Joseph Chouinard and Ethelmae Mason on steps of a church
Chouinard, Joseph Jerod, 1926-2014 - Voice (Bass-baritone)
Two adults stand together on a stairway outside a building with a dark door. A metal handrail runs along the steps beside them. A red sign is visible on the left wall. The photo has a grainy, vintage look.
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Joseph Chouinard sitting at a table in Ethelmae Mason's home
An older person wearing a white shirt, dark cardigan, and striped tie stands near a wooden cabinet filled with dishes. A table with a grid-patterned tablecloth is in the foreground, and a potted plant sits to the left.
Joseph Chouinard shaking hands with the operator of a pedi-cab in New York City
Two people stand in front of a blue delivery scooter and shake hands. One wears a white T-shirt and a cap, the other wears a dark jacket over a light shirt. The scooter has a front panel with 'MANHATTAN' and a phone number. In the background, parked cars and a storefront with red umbrellas are visible.
Portrait of Thomas J. Chouinard in United States Marine uniform
A sepia-toned photograph shows a person in a vintage military uniform with a belt and pockets, seated and holding a hat on their lap. The figure is in a three-quarter view, facing left, with a blurred background suggesting a distant town or harbor. The image has an aged, textured appearance.
A person wearing a brown blazer, white shirt, and striped tie holds a violin and bow. A mural depicting a cat-like figure is on the wall behind. A plant stands to the left near a bookshelf.
Aspen Music School Opera workshop production of Bizet's The Pearl fishers
A theatrical performance on a stage shows a central figure standing on raised steps with one arm raised, flanked by kneeling and standing performers in traditional costumes. The set includes a columned backdrop and silhouettes of palm trees, creating a tropical scene. The performers are arranged in a loose arc around the central figure.
Joseph Chouinard as the character of the General in the Aspen Music School Opera Workshop's production of Henri Sauguet's La Contrebasse
A person stands center stage in a light-colored formal uniform with a sash and epaulettes, holding a glass in one hand. Two upholstered chairs and a matching sofa are on the left, and a tall pedestal with a bottle sits to the right. The image is grayscale and shows decorative border along the upper part of the backdrop.
A person in a light-colored uniform stands on a stage, holding a glass. Upholstered chairs are arranged along the back of the stage, with a small pedestal and bottle to the right. The backdrop includes a curved decorative railing and simple walls, suggesting a formal performance setting.
A person in a light-colored military uniform stands center stage, gesturing with one hand. The set includes upholstered chairs and tall pedestals bearing flower arrangements. The backdrop features diamond-pattern walls with oval mirrors, creating a formal, staged interior scene.
Composer Ross Lee Finney (left) and vocalist Joseph Chouinard at a rehearsal for the premiere performance of Finney's The nun's priest tale at Dartmouth's Congregation of the Arts
Two individuals sit side by side, wearing jackets and ties, and read open newspapers. Both wear glasses. The background is dark, highlighting their upper bodies and the papers they hold. The image has a black-and-white, documentary appearance.
Composer Ross Lee Finney (left) and vocalist Joseph Chouinard at a rehearsal for the premiere performance of Finney's The nun's priest's tale at Dartmouth's Congregation of the Arts
They stand side by side, looking down at open papers. Both wear glasses; one has a light-colored jacket and the other a darker suit. The scene is black-and-white.
Two individuals in business attire sit side by side, both wearing glasses and ties. They are looking down at an open book or document with curved pages visible. The person on the left wears a light-colored jacket; the person on the right wears a dark blazer.
Allan Evans (left) and Joseph Chouinard in the world premiere performance of Ross Lee Finney's The nun's priest's tale at Dartmouth's Congregation of the Arts
Evans, Allan (baritone) - Voice (Baritone)
Two performers stand on a stage in formal attire. The left performer wears a light-colored jacket and dark tie, while the right performer wears a dark suit with a light bow tie. A music stand with sheet music is in front of them, and other musicians can be seen in the background. The scene is in black and white.
Allan Evans (left) and Joseph Chouinard, with narrator Michael Best in the background in the world premiere performance of Ross Lee Finney's The nun's priest's tale at Dartmouth's Congregation of the Arts
A black-and-white scene shows a person in a light suit standing near a podium, leaning forward slightly. Another person stands behind and places a hand on their back. Several individuals in formal attire, including jackets and ties, are visible in the foreground and background as observers. The setting appears to be a formal event or performance on a stage.
Allan Evans, Joseph Chouinard, Michael Best, conductor Mario di Bonaventura, and the Dartmouth Symphony Orchestra in the world premiere performance of Ross Lee Finney's The nun's priest's tale at Dartmouth's Congregation of the Arts
Di Bonaventura, Mario, 1924- - Conductor
The scene shows a large orchestra on stage with musicians seated and playing instruments. A conductor stands at a podium in front of the ensemble. A choir is positioned to the left side of the stage, and an audience sits in the foreground. The backdrop features tall curtains and overhead stage lighting.
Conductor Mario DiBonaventura, composer Ross Lee Finney, baritone Allan Evans, bass Joseph Chouinard, and folksinger James W. Symington receiving applause after the world premiere performance of Finney's The nun's priest's tale at Dartmouth's Congregation of the Arts
Symington, James W. (James Wadsworth), 1927- - Voice
A row of individuals stands on a stage against a dark backdrop. They wear formal attire, including suits and ties, with one person on the left holding a large bouquet and another on the far right holding an acoustic guitar. The image is black and white.
Joseph Chouinard being served a dessert by an unidentified male
Three people sit around a dining table with a blue tablecloth. A standing person in a pale yellow shirt leans over to serve dessert from a tray to the two seated guests; one wears a blue vest and glasses, the other wears a blue garment. The table includes a pink candle, orange flowers, glassware, and plates with dessert.
Joseph Chouinard and Ethelmae Mason seated outdoors
Two people sit side by side on a white-framed swing in a green garden with a wooden fence behind them. The left person wears a light-colored shirt and glasses; the right person wears a blue outfit with fringe and gold earrings. Pink flowers are visible in the foreground.
View from apartment balcony of Manhattan Plaza and docks
Streetscapes (Urban design)--Photographs
Docks--New York (State)--New York--Photographs
Two large cruise ships are docked at a long pier on a wide river. Brick and concrete buildings surround the port in the foreground, with smaller boats nearby. Across the water, a tree-lined shoreline leads to a distant downtown skyline of tall buildings under a pale sky.
Joseph Chouinard speaking with tenor Robert White at a Bargemusic concert
Several people stand in small groups around a room with rows of wooden folding chairs and tables covered in red cloth. In the background are wooden partitions and a potted plant. An EXIT sign is visible on the left wall, and ceiling lights illuminate the space. Attire includes jackets and suits.
View of the Brooklyn Bridge from Fulton Ferry, Brooklyn
A city skyline with the Brooklyn Bridge spanning a river as buildings rise along the opposite shore. The photo is taken from behind glass panels and metal railings on a pedestrian walkway, with several people standing along the railing. The light suggests late afternoon, casting long shadows on the water and structures.
Four people stand in a wood-paneled room; two are shaking hands and examining papers, while another holds documents and a fourth is partially visible on the right, with wooden cabinets and chairs in the background.
Violist Paul Neubauer in conversation with unidentified woman at a Bargemusic concert
A person in a dark suit with a floral tie holds a violin and bow while speaking to another person wearing a dark jacket. The scene is indoors with exposed pipes and track lighting, and an EXIT sign is visible in the background. The other person carries a brown shoulder bag.
Violinist Mark Peskanov at a Bargemusic concert
A man wearing a dark suit, white shirt, and red patterned tie faces the camera. He has curly hair and glasses. An EXIT sign sits to the left, with overhead track lighting and a window behind showing a city skyline.
Tenor Robert White in conversation at a Bargemusic concert
White, Robert, 1936 October 27- - Voice (Tenor)
A person with light hair wearing a dark suit, white shirt, patterned tie, and pink pocket square stands facing a small group while holding a booklet. The setting appears indoors with exposed pipes and a wooden wall in the background. Other people are partially visible at the edges of the frame.
Joseph Chouinard (right) and his brother Thomas
The photograph shows two children on a grassy area in front of a house with siding. They wear long-sleeved garments and look toward the camera. The image has a sepia tone and a vintage feel.
Joseph Chouinard (left) and his brother Thomas
Two children stand in a yard beside a house with horizontal siding. The child in front wears light clothing and a hat, while the other stands behind in darker clothing. A raised porch with a railing and steps is visible to the right, with trees and a clothesline in the background. The image has a sepia tone, giving an aged appearance.
Joseph Chouinard (right) and his brother Thomas, with an unidentified woman, probably Elizabeth Bradley, their adoptive mother
In a yard, an adult wearing a heavy fur coat stands behind two small children dressed for cold weather. The child on the left wears a light snowsuit and knit cap, while the child on the right wears a darker outfit and a beanie, standing beside a tree. A house with a window is visible in the background, and the ground is grass.
Joseph Chouinard (right) and his brother Thomas on the steps of a house
Two children stand on the steps of a front porch in a residential neighborhood. One stands on an upper step near a column, while the other stands on a lower step with arms at their sides. They wear light-colored clothing and knee-high socks. A house with a gabled roof and bare trees is visible in the background.
One child wears a light short-sleeved shirt and shorts, while the other wears a darker top and shorts. A wooden fence and a set of steps are visible on the left, with bare trees and shrubs behind them. The image has a sepia tone, suggesting an older photograph.
Thomas and Joseph Chouinard playing with a cat
Two children wearing light-colored overalls stand on a rocky path in a yard, with a black-and-white cat in front of them. In the background are trees and a wooden fence, giving a rustic outdoor setting.
On verso: Middletown, Ct. 215 Prospect St.
Two children wearing winter jackets and knit hats stand side by side on a wooden porch in front of a closed door. The ground is covered with snow and the image has a sepia tone. A bicycle and a distant building are visible in the background.
Joseph Chouinard standing next to a house
A person stands in front of a wooden building with horizontal siding. They wear a light, double-breasted coat and a rounded hat. The background shows another house and an open street, giving a vintage neighborhood scene. The photo appears to be from an earlier era.
Thomas and Joseph Chouinard with Joyce Flood standing in front of a rock on Cadillac Mountain
On verso: "Tom, Joe & Joyce, top of Cadilac [sic] Mtn." Note: Joyce Flood was another of the foster or adopted children at the home of George and Elizabeth Bradley.
Three individuals stand on a rocky patch beside a large boulder. The two on the left wear blazers and knee-high socks with short trousers; the third wears a light dress with a dark coat and braided hair. The scene is outdoors with an open landscape in the background.
Thomas and Joseph Chouinard with two unidentified girls (the one on the far right was identified as Joyce Flood on another photograph)
Four children stand around a wicker baby carriage on a grassy lawn, with one seated inside. The scene is outdoors with trees and houses visible in the background, and it is in black and white.
Thomas and Joseph Chouinard with fellow foster or adopted child, Joyce Flood
Three children stand side by side on a grassy roadside with a dirt path nearby. The two on the ends wear matching blazer-style jackets and knickerbocker trousers, while the center child wears a light dress. Trees and a rural landscape form the background.
Thomas and Joseph Chouinard with their adoptive mother, Elizabeth Bradley
An adult wearing a light dress stands between two children in suits. They are on a grassy area beside a building with horizontal siding. The photograph is black-and-white and appears aged.
Joseph Chouinard standing in front of a house
Probably 215 Prospect Street, Middletown, Connecticut
A young person stands on a grassy lawn in front of a two-story house with horizontal siding. They wear a light double-breasted coat, knee-length trousers, knee-high socks, and dark shoes. A small porch with steps and a doorway is visible behind them, and the scene is in black and white.
A sepia-toned portrait of a person wearing a light-colored striped shirt and a tie. The individual has short hair and round wire-rimmed glasses. The background is plain, and the subject faces the camera with a neutral expression.
A black-and-white portrait of a person with short hair, wearing a striped tie and a light-colored button-down shirt. The shirt has vertical stripes and the tie has diagonal stripes. The background is plain, giving a vintage studio portrait.
A sepia-toned studio portrait of a person with short hair. The subject wears a collared shirt, a tie, and a zippered dark sweater. The background is plain and light in color.
Joseph and Thomas Chouinard on the steps of a house
Two people stand on the steps of a house, with several potted plants along the railing. The person on the left wears a dark knee-length coat, vest, knee-high socks, and dark shoes. The person on the right wears a light suit with short trousers and knee-high socks. A large window sits behind them, and a car is visible to the left in the driveway.
20 original photographs of the Pike's Peak trip: Airplane view of P.P. highway
A black-and-white photograph shows a broad, rocky mountain range with jagged peaks. Dirt trails wind across the slopes and between mounds of rubble toward the distant summit. The scene emphasizes stark textures and shadows on the uneven terrain.
20 original photographs of the Pike's Peak trip: Pike's Peak from Colo. Springs
A small settlement lies at the base of snow-dusted mountains. A flat, snow-covered field occupies the foreground, with a row of houses, trees, and utility poles along the village edge. Rugged mountain slopes and distant, snow-capped peaks rise behind the village.
20 original photographs of the Pike's Peak trip: Pike's Peak from Mile 4
A vintage automobile sits on a dirt road along a steep hillside. The landscape shows a densely forested slope with numerous trees, extending toward a rugged mountain range in the distance. The scene is in black and white.
20 original photographs of the Pike's Peak trip: Looking down from Mile 14
A black-and-white landscape shows rolling hills and ridges with multiple dirt roads weaving through the terrain. In the foreground, rocky outcrops and a cluster of trees sit on a hillside. The scene extends to the horizon beneath a pale sky.
20 original photographs of the Pike's Peak trip: At timberline
Snow covers a winding dirt road that climbs a hillside. Tall evergreen trees line both sides, with rocky outcrops on the right. The scene is in black-and-white, suggesting an old photograph of a winter mountain landscape.
20 original photographs of the Pike's Peak trip: The W's or switchbacks
A narrow, winding road snakes along a barren mountain ridge, with a small vehicle visible on the path. Exposed rock slopes and sparse vegetation border the route, and distant peaks rise in the background.
20 original photographs of the Pike's Peak trip: Glen Cove
A dirt road runs past a row of log buildings set among tall pine trees. In the distance, snow-dusted mountains rise above the forest. Early automobiles are parked along the road, and a few people stand near them while smoke rises from a chimney.
20 original photographs of the Pike's Peak trip: The W's above Glen Cove
A barren mountain landscape shows a long, winding path cut into a steep slope. The trail forms several switchbacks as it climbs toward the ridge, with snow patches on both sides and rocky terrain in the foreground. In the distance, jagged peaks rise against a pale sky.
20 original photographs of the Pike's Peak trip: One of the many wide curves
A dirt road winds around a rocky hillside in a forested mountain landscape. Tall pine trees line the slope on both sides, with exposed rock above. A vehicle sits on the road near the upper-right portion of the scene.
20 original photographs of the Pike's Peak trip: Above the clouds
A broad, rubble-covered slope dominates the foreground with loose stones scattered across the surface. Clouds or mist roll through the midground, partially obscuring the ridges and valleys. Distant mountains extend to the horizon in a grayscale landscape.
20 original photographs of the Pike's Peak trip: Pike's Peak from Pilot Knob
A railway line winds through a valley with forested hills on either side. Snow patches dot the ground, and distant mountains rise in the background. The scene appears to be an old black-and-white photograph.
20 original photographs of the Pike's Peak trip: Ute Pass
A narrow dirt road winds between steep rock faces in a rugged landscape. Stone walls and loose rubble line the edge of the roadway. A vintage automobile travels along the curve, heading toward the distant valley.
20 original photographs of the Pike's Peak trip: Above Glen Cove
A dirt road winds along a rocky mountainside with a vintage automobile on the curve. Dense evergreen trees flank the road, and a broad valley extends toward the distant horizon. The scene is rendered in sepia tones, suggesting an early 20th-century setting.
Two parallel railroad tracks run up a rocky, tree-lined mountainside. A vehicle sits near the upper right along the track. In the distance, a faint mountain peak is visible beyond the trees.
20 original photographs of the Pike's Peak trip: 25% grade
A steam locomotive pulls a long passenger car along a steep, rocky slope; the car has many windows and is marked with Manitou & Pike's Peak R.R. The surrounding terrain is rough and barren, with loose rocks covering the ground and the train angled upward.
20 original photographs of the Pike's Peak trip: Lake Moraine
A steam locomotive emits a plume of smoke as it travels along a track across a rocky, barren slope. Two people stand on the slope near the train, observing the scene. In the distance, a winding river runs through a valley with mountains rising beyond.
20 original photographs of the Pike's Peak trip: Above the timberline
A steam locomotive hauls several passenger cars up a steep, rocky mountain slope with snow along the track. Steam rises from the engine as it advances along the incline. The railway line is flanked by rough, jagged rocks and sparse terrain.
20 original photographs of the Pike's Peak trip: Pike's Peak summit house
A stone railway building sits on a rocky slope beside a curved track. A steam locomotive emits smoke to the right while a line of vintage cars is parked along the edge. Large rocks fill the foreground as a wooden observation tower rises above the building.
20 original photographs of the Pike's Peak trip: The rocky summit
A steep, boulder-strewn slope rises to a ridge where a few small rectangular structures sit near the top. The terrain is barren and rugged with large rocks in the foreground. A plume of smoke appears on the left side. The scene is captured in black-and-white.
20 original photographs of the Pike's Peak trip: The observatory
Stone terraces run along the hillside beside curved tracks. A tall metal observation tower with a staircase overlooks the area as people line the railing. Two vintage trains are on the tracks and a person in a coat stands near the edge.
Joseph and Thomas Chouinard, with Joyce Flood and an unidentified girl at a beach
Four children stand on a sunlit beach next to two large, weathered tires. They wear vintage-style swimwear, with one-piece suits and tank-top styles. The child in front holds a cylindrical object, while the others pose with the tires at their sides. In the background, sand dunes and sparse vegetation are visible under a clear sky.
Thomas and Joseph Chouinard (right) in suit coats outside a house
Two people stand side by side on a grassy lawn in front of a house. They wear dark double-breasted suits with ties and folded pocket squares. The image is black and white, with a low fence along the yard behind them.
Joseph Chouinard with an unidentified male and female at the Holy Trinity Church in Middletown, Connecticut
Two adults and a child stand on a sidewalk beside a vintage car. A sign reading 'Out of Order' hangs from the car's grille. A stone building and trees are visible in the background.
Church of the Holy Trinity (Middletown, Conn.)
Joseph Chouinard with two unidentified males at Holy Trinity Church in Middletown, Connecticut
A black-and-white scene shows two individuals standing and one seated in front of a classic automobile with a "Out of Order" sign on the grille. They wear dark jackets and trousers, and a stone building with windows is on the left, with trees visible along the street. A distant spire rises behind the car, suggesting an older era.
Joseph Chouinard in his robe for graduation from 8th grade
A person stands in a grassy yard between a white house and a wooden fence, wearing a long graduation gown and holding rolled diplomas. Trees are in the background with other houses nearby. The image is black-and-white and appears to be from an earlier era.
Identification photograph of Joseph Chouinard in his naval uniform
In grayscale, a person faces the camera while wearing a dark sailor-style outfit with white trim. They hold a small sign with handwritten text in front of their chest. The background is plain and light.
Joseph Chouinard in his naval uniform with an unidentified young boy also in a uniform
A tall person and a shorter child stand side by side on a paved path in front of a brick building with a striped awning. Both wear sailor-style outfits, the child also wearing a white hat. The scene has a vintage, black-and-white feel.
An adult in a dark sailor-style outfit with a neckerchief stands on a sidewalk beside a small child wearing a matching sailor suit and hat. They are outdoors in front of a brick building with a striped awning over a porch. A set of steps leads up to the porch and there is vegetation to the right. The photograph is black-and-white and appears vintage.
An adult in dark clothing stands beside a small child wearing a sailor suit and hat. They are on a sidewalk in front of a brick building with a striped awning and a window. A shrub grows against the wall beside them.
Joseph Chouinard in his naval uniform standing next to a house
A person stands on a paved path beside a brick building, wearing a dark sailor suit with a white collar and a white hat. A striped awning covers a doorway nearby, and bushes grow along the wall. The individual wears glasses and dark shoes, with arms at the sides.
Joseph Chouinard in his naval uniform standing on a lawn
A person stands on a grassy lawn wearing a dark sailor suit with a neckerchief and a light hat. In the background, trees and a few houses are visible. The image is in black and white.
Joseph Chouinard in his naval uniform on duty in Okinawa towards the end of World War II
On verso: A. L. Lawrence, … CUB 16, A-2 …
A person sits behind a large desk covered with papers, folders, and office supplies. They wear a dark zippered top and face the camera. In the foreground, a box labeled OUT sits at the front left of the desk, and loose papers are scattered across the surface. The background shows a wooden barrier with diagonal cross beams.
Ruins of Shuri Boys' High School on Okinawa towards the end of World War II
Naha-shi (Japan)--Buildings, structures, etc.
A black-and-white photograph shows a long, partly collapsed structure on a barren landscape. On the left, a row of columns supports a ruined walkway. On the right, a two-story brick building shows large holes and crumbling walls. Debris and broken timber litter the ground in the foreground.
Torii gate in Naha on Okinawa towards the end of World War II
A large torii gate spans a dirt road in a desolate, rural setting. Utility poles line the road and a fence runs along the right side with scattered debris nearby. In the background, small buildings and a distant bridge-like structure lie on the horizon under a cloudy sky.
Okinawans sharing tea towards the end of World War II
Five individuals sit on wooden benches around a low table in a dim, rough-walled room. Bowls, cups, and a teapot are arranged on the table, with a plant centerpiece in the middle. The image is black and white and depicts casual, everyday clothing.
Woman washing her hair at a cistern on Okinawa towards the end of World War II
A black-and-white photograph shows a person standing beside a concrete wash trough with water, wearing a wrap-around garment and having wet hair. Metal buckets and a nearby basin are arranged around the washing area. Another person in a floral garment is partially visible on the left; the background features flat farmland and distant hills.
Okinawan refugees near a building with a thatched roof on Okinawa towards the end of World War II
A rural scene features a small stone building with a steep, thatched roof. A dirt path runs beside the hut, where several people stand or sit near the wall and along the ditch. In the foreground, figures gather by the water's edge, some appearing to wash or rest. Dense trees fill the hillside in the background.
Two Okinawan men working outside on Okinawa towards the end of World War II
Two workers crouch and lean over a wooden frame. A long, toothed metal bar rests on the frame as they manipulate it. The scene is outdoors, with a dirt ground and a low stone barrier behind them.
Okinawa women refugees gathered outside a food distribution center on Okinawa towards the end of World War II
Information courtesy of Mr. Donn Cuson, who also stated: "… note the pile of sweet potatoes, everything was on the barter system during that period, food for work. The US military government provided food and shelter and the Okinawans would go out and work the fields and the food would be divided among all of the people at the camps. "
A black-and-white scene of a crowded outdoor market. A large pile of vegetables sits in the foreground while people wearing headscarves and patterned clothing stand along the stall, some carrying baskets. A simple building forms the backdrop.
Okinawan refugees along a road on Okinawa towards the end of World War II
Black-and-white photograph showing a rural scene with a dirt path winding through trees. In the foreground, several people sit or squat on the ground, handling straw and bags, while others stand nearby. A line of people advances along the path on the right side, with more figures visible further back and an open landscape beyond the trees.
Native police unit on Okinawa towards the end of World War II
Information supplied by Mr. Donn Cuson: "NP Native Police, trained and used by the US Military Government to watch and help in the refugee camps."
A group of people in uniform clothing wearing white hard hats stand on a dirt area in front of thatched-roof huts and trees. Some hold tools or staffs, and others observe from a short distance in a rural setting.
Building on Okinawa towards the end of World War II
A wooden building with a tiled, sloped roof sits behind a large pile of rubble and dirt. Debris and scattered items fill the ground, including a wheelbarrow. Two children stand among the debris; one holds a long stick and the other stands with hands clasped. A figure is visible in the doorway of the building in the background.
Woman hanging clothes to dry on Okinawa towards the end of World War II
Black-and-white image showing several people gathered around a clothesline strung between posts. Laundry hangs along the line while the group stands on a dirt path and concrete blocks. Lush vegetation, including trees and banana plants, fills the background.
Okinawan refugees walking on a dirt road on Okinawa towards the end of World War II
A group of people walks along a narrow, unpaved road through a rural area. Many carry baskets or bundles as they move in a single-file procession. Dense trees and vegetation line both sides, and the scene is in black and white.
Okinawan Children on Okinawa towards the end of World War II
A black-and-white image shows several children outside along a dirt path with trees in the background. In the foreground, a bald child smiles while holding something in their hands. In the middle, a child carries another on their back, and additional children sit or stand along the path.
Okinawan child standing by herself on Okinawa towards the end of World War II
A young child stands among dense vegetation in an outdoor area. The child wears a light-colored sleeveless dress and raises a hat or cloth with one hand, while the other hand holds a dark item. The background is filled with leaves and branches, and the image is black and white with a slightly blurry quality.
Okinawan children along a dirt road on Okinawa towards the end of World War II
A black-and-white photograph shows several children along a narrow, dusty path bordered by trees. Some stand while others sit or crouch, and a few face the camera. The background includes foliage and a stone wall fragment on the left, suggesting a rural setting.
Okinawan child standing on a dirt road on Okinawa towards the end of World War II
A young child stands in profile on a dirt path, wearing dark overalls with suspenders. The ground is bare, and a stacked stone wall runs along the right side with trees in the background. The image is black-and-white and shows signs of age.
Ornate table inside the Higaonna Museum in Ishikawa, Okinawa shortly after the museum's opening in September 1945
A dark wooden sideboard with two drawers and carved panels stands on legs. The top surface holds a vase with flowers, bowls, and small dishes. Large grid-pattern windows frame an outdoor view of trees and landscape.
Exterior of the Higaonna Museum in Ishikawa, Okinawa shortly after the museum's opening in September 1945
Ishikawa-shi (Japan)--Buildings, structures, etc.
A single-story structure with a broad, tiled roof and a covered veranda supported by wooden posts. Windows and doors line the veranda, and numerous potted plants decorate the edge. Several people stand to the left side of the building. The photograph is black-and-white.
Okinawan child standing next to a rock wall on Okinawa towards the end of World War II
A barefoot child stands next to a textured stone wall, wearing light knee-length shorts with a tied belt. They are shirtless and hold a small object with both hands, facing the camera. The outdoor setting shows aged, uneven stones.
Okinawan woman with two children on Okinawa towards the end of World War II
In a black-and-white image, an adult sits on a rocky dirt path with a baby in their arms and a small child nearby, against a background of trees and foliage. The scene shows casual clothing and a natural outdoor setting.
Okinawan woman with four children behind her on Okinawa towards the end of World War II
A black-and-white image shows a person seated in the left foreground wearing a striped garment. A child in white stands to the right, and several other people are visible in the background, with outdoor vegetation and a dirt ground.
Three Okinawan children on Okinawa towards the end of World War II
Three children are seated on the ground outdoors with dense foliage behind them. The middle child wears a dark short-sleeved outfit, while the two on either side wear light-colored shirts with buttons and pockets. The scene is in black and white, and the children are positioned close together amid trees and leaves.
Decorative table inside Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A low, elaborately carved altar table sits on a tatami mat. On its top are ceramic vessels including a central lidded jar, a teapot, cups, and two candle holders. Behind it, a grid of wooden lattice panels forms a paneled wall. The scene is in black and white.
Exterior of the Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A dirt road runs alongside a high stone wall with a low gate on the left. Behind the wall, a long single-story building with a tiled roof is visible, partially obscured by trees. A rough stone barrier forms a large pile on the right, and electrical wires stretch overhead. The scene is in black and white.
Shelf holding vases inside Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A wooden wall supports a central vase filled with tall dried grasses on a small pedestal. Surrounding are several ceramic jars and bowls of varying sizes arranged on the surface. On the left, a lattice-windowed opening is visible, and on the right a potted plant sits among more containers.
Buddhist shrine inside Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A seated statue of a Buddhist figure wearing a ceremonial crown sits cross-legged on a lotus throne. The hands are pressed together in a prayer gesture. A circular halo with decorative detailing surrounds the head. The sculpture is displayed in a wooden alcove.