378 100 60584 https://digital.lib.buffalo.edu/files/original/2fb06f1cfe21fec6081b30edb4519faf.pdf d139e6e5697bc1ee2df8325880ba5712 PDF Text Text buffallo jazz tepott ('1 I octoberl974 · L free 1/ g voll no. 8 6Z .. When Birthright played the first few notes of Nanno, toward the end of their set at the Freddie Hubbard concert last month, applause could be heard from people in the audience; who had immediately recognized it as being from their Freelance album Free Spirits. Since the album had barely been out a month, and is sold by mail order only - that was indeed a good sign. Producing a record independently is no easy task; it requires a good business head, time, hard work and promotion, among other things. The businessman in the group is tenor and soprano saxist Paul Gresham . At .our first meeting he came prepared with their record, a photograph, and an attractive brochure. It was clea r to me at once that these guys knew exactly how to ha ndl e their business affai rs, and were dead set on doing things right. They realize that a lack of knowledge or interest in the business end has led to the financial downfall of many jazz musicians. Only in the past couple of years, have we seen musicians starting their own record companies showing signs of success - such ·as Charles Tolliver and Stanly Cowell with Strata-East, or Gene Perla with P.M. Joe Ford, who plays alto and soprano saxes and flute, is the musical director of the group. At times he doubles piano, and is the arranger and composer of the majority' of Birthright's material. Two compositions on the album are by Ford, including the above mentioned Nanno. Percussionist Nasara Abadey is an excellent drummer and displays a high level of control and imagination. In addition to the drums , he can be heard on congas, bells, triangle and other percussion instruments. Gresham, Ford and Abadey areallextremely competent musicians, as well as close friends. Thatfriendship is an important factor in the success of a musical group. The three understand each other, and agree on the group's direction. They have all had plenty of experience - Ford has played with Ken Mcintyre, Charles Mingus and the Buffalo Philharmonic among others. Gresham has worked with the Philharmonic, Ron Carter, Jackie McLean, Doug & Jean Carnandhas led his own quintet. Abadey has performed with Sunra, Doug & Jean Carn, McCoy Tyner and Freddie Hubbard. He has been contributing arrangements to Birthright:in expanding his talents . Through the years they have all had to work jobs that were frustrating ; but one needs money to survive. One such example is Paul's involvement with the musical Grease. In 1970, Nasara came back from California and worked with Charles Gayle and later, Gayle called Ford to join him. While working in Gayle 's group, Nasara and Joe got together with Paul and others as a kind of a "practice group". After a while, they worked together as a group, although from time to time one or more of them would be working elsewhere. They first used the name Birthright at a concert at Buffalo State in '72. Their name has a meaning - a deep meaning to all of them. They feel that sinc e theylearnedfrom people like Miles and Coltrane, that it is in their heritage, their birthright, to carry on the music of those they learned from. They agree that it is important to carry on from there. Their repertoire includes compositions by Miles, Trane, Wayne Shorter, Joe Henderson, McCoy Tyner, Herbie Hancock, Sam Rivers and others; and their sound reflects those influences. Their music blends the styles of all these composers and they are proud of it. · They believe that a musician should be hims elf while performing. When Birthright does a gig, they bring in other musicians - piano, bass and perhaps guitar; and they expect these cats to be themselves, and not like the guy before. That is creativity. Now, with their album out, they are busy with concerts a nd promotion. They have chosen to handle �SOUND BARGAIN on demo & u1ed equipment REG. EPI 201 speakers .$ 440 pr. $ EPI 400 speakers : 800 pr. EPI 50 speakers 130 pr. OHM F speakers 1,000 pr. 300 lntergal System 10 lntergal System 200V 280 Phase Linear 4000 600 RTR280DR speakers 700 pr. REVOX An tape deck 750 Mcintosh MX115 650 Crown ES14.speakers . 740 pr. Crown ES26 " 1,000 pr. __ , SONY 161SD tape deck 300 SALE 330 pr. 450 pr. 85 pr. 650 pr. 240 225 485 450 pr. 500 400 600 pr. 700 pr. 250 much more atour new location: tran1cendental audio. ltd. ,17\ 773 Niagara Falls Blvd. sQUthof_$heridan 834·3100 • • ' '• ' ~ .o • ' : ' ' '• - ' Ilk:! tc+ I • ' ~ . • ' ' ' ' their own business affairs,· ·si'nce.' they have learned through. experience that the industry tends to stifle communication between the musician and the audience; and that communication is important. Concerts are · imperative since they can't depend on radio stations to play the record. Most stations are limi~ed in their programming, especially in Buffalo. Its a sad but true fact that the radio actually dictates what music people are going to hear. Free Spirits was reviewed in our August issue. Its a fine album and deserves your attention. It is available for five dollars through Birthright, P .0. Box 514, Buffalo, New York 14240. Its great music - pure musiccontemporary jazz - · American classical music. Send for it - do yourself a favor. You deserve it. RW. NEWS The Statler Hilton has r enamed its Beef Baron Lounge The Downtown, and has announced a new music policy. The Ruby Braff-George Barnes Quartet is there for the first half of this month (see ad). Al=though they will present other types of quality entertainment, jazz will be booked frequently; both local and nationally known talent. The old Royal Arms has come alive, now called the Erkkson Lounge. At this writing the Elvin Shepard Quintet is there, but the owner has told us that if more people don't go down there, she'll be forced to switch from jazz torock.J:>leas e don'tletthat happencheck out Whats Happening, and go down and check it out. If its not listed - give her a call and ask for some jazz. REFLECTIONS ON ARTPARK September 1, 1974, I attended two concerts atArtpark. Performing were Herbie Hancock in the afternoon an.d the City Center Joffery Ballet Company in the even- 2 in~ .. The two diverse performances were equally enter. tammg. . . . · Artpark is ta_king place on 172 acres of State Park land_along the Niagara River in .the historic yillage or LeWiston, New York, seven miles north of Niagara Falls. The theatre itself is a beautiful, totally en. closed ~tr~ct!lre. Contrary to widespread belief, the theatre I S ms1de, sheltered from rain and foul weather How I felt about Artpark - a s tudio without walls' where ~personcangoandbr~ngouthis inner feelings~ about hfe - about nature. Once this experience - this contact has been made it is a place you would never want to leave; where everyday cares are suspended fo r the pleasure of art; Art in all aspects - painting sculpting, dancing, writing, singing, music ..Or talking to S?meone wtlo you really enjoy being with while ~ walk~ng through the nature paths- to feel like someone 1j..specia.l. Artpark made me feel that way just by bei ng a participant. Louis Bradshaw BUFFALO JAZZ FESTIVAL, PART II by T. Alabiso will appear next month. live tnnugJic teviiew Herbie Hancock brought his quintet to Artpark Sept. 1, and performed, in our opinion, a good Show His gr?UP was <tli~ _sam.e as ~m his last album, with the exception of drummer·· Mike' Clark, who replaced Harvey Mason. The music was in the Headhunters styl.e .- simple but funkr. People who constantly put Herb1e down should reahze that he's turning thousands ?f rockers on to jazz with the rock oriented jazz he 1s now doing. Chuck Mangione did a similar favor to the· music by building up fans with Friends & Love, an album th.at foun~ its way to the cont ro) rooms of many pop radio stations - then he socked them with two quartet albums. That is one of the masses. ·T he attendance at s concertshould have been better, possibly due to the rain i n Buffalo. Hopefully, word will get around that Artpark is inside. Outside, at Artparks artel area, the Buffalo Jaz2 Ensemble turned on the crowd after the Hancock con· cert. The octet featu red, among others, Phil DiResaxes and Jim Calire - piano, as well as 2/3 of Birthright - Joe Ford and Nasara Abadey. They played originals, for the most, and at times made Hancock sound like a warm up band. Birthright appeared at Clark Gym, U.B., at the Freddie Hubbard concert Sept. 7. Joining the basic trio we re a piano, bass and fuitar. It was my first chance to hear them live, and quite enjoyed it. They performed originals, tunes fror.n their album and a fine version of Joe Hend!!rson's Fire. Freddie Hub· �bard seemed in good spirits despite some. legal hassles and the fact that he had to perform in a gymnasium he commented on both. He displayed his incredible talent on trumpet and flugelhorn, starting off with Straight Life and. running through much of his latest album (reviewed in this issue). He's a giant, and his sextet was exceptional - especially his conga/perens sionist, who intrigued the audience with an extended solo spot. The attendance was worse than poor; but the concert was hardly promoted at all. People aren't likely to buy tickets if they don't know about it. Editor/Publisher - Bill Wall Contributing Editors - Tom Alabiso, Louis Bradshaw, Malcolm Leigh, Paula Wall _.,-.-- \ Illustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 ~~ Jl4J (, ,__ WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices UNIVERSITY PLAZA Come See Our Newly Expanded Store ~ t;.. ~ · --..., ~ -~~lr~\ PHIL WOODS - MUSIQUE DU BOIS - MUSE 5037 Jald Byard, Richard Davis and Alan Dawson join Phil for this session; which is reminiscent of the all-star sessions produced for Prestige by Schlitten and others in the '60s. The music here cooks like hell when its ·supposed to and lays back when the time is right. An interesting version of Willow Weep For Me is included, with an All Blues intro, and done in 3. Samba DuBois is on fire, while Wayne Shorter's Nefertiti is solid but relaxed. Last Page is an extended tune, a showcase for Woods, ending with exchanges between Phil and Alan. The Summer Knows is a ballad feature, and temperature rises again with Sonny Rollins Airegin, which includes a typical Byard solo. Pure, acoustic mainstream jazz is hard to find these days. If its your favorite, here it is. FREDDIE HUBBARD - HIGH ENERGY - COLUMBIA 33048 Upon hearing of Hubbard's signing with Columbia, I had reservations - but after listening to this, I don't know why. This is pure Freddie - no strings getting in the way, no faults at all. Itcan best be compared to his last release, Keep Your Soul Togther, but doesn't have that usameness" his albums had up 'till then. Black Maybe is a gem - Freddie with strings and percussion taking on a beautiful ballad. For the most. this is Freddie's regular group andgivesyouagood idea of what he's like in concert. MICHAEL HOWELL - IN THE SILENCE - MILESTONE 9054 As much as I enjoyed guitarist Howell's last release (& first), Looking Glass, it just sounded too familiar. Now, Michael is emerging with a sound that is fresh and much more interesting. Benny Maupin is here on tenor, saxella, bass clarinet, alto flute and piccolo, giving the music variety and color. The Call is along the lines of Hancock in the opening statements, but that mark is soon erased when Howell comes on, surer of himself than ever before. Don't Explain finds the leader doing the tune justice in a relaxed, mellow mood, full of soul. There's just not a bad cut on the album. If you're not heard of Howell, but like Benson, Burrell and Montgomery - this one is for you. Michael made his debut on Blakey's Buhaina album. Look him up. WAYNE SHORTER - MOTO GROSSO FEIO - BLUE NOTE LA014-G As Blue Note continues to empty its vaults, the jazz public is presented with some 1970 Wayne Shorter. The music is a cross between two other Shorter albums - Super Nova and Odyssey Of Iska, leaning more towards Iska. The recording date given is the same as Iska, but I question that, since the only musician on both is Ron Carter. Chick Corea and John McGlaughlin both play on this album and Super Nova. Percussion plays a major role on here, the other instruments working around it. The recording and balance sounds informal, as if it wasn't ever meant to be released. It has, and it shouldn't disappoint Shorter or early Weather Report fans. MAYNARD FERGUSON- CHAMELEON- COLUMBIA KC 33007 Ferguson takes on jazz, jazz-rock,gospel,popular and rock tunes in this album, applying that Maynard big band touch to all. As with Woody Herman, Maynard employs the best young musicians he can find. The result is a super contemporary band that screams like hell and always sounds energetic and fresh. The arranging chores are spread throughout the 14 piece band, offering even more variety in sound than only the diversified songs would normally offer. Ferguson offers a vocal on the jazz standard I Can't Get Started, and plays superbone on Jay Chataway's Superbone Meets the Bad Man. Chick Corea's La Fiesta is the longest number on the album featuring bassist Rick Petrone, trombonist Jerry Johnson, pianist Alan Zacod, drummer Dan D'lmperio and M.F. Strange stereo effects are heard on a great arrangement of one of Corea's most recorded tunes. If there is anything wrong with this album-its the shortness of some of the tunes, and the engineering could have been better. CANNONBALL ADDERLEY -PYRAMID- FANTASY 9455 This album is as contemporary as can be, finding Geo. Duke on clavinet and synthesizer and Cannonball doubling on soprano. As with an earlier album, Inside Straight, he is in a melodic, funky bag. Suite Cannon is in 3 distinctively different parts, starting with an alto-conga duet, to a rapid cooker, to a tune that resembles Happy Trails, or a waltz in 4 (if you can try to imagine that). Bess, Oh Wheres My Bess follows, making Side 2 the better. Cannonball always communicates, whether he be in a studio or a club. Too many musicians lack that quality, but, its the very essence of what music is all about. 3 �~~ haircutter 59 Kenmore Ave. 836-8869 (corner of Windemere) behind jewelry store JAN GARBAREK - BOBO STENSON QUARTET WITCHI-TAI-TO - ECM Jazz is probably more popular in Scandanavia than here in the U.S., and these NorWegians show that their people can play as well as listen. Jan Garbarek and Bobo Stenson have been featured on numerous ECM albums and continue to grow. Whether planned or not, we ·find them here blending the styles connected with the groups of McCoy Tyner, Pharoah Sanders, Gato and others. Don Cherry's Desireless runs 20:25, starting off like Sanders in his mellow moods, changing to some Tynerish piano work from Stenson, who never lets you down throughout. A.I.R., by Carla Bley, sounds a 'bit eastern, with Jan on soprano, and may also bring to mind Lonnie Liston Smith. A touch of Keith Jarrett pops up in bassist Palle Danielsson's composition, Kukka; the album's ballad number. Hasta Siemps sounds very third world, and is where the Gato comes in. I hope the comparisons will help give you an idea of what is contained on this disc. When these two cats finally settle with a style of their own, they might be called monsters. This is the most energetic, and the "sleeper" of the latest ECM r elease. CLIFFORD BROWN - BROWNIE EYES - BLUE NOTE LA267-G Clifford was a masterful trumpeter, and any ofhis recorded works are important. These 9 tunes are taken from 3 Blue Note dates - Clifford Brown Se:x:tet, Lou Donaldson Quintet and J. J. Johnson Sextet, and were recorded between 1951-3. All were fine bop sessions with the top musicians of the time; in fact, the rythym section for the J.J. date was that of the M.J.Q. This is an album to have, if you are interested in Brownie or jazz trumpet. · THELONIOUS MONK - WHO'S AFRAID OF THE BIG BAND MONK - COLUMBIA KG 32892 Followers of Monk have probably been in agony with withdrawal for some time now, and many have, no doubt, already scooped this one up. As the title s uggests - its big band Monk. I need not go into the music - Monk's music is Monk's :rilUsic , and it speaks for itself; its nothing short of first rate . The cover, however, lacks the facts and data, which may keep people from shelling out their hard~ earned cash. · Record 1 was recorded in 1964, in concert at Philharmonic Hall. His ten piece group includes such names as Phil Woods , Charlie Rouse, Thad Jones and Frankie Dunlap (a Buffalo native). The a rrange!'Jlents were by Hall Overton, as Thelonious doesn't dig doing big band a rrangements. All but one of the 5 tunes run 4 long enough for some stretching out. The second record ,.was done in 1968 in a studio. There were around 14 pieces in the orchestra, with Oliver Nelson arranging and conducting. Charlie Rouse takes all tenor solos, and Ben Riley split the drumming with John Guerin. The tunes are s hort compared to the first record, and, in my opinion, the band wasn' t as hot, nor the session as good. That doesn't mean the records not good! Its been a long time Columbia-now how about the Paul Winter Consort? THE RUBY BRAFF - GEORGE BARNES QUARTET CHIAROSCURO 121 The Braff-Barnes Quartet made their debut to the public a t a Carnegie Hall concer t, of the Newport in N.Y. series, in June of last year. Since that time, they have received wide critical acclaim; .and, its well deserved. Their music here is mellow, gorgeous, alive, easy listening jazz. Their instrumentation is rare -lead and rythym guitars, bass and trumpet/ cor net. The group's sound is quite unique, but to exemplify through comparison - it falls in that c lassification occupied by such groups as the M.J.Q., the Jim Hall-Ron Carter Duo, the Jim Hall-Art Farmer Quartet of the mid 60' s, and the Joe Pass-Herb Ellis collaborations. The record contains originals, and tunes by Gershwin, Lennon and McCartney, and others. If it sounds good, or even interesting, you may still have time to catch them live - they opened a 2-week stint at the Statler-Hilton Sept. 29. L ook for the ad in this issue. MARK MURPHY - MARK II - MUSE 5041 Marks latest finds him taking on some of the better rock tunes of the '60s, as well as originals. Side one opens with a sensitive version of Triad, Mark's powerful voice resonating over the percussive background. The Band is represented with Unfaithful Servant and Sleeping, Mark keeping with the original feel of the tunes, but still stamping his Mark (pun) all over. The band chosen for the date works well in this context, and includes two guitarists - Sam Brown and John Tropea. · Although not as jazz oriented a s his last, his fans in jazz circles will be jus t as happy with this. Its the singer, not the song. GENE AMMONS - BRASS WIND - PRESTIGE 10080 With the exception of Ammons & Friends at Montreux, this is Gene's best in some time. Most of the tunes here are happy and funky. 'Round Midnight runs 7:59 and is simply magnificent. The 14 piece band is tight and full of life; and is led by arrangerconductor David Axelrod, who seems to have the formula for allowing Gene to do his best in a large band format. Jug's big tone is warm, natural and unobstructed throughout. George Duke continues to turn out splendid, highly imaginative performances on electronic keyboards . KEITH JARRETT - IN THE LIGHT - ECM 1033/34 GARY BURTON - 7 SONGS FOR QUARTET & CHAMBER ORCHESTRA - ECM 1040 These two albums are classical in nature, and come at an important time in Jarrett and Burton's career s . In The Light was released before both his Solo Concert Set and Treasure Island. It i s nothing like the latter, and not much like the former; in fact, Jarrett himself only plays on 3 of the 8 selections. It serves to open yet another side of Keith, focusing on his composing ability. He wrote all the material, and condu~ts ·the Sudfunk Symphony Orchestra's string section. �Jarrett does two solo piano numbers - Fughata For Harpsichord and A Pagan Hymn. Crystal Moment i s a piece for four celli and two trombones; Brass Quintet is performed by the American Brass Quintet and A Strtng Quartet by the Fritz Sonnleitner Quartet. Metemorphasis; In The Cave, In The Light and Short Piece for Guitar & Strings is with the orchestra; Ralph Towner is added for the latter. Its an experience; and Jarrett asks that you observe a time of silence after each side, to absorb the music. Burton's album is done with members ofthe NOR symphony orch., and :was no do.u btinspired by Ja rrett's. The music was arranged and conducted by Michael Gibbs. This album is more easily identified as Burton's than was Jarrett's, but it is much different than his earlier ECM release ..1The orchestra plays patterns under and around Bur.ton's beautiful, melody-ridden mallet work, at times ' doing the chills up your spine thing. It's new material, except for Arise, Her Eyes, which was on the Burton-Corea duo collaberation. Gary's album is readily available. Check out the local stores for Keith's - I! you don't find it by late October, write CODA, Box 87, Station J , Toronto, Ontario M4J 4X8 .and inquire. .. · ' . i<(<·~ THE PRESTIGE TWOFERS Berkeley based Pre.stige recor,9_s Jw:s J)!st relea s~d 7 two record sets, mostly ,-re " ~s.sues, · brmging thetr grand total to 46. The first is Kansas City Nights (24040) featuring Buck Clayton & Buddy Tate wi~ piano, bass and drums. Originally issued as two separate albums, sides: 1 & 2 were .recorded in 1960 with Tate blowing tenor; ~ nd sides 3 & 4, 1961, find Buddy on tenor and clarinet. The music is rock steady and swings - ballads, blues and lovely tunes. Most of the songs were written by . one of the leaders. Next, we have a 1973 recording of Oscar Peterson featuring Stephane Grappelli (24041), which was recorded in Paris and not previously released in the U.S. Grappelli seems to take charge here - Peterson is not up to his usual high level. Sides 1 & 2 are hampered by static noises, although that colildbe a pressing defect limited to my copy, I · doubt it .. Niels' Henning and Kenny C,larke 11.re up to their usual greatnes s. Good' music - especially Grappelli, but I expected better; ' .· _ . -.. . A most pleasant set comes from guitarist Tal , : Farlow, simply titled Guitar Player (24042). A much underrated player, Farlow played thumb sty~e guitar long before Wes Montgomery ever recorded, and has influenced m~ny of todays guitarists. Disc #1 was recorded in 1955 when Farlow was 'in the Red Norvo trio; and Disc ·. #2 in 1969 ~ ~Farlow quartet perfor- Off tho every .day low price of any available Jan Album atony of the 8 CAVAGES locations. Expires 11· 1· 74 I • SENECA MALL L! • BOULEVARD MALL . ·e COMO MALL SOUTH SHORE • UNIVERSITY I I I _J • LOCKPORT MALL e MAIN PLACE MALL • THRUWAY PlAZA ---~--- ., ., .cQJDponents. [techhifi] 143 Allen St., Allentown, Buffalo ···127.0.Niagara _Ea1Js. Blv.d.,. Amherst, Buffalo mance. Both records are first rate and should be of interest to jazz guitar fans. Earl Hines is well represented in Another Monday Date (24043): Record 1 i s a collection of Fats Waller favorites, recorded in a quartet setting in 1955, also featuring guitarist Eddie Duran. A 1956 unaccompanied piano session makes up the second record. This is a complete re-issue of 2 Fantasy records 3217 & 3238. Genisis (24044) featu res Sonny Stitt from 19491951. Stitt plays tenor, except for 1 track each on alto and baritone, with 8 different groups of boppers. Its good Stitt, taken from 3 Prestige albums. Duke Ellington's Second Sacred Concert (24045) is a historic work and little· need be said, except that it i s now readily available at a r easonable price. 25 Years of Prestige (24026) puts the frosting on this release. It covers sessions from 1949- 1970, featuring twenty leaders in' all, including Dexte r Gordon, Miles Davis, SonriY Rollins, Gene Ammons, Coltrane & Kenny Burrell. Sides 3 & 4 boast 7 tracks ('59 - '70) never befor e issued. This record marks Prestige's. 25th anniver sary; many more! cllafDJ~Dfiied Coupon worth ONE DOLLAR I I The only logiccll place to buy '+·' hifi GUITARIST - Professional, looking for new outlets, capability unlimited. Handle any situation. Call 895-0819 Michael Stace . Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo; or a record, or a band looking for work; you would do well to advertise in 'the jazz report. The cost is $.25 per word - mini- 5 �Bourbon All together now! 1 The Ruby Braff!George Barnes Quartet A smashing new combo who all but stole Newport '73's Concert at Carnegie Hall from Benny Goodman! A swinging, jazzy show from the foursome Eubie Blake says is "The best I've heard in 72 years!" Now in Buffalo! At the Statler's Downtown. September 29 through October 13. 2 The Statler's Downtown Buffalo's newest hit! An exciting new lounge already known in Buffalo for fantastic big name shows. Big band sounds. And a fantastic new restaurant! With a variety of bubbly beverages. Buffet dinners and snacks to beat the band! 3 Street TORONTO (416) 864-1020 PEPPER ADAMS Sept. 30 - Oct. 12 JIM HALL Oct. 14-26 Ellsworth An in-town feast on anything from cheeses and wines to Ellsworth's staggering lists of salad specialties and complete steak dinners. Great business lunches! The Statler's got it all together. AL COHN Oct. 28-Nov. 9 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover The Statler Hilton Hotel a W.O. Hassett Enterprise mum charge is $3. The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. TORONTO BOURBON ST. - Pepper Adams, Jim Hall, AI Cohn. (See ad) GEORGES SPAGHETTI HOUSE -- 290 Dundas St., E.j 923-9887 - various local jazz groups. ' COLONIAL - 201 Yonge - 363-6168 - Cannonball~! Adderly (Sept. 30 - Oct. 5), George Benson (14-19),. Grover Washington, Jr. (21-26), Hank Crawford (28 _., Nov. 2). Cover charge. ANTHONY BRAXTON - Oct. 13 at 2:30P.M., St. Paul Ctr., 121 Avenue Road. Contact CODA (416) 929-5065. GARY BURTON- Oct. 7- Univ. of Toronto RADIO ONE EYED CAT - 28 Bryant (near Main). Flight Wed. nights - 10-2. PORT EAST - Grider & Ferry - Zimbabwe Fri. & Sat. nights - after hours set from 1:30 - 6:00 A.M. Breakfast & non-alcoholic beverages served. Admission $1.25. McCOY TYNER - U.B. - Oct. 12 - 2 shows -phone Norton Ticket Office 831-3704 STATLER'S DOWNTOWN - Ruby Braff-Geo. Barnes (See ad) HERBIE HANCOCK - at Kleinhans, Oct. 9 at 8 P.M. Phone 854-7173. GABRIEL'S GATE - Allen near Park - 886-9254 The Professors (tentative - call for information) BLEU POYNTT - 615 Michigan (at Sycamore) Jive Soup - Oct. 11-12-13; 18-19-20; 25-26-27. ERICSON LOUNGE - 19 W. Utica - phone 884-7669 for information BIRTHRIGHT tentative concerts atU.B. and Buff. State phone 838-6156 for more information. 6 WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midnight Jazz Signal with Joe Marfoglia. Wednesday - 9 P.M. - Jaz-z Revisited with Hazen Schumacher .. Saturday - 8 A.M. - MorningSeranade with Charles Smith. Midnight - Jazz by Request with Prez Freeland. Phone 831-5393. Sunday - Noon - Talking To The People with Myror, Yancy. 11 P.M. Inside The Changes with Bill Savino. WBLK-FM-93.7 Saturday- 10-12 P.M. Jazz with Bradley J. Cool. WHAM - AM • 1180 Jazz all night after 12 (except Saturday.) WEBR - 970 AM & WREZ - 94.5 FM - midnight to 6A.M. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3403 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 8 Date A point or period of time associated with an event in the lifecycle of the resource 10/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 8 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c26e15af4cda9a290c1d3a458a224f84.pdf bbb4faf8181e78d6996338a7fb66753d PDF Text Text buffcllo jc~~ teporrt SEPTEMBER 1974 . FREE ~~ /7 1 VOL 1 NO. 7 lliive mUJ~iic treviiew The Artpark played host to the Paul Winter Consort last month in what was a delightfully, stimulating and innovative experience. The opening and closing piece, "Icarus", is a "beautifully light, airy number that gives you wings and allows you the freedom to fly. A good start for a first set which included a classical improvisation on one of Bartok's Hungarian Peasant songs and gave all the musicians plenty of room to stretchout - and that they did. The instrumentation included an acoustic and electric cello, tenor and soprano sax, keyboards including piano, concert organ and harpsicord, two percussionists which included kettle drums, steel drums, bells and gongs of all sizes, and finally a log mirimba. These elements make them- a group for people who love music and want to listen -- but the Consort takes the listener one step further -- allowing you the freedom to transcend all. It was clearly that sort of experience during the second set which included a musical essay on the endangered animal species - with recitation by Winter over voices of animals and an Eastern Drone giving support to the OM chant. A lovely experience for the mere 1000 people in attendance. Don't miss them the next time - you owe it to yourself. Friday following, was a Salute to Scott Joplin with Little Brother Montgomery, Edith Wilson & Max Morath. Little Brother, though a blues pianist, seemed to enjoy doing ragtime tunes. He plays the blues of the thirties and backed Edith Wilson who has a stunningly rich voice with many years of dues paid. Max Morath put on a good vaudeville act and did some fine ragtime piano himself. All together a fun, reflective evening and one which gave good roots to the music of today, and makes one appreciate from where we have come. P.W. Grover Washington, Jr. turned out a dynamic set at the Bleu Poyntt Supper Club. He used tenor, alto and soprano saxes, doing tunes made famous by Joe Henderson, Freddie Hubbard, Stanley Turrentine and Stevie Wonder; as well as his own compositions. His band - James Simmonds- keyboards, Buster Anderson - bass and Geo. Johnson, Jr. was tight and alert. At times Grover's playing reached the furious and almost high energy .level -and his soprano work was beautiful. Editor/Publisher - Bill Wall Contributing Editors - Tom Alabiso, Malcolm Leigh, Paula Wall Illustrations - Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 The Buffalo Jazz Report is distributed free at va:rious locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. gene ammons 1925-1974 Tenor saxophonist Gene "Jug" Ammons died Aug. 6, 1974, of bone cancer, in his native Chicago. He was 49. Gene was born March 14, 1925, the son of boogiewoggie pianist Albert Ammons. He started his professional career at 18 with the King Kolax Band, then went with Billy Eckstine at 19. In 1949 he replaced Stan Getz in. Woody Herman's Orchestra. The next year he formed a group with Sonny Stitt featuring their now famous tenor battles. That band lasted for two years. Since '52 Gene has led his own groups, mostly in the Chicago area, except for some time he spent in jail in the late '60s. Jug had a firey, full bodied and powerful sound. When teamed with other tenor players such as Dexter Gordon, Stitt and James Moody he was especially psyched and at home. Ammons was among the most recorded of jazz artists; at this time he has over 29 albums that are readily available, mostly on Prestige - a company he was with for over 20 years. Two additional albums were recorded by Ammons before his death - one with Sonny Stitt, and another with Nat Adderley & Gary Bartz. Both will be on the Prestige label. His latest release Brasswinds should be reviewed on these pages in the near future; a re-issue - Juganthology was reviewed in May, and Gene Ammons at Montreux in June. Gene was scheduled to appear with Stitt in Niagara Falls in July but did not show- no doubt due to his illness. Ammons was a giant who warmed the hearts of many, and will be forgotten by few. YES, VIRGINIA, THERE WAS A BUFFALO JAZZ FESTIVAL! On my way home from work the other day, I passed the"corner of Michigan and Ferry Streets. Not a very distinctive corner if you should happen to see it, but local Jazz buffs of past years will tell you that right there, where Woodlawn Junior High School now stands, was old Offerman Stadium. What did Offerman have to do with Jazz, you say? Well, in 1960 and 1961, �it was the home of Buffalo's two and only annual Jazz Festivals. . 1!11953-55 the popularity of Jazz was quickly growmr m Buffalo. By the late 50's, Buffalo was starting to become known as a Jazz city. Live Jazz was becoming very frequent in local clubs. Popular places of the day such as the Coldspring's Bon-Ton Tavern the Royal Arms, The Jazz Center and Big Mothers to name a few, boasted such names as Cannonball Adderly, Oscar Peterson, Jackie Cain & Roy Kral Ornette Coleman, Kenny Burrell The Three Sounds' Sam Noto, Don "Red" Menza, Larry Covelli Jerry Mulligan and many other notables. In adclition to National and International stars, Buffalo had many ~ine 19cal.musicians who could be found notonly playmg gigs m the local clubs but also at various afterhours spots. In addition, many fine Jazz concerts were being scheduled regularly at Kleinhans and sporadically at the old Lafayette Theater. The Crystal Beach Ballroom in Ontario, often signed famous big bands such as Kenton and Ferguson. · . By 1960, Buffalo had reached a certain notoriety m the Jazz world. Interest in Jazz here was at fever pitch a!ld Buffalo was widely becoming accepted as a Jazz City by performers and Jazz enthusiasts alike. It was at this point that the organizers of the Newport Quaker City and American Jazz festivals felt that time was right to bring a Jazz festival to Buffalo. Thomas A. Alabiso the Next - How the Buffalo Jazz Festival was born. ella~~iifiied Hard-working, talented, original Jazz-Rock Band looking for work in Buffalo area. Keyboards saxes bass, drums and guitar. Write or call Jive S~up!, 33 Ivyhurst Rd., Eggertsville; 835-4954. Whether you are a musician looking for work, work looking for a musician, want to buy sell or trade an instrument, or a stereo, or a record or a band looking for work; you would do well to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. J;People peasant garb and jewelry 147 ALLEN STREET 2 716- 882-6283 trecotrdiingg; PABLO RECORDINGS . A new label has sprung up with an impressive first batch of releases. All of the Pablo records thus far have been produced by Norman Granz - who brought about the many fine jazz at the Philharmonic Concerts. . Heading the list is an incredible three record set titled Jazz at Santa Monica Civic '72, {Pablo 2625 701) featuring the JATP all stars {which includes Stan Getz and Roy Eldridge among others), the Count Basie Orchestra, and Ella Fitzgerald. There isn't a second 9f bad mus~c anywhere in this set; most of it, in fact, IS outstandmg. It's not often that you hear the Basie Band burn like they do here - at least on record You'll also find some of Ella's best recorded work in years - both standa!'ds and contemporary tunes. Next comes The Tr10 (2310 701) featuring Oscar Peterson, Joe Pass and Neils Pederson in a breathtaking performance recorded live in Chicago. The three men _ar.e masters on their instruments, and the empathy wlthm the group seems to be at the highest level imaginable. They fill in so well that even a drummer would have to admit that there is no need fo_r drums here. If you don't pay attention, the notes will fly well ahead of your mind. Take Love Easy (702) is a relaxed duo performance from Ella Fitzgerald and guitarist Joe Pass. Its a set of moody ballads, performed in a format that few would attempt and where less would succeed. They've done both with ease. A great record for an intimate atmosphere. One of my favorites is Duke's Big Four (703) featuring Duke Ellington, Joe Pass, Ray Brown & Louis Bellson in an all too rare quartet recording. Bellson normally a big band drummer, drives the hell out them with the help of Ray Brown, while the Duke and Pass turn out exquisite solos and melodies. The material consists of five Ellington tunes and one Bellson number - The Hawk Talks - which contains some solo work from Louis. Last comes Virtuoso (708) - a solo album from Joe Pass. The best adjective to describe this record has already been used for the title. I never knew just how good Pass is - I think you'll be surprised too. A must for guitar freaks. All. these ~eco_rds are better than average. The recordmg quahty IS very good - only slightly heavy bass on some. The pressings are close to excellent. or MAL WALDRON - UP POPPED THE DEVIL- ENJA 2034 Pianist Mal Waldron has been livirig in Germany for some time now; hence most of his albums are on German labels {ECM, JAPO, ENJA). His music might ?e ter~ed funk, but he, unlike most, explores and Im_provises on that style of music; his trademark bemg an unusually heavy left hand. His triO· consists of Reggie Workman on bass and Billy Higgins an drums. All are empathic to each other, turning out so~e funky, moody sounds. Both. Workman & Higgins dehver c9mmend_able solo work. My only complaint the pressmg quahty on my copy was poor. ESTHER PHILLIPS - PERFORMANCE .: KUDU 18 Motown has taken over distribution for CTI and this overdue album has just been released. Esther's fourth for Kudu is up to her usual high standards both musically and production wise. In my own humble �opm1on I find it less satisfying than her previous release, Black Eye Blues, perhaps due to the choice ?f m~terial; but Esther's basic format of funky blues IS stlll here. Her gutsy voice cuts through the horns destined to reach your soul; and she will if you'll let her. The title tune and Disposable Society seem best suited for her among the 7 tunes on the disc. Living Alone is close oehind, but is hampered by unnecessary background vocals. The lady has been back on the scene now for a ~ouple of yeats; she's paid her dues and is now enjoy . mg the success she deserves. If you're not familiar with her - look her up. LARRY CORYELL - SPACES - VANGUARD VSD 79345 This record was originally released a few y~ars ago - when Billy Cobham was with Dreams. With Coryell is John McLaughlin, Chick Corea, Miroslav Vitous & Cobh<im; and signs of .the formation of the Mahavishnu Orchestra close in the future are apparent. Some incredible guitar work, both acoustic and electric is heard, and Vitous & Cobham are no less proficient than the guitarists. Corea is only heard on Chris - playing electric piano. McLaughlin is not heard on ChJ.:is, Gloria's Step or New Years Day. The music has not the high energy style of Mahavishnu, but is lyrical and strong. Rene's Theme & Gloria's Step are the highlights for me, and both are acoustic outings. The electric tunes are not too heavy on the fuzz sound, and typical of Coryell's music. Most likely re-released due to the present popularity of these men - it should get the reception it deserves. MIKE GIBBS & GARY BURTON - IN THE PUBLIC INTEREST - POLYDOR 6503 Mike Gibbs, a native of Rhodesia, has been an associate of Burton since 1960, and has contributed many tunes to Gary's albums. This release is more of a showcase for his work than that of the Vibist. Gibbs is an arranger, and his work is unique, up to date and tasteful. In addition, all 7 tunes here are . his compositions. The music is done in a big band format (19 pieces); and is alternately pretty and dynamic or both. Burton contributes most of the solos, while the horns mainly stick to ensemble passages. · One tune, Four Or· Less, was on Burton's last album- The NewQuartet(ECM), which, for my money, is his best. I might also point out that ECM's Manfred Eicher supervised the recording, which was mixed in Germany. This album may not win any awards, but is pleasant nonetheless. STEPHANE GRAPPELLI - JUST ONE OF THOSE THINGS - BLACK LION 211 JOE VENUTI & ZOOT SIMS - JOE & ZOOT CHIAROSCURO 128 These albums feature two of the jazz violin greats, and each deserves your attention. The Grappelli album was recorded at the Montreaux Jazz Festival last year, where he appeared with a European rythym section. The music here consists of ballads, and medium and breakneck tempo cookers, with 66 year old Stephane continually astonishing the audience. The encore resulted in Honeysuckle Rose the highlight of the album. Joe & Zoot is probably the better record; but then, two giants are better than one. If you like music that swings this is it. Both these cats have been around for years (Joe is 78, Zoot 48) and they've got what it on freelance records If Not at Your Local StoreSend $5.00 to: BIRTHRIGHT P.O. Box 514 Buffalo, N.Y. 14240 takes to swing with unequalled ferocity, or lay out a beautiful ballad. When they perform together - anything goes. The two first played together in 1969, and, to my knowledge, this is their first recording as a team. I doubt seriously if it will be their last. OSCAR PETERSON- GREAT CONNECTIONBASF MC 21281 This record is not as dynamic as the Peterf;on album reviewed elsewhere in this issue; it is however a good performance typical of the Canadian pianist. The difference here may be, in part, the studio vs. the .club; its a known fact that its harder to get it on in the former. Oscar is joined by Neils Pederson and Louis Hayes for this date. Pederson is among the best of the European bassists, and Hayes, an always tasteful drummer, has worked often with the leader. Some of the tunes here are downright beautiful - such as Peterson's Wheatland. Others move along mildly, while the remaining cuts are red hot - check out Younger Than Springtime. Highlights are Wheatland, and Chaplin's Smile. August was a good monthforPetersonfans. Choose your side. JOHN COLTRANE - AFRICA BRASS SESSIONS VOL. 2 -IMPULSE AS-9273 The major difference between this and the original Africa Brass (A-6) is a fast tempo tune with Coltrane on tenor - Song For The Underground Railroad. That piece takes the place of Blues Minor. · The two remaining cuts are alternate takes of Africa and Greensleeves. Except for slight differences in the intros, endings and lengtll; and the improvised sectionsthese versions remain very close to those originally issued. All these selections were recorded in 1961. The orchestra was conducted by Eric Dolphy. McCoy Tyner, Jimmy Garrison and Elvin Jones comprised the rythym section, except for Africa, where Garrison was . replaced by Reggie Workman and Art Davis. Since all Coltrane music is important, this album would be a good addition for any jazz collection, and a necessity for a Coltrane collection. Another point the pressing is excellent. BOB JAMES - ONE - CTI 6043 A former member of the Maynard Ferguson band, and musical director for Sarah Vaughan, Bob James is now what might be termed as a "house" arranger and pianist for CTI records. With One, his first album in over a decade as a leader, he mixes both jazz and classical music; resulting in a quite successful. 3 �~3l!n:>MIVH NOB c•AZY • ~·~ •··. -~ .· v ''WHATEVERTURNSYOUON" HAIRCUT 59 KINMORI AYI. 836•8869 (corner of Windemere) behind jewelry store fusion. Moussorgsky's Night On Bald Mountain is the only actual classical piece included; but all 6 selections are heavily orchestrated - the collective personnel adds up to 37. Most of the solo spots here go to James, and Grover Washington, Jr. (soprano). A good late-night album. SADAO WATANABE - ROUND TRIP VANGUARD - 79344 It might be ignorance, but I've never heard of Sadao Watanabe. The absence of any liner notes makes me think I'm supposed to know him. Regardless, he plays soprano sax and flute, and wrote the four tunes on this album. His group includes Chick Corea, Miroslav Vitous & Jack DeJohnette; and I have no idea when it was recorded. The music borders on Avante Garde, employing rockish tempos in a few places. I don'tfind the leader to have a great tone on soprano, but the end product of this groups effort is pleasing. Some of Corea's electric piano riffs and trio passages bring to mind his Return to Forever sides. Vitous and DeJohnette are up to their usual high level of technique and creativity. I could be wrong on both counts, but I'd guess !hat Co:ea probably did most of the arranging, and this music was recorded around the time of Corea's Sundance album. MARION BROWN - SWEET EARTH FLYING - IMPULSE AS - 9275 Marion Browns latest is a peaceful and moody set, and it grows on me with each listening. The instrumentation has a lot to do with that sound. Marion plays alto (side 1) and soprano (side 2) with Paul Bley and Muhal Richard Abrams - keyboards and synthesizer, James Jefferson - bass, Steve McCall drums and perc., and Bill Hasson - narration (side 1, part 4) and perc. The two selections are broken up into parts as suites - Sweet Earth Flying - parts 1-5, and Eleven Light City -parts 1-4. The music is perhaps best described as cosmic, with changing moods; both delicate and strong. The free sections are never irritating, and don't even last very long. I noticed that part 2 of Flying was recorded with 1-5, but is not on the album. That seems a bit strange. The recording, mix and pressing quality is tops. The record is highly recommended - nothing heavy just good "flying" music. SONNY STITT - THE CHAMP - MUSE 5023 Sonny does it again. This time he is paired with trumpeter Joe Newman - no newcomer to bop music, but one who hasn't recorded much of late in a small 4 group context. The rhythm section was well chosen Duke Jordan, Sam Jones & Roy Brooks. Jordan & Jones are both boppers from way back, and Brooks, although younger, falls in the groove well (remember .him on Red Rodney's Bird Lives?). As you might have guessed - the music is bebop - swingin' and pretty. Sonny's average is damn good! Hope he doesn't let us down. THE JOHN BETSCH SOCIETY - EARTH BLOSSOM STRATA-EAST 19748 This sextet recording came as a happy surprise; as did the Birthright album last month. The music of the Betsch Society is full and percussive, and ofttimes downright beautiful. As was the case with Birthright, they show traces of the styles of other contemporary composers, while maintaining their own sound. Weather Report, McCoy Tyner, Joe Henderson and others come to mind as this record spins on the· turntable. Thanks go out to Strata-East for recognizing good talent, and putting them on record; regardless of whether or nottheyhaveabigname.One day they may. BILL EVANS - TOKYO CONCERT- FANTASY 9457 I have never been a big fan of Bill Evans. I quite enjoy listening to his work on Miles' Kind of Blue Album, but on his many verve sides he seemed to have technique, warmth and beauty - but lacked soul. On this album he possesses all those qualities, plus fire, and ah yes - he's got that soul. He also does quite a few new tunes as well as his own T.T.T.T., Scott LaFaro's Gloria's Step, and the standard - Green Dolphin Street. The trio - Evans, Gomez & Morell were "on" that night in Tokyo, and you've got the option to hear the concert yourself. You'll get your money's worth - besides great music there is over 28 minutes of music on each side. · STANLEY COWELL - MUSA- STRATA~EAST 19743 !'-fter that magnificent offering from Keith Jarrett, reVIewed last month, I was eager to listen to this solo disc by Stanley Cowell. The verdict - Cowell is his own man - a fine performance. The ten tunes here, all originals, were written between 1959 & 1972 and offer a good variety of tempos, ideas and moods. All selections feature acoustic piano except Travelin' Man, which is an electric piano/ African thumb piano duet. Its not on the same level as solo Corea or Jarrett, but its not too far behind. GABOR SZABO - LIVE - WITH CHARLES LLOYD BLUE THUMB 6014 Not among the best Szabo, but in places its a fairly decent live session. Spellbinder ~s perhaps the best tune as it moves along at a medium pace with Gabor as the only lead voice. Sombrero Sam has a South American flavor - Gabor again sounds good; but Lloyd is weak and often unimaginative. Stormy is done to a rockish beat, while People is a slow, re~ lax.ed number - again with most of the focus on Szabo. Th1s record should have been better; but for Szabo fans it will probably be well received. KENO DUKE/CONTEMPORARIES SENSE OF VALUES- STRATA-EAST 7416 Duke's contemporaries had a record in 1972 Reasons In Tonality, which was superb. This albuni has different personnel - Frank Strozier & Lisle Atkinson replacing Julius Watkins, Clifford Jordan and Larry Ridley {reeds & bass), but the outcome is still high quality, mainstream jazz. No gimmicks or electronics - just pure music. This may be one case in which you can judge a record by looking at the cover. �JACKIE McLEAN featuring DEXTER GORDON - THE MEETING ,. STEEPLECHASE 1006 (Danish) The latest from this Danish label finds McLean and Gordon live at the Montmartre Jazzhus in fine form and playing for a typically re·ceptive Danish audience. Jackie says he always wanted to record with Dex, an early major influence on his music. The sounds here are warm, moving communiques of love, easily absorbed by the listener. Rue De LaHarpe, by Sahib Shihab, is a bop tune typical of both leaders; Kenny Drew's Sunset is a lovely ballad, Gordon's All Clean is an extended tune with plenty of soloing from all and On 'The Trail is a happy foot-tapper. The usual Montmartre rythym section - Kenny Drew, Niels Henning and Alex Riel are as fine as always. Another record - The Source, is expected soon .. The Meeting is available for $5.98 post-paid from Coda, Box 87, Station J, Toronto, Ontario M4J 4X8. ROBIN KENYATTA - STOMPIN' AT THE SAVOY ATLANTIC 1656 If you weren't to pleased with Kenyattas' last two Atlantic releases - I think you'll find this an improvement. Much of it is still a bit commercial, but all the music is played with feeling and taste. My favorite cuts are Tbe Need To Smile - a lyrical, haunting ballad with Robin on soprano; and Two Bass Blues a short (too short) cut featuring alto and two basses sounding like something Dolphy might have done. The whole album is quite soulful - as is Kenyatta. Among the musicians here are Lew Soloff, Larry Willis, Ron Carter, Pretty Purdie, Billy Harper and Al Mouzon. MUSICIAN'S BULLETIN BOARD CREATIVE MUSIC STUDIO WOODSTOCK, NEW YORK, a study center for musical development, announces that starting October 1974, the Creative Music Studio Woodstock will be a permanent study center for the creative musical arts. CM Studio programs are a very unique approach to artistic education, through direct communication with major composer/ performers of creative music. Guiding artists i nclude Kar I Berger, Dave Holland, Jack DeJohnette, Stu Martin and Bob Moses. Visiting artists include Sam Rivers, Frederic Rzewski, Lee Konitz, Garrett List and others. The list of visiting artists from NYC and other places is open-ended. The concept is to bring together 15 to 25 student musicians in various group and orchestra situations, with the guiding artists and their working methods. The combination of basic explorations and the experiences of group playing, with professional musicians, offers many opportunities for a broader personal development and involvement in music. TECHNICALITIES - There will be three 8-week terms, with a minimum of 8 sessions per week (5 workshops I 3-5 development studies) FALL TERM: Oct. 15th - Dec. 15th, 1974 (one week Thanksgiving recess) WINTER TERM: Jan. 15th - March 15th, 1975 SPRING TERM: April 1st - May 31st, 1975 (one week Easter recess) RECORDINGS - A double-record set of "The Peace Church Concerts" by Karl Berger & Fri ends, featuring Dave Holland, IngRid and others-is scheduled to be released in October 1974. This is the first (#1) in a series of recordings produced by CREATIVE MUSIC COMMUNICATIONS, a Artpark Artpark Lewiston, New York ~BATHER CREPORT and RETURN TO fORE\JER FffiTURING CH- c \ COQE~ Wednesday Sept. 11·, 8:30 p.m. Directions Tickets: $6.50, $5.50 and $4.50 seats. Phone (716) 754-4375. Buffalo 694-8191. Come to Lewiston by any route. Then follo w the Artpark signs to the theater and park. 5 �non-profit service for audio and. video re cording. Forthcoming (in approximate 2 month intervals): recor ds and tapes by Sam Rivers, Jack DeJohnette, Dave Holland, S~u Martin, Lee Konitz, David Izenzon, Bob Moses, and others. Subscription i s available through the s upporting membership program . SUPPORTING MEMBERSHIP- Your contributions help to produce the CMC recordings and allprograms of the Creative Music Foundation. These non-profit program s are based on their support by all the people interes ted in alternatives for musical communication. You become a co-producer of recordings which otherwise might neve r be available. A supporting membership contribution of $20.00 entitles you to a presentation of up to 4 albums or 3 cassettes, and brings you regular information on recordings, concerts and workshops. Your contribution is tax- exempt. For more information on all of the above write: CREATIVE MUSIC FOUNDATION, INC. P.O. Box 671 Woodstock, New York 12498 Phone (914) 679-9245 wlhat1c; happeniing LIVE MUSIC - CLUBS ONE EYED CAT- 28 Bryant (near Main). Flight Wed. nights - 10-2. PORT EAST - Grider & Ferry - Zimbabwe Fri. & Sat. nights - after hours set from 1:30 - 6:00 A.M. Breakfast & non-alcoholic beverages served. Admission $1.25. ., LANDMARK - 1386 Lovejoy - 892-8651 - Maynard. FERGUSON - Sept. 14 & 15. Admission $6. LIBRARY - 3405 Bailey- 834-7919 - Thermoplaye Wednesday nights. CONCERTS FLIGHT - Jazz-Rock Group - Sunday, Sept. 8 at 2 P.M. - Delaware Park, Rose Garden area; Saturday, Sept. 14 & Sunday, Sept. 15 3 P.M . -Cultural Concert - near Parkside Lodge (Del. Park). CHICK COREA & WEATHER REPORT - Sept. 11 at Artpark. See Ad. F REDDIE HUBBARD - Sept. 7 - Clark Gym - U.B. TORONTO BOURBON STREET - Phil Woods , Bill Evans, Thad Jones & Ha rry Edison - See Ad. GEORGES SPAGHETTI HOUSE-- 290DundasSt.,E. 923-9887 - various local jazz groups. COLONIAL TAVERN - 201 Yonge St. 363 - 6168. WORLDS GREATEST JAZZ BAND - starts Sept. 9. Cover charge. RADIO WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midnight Jazz Signal with Joe Ma rfoglia. Wednesday - S P.M. - Jazz Revisited with Hazen Schumacher. . Saturday - 8 A.M. - MorningSera na dewith Charles Smith. Midnight - Ja zz by Request with Prez Freeland. Phone 831-5393. 6 Bourbon Street TORONTO (416) 864-1020 street PHIL WOODS Aug. 26- Sept. 7 ~ BILL EVANS Sept. 9-14 THAD JONES Sept. 16-28 Harry ·swe~ts" Edison Sept. 30- Oct. 12 Phone Ahead for Dinner Reservations Di ne & Dance 9-1 No Cover "the house that jazz built" THE ONTARIO HOUSE presents RE-BIRTH fri., sat. &sun. - from 10 pm 920 Ontario Ave. , Niagara Falls, N.Y. (716) 282-9877 Sunday - Noon - Talking To The People with Myron, Yancy. 11 P.M. Inside The Changes with Bill Savino.' WBLK-FM-93.7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. WHAM • AM - 1180 Jazz all night after 12 (except Saturday.) support live music � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3409 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 7 Date A point or period of time associated with an event in the lifecycle of the resource 9/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 7 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e1ca0b48e81db2c6e70393c34d2be72a.pdf 31ad9f6469553e0479b50461c7a76b24 PDF Text Text buffcllo jazz ~~pott AUGUST 1974 FREE I 3K Illustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 ~"?'-~Vocalist Mark Murphy, no stranger to Buffalonians, was horn in Syracuse on March 14, 1932. His entire family was musical, and he beganstudyingpianoat7. Later he played and sang with his older brother's dance band (Doc Murphy). In the late 50's he begantotourthe U.S., performing in such well known clubs as the Village Vanguard & Village Gate. He appeared on Steve Allen's Jazz Scene U.S.A. TV show and others, as well as the Newport & Valley jazz festivals in '62 and '63. · He moved to Europe in the mid sixties where he was widely accepted. He has made TV, radio and concert dates in many European countries includingtheNetherlands, Scandanavia, Yugoslavia, Germany and Britain, as well as Tangiers and elsewhere in North Africa. He placed second, after Frank Sinatra, in the Melody Maker poll for male vocalist in '65 and '66. He is presently living in England where he has done 24 studio recordings for BBC Radio, and performed often at Ronnie Scott's. He just finished a series of 16 1 hour TV specials on the Life of Christ in which he plays Chri&t. . Mark hasn't been burdened with the label "Jazz Singer", and I won't label him here. He i s however a dynamic vocalist, can swing, and is accepted in jazz circles around the world. He has been called "A Singers - Singer." His last album - Bridging A Gap (Muse 5009) is proof that he can handle any song in a new and unique manner. On that record he did tunes made famous by such diversified artists as Billie Holiday, Chuck Mangione and James Taylor ; as well as two originals. Mark is quite fond of the Buffalo area and visits the area most every summer. He has appeared in such area clubs as the Cloister, Davids Table, Foster's, The Fountain Room, Royal Arms, and - Gabriel's Gate, where you can hear and see him in person Aug. 4-31. See you there. Editor/Publisher - Bill Wahl Contributing Editors Malcolm Leigh Paula Wahl NIAGARA FALLS & ARTPARK The Niagara Falls Jazz Festival was a grave disappointment for us. This might better have been billed as a soul festival; for thats what the majority of the people came to hear. The jazz performances were marred by masses of people walking around and talking, waiting eagerly for them to finish. To make things worse, a jive D.J., who calls himself the "Sex Machine", jabbered unintelligently throughout both nights, and the acoustics were poor. The best sets came from Chuck Mangione, Sarah Vaughan, The Crusaders and Johnny Heartsman & Circles - a Niagara Falls based group. Stitt was good but was backed by Jimmy Smith, whose drummer wasn't with it. The many jazz fans who decided not to go for fear of the above made a wise choice. Also - from our $7.50 seats we couldn't even see the performers' faces. At -Lewiston Artpark, Miles Davis played to 1,000 people who came to hear music and enjoyed it. Not only did Miles show up, but he played two long sets (1 song each), and smiled at least twice. The music, although quite loud, was good - in thejazz-rock sound of his In Concert album. We felt that Miles used electronic effects a bit too much as did saxist Dave Liebman; the latter of which is not heard to best advantage when playing with Davis. Miles was the first scheduled artist to appear at the new Artpark theatre, which opened the night before with a gala celebration unlike anything I'V'e ever experienced. The Artpark has a good amount of jazz this season - keep your eyes open. We're eager ly awaiting Pau,l Winter - August 21. ena~~ified Hard - working, talented, original, jazz-rock band looking for work in Buffalo area anytime after July 19, 1974. Keyboards, saxes, bass, drums, guitar. Write or call, Jive Sou.{'! 314 W. Church St., Oxford Ohio 45056. Phone (513) 523 - 3966. Fender Jazz Bass - Wanted in playable condition, for around $150. 832 - 7934. Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo, or a record, or a band looking for work; you would do well to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. The ad must be music related, no business may use this column exct;!pt in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. �tecotdingrDJ KEITH JARRETT - SOLO CONCERTS - BREMEN, LAUSANNE - ECM 1035/37 A masterpiece; a work of art - such is the music of Keith Jarrett as documented for eternity on this boxed, three record set. Don't ever say that you can't listen to a solo piano record - you can. Anyone with an ear for what's beautiful in .music could listen to all 6 sides in one sitting. One hundred-twenty nine minutes and nineteen seconds of spontaneous transcendental magic that cannot be disected, classified or repeated. The moods constantly change, keeping the listener totaHy enchanted .. You will hear segments of his past work only briefly, usually in the form of or in harmony with his notorious, trance-like chordal patterns, only to be. ended with a flurry of notes like an prarie gust of wind, or perhaps the opposite - a calm at sea. If you think I'm getting carried away - buy this record. Come along for the ride. GEORGE RUSSELL - NEW YORK, N.Y. AND JAZZ IN THE SPACE AGE - MCA2-4017 George Russell had some dynamite talent in his orchestras when these sides were recorded ('58-'60), and the music is as good as you might expect. The collective personnel is too numerous to list - but to name a.few - Coltrane, Max Roach, Art Farmer, Bill Evans & Phil Woods. N.Y., N.Y. is much like a suite containing tunes such as Rodgers & Hart's Manhattan, with plenty of fine blowing and narration by Jon Hendricks between the cuts. It is, of course, a big band sound throughout. Jazz In The Space Age (record 2) is a more modern sound, and for me - the more interesting record. Some exquisite piano work is heard from Evans & Paul Bley. The horn section lays out here much of the time, thus allowing the soloist more freedom. The sound and pressing quality is very good. THE WORLD OF DUKE ELLINGTON - COLUMBIA G 32564 With the death of The Duke, many Ellington albums Will be put together and re-issued - such as this 2record set. The Duke didn't make .bad music, so depending on what era of his career you are interested in, you might want to choose the records accordingly. This music was all recorded in 1947; and since all the information is on the inside cover - we'll list it. Ellington, piano; Shelton Hemphill, Francis Williams, Harold Baker, Ray Nance, Dud Bascomb, trumpets; Lawrence Brown, Claude Jones, Tyree Glen, tram- •o• ~3Hn:niiVH ·. · .. CRAZY ~·.~. v ·wHATEVERTURNSYOUON" HAIRCUT S91CINMORI AYI. 836•8869 (corner of Windemere) behind jewelry store jazz blues soul IN COICIRT 2 Le Royer,Montreal MONGO SANTAMARIA • August 6- 11 ART BLAKEY • August 13-18 GEORGE BENSON • August 20- 25 BILL EVANS • August 27- September 1 located in Old Montreal shows nightly -861-5669 bones; Russell Procope, Johnny Hodges, Jimmy Hamilton, Al Sears, Harry Carney, reeds; Fred Guy, guitar; Oscar Pettiford, bass and Sonny Greer drums. Addi. tional musicians include vocalists ·Ray N®ce, Dolores Parker, Kay Davis, Al Hibbler; trombonist Wilbur DeParis and others. All I can say about the music is its Ellington; and not too many of his most well known tunes are included here. JOE HENDERSON - THE ELEMENTS - MILESTONE 9053 This music is richly textured and emotional, finding Jts roots in the East. Alice Coltrane is heard on acoustic piano, harp, tamboura and harmonium - and if you are familiar with her work, you will more know what to expect here. Kenneth Nash plays various Indian, Chinese and African percussion instruments, drums and narration on Earth; Michael White is on violin and Charlie Haden on bass. The music is heard at best advantage if you sit still and meditate on it; all music . lovers should be able to do that. I If you were bummed out by bad reviews - find someone who has this record and give a listen. Judge for yourself. BIRTHRIGHT ~ FREE SPIRITS- FREELANCE FS-1 A group of local musicians, who call themselves Birthright, have taken the initiative to produce this album entirely on their own. Although I might nor- i mally be prejudice in favor of a local group - this music transcends such tendencies giving me instead feelings of pride. I only hope that the Buffalo scene doesn't soon strangle them and force them elsewhere. Basically, the group consists of Joe Ford - alto and soprano saxes and electric piano, Paul Greshamtenor sax and Nasara Abadey - drums; adding for this �record Onase Allen Gumbs - electric and acoustic piano, Jim Kurzdorfer - bass and Jimmy Manuel acoustic piano (side 1). Collectively these musicians have worked with such people as Hubbard, Tyner, Carter, Mingus, Doug & Jean Carn, Jackie McLean, Ken Mcintyre and the Buffalo Philharmonic. The music here is an exquisite blend of the styles of some of the best contemporary composers. All five tunes are originals, and offer a good variety. Jowcol sounds much like Coltrane and even contains traces of the Love Supreme head. The title tune is driVing and funky, heavy on electric piano, bringing to mind works of Henderson, Hancock & Davis (bitche~ brew). Nano is a beautiful tune containing traces of Weather Report, and Jimmy Heath andothers.DoYouKnowWhere Your Children Are and Tangerine both contain the textures and moods found in Wayne Shorter' s work, featuring Ford on soprano. The pressing quality is good, but the recording could be better. Th1s can be overcome simply by turning the treble control way down on your system. The music here deserves to find its way into your ears. Anyone from Buffalo who calls himself a jazz lover should pick up this record. You'll be happy to find it better than many records from "top" names. At this time it is only available through the mail. Don't wait for some r ecord company to scoop it up besides - the price is right. Send $5.00 to Birthright, P.O. Box 514, Buffalo, N.Y. 14240. Happy Listening! CHARLES EARLAND - LEAVING THIS PLANET PRESTIGE 66002 - 2 Record Set Charles Earland is one of the few organists that I really enjoy; perhaps because he doesn't sound like everyone else. I have enjoyed his last few albums for the emotion, drive and lyricism of the music; and this one falls along the same lines . Many of the titles suggest space age sounds - Asteroid, Warp Factor 8, Mason's Galaxy and the title tune; the last of which includes a vocal by Rudy Copeland and is the only cut which is anywhere near "spacey". Some of the players involved are: Freddie Hubbard, Eddie Hen~ derson, Dave Hubbard and Joe Henderson; making for some fine blowing throughout. An interesting (and good selling) point is a new version of Hubbard's Red Clay; and Earland's Mason's.Galaxyis reminiscent of Herbie Hancock's latest album; no doubt because his drummer, Harvey Mason, plays here. If you aren't familiar with Earland, pick up on - this one - you might be pleasantly surprised. THE TRIP REISSUES Trip has released another batch of old recordings. We will give you a very brief idea of the music, trying to cover as many as we can. Clifford Brown & Max Roach at Basin Street 5511 (Mercury MG-36070) is a good choice- An important qUintet recording with Sonny Rollins and the late Richie Powell (1956). The Great Wide World of Quincy Jones - 5514 (Mere. SR-60211) is a big band recording (1960) with some heavy talents, but a bit commercial. A 1955 recording of Dinah Washington After Hours With Miss "D" - 5516 (Mere. MG-36028) is a relaxed session from the "Queen" featuring Paul Quinichette, Clark Terry & other notables blowing well. Mingus' Mingus Revisited - 5513 (Limelight LS-86015) is a 1960 big band recording and is Eric Dolphy 's first record with the leader. Lots of typical Minglis music, but milder than his usual of that time. Lots of big names. Kirk In Copenhagen - 5512 (Mere. SR-60894) finds Roland live at the Montmartre (1963) in a quartet setting, playing 3 instruments at once ~l~·\'.a e DISCOUNT ~Vf'! 9 s RECORDS Coupon worth ONE DOLLAR I I Off the every doy low price of any available Jazz Album at any of the 8 CAVAGES locations. E.Mplres 9· }. 74 I e SENECA MALL • BOULEVARD MALL • COMO MALL I .... • MAIN PlACE MALL • THRUWAY PLAZA I I .J I L..:,SO!!!!!,.SH<!!,_e ~RS!!!,_• L~O~Ll and thoroughly enjoying himself. Last, but not least, Sarah Vaughan's Sassy - 5517 finds her g.reat Corm in a mellow, quiet mood backed by strings in 1956. More of the trip series in the next issue. ANDY BEY -EXPERIENCE &JUDGEMENT- ATLANTIC SD1654 Andy's first r!llease shows that he is not only a top notch vocalist, but a capable composer. Six of the twelve tunes were written by Mr. Bey; and his performance here shows that he has filled the void left by Leon Thomas in the past year. The end.product of this album is fresh-sounding, soulful, bluesy and sexy music; projected through his deep; passionate and likewise sexy voice. At first I felt that the tunes might be too short (until I played it), but they flow with each other quite well. If the name doesn't ring a bell, Andy recorded with Gary Bartz & Stanley Clarke. ALBERT HEATH - KWANZA (THE FIRST) -MUSE ' 5031 JOE CHAMBERS - THE ALMORAVID - MUSE 5035 These two albums by drummer led groups coming in one month makes it difficult to recommend one, since they're both quite good. . The Heath album, with brothers Jimmy & Percy, Curtis Fuller, Kenny Barron, and Ted Dunbar (guitar), compares easily with Jimmy Heath's last two albums; · ·although AI wrote. all. but one tune. It is musical and happy with a bit of humor in parts. Oops! Is a· Percy Heath (of MJQ) tune and finds the 3 Heath Bros. recorded alone for the first time. Fuller has .been recorded ·.often lately and deserves it - he consistently turns out a fine performance. Chambers' disc is also quite lyrical, but more percussive. Only two tracks feature horns, the other four are all rythym instruments and are the most interesting cuts. Chambers is in control everywhere and shows that he is at home in any setting. Latin, African and American flavored ttines makes for a good variety in an enjoyable first release. FREDDIE HUBBARD/STANLEY TURRENTINE - IN CONCERT - CTI 6044 The success of this album is due to the rhythm section. Freddie & Stanley should be great, but they aren' t. Considering who they are, they are just fair. He rbie Hancock, Ron Carter & Jack DeJohnette, however, steal the show playing with finesse, fire and imagination; thus making up for their not so fortunate cohorts. Only two tunes are heard -Povo& Gibraltar. Eric Gale is hardly heard at all, while Hancock does most of the soloing. �wlhlat'~ .lhlGf.>fP>eniing on RADIO WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midnight Jazz Sign;il with Joe Marfoglia. Wednesday - 9 P.M. - Jazz Revisited with Hazen Schumacher. Saturday - 8 A.M. - MorningSeranadewith Charles Smith. Midnight - Jazz by Request with Prez Freeland. Phone 831-5393. Sunday - Noon - Talking To The People with Myron Yancy. 11 P.M. Inside The Changes with Bill Savino. TV - WNED -- 17 Wednesday - Aug. 14 8:00 Avante Garde & Bop Group- Mole 9:30 - The Pointer Sisters Sunday - Aug. 18 8P.M. Pops w/ MJQ Wednesday - Aug. 21 - 8 P.M. - Ragtime Pianist Eddie Stapleton 9: 30 Esther Phillips Thursday- Aug. 22 - 8 P.M. - Pops w/ MJQ CBS-4 - September 2 or 3 - 2 Hr. Special on Duke Ellington - "In A Sentimental Moon at Ravina" LIVE MUSIC - CLUBS GABRIEL'S GATE - Allen & Park - Mark Murphy August 4-.31. PORT EAST - Ferry & Grider - Zimbabwe National Rythym Troupe - Tuesday nights. LIBRARY - 3405 Bailey - 834-7919 - Thermoplaye Wednesday nights. CONCERTS DDDBuffalo Jazz Ensemble - Aug. 11 at 4:30 P.M. Delaware Park - Rose Garden area. TORONTO - CONCERTS DDDRuby Braff - Geo. Barnes Quartet - Aug. 7 - St. Lawrence Ctr., Front St. $6. tickets available through Coda Publications - 416 - 929 - 5065. Jazz on the Lake - Night Cruise on Lake w/local bands. Aug. 14 8-11 P.M. Phone 416 - 924 - 1373. TORONTO -- CLUBS BOURBON ST. - 180 Queen St. W., See Ad GEORGES SPAGHETTI HOUSE -- 290 Dundas St., E. 923-9887 - various local jazz groups. COLONIAL TAVERN - 201 Yonge St. 363 -: 6168. ILLINOIS JACQUET - Aug. 12 - 24, Cover charge. "the house that jazz built" THE ONTARIO HOU·SE presents RE-91RTH fri., sat. &sun.- from 10 pm 920 Ontario Ave., Niagara Falls, N.Y. (716) 282-9877 ree street TORONTO h.; (416) 864-1020 KAJ WINDING August 5-17 BUCKY PIZZARELLI August 19- 24 PHIL WOODS August 26- September 7 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover Jazz at Artpark Paul Winter Consort -Wed., Aug. 21-8:30 PM A Salute to Scott Joplin with Eubie Bloke, Max Morath ond Edith Wi Ison Friday, August 23 - 8:30 PM Herbie Hancock- Sun,, Sept. 1 - 2:30 PM·· $6.50, $5.50, $4.50 seats avoi loble For ticket ond ticket agency information, phon., A.rtpark, 754 • 4375; from Buffalo, 694· 8191 Artpark For the fun of it. Lewiston, New York grover washington j r.; aug. 27- sept. 2 at 615 Michigan 853-2060 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3408 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 6 Date A point or period of time associated with an event in the lifecycle of the resource 8/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 6 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/8200d123e0b1cdfbe2ce2030df3e54c6.pdf 41e4b04ad965292d3800745f9cff8539 PDF Text Text buffalo jazz tepott ·ML. JULY 1974 FREE I ~& / \\~ VOL. 1 NO. 5 live mugic teview grover washington, jr. The Toronto area had a lot to offer the weekend of the 14th & 15th of June. I can't imagine a better way to start off than the Keith Jarrett solo piano concert at the Masonic Temple, presented by Healing Force Music. His performance was solid proof that he is no less than a virtuoso - and about the most creative pianist of today. He sold (& souled) out - and not a voice was heard from the audience. · Further downtown Zoot Sims was closing his two week stint at the Bourbon St. He was backed by a rythym section often heard in the Toronto area pianist Carol Britto, bassist Michel Donatoanddrummer Gerry ,Fuller. Michel said of Zoot - "He really swings"; and that he does. They all did. A few blocks away we caught Esther Phillips at the Colonial. We were bummed out, as were the other · people who made up the full house. When she sang, she was great; but her band played two hours of mediochre (&sometimes boring) soul-funk before she appeared. That is hardly fitting for a $3 cover charge (the highest I've ever seen there). Colonial is turning into the Cesaer's Palace of Toronto. Watch out. Closer to home· - Re-Birth, a contemporary jazz/ jazz-rock trio, is currently in residence at Niagara Fall's Ontario House. They project a solid dynamic sound while playing the music of Hampton Hawes, Weather Report, Hancock, McCann, Van Morrison, Santana, etc. A good group to be heard by fans of the above. More on Re-Birth in the future. See what's happening for more information. Editor/Publisher- Bill Wahl Contributing Editors Thomas A. Alabiso Levan Cavanagh Malcolm Leigh Paula Wahl lilustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 Grover Washington, Jr. was born in Buffalo on December 12, 1943 into a musical family. His father played tenor and his mother sang _in church. His father bought him a sax at the age of 10, and he took lessons at Wurlitzer and played in the school band. For two years he played baritone in the all city high school band. Grover started visiting local clubs while a high school sophomore. He first heard jazz at the Pine Grill, where Thornell Schwartz hadagroupwith Larry Young and Don Gardner. With his parents approval, he went on the road as one of the Four Clefs. In 1963 Grover started out on his own, playing with various people including organist Keith McAllister, with whom he played fender bass and sax. In 1965 Grover was drafted. He reported to Fort Dix, where after basic training he was assigned to the band. He spent the entire two years at Fort Dix and did some moonlighting in Philadelphia. In '67 he settled in Phily and joined Don Gardner's Sonotones. Later things got slow and Grover, now a married man and father of a son, went through a period of depression. But with his wife ' s help, he kept his spirits up and his horn out of the closet. Things started to fall into. place again when he was Association for Jazz performance announces the called in for record dates with Joe Jones, Leon reformation of the Buffalo Jazz Ensemble full time Spencer and Johnny "Hammond" Smith. After playing positions available - all instruments. Contact Phil on Smith's Breakout album (KUDU 01), Grover was signed to an exclusive road contract by Creed Taylor. , ·DiRe 876-8193 for information. Shortly after, he formed his own group. Their first BASSIST AND DRUMMER needed now for electric ·· date was at Mandrake's in Berkeley. jazz quartet. Odd meters and gigs. 693-5845. Grover now has performed on numerous albums, · Whether you are a musician looking for work, including three of his own (on Kudu). work looking· for a musician, want to buy, sell, or trade an instrument, or a stereo, or a record, or a The Buffalo Jazz Report is distributed free at band looking for work; you would do well to advertise •various locations in the Buffalo Area as a service to ih the jazz report. The cost is $.25 per word- mini'the jazz community. Please support our advertisers mum charge is $3. w~o make it all possible.. . The ad must be music related, no business may ~ claa~lfied �use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day oC the month. The ads will not be categorized. ffecotrding~ CHARLIE PARKER 10th MEMORIAL CONCERT TRIP 5510 ART BLAKEY & THE NEW JAZZ MESSENGERS BUTTERCORN LADY • TRIP 5505 Anyone who has been sorry to see the Limelight albums of the 60's vanishing into oblivion - rejoice. Trip is doing a Cine job of re-issuing many of them. Both of the se are from the Limelight catalogue, and are issued under the same titles. The Parker Memorial album was recorded in 1965 and features many familiar names - Gillespie, Kanitz, Moody, Eldridge, Hawkins, Dorham, Haynes, etc. Six tunes a re played by five groups of personnel; including two Bird originals (one of which boasts a Dave Lambert vocal); and a Kanitz alto solo piece Blues For Bird. Buttercorn Lady is a live 1965 recording at the (Lighthouse) in true Bla key tradition. Featured are Keith Jarrett - piano, Frank Mitchell - tenor sax, and a young trumpet player named Chuck Mangione. The Miles Davis influence on the latter is easily noted throughout. The pressings and sound quality are very g!)Od. Let's hope to see many more of these ex-Limelights on the racks in the future. movin' sale! speakers I~FI~ITY AXT OHM F HEGEMA~ I KLH 33 CROWN ES26 CROWN ES14 MAGNEPLAHAR EPI 201 EPI 602 B & 0 4702 ESS AMT 1 ESS AMT 4 DAHLQUIST DQlO AOC XTlO CELESTION 25 ESS SATELLITE BEYER Headphones AK G K 150 AK G K tOO ESS 9' s HILL 750 HILL 850 MARA~TZ SG ADVENT (U) RTR 2BODR Reg. Pr. 600.00 800.00 270.0G 200.00 1,000.00 740.00 800.00 440.00 600.00 400.00 630.00 480.00 700.00 230.00 606.00 625.00 80.00 40.00 30.00 400,00 220.00 300.00 20o•.o·o 220.00 600.00 !M~~~~!!'~~~~~!!~!3~· open dally-Mon.,Wed., Thurs. nites. SALE Pr, 505.00 600.00 185.00 125.00 800.00 550.00 650.00 350.00 485.00 300.00 550.00 400.00 600.00 170.00 550.00 500.00 60.00 25.00 18.00 300.00 150.00 2QO.OO 135.00 130.00 500.00 ,m - -. ~ McCOY TYNER - ASANTE - BLUE NOTE - LA223-G Blue Note has again dipped into their vaults to give us Asante, recorded in Sept. 1970. Its a good album, further showing his transition to the sound he· achieved on Sahara; although I find it less interesting than both that album and Asante's Blue Note pre. decessor - Extensions. Nonetheless, its an important addition to a Tyner collection. Perhaps there are more tapes in the can from the 16 month period which spanned this date and Sahara. STEVE GROSSMAN - SOME SHAPES TO COME • P.M. - PMR002 . Steve Grossman's first album is one of the few I've heard that could please both jazz/rock enthusiasts and jazz listeners who are willing to travel a bit beyond mainstream. Grossman's Haresah, on which he plays soprano, makes you want to do a tribal dance around the room; and drummer Don Alias' Zulu Stomp brings you up for more. Much of side two is more avante-garde in nature and every bit as enjoyable. Besides Grossman and Alias - Gene Perla (owner of P.M. Records) is on bass, and Jan Hammer is heard on electric piano and moog. The recording andpressing quality are excellent. If you can't find this one, phone us. THE DRUMS - IMPULSE ASH- 9272-3 Impulse has a lot going for them - a vast wealth of recorded music being their greatest asset. They have managed to cover most of the great drummers of the last 30 years in this "specially priced", boxed 3 record set - from Baby Dodds & Sidney Catlett to Barry Atschul & Alphonze Mouzon. Twenty-five drummers in all, each with one track; except Elvin Jones, who has t~o. On the plus side - a booklet is included which lists.all personnelforeach cut and most recording dates, all the drummers and the tunes a:oe listed on. the . back, most of the tunes selected are aypro pnate examples of each man's work and the pressing and sound quality is excellent (in the last 2 years Impulse has improved their pressing quality 400%). The only minus - the chronological order is way off in a few places. The pluses win 5-1 - thank you Impulse. DON PATTERSON - THESE ARE SOULFUL DAYSMUSE 5032 . If you are an organ fan - full or part time, you'll probably enjoy this latest release from Patterson. Soulful jazz and blues made up the format for this session, and its success was, I'm sure, partly due to Don's· choice of sidemen. One need not question the capabilities of Albert & Jimmy Heath, or Pat Martino. Muse Blues is a down home 18 minute excursion with lengthy statements of gut feelings from Patterson, J . Heath and Martino, over the laid back, heavy drumming of Al. I'd say this is better than most Patterson albums I've heard. KEITH JARRETT • TREASURE ISLAND - IMPULSE AS-9274 Jarrett's latest finds him in much the same company as on his last few group efforts - Redman, Brown, Haden & Motian; with two percussionists added for extra flavor. Much of this music is r eminiscent of his Expectations album of 2 years ago; but that album was a bit more involved, and this is more consisten.t , The title tune is an expression of the delicate and graceful beauty of Jarretts writing. This �is a good group effort, but you should also.check out some of his solo discs. HUBERT LAWS - IN THE BEGINNING - CTI-CTX 3 plus 3 The title ofthis double release could be quite misleading. If you skipped this one, thinking it a re-issue of Laws' earlier works - be advised. This set was recorded in Feb. 1974, and is most probably his best, as well as his most jazz oriented album to date. The entire band is superb, and each of the 8 cuts fares as well as the next. A small taste- Moments Notice cooks 'till the cows come home, Rollins' Ai.regin is a flute and drums duo adventure, and Mean Lene occupies every groove on side 4, allowing ample solo space. 1n addition to Carter, Gadd, James, Airto, Bertoncini and others, you'll find Laws' brother, Ronnie, in the tenor chair. If you did pass this up - backtrack. You'll smile all over. BEN WEBSTER MEETS DON BYAS - BASF MB 20658 This is a relaxed session from two now departed tenor giants. Both these men moved to Europe to seek work and acceptance, and it was there that their later recordings have been made. Al "Tootle~ Heath is heard on drums with a European bassist - Peter Trunk and pianist - Tete Montoliu. Both Ben and Don sound good -the former is beautiful on Caravan. These men can be heard in great form on their Black Lion recordings of the early sixties - Byas' Anthropology and Webster's Atmosphere For Lovers & Thieves, & Duke's In Bed. I like this one more each time I play it. BARON VON OHLEN - THE BARON - CREATIVE WORLD CW 3001 John "The Baron" Von Ohlen is a 'firey drummer who has in past years driven the hell out of the bands of Woody Herman and Stan Kenton. Influenced mainly by Mel Lewis and a fan of Elvin Jones, The Baron possesses the fine qualities of drive, dynamics, time and good taste, all of which show through on his album. His quartet consists of two keyboard players and vocalist Mary Ann Moss; who sings 5 numbers, often in the style of Jackie Cain. The music is quite melodic and varied, not so commercial as the cover might suggest. The Barons' only real solo spot is in Wayne Shorter's Pinnochio, but his drumsareupfront throughout all 11 tunes. An interesting note - Ms. Moss makes Candy Man a respectable song. SHORT SNORTS BILLY COBHAM - CROSSWINDS - ATLANTIC SD7300 Cobham's latest is a great improvement over his first release (Spectrum). This is most likely due to new personnel - the Breckers, Garnet Brown and George Duke; and the new guitarist - John Abercrombie. Its a good jazz-rock disc, but the soloists could use more room. CAL TJADER & CHARLIE BYRD- T.t\MBUFANTASY F-9543 A very pleasant set of easy listening music with a Latin flavor. Included here are two Airto Moreira numbers and Joe Henderson's Black Narcissus. This impresses me more than any of the later releases by either Byrd or Tjader. You could play it for most anybody anyplace. I Bring this coupon to any of the 8 CAVAGES locations and receive ONE DOLLAR OFF any avai Iable album reviewed in this issue. (Sale albums oot included). *CAVAGES will special order any jazz LP available. I e SENECA MALL • BOULEVARD MALL • COMO MALL I I L!SO~SH~~ • MAIN PLACE MALL • THRUWAY PLAZA ... • ~~S~ L~O~ll I I _j GEORG!; PUKE - FACES IN REFLECTION - BASF MC 22018 Duke's latest is a gas. It is an incredibly well written, well arranged and well executed set of high energy (sometimes) jazz and jazz/rock music, played in a trio format. George's vocal and synthesizer work enhances the music, especially the mellow tracks, and is one of the greater forces contributing to the creation of this first class release. · SONNY STITT - SO DOGGONE GOOD - PRESTIGE 10074 This is a few months old, but we just heard it and its dynamite. Its just as doggone good as his other recent LP's on Muse and Cobblestone. All 6 tunes (4 are Stitt originals) are bitches; as are Stitt, Hawes, Johnson and McBrowne. JACKIE CAIN & ROY KRAL - A WILDER ALIAS CTI6040 Jackie & Roy's fine vocals leave plenty of space for Joe Farrell and Hubert Laws to blow their brains out, and drummer Steve Gadd shows once again that he's no slouch. If you'd like to hear some good vocals for a change - check this out. DAVE LIEBMAN - LOOKOUT FARM - ECM 1039 Liebmans' second release is more musical and structured than his earlier Open Sky, but not as exciting. The first two qualities however make it quite enjoyable for both the novice and initiated ears. Its a far cry better than his work with Miles. Signs of improvement are evident on the soprano (he·•s no longer being stifled). aJo~s AljaMa! pu!4aq (aJawapu!M 6988•9C8 JO JaUJO::>) •1AY I•OWIIIJI6S .lf13HIVH ..NOnOASNHnlH31\31VHM.. ~A:::~ . , HAIRCUTTER •. �wlha~1g lhapp>enftng RADIO WBFO • FM ·• 88.7 Mon. - Fri. - 12 Noon - Spirits Known&: Unknown with va rious hosts. Tuesday - Midn ight Jazz Signal with Joe Ma rfoglia'. Wednesday - 9 P .M. - Jazz Revisited with Hazen Schumacher. Saturday - 8 A.M. - MorningSeranadewith Charles Smith. Midnight - Ja zz by Request with Prez Freeland. Phone 831-5393. WBLK-FM-93.7 Saturday - 10- 12 P .M. Jazz with Bradley J . Cool. WHAM - AM • 1180 Jazz a ll night after 12 (except Saturday .) TY WNED - 17 (Public Television) Wednesdays July 3 - 8:30 P.M. - Freddie King July 10 - 8 P.M. - Paul Winter Consort 8:30P .M. -Roberta Flack July 31 - 8:30 P .M. - Lightnin' Hopkins Thursdays July 11 - 9 P.M. - Jazz A La Montreux July 18 - 8 P.M. - Evening at the Pops - Benny Goodman 9 P.M. - Newport-New York - A Tribute to Louis Armstrong Sundays July 14 - 8 P.M. - Evening at the Pops -Benny Goodman July 28 - 8 P.M. - Evening. at the Pops - Peggy Lee LIVE MUSIC - CLUBS ONTARIO HOUSE - 920 Onta rio Ave. -Niagara Fa lls282-9877 - Re-Birth -July 3-7 & 26-28. Dick Kermode tentatively scheduled to start July 25 closed J uly 824. ST. GEORGES TABLE North at Delaware. New Wave (w/vocalis~) . Phone 884-1100. LIBRARY - 3405 Bailey - 834-7919 - Thermoplaye Wednesday nights. BEEF BARON - Hotel Statler Hilton. Ann ·FadaleTrio - Tues. -Sat. w/ Adrien on vocals. LANDMARK .- 1386 Lovejoy - 892-8651. Maynard Ferguson - July 14. Cover charge - $6. . Zimbabwe National Rythyrn Troupe - QUintet Port East - Ferry & Grider - Tuesday nights. Admission $1.50 - Refreshments available. MI1YN~RD FERGU~ON ORCH€~TRf\ SUNDAY, JULY 14 9-1 .Admission· $6 tax incl. THE LANDMARK 1386 Lovejoy 892-8651 Bourbon Street en Street TORONTO h: (416) 864·1020 BILLV BUTTERFIELD Quartet - July 1- 6 . JOHNNY GUANIERI TRIO July.S-20 ART FARMER Quartet July 22- August 3 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover CONCERTS NIAGARA FALLS (NEWPORT) INTERNATIONAL JAZZ FESTIVAL - at N.F. Convention Center. July 26- 8 P .M. - Harold Melvin & Blue Notes, B.B. King, Stan Getz, Chuck Mangione & Sar ah Va ughan. July278 P.M. The Staple Singers, Bill Withers, Crusaders, Jimmy Smi th Trio, Gene Ammons , Sonny Stitt. Tickets - $7.50 , 6.50 & 5.50 - reserved, on sale now at a ll 13 Twin Fair Dept. Stores; Niagara Falls: Int' l. Conv. Ctr., Move 'N Sound, D'Amico's Music. Buffalo: Central Tkt. Off., Buffalo State, Univ. of Buffalo. Williamsville: Nat'l. Record Mart. Sanborn: Niagara Comll). Coli. MILES DAVIS in concert at Lewiston Artpark - July -25, 7:30P.M. Tickets- $7.50, 6.50&5 .50 available at Cricket Ticket, Norton Union, Buffalo State .T icket Office, Box Office, 479 Center St., Lewiston. The Association for Jazz Performance in cooperation with Buffalo Parks Departments and New York State Council on the Arts present The Buffalo Jazz Ensemble - in Concert on July 21st, July 28th · and August 11th at 6:30P.M.·- Delaware Park, Rose · Garden area. TORONTO BOURBON ST. - 180 Queen St., W., (416) 864-1020. Billy Butterfield Quartet - July 1-6, Johnny Guanieri Trio • July 8-20, Art Farmer Quartet - July 22 Aug. 3. No cover, $2 food minimum (Dining Room) See ad. . GEORGE'S SPAGHETTI HOUSE - 290 Dundas St., E .· (416) 923-9887. Herbie Spanier Quartet - July 1-6 Tony Collacott Trio - 8-13, Moe Koffman - 15- 20 Russ Little - 22-27. No cover, no minimum. BELVEDERE JAZZ FESTIVAL -Toronto- July 20· 21: Artists include Woody Herman, Count Basie Louie Bellson, Dizzie Gillespie, -Carmen McRae, Supersax, and more. Varsity Stadium. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3407 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 5 Date A point or period of time associated with an event in the lifecycle of the resource 7/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 5 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/77fbbc428227bf0c18682fb1cb382852.pdf be9773babdcf8ac604576deeb8d0e3bf PDF Text Text buffallo Jazx tepott Nt.. FREE JUNE 1974 I ANSWERS EDWARD KENNEDY ELLINGTON VOL. 1 NO.4 J& In answer to some questions we have been receiving; we are in no way connected to or funded by any university or record company; we only review the best records we obtain each month; we are not going to expand to include rock. We will print answers to questions from time to time. Due to Jack of space, we don't print letters to the editor (or bad record reviews). 1899- 1974 Everyone must be aware by now that the world lost Duke Ellington, and he was buried on Memorial Day. He had been hospitalized since March, and died May 24 of lung cancer complicated by pneumonia. There can be no doubt that the Duke was the most important influence on American music in this centuryas a composer, a bandleader, and a person. He was loved and respected by everyone - especially his peers, and he will be missed by everyone who can tap their foot. His band turned out some incredible talent -Johnny Hodges, Cat Anderson, Harry Carney and Ben Webster - to name a few. He and his bands have recorded hundreds of albums since 1924, and 72of them are still available. His compositions include such hits as Satin Doll, Moon Indigo, I Got It Bad & That Ain't Good, Sophisticated Lady - and on and on and on. Volumes of books could be .written about the Duke. Perhaps the best. now avail?ble would be his own ~uta­ biography - Mus1c Is MyM1stress- recentlypubhshed by Doubleday & Co. Many jazz writers have written about Duke - including Stanley Dance and Whitney Balliet. · With his passing we are surely sad. At this time however - we should be happy about two things - that he was born, and that he died with dignity and did not have to suffer with his illness. His memory and contributions are eternal. -Bill Wahl A word of thanks to Tom Alabiso for offering to have his article on Buffalo's Jazz History cutin favor of the above, and to Chris for doing the beautiful illustration of Duke on such short notice. The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. Editor/Publisher - Bill Wahl Contributing Editors Thomas A. Alabiso Levan Cavanagh Malcolm Leigh Paula Wahl Illustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 MAYNARD FERGUSON Maynard Ferguson receives more undue criticism than almost any jazzman on the scene - mostly by self styled jazz critics who write what they think would be hip - but obviously haven't taken the time to listen. Since Maynard is coming to town, as he does more often than most jazz artists (due to the owner of the Landmark Night Club), we are devoting this space to a review of his latest album. M.F. HORN 4 & 5- LIVE AT JIMMY'S- COLUMBIA 32732 In this, Columbia' s latest release of the M.F. Horn series; Maynard & Co .. are on fire (as usual). There are some great new charts, plus - some reworked goodies from the old book. It is interesting to note that a few of the charts go back to the 1959-60 era, but when interpreted by this new band - they are more exciting than ever. Maynard's bands throughout the years have spawned great new talents tojazz,andthisbandis no exception. Baritone saxist, Bruce Johnstone is a total gas, and his solos are heard throughout the album. Dig his intro to Got the Spirit. Ferdinand Pavel is a new tenor player . in the band with much to say. A trumpet player making his mark in Maynard' s band is a great thing - because Maynard is respected by most every young trumpet player alive. This band is bursting forth with new energy in brass. Young Lin Biviano is one of the great new lead trumpet players on the scene. It also brings to light the assertive jazz trumpet of Bob Summers. Maynard, of course, is a phenomenon. He is probably the most gifted player ever to pick up a horn .. �(--- ask Miles). I'm not just talking about high notes, because lots of players can do that. The difference here is in the beautiful music that Maynard creates. This may be getting of the track, but I have spent literally hundreds of evenings listening to this man, and he has something that cannot easily be put into words. Beyond his incredible playing, Maynard has boundless energy, not only as a player- but as a great band leader. There is something in his psyche which draws energy from the entire band to create an extremely exciting experience. What it boils down to, is that you must catch this band live, because the best recording techniques in the world cannot begin to capture the experience of hearing this band in person. Get this record. If you like good music - you will dig it, if you like big bands - you will love it. If you are a trumpet player, you will probably freak out completely. M.L. CLASSIFIED ADS Experienced drummer looking for serious working jazz or jazz rock group, availableimmediatelyfor work in the Buffalo or Toronto area. Call 652-9032 or 652-7092. King 3B Slide Trombone - for sale - excellent condition with carry all case, $175 firm. Dave 883-3907 or 941-6415. Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo, or a record, or a band looking for work; you would do well to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. RECORDS GARY BARTZ - I'VE KNOWN RIVERS & OTHER BODIES - PRESTIGE 66001 . GENE AMMONS AND FRIENDS AT MONTREUX ~ PRESTIGE 10078 HAMPTON HAWES ~ PLAYIN' IN THE YARD PRESTIGE 10077 Here are the remaining 3 albums, from Prestige~ Milestone, recorded at Montreux last summer. As was the case with the other 2 (Gordon & Tyner), these are quite satisfying. The Bartz release, a 2-record set, strikes me as being his best since the birth of the NTU troop. Everyone has time to stretch out, and they seem to function better in a live performance than in a studio. Although Bartz's vocals aren't so hot, the music is; and the band communicates very well. Ammons enjoys himself and blows well, accom~ panied by Hamp Hawes, Bob Cranshaw, Kenny Clarke and Kenneth Nash (congas), on his LP. That group does four tunes, including Sophisticated Lady, before being joined by the Adderleys and Dexter Gordon. Then its all stops out for a 17 minute bash - 'Treux Bleu; and they have a ball! Hampton Hawes' turns out a fine performance on album, using both acoustic and electric pianos. He' is accompanied by Cranshaw and Clarke for this set· which is one of the most interesting trio albums i~ some time. In addition to the title tune, a Rollins nurn. ber, there are 3 Hawes originals, and the classic _ Stella by Starlight. So grab that wine, choose your artists and enjoy yourself. B.W.' FRANK STRAZZERI SEXTET~ VIEW FROM WITHIN. CREATIVE WORLD CW3003 This gifted pianist from Rochester is both underrecorded and under-rated. This album, originallJ released on the Revalation label, is an impressive set of some very hip music. Frank plays electric piano throughout, and all six compositions are originals. Three of the players here are fam'iliar names in this area - Don Menza, Frank Rosolino and Gene Cherico. Rosolino (trom.) turns out some of the best soloing of the date, while Menza's sax work is a bit lighter than his usual (good!). The leader has a sound of his own and must be heard. Look for this one, if you can't find it - phone us. B. W. JAMES MOODY 5020 ~ FEELIN' IT TOGETHER ~ MUSE If this isn't the best (I think it is), it is certainly one of the best albums that Moody has ever put out. This record contains not only fine blowing from the leader, on alto, tenor &flute, butalsoanother brilliant performance from Kenny Barron on keyboards, and outstanding arrangements. Larry Ridley (bass) and Freddie Waits (drums) turn out superb work as well. The album opens with a version of Anthropology that boils for nine minutes gaining degrees as it progresses. Although there are plenty of minutes of music here, it goes by far too quickly. Four men are pourin' out their feelings - together. B.W. THE BLACKBYRDS- FANTASY F~5444 The Blackbyrds are six full-time students, studying music at Howard University. Their music is a high quality blend of jazz, rock, soul and R & B; with touches of African and Eastern influences - black music. Portions of this album bring to mind some of War's better things, but the Blackbyrds have it much more together both instrumentally and vocally. Watch for this one, it'll probably make the radio. By the way - guitarist Barney Perry is from Buffalo. B.W. MORGANA KING 6067 ~ NEW BEGINNINGS~ PARAMOUNT Whew! Morgana does it again. This incredible lady's albums are few and far between, but when they arrive - watchout! There are those who will raise the question as to whether or not she is a jazz singer. Well forget about applying a label to Morgana King. She is in a class by herself. Popularity of a singer does by no means denote ability. Morgana never ;tad the recognition she so rightly deserves, although :~n a sense she has, because as far '<S musicians (h,,r peers) are concerned - she's among the best. ' After some tragedies in her personal life, such as the death of her husband - jazz trombonist, Willie �Dennis (in a car accident), she was somewhat secluded from the world. Now Morgana is on the scene again. From the rirst few bars of Sunshine of your Life, through half a dozen more of today's best tunes - she makes her greatness clear again. There is so much love and deep feeling on this record, don't be surprised if you start to cry - as I did. New ·B eginnings - get it. M.L. WEATHER REPORT - MYSTERIOUS TRAVELLER COLUMBIA KC 32494 Another fine disc from Weather Report! Despite changes in personnel on each of their four albums, they have maintained their patented sound, although they were a bit more rockish and structured on Sweetnighter. This album brings together the Sweetnighter style with the airy sound of their earlier works. New to the lineup is drummer Ishmael Wilburn· and bassist AI Johnson (who was recently with Chuck Mangione). Miroslav Vitous is heardononlyonetrack. Vocals are heard (without hindering the music) on a few numbers. The music is colorful and percussive an experience. Many of the tunes here will be familiar to anyone who saw this group at U.B. in April. B.W. THE MODERN JAZZ QUARTET- BLUES ON BACH- . ATLANTIC SD1652 This long overdue MJQ album finds them at their usual greatness, and is well worth the wait. The nine tunes here are all by Lewis or Jackson, and five of them are based on works of Bach. John Lewis uses the harpsichord often here, and it fits well with the material. I prefer this to their last few releases, but that is a matter of personal taste. I don't ever remember the MJQ putting out a bad album. They are masters who form a jazz institution. B.W. FLORA PURIM - BUTTERFLY DREAMS - MILESTONE M-9052 If you are familiar with Flora from her work in Chick Corea's original Return to Forever, then you can expect more of the same if you purchase this fine s ide. Along with Joe Henderson, Stanley Clarke, Geo. Duke, David Amaro, Ernie Hood, andherhubby Airto, the lovely lady floats through the eight tunes with the lyrical beauty that is connected with her name. One high point is Antonio Carlos Jobim's DINDI, which she sings in her native language (Portuguese). Henderson's sax and flute work is much mellower than heard on his recent albums. B.W. PAUL DESMOND- SKYLARK- CTI6039 Paul Desmond, Gene Bertoncini, Gabor Szabo, Bob James, Ron Carter and Jack DeJohnette - that's the lineup - augmented by Ralph MacDonald (percussion), and George Ricci (cello). The music on this album is equal to or greater than these people who made it. It is refined and gorgeous. It seems as though people either like or dislike Desmond - with no medium; but if anyone really listens to him play - I should think they would have to admit that he draws a beautiful and unique sound from his horn. These tunes are typical of material found on Desmond's records. Take Ten (a 1974 Take Five?) will bring back memories of a song that turned thousands on to jazz in 1960. If you dig Paul, he'll be at the Bourbon Street in Toronto this month - see the ad in this issue. B.W. CHARLES MINGUS • MINGUS MOVES -ATLANTIC SD 1653 Mingus is always exposing new talent to the jazz world. On this record he has two newcomers - Ronald Hampton on trumpet, and George Adams on tenor and flute, who both sound promising. Don Pullen is on piano, and drummer Dannie Richmond has returned. The music is lyrical, and more structured than most Mingus performances. The group is joined by Honey Gordon and Doug Hammond on vocals for a lovely rendition of the title tune - written by Hammond (who preceded Richmond as interim drummer). This album would be a good addition to most any jazz collection. B.W. SHORT SNORTS BUDDY TATE & HIS BUDDIES - CHIAROSCURO CR-123 Buddy Tate & Buddies have turned out no less than a swinging, bluesy album, which should please most jazz buffs. Tenorman Tate is joined up front by Illinois Jacquet (also tenor) and Roy Eldridge (tpt.). All three solo with imagination and soul. The rythym section, which includes pianist Mary Lou Williams, is fat and solid throughout. Music such as this is rarely produced these days - a totally relaxed and personal session. B.W. LONNIE LISTON SMITH - ASTRAL TRAVELING FLYING DUTCHMAN 10163 In his days with Pharoah Sander s, Lonnie Liston Smith wrote and performed tunes with beautiful melodies, and rich textures and colors. This album is more of the same. Mood music - by itself it goes nowhere - but it takes you anywhere you might want to travel to. Unlike many Sanders albums, none of the music here is irritating. A good set. B.W. DOM UM ROMAO - ¥USE 5013 Thi s first effort by Weather Report's percussionist is a gem. This is, it seems to me, what a percussionist's album should sound like. The music is played around a myriad of percussive effects resulting in an intricate blend of Brazilian music , jazz and God knows what else. For me, this is the sleeper of the month. B.W. ~ CRAZY. "·,~ RON ~ ~ ·»-: • 1,. HAIRCUTTER ''WHATEVERTURNSYOUON" HAIRCUT 19 KINMORI AYI. 836•8869 (corner of Windemere) behind jewelry store �RICHARD DAVIS - DEALIN' - MUSE 5027 The six tunes here are all Davis originals- written as a fi.lm soundtrack. Most of the music is soulful and happy, except for the sad Julie's Rag Doll, with vocals by Davis (that's ·not why its sad). It's a good disc, although bass players won't get much out of it. Davis writes some nice stuff. B.W. WH~T~ urbon Street HP\PPENING ...... RADIO WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midni.ght Jazz Signal with Joe Marfoglia. Wednesday - 9 P.M. - Jazz Revisited with Hazen Schumacher. Saturday- 8 A.M. -MorningSeranadewithCharles Smith. Midni.ght - Jazz by Request with Prez Freeland. Phone 831-5393. WBLK-FM-93.7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. WHAM - AM - 1180 Jazz all night after 12 (except Saturday.) CONCERTS CLARENCE SENIOR HIGH SCHOOL JAZZ ENSEMBLE led by Don Cappola featuring local jazz artists - Ray Chamberlin - bass, John Licata - baritone sax and Don Cappola - piano. Clarence S.H.S., Main Street, Clarence, Sunday, June 9 at 2:00P.M. Donation - $1. K E I T H J ARR E T T P I A N0 FRIDAY JUNE 14 8:30 pm MASONIC TEMPLE 888 Yonge Str~et Admission $4.00 S 0 L 0 limited amount of Tickets available thru Buffalo Jazz Report- 883-3909, Ext. 11 ZOOT SIMS QUARTET June 3-15 PAUL DESMOND QUARTET June 17-29 Dine & Dance 9-1 No Cover LIVE MUSIC - CLUBS ·BLACK DRAMA WORKSHOP - 1762 Main Street. Zimbabwe National Rhythm Troupe (Quintet), Sun. days 5-9 P.M. Admission $1, refreshments available. ST. GEORGES TABL-E North at Delaware. New Wave (w/vocalist). Phone 884-1100. LIBRARY -. 3405 Bailey - 834-7919 - Thermoplaye Wednesday nights. LANDMARK - 1386 Lovejoy -892-8651- Harry James June 23rd. Admission Charged. ANCHOR BAR - 1047 Main - 886-8920. Johnn~ Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. ROCHESTER TOP OF THE PLAZA -Midtown Plaza Tower- 1-3253800. Tommy Dorsey - June 4, Four Freshmen- June 10-15, Harry James - June 26. TORONTO BOURBON STREET - 180 Queen St., W. - (416) 8641020 - Zoot Sims Quartet - June 3-15, Paul Desrnoi).C: Quartet - June 17-29. No cover- minimum in dinin~ room only. See ad. GEORGE'S SPAGHETTI HOUSE - 290 Dundas st., E. (416) 923-9887 - Hagood Hardy - June 3-8, ilerniE Senensky - June 10-15, Moe Koffman - June1 ~7-22, Brian Brown Trio - June 24-July 6. No admission. no cover. COLONIAL TAVERN- 201 Yonge St., (416) 363-6168. Charlie Byrd- May 27-June 8, Esther Phillips- June 10-15, Chase- June 17-22. Cover Charge. KEITH JARRETT - solo piano concert - presented b~ Healing Force Music Ltd., at Masonic Temple- Yonge at Davenport- Friday, June 14 at 8:30P.M. Tickets $4 - available through Buffalo Jazz Report- 883~3909 Ext. 11. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3406 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 4 Date A point or period of time associated with an event in the lifecycle of the resource 6/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 4 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/643cfd00dbce1771774a5b3ec2a640f4.pdf cc2ad2a3dee45c88e55a7daf29c196bc PDF Text Text buffalo jazz report ML MAY 1974 FREE \\'0 VOL 1 NO. 3 TRAVEL NORTH TO BOURBON STREET JM H-hLL Guitarist James Stanley Hall was born in Buffalo on Dec. 4, 1930. He moved to Cleveland at a young age where he started playing with local bands at 13. llis music education included private lessons, and he received a Bachelor of Music Degree from The Cleveland Institute of Music. 1955 found him i n L.A., where he worked with tenor-man Bob Hardaway, Trumpeter Ken Hanna, Dave Pell, and then Chico Hamilton ('55-'56). Since '56 he has played with Jimmy Giuffre, taught at School of Jazz in Lenox, Mass., and did JATP tour of Europe in '59. Also in '59 he played in the music score for the film Odds Against Tomorrow. From 1960 he has worked Lee Konitz, Sonny Rollins, Art Farmer; led trio with Percy Heath or Ron Carter, and Tommy Flanagan ('62- '63), and with Red Mitchell and Colin Bailey'65. Toured South America with Ella Fitzgerald in '60, Europe with Farmer in '64 and appeared on Ralph Gleason T.V. show in '62-'63. Since that time he has been with Ben Webster, Frank Butler, John Lewis, MJQ, Morgana King, Charles Lloyd, Paul Desmond, Gabor Szabo, Benny Golson, Don Cherry, Quincy Jones and on. He now livesinNewYork,has 3 records under his own name, and often works with Ron Carter at The Guitar (N.Y.) and elsewhere, mostly in clubs. Jim is. at home in many settings. Pianist-composer Dick Katz has said that Hall is "an orchestral player, rather tha n a single line virtuoso-he' s a complete entity." Leonard Feather has written that his technique is faultless. Jim can be heard on dozens of albums, his own appear on Milestone and MPS. Editor/Publisher - Bill Wahl . Contributing Editors Michael Barry Levon Cavanagh Malcolm Leigh Paula Wahl Illustrations Christine Eber Engla Address Correspondence to: Buffalo Ja:r;z Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 Being a publication· devoted to the promotion of jazz music, we are broadening our scope to include as much of the Toronto and Rochester scene as we can in each issue. The two areas are in such a close proximity to Buffalo, tha t one could easily spend a day or two in either place, and pick up on one or more top jazz performances. The fact that Buffalo itself doesn't host big names as often as you might like, should not starve you from first rate live musi c. On a recent trip to Toronto,· I paid my first visit to tJle Bourbon Street to catch Phil Woods, and I was impressed. The first thing that hit me was the fact that there was no cover charge - a standard policy. These days you don't often wa lk into a club without dropping at . least a couple of bucks. Once inside, a couple of guys asked me to join them, which I did, and we partied all night. I sat in the bar room, which is adjacent to · the dining room in which the band is set up. The best place to see the band would be in the dining room, of course, and there is a two dollar food minimum there. This is not to say that you can't see the band in the bar, because you can. If per chance the ba r is crowded, and you get a bad seat , the management very cleverly erected a huge mirror that covers the entire far wall so that you can see what's happening quite well in the mirror. If you are going to Toronto, you might as well make reservations, eat dinner, and get one of the best seats in the house. People I've talked to were pleased with the food, and all prices for both food and drink are less than you would expect. 1believe a bottle of Carlsberg beer cost about a dollar. The place is noted for its Spaghetti·, and the same people own George's Spaghetti House, another jazz club, on Dundas St. When I was about to leave, after four hours of Woods Carlsberg, I ran into the owner. I showed him the Jazz Report, he was impr essed, and signed up for the ad which was in our last issue. The place is easy to find, right downtown. Queen runs perpendicular to Yonge (the main drag), and the Bourbon Street is about two blocks west of Yonge, just past University. So go on up - you won' t be sorry. See the ad in this issue for more information. --B. Wahl CLASSIFIED ADS Beginning with our June issue, we will be running a classified ad section. Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo, or a · record, or a band looking for work; you would do w~ll to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. . The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail · only, and must be in our office (with payment) by t;he 21st day of the month. The ads will not be categ~rized. �Would you patronize a local bar that played jazz on their sound system one night a week? This has been one of our ideas, and we need your help in the form of a response. We don't know which bar, if any, will be willing to go along with it, but some have expressed an interest. Many of you are familiar with these places, where rock music is played well above the point of distortion. So for us to get jazz in (at a level below that distortion point), we would have to have something to show the owner - like a letter from you. Start writing. RECORDS RED RODNEY - BmD LIVES - MUSE 5034 We are witnessing the comeback of an incredible trumpet player to the jazz world. Its been over 14 years since Rodney's last LP, and he and his cohorts did a beautiful job with this tribute to Bird. Red was born in '27, and went on the road at 15 with about every big white orchestra before joining Bird in '49. He is joined here by alto-man Chas. McPherson (Little Bird), who shines everywhere. The formidable team of Barry• Harris and Sam Jones are joined by Roy Brooks, one of the most musical drummers on the scene. The six tunes in this set were some of the hottest numbers in the BeBop era. One that stands out is possibly the most dynamic version of 'Round Midnight ever to find its way into my ears. Every tune is a smash, whether it is played at a slow or breakneck tempo .. Listen to this and find out :why Red was the most important bop trumpeter after Dizzy and Miles. It would have been a shame if no one had had the sense to put hi-m back on wax. DEXTER GORDON - BLUES a Ia SUISSE -PRESTIGE 10079 Dexter's seventh album for this west cop,st company is one of the five packages resulting from the 1973 Montreux Jazz Festival, and is a fine set. If this and Tyner's record are any indication, there must have been good vibes in that Swiss resort town last summer. The rhythym section is beautiful on these sides, and consists of Hampton Hawes - electric piano, Bob Cranshaw - electric bass and Kenny Clarke - drums. It is quite a change to hear Dex and Hamp here, and I don't believe· Gordon has ever before recorded with an electric piano. Bob Cranshaw really has the electric bass down pat, sometimes its damn hard to be sure it l.s electric. "Klook" is great -- both in support and solo work, and is quite familiar to the European Jazz scene, as he has been living in France since he left MJQ in '55. There are four cuts here, each as good as the next, the first being Jimmy Heath's classic Gingerbread Boy - it moves well with Bob doing some wealking near the end supported by Clarke. After Dex comes back there's a good old mistake where Hawes expects Klook to take a couple of "fours" and Gordon doesn't -- great. The title tune - a Gordon original is a cooker as well. The ballad, Some Other Spring is typical of the leader's ballad artistry. The well known Secret Love cooks as well as the first two numbers and contains some of Gordon's best blowing on the .album. You get your money's worth with this one, the total playing time being 43 min. 4 sec. If the other three festival albums are as good as McCoy's and this, purchasing the five and a bottle of wine could give you an enjoyable night at Montreux, at a fraction of the -price. TERJE RYPDAL - WHAT COMES AFTER - ECM/ ·POLYDOR 1031 The music of Terje Rypdal is a deeply passionate experience. This young Norwegian guitarist has a style all his own and cannot be compared to .a~vone that I ·can think of. His band includes Barre Phillips bass John Christensen - percussion and organ, Erik Niord Larsen - oboe and Sveinung ¥ovensjo - electric bass. Their music is fascinating, drawing .from m~ny forms of music, and different bands, yet still sou.nding fresh and original in every way. Throughout this LP you will hear traces (the best only) of Weather Report, Mahavishnu Orch., Paul Winter Gonsort, and OJ'! the rock side· - perhaps Pink Floyd, as well as music of a classical nature. Although it is Rypdal's date, h~ or no one else dominates in the music produced. It IS a total experience of five men who know wh~t they are doing and what they want - and they get 1t, by God. Although it took me a while togetinto an earlier ECM album Sart, which featured Rypdal, this one won me over ;{t once. Congratulations Mr. Rypdal and Guests. JOE FARRELL - PENNY ARCADE - CTI 6034 This record is a very successful fusionofjazz and rock Listening to the whole album brings to mind Herbie Hancock's Headhunters and Billy Cobham's Spectrum; and you might note that He:b.ie is on this, and Farrell was on Cobham's. The remarnrngpersonnel are - Herb Bushier - bass, Joe Beck - guitar, Don Alias - conga and Steve G.add - dr.um~. Ga~d is a familiar name to this area smce he did time with the Mangione Brothers (in their separate groups), and played on Chuck's first two concert albums, as well as the quartets Alive a!bum. In fact, !lOW that I'm on the subject, parts of this album rel!nnd me of Mal'!gione's discs. Included among the f1ve tunes her~ IS an extended version of Stevie Wonder's Too !Jigh, finding Joe on soprano. Penny Arcade and Hurncane Jane are similar to each other (in more ways than one) and are in the jazz-rock vein. The remaining cuts' might be the only ones for the "puri~ts~; Cloud Cream is a latin number with Farrell on piccolo, and the lovely Geo Blue finds the leader on tenor. Although some of the ideas displayed on this album are not new, it is, nonetheless, quite an enjoyable set, and highly recommended for neophytes. WILD BILL DAVISON - LIVE AT THE RAINBOW ROOM - CHIAROSCURO 124 I've just received this albufi! by Wil~ Bill, and I love it. This music has somethmg special to. offer, maybe the happy, good time .f~eling, and basically I have never really been into Dl.Xleland. The feell m.entioned starts with the first groove and goes stra1~ht through to the end. The seven ba~d mem~ers enJOY themselves thoroughly, and the audience.enJoys the~­ and those are the ingredients for good jazz mus1c. Jerry Fuller plays some mean clarinet,andEdHubble is no less proficient on ·trombone. Drummer Dot Dodgion replaces Cliff Leeman ,on two. cuts. George Duvivier - bass and Claude Hopkms -piano round out· the group. I'd liketothankHankO'Nea!~?f Chiax:o~curo for turning me on to some grea~ h;adition~l DIXIeland music. If you dig Wild Bill DaVIson, he Will be at the Bourbon Street in Toronto, May 6-18. Phone (416) 864-1020." �SONNY ROLLINS - WHAT'S NEW & OUR MAN IN JAZZ - FRENCH RCA 741091/092 This double album is a reissue of two records Sonny did for RCA in 19621 and is a mate to an earlier double package - The Br1dge & Sonny Meets Hawk. A heavy latin flavor prevails through much of What's New (record 1), especially the first tune on each side, on which the band is accompanied by a choir and three percussionists. There are four different groups of personnel listed on thejacketforthisrecord- side·1R_ollins, JimHal_l, Bob Cranshaw, Ben Riley and Candido Camero; s1de 2 - the same group for the first cut, and Rollins, Don Cherry, Henry Grimes and Billy Higgins for the remaining three; however, I can only detect Hall and Riley on the two numbers with the chorus. What that boils down to is there are two very interesting tunes with only sax, bass and conga. The three tunes with Cherry are much more free, as is aU of record two. Those cuts are - You Are My Lucky Star, I Could Write A Book, and There Will Never Be Another You;,and are quite well done (as is the rest of this package). ou.r Man In Jazz "!as recorded live at the Village Gate m July 1962. This record probably contains the most freedom and improvisation you have ever heard from Sonny. The tunes are - side 1 - Oleo side 2 De.arly Beloved & Doxy; and you'll find Sonny and Don domg some strange things throughout, both in solos and ensembl_e passages. The rhythym section on this record consists of ~ob Cranshaw and Billy Higgins, who both perform with ample skill and imagination. In summary, there are some good sounds on both these albums, and a variety of musical styles. If you can'~ !if!d this package here, send $11.32 to Coda Pubhcations, Box 87, Station J, Toronto M4J 4X8 Canada. ' GENE AMMONS - JUGANTHOLOGY - PRESTIGE 24036 . _Here is .another "Twofer" from Prestige; this one giving us selected cuts from five of Jug's albums recorde~ from '55 to '57. As was usually the case, the term All Star Support" can be used with names like Farmer, Clarke, McLean, Waldron, Burrell Byrdand so on, but the music has more soul than maey of those dates had. Ammon's big tone is always a joy and its ever present throughout these four sides. Of the eight cuts I find Jaggernut (Ammons) Stella By Starlight and Madhouse (McLean) most interesting. Ammons has a new following added to his list of admirers, and they might do weJ.ltop.l.ckthis up to see what he was up to while they werf'! digging nursery rhymes. · CHARLES TOLLIVER'S MUSIC INC.- LIVE AT THE LOOSDRECHT JAZZ FESTIVAL- STRATA EAST 19740/1 Due to the rumors that Charles Tolliver & Music Inc: ·may be visiting the area soon, it is fitting that their latest release should appear in this issue. This live recording was made in August of 1972 at a Dutch Jazz Festival. To my knowledge, all but two songs appeared on other Tolliver albums; and, this ·entire album was released some time ago on the English Black Lion label (under the same title). Music Inc. has produced many first rate records, this one being on that same level. I enjoy this band's music.for the. personal quality it projects to the listener, and the fact that it remains sax-less, which is a nice change o! pace. 'l_'he first tune, Grand Max, is a fast moving . piece, dedicated to Tollivers former boss, Max Roach, with some intense trumpet playing by the leader. Truth is a ballad· employing the elements of·swing as well as beauty. Prayer For Peace covers all of side two, and contains fine support from drummer Alvin Queen, who must listen to Elvin Jones every chance h~ gets. Bassist Reggie Workman and pianist John Hicks (~oth ex-Art Blakey) also provide interesting and solid support on this cut, and Tolliver fills in on triangle while the rhythym section carries the load. Record 2 begins with Our Second Father, a dedication to Coltrane, which is full of fire , and a showcase for all four men; Hicks turns outsomeofhis best camping of the date, as does Queen who also turns out some fine solp work. Repetition closes the set and 'is a lyrical sWinger played as an encore. The Jones influence col!le~ out again in listening to Queen's cymbal work. Th1s IS a good set of music from a man who should be heard, and now that he has his own record company -he is. · ' MILT JACKSON WITH HUBERT LAWS- GOODBYECTI 6038 Milt Jackson has been well recorded of late outside of the MJQ, and he now pres ents us with another above average disc. Bags and Laws get plenty of time here, with no orchestra or strings to hold them back and Cedar W~Iton's keyboard work is an a dded (wei~ come) attraction. The old standby, Ron Carter, is on bass and Steve Gadd (who seems to be sliding into the roll of CTI stafO on drums. Freddie Hubbard Herbie Hancock and Billy Cobham replace Laws, wa'uon and Gadd on SKJ. Detour Aheads opens the first side in a good medium groove while the title cut may remind you of MJQ with electric piano and flute. The jazz standard Old Devil Moon starts the second followed by SKJ (recorded at the Sunflower sess ion a year earlier wi~ Milt ~nd Freddie voicing the hea d in unison) and a typical (Without flaw) Hubbard solo. The record clos·e s with Horace Silver's Opus De Funk, and I'm sure Horace could get into this version, its a real foot tapper. Judging by the sounds emanating from this record, it was a session all the artists involved must have enjoyed, and no doubt you will too. · JAZZ- ROCK BRIAN AUGER'S OBLMON EXPRESS - STRAIGHT AHEAD- RCA APLl-0454 Since some of our readers are rock lis teners turning to jazz and converted rock listeners who still enjoy a good jazz-rock album as well as jazz "purists" w.e feel that l! good record in this vein should be re~ VIewed when 1t comes our way. Brian Auger has always le~n!'ld towards jazz with his various groups, and the ObhVIon Express' las.t two have shown qiifte ab1t of merit. Through the years, Auger has recordedjazz numbers, Maiden Voyage, In and Out, Freedom Jazz . Dance, Compared to What, -and on this album - Wes Montgomery's Bumpin' on Sunset, which is a lengthy · in~trumental vers~on ~th organ as t't1e le.ad. v.oic~, Th1s group has much rmproved over the past few · years, as they have been steadily growing with each . album, with the possible exception of Second Wind, on which the vocalist was not quite in tune with the ' . group. The music here is well played, polished and funky. The vocals are quite good, and the congas and per.cussion add a stimulating feeling. Auger and Bassist Dean have been the mainstays from the groups birth·· and .Dean has contributed two .songs. for this LP. The' .·band is achieVing thefr goaf of unity, and bas never' sounded more .t ogether than here. �~TUAVT 348 OJ iver St., N. Tonawanda Phone: 694- 2890 Fine Food - Friendly People 'JOY" Monday Nights ~ 9:30- 1:30 WHI\T'S Hf\PPENING ...... RADIO WBFO-FM-88.7 Monday - Noon - Spirits Known &: Unknown with Francina Simmes. Tuesday - Noon - Spirits with Peter Hall. Midnight - Jazz Signal with Joe Marfoglia. Wednesday - Noon - Spirits with Tom Newhouse. 9 P.M. - Jazz Revisited with Hazen Schumacher. Thursday - Noon - Spirits with Bill Besecker. Friday - Noon - Spirits with Alyce Hudson. Saturday - 8 A.M. Morning Seranade with Charles Smith. Midnight - Jazz By Request with Prez Freeland (831-5!l93). Sunday - Noon - Talking To The People with Myron Yancy. 11 P.M. Inside The Changes with Bill Savino. WBLK-FM-93. 7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. WHAM-AM-1080 (Rochester) Jazz all night after 12 (except Saturday). LIVE MUSIC- CLUBS BLACK DRAMA WORKSHOP - 1762 Main Street. Zimbabwe National Rhythm Troupe (Quintet), Sun. days 5-9 P.M. Admission $1, refreshments available. STUART LITTLE'S - 348 Oliver, N. Ton. - 694-2890 - JOY (Jazz-Rock) every Monday night,9:30-:1:30. ST. GEORGES TABL.E North at Delaware. New Wave (w/vocalist). Phone 884-1100. ANCHOR BAR - 1047 Main - 886-8920. Johnny Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. _ REVILOT - · 257 E. Ferry - Bookings not confirmed at presstime. Phone 886-8833. Our apologies - sorry· to expose you to all the typographical errors in our last issue. An electronic typesetter does our work, and it was acting up. We corrected what we could, but couldn't hold the issue up any longer. King 3B slide trombone for sale; excellent condition with carry-all case, $175 firm. Dave Wahl 883-3907, 941-6415. WILD BILL DAVISON with Norm Amadio Trio May 6-18 HANK JONES TRIO May 20 - June 4 Dine & Dance 9-1 No Cover TORONTO BOURBON STREET - 180 Queen St. (416) 864-1020No cover, no minimum except in dining room. Wild Bill Davison with Norm Amadio Trio - May 6-18. Hank Jones Trio May 20-June 1. See ad. COLONIAL TAVERN- 201 Yonge St. (416) 363-6168Cover charge. Earl "Fatha" Hines with Marva JosieMay 6-11. Rhassan Roland Kirk - May 13-18. Charlie Byrd- May 27-June 8. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St. Bobby Edwards - May 6-11, Moe Koffman- May 13-18. MacKENZIE'S CORNER HOUSE - 620 Church St. (416) 922-6954 - Chico Hamilton starts May 27 for one week. MASSEY HALL - Herbie Hancock & Weather ReportMay 11. HEALING FORCE MUSIC LTD. presents vibist Karl Berger's Quartet featuring bassist David Holland, May 5 at Masonic Temple, Yonge at Davenport, at 7:30 P.M., sharing the bill will be drummer Claude Ranger's Quartet. Tickets - $5 - available through Buffalo Jazz Report. ROCHESTER ROCHESTER INSTITUTE OF TECHNOLOGY (R.I.T.) will host George Benson on Sunday, May 5. Also the R.I.T. Jazz Ensemble May 16. SARATOGA- 384 East Ave. 1-325-3180 Cedar Walton & Sam Jones now through May 10. TOP OF THE PLAZA - 1-325-3800 - Midt~wn Plaza Tower - Stan Kenton May 29-30. The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3402 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 3 Date A point or period of time associated with an event in the lifecycle of the resource 5/1/1974 Language A language of the resource en_US Subject The topic of the resource Jazz musicians. Jazz. Sound recordings > Reviews. Music > Periodicals. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 3 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/902ce7d335da1d3d5c18088eaf8d428a.pdf bff22aa130c7b111452ad8bd73b2e6ad PDF Text Text buffalo ja~z ·fepott 11'- APRIL 1974 FREE Welcome to the second issue of the Jazz Report. We are very happy about the success of the first issue and are looking forward to the future as we grow with the Jazz community. In this issue you will notice more local ads, as well as an ad from Toronto. A recent trip to our sister city in Canada afforded me the opportunity to talk with the people at Coda Magazine. We will be communicating on a regular basis to keep you informed of what' s happening in Toronto, and vice versa. They are fine people and were very interested in the Jazz Report. Buffalo is one of the only cities that has a publication of this sort. In additiom to our regular record reviews, we will be reviewing records not available here, such as Danish & Canadian releases, and will let you know how to obtain them. · Ben Webster recorded an album live at the Montmatre, for the Danish Steeplechase label, that is a must for anyone who followed him, _ and there are many more. March was a rather lean month for jazz here, but as you will read in What's Happening, April will be much better. We are getting an incredible amount of comments (good ones) about our paper. I can't stress enough that our success depends on advertising. For this reason, if you have a liJTP.ted budget for going to hear live music, think about the people whose ads you see in these pages first. They are the ones who make it possible, who are dedicated to the music enough to realize how important this publication is. The Edelweiss Hutte in Glenwood was with us in our first issue and is a fine place. It is not that far and the food and music are great. You'll usually find Max Thein (Bass) playing there with various local cats. When you visit our advertisers - let them know where you heard about them. Remember, if it wasn't for them, you wouldn't know half of what goes on around Buffalo with regards to Jazz music. STAFF Editor/Publisher - Bill Wahl Contributing Editors Michael Barry Levon Cavanagh Malcolm Leigh Paula Wahl Illustrations Christine Eber Engla Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. , ~B - \\ ')_ VOL 1 NO.2 JUNIBOOTH In continuing with our articles on native Buffalo musicians who have been succeeding so to speak, in the music world, we had already slated bassist Juni Booth to be featured this month, when we found him ·playing with Pharoah Sanders at the Revilot. This made our work much easier, as Chris sketched him while I took down the information. Juni wa s born Arthur Edward Booth on February 12, 1948 in Buffalo. While attending various grammar and high schools here he became increasingly interested in devoting most of his time to music. He began studying piano at the age of 8, and, while still living here, he studied at the Buffalo Community Music School. He said all major bass players influenced him, especially Scott LaFaro. He studied the bass .a t Eastman School of Music, in Rochester, where · he met Chuck Mangione, with whom he worked and learned a great deal. You might say his first major break came when Mangione went with Art Blakey's Jazz Messengers about '65 and took Jtmi along. Since then he has worked with countless musicians - Freddie Hubbard Tony Williams, Larry Young, Eddie Harris , Erroli Garner, Shelly Manne, etc.· He wrote a . ballad, For Bean, which is on the Shelly Manne album listed below. He played with McCoy Tyner' s Quartet last year and is on two of his albums, including Tyner's Montreaux concert album reviewed in this issue. In the Fall of '73 he toured South America with Elvin Jones an experience most enriching for him. Wetalkedforq~ite a long time, but this is about all we have room for. If you haven't heard him, you should check him out- es.Pecially on Tyner's. new .release. . · DISCOGRAPHY: Shelly Manne • Outside - Contemporary 7624 Charles Brown & The Blazers - Legend Gary Bartz NTU · :rroupe - Harlem Bush Musi,e' Taifa - Milestone 9031 Uhuru - Milestone 9032 Freddie Hubbard - Sing Me A Song of Songmy Atlantic 1576 l,.;irry Young - Lawrence of Newa_rk - Perception 34 McCoy Tyner - Song of the New' World - Milestone • 90'49 . . · McCoy Tyner - Enlightenment - Milestone 55001 �RECORDS TOOTS THIELMANS & SVEND ASMUSSEN - TOOTS & SVEND - A&M SP3613 THELONIOUS MONK & JOHN COLTRANE- MONK/ . · TRANE - MILESTONE 4.7011 Af!er ~icking up this record, I started anticipating · how fme It would be, and the first few bars told me I was in for an experience. Fine is hardly the fitting adjective to describe it; superb would be closer. Having always been an admirer of Toots ' passionate harmonica .playing - the first few seconds' of Sophisticated Lady brought chills to my spine. The rest of the album was far from a letdown. Recorded in Denmark this record "is a showcase for these two European arhsts. What is heard is a well engineered, well produced dynamic session. Overdubbing allows Toots to play both harmonica and guitar on some numbers. Asmussen, a master violinist who is rarely seen in this country, compliments Toots with complete sensitivity. Ed Thigpen (ex-Ella Fitzgerald .& Oscar Peterson), who just recently moved to Copenhagen is heard on drums, as well as being the compose'r of the Bossa Nova 'Denise. Two Danes, Kjell Ohman organ and electric piano, and Stefan Brolund - bass as well as Red Mitchell (also bass) round out th~ group. The music draws from blues classical and some is downright funky. ' If you enjoy Thielmans with Quincy Jones check this out. One listening gives·you enough doses'of that sexy harp to keep you high long after it's over. About a year ago I was !trading some albums with a friend when he handed me one of Monk ' s old Riverside Discs and said "if I could only have one record, it would be this." The record was Monk's Music Riv. 242, and after listeririg to it for a matter of seconds I .fOIJld see why he cherished it so. Recorded in June of 1957, the musicians on the album were, besides Monk & Coltrane, Ray Copeland (J pt), Gigi Gryce (as), Coleman Hawkins, Wilbur Ware and Art Blakey, and with a line-up like that, you can imagine the results. Well lo and beh()ld, the album was reissued in this 2-record set along with selected cuts from 3 other Monk LP's, including Gryce's Blues For Tomorrow, recorded at the first session of the Monk's Music date, , but without Monk who was ill. This 13 . minute cut finds some very interesting blowing as well as a lesson in musical drums from Blakey. Side 1 of the set, bears 3 tunes recorded by the leader's famous Five Spot quartet - Monk, Trane, Ware and Shadow Wilson. The first cut on side 4, Monk's Mood was recorded at a session for an otherwise solo album with only Monk, Trane and Ware . So you have the facts, I am in no position to' review the music of these two men, it speaks for itself. If you spend your money on this. one, you won't be dil)appointed. KENNY BARRON - SUNSET TO DAWN - MUSE 5018 . An outstanding debut album for Mr. Barron, who really should have had one of his own long before this . . Kenny , since leaving Yusef Lateef, has been recording with various artists under the direction of Don Schlitten and is always an asset to a record date. Some of the tunes here are slightly reminiscent of the Jimmy Heath album Gap Sealer, especially Sunset, played on electric piano'. A Flower is a solo acoustic piano number while Barron alternates between both pianos for the remaining cuts. Bassist Bob Cranshaw and drummer Freddie Waits give fine support and .Richie Landrum and Warren Smith provide interesting percussion effects as well as the latter on vibes. Quite enjoyable especially that Latin-Funk. McCOY TYNER - ENLIGHTENMENT - MILESTONE 55001 What we hav.e here is a 2-record set of McCoy •Tyners Quartet, live at the Montreux Jazz Festival :1973, complete and uncut. The recording quality is :•much better than many of the albums recorded at that .Swiss Festival, and Tyner himself says it was .one of his best performances anywhere, and who should know more than he. The four selections, the first of which is a suite in 3 parts, is much in the tradition of Tyners first two Milestone albums, and is a richand rewarding experience, especially when you take in all four sides in one sitting. Youngtenor-man(ex-ElvinJones) Azar Lawrence is much improved since his days of sharing the front line duties with Steve Grossman (in Jones' Quartet). Buffalo born bassist Juni Booth (see article-front page) is a bitch, as is, of course, drummer Alphonze Mouzon. Tyner is his usual amazing self, scaring the pants off countless other pianists. If you happened to see the Montreux Fest on Channel 17, you got a taste of his album's contents. THE GREAT CONCERT OF ERIC DOLPHY - PRESTIGE 34002 The great concert ~s a 3 rE;cord set, attractively boxed, with complete mformatwn, of Eric Dolphy's five spot session of July 1961. Originally released as 3 separate albums - Live at the Five Spot Vol. 1, Vol. 2, and The Eric Dolphy Memorial Album. This is the set to pick up for Dolphy fans who are without these sides . The late Booker Little is in great form here, as are Mal Waldron, Richard Davis and Ed Blackwell. The latter especially on , Number Eight (Lotsa Potsa). Dolphy plays all three of his axes flute, bass clarinet and alto throughout these si~ sides and 111:46 of rightous music. At this point Prestige has re-released all butfouroftheireleven Dolphy albums. It' s a shame the man isn't alive to see it . BEN WEBSTER - LIVE AT MONTMARTRE 1973 • MY MAN-STEEPLECHASE 1008 (DANISH) This record, recorded live at the world famous Montmartre Jazzhus in Copenhagen, in January and April 1973, is a fitting memorial to this ·great tenor player. Ben is playing with his regular group, the Alex Riel Trio, consisting of Riel - drums, Ole Kock Hansen - piano, and Bo Stief - bass, three musicians he respected and loved to play with. Ben worked re. gularly at this club during his five years in Copenhagen, a!ld this, his last recorded work, captured him in that atmosphere. The music, as all of his was, is both sexy and beautiful. Both Stief and Riel are gifted musicians who have greatly improved over the last few years. Hansen plays and solos well throughout. A highlight of the album is the almost 9 minute Willow Weep For Me and I Got Rhythym is played in true tradition . Also included are Sunday, ExactlyLikeYou, Set Call and a ballad (another highlight) Old Folks. This record is a must for Webster followers, and although not available in Buffalo, can be ordered from Coda Publications, Box 87, Station J, Toronto, Ontario M4J 4X8. $5.98 - Postpaid. �GARY BURTON/CHICK COREA- CRYSTAL SILENCE ECM 1024 MILES DAVIS - WORKIN & STEAMIN - PRESTIGE 24034 CHICK COREA - PIANO IMPROVISATIONS VOL. 1 ECM 1014 First a word of thanks to Fantasy (Prestige) for re-issuing this incredible set, originally two separate albums, first issued in the mid '50's. The music-well, I could write a book about these two records, but I will keep it short, for one listening will remove the need for words. These sides are classics, Miles at his burning best, every damn solo on these albums made jazz history. What can be said about Miles, except that Miles is Miles is. Miles. No man in history of the trumpet has put such feeling of love, hate, happiness, sadness. Every emotion known to man into his music. It all comes out with such restrained intensity. Talking about the individual tunes is useless. This music is an ageless experience. This would be a good start for a collection of jazz recordings; As for the sidemen, who are never really on the side, such as the late John Coltrane, playing with a profound beauty of tone and lyrical richness (you probably wouldn't recognize his playing had you only been exposed to his later recordings). As for Red Garland, Paul Chambers and Philly Joe; they have got to be the greatest time machine known to jazz. Five men speaking their experience of life to the world through their instruments, acutely aware of each other. There are no ego's in this music- this is jazz, a spontaneous happening. It cannot be planned, and cannot be repeated. So if you missed these sides the first time around (because of hassles of being too young, or notbornyet),don'tscrewupthis time. These records might very well change your listening habits. As of this month, Polydor has released eight ECM recordings on these shores. These two stand out as A plus examples of two masters at work. Crystal Silence, released in March, is a duet, and is as brilliant as one could expect. The nine songs find Burton and Corea communicating from their very essence, deep moods and rich melodies prevail. While the two men explore themselves and each other. The music is completely successful, the listener should have no desire for bass or drums. Some tunes are familiar from previous albums, some new. This is an album to get involv!)d in, to really listen to. Many of the above descriptions hold true for Corea's Improvisations LP, but here he is all alone, Chick Corea is constantly changing. This is apparent in the vast differences between his last eight or so albums. The recordings on this solo LP are all very lyrical and honest displays of warmth and love. A strong desire to communicate these deep feelings has given us this work from one of the true musical genuises of our time. It is no wonder that this was hailed as one of the best records of 1971. DEXTER GORDON -THE MONTMARTRE COLLECTION VOL. 1 - BLACK LION 108 This 1967 Danish recording, live from the Montmartre Jazzhus, finds Gordon in fine form infront of a well oiled, sympathetic rythym section. The live atmosphere here may be as close as most will come to Dex, since he has been living in Europe for the last 12 years (most of them in Copenhagen). His support on this night consisted of fellow ex-patriate Kenny Drew on piano, Danish bassist Niels-Henniing Orsted Pederson, and the consistently tasteful drummer, AI "Tootie" Heath, who had been Uving in Europeatthis time. The band burns on Ben Tuckers DeVilette, with under-rated Drew showing his talent, and a driving bass solo by Pederson, who has since gained international acceptance. For All We Know, finds Gordon showing his ballad artistry with his huge resonant tone. Two Sonny Rollins numbers, Sonnymoon For Two and Doxy make up the second side. Since purchasing a British Pressing of this album over a year ago, I've been waiting for Vol. 2. Shure hope there is one. JOHN COLTRANE - BLACK PEARLS - PRESTIGE 24037 The two-fer is a re-packaging of two of Coltrane's Prestige albums - Black Pearls & The Belie1(er. These cuts, taken from three 1958 sessions, feature John with· Donald Byrd, Red Garland, Paul Chambers and Art Taylor, except for one cut with Freddie Hubbard, and 2 with Louis Hayes. At this point, Coltrane was growing close (within 2 years) to his Giant Steps and My Favorite Things sessions, and that is evident here in listening to him blowing multitudes of notes in his solos. All six cuts are outstanding and I need not single any out. An interesting point may be that The Believer was written by McCoy Tyner, with Trane being only a short time away from forming his quartet of the 60's. Bassist needed for new jazz group. Phone Bill Wahl at 883-3909. KARL BERGER - IN CONCERT Karl Berger- Vibes & Piano David Holland - Bass Steve Haas - Percussion lng Rid- Vocals & Percussion Also CLAUDE RANGER QUINTET SUNDAY - MAY 5 - 8 P.M. MASONIC TEMPLE Younge & Davenport Toronto TICKETS $5 AT DOOR WORKSHOP 2 P.M. Public- $1 Musicians with Instruments -FREE Limited amount of Tickets available thru Buffa I o Jazz Report - 883- 3909 �WHf\T'S -Hf\PPENING ...... .-----""1:""'0~-----~----f- Bourbon RADIO WBFO - FM-88.7 -Monday - Noon - Spirits Known & Unknown with Francina Simmes. Tuesday - Noon - Spirits with Peter !"~all. Midnight - Jazz Signal with Joe Marfogha. Wednesday - Noon - Spirits with Tom Newhouse. 9 P .M. - Jazz Revisited with Hazen Schumacher. Thursday - Noon - Spirits with. Bill Besecker. Friday - Noon - Spirits with Alyce Hudson, Saturday - 8 A.M. Morning Seran.ade with Charles Smith. Midnight- Jazz By Requestw1thPrezFreeland (831-5393). Sunday - Noon - Talking To The People with Myron Yancy. 11 P.M. Inside The Changes with Bill Savino. Street Street TORONTO (416) 864-1020 WBLK-FM-93.7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. Al GREY (trom. ) & PH IllY JOE JONES- April 1-16 WHAM-AM-1080 (Rochester) Jazz all night after 12 (except Saturday). JOE VENUTI - Apri I 15May 4 (Phone for Reservations) TV Benny Goodman at Carnegie Hall - April 6 at 10 P.M. on Channel 7. WILD BILL DAVISON (cornet) May 6-18 LIVE MUSIC- CLUBS Black Drama Workshop - 1762 Main. Zimbabwe National Rythym Troupe (Quintet), Sundays 5-9 P.M. Admission - $1. refreshments available. STUART LITTLE'S 348 Oliver, N. Tonawanda- 6942890. Joy (Jazz/Rock) every Saturday night 10-2:30. Cover charge (see ad). . ST. GEORGES TABLE North at Delaware. New Wave (w/vocalistY. Phone 884-1100. REViLOT - · 257 E. Ferry - Bookings not confirmed at presstime. Phone 886-8833. MUSICIANS' CLUB -- 145 Broadway - Jam sessions Sunday afternoons at 4. Jazz Sunday n_ights at 9 with various local groups. Band Rehearsalmghts: MondayC.Q. Price, Tuesday-Elvin Shepherd, WednesdayWillie Dorsey, Thursday- Jimmy Clark. All programs at 9 P.M., no cover, everyone welcome. ANCHOR BAR - 1047 Main - 886-8920. Johnny Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. CONCERTS Herbie Hancock & Weather Report at Clark GymU.B., April 27. Tickets, $3 students, $4 non-students and at door. Available at Norton Hall, Audrey & Dells and Buffalo Festival. · Chuck Mangione at Hamilton Place (Ont.) (416) 525-7710, April 6 & 7 - 8:30P.M.; orchestra, soloists and dancers. Count Basie - Hamilton Place - with vocalist Jimmy Ricks Saturday, April 20, 8:30P.M. . .. Tickets for Hamilton Concerts avallableatCncket Ticket, 3266 Main St;, (835-2828). Anyone who may have the album by · Philly Joe Jones - Drums Around The World that they would be willing to sell or trade; please notify the Jazz Report office . . King 3B slide trombone for sale_; excellent condition with carry-all case, $175 firm. Dave Wahl 883-3907, 941-6415. 0:- Dine & Dance 9-1 No Cover ~TUAVT LITTL~~~ 348 01 iver St., N. Tonawanda Phone: 694-2890 Fine Food- Friendly People '~ov" Saturday Nights - 10 - 2:30 TORONTO . BOURBON STREET - 180 Queen St. - Name Jazz Groups, see ad this i_ssue. Great Spaghetti, ·reason· able prices (food & drrnk). No cover. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St Various local Jazz groups. MacKENZIE'S CORNER HOUSE - 620 Church St. (416) 922-6954 - Charles Mingus April 22-27. COLONIAL TAVERN - Younge at Queen - F'reddi Hubbard - April 1-6. Cover charge. Bassist needed for new jazz group. Phone Bill Wah at 883-3909. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3400 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 2 Date A point or period of time associated with an event in the lifecycle of the resource 4/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 2 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/8caf10fe188b1b2d4e87d68e872a21a5.pdf c82d96872754e5992dd338ed84d2d94f PDF Text Text buffcllo jazz !~pott march 1974 vol.1 - no.1 1NTRODUCTION ( You are now holding the firstedition(ofmany, with \ny kind of luck) of something Buffalo is in great need !; a periodical devoted entirely to Jazz. Jazz is not dead. Although many people don't know !., there is a considerable amount of live music here rn Buffalo. Our aim is to find it and make it known. in addition to Club and Concert calendars, we will provide record reviews, articles on Jazzmen from i,he area, interviews with visiting musicians, new >\J.bum listings (if space permits) and other goodies. ·¢he paper will be distributed free at clubs and record .stores. We hope you will enjoy this paper now and in the months to come. We should get better as time goes ?n. You can look for a new edition about the first week of each month·. Enjoy! :·:;>"AFF ;~odftor /Publisher - Bill Wahl (;<&ntributing Editors Michael Barry Levon Cavanaugh Malcom Leigh Thomas Mazzone Paula Wahl Address Correspondence to: The Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (Phone) - (716) 883-3909 The Buffalo Jazz Report is distributed free at Yarious locations in the Buffalo Area as a service to the jazz community. Please support our advertisers ,v~lo make it all possible. fiELP!!! Drummer Ed Blackwell needs your help. He has lost the use of both kidney~ and is in need of a transplant. He must use the Dialysis Machine. ' Most noted for his work with Ornette _Coleman, Ed as helped to revolutionize jazz percussion. Any conribution, large or small, is extremely important. .· lease send to: Ed Blackwell 189 East 2nd Street New York, New York 10009 I~ Ir· ~ ! \ ., l I Pianist Bobby Timmons died March2inNewYork, ,at the age of 38, after a long illness. The composer '9f Moanin' was best known as a member of Art Blakey's Jazz Messengers, and also played with 'Cannonball Adderley and J. J~ Johnson before leading -his. own groups. Charles Smith will feature some of Bobby's work on Morning Seranade, March 9, on WBFO-FM (88.7). Mel Lewis, co-leader and drummer of the Thad Jones-Mel Lewis big band, was born here in Buffalo (as Melvin Sokoloff) on May 10,1929. His father was a professional drummer for almost 40 years. Mel started his career at age 15. In his early days he played with various people including Alvino Rey, Tex Beneke and Ray Anthony. The mid SO's found him with Kenton, Frank Rosolino, Hampton Hawes and again with Kenton, with whom he wenttoEuropein '56. Upon returning he settled in L.A. where he co-led a quintet with Bill Holman, and later joined the Terry Gibbs big band. At this time he also worked as a staff musician for ABC in Hollywood. Since 1960 Mel hasfilledthechairforGerry Mulligan, 'Dizzie Gillespie, Benny Goodman, Frank Sinatra, Terry Gibbs and Gerald Wilson. He moved to the Big Apple in '63 and joined ABC staff there. He has been to· Europe several times including a trip to the U.S.S.R. in '62 with Goodman, and played at the first jazz concert at Vienna International Music Festival in ',65. Since 1966 he has led, with Jones, the big band ip New York City. He won the Downbeat new star award in 1962. The T J- ML Band is widely recognized as one of the top big bands of today. Their list of personnel reads like a Who's Who in New York, with names like Richard Davis, Roland Hanna, Pepper Adams and Julii!,Jl Priester to name a few. The big band did a 5 week Russian tour in '72 where they won the·t>'earts of the . people and made it possible for Tricky Dick to make ' the trip. An earlier tour ('69) t9 Europe produced a double album for Blue Note .Jazz Wave Limited Os, Tour - BN 89905, with gueslt Freddi-e Hubbard, K. Burrell, J .. Steig and Jimmy McGriff· · ·. ' Mel can be heard on with the big band on -4 'solid state LP's and 2 on Blue Note - Consummation-84346 .and the· one mentioned above.· Some other recent albums are Thad. Jones/Pepper Adams - Milestone 9001 and AI Cohn & Zoot Sims - Body.& Soul - Muse 5016. Be sure to check him out, he has an impeccable sense of time and undying swing,_. and the band - it roars. �fV/L I RECORDS 7) ~ Sonny Stitt - I Cover The Waterfront - Cadet 2CA 50039 It will be our policy to review as many new rtf..> f leases as possible each month. Due to the time in- v, · A lot of re-issues have been coming out of iate in volved in preparing the first issue, these records the names· of people who deserve them; If anyone demay not be as new as we would like, but we hope to serves one it is Sonny Stitt, and alas - along comes remedy that situation in the. future. Here are some this disappointment! Thrown together without any conwe'd like you to know about: sideration for organizing the selection either chronologically or by the separate bands. Several cuts are defective, especially the last on side 4, and it is the ?( Somethin' Else - Cannonball Adderley - Blue Note type of defect which would not be limited to the review LA-169-F copy. · The music is good. Sonny with 6 different rythym This is a re-issue of a first class session recorded sections, joined by Zoot Sims on one cut. No recording in 1958 with Miles Davis, Hank Jones, Sam Jones and dates appear on the jacket, but I presume they would Art Blakey. It's worth the price just to hear Miles on be in the early sixties. Since most of Stitt's work that Autumn Leaves and Somethin' Else. Anyone who may would be ready for re-issue is on Cadet & Pz;estige, dislike Adderley for his commercial success should maybe the latter will give us one worthy of bearing pick this one up to find out how great an altoplayer Stitt's name. he is. As it is so correctly stated in the liner notes, this is a jazz "Supergroup" album. Hopefully this release is the start of a new trend for Blue Note. YJohn Klemmer - Intensity Impulse - 9244 Gary Burton - New Quartet - ECM-1030 Klemmer is a fine musician, able to display warmth and beauty as well as fire and thunder. Both are disThis album might well be labeled a masterpiece, played here - however, there seems to be a lack of but all the credit does nqt go to Burton. It is, without sensitivity in. the way the cuts have been arranged on a doubt, a group effort. In: a vibes, guitar, bass and the re.cord: Side two puts you in a mellow mood until drums format, ._Gary's Quartet feature·s·-.three students Last Summer's Spell which is rather heavy and should from Berkelee School of Music, where' he teaches. have been switched with Love Song to Katherine, which, Especially imp'ressive are bassist, AbrahamLaboriel in turn, is far too mellow for side one. Because of the and drummer, Harry Blazer. The eight compositions 9-minute difference in songs, this was not possible, (ranging from jazz-rock to ballads) were written by however, it would have been nice to have a mellow such people as Chick Corea, Keith Jarrett, Carla side and a heavy side. Bley, Mike Gibbs, Gordon Beck and one by Burton. Regardless, Klemmer & Co. play well throughout. The mood changes like the seasons and the albums end It's a good LP - just don't plan to go to sleep by it. only leaves you begging for more. With Polydor now distributing ECM, they should be found about everywhere. A Blessing .. ~ric Kloss Pat Martino One, Two, Free - Muse 5019 Live - Muse 5026 ~ Here are two very satisfying albums from the people at Muse, who, with Don Schlitten in their employ, have been releasing a wealth of fine recordings. The Kloss LP, among his best, yields an 18 minute suite. (The title tune) which is broken down into 3 sections contributed by Kloss (alto), Ron Thomas (E. Piano) and Pat Martino (guitar). Side 2 contains a fine version of Carole King's It's Too Late, and a haunting, melodic original Licea. The Martino album contains a funky version of Sunny (tt:at really cooks), and 2 originals, one of which is 18 minutes of both structured and improvised playing. Pianist Thomas complements Martino well. The combined relaxed feel of the group and live atmosphere makes you want to applaud after each song. . , In short - two albums you won't soon get tired of. . DAVE LIEBMAN .flutes, saxes FRANK TUSA bass. bells drums, kalimba BOB MOSES I Sonny Rolli,ris - Horn· Culture -Milestone - 9051 , This latest effort by Rollins, although not as good as his last (next album - Mile. 9042), is agood, well balanced set. Included here is another welcome version of God Bless The Child (another fine version was on his 1962 RCA release The Bridge, which is available from French RCA as a double album with Sonny Meets Hawk). In addition to another tune from the Billie Holiday repertolre, Good Morning, Heartache, Sonny performs three originals and one by Mtume (Conga playing son of Jimmy Heath). The addition of a guitarist (Masuo) adds an interesting dimension to the group. P. M. RECORDS 20 Martha Street Woodcliff Lake New Jersey 07675 �Freddie Hubbard - Get Your Soul Together- CTl-6036 Here is the Hubbard album many have been waiting for. Freddie, without strings, onanalbumwithhis own working group which includes George Cables on piano and Junior Cook on tenor sax. The four cuts are all Hubbard originals. Nicely written and well executed. Xpexter Gordon.- Generation-Prestige - 10069 Ari excellent effort by all; straight ahead, swinging, good time jazz. Fine ensemble work is heard by Dex and Freddie Hubbard as well as tasteful solo work by everyone. The rhthym section on hand for the date was comprised of Cedar Walton, BusterWilliamsandBilly Higgins, V(hO was heard with Dex on some of his early Blue Note sides. In addition to a Gordon original, The Group, the set includes an alternate (1st) v~rsion of Miles' Milestones, a Dory Preven tune Scared To Be Alone and Monk's We See, on which Walton shines. Not enough good words can be Said- -100% for Dexter & Friends for this gem of an album. .rro~elonious Monk - The Man I Love- Black Lion - 197 ~his record is from Monk's "latest recording ,ion in London back in 1971, which also produced Jething In Blue, with AI McKibbon on bass and Art 1key on drums. This_setincludes five Monk originals .J the title .tune by Gershwin. The trio plays four of re cuts with the other three being solo-Monk. All are 1 ounding good and the music has a kind of a personal .-air about it. Everyone should like it, Monk fans will ' cherish it. · Mahavishnu Orch.-Between Nothingness & Eternity Col. KC 32776 This album, long awaited by both jazz and rock enthusiasts, presents not only the unique sound of the orchestra in concert, but also their refinement since Inner· Mounting Flame. Their spiritual ties in music haVe led them to this, their latest and probably best release. The three selections here include Trilogy, Dream & a Jan Hammer footstomper, Sister Andrea. Trilogy consists of sections featuring interplay amongst the group while Dream, featuring the leader and Cobham·, progresses from an acoustic intro. thru numerous solos by McLaughlin, Cobham, Hammer and Goodman, to a short, mellow conclusion. A must for those who have enjoyed the Mahavishnu Orch. in person, This album presents a fine example of a group that touches jazz, rock and even classical music. )( No.rman Connors - Love From the Sun - Buddah 5142 This is a nice album. Every song is enjoyable. The title track especially so with nice vocal work by Dee Dee Bridgewater. The band here is much the same as on his last album, Hancock, Bartz, Garnett, Eddie· Henderson and all, but the overall results are better. Herbie's fans should be pleased, especially with his . own composition, Revelation; and Connors' own Drums Around The World is a well done percussion suite. The combined effort of everyone involved makes this: a pleasant, enjoyable album. Art Blakey, Max Roach, Elvin Jones, Philly Joe Jones - The Big Beat - Milestone 47016 This double album is a re-release of selected cuts from several Riverside albums led by these four drummer-giants from 1958-1964. Its well packaged with all tHe necessary information, and each drummer gets 1 side. Many fine musicians are included here such as, to name a few, C. Adderley, Frank Foster, Jimmy Garrison, F. Hubbard, Hank & Thad Jones, Lee Morgan, Wayne Shorter and Cedar Walton. Two selections are unaccompanied drumming, the rest are quintet to full-band settings. An album everyone, especially drum fans should enjoy. New records by the not so old MASTERS Other recent releases we recommend: Gil Evans - Sevengali - Atlantic 1643 Don Byas - Anthropology - Black Lion 160 Herbie Hancock - Headhunters - Col. 3273.1 Sarah Vaughan - In Japan - Ma~nst. 2401 . Michael Howell - Looking Glass-:: Mile. 90.48 Monk & Coltrane - Milestone 47011 Keith Jarrett -.Fort Yawuh - Imp. 9240 Jimmy Heatfi - Love· & Understanding - Muse 5Q2S: The Visitors - In My Youth - Muse 5024 . Ben Webster - At Work in Europe - Prestige 24031 Art Farmer - Farmer's Market - Prestige 24032 Chas. Mingus - Reincarnation of a Lovebird - Prest. 24028 Clifford Jordan - In the World-Strata East - 1972-1 �what's happening RADIO WBFO-FM-88.7 Monday - Noon - Spirits known and unknown with Francina Simmes Tuesday - Noon - Spirits with Peter Hall Midnight - Jazz Signal with Joe Marfoglia Wednesday - Noon - Spirits with Tom Newhouse 9 P.M. - Jazz Revisited with Hazen Schumacher Thursday - Noon - Spirits With Bill ' Besecker Friday - Noon - Spirits With Alyce Hudson Saturday - 8. A.M. - Morning Serenade with Charles Smith - four hours of easy going jazz, also featuring interviews with local jazz artists. Midnight - Jazz by request with Pres Freeiand Buffalo's only modern jazz request show. Phone 831-5393. Sunday - Talking to the People with Myron Yancey jazz sounds from mellow on up. 11 P.M. - Inside the Changes - with Bill Savino anderSCX'I &wahl. ire · WBLK-FM-93.7 photograph~ Saturday. - 10-12 P.M. Jazz With Bradley J . Cool featuring black jazz artists. · 1335 rmin street WHAM-AM-1080 Jazz all night every night. (Rochester station) bJfdo. n~. 1Ll209 LIVE MUSIC - CLUBS 716/883-3907 EDELWEISS HUTTE- Rt. 240, Glenwood (at entrance to Glenwood Acres) 941-5235. JazzQuartetFridayand Saturday from 10 P.M. No cover. REVILOT - 257 E. Ferry - 886-8833. Pharoah Sanders and Leon Thomas - starting March 19th. Cover charge. support . live rTlUSIC Live Jazz Friday & Saturday Nites 941-5235 Route 240- Glenwood, N.Y. (at entrance to Glenwood Acres) ANCHOR BAR - 1047 Main - 886-8920. Johnny Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. THE MUSICIANS' CLUB- 145 Broadway Sundays - 3 - Don Gais & Co. Don on piano, Pete Suggs on drums. 10- Les Davis Gp. (Quartet) 17 - Graf Young Gp. (Sextet) 24 - Interaction Jazz - Max Thein on bass, AI Tinney on piano 31 - Eddie Kaye Ensemble (Quartet) Band Rehearsal Nights Monday - C.Q. Price Tuesday - Elvin Shepherd Wednesday - Willie Dorsey Thursday - Jimmy Clark . All programs start at 9 P.M. No Cover. ST. GEORGES TABLE- Delaware & North. Jazz Nit€ on Mondays - No Cover. CONCERTS - Elvin Shepherds 16 piece band wit!: Alberta Thomas on vocals will be in concert ThursdaJ March 14 at the . Buffalo State Hospital Rehabilitati> Center, 400 Forest Avenue. Starts at 6:30 P.M. African pianist Dollar Brand will be. appearing Toronto March 8, 9, 10. Tickets $3.00. Contact C Publications at (416) 929-5065 for information. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3405 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 1 Date A point or period of time associated with an event in the lifecycle of the resource 3/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 1 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9e8e3f56ca1b1989e0578ba9457a64be.jpg aeae0adccf658bd88d1ca01af2421089 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Luncheon of the Boating Party Date A point or period of time associated with an event in the lifecycle of the resource 1881 CE Creator An entity primarily responsible for making the resource Renoir, Pierre-Auguste Spatial Coverage Spatial characteristics of the resource. Phillips Collection (Washington, District of Columbia) Subject The topic of the resource Boats and boating Dinners and dining Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 129.5 x 172.7 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280842 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6c3bbc834665dc07a969398f6d5b974c.jpg 639bdddd480c9089777fc1cee29ca502 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Girls Date A point or period of time associated with an event in the lifecycle of the resource 1881 CE Creator An entity primarily responsible for making the resource Renoir, Pierre-Auguste Spatial Coverage Spatial characteristics of the resource. Pushkin Museum (Moscow, Russia) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 80 x 65 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280829 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/699e5cdf1c371f17ac69a1b52b05cb6e.jpg 50a9e540159168ab3953aa99c19088a6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bath at Asnieres Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. National Gallery (London, United Kingdom) Subject The topic of the resource Baths Ships Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 201 x 300 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280568 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/f8c9121ac0bab43b6383e7cc449c4439.jpg c8b395dbe188be2140f0dadeb25065b0 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Routy Date A point or period of time associated with an event in the lifecycle of the resource 1882 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Musee Toulouse-Lautrec (Albi, France) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 61 x 51 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280799 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/fc5169372b0b233f90595d2bcea6aec7.jpg 409aaae1bd1f99a967fd05b1e4d6e474 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Pink Villa, Trouville Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60 x 75 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280787 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/1e91cda3c220d0d021a6089326f6e30a.jpg 0f40040cb3e1849d0d1bd2fd932e0a0b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harbour at Argenteuil Date A point or period of time associated with an event in the lifecycle of the resource 1882 CE Creator An entity primarily responsible for making the resource Monet, Claude Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Boats and boating Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280775 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/50fa219c3697c34e8d4d93d338345f43.jpg 9db12ccbf44587316f25afb6df490a6b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Houses on the Banks of the Oise Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Raffaelli, Jean-Francois Subject The topic of the resource Landscapes Nature Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 85 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280684 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/73f9acef54a524a14b6cefb6b8408807.jpg 18547bdf535df494cb5d3798859de94f Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Waiting Wedding Guests Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Raffaelli, Jean-Francois Subject The topic of the resource Doors Walls Couples Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 52.5 x 68.5 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280672 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/66f41052ff2e81f54c4218c3087fe1d7.jpg bc2a10a6434f005d3f8f017283548281 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Laundress Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 93 x 75 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280659 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6485d8667d83c1f929d6448980ac2a17.jpg 413469a08de155c22cb8751876415fbc Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bridge at Argenteuil and the Seine Date A point or period of time associated with an event in the lifecycle of the resource 1885 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Spatial Coverage Spatial characteristics of the resource. Samuel Josefowitz Collection (Lausanne, Switzerland) Subject The topic of the resource Bridges Transportation Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 82 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280647 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/92e0523a306bc87be46dba8e8d965e59.jpg 4aaf9d5894353fde94b4123b79efa7fc Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Watering Can Date A point or period of time associated with an event in the lifecycle of the resource 1883 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Upperville (VA), Mr. and Mrs. Paul Mellon Collection Subject The topic of the resource Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.4 x 15.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280556 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6499dbf47b6c7b777ab7144f892bba0f.jpg bacdf9189795ba6ff538b8a9061b88d3 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Houses at Le Raincy Date A point or period of time associated with an event in the lifecycle of the resource 1882 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.5 x 15.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280544 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/56fd32cd310913a7dd76f35ec8afa82b.jpg a0575212b801877ccfb7c2305129eb98 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Avenue de Clichy - Five O'clock in the Evening Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Anquetin, Louis Spatial Coverage Spatial characteristics of the resource. Hartford (CT), Wadsworth Atheneum Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 69 x 53.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280131 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/cbf9192fd84e075da4e0a322b933175e.jpg dfc85980d313efb0a68c2251449cb40a Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outskirts of Paris: the Road to Gennevilliers Date A point or period of time associated with an event in the lifecycle of the resource 1883 CE Creator An entity primarily responsible for making the resource Signac, Paul Subject The topic of the resource Suburbs Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 72.9 x 91.6 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280532 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/3af0754cb9dc7ea383ded06727d18139.jpg c28f3f02dd9c2434941ca25ccfebeaef Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Sunday Afternoon at the Ile de la Grande Jatte Date A point or period of time associated with an event in the lifecycle of the resource 1885 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Metropolitan Museum of Art (New York, New York) Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 70.5 x 104 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280520 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6d7efeb004419d5e6b81eecfc423576b.jpg 89dc2b62d7896f4d576410910b004efb Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'Ile de la Grande Jatte Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Mrs. John Hay Whitney Collection (New York, NY) Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 81.5 x 65.2 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280519 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/7fc4ad7f5f3a5e8f3d7d027809ada17e.jpg dda4ab47091a99ff559f7b59477db868 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Still Life with Flowers Date A point or period of time associated with an event in the lifecycle of the resource Late 19th Century CE Creator An entity primarily responsible for making the resource Tillot, Charles Victor Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Flowers Plants Nature Vases Containers Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) still lifes Still Image Extent The size or duration of the resource. 81.5 x 65 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280507 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/027ff1a1c5447a45fb52748b589a03f6.jpg a59c617ff7fb3e920ed1ed85c25d3145 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Four Breton Girls Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Neue Pinakothek (Munich, Germany) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 72 x 91 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280490 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/560471c6429511d14292bcae58c79f1a.jpg e6b4c396295f7545e7c998e60afad2a9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Milliners, Rue du Caire Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Stiftung Sammlung E.G. Buhrle (Zurich, Switzerland) Subject The topic of the resource women Human beings Hats Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 111.8 x 89 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280489 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/21935a305b5384e170c023e376476c2c.jpg e97fb65ccaed84b13e1ce1654d87f4c7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breakfast (The Dining Room) Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Kroller-Muller (Otterlo, Netherlands) Subject The topic of the resource Women Tables Men Human beings Teacups Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 89 x 115 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280477 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/0bc932a8b894ea562857f9d96b015b3e.jpg 5cccb3384f3f9afc4c03dbce4e2818ef Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Railway at Bois-Colombes Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. City Art Gallery (Leeds, England) Subject The topic of the resource Railroad tracks Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 33 x 47 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280465 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/dcadf27b96ac50d32a943bd5cc968e6e.jpg 8f39be958fb87d85a2fee2a0c68630c6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gasometers at Clichy Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. National Gallery of Victoria (Melbourne, Australia) Subject The topic of the resource Farmhouses Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 64.8 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280453 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/9e854232d1601eeac91d0e05ad3f471e.jpg 70db9580b39bc34919e363747a9974dd Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Beach at Bas-Butin nea Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Musee des Beaux-Arts de Tournai (Tournai, Belgium) Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 67 x 78 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428043X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/4f011c02a4d076927f1ac25a744b558c.jpg ce43556fc7cdae3d767144addb62e16b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man and Woman in the Street Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Angrand, Charles Subject The topic of the resource Couples Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 38.5 x 33 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428012X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/aaf0ebdd412b30eb0a74554c71c072f5.jpg dd887c26b23815b90a40265c3504d8f8 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bec du Hoc, Grandcamp Date A point or period of time associated with an event in the lifecycle of the resource 1885 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Tate Britain (London, England) Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 66 x 82.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280428 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/0f701c80aed33bea40167090062366cc.jpg 2cde6d743f8aa9868d0d71c98e855548 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lighthouse at Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. National Gallery of Art (Washington, District of Columbia) Subject The topic of the resource Lighthouses Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 66.7 x 81.9 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280416 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/da553be35bd608556bcd618c78777390.jpg 6b918adb14539c63c2229f7a64113217 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The River Bank, Petit-Andely Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Rivers Bodies of water Boats and boating Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280404 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/bf5e045b2dc1859ec16b14debb09a8e5.jpg dc4eac843bfc6770f5b5db7f0b33246e Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The "Maria", Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. The National Gallery (Czech, Prague ) Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 53 x 63.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280398 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/76e24de9849d4e0395db5419514a538f.jpg 14464cd45383cfe212d322a06a75f5fe Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harbour at Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Kroller-Muller (Otterlo, Netherlands) Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 79.5 x 63 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280386 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d6b42cad8562dde78a0fc81658dee9b0.jpg ac359c83f4d0fca76024edd5123eb1c0 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Church at Gisors Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Pissarro, Lucien Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60 x 73 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280374 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/1e78455c4bfa1a50d890a76c8e210413.jpg 39044450c00773013717941ea49d7891 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Deaf Woman's House Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Pissarro, Lucien Spatial Coverage Spatial characteristics of the resource. Ashmolean Museum (Oxford, United Kingdom) Subject The topic of the resource Women Human beings Trees Flowers Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 58 x 72 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280362 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/f6720a5cd7e07ab3c6777a4ff0052e53.jpg 5060bafc0e1eb6f9140c012e7af66d44 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apple Picking Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Pissarro, Camille Spatial Coverage Spatial characteristics of the resource. Kurashiki, Okayama (Japan)m Ohara Museum of Art Subject The topic of the resource Women Human beings Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 128 x 128 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280349 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/76f0b69563d5a7eec87d8dde34dab9fc.jpg ed9c1b542aa211bb7e1d7658c77534f5 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Vincent van Gogh Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Vincent van Gogh (Amsterdam, Netherlands) Subject The topic of the resource Gogh, Vincent van, 1853-1890 Painters Artists Persons Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource pastels (visual works) portraits Still Image Extent The size or duration of the resource. 54 x 45 cm Medium The material or physical carrier of the resource. Pastel on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280325 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6c0a7aa3379384c8cef31db0e090e88c.jpg cecc96b51971ebe8d602737afbf4723f Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Boulevard de Clichy under Snow Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Minneapolis (MN), The Minneapolis Institute of Arts Subject The topic of the resource Winter Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 46.5 x 65.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280313 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/91548c8d2508b8d09b38f20530fcc656.jpg 4ba9658599ceed4e13ba51c15db12d52 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Pere Tanguy Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Bernard, Emile Spatial Coverage Spatial characteristics of the resource. Offentliche Kunstsammlung (Basle, Swiss) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) portraits Still Image Extent The size or duration of the resource. 36 x 31 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280301 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/1d91aab4ac1fe1a06934d30b3c8f3341.jpg 371404e454c46598762fd65c8ed403ce Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Farmyard Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Delavallee, Henri Spatial Coverage Spatial characteristics of the resource. Samuel Josefowitz Collection (Lausanne, Switzerland) Subject The topic of the resource Farmhouses Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 59.7 x 73 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280295 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/cf478dea5d19115a14cbd7a4dfb1b7ac.jpg d0abac3c5588ee176138e8083c00839f Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paris, Place de la Concorde Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Hayet, Louis Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Place de la Concorde (Paris, France) Paris (France) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 18.5 x 27 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280283 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/bebd1221e29df3280c859a53f7254928.jpg 38167f32c144b147f570c6182fd8c2c6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paris Seen from Montmartre Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Luce, Maximilien Spatial Coverage Spatial characteristics of the resource. Musee du Petit Palais (Geneva, Switzerland) Subject The topic of the resource Cityscapes Montmartre (Paris, France) Paris (France) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 54 x 63 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280271 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/9d0f7fa35e4e112e3876e81689324655.jpg e13f557fe1cc561706a9c0040186783e Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Western Railway Leaving Paris Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Angrand, Charles Spatial Coverage Spatial characteristics of the resource. Samuel Josefowitz Collection (Lausanne, Switzerland) Subject The topic of the resource Cityscapes Railroad tracks Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 75 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428026X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d5912daf7f27a225cf692db9863d7b32.jpg 8ba430cc2413ca5e764d0902b1763ee0 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boating on the River Epte Date A point or period of time associated with an event in the lifecycle of the resource 1890 CE Creator An entity primarily responsible for making the resource Monet, Claude Spatial Coverage Spatial characteristics of the resource. Sao Paulo Museum of Art (Sao Paulo, Brazil) Subject The topic of the resource Boats and boating Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 133 x 145 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280246 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/0c2895d4d34669427fa990438f3f6bdb.jpg fb620d91835d2e48a71b5aa8aa721f89 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boy in a Rd Waistcoat Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Cezanne, Paul Spatial Coverage Spatial characteristics of the resource. Stiftung Sammlung E.G. Buhrle (Zurich, Switzerland) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 79.5 x 64 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280118 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/8119a4808908bfbeb87000d749084a6d.jpg b6afee7a2005a60fdaed26a3fd0749e1 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seated Female Nude Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 25.4 x 16.2 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280222 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/5ed3a295c2e745a422e799e676afb7b7.jpg 0f8f5a5685b63c9abd69e3fa57f0049c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Model from Behind Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.5 x 15.5 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280210 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/e07224d31caa2ebc1860698b23969d17.jpg 1749848f8e46c73f8ea25471c54749be Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Nude Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.5 x 16.2 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280209 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/19a444979acf67d661636c8cf67a3659.jpg 1a3e70c322f5fa37611b9c2980fa4e26 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Nude Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 25 x 16 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280192 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/ec93e8c69f48ca49068e9eeb320a4d6c.jpg df1600533cee14c493361cd135586137 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Circus Parade Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Metropolitan Museum of Art (New York, New York) Subject The topic of the resource Theaters Buildings Architecture Spectators Musical instruments Music Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 99.7 x 150 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280180 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/fc830ce8694148fc4d127b431f00f8e2.jpg 29d28491fa9bd148c754ccf3489705cf Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Models Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Heinz Berggruen Collection (Paris, France) Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 39.4 x 48.7 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280179 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/06c3a7c6437ee0d21e5474752de21e8b.jpg c06fd6a59e51493529b69d50050ff476 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Night Cafe in Arles Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Pushkin Museum (Moscow, Russia) Subject The topic of the resource Cafes Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 72 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280167 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/53e55a1b7f4b536e814517ee2e95e7c0.jpg d63d358cf8460dbfd76708daec5c17b9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vision after the Sermon: Jacob Wrestling with the Angel Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. National Gallery of Scotland (Edinburgh, Scotland) Subject The topic of the resource Angels Spirits Jacob (Biblical patriarch) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280155 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d9e2aed5da21cc6cb0345ab91fdcc17f.jpg c75afdced8d7aaf4c8561d2d601abe9e Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource After the Bath Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Renoir, Pierre-Auguste Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Women Nudes (representations) Human beings Baths Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 54 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280143 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/53b325975eb53a4091d99d448106f25f.jpg 1b9db12ca26415db3a3d4888ef0e1d16 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Still Life with Flowers and Fruit Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Cezanne, Paul Spatial Coverage Spatial characteristics of the resource. New National Gallery (Berlin, Germany) Subject The topic of the resource Flowers Plants Nature Fruit Tables Vases Containers Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) still lifes Still Image Extent The size or duration of the resource. 65 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280106 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/1158eb7e21eb298fa60a484a35e9e0a5.jpg 7aaabc0b10e54d874703ce52d5e877ff Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Train, Bedford Park Date A point or period of time associated with an event in the lifecycle of the resource Late 19th Century CE Creator An entity primarily responsible for making the resource Pissarro, Camille Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Railroad tracks Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 54.3 x 65.3 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279645 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/371ea2c3355b34a870643fdb4a7689a7.jpg 823b07cc3ac8c0ef611bd73e08476fe2 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mont Sainte-Victoire Date A point or period of time associated with an event in the lifecycle of the resource 1904 CE Creator An entity primarily responsible for making the resource Cezanne, Paul Spatial Coverage Spatial characteristics of the resource. Philadelphia (PA), Philadelphia Museum of Art Subject The topic of the resource Mountains Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 91 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS427958X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/987debdb7ff8960b892a8110c1f116c4.jpg b2d3f7a90066265b5e1a97d2b63ab934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Undergrowth Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Gausson, Leo Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 31.7 x 26.7 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428009X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/93857afa03efee966350fc4a95c30b54.jpg 2ce547373fe575e2e224176bfdbdf5f7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outskirts of Paris Date A point or period of time associated with an event in the lifecycle of the resource 1890 CE Creator An entity primarily responsible for making the resource Guillaumin, Armand Spatial Coverage Spatial characteristics of the resource. Mrs. Lyndon Baines Johnson Collection (New York, NY) Subject The topic of the resource Suburbs Trees Plants Nature Mountains Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 74 x 93 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280088 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/b379be10f7bd3b3341c37f9b1f882e5a.jpg c87ccc4f59c9e50ecd16a44a208b80b7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Marne at Dawn Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Dubois-Pillet, Albert Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 32 x 46 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280076 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/bc8f3398db04c37f0d196cecf0c6a694.jpg 133f3bdcec01a830d0300141d6374469 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boats on the Seine at Argenteuil Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Spatial Coverage Spatial characteristics of the resource. Richard Green Gallery (London, England) Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 60 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280064 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/b2141d8307af58c43f99d1ab6b0368af.jpg ec10e0f95967f3e8e4f1b2ed0dddcb5a Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On the Boulevard Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Beraud, Jean Spatial Coverage Spatial characteristics of the resource. Musee Carnavalet (Paris, France) Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 33 x 25 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279566 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/e794e36b799baa9eb337b7bc2c283470.jpg dfc402f665f6eb19a2842d20d5c4889b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sailing Boats at Argenteuil Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 55.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280052 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/a724ed62157d3e1d311cabd165e085a2.jpg 667c4a7c960c0f4a814db0a58b4d0b79 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Chahut Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Kroller-Muller (Otterlo, Netherlands) Subject The topic of the resource Women Human beings Dance Musical instruments Music Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 171.5 x 140.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280040 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/99e70009d3a6b740341f028d4215f8a0.jpg 2f0df19ab7f49891e54b2490a98df131 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dancers on Stage Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Courtauld Institute Galleries (London, United Kingdom) Subject The topic of the resource Women Human beings Dance Musical instruments Music Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 21.8 x 15.8 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280039 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/ad0052d4ec75e85c62c4781b07aba740.jpg 700657c9fc426c7278143b28911e36cc Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman Powdering Herself Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Courtauld Institute Galleries (London, United Kingdom) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 95.5 x 79.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280027 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/58ab5d73aed9647c9f4dfb4c5b413147.jpg 69426e9a9037abd4dbe174785e640289 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman Taking up Her Hair Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Collection Mme Gachin-Signac (Paris, France) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 59 x 70 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280015 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d55af648e60147d9373144df19ce05ca.jpg 58827f2ce292ccadc098c3c213d03c24 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The River Aven at Bois d'Amour Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Serusier, Paul Subject The topic of the resource Landscapes Nature Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 27 x 21.5 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280003 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/3b5f74997bf2d388777e4b0b4ad45a2c.jpg 202a2ad50386e5d274af8ddc0d64d2a8 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Felix Feneon in Front of an Enamel of a Rhythmic Vackground of Measures and Angles, Shades and colours Date A point or period of time associated with an event in the lifecycle of the resource 1890 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Museum of Modern Art (New York, New York) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) portraits Still Image Extent The size or duration of the resource. 73.5 x 92.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279992 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/015e91a0d50d9b9e7c98585b5e043fd9.jpg 30d0c356c102d600a23cc20b61567199 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beach on the Mediterranean Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Cross, Henri Edmond Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 38 x 61 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279980 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6ad3b7befd1e00ae56741a1d461d83ea.jpg cad9d69ffad8b372fbac3411f75e7837 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Sainte-Chapelle, Paris Date A point or period of time associated with an event in the lifecycle of the resource 1901 CE Creator An entity primarily responsible for making the resource Luce, Maximilien Spatial Coverage Spatial characteristics of the resource. San Francisco (CA), Montgomery Gallery Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 63 x 53 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279554 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/2da15ad42569896c00c11b003416547d.jpg 8eb8d393abf40ed56ae4cd84b0232ac8 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Golden Isles Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Cross, Henri Edmond Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 59 x 54 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279979 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/175e3c8b771b1716f68d9fb8f7afb35b.jpg 24ad62aa26740b8459fbefe225c40926 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Voulue Entering the Moulin Rouge Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Museum of Modern Art (New York, New York) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 79.4 x 59 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279967 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/15e2fcde87a75ea73e447e5abe2228ba.jpg 5191aff240933fe2ef3b9893f5d48a00 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Dance at the Moulin Rouge Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Philadelphia (PA), Philadelphia Museum of Art Subject The topic of the resource Dance Women Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 115.5 x 150 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279955 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/c6fcd35a4d508c313c7811241e582f49.jpg fe89f6614685170dec9bbfdd2406c213 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jane Avril at the Jardin de Paris Date A point or period of time associated with an event in the lifecycle of the resource 1893 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. San Diego Museum of Art (San Diego, California) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource lithographs planographic prints prints (visual works) Still Image Extent The size or duration of the resource. 124.5 x 89.5 cm Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279943 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 printing printmaking https://digital.lib.buffalo.edu/files/original/f9e8fff3ea88528da0b56bed743f0d86.jpg 0d257adddda17b526fb7f144c0d9cae5 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artistide Braunt at his Cabaret Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource lithographs planographic prints prints (visual works) Still Image Extent The size or duration of the resource. 137 x 96.5 cm Medium The material or physical carrier of the resource. Lithography Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279931 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 printing printmaking https://digital.lib.buffalo.edu/files/original/aaa686503d47503a8898cdccff9a7629.jpg b556acebf13c7f0274388011c9ed531c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notre-Dame Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Luce, Maximilien Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Notre-Dame de Paris (Cathedral) Cathedrals--France Cathedrals Church architecture Religious architecture Architecture Bridges Transportation Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 54.3 x 70.8 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279542 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/0056d39b805cdb56c9b2ac31736e0bc9.jpg 57669626e91d7fa11da8e707835a1015 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Circus Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Horses Domestic Animals Animals Spectators Actors Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 185.5 x 152.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS427992X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/b6cb23c832bc3af09f8f8668320a76eb.jpg 5509699caf73a8667a5ae8c6937e9b63 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poplars on the Banks of the Epte Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Monet, Claude Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 88 x 93 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279918 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/ace323aa260fcbc0823e63ef419001a1.jpg 4c4ff9cbbab644b556741e021b94fc29 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pastime Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 75 x 94 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279888 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/bca584531cc1b4eef10314e804dcf3ff.jpg 3be426e2b218f6b95e6c8b3a9ceb3a17 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource We Shall not Go to Market Today Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Offentliche Kunstsammlung (Basle, Swiss) Subject The topic of the resource Women Human beings Markets Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 91.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279876 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/41ba60c7a9f6951d96bf1ae4492b269c.jpg 893ca6eb3122e8f5dc6176b567cb0aed Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ile de Brehat Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Maufra, Maxime Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Ships Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60 x 72 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279852 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/cf681273145f51ec489ad17def07e869.jpg 0e19be74aff1502d44bf397262d03ba9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Muses or In the Park Date A point or period of time associated with an event in the lifecycle of the resource 1893 CE Creator An entity primarily responsible for making the resource Denis, Maurice Subject The topic of the resource Parks Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 171.5 x 137.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279839 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/2a7684c1595f0b14dbaf361b3a92ed5c.jpg 3b6399d66bd24c92521b7cf29830168c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sofa Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Metropolitan Museum of Art (New York, New York) Subject The topic of the resource Women Human beings Sofas Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 63 x 81 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279827 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d8614e28b3567f496c5ba451dfa4fba3.jpg aa4306d5f83e2d83f1a2ef56c9de1ae3 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of Agay Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Guillaumin, Armand Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279785 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/b9efbdd2fa1318300ed2f9b4eb43f240.jpg 1b9ac9b64123688e027f3252b87f9164 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Dug-Out Date A point or period of time associated with an event in the lifecycle of the resource 1896 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Hermitage Museum (Saint Petersburg, Russia) Subject The topic of the resource Men Boats and boating Women Human beings Mountains Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 96 x 130 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279773 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/48a125f06e11aa2c67522bfa0974e087.jpg fdf38e4b051f962fdf9e21a2d98e52b9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women in a Brothel Date A point or period of time associated with an event in the lifecycle of the resource 1894 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Museum of Fine Arts (Budapest, Hungary) Subject The topic of the resource Women Human beings Diners (Restaurants) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60.3 x 80.5 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS427975X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/5755671eea2a018715065bc586452688.jpg 2b4246320be0fa6e3142a6915091972c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sunflowers on a Chair Date A point or period of time associated with an event in the lifecycle of the resource 1901 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Hermitage Museum (Saint Petersburg, Russia) Subject The topic of the resource Chairs Furniture Decoration and ornament Sunflowers Flowers Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 91 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279530 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/02e45dee02b32687bd3ef760b643997d.jpg b8aba81acb26366d15bebef0f89c8d44 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Why are you angry? Date A point or period of time associated with an event in the lifecycle of the resource 1896 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Art Institute of Chicago (Chicago, Illinois) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 95.3 x 130.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279748 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/bb87e244b75030592a52bc10096c04d8.jpg 4c2f235127d212de2c7de0826e8648d5 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sailing Ships at Deauville Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Boudin, Eugene Louis Spatial Coverage Spatial characteristics of the resource. National Gallery of Art (Washington, District of Columbia) Subject The topic of the resource Ships Flags Temporal Coverage Temporal characteristics of the resource. Impressionist Extent The size or duration of the resource. 45.8 x 37.1 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context VS4279736 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/744ef36d8ad09a39f533c3e29d72efa5.jpg ab55f8b2ad7c675c598fd17d9d36ec71 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harbour at Rouen Date A point or period of time associated with an event in the lifecycle of the resource 1898 CE Creator An entity primarily responsible for making the resource Manzana-Pissarro, George Spatial Coverage Spatial characteristics of the resource. Galerie Etienne Sassi (Paris, France) Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 55 x 65 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279657 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/fc93c4ef49df6b671525671eb563596f.jpg c5d23fe08613d40bcfcc0271b9381a0b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchard in Spring Date A point or period of time associated with an event in the lifecycle of the resource 1900 CE Creator An entity primarily responsible for making the resource Loiseau, Gustave Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Cottages Dwellings Buildings Architecture Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 38.4 x 46 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279529 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/ea2f431c387fc3a338b2c0a59dcbe928.jpg ebdb2712ec6acec616ee016dc0abefba Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banks of the Seine Date A point or period of time associated with an event in the lifecycle of the resource 1902 CE Creator An entity primarily responsible for making the resource Loiseau, Gustave Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 81.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279517 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/9ae8ac62b195b424099f73c6fb806b37.jpg 983f6bfda272411b6ceef387611fcdbf Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cape Frehel and "La Teignouse"Cliffs Date A point or period of time associated with an event in the lifecycle of the resource 1906 CE Creator An entity primarily responsible for making the resource Loiseau, Gustave Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60 x 73 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279505 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/33454e3279e9beea68acd49e88e85d39.jpg 4e02bb3a20d4edec2f4c2b36d6ffc643 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harbour of Collioure Date A point or period of time associated with an event in the lifecycle of the resource Late 19th Century CE Creator An entity primarily responsible for making the resource Martin, Henri Jean Guillaume Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Waterfronts Ships Mountains Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 75.5 x 93.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279499 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/8a8d001f018cc9f0b8fea586d5338865.jpg 534c59d3a717d6e4383b6d91b40eb367 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Clearing Date A point or period of time associated with an event in the lifecycle of the resource 1906 CE Creator An entity primarily responsible for making the resource Cross, Henri Edmond Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Women Human beings Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 162 x 130 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279487 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting