482 100 60584 https://digital.lib.buffalo.edu/files/original/5aa3e82ed8da0b2685ce6d60a4b8ed0e.jpg df9c3d38b2b860d58576c31d9db41db9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand together in conversation, with the person in the center wearing glasses and a light-colored T-shirt. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-051 YM04-051.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Frederic Rzewski, and Pierre Audi at Almeida Theatre Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Rzewski, Frederic - Composer Audi, Pierre - Director Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 83.847 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people standing closely together. The person in the center wears glasses and a light-colored T-shirt with large lettering and looks toward the person on the right, who is shown mostly from behind in a light-colored jacket. A third person wearing glasses and a dark jacket is partially visible on the left. A copyright watermark appears across the upper portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1d530b45145647496a41100dd28950fc.jpg 921da830cb61593d6cdd26b957d0c247 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people sit closely together on a sofa, with handwritten text and framed artwork on the wall behind them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-019 YM04-019.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with Conlon Nancarrow, Mrs. Nancarrow (Yoko Sugiura Yamamoto), and unidentified male Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Nancarrow, Conlon, 1912- - Composer Sugiura Y., Yoko (Sugiura Yamamoto) - Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 90.302 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows four people seated closely together on a sofa and facing the camera. The person on the left wears a red top, the next wears a light-colored shirt, the third wears a colorful patterned outfit and hat, and the person on the right wears a dark jacket over a light-colored shirt. Handwritten text with an arrow appears on the wall above the group, alongside framed artwork. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c6365d3b321e48e5c2d4f590f8f7276f.jpg e7b843ff366726cb9fd83836a9b1342b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in formal clothing stands in profile in a darkened setting, outlined by light from the side. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-064 YM04-064.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in foreground, Halina Moretti at dressing table Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource In performance of Sylvano Bussotti's Pianobar pour Phedré A black-and-white scene shows a person wearing glasses and formal clothing standing in profile against a nearly black background. Light from the left outlines the person's face, hair, and upper body, while most details remain in shadow. A bright vertical area appears along the left edge, and a copyright watermark extends across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Subject The topic of the resource Pianists Actresses Bussotti, Sylvano -- Performances Mikhashoff, Yvar - Piano Moretti, Halina - Actress Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 61.557 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ade0a1f65232931d1604a096a6b9e03d.jpg 9cf87d0dd467270dbc85618e79d513d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person sits behind an open grand piano, resting their head on one hand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-018 YM01-018.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black top at piano, facing camera Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 73.859 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with dark hair and facial hair seated behind an open grand piano. The person wears a dark top and rests the side of their head against one hand while the other arm extends forward toward the piano. The instrument's exposed strings and interior fill the foreground, with its raised lid extending diagonally across the top of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/729d7e875478064b52305ba9c718641f.jpg 275b0dbf1c3a85a3e05b79120ecf775c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands beside a large directional road sign in a dry, open landscape. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-076 YM03-076.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff by road sign in Israel Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 124.578 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person wearing a red top and light-colored trousers standing beside a large road sign with text in Hebrew and English. The sign includes arrows pointing in different directions and the English place names “SEDOM” and “EN GEDI.” A dry, rocky landscape extends behind the sign, with a body of water visible in the distance. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/781a7a4d9c8e365aa37b109848459287.jpg 84d182fe9453a8a65bd04a5398941951 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people are positioned on a stage, with two standing in light-colored suits and another seated at a grand piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-064 YM03-064.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket taking bow with Heinz Rehfuss Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Male singers Mikhashoff, Yvar - Piano Rehfuss, Heinz - Voice (Bass) Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 98.107 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people on a stage in front of a large paneled wall. Two people wearing light-colored suits stand several feet apart in the foreground, while another person sits at a grand piano behind them on the left. The piano is positioned near the center of the stage, and tiered platforms extend across the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f458b8bbd8c841fe992fa27a3c56b3c7.jpg 0b2f031d4602917f1d468e098dc4fb2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a dark suit and tie stands near a body of water, with the Statue of Liberty visible in the distance. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-053 YM02-053.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket aboard the Queen Elizabeth II with Statue of Liberty in background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 106.462 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color portrait shows a person with a mustache and long hair wearing a dark suit, light-colored shirt, and patterned tie while facing the camera. A body of water stretches across the background, with the Statue of Liberty visible in the distance on the left. A copyright watermark appears across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c84a0a7444c6a5d8e1fad12bd51e332b.jpg b0c7313ead1f85876b810e4f5186d4a5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a dark blazer and light-colored trousers sits on a stone ledge beside a large planter filled with flowering plants. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-047 YM02-047.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket seated on stone bench next to flower pot in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 163.215 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person with a mustache wearing a dark blazer, light-colored shirt, tie, and trousers while seated on a stone ledge. A large decorative planter filled with green foliage and pink flowers stands beside them. Trimmed greenery and a light-colored building with large windows and architectural details fill the background, and a watermark appears across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ba7f8c350f7b86d90c5f733887ac0a7a.jpg 36c2c81f2b761475077743edcd8ea336 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five people in formal clothing stand side by side indoors and face the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-016 YM04-016.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in blue jacket and red tie with four unidentified people Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 128.02 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows five people standing closely together indoors. Four wear dark jackets or suits with light-colored shirts and ties, while the person in the center wears a patterned outfit in red, brown, and gold tones. A piano is partially visible on the right, and dark wall panels and a light-colored ceiling form the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/6e434b7baaa4b4e6dd7cc97332528206.jpg e0bf00aeebdfb570bf17a740fbea4190 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A statue resembling the Statue of Liberty stands atop a tall pedestal with trees in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-177 YM03-177.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing in front of a replica of the Statue of Liberty Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 77.11 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a statue resembling the Statue of Liberty mounted on a tall, rectangular stone pedestal. The figure holds one arm raised and has a crown with radiating points. Decorative architectural details appear around the upper portion of the pedestal, while a row of trees fills the lower background against a pale sky. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/811cd25ff47015e54a171fa191801eb0.jpg d6f73668fb6928663a27ffe7931a4760 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people are on a stage beside a grand piano, with one standing at a music stand and the other seated nearby. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-057 YM03-057.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano onstage with Benjamin Hudson, violin Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Violinists Mikhashoff, Yvar - Piano Hudson, Benjamin - Violin Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 108.101 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows two people on a stage in front of a large curtain. One person stands beside a music stand near a grand piano, wearing a light-colored outfit and facing to the right. Another person sits on a chair to the left of the piano, wearing a dark jacket and light-colored trousers. A microphone stand is positioned near the music stand, and the wooden stage floor is visible across the foreground. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/92d3eb67b5fb724f17e62820006649bc.jpg e0de0e061888a96055d7a1f3fc7fb9e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people stand closely together outside a building, with the taller person positioned behind the other. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-040 YM04-040.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Anthony De Mare outside Baird Hall, University at Buffalo Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1985-08 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano De Mare, Anthony - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 92.04 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows two people on a stage in front of a large curtain. One person stands beside a music stand near a grand piano, wearing a light-colored outfit and facing to the right. Another person sits on a chair to the left of the piano, wearing a dark jacket and light-colored trousers. A microphone stand is positioned near the music stand, and the wooden stage floor is visible across the foreground. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1370036f02d7a2115924ec4ae996fc8a.jpg dbed7b3634867644f8194bf1bd05fde9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A black silhouette shows a person in side profile wearing glasses, enclosed within an oval border. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-001 YM01-001.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff silhouette Creator An entity primarily responsible for making the resource Eidem, Inger Date A point or period of time associated with an event in the lifecycle of the resource 1983 Type The nature or genre of the resource Silhouettes Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 67.312 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A silhouette-style graphic shows the side profile of a person facing to the right. The person has short, rounded hair and wears glasses, with the head, neck, and upper shoulders rendered as a solid dark shape. Two thin oval lines frame the silhouette against a light-colored background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/da5c1fbea48dcfa6405e9b4b230847e8.jpg 8af4409c49e8977dd2b08aa95a5b6226 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A silhouetted person stands in front of a large projection displaying handwritten musical notation and diagrams. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-105 YM03-105.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource William Kirkpatrick, dancer, onstage in front of projected image of a page from Sylvano Bussotti score Creator An entity primarily responsible for making the resource Haupt, Irene Date A point or period of time associated with an event in the lifecycle of the resource 1978-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Dancers Bussotti, Sylvano -- Performances Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 89.182 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Rehearsal or performance of dance portion of work by Sylvano B A black-and-white scene shows a person standing in silhouette before a large illuminated projection. The person faces to the left with both arms raised in front of them. The projection contains handwritten musical notation, lines, symbols, and diagram-like markings arranged across several sections, while the surrounding stage area is dark. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/dd39325ee18cb13a8b1969c0d60a8610.jpg 84cae5234fdbb477a5922174d7ecc56e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person moves across a dark stage in front of a large projection containing musical notation and abstract shapes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-102 YM03-102.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource William Kirkpatrick, dancer, onstage in front of projected image of a page from Sylvano Bussotti score Creator An entity primarily responsible for making the resource Haupt, Irene Date A point or period of time associated with an event in the lifecycle of the resource 1978-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Dancers Bussotti, Sylvano -- Performances Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 72.948 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Rehearsal or performance of dance portion of work by Sylvano B A black-and-white scene shows a person moving across a dark stage with one arm extended outward and the other raised near their face. Behind them, a large illuminated projection displays oversized abstract forms covered with musical notation. The bright projection contrasts sharply with the dark stage and figure. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/40bcc0713db5609b6cb81f7cb3bde710.jpg fc14c1300f72bbf0d907ebbaa4d45a53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing formal clothing stands beside a wooden cabinet in a room with framed artwork on the walls. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-023 YM03-023.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress in the Albany Institute of History and Art Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/11/1973 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albany Institute of History and Art Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 74.23 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person wearing a dark jacket, light-colored shirt, and bow tie standing beside a long wooden cabinet. A large light-colored bowl and several smaller objects rest on the cabinet. Framed artwork is displayed along the walls, and a doorway, patterned rug, and microphone stand are visible farther into the room. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/599983856402e4ba52135778d04b2467.jpg 8835687df166e2946fb7dd4b05e61279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing dark sunglasses and a bright red top stands beside a control console filled with electronic equipment. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-003 YM03-003.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Milton Babbitt in electronic music studio, hand-colored photograph Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Image Still image Description An account of the resource Signed "To Yvar, Love Milt" A color scene shows a person with a bald head, dark sunglasses, and facial hair standing beside a large electronic control console. The person wears a bright red top and rests one hand near the controls. Panels filled with switches, dials, buttons, and wiring cover the background, while a small monitor displays a circular graphic. Handwritten text appears along the lower edge. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Subject The topic of the resource Composers Babbitt, Milton, 1916- - Composer Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 178.272 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1496bff1afda53ffabfad2e114a0ec03.jpg 8a8f827df22237ebf3d6326f937c0744 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person dressed in dark clothing stands with arms crossed beside a piano against a plain wall. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-034 YM01-034.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black turtleneck, side view Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 79.976 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a dark long-sleeved top and dark trousers standing with their arms crossed. The person faces the camera with one leg angled outward. A plain light-colored wall fills most of the background, and part of a piano is visible at the right edge of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/face0f2d0f162b00a2c3ceeeb43ef6bd.jpg 4788db642c41d672ecb2f06b770338b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person sits behind an open grand piano, resting their head on one hand while facing the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-045 YM01-045.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress, seated at piano Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 95.935 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with dark hair and a mustache seated behind an open grand piano. The person rests the side of their head against one hand while the other arm is positioned near the piano. The instrument's exposed strings, metal frame, and internal components fill much of the foreground, while the raised lid extends diagonally across the upper portion of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/76a474d28cda233edab74896cbfc051f.jpg a17d27daffcb5ac783aa2813f690ab44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a dark suit and colorful tie stands facing the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-064 YM02-064.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 144.706 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color portrait shows a person with a mustache and long hair wearing a dark double-breasted suit, light-colored shirt, colorful patterned tie, and purple pocket square. The person stands facing the camera against a dark, softly focused background with bright diagonal lines visible in the upper right. A copyright watermark extends across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8ae8e3b4308fb27c059b23e7d01b30cf.jpg 6858edbbf695aa20413fe2b2292d62a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people pose with a camel in front of a large rock formation with openings carved into its surface. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-118 YM03-118.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, on horse, with guide in Jordan, cliff dwellings of Petra in background Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Cliff dwellings -- Jordan Jordan -- Antiquities Mikhashoff, Yvar - Piano Petra (Extinct City) - Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jordan Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 122.7 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows one person seated on a camel and another standing beside it in a rocky landscape. The seated person wears a red jacket and light-colored trousers, while the standing person wears dark clothing. Behind them rises a large sandstone formation with rectangular and irregular openings cut into the rock face, with sparse vegetation across the ground. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c600d75de5e93473332e7ed69b10d3f9.jpg a5fe31a576c46a0503615872df00cfa8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A black-and-white contact sheet displays a series of individual portraits arranged in a grid. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-103 YM04-103.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Contact sheet with images of Thomas Halpin, Yvar Mikhashoff, John Boudler, Martha Herr, and David Kuehn Creator An entity primarily responsible for making the resource Blue Photo (Firm) Type The nature or genre of the resource Photographic prints Contact sheets Portrait photographs Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Boudler, John - Percussion Herr, Martha - Voice (Soprano) Halpin, Thomas - Violin Kuehn, David - Trumpet Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 333.251 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white contact sheet contains multiple portrait photographs arranged in rows and columns with dark borders between them. Each frame shows a person posed individually against a plain light background, with subjects shown standing or seated and facing in different directions. Some wear formal clothing while others wear casual tops, and several frames are partially cropped along the edges. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/90a2c0b7fbfd7b0b21c576d575f115e5.jpg 7b441e9156e48089fd838948c487e9cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people stand outdoors beside a stone bench, with a rocky shoreline and water in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-096 YM04-096.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with unidentified Balinese male Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1987-08 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Denpasar (Indonesia) Indonesia Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 92.85 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows two people standing on either side of a stone bench near a shoreline. The person on the left wears a patterned short-sleeved shirt and dark trousers, while the person on the right wears glasses, a light-colored long-sleeved top, and light trousers with their arms crossed. Green vegetation surrounds the area, and rocks and a body of water extend into the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/07c39c5fd9136592c896a83fe7f88fd3.jpg f67e32cfcece5718cf2409d8af818298 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person walks along a rocky beach carrying a red item, with water and coastal buildings in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-124 YM03-124.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket on stone beach in Israel or Jordan Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 151.388 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person wearing a light-colored top and trousers walking across a rocky beach while carrying a red item over one shoulder. Calm water extends behind them, bordered by a rocky breakwater. Light-colored buildings and tree-covered hills line the distant shoreline beneath a clear blue sky. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a6e52edb9f6a4a16094f75638a3a5381.jpg e35953d83bb2cc7264d86774e9c37e27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with a mustache wears a dark suit and tie while facing the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-021 YM02-021.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket, seated, holding piece of music, in Mexico City Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 67.084 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white portrait shows a person with wavy hair and a mustache facing the camera. The person wears a dark suit jacket, light-colored shirt, patterned tie, and pocket square, with their arms held across the lower part of the frame. A plain light background is behind them, and a copyright watermark extends across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3df822b50c0871d23dcf6a1bfc1a8656.jpg 66d03e7c77c6b215ceecff25174585db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses and a gray jacket drinks from a glass while another person in a white suit stands behind them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-101 YM04-101.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white suit beneath Fire Exit sign Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 120.78 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows two people indoors. In the foreground, a person wearing glasses, a gray jacket, and a light-colored shirt holds a glass to their mouth. Behind them, another person wearing a white suit, white shirt, and red tie stands near a wooden doorway. Posters and signs are partially visible on the walls in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3650ce698ac8aa30697d4868e1be0b3a.jpg cd984f4e17765a2a53558056bf37b5a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a dark suit and colorful tie stands near a body of water, with the Statue of Liberty visible in the distance. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-051 YM02-051.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket aboard the Queen Elizabeth II with Statue of Liberty in background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 89.542 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource C The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d3148df2d9556c7c87c1b4a765a58d2b.jpg 09ab82444356dc45f4cde014be9130cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A hillside settlement with clustered buildings and a tall tower stands beneath a cloudy sky. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-121 YM03-121.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Karlstejn Castle Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Castles -- Czechoslovakia Karlstejn Castle - Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Karlštejn (St?edo?eský kraj, Czech Republic) Czechoslovakia Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 87.642 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a hillside settlement with closely grouped buildings and sloping rooftops. A tall rectangular tower rises above the buildings near the center, alongside a larger structure with a rounded roof. Utility poles and wires are visible among the buildings, while wooded hills rise in the background beneath a cloudy sky. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c53eee71b093267e8193c57a4e8cc937.jpg 25605472bf430e9f9bd5b5028da1c7ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people perform together, with one playing a large string instrument and the other seated at a piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-098 YM04-098.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with unidentified violoncellist Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 93.682 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people performing beside music stands. In the foreground, one person sits on a chair and plays a large upright string instrument with a bow. Behind them, another person wearing a light-colored shirt sits at a piano with their hands near the keyboard. Open sheet music is positioned in front of both performers, and a paneled wall forms part of the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9d4c526f5c02391aeb4d7ad2c1262903.jpg 75784e7ed0cfd797b1f3eac09d9f9f38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses and a patterned shirt sits indoors looking down at an open book or document. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-021 YM01-021.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at keyboard in home studio Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 111.003 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person with curly hair, a mustache, and glasses seated indoors. The person wears a patterned short-sleeved shirt and looks down toward an open book or document in front of them. A dark-framed window or glass partition is visible behind the person, with a framed item leaning against the wall on the right. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/04511db7f6202fa6fd6cbe5789ac6018.jpg 405fb676f8c45b33090da5c5611182a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three performers are on a stage, with one at a piano and two standing near music stands and microphones. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-047 YM03-047.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red shirt conducting at piano, with Amy Winn, flute, Wayne Crouse, viola, Isabelle Ganz, vocalist, and Ira Black, at lectern Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Winn, Amy - Flute Crouse, Wayne - Viola Ganz, Isabelle - Voice (Mezzo-soprano) Black, Ira - Narrator Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Museum of Fine Arts, Houston Houston (Tex.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 96.543 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows three performers on a stage in front of a large curtain. On the left, one person sits at a piano with open sheet music. Near the center, another person stands beside a music stand and microphone, holding a large string instrument. On the right, a third person stands on a small platform near another music stand and microphone. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/5ed2fe687803d6a8befaea8f2d27843c.jpg 11ff5ac6b6bc5249b21a59ad153b331d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people sit beside an upright piano, with one holding sheet music and the other seated to the right. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-045 YM04-045.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in tan sweater at piano with Frances-Marie Uitti Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1985-10 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 90.095 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows two people seated beside an upright piano. The person on the left holds several sheets of music in front of the piano, with additional pages resting above the keyboard. The person on the right wears dark clothing and sits facing toward the piano. Two wooden chairs occupy the foreground, and a framed object rests on top of the piano. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-039 Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Henri Dutilleux, and Oliver Knussen at Aldeburgh Festival Creator An entity primarily responsible for making the resource Luckhurst, Nigel Date A point or period of time associated with an event in the lifecycle of the resource 1985-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Group portraits -- 1980-1990 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Aldeburgh June '86981-19--Back of photograph P C Conductors Mikhashoff, Yvar Piano Dutilleux, Henri, 1916- Composer Knussen, Oliver Conductor Color Aldeburgh Festival Aldeburgh (England) United Kingdom Mikhashoff, Yvar 121.996 kb http://library.buffalo.edu/music/aboutthelibrary/copyright.html Still image YM04-039.jpg 2005-05-12 2005-05-12 http://digital.lib.buffalo.edu/cdm/ref/collection/LIB-MUS005/id/253 253 6.jpg /LIB-MUS005/image/6.j The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/4af72d99e0e4357520ec79348f9cb7bc.jpg 0000eea0b4bd62321fb0a930ca70987e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a light-colored jacket sits at a grand piano on a dark stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-003 YM02-003.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket and dark trousers at piano Creator An entity primarily responsible for making the resource Faltin, Annette Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oslo (Denmark) Norway Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 78.099 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a light-colored jacket seated on a bench at a grand piano. The person faces the keyboard with their hands positioned near the keys. Stage lighting illuminates the performer and piano while much of the surrounding stage remains dark. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f37f4f2dcc901e0575b900b07e3d1545.jpg 30b6ed14bb7418c409a7a1686cf68286 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people are positioned on opposite sides of a grand piano on a dark stage, with one seated at the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-068 YM04-068.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano with Halina Moretti leaning on piano Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource In performance of Sylvano Bussotti's Pianobar pour Phedré A black-and-white scene shows two people at a grand piano on a dark stage. The person on the left sits at the keyboard with both hands near the keys, while open sheet music rests above the piano. The person on the right stands or leans near the opposite side of the instrument with one hand raised near their head. Stage lighting creates strong shadows, and a copyright watermark appears across the upper portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Subject The topic of the resource Pianists Actresses Bussotti, Sylvano -- Performances Mikhashoff, Yvar - Piano Moretti, Halina - Actress Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 103.872 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/a8e98649885d6b63156e3152ac1a2355.jpg 8f1d15d0373841c266659bd2c6de8679 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people are positioned at a grand piano, with one seated at the keyboard and the other standing behind. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-090 YM04-090.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at piano with unidentified page turner Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 98.873 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people at a grand piano. The person in the foreground wears a light-colored shirt with a dark garment draped over their shoulders and sits at the keyboard with one hand raised above the keys. Another person wearing a light-colored shirt stands behind and leans toward the piano. Open sheet music rests above the keyboard, with a dark wall in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/6ffdc3ddab4092c8e910212156d0d6f0.jpg ccc7156d08633b2c14e053cc1e4326ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand together indoors, smiling and gesturing toward the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-010 YM04-010.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress with Frances-Marie Uitti and unidentified woman Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hellerup (Denmark) Denmark Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 85.833 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people standing closely together indoors. The person on the left wears a dark top and scarf, the person in the center wears a dark jacket and long scarf, and the person on the right wears glasses and a dark jacket. The center and right figures have their hands raised, and all three are smiling. A doorway or wall opening is visible behind them. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/bb1d9c10f00d82dfaaac36cbd1879abb.jpg 15e494e265a192446176629573cbe3f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with dark curly hair sits at a grand piano with both hands on the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-160 YM03-160.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket performing at piano Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1980-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 78.559 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person with dark curly hair wearing dark clothing and seated at a grand piano. The person leans toward the instrument with both hands positioned over the keys. The raised lid and glossy black body of the piano fill much of the right side of the frame, with a paneled wall visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/92095d6c3b72719010a253abb247d343.jpg 01314c8130a2f7df8d4fedfb7f144d06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses sits at a grand piano with their head resting on one hand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-060 YM03-060.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket and light trousers playing clusters at piano Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 83.781 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing glasses, a dark jacket, light-colored trousers, and dark shoes seated on a bench at a grand piano. The person leans forward with their head resting against one hand near the keyboard. The piano occupies much of the right side of the frame, while a paneled wall and tiered platform are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c2c536867f86a5106e300124015b0e53.jpg 66c276dc7408342c16290549eed2dd35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a dark suit sits at a grand piano with its lid raised. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-163 YM03-163.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket performing at piano Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1980-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 94.781 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a dark suit seated on a bench at a grand piano. The person faces the keyboard with both hands positioned near the keys. The piano's large lid is raised, and the instrument occupies most of the right side of the frame. A paneled wall and stage floor are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/12353aa09b13a56bd3524a28f4983667.jpg cd009a2bf31603ddf6ef7596d30d7010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in formal clothing stand beside a large string instrument, holding hands after a performance. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-171 YM03-171.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frances-Marie Uitti, violoncello, taking a bow Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 101.99 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people standing together in front of a large curtain. The person on the left wears a dark suit, light-colored shirt, and tie, while the person on the right wears a long dark outfit and rests one hand on a large upright string instrument. They hold hands between them, and a music stand with sheet music is visible in the foreground. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d7237eaa87f730dc0754a5602c955676.jpg 35a8b0fea6933d93da73ffb741c74fc1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people wearing suits sit closely together, with one resting an arm around the other's shoulders. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-006 YM03-006.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with "Bernd" Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1963-64 Type The nature or genre of the resource Photographic prints -- 1960-1970 Snapshots -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 105.428 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people wearing dark suits and light-colored shirts seated closely together indoors. The person on the left leans toward the other and rests one arm across their shoulders, while the person on the right sits with their hands together in their lap. A globe and several objects are visible on a table to the left, with dark curtains covering the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/21cb40914ff61ef7497e30281397af11.jpg 85c5cce252075284fac6252fa38caf2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a dark double-breasted suit and colorful tie stands outdoors near a railing with water and buildings in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-058 YM02-058.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket aboard the Queen Elizabeth II with New York City skyline in background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 144.354 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color portrait shows a person with a mustache and long hair wearing a dark double-breasted suit, light-colored shirt, colorful patterned tie, and purple pocket square. The person stands with their hands together in front beside a decorative railing. A body of water, boats, and distant buildings are visible in the background, and a copyright watermark appears across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/de60123485ec0010bd5e9f98bceb8c0b.jpg b07f5224a6662b7adaa5990329ee5903 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with short hair and facial hair wears a dark tuxedo and faces the camera outdoors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-010 YM01-010.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress, outside Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1973-05 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 80.11 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white portrait shows a person with short hair, a mustache, and a goatee facing the camera. The person wears a dark tuxedo jacket, light-colored formal shirt, and dark bow tie. Dense leafy plants and branches fill the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ad62595d014d6259c21fb11f1826af6e.jpg cffdbae50e6124b6387bfb97211ef6ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in formal clothing stand beside a large string instrument and a music stand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-170 YM03-170.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frances-Marie Uitti, violoncello, taking a bow Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 108.852 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people standing together in front of a large curtain. The person on the left wears a dark suit, light-colored shirt, and tie, while the person on the right wears a long dark outfit and stands beside a large upright string instrument. A music stand with sheet music is positioned between them, and additional stage equipment is partially visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/cde94c572e8a17704232c4bcb2adc75c.jpg ca65beb41d0fbb5b2bfc351f535e653b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with curly hair and a mustache wears a dark suit and looks slightly upward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-017 YM02-017.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket and white shirt, head shot Creator An entity primarily responsible for making the resource Nowak, Edward L. Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 75.621 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color close-up shows a person with curly gray hair and a thick mustache facing slightly to the left while looking upward. The person wears a dark suit jacket, light-colored shirt, and patterned tie. The background is softly blurred in dark red, gray, and black tones. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/860d543d8a3cd1eaf68af060cb7341be.jpg d98b289f49f33dbdef9d8f785998353f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in formal clothing sits at a piano with both hands positioned over the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-036 YM02-036.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket with carnation in lapel, performing Bussotti's Fogli at Almeida Festival Creator An entity primarily responsible for making the resource Ainslie, Sarah Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Image Still image Subject The topic of the resource Pianists Bussotti, Sylvano -- Performances Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 46.738 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/14/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a dark formal jacket seated at a piano and viewed from the side. Both hands are positioned over the keyboard, and an open music book or score rests above the keys. The surrounding area is dark, and a copyright watermark appears across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3f1dd2c3afc6a919a005476653501dd0.jpg 92d9b8d8cba951239a1d7b0f8e3ba6c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two grand pianos are positioned on a stage, with a person seated at the farther piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-076 YM04-076.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Aki Takahashi performing at two pianos Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Takahashi, Aki, 1944- - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 141.782 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two grand pianos arranged on a stage. One piano fills much of the foreground, while another with its lid raised stands behind it with a person seated at the keyboard. Open sheet music rests on the foreground piano, and part of another seated person is visible at the right edge. A textured wall and dark doorway form the background, and a copyright watermark appears across the upper portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3481f7140100e4f387ab9039a7d7b206.jpg 0bc0d387692b61c11a5439de7a57cbaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in formal clothing bows on a stage beside a grand piano and an upholstered chair. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-035 YM03-035.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff taking a bow on stage Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 60.954 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a dark suit and bow tie bending forward in a bow on a stage. A grand piano with its lid raised stands behind them, with fabric draped over part of the instrument. An upholstered chair sits to the right, while striped wall panels and a light-colored ceiling form the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/921023e65590b4937e584d13f2a0e6a3.jpg 3ab6516b2c5a2bdb80d5da1f857fbf5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand on a stage, with the central person looking downward and the other two partially cropped at the edges. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-169 YM03-169.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Frances-Marie Uitti, and William Kirkpatrick performing John Cage's Theatre Piece Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Dancers Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 88.769 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people standing on a stage against a plain backdrop. The central person wears a light-colored long-sleeved top and dark trousers and stands with their head lowered and arms at their sides. Another person in a light-colored top is partially cropped on the left, while a third person is partially visible on the right with one arm extended toward the center. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/2d2da376335835c73eeadcfdfb055605.jpg 10b4df91d0ba838b09159755aec5d397 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five performers stand in a row on a stage holding hands, with one person bowing forward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-050 YM03-050.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red shirt taking bow with Ira Black, Amy Winn, flute, Isabelle Ganz, vocalist, Wayne Crouse, viola, and Richard Brown, percussion Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Black, Ira - Narrator Winn, Amy - Flute Ganz, Isabelle - Voice (Mezzo-soprano) Crouse, Wayne - Viola Brown, Richard, 1947- - Percussion Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Museum of Fine Arts, Houston Houston (Tex.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 95.577 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows five performers standing across a stage in front of a large curtain. The group holds hands, with the second person from the left bending forward in a bow while the others remain upright. Their clothing includes patterned trousers, light-colored tops, a long dark skirt, and casual pants. A microphone stand and other stage equipment are visible on the right. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/263964d0ceda2eb3fe2aedb22ccd65bc.jpg c8f4b9edb7cf980a085deb87a734fe70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Several people gather in a room around a piano, with one person seated at the keyboard and another standing nearby. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-072 YM03-072.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff playing piano in Israeli home, Isabelle Ganz singing Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 89.838 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows several people gathered in a furnished room. Near the center, one person wearing dark clothing sits at an upright piano with sheet music above the keyboard, while another person stands beside the piano wearing a light patterned top and dark skirt. Other people are seated in the foreground and on the right. Bookshelves, curtains, a floor lamp, and upholstered furniture fill the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ca9aa90dcb4b665413ff505e52e02e4f.jpg d538fa4f8a19dabbd670906e9589a196 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in formal clothing face each other while one adjusts the other's bow tie or collar. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-168 YM03-168.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Frances-Marie Uitti, and William Kirkpatrick performing John Cage's Theatre Piece Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Dancers Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 86.859 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people standing face to face indoors. The person on the left wears glasses, a dark suit, light-colored shirt, and bow tie, while the person on the right wears a light-colored long-sleeved shirt. The person on the right has both hands raised to adjust the other person's bow tie or collar. A doorway is visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f3a9d4c1ff35e5b8c8e21d295d6702ae.jpg 5520a41de211bcfd22d5d76a4ff527c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A black-and-white contact sheet displays rows of small photographs showing people in various poses and indoor settings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-093 YM03-093.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Contact sheet with images of Paul Schmidt, Joan Collopy, William Kirkpatrick (dancer), Yvar Mikhashoff, Frances-Marie Uitti, and Ralph Jones (22a) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 6/22/1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Contact sheets -- 1970-1980 Image Still image Subject The topic of the resource Musicians Actors Dancers Mikhashoff, Yvar - Piano Schmidt, Paul, 1934- - Actor Collopy, Joan - Actress Uitti, Frances-Marie - Violoncello Jones, Ralph, 1951- - Electronics Kirkpatrick, William, dancer - Dancer Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 530.354 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white contact sheet contains several horizontal rows of photographic frames. The frames show people individually or in small groups, standing, sitting, gesturing, and moving through indoor spaces. Dark borders separate the rows, with small printed frame markings and occasional handwritten red marks visible around some photographs. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ac9f05a7e48c60aa56cbcae806095f25.jpg ddcc232ed9e3ab7cc56de383b6d5c470 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands outdoors on a sunlit path surrounded by palm trees and dense tropical plants. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-133 YM03-133.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing outside, possibly in Mexico City Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 195.923 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person wearing a light-colored long-sleeved shirt and dark trousers standing on a paved path. Tall palm trees, leafy plants, and potted vegetation surround the person, with a shaded structure partially visible on the left. Bright sunlight falls across the path and figure while much of the surrounding foliage remains shaded. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8e2897576b6e8690e066f7e48ac49f36.jpg 85917f63b4502b8e85d95ce73a5ecf6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people sit closely together indoors, facing each other during a conversation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-022 YM04-022.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Conlon Nancarrow in Nancarrow's Mexico City apartment Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Nancarrow, Conlon, 1912- - Composer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 48.111 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people seated closely together indoors. The person on the left has light-colored hair and rests one hand near their face while looking toward the other person. The person on the right has curly hair and a mustache and wears a light-colored shirt and tie while looking back toward them. A curtain hangs in the background, and a copyright watermark extends across the center. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1304e24609c3cd4ef74d1cddef665ac6.jpg f2d663da9acb0403274d25b51c5c6bf7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people lean over a table examining small objects and equipment. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-167 YM03-167.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Frances-Marie Uitti, and William Kirkpatrick performing John Cage's Theatre Piece Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Dancers Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 97.306 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people gathered closely around a table. Two people lean forward from either side while a third stands behind them, all looking down toward small objects and equipment spread across the tabletop. A large device with a curved cable or tube occupies the foreground, and part of a grand piano is visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ae8d8de2599ed361b1c1a1bae0db70ef.jpg ad4dd3a96536c6aaad9e7ac80cae4b84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource An ornate multi-story building facade is partially covered by scaffolding. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-012 YM03-012.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing on balcony of building in Czechoslovakia Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1968-10 Type The nature or genre of the resource Photographic prints -- 1960-1970 Snapshots -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Czechoslovakia Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 156.869 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows the facade of an ornate multi-story building with arched windows, decorative stonework, columns, and patterned architectural details. Wooden or metal scaffolding extends across much of the exterior, including around the windows and lower level. Several tall columns and arched openings are visible at ground level, with a dark doorway on the right. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/086e1baf5764a907abddfe27f9cd1dbd.jpg 655c227a2f378800242a54df63ab0570 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a dark double-breasted suit and tie stands facing the camera with their hands held together. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-067 YM02-067.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 155.563 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color portrait shows a person with a mustache and long hair wearing a dark double-breasted suit, light-colored shirt, patterned tie, and pocket square. The person stands with their hands held together in front and looks toward the camera. A dark background with a broad orange area is visible behind them, and a copyright watermark extends across the center. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/83a0cefe3ce90c55f4fc10af304e6cb9.jpg fa05de30ea1938383c6d763399b8f525 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a light-colored uniform stands near an ornate temple structure with a large golden architectural feature behind them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-075 YM02-075.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt, holding ornate umbrella, standing on stairs of temple in Bangkok, Thailand Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bangkok (Thailand) Thailand Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 172.415 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person wearing a light-colored uniform and hat standing near an ornate temple structure. A large rounded golden architectural feature dominates the center, surrounded by decorative stonework, pointed roof details, and carved surfaces. The person stands near a tall dark pole and a round decorated object, with a copyright watermark extending across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/cb4c59113fb4ec66eddc7815176955f0.jpg 0ce70fcac4ffe21240a13f6d31ef6980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people are indoors, with one bending forward in the foreground and another standing behind holding a bag. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-038 YM03-038.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Candice Channing Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Flutists Mikhashoff, Yvar - Piano Channing, Candice - Flute Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 78.067 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people in a room with wooden flooring. In the foreground, one person wearing a dark jacket bends forward with their head lowered and one hand near their face. Behind them, another person with long light-colored hair stands holding a light-colored bag and an object in one hand. A wicker chair and other furnishings are partially visible along the left side. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a032ec1a33a300a5965ae2ec0a63534b.jpg 307e85c41d5c68f2718455f1e471a434 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A smiling person wearing a dark double-breasted suit and colorful tie faces the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-070 YM02-070.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 125.238 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color portrait shows a person with a mustache and long hair wearing a dark double-breasted suit, light-colored shirt, colorful patterned tie, and purple pocket square. The person faces the camera with a smile. A dark architectural background with diagonal structural elements is visible behind them, and a copyright watermark extends across the lower portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/48978cdcea6ddc0f542119985b26e330.jpg 9d14d986789106bf50229ccbb57c9edd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people kneel around a board or collection of objects on the floor, with equipment and cables in the foreground. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-166 YM03-166.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Frances-Marie Uitti, and William Kirkpatrick performing John Cage's Theatre Piece Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Dancers Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 103.979 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people gathered on the floor around a rectangular board and several small objects. Two people kneel on either side while a third sits between them, with the group facing one another and gesturing toward the items. A large piece of equipment with several curved cables occupies the foreground, and part of a grand piano is visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e7d8355ccd64cc188f326116daf33dbb.jpg ed9065691ff20ad02f14a5c58d9e8aa1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people sit closely together at an outdoor table, with one wearing a white uniform and peaked cap. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-048 YM04-048.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and his cousin Davia Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 127.624 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows two people seated closely together at a table covered with a red-and-white checkered cloth. The person on the left wears a light-colored jacket and rests one arm around the other person, who wears a white uniform with a peaked cap and necktie. Bottles, cups, and other small items are arranged on the table, with railings and additional seating visible in the dark background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/be7971c373978a4d55078497e6672cfa.jpg 4ae30db698cf31af546cac37cdf1737a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people kneel around a board and small objects on the floor, with equipment and cables in the foreground. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-165 YM03-165.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Frances-Marie Uitti, and William Kirkpatrick performing John Cage's Theatre Piece Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Dancers Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 100.258 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people gathered on the floor around a rectangular board and several small objects. Two people kneel on either side while a third leans forward between them, with all three looking toward the items on the floor. A large piece of equipment with several curved cables occupies the foreground, and part of a grand piano is visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/07efe9125b0612eb46cd5379fbdd7a8d.jpg e0d25e0b628155129667469e4b5d004c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with a mustache rests their chin on folded arms while looking toward the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-039 YM02-039.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket leaning on back of chair Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1992 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Dublin (Ireland) Ireland Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 54.634 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white close-up shows a person with a mustache leaning forward with their chin resting on folded arms. The person wears a dark jacket over a ribbed sweater and looks directly toward the camera. A softly lit, out-of-focus background fills the upper portion, and a copyright watermark extends across the lower part of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a73c05fb77b5036c9358a49a57133690.jpg 9e6c0a3a1beb9931566f1f983aeb9905 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in dark clothing stands beside a piano with one hand resting on their hip. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-035 YM01-035.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black turtleneck, far left Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 68.248 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with dark hair and facial hair standing near the left side of the frame. The person wears a dark jacket and trousers and stands with one hand resting on their hip while facing the camera. Part of a piano and its keyboard is visible at the far right, with a plain light-colored wall filling most of the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e66057a8dd599b7ca8433238381e6dee.jpg 2d05e9d529b1460d03bf29ac232cf08e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a light-colored jacket sits at a grand piano with their hands near the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-150 YM03-150.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at piano at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 74.972 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with dark hair and facial hair seated at a grand piano. The person wears a light-colored jacket and leans forward with their hands positioned near the keyboard. The dark piano occupies much of the frame, with its raised lid extending across the right side. Curtains and architectural details are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/4be766dc9b30d42f0959a26ef81f5cef.jpg 98a3999d46e8cb5609f2cfe2296b8997 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person sits on a large rounded cushion on a dark stage with one hand raised. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-110 YM03-110.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource William Kirkpatrick, dancer, onstage with beanbag cushion Creator An entity primarily responsible for making the resource Haupt, Irene Date A point or period of time associated with an event in the lifecycle of the resource 1978-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Dancers Bussotti, Sylvano -- Performances Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 64.396 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Rehearsal or performance of dance portion of work by Sylvano B A black-and-white scene shows a person seated on a large rounded cushion or padded object against a dark background. The person wears a light-colored long-sleeved shirt and dark trousers, with one arm resting near their lap and the other raised with the hand extended. The figure and cushion are illuminated while most of the surrounding stage remains dark. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d68bc607c11484618b9f1b29ca86066f.jpg 179edb260e47c44df43e170d5815b854 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands beside a grand piano at the front of a room while an audience sits facing them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-144 YM03-144.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff taking bow at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 84.205 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a light-colored jacket standing beside a grand piano at the front of a room. Several audience members are seated in rows in the foreground, facing the person and piano. Tall windows or doors, decorative wall details, and a chandelier are visible behind the performance area. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/200e71d1e9aec8eab9d233c7f5ce4d2a.jpg 03aca104267b417879aca79db3ee3467 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a dark suit sits behind a display of large decorative textiles with bold blue, white, and black patterns. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-033 YM02-033.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket and light trousers with giant crab Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 149.492 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person wearing a dark suit and light-colored shirt seated behind several large decorative textiles spread across a table or platform. The person looks downward with both hands placed near a smaller patterned piece in front of them. The textiles feature bold blue, white, black, and gold designs, while a patterned white screen and plants are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/cb557116a3ced0d3a2337004d0aff506.jpg cfb49a18ea184baa7a59182e58a8919d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Several people gather closely around a seated person, with multiple hands extended toward an object near the center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-164 YM03-164.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing on violoncello of Frances-Marie Uitti, William Kirkpatrick partially in frame Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Violoncellists Dancers Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 83.896 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows several people gathered closely together indoors. A person with dark curly hair crouches or sits on the left and reaches toward an object near the center, while another person with light-colored hair leans in from the right. Several additional hands and arms extend into the scene from above and the sides, and chairs are partially visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ce298e60dd3ae8d4028388329f2b3d7b.jpg 6d64bf0c8c7213a52e893ecb5c36b334 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person dressed in dark clothing stands with arms crossed beside a piano against a plain wall. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-033 YM01-033.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black turtleneck, facing camera Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 82.088 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with dark hair and facial hair standing with their arms crossed and facing the camera. The person wears a dark jacket and trousers and stands with their legs apart. Part of a piano and its keyboard is visible at the right edge, while a plain light-colored wall fills most of the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3cfa6d850529d7a5bc24b73b00b88b0b.jpg 10ee9ed7b8a4bb96b0db72ef5bdbb7ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses and a dark jacket sits at a grand piano with both hands positioned over the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-029 YM02-029.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark suit and light trousers performing at piano, unidentified page turner Creator An entity primarily responsible for making the resource Melzer, Manfred Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Darmstadt (Germany) Germany Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 76.307 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing glasses and a dark jacket seated at a grand piano. The person leans forward with both hands positioned over the keys while looking down toward the keyboard. Open sheet music rests above the keyboard, and the raised lid and dark body of the piano fill much of the right side of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/00d6c82bb9ce2f914a31185a79aa584a.jpg f595589a6790a1329c33ff2407d7b155 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of people, including a child, stand among goods and vehicles in a busy outdoor market. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-081 YM03-081.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 116.506 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Title A name given to the resource Yvar Mikhashoff in headdress in Israel playing folk flute Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows several people gathered in an outdoor market area. Near the center, a person in a striped shirt stands beside a child wearing light-colored clothing, while other people stand or move among goods spread across the ground. Large vehicles, including trucks, are parked in the background, and various items and bundles fill the surrounding area. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9c84bdcfae6f54ba2dea9e90a3983e0c.jpg 7556cfb07cccc4d14f1c2a2b83756a3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a red jacket sits at a grand piano with sheet music above the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-141 YM03-141.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket seated at piano Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 84.352 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person with glasses and a mustache wearing a red jacket and light-colored shirt while seated at a grand piano. Open sheet music and loose papers rest above the keyboard. A fire extinguisher is mounted on the wall behind the piano, with stacked cardboard boxes on the right and a patterned wall surface on the left. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c1b127bd147f721b99f8a368c2b88e52.jpg 1ff8bef76e389c5c280ed0578c990f87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Performers play on a dark stage before a seated audience, with music stands and instruments illuminated by stage lights. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-099 YM03-099.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at piano, Frances-Marie Uitti, violoncello, and unidentified female violinist Creator An entity primarily responsible for making the resource Riemens, Wim Date A point or period of time associated with an event in the lifecycle of the resource 6/30/1978 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Violinists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Middelburg (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 76.84 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows several performers on a dark stage in front of an audience. The performers are positioned among music stands and instruments, with bright stage lights illuminating parts of the group. The audience fills the lower foreground in silhouette, while much of the surrounding stage remains dark. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9707b76b04700a72f32a910d22d8234e.jpg c74d23eed46f820144ddf0ef0eacc8de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands beside a grand piano while an audience sits around the room facing the performance area. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-012 YM04-012.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano with composer Ib Nørholm standing behind him Poul Ruders in right hand upper corner by door frame with open score in hands Creator An entity primarily responsible for making the resource Hauerbach, R. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Nørholm, Ib - Composer Ruders, Poul, 1949- - Composer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Valby (Copenhagen (Denmark) Denmark) Denmark Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 122.944 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person standing beside a grand piano at the front of a room filled with seated audience members. Chairs are arranged along both sides, leaving an open area around the piano and a floor lamp near the center. Framed artwork hangs on the walls, and a doorway is visible at the back of the room. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1c7255d292292f78bb77db26f1a2f7a5.jpg 4fd3440acd0ba76b5b22aa2f7a0d82b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with curly hair and a thick mustache wears a light-colored shirt and dark tie while facing the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-006 YM02-006.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket in front of roughly textured wall, head shot Creator An entity primarily responsible for making the resource Faltin, Annette Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oslo (Denmark) Norway Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 156.723 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white close-up shows a person with curly dark hair and a thick mustache facing directly toward the camera. The person wears a light-colored collared shirt and dark tie. A rough-textured stone or concrete surface fills the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/bb59c576d7b2d3750c1bf04beaeec8ce.jpg 5ee9293c0222b71d0ded796b78e76c33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a dark suit and glasses stands in profile near an ornate doorway, with another person partially visible in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-153 YM03-153.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff walking through foyer at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 70.037 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing glasses, a dark double-breasted suit, light-colored shirt, tie, and pocket square standing in profile and looking to the left. An ornate doorway with decorative molding and glass panels fills much of the background. Another person in a suit is partially visible at the left edge. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/5feb230955ced2b272f997d3b05cb688.jpg 83d28cc744e4c391bb844bda06229f87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses and a patterned sweater stands in a kitchen holding a small object in both hands. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-060 YM01-060.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in sweater in a kitchen Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1985-07 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 105.075 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows a person wearing glasses and a dark patterned sweater standing in a kitchen. The person holds a small object in both hands and faces the camera. A countertop in the foreground holds dishes, flowers, and kitchen items, while bottles and cookware are arranged along the back counter. Several pendant lights hang from the ceiling, and a brick wall forms part of the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/58c94666caae71dc9865cc30e1e08999.jpg 6bb7dfbe2d0dd5b0b4f8b2a459aaa56e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people stand behind music stands on a dark stage, with one wearing a brimmed hat and gesturing toward the other. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-091 YM03-091.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Paul Schmidt? And Joan Collopy Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 6/22/1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Actors Actresses Schmidt, Paul, 1934- - Actor Collopy, Joan - Actress Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 62.848 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people standing behind large music stands on a dark stage. The person on the left wears a brimmed hat, dark jacket, light-colored shirt, and bow tie and raises one hand in a gesture. The person on the right wears a light-colored patterned outfit and stands with their hands clasped in front. Another person is partially visible at the far right edge. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/0ec228896aaa7fddd5420a5a922fd0e2.jpg 91f6095742f346127d3ef5a712187661 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two grand pianos sit on a dark stage, with people partially visible at the keyboards on opposite sides. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-082 YM04-082.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Aki Takahashi performing at two pianos Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Takahashi, Aki, 1944- - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 89.95 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two grand pianos positioned across a dark stage. People are partially visible seated at the keyboards on the far left and right sides, with open sheet music near each performer. A patterned rug lies beneath the pianos, and a copyright watermark appears across the upper portion. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3702e8d0ce6c1ccf24fe61de87a3a3e7.jpg 653ba61f0d40ac9e200b1b2f45b96d89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people sit at grand pianos facing each other under a spotlight on a dark stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-079 YM04-079.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Aki Takahashi performing at two pianos Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Takahashi, Aki, 1944- - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 57.49 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people seated at grand pianos positioned opposite each other on a large dark stage. The pianos and performers are illuminated by a concentrated overhead spotlight, while most of the surrounding space remains in darkness. A rectangular rug lies beneath the instruments, and a copyright watermark appears across the upper center. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/b950ca3069b5e295f741270f2564c854.jpg 62568b527d4880d4d5d62ae80a65fe5f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a suit and tie sits beside a piano with one arm resting on the instrument. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-147 YM03-147.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff seated at piano, addressing audience at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 70.179 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with a mustache wearing a suit, light-colored shirt, and tie while seated beside a piano. One arm rests on the piano while the other hand rests near their knee. A chair, paneled walls, and a large window or reflective surface are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/175316832fb2c450ae46681c3da62259.jpg 2d5aa60661cba406135233c72332229b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Performers play on a dark stage before a seated audience, with music stands and instruments illuminated by stage lights. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-098 YM03-098.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at piano (right hand raised), Frances-Marie Uitti, violoncello, and unidentified female violinist Creator An entity primarily responsible for making the resource Riemens, Wim Date A point or period of time associated with an event in the lifecycle of the resource 6/30/1978 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Violinists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Middelburg (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 51.883 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows several performers on a dark stage in front of an audience. The performers are positioned among music stands and instruments, with bright stage lights illuminating parts of the group. Audience members fill the lower foreground in silhouette, while much of the surrounding stage remains dark. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/4e2ff0fa6235b41999ec6335aaea0f7d.jpg 384b653de8c488f8a34884725e8c3b10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with a mustache wearing a light-colored suit and striped tie stands outdoors among trees and shrubs. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-026 YM01-026.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white suit and shoes, outside Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 131.716 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with a mustache standing outdoors and facing the camera. The person wears a light-colored three-piece suit, collared shirt, and striped tie, with both arms resting at their sides. Trees, shrubs, and other dense vegetation fill the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/485df1d56f3136f59fbc204511bdfcda.jpg b599ea0da98147a1dff23ec8bfcb3661 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with a mustache and curly hair stands beside an open grand piano, looking downward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-041 YM01-041.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black turtleneck, seated at piano, one hand raised, full size image Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 75.322 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person with curly hair and a mustache standing beside an open grand piano. The person wears a dark turtleneck and a pendant necklace and looks downward toward the instrument. The raised piano lid extends diagonally across the frame, and a strong shadow of the person falls on the light-colored wall behind them. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/bd7b735d54390b8e504ae76f11811935.jpg 209b825a350ebc1c6bfe86aa715f941b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people in formal clothing stand together on a stage beside a grand piano and chair. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-041 YM03-041.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Isabelle Ganz, and Joseph Rothstein Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Rothstein, Joseph - Narrator Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 72.344 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows three people standing in a row on a stage. The person on the left wears a long dark outfit with a light-colored garment draped over their arms, the person in the center wears a dark suit, and the person on the right wears a lighter suit. A grand piano and upholstered chair are positioned behind them, with striped wall panels forming the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/cb7ed78d495bb9953793f65f388f50bd.jpg fecb8cd389f4fca9dfc9f1278984dcb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people stand together in a formal interior, with two people near the center holding or examining an object. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-019 YM03-019.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with friends in lobby of the Palace Theater, Albany, N.Y. Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1971-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palace Theater (Albany, N.Y.) Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 69.527 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows four people standing closely together in an ornate interior. Two people on the left wear formal dark clothing, while the person near the center wears a light-colored jacket and looks downward. The person on the right wears dark clothing and holds an object in both hands. Decorative columns, molding, wall lights, and doorways are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/21b8d65718958d7f920febf1923c9633.jpg be47a6835d27072d7a230bc32a852875 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people wearing suits stand together in front of wood-paneled walls and a doorway. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-015 YM03-015.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with John Costa (left) and Erastus Corning Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1971-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Politicians Mikhashoff, Yvar - Piano Corning, Erastus, 1909-1983 - Politician Costa, John - Politician Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palace Theater (Albany, N.Y.) Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 125.297 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource John Costa was president of the Albany Musicians Union and Erastus Corning was mayor of A color scene shows three people standing closely together indoors and facing the camera. Each person wears a suit jacket, light-colored shirt, and tie, with the person in the center wearing a brown suit and the people on either side wearing gray suits. Dark wood paneling and a paneled doorway fill the background, with a small framed artwork visible on the left. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/fc7e230b32cef291145d44b8c9ae87c1.jpg bf3c92b5e621cc832e8eec550820821f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two performers sit beside a piano, with one positioned at the keyboard and the other holding a large string instrument. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-095 YM03-095.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in blue shirt at piano and Frances-Marie Uitti, violoncello Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1/10/1978 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant American Academy in Rome Rome (Italy) Italy Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 145.334 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Photo taken for Smithsonian Magazine article about the American Academy in R A color scene shows two performers seated in front of a large decorative tapestry. The person on the left sits beside a piano with open sheet music above the keyboard. The person on the right wears a red top and dark hat and holds a large upright string instrument. Music stands with open scores are positioned in front of both performers. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/740810e1801f0a5a10e065632291b41e.jpg 02600209929370ccfbb95c6bdb7b0e18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a dark visor and large glasses smiles toward the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-004 YM04-004.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Henry Brant in visor Creator An entity primarily responsible for making the resource McGowan, Ann Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Composers Brant, Henry, 1913- - Composer Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 169.445 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white close-up shows a person wearing a dark visor with a light-colored decoration on top and large square-framed glasses. The person has a mustache and smiles while facing slightly toward the camera. Their face and upper shoulders fill most of the frame, with a light-colored building exterior softly visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e8a38f9982819315c2ce0eb9dcbed315.jpg 2c551225b1a1dbd1657ff4518b7c5ae4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a light-colored shirt sits at a grand piano with open sheet music above the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-011 YM02-011.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt and tie performing at piano Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 88.148 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a light-colored shirt seated at a grand piano. The person faces the keyboard with both hands positioned near the keys, while open sheet music rests above the keyboard. The piano lid is raised, exposing part of the instrument's interior, and a paneled screen and textured wall are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a2467281ff5dba35c2f1d023087c2911.jpg 6f9f3fe61968645f3b7511b729d17a3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person lies partially beneath a grand piano with their legs and one arm extending outward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-048 YM01-048.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff laying beneath piano Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 82.266 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person lying on the floor partially beneath a grand piano. Their legs extend from the left side of the instrument, while one arm reaches upward near the piano's legs on the right. The piano occupies much of the frame, with part of the keyboard and sheet music visible above, and papers are scattered across the floor. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e2f69897f923a293aef6916ca7c551c8.jpg 8fa445a28f88e514c9ffc37b2a8f4bd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in formal clothing stand facing each other with their raised hands clasped together. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-084 YM03-084.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frances-Marie Uitti taking bow Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 4/23/1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nichols School (Buffalo, N.Y.) Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 110.486 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A color scene shows two people standing in a room and facing each other. The person on the left wears a dark outfit with a decorative belt, while the person on the right wears a dark tuxedo jacket, light-colored shirt, and bow tie. Their raised hands are clasped together above them. Rows of chairs, dark wood paneling, and tall windows or wall panels are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/722b33276d411676067fd2fdccba88d6.jpg 5a2d6c8b61e8d48becaa506e107bb120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a dark suit and tie stands outdoors beside a chain-link fence and a large building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-006 YM01-006.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in Philadelphia Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1963 Type The nature or genre of the resource Photographic prints -- 1960-1970 Snapshots -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia (Pa.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 107.658 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing a dark suit, light-colored shirt, and narrow tie standing with their hands behind their back. A chain-link fence and metal railing extend behind the person, while a large building with repeating vertical windows or openings fills the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f81f0a91a2d6eda9ab549a3e0f19c2c5.jpg 83819a83c568875b098c6ae47b63d895 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people are positioned beside a grand piano, with one seated at the keyboard and the other standing in front. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-028 YM03-028.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at the piano with Isabelle Ganz Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Houston (Tex.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 72.833 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people beside a grand piano. One person wearing a dark suit sits at the keyboard and looks toward the camera. The other person stands in front of the piano wearing a light-colored top and long dark skirt, with one hand resting near the edge of the instrument. A plain light-colored wall and dark background are visible behind them. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/b1cae075690bfcd8c7a2e78b0e5e58a8.jpg 874c98167ddd44f596db382527ebbd25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in formal clothing stand outdoors together, smiling in front of dense foliage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-087 YM03-087.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white suit with Frances-Marie Uitti Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977-06 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 108.357 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows two people standing side by side outdoors. The person on the left wears a sleeveless patterned dress and tilts their head upward with a smile. The person on the right has a mustache and wears a light-colored three-piece suit with a striped tie, standing with one hand in a pocket and smiling toward the camera. Dense leafy vegetation fills the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/feb6df16b5a9778be5eb0180e20b4c90.jpg 7018f6be7e86abf886630218e826bc99 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing dark clothing sits at a grand piano with both hands positioned over the keyboard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-017 YM01-017.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in profile at piano against white block background Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 83.832 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white scene shows a person wearing glasses and dark clothing seated on a bench at a grand piano. The person faces the instrument in profile with both hands positioned over the keys and one foot extended toward the pedals. The piano occupies the right side of the frame, while a plain light-colored wall forms the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.