of Contents A list of subunits of the resource. Eye myth --The presence --from Sexual Meditation:Room with view --Faun's room, Yale --Office suite --Hotel --The process --The riddle of Lumen. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio on April 17, 1973 on 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. This recording is of a screening of eight films by Stan Brakhage at the Kent State University Creative Arts Festival on April 17, 1973. The films shown are "Eye myth," "The presence," four films from the "Sexual meditation" sequence, "Room with view," "Faun's room, Yale," "Office suite," and "Hotel," "The process," and "The riddle of Lumen." The recording is of Brakhage's commentary made before, between, and after the films are played, and not of the audio of the films. The recording was made by Robert J. Bertholf. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context CUR055 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:22:45 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR055.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture in Pittsburgh, Pennsylvania] / Stan Brakhage. Creator An entity primarily responsible for making the resource Stan Brakhage. Description An account of the resource Recorded in Pittsburgh, PA on a 60 min. sound cassette possibly in the 1970s. This recording is of a lecture by Stan Brakhage, delivered in Pittsburgh, Pennsylvania. The date is unidentified. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context PCR390 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR390.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, London, England] / Stan Brakhage. Creator An entity primarily responsible for making the resource Stan Brakhage. Description An account of the resource Recorded in London, England on two 60 min. Sony and TDK sound cassettes, possibly in the 1970s. This recording is of an interview with Stan Brakhage, held in London, England. The date of the interview and the name of the interviewer are unidentified. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context PCR389 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR389.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading of A trio in G] / Albert Glover. Creator An entity primarily responsible for making the resource Albert Glover. Table Of Contents A list of subunits of the resource. from A Trio in G:Vocation --first line of poem:[A voice can do as much as smoke] --Am Al --The fall --A woman with a watering can --first line of poem:[She had the magic girdle on] --first line of poem:[with lips spread wider] ---For only {dollar}9.95 --Gephyrismoi --The stove --first line of poem:Not the same as love-making (which] --The apology --first line of poem:[I didn't know. I thought it was you] --The body itself a spiritual exercise--love is its production --Late adolescence --A cure --first line of poem:[Then where shall we live?] --first line of poem:[Also the promise that each one has] --first line of poem:[again is the magic word] --The exercise --Snake --Going backwards it becomes Mother --A mystery for the East --Black dog --first line of poem:[the black dog is third dog] --An understanding, or comprehension --Snapping turtle --Gnothi seauton --Listen to the sound the meaning, my own --The eastern crow --first line of poem:[putting the body into his boat] --Drum --To the man who writes in green ink --At the carnival --On September 23, 1913 --Cosmas --A gnostic prison blues --first line of poem:[A game without teams, every man for himself] --The virgin --first line of poem:[You get addicted to] --The St. Lawrence Seaway Power Corporation --Devil's den --For you listeners. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape from a session held at KSLU-FM in Canton, Ohio on June 8, [1971?] This recording is of Albert Glover reading the entire book of poems A trio in G, published by Frontier Press in 1971. The reading was recorded at the KSLU-FM station in Canton, Ohio the date is not identified. Date A point or period of time associated with an event in the lifecycle of the resource 1971? Identifier An unambiguous reference to the resource within a given context PCR374 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR374.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the University of North Carolina, Chapel Hill, N.C., 1977] / Stan Brakhage. Creator An entity primarily responsible for making the resource Stan Brakhage. Description An account of the resource Recorded at the Fine Arts Festival at the University of North Carolina in Chapel Hill, N.C. in 1977 on a sound cassette. This recording is of a lecture by Stan Brakhage on film and poetry, delivered at the 1977 Fine Arts Festival at the University of North Carolina, Chapel Hill. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context PCR391 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR391.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / John Wieners. Creator An entity primarily responsible for making the resource John Wieners. Table Of Contents A list of subunits of the resource. Ode on a common fountain --The woman --Sonnet --Act #2 --The windows --first line of poem:[The wind is a guitar in the house tonight] --The waning of the harvest moon --Wrapped up in an Indian blanket --The pool of light --Windows of Waltham --The serpent's hiss --A poem for the old man --On the first page. Description An account of the resource Recorded possibly on March 14, 1965 on a 7 inch Scotch reel-to-reel tape, at the American Theatre for Poets in New York City. This recording is of a poetry reading by John Wieners, possibly held on March 14, 1965. Wieners is introduced as being "at present a teaching fellow at Buffalo." Before reading his own poetry, Wieners reads one poem in German by Novalis. Then Wieners reads mostly unpublished poems in the first half of the reading and mostly published poems in the second half, beginning the second half with "Ode on a common fountain." The location of the reading and the name of the man who introduces Wieners are not identified. Date A point or period of time associated with an event in the lifecycle of the resource 1965? Identifier An unambiguous reference to the resource within a given context PCR362 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR362.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Arizona State, March 18, 1976 ] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Disc 1.On reading Camus in early March --A trip to four or five towns --At Drumcliffe Churchyard, County Sligo --Poem for my brother --Prose poem for my brother and my teacher, Gregory --Prose poem: returning home --Poem in progress: Section 1. Prelude: Dream in Ohio: the father. --Disc 2.Section 2. Second prelude: Reality in Albuquerque: the son --Section 3. Plato in Florida: the friend --Section 4. Rescue in Florida: the friend --Section 5. Interlude: The Columbian statue: archetype --Section 6. Union: Father, son, friend, archetype --Section 7. First reunion in New Orleans: the father as king of revels --Section 8. Second reunion in San Francisco: the lost son. Description An account of the resource Recorded at Arizona State on March 18, 1976 on a 90 minute Sony sound cassette. Poetry reading by John Logan at Arizona State. He is introduced by "Mrs. Sheldon" as the current Poet-in-Residence at the University at Buffalo. Logan reads from Spring of the thief, Ghosts of the heart and Poem in progress. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context LOG023 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG023.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and poetry reading] / Robert Creeley, Pete Brown, Jonathan Williams. Creator An entity primarily responsible for making the resource Robert Creeley, Pete Brown, Jonathan Williams. Table Of Contents A list of subunits of the resource. Disc 1.Robert Creeley interview with Jonathan Williams, continued on JAR004. --Disc 2.Pete Brown reading:Fear --Slam --Exposure --Road --Interview --Three notes --Corporate or murder for Harold Pinter --Episode --Smiles --Troll --Fearfully --The ambush --Love poem stomp --Poverty --Poems --Me driving a rare girl, or, Lament --Scottish sound poem number 1, The blue moon --And Mac Buneger's speech --The towns between Edinboro and Glasgow --A mixture titled This smear of blood --Scornful poem --Documentary sound poem --Two monuments --Monument --Way out west --Brick --The new arrivals --Untitled poem --Two poems for Dawn --Summer --Jazz poem --An excerpt from Supernatural guy --Interview. Description An account of the resource Recorded by Jonathan Williams in the 1960s at unknown locations and dates on a 5 inch reel-to-reel tape. This recording is part of the Jargon Society recordings made by Jonathan Williams. Disc 1 features an interview with Robert Creeley taped January 15, 1965 in Mexico. The interview is continued on disc JAR004 of the University at Buffalo's Poetry Collection Audio Archive. Disc 2 features a poetry reading and interview with Pete Brown. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context JAR002 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JAR002.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Michael Basinski. Creator An entity primarily responsible for making the resource Michael Basinski. Table Of Contents A list of subunits of the resource. Thirst --No wine for this drunk --Two titled piece --Dance for two (for my Mother) --Portrait of the witching hour --Thirst --Dance for two (for my Mother) --Two titled piece --Portrait of the witching hour --Three. Description An account of the resource Recorded on a 90 minute Supertape by Basinski. Recorded practice of performance by sound poet Michael Basinski. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context CUR099 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR099.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Pyramid Gallery, March 1985] / E.B.M.A. Creator An entity primarily responsible for making the resource E.B.M.A. Table Of Contents A list of subunits of the resource. Saurs --Free bop quintet --Three preludes --A roomful of dinosaurs. Description An account of the resource Recorded on a sound cassette in March 1995 at the Pyramid Gallery in Buffalo, N.Y. Performance poetry with musical accompaniment. Performers of E.B.M.A. include Michael Basinski, James E. Perone, Don Metz, Mary Ellen Halpen, Ed Sobala, John Toth. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context CUR111 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:44:11 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR111.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, October 18, 1968] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. The picnic --New York scene, May 1958 --Lines to a young poet who fled --Suzanne --Lines for a Michael in the picture --Elegy for the Rev. Mr. James B. Hodgson --The search. Description An account of the resource Recorded on October 18, 1968 on a 7 inch Ampex reel-to-reel tape. Place of recording is not identified. Poetry reading by John Logan. He reads from Ghosts of the heart, Spring of the thief and The zigwag walk. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context LOG015 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG015.mp3