Eleanor Steber in costume as Cio Cio San in Puccini's Madama Butterfly
Full-length portrait showing a person wearing a richly embroidered kimono and floral hair ornaments while holding a folding fan. The figure stands against a plain backdrop and wears layered robes with ornate patterns. A handwritten autograph and inscription appear in the upper left and a small studio stamp is visible in the lower left corner.
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State University of New York at Buffalo. Music Library
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Eleanor Steber in costume as Tosca in Puccini's Tosca
Black-and-white studio portrait showing a person wearing a full-length embroidered brocade gown with puffed sleeves and a long train. The person wears a decorative headpiece with a trailing veil and holds a tall ornamental staff. The plain backdrop and slight surface wear suggest a vintage studio production.
Eleanor Steber in costume as Rosalinda in Johann Strauss's Die Fledermaus
Black-and-white studio portrait showing a person posed holding a decorative folding fan near the chest. The subject wears a jeweled necklace, bracelet and a feathered headpiece with styled short curls. A blue ink autograph is written in the upper left corner and a small studio credit appears in the lower left.
Eleanor Steber in costume on stage as Arabella in Richard Strauss's Arabella
A theater set showing two actors in 19th-century formal costume standing on a parquet floor near a sweeping curved staircase and upholstered sofa. One performer wears a voluminous ball gown trimmed with pompom-like decorations and long gloves, while the other wears a dark tailcoat and white gloves. The backdrop features tall doors with draped curtains and decorative molding.
Eleanor Steber in costume as Arabella in Richard Strauss's Arabella
Black-and-white studio portrait showing a person wearing a corseted off-shoulder gown with fur trim, long gloves, and a full skirt decorated with rows of large pom-pom fur clusters. The subject wears a floral headpiece and stands against a plain backdrop while holding a small prop. A handwritten dedication in green ink appears in the upper left and a photographer's signature is visible in the lower right.
Black and white studio portrait of a person wearing a small round hat decorated with fabric flowers and a thick matching scarf and mittens. The person wears a light colored tailored jacket with dark trim and button accents. A handwritten autograph in blue ink is visible in the upper left corner. The portrait has soft studio lighting and a plain background.
Eleanor Steber in costume as Marschallin in Richard Strauss's Der Rosenkavalier
Person in period-style clothing wears an elaborate feathered hat and holds a small lorgnette to the face. The subject holds a large bouquet of flowers while wearing satin gloves, layered necklaces, and a velvet-looking dress. A cluster of roses is visible in the background and a handwritten autograph appears near the lower edge.
Eleanor Steber in costume as Sophie von Faninal in Richard Strauss's Der Rosenkavalier
Black-and-white full-length studio portrait showing an ornate 18th-century style gown with wide pannier skirt, ruffles, and lace trim. The subject stands with one hand on the hip and the other raised near the shoulder, hair styled with a floral accessory. A handwritten blue ink inscription and signature appear on the lower left, with a photographer credit stamped "DeBellis N.Y." at the bottom.
Eleanor Steber in costume as Desdemona in Verdi's Otello
A performer in a long, flowing white gown with loose long hair is posed leaning on a covered pedestal and looking upward. The portrait is studio-lit with a soft spotlight and a plain dark background. A photographer's signature appears in the lower left corner.
Eleanor Steber in costume as Violetta in Verdi's La Traviata
Individual wearing a strapless tulle ball gown with a full skirt and elbow-length gloves stands holding a large feather fan. A floral detail is attached at the waist and the skirt hem has a dotted decorative border. Handwritten captions appear along the bottom edge of the print.
Eleanor Steber in costume as Elsa in Wagner's Lohengrin
Portrait depicts a person wearing a metallic circlet with a central jewel and a sheer headscarf draped around the head and shoulders. The photograph uses high-contrast studio lighting with soft highlights and defined shadows. A photographer's signature appears in the lower-left corner.
Black-and-white studio portrait showing a person wearing a headscarf and light robe with hands clasped. A handwritten inscription reading "Merry Christmas to All Ever yours," and a signature appear at the lower right. The photograph has classic mid-20th century studio lighting and tonal range.
Studio portrait of a person wearing a fur stole over a strapless evening gown. The subject wears a necklace, earrings, and a bracelet and is posed against a dark background. Lighting highlights the face and upper torso, and the photograph is black-and-white.
Black-and-white studio portrait, head-and-shoulders, featuring a dark garment with an ornate lace collar. A blue ink cursive inscription and signature cover the lower portion of the print. Soft studio lighting highlights the facial features and curled hairstyle, suggesting mid-20th century styling.
Head-and-shoulders portrait showing a person with short curled blonde hair, wearing a dark jacket and a decorative pendant necklace against a light background. The person faces forward with teeth visible in a smile. A handwritten autograph or inscription appears in the upper left area of the photograph. The portrait has a vintage studio look.
Full-length studio portrait showing a person wearing a strapless satin gown with long opera gloves and a draped sash. The person holds a small bouquet of roses and stands beside a mid-century upholstered settee in front of pleated curtains. The photograph is black-and-white and reflects mid-20th century studio styling.
An individual seated in a dark off-shoulder satin evening gown with gathered sleeves and a fitted waist. They wear a pendant necklace and small earrings and have hair styled in soft waves. Hands rest on a surface and the person faces the camera with a closed-mouth expression.
Eleanor Steber and Norman Farrow singing at a Bach Aria Group Concert
Two people stand onstage wearing formal attire while holding sheets of music. A third person is seated to the right behind a decorative railing or keyboard. The background shows ornate wall panels and a floral arrangement.
Two people stand close together in a vintage black-and-white photograph taken indoors. One person wears a belted coat and holds a fedora-style hat, while the other wears a dark overcoat, glasses, and holds a cigarette. They hold each other's arms in front of paneled walls and a curtained window.
Eleanor Steber, husband Edwin Bilby, and dog
Two people stand beside a light-colored puppy sitting on a patterned upholstered bench in an interior room. One person wears a tailored knee-length dress and reaches toward the dog, while the other wears a double-breasted suit with a bow tie. A mirror and coat hooks are visible on the wall behind them, with part of the scene reflected in the mirror.
Eleanor Steber, husband Edwin Bilby, and car
Two people stand side by side on a driveway next to a dark automobile and another car behind them. One person wears a double-breasted jacket, bow tie, light trousers, and dress shoes; the other wears a mid-length belted dress, white gloves, and open-toed heels. Ivy-covered building, street lamps, and trees are visible in the background, suggesting a mid-20th-century setting.
Eleanor Steber and conductor Dmitri Mitropoulos
Two people stand facing each other in an interior setting, one wearing a tuxedo and the other wearing a satin evening gown with long gloves and a statement necklace. A window with blinds and a cushioned bench are visible in the background. A handwritten signed inscription appears on the lower right of the print.
Eleanor Steber and conductor Eugene Ormandy after Philadelphia Orchestra concert
Two formally dressed people pose in an interior setting; one is seated on a couch holding a large bouquet of flowers while the other stands behind. Both faces are visible and the seated figure wears an off-the-shoulder full-length gown while the standing figure wears a tuxedo. A handwritten inscription and signature are visible in the upper right corner and period interior details like curtains and upholstered furniture appear in the background.
Two people in formal evening attire, one standing and one seated on a sofa next to a bouquet. A handwritten inscription and signature appear in the upper right corner. The room features paneled walls, an upholstered chair, curtains, and a window with blinds.
Eleanor Steber and tenor Brian Sullivan at Boston Commons
Two people stand on a wooden dock at the edge of a pond with swan-shaped pedal boats moored behind them. Both wear long overcoats and the person on the right wears a fur coat and headscarf. Bare trees and park benches are visible across the water, and the pair gesture with raised hands while facing each other.
Eleanor Steber in costume as Vanessa in Samuel Barber's Vanessa
Black-and-white portrait showing a person wearing a large decorative hat and a coat with a fur-like collar. The person holds a plush toy near the chest and has an upswept hairstyle. Facial features and visible teeth are clearly rendered in the photograph.
Formal portrait of a person wearing a floor-length gown with puffed tulle sleeves, a patterned center panel, and a large statement necklace. Accessories include bracelets and rings and a styled short haircut. A green handwritten inscription and signature runs across the lower margin and the print displays mid-century black-and-white toning.
Studio portrait of a person wearing a fitted dark evening gown with sheer puffed sleeves and decorative bodice detailing. The subject wears a multi-strand necklace, drop earrings, bracelets, and long gloves. Hairstyle is short and waved, and the subject holds one hand raised in a posed gesture against a plain backdrop.
Eleanor Steber in costume as Marguerite with Bill Park (right) and unidentified male
Three people stand on a lawn in front of a brick building, with the center person wearing a long dress, braided hair, and a headpiece while holding a bottle. The two people at the sides wear short-sleeved shirts and high-waisted trousers. The background shows windows and some outdoor equipment.
Eleanor Steber in costume as Vanessa and Rosalind Elias as Erika in Samuel Barber's Vanessa
Two figures posed in turn-of-the-century attire; one stands in a light dress with a ruffled collar and full sleeves, the other sits wearing a dark coat or dress with a lace jabot and a large decorative hat. The setting appears staged with period furnishings visible in the background. The photograph is monochrome and shows detailed clothing textures and accessories.
Eleanor Steber in costume as Manon in Massenet's Manon
The subject wears an ornate period dress with a corseted, embroidered bodice and a rose at the neckline. The sleeves are sheer and gathered and the full skirt features floral embroidery. Hands are posed near the waist and chest and the hair is styled in short curls.
Eleanor Steber in costume as Fiordiligi in Mozart's Cosi fan tutte
Black-and-white studio portrait of a performer in a corseted, period-style dress with layered tulle and pleated sleeves. The subject wears a small decorative hat and holds a parasol over one shoulder. The composition shows a turned pose and clear studio lighting that emphasizes costume texture.
Eleanor Steber in costume as Sophie and Risë Stevens as Octavian in Strauss's Rosenkavalier
Black-and-white portrait of two people wearing 18th-century style clothing with ruffled collars, lace trim, and a sash. One person is seated while the other stands close behind, and an ornate carved headboard and drapery are visible in the background. The print shows moderate grain and soft contrast consistent with older photographic prints.
Eleanor Steber in costume as Minnie in Puccini's Fanciulla del West
An individual wearing a wide-brimmed hat, a fringed suede jacket, dark trousers and a belt stands with hands on hips near a wooden door. A scarf is tied around the neck and dark shoes are visible. The room has light-colored walls, a ceiling light fixture, a pink carpet, and a bag on a nearby piece of furniture in the foreground.
A performer wearing a cowboy hat, fringed jacket, purple bandana, and dark trousers stands with one foot on a wooden chair in a dressing room. A velvet chaise lounge sits nearby and a vanity with round light bulbs and drawers is visible against the wall. The floor is carpeted and the walls are light-colored. The performer has one hand on the hip and the other resting on the chair back.
Individual wearing a fringed jacket, cowboy hat, and decorative boots stands with one foot on a purple upholstered chair in a dressing room. A vanity with drawers and a mirror is visible behind them, and personal items rest on a wooden table to the left. The room has light-colored walls and carpet, and a ceiling light fixture is visible.
An individual stands near a corner wearing a wide-brimmed hat, fringed jacket, scarf, belt, and dark trousers. One hand is at the waist and the other rests near the chest. The setting includes a wooden door, a small dresser, pale walls, and a carpeted floor.
Black-and-white photograph of a person wearing a wide-brimmed hat, embroidered vest, scarf, and fitted trousers leaning on a wooden fence. A saddle hangs on the fence and riding gear is draped on a post. Trees and open pasture are visible in the background.
A person stands in a floor-length embroidered gown with short sleeves and long white gloves. A mirrored wardrobe with hanging garments is visible behind, and a chair and draped fabric sit to the right. The outfit includes a necklace and a decorative headpiece, and the dress has contrasting dark side panels.
Black-and-white studio portrait showing a person wearing a feathered headpiece, sheer shawl, beaded necklace, and bracelet while holding a decorated folding fan. The subject is posed against a plain backdrop in mid-length framing. Printed text appears along the bottom that includes a name.
Eleanor Steber in costume as Elsa and Astrid Varnay as Ortrud in Wagner's Lohengrin
Two people wearing long, flowing robes are posed against a mottled wall; one stands while the other kneels and rests a hand near the standing person's waist. Lighting produces strong contrasts and shadows across the garments and backdrop. The clothing and plain wall resemble a staged or theatrical setup.
Eleanor Steber on stage as the Empress in Richard Strauss's Frau ohne Schatten
A black and white stage scene depicting several people in elaborate robes and crowns standing in a row. One central figure wears a long gown with flowing sleeves, while another wears a patterned ceremonial robe with decorative medallions. A person in a dark formal suit is visible among them and a crowd is dimly seen in the background.
An individual wearing a long, flowing white gown poses with arms extended and head tilted slightly upward. Long hair falls past the shoulders and down the back. Studio lighting creates a bright circular highlight in the upper left and a dark background elsewhere. The print is black and white and bears a small signature in the lower left corner.
The subject stands facing the camera wearing a fitted white gown with a long cape draped over the shoulders. Hands are held down at the sides and the figure is shown from head to mid-thigh against a plain dark background. A printed label with text appears along the bottom edge.
A person in a floor-length ball gown stands on the front steps of a house with tall columns and a triangular pediment. The person wears elbow-length gloves, a decorative headpiece and holds a fan while positioned between two large planters. The scene is shown in black-and-white and appears vintage.
The subject is seated on a wooden bench wearing an off-the-shoulder satin ball gown trimmed with fur and decorative rosettes. Long gloves and a braided hairstyle with a floral accessory are visible, and the subject holds a small folding fan. The photograph is high-contrast black-and-white with studio lighting and a plain backdrop.
Grainy black-and-white headshot showing a person with short curled hair, visible teeth, earrings, and a light-colored garment. The print exhibits a halftone dot pattern and a horizontal fold line across the face. The face is centered and fills most of the frame.
Eleanor Steber in dressing room after a performance of Tosca
A crowded dressing room shows a seated person at a vanity with an open makeup case and a group of people reflected in the mirror. The seated person faces away from the camera and wears a high-necked garment with styled hair. Makeup items, brushes, and small boxes are scattered on the countertop.
A person in costume sits at a vanity mirror applying makeup while several people stand behind and are reflected in the glass. The dressing table holds makeup items, a pitcher, and a small case, and an electrical outlet is visible on the wall. The scene has a mid-20th century atmosphere suggested by hairstyles and clothing.
A black-and-white backstage dressing room scene showing a seated person at a dressing table with an illuminated mirror and several people gathered behind. The seated person wears a formal dress and a necklace, and there are cases and small items on the table. A mirror reflection captures the group from behind the table.
A crowded dressing room with a central vanity mirror reflecting a group gathered around a seated person. An open makeup case, glass, compact, and other personal items sit on the counter next to electrical outlets. Coats hang on wall hooks and the clothing and hairstyles indicate a mid-20th-century setting.
A person wearing stage makeup sits at a dressing-room vanity with open makeup cases, brushes, and a glass on the counter. A large mirror reflects a group of people standing behind the vanity. The person faces the camera while holding an item near the makeup case.
Eleanor Steber at a party in a hotel suite in New York City
A vintage black-and-white photograph showing several people standing in a room with plain walls and molding. One person at the center faces the camera with a hand near the face and wears a polka-dot top, while others are visible from the back or in profile wearing mid-century dresses and headbands. The setting appears to be an informal indoor gathering.
Eleanor Steber with a projector at a party in a hotel suite in New York City
A standing person wearing a polka-dot dress and feather hairpiece is at the center with hands on hips. Two seated individuals are to the left while another person in a suit sits to the right. A small projector or phonograph sits on a cabinet in the foreground and a framed picture hangs on the wall behind them.
Eleanor Steber drinking tea next to Helen Ulmer at a party in a hotel suite in New York City
Two seated adults are shown in a living room setting; one holds a teacup and saucer and wears a polka dot dress and a pearl necklace. The other wears glasses, gloves, and a darker coat while seated beside them. A framed picture, curtains, and a lamp are visible in the background.
Eleanor Steber with Ann (Penny) McInnis (right) and unidentified female at a party in a hotel suite in New York City
Three people stand close together with arms linked, wearing mid-20th-century dresses and a blouse with a skirt. Each person has a visible name tag pinned to clothing, suggesting a social or formal event. They are positioned before a plain interior wall with low furniture partly visible.
A person stands in a room wearing a dark dress with a polka dot bodice and matching sash, a pearl necklace, and a hair accessory. Another person sits on a bed to the left and a third person is partially visible on the right. The scene includes a closed door and simple furnishings, suggesting an informal indoor setting.
Eleanor Steber with three unidentified females at a party in a hotel suite in New York City
Four people pose closely together wearing mid-20th century attire including a suit, polka-dot dress with a headscarf, and a floral dress. One person is seated holding a teacup and saucer while another holds a cigarette. The setting is indoors near a staircase and a hanging light fixture.
Eleanor Steber using a projector standing next to Grace Davis Mechling at a party in a hotel suite in New York City
Two individuals wearing polka-dot dresses stand next to a small table that holds boxed household appliances and a cylindrical device. A third person at the right adjusts an object near the table. The clothing and appliance styles are consistent with a mid-20th century indoor setting.
Eleanor Steber with her husband Edwin Bilby at a party in a hotel suite in New York City
A seated person wears a polka dot dress with a pearl necklace and a corsage, holding a small rectangular box on a bed or bench. A standing person beside them wears a dark suit, striped tie, glasses, and a name tag. Partial views of other attendees and household items are visible, with framed artwork on the wall behind them.
Eleanor Steber with Ann (Penny) McInnis at a party in a hotel suite in New York City
Two people pose close together against a plain background in a black-and-white print. One person wears a polka-dot dress, a pearl necklace, and a feathered hair accessory; the other wears a dark jacket with a light collar and a rectangular name tag pinned to the chest. The photograph has a torn lower edge and minor dust and scratches consistent with age.
Eleanor Steber with unidentified female at a party in a hotel suite in New York City
Two people stand close together indoors as one pins a corsage to the other's polka dot dress while the other has an open mouth and visible smile. The person fastening the flower wears glasses and a patterned short-sleeve dress, and the recipient wears a pearl necklace and a hair accessory. A framed picture is visible on the wall behind them.
Eleanor Steber with coat on at a party in a hotel suite in New York City
Several people are gathered in a narrow interior corridor, with one person standing in a long fur coat and white gloves over a patterned dress. Others are seated or standing nearby, facing each other and wearing mid-20th century formal clothing. The setting includes an overhead light and a doorway, indicating a domestic or small event location.
A black-and-white vintage photograph showing about a dozen people gathered closely in an indoor room. Several people wear suits, collared shirts, and patterned dresses typical of mid-20th-century fashion. The room contains a framed picture on the wall and patterned curtains visible behind the group.
The person stands on a studio set with draped curtains and a sofa at left. They wear a strapless satin gown with a wide sash draped over one shoulder and elbow-length gloves. The person holds a long slender accessory and a small bouquet of flowers while standing on a floor-length skirt.
A person stands on aircraft stairs at an airport wearing a fur coat, hat, and carrying a handbag. The person extends one arm while holding an item in the other hand. Luggage and parts of the aircraft are visible on the tarmac in the background. The photograph is black and white and likely dates to the mid-20th century.
Full-length studio portrait showing a person standing in a floor-length strapless satin gown with a fitted bodice and full skirt. The subject wears a necklace and bracelet and has styled hair. The photograph is black-and-white with a plain backdrop and a soft shadow behind the subject.
Eleanor Steber and accompanist, James Quillian, at a concert at Furman University, Greenville, South Carolina
Two people stand side by side wearing formal evening wear, one in a dark dress with a statement necklace and the other in a dark tuxedo and white shirt. The setting is indoors with a window and a plain wall visible behind them. The photograph shows film grain and small surface marks consistent with an older print.
Eleanor Steber, Lorin Maazel and unidentified male
Three people stand close together in a dimly lit interior wearing formal evening clothes. Two wear tuxedos with bow ties and white pocket squares, and one wears a dark evening gown with a statement necklace and drop earrings. The photograph is black and white with visible film grain and light reflections suggesting a mid-20th century print.
Eleanor Steber and three unidentified males
Several individuals dressed in formal clothing stand close together in a black and white scene. The central individual wears a dark coat, a pearl necklace, and white gloves. Two other individuals in hats and suits stand behind the central individual. A large light-colored object occupies the left foreground and horizontal streaks or scratches are visible across the frame.
A person wearing a dark halter dress is positioned in front of a window with visible panes. The person has short styled hair and is shown from mid-thigh up. The background includes a window frame and a light-colored wall.
Studio portrait of an individual with short wavy hair wearing a fur stole and a pendant necklace. High-contrast black-and-white tones with soft studio lighting. The subject's head is turned slightly to one side and teeth are visible.
Eleanor Steber wearing a crown in front of a landscape painting
Person wearing a light-colored fur wrap and a necklace stands holding a small clutch purse. The background shows a painted landscape backdrop with trees and rolling hills. The photograph is black-and-white with slight grain and surface scratches indicating age.
A person wearing a floor-length off-shoulder formal gown and a necklace stands in a small room with concrete walls and ceiling. A wooden braced door is behind them and simple wooden chairs are arranged nearby. A bouquet rests on one chair and a small table holds a glass and other items.
Subject is a person with short waved hair styled away from the face, wearing small earrings and an off-shoulder dress with a patterned fabric. The face is evenly lit with visible teeth and eyes looking slightly upward. The background is light and out of focus.
Eleanor Steber signing papers at Furman University, Greenville, South Carolina
A person is seated at a table wearing a fur stole and a large necklace, holding several sheets of paper and a pencil. Heavy curtains form the backdrop and an ashtray is visible on the table in front. The scene suggests a formal or stage-side setting without indicating any identity.
Eleanor Steber after Philadelphia Orchestra concert
A person stands in a strapless satin evening gown and a necklace while holding a long bouquet of flowers. The room features paneled walls, an upholstered chair, and a sofa with a book or magazine on it. The photograph is black-and-white and has a vintage appearance.
A performer wearing a strapless gown, a fur stole draped over the shoulders, and elbow-length gloves stands framed by two decorative columns. The backdrop is dark with light speckles and the scene has visible film grain and small scratches. The composition and styling suggest a mid-20th century studio or stage production.
Eleanor Steber on television with other cast members
Black-and-white still showing a group of performers standing in a line on a stage with a draped backdrop. The individuals wear historical or Renaissance-style gowns, cloaks, and tights, and some link arms. The photo has rounded corners, visible film grain, and scratches, suggesting an older film or television still.
Eleanor Steber on television, singing in chair
A person sits in a high-backed woven wicker peacock chair wearing a dark V-neck dress. The mouth is open and both hands rest on the chair arms and lap. The scene is high-contrast black-and-white with a dark background and foliage visible at the sides.
Eleanor Steber on television with unidentified male
A rounded-corner television frame shows two people standing before a brick-pattern backdrop. The person on the left wears a suit and a beret-style hat, and the person on the right wears a plaid shawl over a dark dress. The shot is high-contrast and cropped to the TV screen area.
Eleanor Steber on Holiday Program television broadcast
A performer wearing a liturgical robe stands near an altar draped with a cloth and a set of steps. A large ornate candelabra with several candles is visible on the right side of the frame. The circular vignette and grainy monochrome quality suggest an early television broadcast or a photographed television screen.
A performer in a flowing robe stands with hands clasped near an altar and a multi-branch candelabra. The background includes steps and a draped altar cloth. Circular frame and visible scan lines indicate the scene was captured from an older television broadcast.
A person sits centered within a circular television frame with hands clasped in their lap. They wear a light-colored robe with dark trim and are positioned in front of a patterned upholstered back or cushion. The scene is black-and-white and shows vignette edges characteristic of an early broadcast.
Eleanor Steber and choir on Holiday Program television broadcast
A person in a choir robe stands at the front of a group wearing matching robes with dark neck accents. The choir members are arranged in rows behind a low railing. The photograph is grainy and shows scratches and film artifacts consistent with archival television or film stills.
A person wearing a light robe with dark panels is shown within a circular vignette, hands clasped in front. A patterned textile hangs behind the person and the frame shows film grain and surface scratches. The scene is presented in high-contrast black-and-white typical of early television broadcasts.
Black-and-white circular television broadcast still showing a choir on a stage. Several performers wear matching robes with dark collars and stand in a semicircular formation around a central robed figure. The circular masking and visible edges indicate the scene was filmed through a round aperture.
A performer in a flowing robe stands on stage beside stone steps and an ornate altar. A multi-branched candelabrum with several lit candles is positioned on the right. The scene is presented in a circular vignette and includes set details consistent with a staged production.
A soloist stands at the front of a church nave wearing a long liturgical robe, with several choir members arranged on raised steps behind. The choir members wear matching white robes with dark collars and stand behind wooden choir stalls and music stands with candelabra. The photograph has a grainy, circular-vignette black-and-white appearance suggestive of historical film or early television stills.
Rows of robed singers stand in two parallel lines along the nave with a robed figure centered on the aisle near steps leading to an ornate altar. The setting includes carved stonework, an altar rail, and a raised platform with steps. The frame has a circular vignette and visible film grain suggesting an early broadcast or archival recording.
A soloist in a long ceremonial robe stands at the center front on steps in front of a choir wearing matching robes with bow ties. The choir is arranged on risers behind a decorative altar or railing, with a candelabrum visible to one side. The scene appears in a circular frame and is presented in black-and-white, suggesting an archival television still.
A group of choir members stand in liturgical robes arranged in a semicircle with a soloist positioned at the center front. The stage shows floor markings and a dark curtain backdrop. The scene has noticeable grain and a circular vignette at the edges.
Black-and-white broadcast still with a choir in matching robes arranged in a semicircle behind a solo performer wearing a long robe. The stage includes candelabra and a circular vignette suggesting an early television frame, and floor markings are visible at the performers' feet. This frame displays film grain and slight vignetting consistent with mid-20th century television recordings.
A group of choristers in matching robes stand on risers behind a soloist wearing a contrasting robe at the front of a church sanctuary. Two candelabra flank the wooden altar rail and a Gothic-style arch is visible in the background. The scene is rendered in black-and-white with vignette edges and noticeable film grain, suggesting an older recording or print.
A choral ensemble stands in a semicircle on a stage wearing light-colored robes with dark collars. A central figure wears a darker ceremonial robe and stands slightly forward. Candlesticks and a wood-paneled backdrop are visible behind the group, and the floor shows circular stage markings.
Nine individuals stand in a semicircle on a stage wearing choir-style robes; a central person wears a darker, floor-length robe and stands with hands clasped. Curtains and a circular window are visible behind them. The photograph shows a circular vignette and horizontal scan lines.
The person wears a floor-length gown with embroidered panels and a fitted bodice. They stand centered in front of a radiator and closed blinds, with metal lockers to the left and a sink and shelves to the right. Hair is styled in short curls and a bracelet is visible on one wrist.
A person sits astride a dark horse equipped with a bridle and saddle. A wooden fence and trees form a rural background, and the ground appears unpaved. The photograph is black-and-white and has a vintage appearance.
Two people stand beside a white wooden fence in an outdoor setting. One person holds a hat while the other has both hands in a muff and leans on the fence. A large red handwritten signature overlays the lower half of the scene and foliage plus part of a building are visible in the background.
A person wearing a long dress kneels and holds two young light-colored puppies on leashes near a closed door. Both puppies are standing on the floor close to the person's hands. The setting includes paneled walls and a visible doorknob, suggesting an indoor location.