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Album leaf
Adagio religioso
Adagio and allegro con fuoco
Adagio and allegro agitato
Adagio [in F sharp minor]
Adagio [in E flat major]
Adagio [in E flat major]
Adagio [in C major]
Conference Workshop Materials
Industrial Ergonomics Resource Materials Written or Edited by S.H. Rodgers, Ph.D
Expert Witness Testimony for Proposed Ergonomic Program Standard
Questions on the Development of a Proposed Ergonomics Program Standard for Stakeholder Meetings September 24 and 25, 1998
Comments on the Development of a Proposed Ergonomics Standard by OSHA/DOL
Comments on the Draft Document 29 CFR Part 191 O - Ergonomic Safety and Health Management Program
Comments Regarding the Issuance of a General Industry OSHA Standard on Ergonomic Safety and Health Management
NIOSH Work Practices Guide to Manual Lifting - Future Evaluations Revisions, and Extensions - Proposed Contributions - SHR
Proposal for Revisions to the Frequency Factor in the NIOSH Guide for Manual Lifting
A Practical Guide To Adjusting Your Computer Workstation
Notes on Heat Tolerance
Handwritten Notes on Blood Pressure, Hypertension, Muscle Fatigue, Muscle Endurance and Energy
Handwritten Notes on skin conductivity and fatigue
Handwritten Notes - Lifting Tasks
Course Syllabus
Summary of Grip Strength Laboratory
Exams
1999 Travel Schedule
Comments on Elements of Ergonomics Programs - A Primer Based on Workplace Evaluations of Musculoskeletal Disorders.
The Visual Access Simulator for Standing and Seated Work
Matching Worker and Work Site - Ergonomic Principles
Notes on the 7/14/87 Meeting at NIOSH Regarding the Manual Materials Handling Guidelines
General Guidelines for Chair Selection
The Forcing Strategy: An Integrated Ergonomics Program At The Goodyear Tire & Rubber Company
A Proposed Revision of the Frequency Factor for the NIOSH Work Practices Guide for Manual Lifting
Comments on the June 4, 1993 ANSI 2365 Draft "Control of Cumulative Trauma Disorders"
Comments on Protocol for Cumulative Trauma Disorders Manual
"The Heavy Job"
The Physiology of Playing the Flute
Curriculum Vita Suzanne H. Rodgers, Ph.D. Consultant in Ergonomics
Curriculum Vita Suzanne H. Rodgers, Ph.D. Consultant in Ergonomics
Autobiographies
Portrait
Physiological Cost of High Frequency Lifting: A Review
Draft Manuscript: The effect of wrist position on grip strength
Ergonomic Training Course Evaluation Feedback
Feedback from Sue to Colleague, Henry
Physical Capacity Test Report
Draft Training Session Proposal
Visual Concerns at the Computer Workstation
Postural Concerns at the Computer Workstation
Cover Page
Feedback on Draft Book Chapter
Draft on Book Chapter
Kodak's Ergonomic Design for People at Work
Layout pages of "Working with Backache"
Working With Backache
Training Seminars
Mivos Quartet members Olivia De Prato and Lauren Cauley Kalal, violin, Victor Lowrie Tafoya, and Mariel Roberts, violoncello in rehearsal of Mathew Arrellin's Cacodemonic at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
JoAnn Falletta, conductor leads the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2018
JoAnn Falletta, conductor leads the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2018
JoAnn Falletta, conductor leads the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2018
JoAnn Falletta, conductor leads the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2018
JoAnn Falletta, conductor leads the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin, Hannah Levinson, viola, Yumi Ito, clarinet, Kelley Barnett, flute, Maria Hadge, violoncello, Yumi Suehiro, piano, Josh Perry, percussion, and Mark Broschinsky, trombone pose with composers Louis Karchin and Roger Reynolds after a performance of their works at June in Buffalo 2018
Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin, Hannah Levinson, viola, Yumi Ito, clarinet, Kelley Barnett, flute, Maria Hadge, violoncello, Yumi Suehiro, piano, Josh Perry, percussion, and Mark Broschinsky, trombone pose with composers Louis Karchin, Roger Reynolds, and Hans Thomalla after a performance of their works at June in Buffalo 2018
Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin, Hannah Levinson, viola, Yumi Ito, clarinet, Kelley Barnett, flute, Maria Hadge, violoncello, Yumi Suehiro, piano, Josh Perry, percussion, and Mark Broschinsky, trombone pose with composers Louis Karchin, Roger Reynolds, and Hans Thomalla after a performance of their works at June in Buffalo 2018
Composer Louis Karchin acknowledges Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin, Maria Hadge, violoncello, Mark Broschinsky, trombone, Yumi Ito, clarinet, Josh Perry, percussion, and Kelley Barnett, flute after a performance of Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Maria Hadge, violoncello, Maria Im, violin, Mark Broschinsky, trombone, Yumi Ito, clarinet, Josh Perry, percussion, and Kelley Barnett in a performance of Louis Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
Composer Hilda Paredes acknowledges Moon Young Ha, conductor and Ensemble Mise-En members Yumi Suehiro, piano, Hannah Levinson, viola, Maria Im, violin, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute after a performance of Paredes' piece Siphonophorae at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Hannah Levinson, viola, Maria Im, violin, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute in a performance of Hilda Paredes' piece Siphonophorae at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Hannah Levinson, viola, Maria Im, violin, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute in a performance of Hilda Paredes' piece Siphonophorae at June in Buffalo 2018
Composer Roger Reynolds acknowledges Moon Young Ha, conductor and Ensemble Mise-En members Yumi Suehiro, piano, Maria Im, violin, and Maria Hadge, violoncello after a performance of Reynolds' piece Shadowed Narrative at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Maria Im, violin, Maria Hadge, violoncello, and Yumi Ito, clarinet in a performance of Roger Reynolds' piece Shadowed Narrative at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Maria Im, violin, Maria Hadge, violoncello, Yumi Suehiro, piano, Kelley Barnett, flute, Mark Broschinsky, trombone, Yumi Ito, clarinet, and Josh Perry, percussion in a performance of Louis Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Maria Im, violin, Maria Hadge, violoncello, Yumi Suehiro, piano, Mark Broschinsky, trombone, Yumi Ito, clarinet, Kelley Barnett, flute, and Josh Perry, percussion in a performance of Louis Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
Composer Hans Thomalla and Moon Young Ha, conductor pose at June in Buffalo 2018
Composer Roger Reynolds coaches Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin and Yumi Ito, bass clarinet at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Seuhiro, piano, Maria Im, violin, Maria Hadge, violoncello, and Yumi Ito, bass clarinet in rehearsal of Roger Reynolds' piece Shadowed Narrative at June in Buffalo 2018
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Hannah Levinson, viola, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute in rehearsal of Hans Thomalla's piece Momentsmusicaux at June in Buffalo 2018
Composer Roger Reynolds acknowledges Irvine Arditti, violin and Paul Hembree, computer after a performance of Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Composer Roger Reynolds acknowledges Irvine Arditti, violin and Paul Hembree, computer after a performance of Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Composer Roger Reynolds acknowledges Irvine Arditti, violin and Paul Hembree, computer after a performance of Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Composer Roger Reynolds acknowledges Irvine Arditti, violin and Paul Hembree, computer after a performance of Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Irvine Arditti, violin and Paul Hembree, computer acknowledge applause after a performance of Roger Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Composer Hans Thomalla acknowledges Irvine Arditti, violin after a performance of Thomalla's piece Air at June in Buffalo 2018
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![Adagio [in F sharp minor]](https://digital.lib.buffalo.edu/files/square_thumbnails/04edcbae07058d865ca5f430626303cb.jpg "http://digital.lib.buffalo.edu/upimage/ubmu0046_004.pdf")
![Adagio [in E flat major]](https://digital.lib.buffalo.edu/files/square_thumbnails/1dff05fcc2fdea3b23f900f37eb5381e.jpg "http://digital.lib.buffalo.edu/upimage/ubmu0046_003.pdf")
![Adagio [in E flat major]](https://digital.lib.buffalo.edu/files/square_thumbnails/bec8d7c5a82b3d68b889af128a2b7156.jpg "http://digital.lib.buffalo.edu/upimage/ubmu0046_002.pdf")
![Adagio [in C major]](https://digital.lib.buffalo.edu/files/square_thumbnails/65c2772ede7b3c9ab87aec980b5198f7.jpg "http://digital.lib.buffalo.edu/upimage/ubmu0046_001.pdf")
