With references to the following works by Julius Eastman: Stay on it
With references to the following additional composers: Lukas Foss, Morton Feldman, Chrstian Wolff, Lejaren Hiller
State University of New York at Buffalo. Music Library
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Note: Poster/program/program notes Source date and event date unknown Eastman also performed Vox Balaenae (Crumb), For Frank O'Hara (Feldman), Algorithims (Hiller) on the same program
Center of the Creative and Performing Arts, Scotland
Note: Performance at the Haldane Building, Hill Street
Warsaw concerts to be scheduled for UB musicians
With references to the following additional composers: Morton Feldman, David Gibson, Peter Gena, Lukas Foss, Christian Wolf, Lejaren Hiller
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Copyright Statement for Digitized Materials from the Music Library
Capilla del Antiguo Hospital de la Santa Cruz
With references to the following additional composers: Lejaren Hiller, Morton Feldman, Ives, Lukas Foss
Note: Eastman performs Eleven Echoes of Autumn (Crumb) and For Frank O'Hara (Feldman)
IN COPYRIGHT - EDUCATIONAL USE PERMITTED. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Evenings for new music (Suffolk County Community College)
New breed composer aims work at new ears
With references to the following additional composers: Frederic Rzewski
Note: Eastman performs Coming Together by Rzewski
With references to the following additional composers: Lukas Foss, Morton Feldman, Christian Wolff, Lejaren Hiller
Note: Eastman preforms Algorithms I (Hiller) and Coming Together (Rzewski)
With references to the following additional composers: Frederic Rzewski, David Gibson
Note: Eastman performs Rzewski's Coming together
With references to the following additional composers: Frederic Rzewski, Ralph Jones, David Gibson, Erhard Grosskopf, Lejaren Hiller
Note: Eastman performs Hiller's Algorithms, Wolff's Burdocks, and Rzewski's Coming together
With references to the following additional composers: Christian Wolff, John Cage, Karlheinz Stockhausen, Lejaren Hiller, Webern, Rzewski
Creative associate recital: Benjamin Hudson, violin
With references to the following works by Julius Eastman: 440
With references to the following additional composers: Copland, Enesco, Ysaye, Mikhashoff
With references to the following additional composers: Rzewski, Ralph Jones
Center of Creative and Performing Arts and Buffalo Inner-city Ballet Company
Attica Prisoners applaud ballet performance
Evenings for new music performance listing
Note: Eastman not mentioned but photograph is of him in costume in a 1968 performance of the Burning Fiery Frunace.
'Earhart' sonics never get off the ground
With references to the following additional composers: Pauline Oliveros
With references to the following additional composers: Petr Kotik, Dannis Kahle, Ralph Jones
Note: Eastman listed as returning member of the center
UB arts center offers new faces and ideas
With references to the following additional composers: Dennis Kahle, Petr Kotik, Morton Feldman, Lejaren Hiller
With references to the following additional composers: Olivier Messiaen, Erik Satie, Pauline Oliveros
Note: Eastman listed as member of the center 1974-75 Eastman unlisted as performer in Olivero's Crow
With references to the following additional composers: Pauline Oliveros, Messiaen, Joseph Kubera, Satie
With references to the following additional composers: Charles Ives, Arnold Schoenberg
SEM Ensemble presents artist's random music
With references to the following additional composers: Marcel Duchamp
With references to the following additional composers: Stockhausen, Oliveros, DePablo, Camilleri
Note: Eastman performs Alvin Lucier's Still and Moving Lines of Silence in Families of Hyperbolas
With references to the following works by Julius Eastman: That Boy
With references to the following additional composers: Scarlatti, Schubert, Schumann, Berg, Borodin
With references to the following additional composers: Pauline Oliveros, Satie, Messiaen, Alvin Lucier
With references to the following additional composers: Luis De Pablo
With references to the following additional composers: Capricorn Flakes, Mikka, Moran, DePablo
An affair for cello highlights upbeat new-music program
With references to the following additional composers: Luis DePablo, Arne Mellnas, Xenakis, Eric Richards, Robert Moran
Note: Eastman performs DePablo's Berceuse
The new music is alive and well in Buffalo
With references to the following additional composers: Lukas Foss, Allan Sapp, Lejaren Hiller, Morton Feldman, Tom Constanten, Luciano Berio, Judith Martin, Petr Kotik
Cage oddities contrast with Feldman's beauty
With references to the following additional composers: John Cage, Morton Feldman
Evening with S.E.M. Ensemble: Feldman soars and Cage bores
Note: Eastman performs Hiller's Algorithms I and Rzewski's Coming Together
With references to the following additional composers: Andrew Velcoff, Charles Casavant, Nils Vigeland, Michael Christopher, Joseph Rothstein
Note: Eastman narrates Velcoff's Visit to Transylvania
Note: Eastman performs Touch by Judith Martin
With references to the following additional composers: Steve Reich, Werner Heider, Luis DePablo, Judith Martin
Many talents combine in new-music creation
With references to the following additional composers: Luis DePablo, Judith Martin, Steve Reich, Wener Heider, Tom Constanten
Modern music festival to run 3 weeks at UB
With references to the following additional composers: John Cage, Earle Brown, Christian Wolff, Morton Feldman, Charles Ives
Note: S.E.M. ensemble features works by Cage, Eastman performs Wolff's Songs for Solo Voice
With references to the following additional composers: John Cage, Earle Brown, Christian Wolff, Morton Feldman, Charles Ives, Lejaren Hiller
Note: S.E.M. ensemble performs Cage's Song Books I and II, Eastman performs Songs and Exercises by Wolff
Note: Eastman performs Wolff, SEM performs Song Books
With references to the following additional composers: Kotik, Hayman, Martin
Artists enjoy options in all-Cage program
With references to the following additional composers: John Cage
June in Buffalo: contemporary composers' festival
With references to the following additional composers: Christian Wolff
Note: Eastman performs Wolff's Songs for Solo Voice
It's hard to tell the players when S.E.M. stages a concert
With references to the following works by Julius Eastman: Feminine
With references to the following additional composers: Judith Martin, Petr Kotik, Richard Hayman, , Richard Titlebaum, Steven Kaen
Composer Cage: stung by careless followers
With references to the following additional composers: Macel Duchamp, Pauline Oliveros, Maxwell-Davies, Robert Moran, Lejaren Hiller
With references to the following additional composers: Kotik
Note: SEM ensemble (Eastman is not specifically mentioned)
With references to the following works by Julius Eastman: If You're So Smart, Why Aren't You Rich
With references to the following additional composers: Pierre Boulez, Arnold Schoenberg
With references to the following works by Julius Eastman: If You're So Smart, Why Aren't You Rich?
With references to the following additional composers: Arnold Schoenberg, Pierre Boulez
With references to the following additional composers: Boulez, Schoenberg
Kitchen composer 'king' Eastman dreams up 'burger style' piece
With references to the following additional composers: Peter Maxwell Davies
Performances of new music worthy of best
Nicholas Emmanuel, Cynthia Bryndis Schilling, Anna Whistler, Benjamin Havey, and Hangyu Bai rehearsing Morton Feldman's Five pianos at June in Buffalo 2015
Five people are seated at upright pianos arranged in two rows in a music room. Each person has their hands on the keys, and several pianos have sheet music displayed. A grand piano and a tall orange curtain are visible in the background.
The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Anna Whistler, Benjamin Havey, and Hangyu Bai rehearsing Morton Feldman's Five pianos at June in Buffalo 2015
Three individuals are seated at a series of upright pianos positioned in a line. Each person has their hands positioned over the keyboards, and sheet music is visible on the music stands. The person in the foreground wears a light-colored lace top, while the individual behind them is dressed in a dark blue short-sleeved shirt.
Eric Huebner, Benjamin Herrington, and Tom Kolor rehearsing Charles Wuorinen's Trombone trio at June in Buffalo 2015
One person sits at a black grand piano on the left side of the room. In the center, a second person stands behind a music stand playing a trombone, while a third person plays a marimba on the right. The room contains various music stands, a gong, and a set of double doors with an exit sign in the background.
Three people play instruments in a room with green chalkboards in the background. One person is seated at a black grand piano, while another stands behind a music stand playing a trombone. A third person stands on the right and plays a vibraphone using red mallets.
Three people perform on musical instruments in a rehearsal space with a music-lined chalkboard. One person sits at a black grand piano, another person stands in the center playing a trombone, and a third person in the foreground plays a marimba with red mallets. Sheet music is positioned on a stand in front of the trombone player.
Three people are positioned around various musical instruments within a gray-walled room featuring acoustic panels and a green chalkboard. One individual sits at a grand piano, another stands with a trombone, and a third stands behind a vibraphone while holding mallets. A marimba sits in the foreground, with drums and other percussion equipment visible in the background.
Pianists Nicholas Emmanuel, Benjamin Havey, Anna Whistler, Cynthia Bryndis Schilling, and Hangyu Bai at June in Buffalo 2015
Five people are seated side-by-side in a music room with upright and grand pianos in the background. They are dressed in casual clothing, including t-shirts, a cardigan, and a lace dress. Most of the individuals are looking toward the right side of the frame.
Trumpeter Samuel Wells at June in Buffalo 2015
A person with short brown hair sits on a wooden bench in front of a wall with white and brick sections. They are dressed in a dark blazer over a light blue button-down shirt and have their hands folded in their lap. A copyright watermark is visible across the center of the scene.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
A person with short hair and facial hair is seated on a wooden bench with their legs crossed. They are dressed in a dark blazer and a light blue button-down shirt. The background consists of a grey brick wall topped by a white wall, and a watermark spans the center of the frame.
Clarinetist Pei-Lun Tsai performing Karlheinz Stockhausen's Der kleine Harlekin at June in Buffalo 2015
A person stands on a light-colored wooden stage, holding a brass instrument up to their face. They are wearing a red sleeveless dress over a light shirt, paired with black leggings and flat shoes. In the foreground, several audience members appear as dark silhouettes while watching the performance.
A person stands with slightly bent legs while playing a clarinet. They wear a horizontal-striped t-shirt under an orange overall dress, black patterned leggings, and black wristbands. The setting includes a light-colored wall and a dark background panel.
A person lies on a light-colored wooden floor with their legs bent, holding and playing a black clarinet. They are wearing a striped shirt, orange shorts, patterned black leggings, and black flat shoes. A watermark is visible across the center of the scene against a neutral wall background.
Marimba player Max Fahland performing Alejandro Viñao's Burritt variations at June in Buffalo 2015
A person with dark hair and glasses stands behind a marimba, holding two mallets in each hand. They wear a black long-sleeved shirt while striking the wooden bars of the instrument. The background consists of a dark horizontal surface and a neutral-colored wall.
Violinist Yuki Numata Resnick and composer Andrew Greenwald at June in Buffalo 2015
One person with dark hair shaved on the sides and a black shirt stands next to another person with curly hair and glasses wearing a pink polo and a patterned cardigan. A marimba is positioned on the left side of the frame. A copyright watermark is visible across the middle.
On the left, a person with dark hair shaved on the side wears a black shirt and holds a violin. Next to them, a person with long curly hair and glasses wears a pink shirt and a patterned cardigan. They stand indoors in front of a neutral curtain.
Talujon Percussion Ensemble members Ian Antonio, Tom Kolor, Michael Lipsey, and Matthew Gold rehearsing at June in Buffalo 2015
Four individuals are positioned around various drums and percussion equipment in a rehearsal space. Several music stands hold papers, while a double bass is visible in the background. Two people hold drumsticks near a set of drums.
Several people stand in a room filled with musical instruments, including a large drum, snare drums, and bongos. A music stand in the foreground holds sheet music while people in the background stand near a vibraphone and a double bass. Two people in the foreground hold drumsticks over the instruments.
Four individuals stand in a room surrounded by percussion instruments such as a large bass drum, tom-toms, and a vibraphone. One person in the foreground strikes a bass drum with mallets while others hold drumsticks and stand near their respective equipment. Music stands and a tambourine are positioned throughout the space.