Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Buffalo Philharmonic Orchestra - Ensemble
An orchestra rehearsal takes place on a wooden stage with musicians seated behind music stands. One person stands in a patterned shirt with hands raised, while another person stands with their back to the viewer. The room features dark wood-paneled walls and tiered seating in the background.
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State University of New York at Buffalo. Music Library
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Several individuals sit and stand on a wooden stage with music stands and instruments such as cellos and a double bass. One person in a patterned shirt stands at the center of the stage while others sit behind music stands or hold their instruments. Microphone stands are positioned across the stage, and one person sits in the foreground with their back to the viewer.
Several people are positioned on a stage with wood-paneled walls, holding or playing instruments such as cellos and violins. In the center, a person in a black and white patterned shirt stands near a small platform, while others are seated in chairs with music stands in front of them. Microphone stands are placed around the performers, and one person is seated in the foreground with their back to the camera, looking at sheet music.
Musicians sit with string instruments on a stage in front of a wood-paneled wall. One person stands on a central platform facing the ensemble, while another stands in the foreground looking towards the group. Sheet music and music stands are positioned among the seated players.
An orchestra is positioned on a stage with a person standing on a small platform in the center and another person standing at the edge of the stage. Musicians in the background hold cellos and double basses, while a person in the foreground sits facing them with sheet music nearby. Wooden panels line the wall behind the group, and a microphone stand is visible on the right.
A person in a patterned shirt stands on a dark platform while another person stands in the foreground to the right. Seated musicians with cellos and double basses surround the central area on a wooden stage. Music stands and microphones are visible throughout the arrangement.
A group of people with cellos and double basses are positioned on a wooden stage in front of a wood-paneled wall. One person stands on a raised platform in the center while others stand or sit facing music stands. Microphones and sheet music are visible throughout the scene.
Mivos Quartet members Olivia De Prato and Lauren Cauley Kalal, violin, Victor Lowrie Tafoya, and Mariel Roberts, violoncello in rehearsal of Mathew Arrellin's Cacodemonic at June in Buffalo 2018
Four people dressed in black sit in a semi-circle playing violins, a viola, and a cello. They face music stands in front of a beige paneled wall. In the foreground, a person sits in a red chair with their back to the camera, holding sheet music.
A set of title pages and schedules for seminars given by Dr. Rodgers. A list of the seminars included is given at the beginning of the document.
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Estate of Suzanne Rodgers
A book written by Dr. Rodgers that provides a practical approach to employee training, workplace design and job design to reduce low back pain.
A sample of pages in the layout process for Dr. Rodgers’ book, Working with Backache.
Kodak's Ergonomic Design for People at Work
Dr. Rodgers was a significant contributor of the Eastman Kodak series: Ergonomic Design for People at Work. This includes the table of contents, figures and tables in Volume 1 and 2 of the 1st Edition and the 2nd Edition.
Handwritten draft for section of book chapter regarding motor control
Dr. Rodgers’ Edits and Feedback on Several Pages from the Draft Chapter of a Book She Contributed To
Dr. Rodgers' created several drawings for use in her work. This is a collage of those drawings.
Postural Concerns at the Computer Workstation
Visual Concerns at the Computer Workstation
Written letter from Sue providing feedback.
Ergonomic Training Course Evaluation Feedback
Ergonomics Training Course Evaluations (2-Day) Summarized
Draft Manuscript: The effect of wrist position on grip strength
Draft of a manuscript Dr. Rodgers co-authored
Physiological Cost of High Frequency Lifting: A Review
This is a draft manuscript that Dr. Rodgers contributed to.
Curriculum Vita Suzanne H. Rodgers, Ph.D. Consultant in Ergonomics
Summary of the Major Points Made in a Talk on August 25, 1984 to the National Flute Association Convention, Chicago, IL
A talk given by Dr. Suzanne Rodgers at the Symposium on "The Advancement of Women in Industry", sponsored by the Advisory Committee on the Economic Role of Women, Washington, D.C., on September 20, 1973.
Comments on Protocol for Cumulative Trauma Disorders Manual
Comments on the June 4, 1993 ANSI 2365 Draft "Control of Cumulative Trauma Disorders"
A Proposed Revision of the Frequency Factor for the NIOSH Work Practices Guide for Manual Lifting
The Forcing Strategy: An Integrated Ergonomics Program At The Goodyear Tire & Rubber Company
Spiraling workers' health care cost necessitated a systems approach to employee safety management at The Goodyear Tire & Rubber Company. Our mission was charted, "To eliminate loss and maximize our resources through the application of ergonomic principles, in support of the perfection strategy." The following reviews Goodyear's approach to establish a global ergonomics awareness program by utilizing a forcing strategy to create change.
Notes on the 7/14/87 Meeting at NIOSH Regarding the Manual Materials Handling Guidelines
Matching Worker and Work Site - Ergonomic Principles
The Visual Access Simulator for Standing and Seated Work
Comments on Elements of Ergonomics Programs - A Primer Based on Workplace Evaluations of Musculoskeletal Disorders.
Letter from Dr. Rodgers with comments on the NIOSH document "Elements of Ergonomics Programs - A Primer Based on Workplace Evaluations of Musculoskeletal Disorders"
Exams and drafts of exams written during Dr. Rodgers' work at University at Buffalo.
Feedback from Dr. Rodgers to her class at University at Buffalo (IE 436/536) on Grip Strength Laboratory Exercise
Syllabus for IE 436/546 The Physiological Basis of Human Factors 1985
Handwritten notes on lifting tasks and job analysis flowcharts
Handwritten Notes on skin conductivity and fatigue
Handwritten notes about skin conductivity, muscle fatigue (static and dynamic), previous studies and additional thoughts.
Handwritten Notes on Blood Pressure, Hypertension, Muscle Fatigue, Muscle Endurance and Energy
Handwritten notes about blood pressure, hypertension, muscle fatigue, muscle endurance, and energy.
Handwritten notes, graphs and typed draft about heat tolerance.
A Practical Guide To Adjusting Your Computer Workstation
A guide about office workstation ergonomics by Dr. Inger Williams and Dr. Suzanne Rodgers.
Proposal for Revisions to the Frequency Factor in the NIOSH Guide for Manual Lifting
NIOSH Work Practices Guide to Manual Lifting - Future Evaluations Revisions, and Extensions - Proposed Contributions - SHR
Summary of April 18, 1986 Meeting Major Points, Areas of Possible Contributions to These Programs by SH Rodgers, Funding to Cover Work by S.H. Rodgers As Noted Above and Timelines
Comments Regarding the Issuance of a General Industry OSHA Standard on Ergonomic Safety and Health Management
Comments on the Draft Document 29 CFR Part 191 O - Ergonomic Safety and Health Management Program
Comments on the Development of a Proposed Ergonomics Standard by OSHA/DOL
Comments on the Development of a Proposed Ergonomics Standard by OSHA/DOL, in connection with the Stakeholders Meetings, September 24th and 25th, 1998
Questions on the Development of a Proposed Ergonomics Program Standard for Stakeholder Meetings September 24 and 25, 1998
Expert Witness Testimony for Proposed Ergonomic Program Standard
Draft with comments of expert witness testimony for the Proposed Ergonomics Rulemaking Hearing at DOL, Washington, DC in February, 2000
Industrial Ergonomics Resource Materials Written or Edited by S.H. Rodgers, Ph.D
A bibliography of industrial ergonomics books and articles that Dr. Rodgers contributed to.
Dr. Rodgers was invited to speak and give workshops at many conferences including . These are cover pages, syllabi, notes and agendas for some of her workshops.
For piano. Caption title. Holograph (Ink). Dedication in German at bottom of p. [1]: "To Julius, 16 April 1891". Corrections on insert pasted on p. [1]. Paper torn, bottom right corner missing.
Copyright Statement for Digitized Materials from the Music Library
NO COPYRIGHT – UNITED STATES. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.
For piano. Title from initial tempo marking. Holograph (Ink).
For piano. Caption title. Holograph (Ink). Caption: 9/5 90. Corrections on inserts pasted on p. [1, 3].
For piano. Caption title. Holograph (Ink). Bottom of p. 1-2 partially missing.
For piano. Cover title. Adagio caption: "17th Aug 88", Allegro agitato caption: "Jan. 1891". Holograph (Ink). Sections are numbered separately. Corrections on insert pasted on p. 4 of Allegro agitato.
For piano. Caption title. Holograph (Ink). Caption: 8/4 91.
For piano. Caption title. Holograph (Ink).
For piano. Caption title. Holograph (Ink). "Composed for Miss Maggie Oakey, April 1884"--Caption. Corrections on inserts pasted on both pages. Possibly incomplete.
For piano. Caption title. Additional title in caption indecipherable. Holograph (Ink) , 51 measures. Caption: May 88. Corrections on inserts pasted on p. [1].
For piano. Cover title. Cover: Juni 1888. Holograph (Ink) , 50 measures.
For piano. Cover title. Holograph (Ink). Caption: 21/1 91.
For piano. Cover title. Holograph (Ink).
For piano. Caption title. Holograph (Ink). Caption: 11/12 88.
For piano. Title from initial tempo marking. Holograph (Ink). "Composed for and dedicated to H.P. Dickenson Esqr."--Caption : 17/6 .90.
For piano. Title from initial tempo marking. Holograph (Ink). Corrections on inserts pasted throughout.
For piano. Cover title. Holograph (Ink). End of Andante (p. [5]): Nov. 1, 1890. Final two measures of Allegro corrected on insert.
For piano. Title from initial tempo marking. Holograph (Ink), with additional markings in pencil. Corrections on inserts pasted on p. [1].
For piano. Cover title. Holograph (Ink). Corrections on inserts pasted on p. 3-4.
For piano. Caption title. Holograph (Ink). Corrections on inserts pasted on both pages.
For piano. Caption title. Holograph (Ink). Corrections on inserts pasted on p. [1-3].
Bohemian air : no. 1 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Paper in poor condition, with holes and tears. Corrections on inserts pasted on p. [1]. "13 Bohemian airs &c. : Russian, Arabic, Hungarian &c."--Additional title card with printer name W. Straker, Printer, Ludgate Hill and Liverpool Street.
Chant bohémien : no. 2 of the Bohemian airs
For piano. Cover title. Holograph (Ink). Corrections on inserts pasted on p. [1, 2, 5, 6].
Böhmischer Bauernsang : no. 3 of the Bohemian airs andc.
Ungarisch : no. 4 of the Bohemian airs &c.
For piano. Cover title. Holograph (Ink). Corrections on inserts pasted on p. [1-5] , loose insert in envelope.
Marche hongroise : no. 5 of the Bohemian airs &c.
Air hongrois : no. 6 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Caption: Aug. 1885. Piece missing from bottom right of page. Corrections on inserts pasted on p. [1].
Air hongrois : no. 7 of the Bohemian airs andc.
Ungarisch : no. 8 of the Bohemian airs andc.
Polnische Lieder : no. 9 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Corrections on inserts pasted on p. [1, 3].
Chanson slave : no. 10 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Corrections on inserts pasted on p. 3, 5.
For piano. Caption title. Holograph (Ink). At head of cover: No. 10 of the Bohemian airs &c. , number seems to have been changed, possibly from 14. Corrections on inserts pasted on p. [4].
Contents: 1. Moderato ("8 August 1881") -- 2. Un poco moderato -- 3. Moderato ("8 Aug 1881") -- No. 4. Allegretto ("9 Aug 1881") -- 8. Moderato -- No. 9. Allegretto animato -- No. 10. Allegretto -- No. 11. Moderato.
Slavonic ditties : Russiche Lieder : no. 11 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Caption: 19 Sept. 1881. Contents: No. 1. Moderato -- No. 2. Presto -- No. 3. Moderato -- No. 4. Moderato -- No. 5. Moderato -- No. 6. Allegro moderato -- No. 7. Andantino.
Savoyardenlied : no. 12 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Corrections in manuscript pasted on p. [1].
Arabian melody : no. 13 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Contents: No. 1. Moderato ("30 July 1881") -- No. 2. Lento : on the tetrachord ("31st") -- No. 3. Animato (31st July) -- No. 4 -- No. 5. Lento -- No. 6. Lento.
For piano. Caption title. Holograph (Ink). Caption: 12 Nov. 89. Corrections on inserts pasted on p. [1].
Capriccio pour le pianoforte [in A major]
For piano. Caption title. Holograph (Ink) with additions in pencil. Corrections on inserts pasted on p. [2].