JBIC053: Arthur M. Levine, Treasurer, Temple Beth El, 1947
Photographic portrait of Temple Beth El Treasurer Arthur M. Levine in 1947
Frederic Marschall, Photographer (Buffalo, N.Y.)
State University of New York at Buffalo. University Archives
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Group portrait of Temple Beth El Board members in 1947 including (Top row, left to right): Harry Hoffman, Harry Kahn, Warren Rosing, Daniel Markel, Harry Seeberg, Dr. Maurice Fleysher; (Center row, left to right): Arthur M. Levine, N. L. Kaplan, David I. Cantor, Harold Greenstein, Louis Brownrout, Dr. Samuel Bleichfeld, Dr. Philip M. Ginsberg, Dr. Henry E. Vogel; (Seated, left to right): Harry J. Grossman, Mrs. Daniel Markel, Marvin Pincus, Mrs. Albert Reinman, Morris Goldstein, Miss Julia Hanneman
JBIC055: Samuel Markel, general chairman of the centennial ball, 1947
Photographic portrait of Temple Beth El Centennial Ball General Chairman Samuel Markel in 1947
JBIC056: 'Through the Years' production staff for Temple Beth El Centennial, 1947
Through the Years' production staff for the Temple Beth El 1947 Centennial celebration included: (Top row, left to right): Joseph Abeles, Leonard Simms, Sanford Horowitz; (Center row): Mrs. Elihu Root, Mrs. Jacob Jacobson, Mrs. Jack Berger; (Front row): Lillian Lazarus, General Chairman Samuel Markel and Estelle Simon
JBIC057: Daniel Markel, Centennial dinner chairman, 1947
Photographic portrait of Daniel Markel, Temple Beth El Centennial celebration dinner Chairman in 1947
JBIC058: Daniel Markel, Centennial dinner chairman at Men's Club meeting, 1947
Daniel Markel, Centennial dinner chairman, conducting the Temple Beth El 1947 Men's Club meeting which included (Left to right): Dr. Henry E. Vogel, Benjamin Peisachow, Harry A. Levin, Cyrus Trossman, Albert Sugarman, Dinner Chairman Daniel Markel, Maurice Lassman, Charles Steinhart, Leonard J. Simms, Dr. Joseph Sternglass, Jack Berger
Group portrait of the Temple Beth El Sisterhood including: (Seated in front row, left to right): Mrs. Abraham Sherman, Mrs. Max Rosing, Mrs. Morris Rivo, Mrs. Harry Fox, Mrs. Samuel Gladner, Mrs. Daniel Markel, Mrs. Max Steinhaus, Mrs. Leo Lippman, Mrs. Alfred Michaels; (Back row, left to right): Mrs. Bernard Seaman, Mrs. Michael G. Simon, Mrs. Cyrus Trossman, Mrs. Peter Glick, Mrs. Louis Baker
JBIC060: Shirley Trossman, Chairman of Ways and Means Committee of Beth El Sisterhood
Photographic portrait of Shirley Trossman, Chairman of Ways and Means Committee of the Temple Beth El Sisterhood
JBIC201: Presentation program in honor of election for life of Dr. Isaac Klein as Rabbi of Temple Emanu-El
Front cover of presentation program in honor of the election for life of Dr. Isaac Klein as Rabbi of Temple Emanu-El
JBIC203: Congregational dinner in honor of Rabbi Isaac Klein on his 25th anniversary in the rabbinate, 1959
Front cover of the program for the 1959 congregational dinner in honor of Rabbi Isaac Klein on his 25th anniversary in the rabbinate
JBIC231: Israel Expo '76: exhibition marking 28 years of Israel independence in 1976
Jewish Community Center of Greater Buffalo
Israel Expo '76 brochure, an event from May 2 to May 9, 1976 that showcased Israel to Buffalo and was copiously illustrated with graphics
Brochure for Kadimah Day School of Buffalo, a modern elementary day school combining Hebraic religious instructions and general studies, which opened on September 9, 1959
JBIC252: Kadimah School of Buffalo: first annual dinner, April 25, 1961
Program of speakers from the Kadimah School of Buffalo first annual dinner, at the Hotel Lafayette on April 25, 1961
JBIC253: Silver Anniversary dinner of the Bureau of Jewish Education honoring Herman Wile, 1953
Bureau of Jewish Education (Buffalo, N.Y.)
Program for the 1953 silver anniversary dinner of the Bureau of Jewish Education honoring Jewish educator Herman Wile
JBIC256: Road map of tour to end human misery
Pamphlet by the Jewish Welfare Society presenting a road map or tour of Buffalo, New York detailing the various Jewish charitable initiatives contained in or represented by various buildings throughout the city.
JBIC268: United Jewish Federation of Buffalo invites you to celebrate its 50th anniversary, 1952
United Jewish Federation of Buffalo--Anniversaries, etc.
Postcard invitation to the 1952 United Jewish Federation of Buffalo 50th anniversary celebration which included a symposium on the American Jew at Kleinhans Music Hall, Buffalo, New York
JBIC285: United Jewish Fund Campaign News, March 1963
United Jewish Fund Campaign (Buffalo, N.Y.)
Newspaper page from the March 1963 United Jewish Fund Campaign News
Newspaper issue from March 1966 of U. J. F. News
United Jewish Fund of Buffalo. Women's Division
Brochure from the United Jewish Fund Campaign, Women's Division held at the Temple Beth Zion on February 25, 1971 titled: Take a Trip with UJF
JBIC292: Jewish Federation for Social Service Newsletter, Nov. 1946
Jewish Federation for Social Service (Buffalo, N.Y.)
November 1946 issue of the Jewish Federation for Social Service Newsletter
JBIC307: United Jewish Federation of Buffalo, 75th annual report, 1978
75th annual report of the United Jewish Federation of Buffalo issued in 1978 detailing the organization's finances and accomplishments
JBIC311: At last 'Guys and Golf'--Westwood Country Club
Westwood Country Club (Williamsville, N.Y.)
Postcard invitation to a dance party and musical revue called 'Guys and Golf' at the Westwood Country Club, Williamsville, New York on May 26, 1951
JBIC315: Westwood Country Club First Annual Invitational Tournament, 1957
Program for the First Annual Invitational Golf Tournament held at the Westwood Country Club, Williamsville, New York in 1957 including printed images of the greens
JBIC316: You All Come! to Kentucky Derby Day at Westwood 'Park'
Colorfully decorated invitation to a Kentucky Derby Day party at Westwood 'Park' a.k.a the Westwood Country Club, Williamsville, New York in 1970
Menu from a dinner at the Westwood Country Club, Williamsville, New York
JBIC319: Come to our picnic … at Camp Lakeland
Invitation to a 1947 picnic at Camp Lakeland in Franklinville, New York
JBIC306: National Council of Jewish Women. Gala Angel Luncheon, at Westwood Country Club, March 16, 1972
National Council of Jewish Women. Buffalo Section
Program from the National Council of Jewish Women. Gala Angel Luncheon, at the Westwood Country Club on March 16, 1972
Jesse Levine, conductor rehearsing the June in Buffalo Chamber Orchestra, with Jayn Rosenfeld, flutist
June in Buffalo Chamber Orchestra - Ensemble
Rehearsal of Lukas Foss' "For Toru (1996)" -- View from side stage
A person in a light-colored suit stands at the right of a stage, conducting a group of musicians. In the center, a person in a patterned shirt plays a flute while others seated to the left play string instruments. A marimba and several music stands are in the foreground, with microphones on stands positioned throughout the group.
State University of New York at Buffalo. Music Library
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Harvey Sollberger, conductor rehearsing the June in Buffalo Chamber Orchestra
View from middle of hall -- Rehearsal of David Felder's "Coleccion Nocturna (1984)"
Musicians are positioned on a stage with various instruments, including a grand piano, stringed instruments, and percussion. A large pipe organ is integrated into the tall wood-paneled wall at the back of the performance space. The foreground consists of rows of empty seats in a darkened auditorium.
Nils Vigeland, composer standing in walkway to Slee Hall
A person with light-colored hair stands in a hallway with large windows on the left and a long corridor on the right. They are dressed in a thick sweater over a collared shirt while holding a sheet of paper. This black and white scene has a copyright watermark across the bottom.
Philip Glass, composer with Stephen Rosenthal of the Amherst Saxophone Quartet
Rosenthal, Stephen, 1954- - Saxophone (Tenor)
This black and white scene features two people standing in front of a plain wall. One person wears a suit and glasses with their hands held together, while the other person is shown in profile wearing a collared shirt. A watermark reading "Copyright by Irene Haupt" is visible across the center of the frame.
Lukas Foss, composer/conductor with Joji Yuasa, seated
Two individuals in formal attire and glasses are seated next to each other in a theater. One person wears a dark jacket and holds a program, while the other wears a blazer and a tie. A watermark reading "Copyright by Irene Haupt" is visible across the center of the black and white scene.
A person with short dark hair and a goatee sits in front of a whiteboard. The individual wears a button-down shirt over a t-shirt, a wristwatch, and has glasses tucked into their collar. Text reading "Copyright by Irene Haupt" is overlaid across the lower portion of the black and white frame.
Charles Wuorinen, composer with David Felder and Harvey Sollberger
Three people are shown from the waist up in a black and white frame. The person on the left wears glasses and a pinstriped button-down shirt, the person in the middle wears glasses and a patterned short-sleeved shirt, and the person on the right wears an open shirt over a dark top. A watermark across the top of the frame reads "Copyright by Irene Haupt".
Bernard Rands, composer looking down at score
A person wearing a dark jacket and glasses looks down at sheet music resting on a stand in a rehearsal room. The background features several stacks of chairs, a chalkboard, a set of timpani drums, and a portion of a grand piano. A copyright watermark is visible across the center of the scene.
Steve Reich, composer with David Felder at Center for the Arts
This black and white scene features several people in an open indoor area with high ceilings and large pillars. In the foreground, two individuals stand facing forward, while a third person stands beside a large potted plant on the left. Two other people are visible in the background to the right, and a watermark reading "Copyright by Irene Haupt" is overlaid across the top of the scene.
State University of New York at Buffalo. Center for the Arts
Robert Black, Michael Cameron, and Corrado Canonici, double bassists
Rehearsing Robert Erickson's "Ricercar a 3"
Three people stand on a wooden stage, each playing a double bass behind a music stand. A piano and several chairs are positioned in the background to the left of the performers. A chalkboard with musical staff lines is mounted on the wall behind the performers. This scene is captured in black and white.
This black and white portrait shows a person with short, thinning hair and oval-framed glasses. They are wearing a collared button-down shirt underneath a patterned blazer. The text "Copyright by Irene Haupt" is overlaid across the person's forehead.
Harvey Sollberger, conductor in rehearsal
A central figure stands behind a music stand holding a baton in one hand with their other hand near their face. Other individuals and music stands are partially visible in the foreground and background of the black and white scene. A watermark is visible across the upper third of the frame.
Lukas Foss, composer/conductor with Bugallo-Williams Piano Duo, rehearsing, side view
Three people are positioned around an open grand piano against a dark background. One person sits at the keys, while another sits beside them looking at sheet music. A third person wearing glasses stands behind the individual at the keyboard and looks toward the instrument.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Steve Reich, composer with Craig Bitterman, percussionist and Amy Williams, piano
Rehearsal of Steve Reich's "Sextet (1984)"
A person plays a vibraphone with mallets while another person in a cap and glasses stands nearby on a stage. Several microphones on stands are positioned around the performers under stage lighting. In the background, other individuals are visible near more instruments and music stands.
A black and white portrait displays a person with gray hair wearing dark-framed glasses and a blazer over a dark collared shirt. The background consists of blurred foliage and outdoor structures. A copyright watermark is visible across the center of the frame.
Philip Glass, composer holding his glasses
A person with dark, curly hair stands in profile against a plain background wearing a dark pinstriped suit jacket. One arm is folded across their body while the other hand holds the temple of a pair of glasses against their chin. The person is looking toward the side of the frame.
A person with glasses and short hair on the sides of their head wears a dark button-down shirt and a patterned blazer. They are shown from the chest up against a blurred indoor background in black and white. A watermark is visible across the upper portion of the frame.
Philip Glass, composer with Amherst Saxophone Quartet, Magnus Mårtensson, and David Felder
Six people stand together in an indoor setting with three individuals holding wind instruments. A stack of chairs is visible in the background to the left against a plain wall. The black and white scene features people dressed in attire ranging from casual shirts to a dark suit jacket.
David Felder, composer with Magnus Mårtensson and Amy Williams in Baird Hall (building)
Three individuals stand next to each other between a brick wall and a large window. The person on the left has curly hair and wears glasses, while the central person also wears glasses and a button-down shirt. The person on the right wears a dark cardigan, and a watermark reading "Copyright by Irene Haupt" appears across the top.
Lukas Foss, composer/conductor wearing glasses, angled shot
An older person with short, wavy hair and rectangular glasses looks toward the left side of the frame. They are dressed in a dark collared shirt and a textured blazer. The background shows part of a chair and a table, with a watermark visible across the bottom portion.
A person with short hair and a beard stands between a large mallet percussion instrument and an electronic mallet controller. They hold mallets poised over the keys with a music stand holding open sheet music to the left. The background features wood-paneled walls and other instruments, including a drum set.
A person with short hair wears a light-colored collared shirt and sits with their eyes closed. Behind them, several older computer monitors and various electronic devices with cables are visible. The setting features dark walls and a row of small windows positioned high on the wall.
George Crumb, composer with Jan Williams
Two people with short, light hair and glasses are positioned in the foreground of a black and white scene. One individual wears a dark coat over a patterned button-down shirt, while the other wears a light-colored polo shirt. The background is dark with several blurred figures, and a copyright watermark spans the upper portion of the frame.
A person with ruffled light hair and round glasses wears a dark turtleneck and dark trousers. They stand behind a music stand holding a stack of white papers and a pen with one hand, while their other arm is raised with the hand resting behind their neck. The black and white scene is set in an auditorium with large white pillars and tiered seating in the background.
Jan Williams, conductor rehearsing the June in Buffalo Chamber Orchestra
Ensemble not visible -- Rehearsal of Morton Feldman's "The Viola in My Life IV (1971)"
A person wearing a short-sleeved shirt and glasses stands behind a music stand with papers on it. They have a watch on their wrist and are positioned in front of a wall with vertical panels. This black and white scene includes blurred musical equipment in the foreground.
Rehearsal of Lukas Foss' "For Toru (1996)" -- View from double bass section
A conductor stands at the left, gesturing towards an ensemble of musicians seated with violins and a flute. Music stands with sheet music are positioned in the foreground, and tall microphones are placed throughout the space. The background consists of a stage with vertical wood panels and large columns.
Harvey Sollberger, composer lecturing in seminar with students seated around table
Six people are seated around a rectangular table in a room with a whiteboard on the wall. One person gestures with their hands while talking, while others listen with papers and notebooks spread out before them. This black and white scene includes a copyright watermark across the top.
Lukas Foss, composer/conductor with Joji Yuasa
Two people are positioned in the foreground of an indoor space featuring vertical columns and a blurred background of other figures. One person wears a dark suit and a patterned tie, while the other wears a blazer and a necktie. A text overlay at the top reads "Copyright by Irene Haupt."
Three people stand in front of a plain wall and a dark curtain. All three individuals wear eyeglasses and collared shirts with varying patterns. A copyright watermark is visible across the top of the frame.
A person wearing glasses, a cap, and a button-down shirt stands in front of a plain background. To the right, a microphone stand holds two microphones. Semi-transparent text reading "Copyright by Irene Haupt" is positioned near the top.
Lukas Foss, composer/conductor with Bugallo-Williams Piano Duo, rehearsing
Two individuals sit at separate grand pianos with their lids open, revealing the internal strings. A third person stands between and behind the pianos, wearing a blazer and glasses while facing forward. Sheet music rests on the piano to the right, and a copyright watermark is visible across the center of the frame.
Steve Reich, composer with Helena Bugallo, keyboard
In this black and white scene, three individuals are on a dark stage with musical equipment. One person sits on the right playing a keyboard, while another stands in the center wearing a cap and glasses next to a music stand. A large drum is positioned on the far left, and the text "Copyright by Irene Haupt" is superimposed at the top.
This black and white portrait features a person with a receding hairline wearing oval-framed glasses and a collared shirt under a patterned jacket. The person's mouth is turned upwards, showing teeth, and a large watermark reading "Copyright by Irene Haupt" is layered over the image.
Lukas Foss, composer/conductor reading newspaper
A person with glasses and short hair sits at a table wearing a blazer over a collared shirt and tie. Their hands rest on an open newspaper on the table in front of them. The black and white portrait features a blurred indoor background and a copyright watermark across the center.
George Crumb, composer in rehearsal with Cassatt String Quartet
Rehearsing Crumb's "Black Angels" -- Cassatt String Quartet has two replacements: Calvin Wiersma, first violin for Muneko Otani
Paige Riggs, violoncello for Kelley Mikkelsen.
Five individuals are positioned in a room with vertical wood paneling, with four holding string instruments including violins and a cello. A large gong sits in the foreground near the person with the cello, while recording equipment and microphones appear in the background. The black and white scene includes a copyright watermark across the upper portion of the frame.
Philip Glass, composer speaking into microphone
This black and white portrait features a person with round glasses and dark curly hair wearing a suit jacket and a dark shirt. They are holding a microphone while looking toward the side against a dark background. A watermark in the upper portion reads "Copyright by Irene Haupt".
Roger Reynolds and David Felder at June in Buffalo 2000
Two people wearing glasses and jackets stand side-by-side indoors. The person on the left has light-colored hair and wears a dark blazer, while the person on the right is balding and wears a lighter-colored jacket. They are positioned in front of a tiled wall and a sign, with a copyright watermark across the center.
Jesse Levine, violist/conductor playing viola
A person in a light-colored jacket holds a violin and bow in front of a textured wood wall. In the background, several individuals and pieces of musical equipment are positioned on a stage. Rows of empty theater seats occupy the lower right portion of the scene.
Augusta Read Thomas, composer with members of the Cassatt String Quartet
Rehearsal of Augusta Read Thomas' "Blizzard in Paradise (2000)" -- Work is for violin, viola, and violoncello -- First violinist is missing, and Paige Riggs, violoncello, fills in for Kelley Mikkelsen.
Four people with stringed instruments are positioned around music stands in a black and white scene. Three individuals are seated while one person stands in the center looking at a musical score. A piano and a wall of vertical wood panels are visible in the background.
A person with short, wavy hair and dark-framed glasses is shown in profile. They wear a dark button-down shirt under a textured blazer and sit at a table. The background includes out-of-focus chairs and tabletops. A copyright watermark is superimposed across the center of the frame.
David Felder, composer with Jon Fonville, Roger Reynolds, Augusta Read Thomas, and Bernard Rands
Five people stand in a line in front of rows of tiered seating in a large room. The individual on the far left wears a patterned sweater and a shoulder bag, while others wear collared shirts and jackets. A large copyright watermark is displayed across the upper portion of the frame.
View from back of hall -- Rehearsal of David Felder's "Coleccion Nocturna (1984)"
A group of musicians with various instruments occupies a stage beneath a large pipe organ in a spacious auditorium. Rows of empty chairs fill the seating area between the stage and a sound technician's desk in the foreground. A person at the desk monitors a computer screen while facing the performers.
David Felder, composer in front of brick wall
A person with oval glasses and short, balding hair is smiling at the camera in front of a brick wall. This black and white portrait shows the person from the chest up, wearing a dark-colored collared shirt. A watermark across the forehead reads "copyright by Irene Haupt".
Ensemble not visible, Williams' right arm raised -- Rehearsal of Morton Feldman's "The Viola in My Life IV (1971)"
A person with short white hair, a beard, and glasses stands behind a table in a room with vertically-lined walls. To the left is a large gong, and a music stand with sheet music sits to the right. The person wears a light-colored short-sleeved shirt and has one arm raised while looking downward.
Rehearsal of Lukas Foss' "For Toru (1996)" -- View from stage left
A conductor stands facing a group of musicians playing instruments such as the flute, cello, double bass, and marimba. Tall microphone stands are positioned throughout the space, and the walls are covered in vertical wood slats. Musicians are seated and standing with music stands in front of them.
Lukas Foss, composer/conductor with Bugallo-Williams Piano Duo, facing camera
Three people are positioned around a piano with a Steinway logo visible on the right side. One person in a suit and glasses stands in the center, flanked by two people seated on leather benches. A copyright watermark for Irene Haupt is displayed across the upper section of the dark background.
Steve Reich, composer with Craig Bitterman, percussionist
Two individuals stand in front of a dark background, both wearing dark long-sleeved shirts and glasses. The person on the left has short dark hair and faces the person on the right, who is wearing a baseball cap. Musical equipment, including stands and a large gong, is visible in the background. A copyright watermark is positioned near the top of the frame.
Two individuals stand side-by-side in an indoor area with brick walls and a doorway in the background. The person on the left wears a dark textured shirt, while the person on the right wears a baseball cap, a dark jacket, and a light-colored shirt. A strap for a shoulder bag is visible on the person on the right.
A person stands indoors, facing forward with their hands held together. They wear a light-colored, patterned short-sleeved shirt, dark trousers, and glasses. Behind them is a light-colored brick wall and a dark hallway with tiled floors. This black and white scene includes a watermark across the middle.
Mara Gibson on Slee Hall stage, with percussion instruments
A grand piano and several percussion instruments, including timpani and a large drum on a stand, are arranged on a stage. One person stands near a marimba while another is visible in the background near a gong. The setting is a large hall with wood-paneled walls and tall columns.
Philip Glass, composer with David Felder in background
One person faces forward while looking toward a second person who is positioned in profile. Both individuals wear glasses and formal jackets, and the person on the right has dark, curly hair. A copyright watermark is visible across the middle of the frame.
18 x 13 cm (same as JIB2000-051, but reduced and cropped)
Two people stand together in a black and white scene featuring brick walls and a tiled ceiling. One person wears a dark patterned shirt, while the other wears a baseball cap and a blazer over a button-down shirt. An exit sign is visible above a doorway in the background.
Two people stand together indoors, both wearing glasses and blazers. The person on the left wears a dark jacket over a dark shirt, while the individual on the right wears a blazer over a polo shirt. They are positioned in front of a tiled wall and a ceiling with recessed lighting.
Lukas Foss, composer with Jan Williams and Diane Williams
Three individuals stand in a row against a background of vertical wooden panels. The person in the center has white hair and a beard, wears glasses, and holds several papers while those on either side stand close by. Above them, dark architectural elements and a copyright watermark are visible.
A person with short dark hair and facial hair holds mallets over a large percussion instrument. Sheet music rests on stands in the foreground, and several drums and small bowls are arranged to the right. The background features tall columns and a wood-paneled wall.
Lukas Foss, composer/conductor with Jan Williams, Jesse Levine, and David Felder
Four people wearing formal attire are seated on a wooden platform against a backdrop of wood-paneled walls. Behind the group are several musical instruments, including a gong and a marimba. The black and white scene features a copyright watermark across the top.
A black and white scene shows a person wearing spectacles and a button-down shirt with a graphic leaf-like pattern. They stand with their hands loosely clasped together in an indoor space featuring a dark floor and a brick wall. A brightly lit corridor is visible in the background behind them.
An older person with short hair and facial wrinkles is shown in a black and white profile view. They wear a dark button-up shirt under a textured blazer. The background contains blurred foliage, and a watermark reading "Copyright by Irene Haupt" appears across the center.
George Crumb, composer in rehearsal with Cassatt String Quartet, with technician Ron Parks
Individuals are arranged across a stage featuring music stands, microphones, and stringed instruments. Some people handle glassware placed on low tables while others prepare to play or are actively playing instruments. A large pipe organ and wood-paneled walls form the backdrop of the scene.
Jesse Levine, conductor talking to musicians of the June in Buffalo Chamber Orchestra
Three people are positioned in a room featuring music stands and microphones on tall stands. One person on the left wears a light-colored blazer over a dark shirt, while the person in the middle wears a dark patterned shirt and faces away from the camera. The person on the right wears a light-colored collared shirt and looks toward the left side of the frame.
Lukas Foss, composer/conductor without glasses, angled shot
An older person with graying, wavy hair and deeply lined skin is shown in a black and white profile view. They wear a dark shirt under a light-colored blazer while looking towards the left. The background is softly blurred, and a copyright watermark is visible across the bottom.
David Felder, composer watching June in Buffalo Chamber Orchestra rehearsal, with Jean Kopperud, clarinet and James Winn, piano
Rehearsal of David Felder's "Coleccion Nocturna (1984)"
A group of people are arranged in a rehearsal space filled with instruments, including a marimba and a grand piano. Several microphone stands and music stands are placed around the room, with cables visible on the floor. The background consists of tall vertical wooden panels, and a copyright watermark is present at the top.
Augusta Read Thomas, composer posing with members of the Cassatt String Quartet
Four people pose with two violins and a cello in front of a wood-paneled wall and large organ pipes. Two individuals stand on the left and right holding violins, while another sits in the center with a cello and bow. A fourth person stands beside the cellist, and music stands are visible in the foreground and background.
View from organ loft -- Rehearsal of David Felder's "In Between (1999)"
Dozens of musicians are arranged across a wooden floor, seated behind music stands holding sheet music. A variety of instruments are visible, including strings, brass, woodwinds, and a percussion section in the foreground. A conductor stands on a small platform in the upper left corner, and microphones are placed throughout the room.
Lukas Foss, composer/conductor with Jesse Levine
Two individuals are seated in chairs with empty rows of seating visible behind them. One person on the left wears a light-colored jacket and holds papers, while the person on the right wears glasses and a dark blazer over a collared shirt. A silhouette of a standing figure appears in the background against a plain wall.
Jan Williams, conductor with Eberhard Blum
In this black and white scene, two people stand in an indoor hallway under recessed ceiling lights. The person on the left has white hair and glasses and leans against a wall with arms crossed and one hand resting against the surface. To the right, a bald person wears a jacket and stands with an arm resting on the other person's shoulder.
A person with short grey hair and glasses is shown from the chest up in a black and white setting. They wear a dark, zippered jacket over a light-colored shirt. Behind the person, there is electronic equipment with visible wires and cables. A copyright watermark is present across the lower part of the frame.
David Felder, composer watching June in Buffalo Chamber Orchestra rehearsal
Musicians are positioned across a stage featuring vertical wood paneling and various pieces of equipment. One person stands in the foreground while others are situated near a large percussion instrument and a grand piano. Microphone stands and electrical cables are distributed around the performance area.
Philip Glass, composer with David Felder at June in Buffalo 2000
Two people stand in profile and three-quarter view, both wearing glasses. One person in the foreground has curly hair and wears a suit jacket, while the person behind them wears a dark blazer. A stack of chairs is visible on the far left of the indoor setting.
A black and white scene features two grand pianos with a seated individual at each and a third person standing between them. Sheet music is visible on the pianos, and round overhead lights glow against a dark background.
Two individuals wearing dark button-down shirts and glasses stand on a stage. Behind them are music stands, a large gong, and a keyboard. Both individuals have their mouths upturned, and a copyright notice is displayed across the upper portion of the black and white scene.
Two people stand in front of a background featuring large organ pipes and vertical wooden panels. The person on the left has short hair and a goatee, wearing a t-shirt and holding a bottle. The person on the right wears glasses, a beard, and a jacket over a collared shirt.
An individual with dark, voluminous hair wears an ornate, off-the-shoulder gown with patterned lace and ruffles. A large feathered boa is draped around their arms, and they wear a necklace and earrings. Their mouth is open while looking slightly upward and to the side in front of a vertically paneled background.