Composer Chinary Ung gives a lecture at June in Buffalo 2016
A person wears a jacket over a dark shirt and a necklace while standing with both hands lifted and palms open. Behind them is a black grand piano and a background featuring vertical curtains and a microphone stand. The room includes wooden flooring and rows of seating in the lower right corner.
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State University of New York at Buffalo. Music Library
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Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
A person with grey hair and glasses is shown from the side, wearing a tan jacket and a beaded necklace with a white pendant. Their hands are blurred in motion as they gesture forward in an indoor setting. Behind them is a microphone stand and rows of red cushioned seating against a wall with vertical panels.
A person in a tan jacket and dark shirt stands with their arms outstretched horizontally. They wear glasses and a necklace with a prominent light-colored pendant. Behind them, a grand piano and rows of red seating are visible in a space with sound-dampening wall panels.
A person with short grey hair and glasses stands with their hands raised in front of them. They wear a tan jacket over a dark shirt and a beaded bracelet on one wrist. A grand piano and grey curtains are visible in the background, along with a microphone stand and rows of red seating.
A person in a tan jacket and glasses gestures with their hands in the foreground of a room. Behind them, a second person stands with their back turned beneath a large, white projector screen. The setting includes music stands and the edge of a black grand piano.
Brad Lubman, conductor with Ensemble Signal members Courtney Orlando, violin, Lauren Radnofsky, violoncello, Tom Kolor, percussion, Emlyn Johnson, flute rehearsing Timothy Roy's Chatterbox at June in Buffalo 2016
Signal (Musical group : 2008- ) - Ensemble
Five musicians perform together on a wooden stage using instruments such as a cello, violin, flute, and percussion. A person stands in the center facing several music stands while others are positioned around them with their instruments. Overhead microphones are positioned above the ensemble, and a piano is visible on the left.
A conductor stands in the center of a stage with arms raised, facing musicians playing instruments including a cello and a flute. One person stands behind percussion equipment in the background, and a grand piano sits on the far left. Music stands and a tall microphone stand are positioned around the performers on the wooden floor.
Student composer Timothy Roy watches as Brad Lubman, conductor and Ensemble Signal members Courtney Orlando, violin, Lauren Radnofsky, violoncello, Tom Kolor, percussion, Emlyn Johnson, flute rehearse Roy's Chatterbox at June in Buffalo 2016
A conductor stands on a wooden stage with their back to the camera, directing a musical group. The ensemble consists of individuals playing a violin, a cello, and a flute, with music stands and other instruments nearby. In the foreground, a person sits in a pew reading papers while another person stands in the background.
Composer Josh Levine gives a master class to student composers Bekah Simms, Pierce Gradone, and Samuel Clark-McHale at June in Buffalo 2016
Two people sit at a desk on the right side of a room, while others face them from desks in the foreground. A black upright piano and a music stand with sheet music are positioned on the left. A whiteboard with musical staff lines is mounted on the far wall.
Composer Josh Levine gives a master class to student composer Samuel Clark-McHale at June in Buffalo 2016
One person wearing a pink shirt and glasses is seated at a white table next to another person in a tan fleece. Several papers, a pen, and a white disposable cup are on the table. A whiteboard with musical staff lines is visible on the wall behind them.
An individual in a peach shirt and glasses sits at a desk with their chin resting on their hand. Across from them, another person in a brown fleece pullover gestures while speaking. Papers, a notebook, and a beverage cup are placed on the table in front of them in a room with a music staff whiteboard.
Several people occupy a stage area featuring a piano, a cello, and various percussion instruments. Some individuals are seated playing instruments or looking at sheet music, while others stand and examine documents. A tall microphone on a boom arm extends from the right side of the frame over the performers.
Student composer Xavier Beteta talks with conductor Brad Lubman onstage, with Ensemble Signal members Tom Kolor, percussion, Adrián Sandí, clarinet, Emlyn Johnson, flute, Lauren Radnofsky, violoncello, and Courtney Orlando, violin rehearse Beteta's GOLEM at June in Buffalo 2016
In a room with acoustic wall panels, several people gather around music stands and various instruments including a bass clarinet, a cello, and a violin. A large black piano sits in the foreground with a notebook and pen on its surface. Some individuals are seated while others stand and look at sheet music together.
Student composer Xavier Beteta talks with Brad Lubman, conductor, while Lauren Radnofsky, violoncello, watches during rehearsal of Beteta's GOLEM at June in Buffalo 2016
Two people stand behind music stands on a stage while a third person sits in the foreground with a cello. The individual on the left wears a dark long-sleeved shirt, and the individual in the center wears a light striped shirt. In the background are rows of seats in a darkened auditorium.
Three people are in a room with acoustic wall panels and rows of dark seating in the background. On the left, a person in a dark shirt stands behind a music stand while looking toward a person in a light-colored shirt on the right. In the foreground, a third person is positioned with a cello and a music stand.
One person in a dark shirt stands behind a music stand and faces a second person in a light striped shirt. A third person with long curly hair is seen from behind playing a cello. Music stands with sheet music and rows of seats are visible in the background.
Student composer Xavier Beteta coaches Ning Yu, piano, on Beteta's piece GOLEM at June in Buffalo 2016
A person in a white striped shirt sits at a black grand piano while another person in a green garment stands next to them holding sheets of paper. The piano's lid is propped open in a room with light-colored walls and a red fire alarm box.
Student composer Xavier Beteta talks with Brad Lubman, conductor and Ensemble Signal members Courtney Orlando, violin, Lauren Radnofsky, violoncello, Tom Kolor, percussion, Emlyn Johnson, flute during a rehearsal of Beteta's GOLEM at June in Buffalo 2016
Several performers are positioned on a wooden stage among musical instruments like a cello, piano, and percussion equipment. One person stands centrally while another sits with a cello and a third person holds a flute. A person in the foreground faces the group with their back to the camera.
Student composer Xavier Beteta watches Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute rehearse Beteta's GOLEM at June in Buffalo 2016
Several people are positioned on a wooden stage with instruments such as a grand piano, violin, cello, and bass clarinet. One person stands in the center of the group facing away from the camera, while others sit and look at sheet music on stands. The stage is set against a plain white wall with various audio equipment and microphones visible.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute rehearse Xavier Beteta's GOLEM at June in Buffalo 2016
Musicians are positioned on a light-colored wooden stage in front of a white wall. To the left, a person sits at a black grand piano, while others play string, woodwind, and percussion instruments across the stage. A person stands in the center with their back to the camera, arms raised toward the ensemble. Microphone stands and music stands are distributed throughout the performance space.
Six musicians perform on a stage with instruments including a grand piano, a cello, and woodwinds. A conductor stands in the foreground with a raised arm while facing the ensemble. Sheet music rests on black metal stands, and microphones are positioned on tall stands across the performance area.
Student composer Xavier Beteta coaches Courtney Orlando, violin of Ensemble Signal on Beteta's piece GOLEM as Ning yu, piano, Lauren Radnofsky, violoncello, and Brad Lubman, conductor look on at June in Buffalo 2016
A person stands near a grand piano holding a baton and facing a seated individual with a cello. Several music stands are arranged on the wooden floor, and a person in a black shirt stands with their back to the camera. The setting features a minimalist background and stage lighting.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute perform Xavier Beteta's GOLEM at June in Buffalo 2016
On a brightly lit wooden stage, several people play instruments including a grand piano, a cello, and a flute. A person stands with sheet music facing the performers, who are surrounded by music stands and microphones. The silhouettes of an audience are visible in the darkened seating area in front of the stage.
Several musicians sit on a wooden stage playing a grand piano, cello, and woodwind instruments. A person stands in the center facing the group next to several music stands. The silhouettes of audience members are visible in the dark foreground.
A group of musicians performs on a wooden stage while an audience sits in the foreground. The ensemble includes a pianist at a grand piano, a cellist, woodwind players, and a percussionist, all led by a conductor standing with their back to the viewer. Music stands and a tall microphone stand are placed around the performers on the stage.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, Adrián Sandí, bass clarinet, Tom Kolor, percussion, and Emlyn Johnson, flute acknowledge applause after performance of Xavier Beteta's GOLEM at June in Buffalo 2016
Several people are positioned on a wooden stage, some holding string and woodwind instruments while one stands near a grand piano. One person in the center is gesturing with their hands together. Silhouettes of an audience occupy the dark foreground.
Brad Lubman, conductor and Ensemble Signal members Ning Yu, piano, Courtney Orlando, violin, Lauren Radnofsky, violoncello, and Adrián Sandí, clarinet, during performance of Philip Taylor's Sparks at June in Buffalo 2016
A group of musicians is positioned on a wooden stage with a grand piano, a cello, and various music stands. One person plays the piano on the left, another sits playing the cello in the center, and a third person stands conducting on the right. Silhouetted figures of an audience are visible at the bottom of the frame.
Composer Hanna Eimermacher watches as Malla Vivolin, bass flute, and Marko Kassl, accordion rehearse Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
One person on the left sits while playing a woodwind instrument, and another person in the background plays an accordion. A third person stands in the foreground facing the stage with their back to the camera. The wooden stage features music stands, microphones, and percussion equipment.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Marko Kassl, accordion rehearses Hanna Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
A person with short hair and glasses sits behind a large black accordion. They wear a blue and white checkered shirt and have their fingers on the instrument's buttons. A music stand with a lamp and a microphone on a stand are positioned in the foreground.
Tom Kolor, percussion rehearses Josh Levine's Four places, many more times at June in Buffalo 2016
Sheet music titled "Four places, many more times" rests on a stand in front of a person wearing a blue shirt. The person holds mallets over a set of long metal tubes arranged on a wooden frame. Small cymbals and additional instruments are positioned on the wooden stage floor.
Stephen Solook, percussion rehearses Josh Levine's Four places, many more time at June in Buffalo 2016
A person with tied-back hair and glasses stands behind a music stand in a room with wood-paneled walls. In the foreground, two long metal pipes are mounted on a wooden plank as part of a percussion setup. Several other stands and small cymbals are visible around the central instrument.
Jonathan Hepfer, percussion rehearses Josh Levine's Four places, many more times at June in Buffalo 2016
Several pages of sheet music for a percussion piece are arranged on a wide stand in a room with a wooden floor. Below the music, two long metal pipes and small round instruments sit on a wooden platform. A hand holding a thin mallet appears on the right side of the frame.
Conductor Matthew Chamberlain performs Josh Levine's Four places, many more times with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion at June in Buffalo 2016
Five individuals are on a stage with a light wood floor, four playing percussion instruments and one standing in the center with raised arms. The performers are positioned behind music stands and instruments including a marimba and various drums. In the foreground, several audience members are visible from behind sitting in a row of chairs.
Four individuals stand behind percussion instruments while a fifth person conducts with arms raised on a wooden stage. The performers wear button-down shirts and dark trousers. Several audience members sit in red chairs in the foreground, and vertical wood paneling covers the background walls.
Conductor Matthew Chamberlain performs Josh Levine's Four places, many more times with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion as an audience watches at June in Buffalo 2016
Five people play a variety of percussion instruments on a light-colored wooden stage. They are arranged behind music stands and microphones, positioned in front of a wooden-paneled wall. Rows of red auditorium seats and the backs of audience members are visible in the foreground.
Conductor Matthew Chamberlain, with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion, acknowledge applause for a performance of Josh Levine's Four places, many more times at June in Buffalo 2016
Five people stand on a wooden stage in a concert hall, positioned behind music stands and percussion instruments. In the background, a large pipe organ is visible above the paneled wall. Several audience members are seated in the foreground, facing the stage.
Conductor Matthew Chamberlain with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion acknowledge composer Josh Levine after a performance of Levine's Four places, many more times at June in Buffalo 2016
Six individuals stand on a wooden stage in front of various percussion instruments, including a marimba and drums. They face each other and an audience seated in red chairs in the foreground. The backdrop consists of vertical wood paneling and a large pipe organ.
Jonathan Golove and T. J. Borden, violoncello, and Tom Kolor, percussion perform Hanna Eimermacher's Luftpost für L at June in Buffalo 2016
Three musicians perform on a wooden stage in a hall with wood-paneled walls and red seating. Two people sit and play cellos, while a third person stands next to a large copper timpani and other percussion equipment. A watermark covers the middle of the frame, and the heads of several audience members are visible in the foreground.
Jonathan Golove and T.J. Borden, violoncello, and Tom Kolor, percussion acknowledge applause for a performance of Hanna Eimermacher's Luftpost für L at June in Buffalo 2016
Three musicians wearing black clothing stand on a light wood stage in front of wood-paneled walls. Two people hold cellos beside music stands and padded benches, while a third person stands behind a set of timpani and cymbals. Red auditorium seats and the tops of audience members' heads are visible in the foreground.
Jonathan Golove, violoncello hugs composer Hanna Eimermacher as T.J. Borden, violoncello and Tom Kolor, percussion watch after a performance of Eimermacher's Luftpost für L at June in Buffalo 2016
On a wood-paneled stage, three people in dark clothing and one person in a patterned dress stand near two cellos and percussion instruments. The person in the dress hugs a cellist on the left side of the stage, while another person claps on the right. In the foreground, an audience sits in rows of red chairs with their backs to the camera.
Three individuals stand on a wooden stage with two cellos and a set of timpani. One person on stage embraces a cellist, while another stands holding a cello and a third person claps. An audience is seated in red chairs in the foreground, facing the stage.
Composer Hanna Eimermacher, Jonathan Golove and T.J. Borden, violoncello, and Tom Kolor, percussion acknowledge applause after a performance of Eimermacher's Luftpost für L at June in Buffalo 2016
A person in a patterned dress stands alongside three others in dark clothing on a wooden stage. Two cellos and percussion instruments are visible next to the performers. The group faces an audience in a hall with wood-paneled walls and red seating.
Conductor Matthew Chamberlain performs Josh Levine's Former Selves with Slee Sinfonietta (Tom Kolor, percussion, Jade Conlee, electronics, Magnus Andersson, guitar, Caroline Sonnett, flute, Jean Kopperud, bass clarinet, Courtney Orlando, violin, Jen Baker, trombone, Alyssa Roggow, viola, Jonathan Hepfer, percussion, Jonathan Golove, violoncello, Kristen Theriault, harp) at June in Buffalo 2016
A group of musicians sits on a wooden stage with instruments including a guitar, cello, and laptop, while a person stands in the center facing them. Music stands and microphones are dispersed across the stage, and the silhouettes of audience members are visible in the foreground. The performance takes place in a hall with wood-paneled walls and organ pipes in the background.
Arditti Quartet (Irvine Arditti and Ashot Sarkissjan, violin, Lucas Fels, violoncello, and Ralf Ehlers, viola) perform student compositions in workshop at June in Buffalo 2016
Four people sit in a semi-circle on a wooden stage, playing string instruments including violins and a cello. They are positioned behind music stands, with a grand piano and instrument cases visible in the background. In the foreground, the dark silhouettes of several audience members look toward the performers.
Four individuals sit in a semi-circle on a wooden stage playing string instruments including violins and a cello. Each musician has a music stand with sheet music in front of them, and instrument cases are positioned in the background. The performers are dressed in casual attire and are seated on metal-framed chairs.
Composer Hanna Eimermacher coaches Ensemble Uusinta members Malla Vivolin and Max Savikangas, glass bottles on Eimermacher's Transparenz at June in Buffalo 2016
A person in the foreground holds a green bottle over a table filled with glassware, papers, and a bowl. Two other individuals are positioned across from and beside the table, which sits in front of rows of empty red theater seats. Microphones on boom arms are directed toward the table from both sides.
Composer Hanna Eimermacher coaches Ensemble Uusinta members Malla Vivolin, Max Savikangas, and Maria Puusaari, glass bottles on Eimermacher's Transparenz at June in Buffalo 2016
Four people are positioned around a long table filled with various glass bottles, white bowls, and papers in a wood-paneled room with a pipe organ. One person stands and pours liquid from green bottles into bowls while another seated person looks at the table's contents. Microphones on booms are directed toward the table where several individuals are engaged in activity.
A person stands at a table pouring liquid from two bottles into a bowl while another person sits nearby looking toward the table. To the left, a third person sits with a bottle held up to their ear. The setting includes wood-paneled walls, large organ pipes in the background, and several microphones on boom stands.
Four people are positioned around a long table holding numerous glass bottles and white bowls in a room with wooden walls and microphones on boom arms. One person stands in the center pouring from two bottles simultaneously into bowls, while another person on the left examines a bottle. The background features an organ and tiered seating.
Ensemble Uusinta members Malla Vivolin, Max Savikangas, and Maria Puusaari, glass bottles rehearse Hanna Eimermacher's Transparenz at June in Buffalo 2016
Three individuals are seated behind a long table draped in black fabric against a dark, paneled wall. The table holds several glass bottles, white bowls, and microphones on stands. One person holds a bottle horizontally, while another holds a bottle near their mouth and a third looks down at an object in their hands.
Three people are seated behind a long table covered in a black cloth, which is cluttered with glass bottles, bowls, and papers. The person in the center holds two bottles horizontally over a white bowl while others on the left and right handle different items. Microphones on stands are positioned in front of each person against a dark wooden background.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta (Jonathan Hepfer, percussion, Pinja Laine, violoncello, Maria Puusaari, violin, Malla Vivolin, flute, and Marko Portin, clarinet) at June in Buffalo 2016
Several people play string instruments while facing a standing person with outstretched arms. In the foreground, a person plays a mallet instrument near small drums and a large gong. The stage is dimly lit with rows of empty red seats visible in the background.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta members Pinja Laine, violoncello, Maria Puusaari, violin at June in Buffalo 2016
A person in a dark polo shirt and glasses stands behind a music stand, conducting with outstretched arms. In the foreground, two musicians seen from behind play a cello and a violin over sheet music. The scene takes place on a dark stage with blurred seating in the background.
A person wearing glasses and a dark polo shirt stands behind a music stand with their arms extended. Two musicians are positioned in the foreground with their backs to the viewer, one next to a cello scroll and the other holding a violin. Sheet music rests on stands in front of the musicians against a black background.
A person stands behind a music stand with their arms extended in a conducting motion toward two individuals seated in the foreground. The individuals in the foreground are seen from behind, playing stringed instruments and reading from open sheet music. The setting is a dimly lit performance space with rows of empty seating visible in the background.
A person in a dark polo shirt and glasses stands with their arms extended horizontally, pointing their index fingers. In the foreground, two individuals are seen from behind sitting at music stands with sheet music. One individual holds a cello and the other holds a violin and bow. A microphone on a stand is positioned to the right against a black background.
A person wearing glasses and a dark shirt stands with hands outstretched above a music stand. Two musicians in the foreground sit with their backs to the viewer, holding a cello and a violin. Open pages of sheet music are visible on stands against a dark background with a translucent copyright watermark overlay.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta member Maria Puusaari, violin at June in Buffalo 2016
A person wearing glasses and a dark polo shirt gestures with their hands while standing behind a music stand. Another person in the foreground holds a violin and bow over pages of sheet music. The background is dark, and light is focused on the subjects.
Conductor Jozsef Hars rehearses Chinary Ung's Oracle with Ensemble Uusinta (Marko Portin, clarinet, Jonathan Hepfer, percussion, Pinja Laine, violoncello, Maria Puusaari, violin, and Malla Vivolin, flute) at June in Buffalo 2016
A person in the foreground stands with their back to the viewer, holding mallets over a vibraphone. In the background, seated musicians play string and woodwind instruments while facing a standing person with raised hands. Music stands, microphones, and various percussion drums are positioned around the stage.
Composer Chinary Ung coaches Jozsef Hars, conductor and Malla Vivolin, flute of Ensemble Uusinta on Ung's Oracle at June in Buffalo 2016
Three people are positioned on a wooden stage in an auditorium with red seating in the background. One person sits in a black chair holding a flute, facing another person who gestures while holding a music score. To the left, a third person stands behind a music stand.
Conductor Jozsef Hars leading Ensemble Uusinta in rehearsal of Chinary Ung's Oracle at June in Buffalo 2016
A person with short hair and glasses wears a dark, short-sleeved shirt and a wristwatch. Their arms are extended forward with palms facing outward above a stand holding sheet music. A microphone on a stand is positioned in the left foreground against a dark, textured background.
Composer Chinary Ung coaching conductor Jozsef Hars of Ensemble Uusinta on Ung's Oracle at June in Buffalo 2016
Two people stand on a wooden stage in front of rows of empty red seats. One person wearing a dark shirt and glasses leans over a black chair, while another person in a tan jacket and scarf holds sheets of paper. Equipment, including a music stand and a microphone boom, is positioned on the stage.
Composer Chinary Ung coaching Ensemble Uusinta on Ung's Oracle at June in Buffalo 2016
Wearing a tan jacket and scarf, the person stands behind a chair on a wooden stage. They hold a large open folder and a writing utensil while positioned in front of a music stand. The background contains empty red theater seating and a microphone stand.
Composer Chinary Ung coaches Jozsef Hars, conductor, and Ensemble Uusinta (John Smigielski, percussion, Pinja Laine, violoncello, Marko Portin, clarinet, Maria Puusaari, violin, and Malla Vivolin, flute) on Ung's Oracle at June in Buffalo 2016
Several people are positioned on a wooden stage with music stands, microphones, and instruments such as timpani and a gong. One person stands near the center while others sit on chairs facing sheet music. Rows of empty red seats are visible in the background auditorium.
Student composer Nathan Kelly coaches Katie Schoepflin, clarinet of Ensemble Dal Niente on Kelly's Of Leaves at June in Buffalo 2016
One person stands over a music stand with sheet music while another sits at a grand piano. The standing person wears a striped zip-up hoodie, and the seated person wears a solid grey hoodie. Wooden acoustic panels are visible on the background walls.
Student composer Nathan Kelly coaches Michael Lewanski, conductor and Ensemble Dal Niente members (Tam Travers, violin and Emma Hospelhorn, flute) on Kelly's Of Leaves at June in Buffalo 2016
Four people are gathered in an indoor space with a grand piano and wooden walls in the background. One person holds a piece of paper, and another person holds a musical bow. The group is dressed in a mix of attire, including a striped hoodie, a collared shirt, and dark-colored clothing.
Conductor Michael Lewanski leading Ensemble Dal Niente (Mabel Kwan, piano, Emma Hospelhorn, flute, Katie Schoepflin, clarinet, Tam Travers, violin, Chris Wild, violoncello, and Greg Beyer, percussion) on Nathan Kelly's Of Leaves at June in Buffalo 2016
A small musical group sits on a raised wooden stage, playing instruments including a grand piano, flute, clarinet, violin, and cello. A person stands in the foreground with their back to the audience, leading the ensemble with raised arms. The stage is set against a plain white wall with various pieces of recording equipment and music stands positioned around the performers.
Student composer Ioannis Angelakis coaching Mabel Kwan, piano of Ensemble Dal Niente on Angelakis' piece Dreamplay (III) at June in Buffalo 2016
A person wearing a striped sweater turns pages of a spiral-bound book on a black grand piano. Another person in a dark sleeveless top stands behind the open piano lid, looking down at the book. Vertical wooden panels and a neutral-colored curtain are visible in the background.
Student composer Joungbum Lee coaches Chris Wild, violoncello of Ensemble Dal Niente on Lee's piece Relatum at June in Buffalo 2016
A person in a dark shirt and gold bowtie sits with a cello behind two music stands. A second person wearing glasses and a button-down shirt stands next to them, looking down at the music stands. The background contains wood-paneled walls and dark curtains.
Student composer Joungbum Lee coaches Ensemble Dal Niente members Tam Travers, violin and Chris Wild, violoncello on Lee's Relatum at June in Buffalo 2016
Three people are situated in an indoor space with various musical instruments. One person sits on the left playing a violin, a second person stands in the middle, and a third person sits on the right playing a cello. Music stands are positioned in the foreground and percussion equipment is in the background.
Conductor Michael Lewanski and Ensemble Dal Niente (Mabel Kwan, piano, Emma Hospelhorn, flute, Katie Schoepflin, clarinet, Tam Travers, violin, Greg Beyer, percussion, and Chris Wild, violoncello) performing student compositions at June in Buffalo 2016
Five musicians sit on a wooden stage playing a grand piano, flute, clarinet, violin, and cello. A sixth person stands with their back to the audience near music stands and various percussion instruments. Silhouettes of audience members are visible in the foreground of the darkened room.
Conductor Michael Lewanski and Ensemble Dal Niente (Mabel Kwan, piano, Emma Hospelhorn, flute, Katie Schoepflin, clarinet, Greg Beyer, percussion, Tam Travers, violin, and Chris Wild, violoncello) performing student compositions at June in Buffalo 2016
A group of musicians is arranged on a wooden stage, including one person at a grand piano and another behind a percussion setup. Other performers sit with wind and string instruments while one person stands with their back to the viewer, facing the ensemble. The scene is lit with warm stage lights, and silhouettes of audience members appear in the foreground.
Tam Travers, violin, Mabel Kwan, piano, and Emma Hospelhorn, flute of Ensemble Dal Niente performing student composer Ville Raasakka's Vanitas at June in Buffalo 2016
A person on the left plays a violin while standing next to a person sitting at a grand piano. On the right, another person stands while playing a flute. All three musicians are dressed in dark clothing and perform on a wooden stage with music stands positioned in front of them.
A group of musicians performs on a wooden stage in an auditorium. The ensemble consists of a pianist at a grand piano, a flutist, a clarinetist, and a cellist, with a conductor standing in front of them. Music stands are placed throughout the stage, and various percussion instruments are located in the background.
Six musicians sit or stand on a wooden stage with various instruments, including a grand piano, flute, and cello. A conductor stands with their back to the viewer, facing the ensemble and music stands. In the foreground, the heads of audience members are visible in silhouette against the lit stage.
Conductor Michael Lewanski and Ensemble Dal Niente (Katie Schoepflin, clarinet, Mabel Kwan, piano, Emma Hospelhorn, flute, Tam Travers, violin, Greg Beyer, percussion, and Chris Wild, violoncello) acknowledging applause at June in Buffalo 2016
Five people stand on a stage in a performance hall, with some individuals holding an oboe and a cello. A grand piano and percussion instruments are arranged around the stage next to music stands. The audience appears as silhouettes in the foreground of the brightly lit stage.
Five musicians are on a stage equipped with a grand piano, a cello, and various percussion instruments. They are positioned near music stands and microphones while facing an audience in a darkened room. The performers wear formal attire and some hold woodwind or string instruments.
Malla Vivolin, Max Savikangas, and Maria Puusaari, glass bottles of Ensemble Uusinta perform Hanna Eimermacher's Transparenz at June in Buffalo 2016
Three people sit at a table on a dark stage, each with several glass bottles and bowls arranged in front of them. The table is covered in a black cloth, and multiple microphones are positioned on stands above the table. Each person holds a bottle while various other bottles stand across the length of the table.
Conductor Jozsef Hars leads Ensemble Uusinta (Malla Vivolin, flute, John Smigielski, percussion, Maria Puusaari, violin, Pinja Laine, violoncello, Jonathan Hepfer, percussion, and Marko Portin, clarinet) in a performance at June in Buffalo 2016
A person in black clothing stands with their back to the camera and one hand raised toward a group of performers. Seated musicians play various instruments including a cello and woodwinds while microphones and music stands are positioned across the stage. The background consists of wood-paneled walls and a large pipe organ.
Conductor Jozsef Hars leads Ensemble Uusinta (John Smigielski, percussion, Malla Vivolin, flute, Maria Puusaari, violin, Jonathan Hepfer, percussion, Pinja Laine, violoncello, Marko Portin, clarinet, and Alexander Chimienti, percussion) in a performance of Chinary Ung's Oracle at June in Buffalo 2016
An ensemble of musicians plays instruments including percussion, flute, violin, cello, and clarinet on a wooden stage. A person stands with their back to the viewer, directing the group in front of music stands and microphones. The background consists of vertical wood paneling.
Conductor Jozsef Hars acknowledges composer Chinary Ung along with Ensemble Uusinta (John Smigielski, percussion, Malla Vivolin, flute, Maria Puusaari, violin, Jonathan Hepfer, percussion, Pinja Laine, violoncello, Marko Portin, clarinet, and Alexander Chimienti, percussion) after a performance of Ung's Oracle at June in Buffalo 2016
A group of musicians with instruments including a flute, violin, cello, and saxophone stand on a wooden stage in front of music stands. One person in the foreground bows toward the empty seats of an auditorium. Percussion instruments like gongs and a drum kit are visible in the background.
An ensemble of musicians stands on a stage with instruments including a violin, cello, woodwinds, and percussion. Two individuals positioned at the edges of the stage gesture toward the group. Music stands, microphones, and a black padded bench are arranged across the floor.
Conductor Jozsef Hars leads Ensemble Uusinta (Väinö Jalkanen, piano, Maria Puusaari, violin, John Smigielski, percussion, Emma Hospelhorn, flute, Marko Portin, clarinet, Pinja Laine, violoncello, Jonathan Hepfer, percussion) in a performance of Joshua Fineberg's Objects trouvés at June in Buffalo 2016
Musicians perform with instruments including a grand piano, flute, and cello on a wood-paneled stage. A conductor stands in the center facing the ensemble with their arms raised. Rows of red theater seats and silhouettes of heads are visible in the foreground.
Conductor Jozsef Hars acknowledges composer Joshua Fineberg along with Ensemble Uusinta (Väinö Jalkanen, piano, Maria Puusaari, violin, Emma Hospelhorn, flute, Marko Portin, clarinet, John Smigielski, percussion, Pinja Laine, violoncello, Jonathan Hepfer, percussion) in a performance of Joshua Fineberg's Objects trouvés at June in Buffalo 2016
A group of musicians stands on a stage with a grand piano, percussion instruments, a violin, and a cello. One person on the stage leans forward to shake hands with another person standing in front of the platform. Red theater seats and silhouettes of audience members occupy the foreground.
Eight performers stand on a wooden stage with a grand piano, string instruments, and percussion. One person walks toward the edge of the stage as audience members watch from red seats in the foreground. A large pipe organ is built into the back wall of the theater.
Malla Vivolin, bass flute and Marko Kassl, accordion of Ensemble Uusinta perform Hanna Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
One person sits on the left holding a large vertical flute, while another person sits on the right playing an accordion. Both musicians are positioned behind music stands and microphones on a wooden stage. A dark red curtain serves as the backdrop, and a copyright watermark is overlaid across the center.
Composer Hanna Eimermacher acknowledges applause with Malla Vivolin, bass flute and Marko Kassl, accordion after a performance of Eimermacher's Kannst du diesen verkehrt fliegenden Vogel sehen? at June in Buffalo 2016
Three people stand together on a stage in front of a wood-paneled wall, holding hands. One individual on the left holds a woodwind instrument, the center person wears a patterned dress with a pink scarf, and the person on the right wears an accordion. Music stands, microphones, and chairs are positioned around the group on the stage floor.
Two people stand together on the left side of a wooden stage, with one holding a flute while the other has a hand on their shoulder. A third person stands to the right holding a black accordion. Music stands, black chairs, and microphones are positioned around the performers in front of a wood-paneled wall.
Composer Joshua Fineberg coaches the Arditti Quartet (Lucas Fels, violoncello, Ashot Sarkissjan, violin, Irvine Arditti, violin, and Ralf Ehlers, viola) on Fineberg's La Quintana for string quartet and electronics at June in Buffalo 2016
Four people sit in a semi-circle holding string instruments such as a cello and violas, while a fifth person sits to the right holding sheet music. They are seated in black chairs on a wooden floor in a room with vertical wood paneling. Music stands hold open scores in front of the musicians, and various bags and instrument cases are scattered around the floor.
Composer Hans Abrahamsen coaches Brad Lubman, conductor of Ensemble Signal, on Abrahamsen's Schnee at June in Buffalo 2016
One person wearing a dark jacket over a grey shirt holds a musical score and points to its cover. A second person stands to the right, looking in the direction of the first person. The background includes music stands, white walls, and glass windows.
Two people stand together, with one individual holding a light green spiral-bound notebook. Both individuals wear black jackets and look toward the pages of the open book. The person on the left has short dark hair and a beard, while the person on the right has short gray hair.
Matt Sargent, sound engineer, and J.T. Rinker and Olivier Pasquet, electronics rehearse David Felder's Netivot at June in Buffalo 2016
Three individuals are seated at a long table containing laptops, papers, and a mixing console in a darkened room. Rows of red auditorium seats are visible in the foreground. Various water bottles, a soda bottle, and electronic cables are spread across the table's surface.
Composer David Felder coaches the Arditti Quartet (Ralf Ehlers, viola, Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Four musicians with string instruments are arranged in a circle around music stands on a wooden stage. A fifth person stands behind the group holding an open score in front of rows of empty red theater seats. Microphones and cables are positioned around the performers.
Composer David Felder coaches the Arditti Quartet (Lucas Fels, violoncello, Ashot Sarkissjan, violin, and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Four people are positioned on a wooden stage in front of several rows of empty red theater seats. Three individuals sit with stringed instruments and music stands, while a fourth person stands facing them with a musical score. Sheet music is positioned on black stands between the seated musicians.
Five people are positioned on a wooden stage with rows of red theater seats in the background. One person stands in the center holding a document while four others sit with string instruments and bows around music stands. Sheet music is displayed on several stands throughout the group.
Several individuals sit in a circle on a wooden stage, holding stringed instruments and bows while looking at sheet music. A person stands behind them, holding a score and a writing utensil. The background consists of numerous rows of red auditorium seating.
Several people are gathered on a stage with music stands and string instruments. One person in a striped shirt uses a pencil to mark a page of sheet music while others hold bows. In the background, rows of empty red theater seats fill the space behind a person wearing a blazer and glasses.
Several people are gathered on a wooden stage with music stands and string instruments. One person in a striped shirt writes on a score while another person in a blazer holds a folder in the background. Rows of empty red auditorium seats fill the background.
Composer David Felder coaches the Arditti Quartet (Ralf Ehlers, viola and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
Several individuals are on a wooden stage with music stands, microphones, and stringed instruments. One person wears a blazer and holds open sheet music, while another person sits in a pink shirt and writes on a music stand. Rows of red theater seating fill the background behind the stage.
Composer David Felder coaches members of the Arditti Quartet (Ashot Sarkissjan and Irvine Arditti, violin) on Felder's Netivot at June in Buffalo 2016
In a performance space with rows of red seating, three people are gathered near music stands. A person on the right wears a pink shirt and holds a violin, while a person in the center stands wearing a brown jacket and holding a score. A third person in a striped shirt is seen from behind in the lower left corner.