A person wearing glasses and a short-sleeved collared shirt sits beside an open piano, with one hand placed inside among the strings and tuning pins. Behind the individual, a vibraphone or similar percussion instrument is visible against a wood-paneled wall. A watermark reading "Copyright by Irene Haupt" is layered over the center of the frame.
State University of New York at Buffalo. Music Library
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
A person with short dark hair and a mustache wearing a dark polo shirt stands against a light-colored wall in this black and white scene. A watermark that reads "Copyright by Irene Haupt" is positioned across the center. Shadows are cast on the wall to the right of the individual.
A person wearing a polo shirt and a watch sits behind a music stand with a piece of paper. The surrounding room contains multiple empty music stands, stools, and chairs. Large windows with vertical curtains are visible in the background of this black and white scene.
A person with thinning hair and a mustache stands facing the camera in a black and white setting. They wear a polo shirt featuring a logo for "Haven by the Sea" and light-colored trousers held by a dark belt. The background is dark with several overhead lights and a wooden structure marked with the letter H to the left.
A person with short, dark hair and a mustache wears a short-sleeved polo shirt tucked into trousers with a dark belt. They have their right hand raised with fingers spread while holding a pair of glasses in their left hand. The background features a double door with signs, and a large copyright watermark is visible across the center.
A person with light-colored hair is seated indoors against a dark brick wall. They wear a dark shirt and a plaid blazer with their hands resting in their lap. A large window to the left looks out onto another brick surface.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
A person with light, shoulder-length hair sits in a theater and holds open a music book by Philippe Manoury. The person holds a pen in one hand while looking down at the pages in front of empty rows of seats. A watermark reading Copyright by Irene Haupt spans the center of the frame.
This black and white portrait features a person in profile looking toward the left. They have long hair and wear a dark collared shirt under a plaid blazer. A copyright watermark is visible across the center of the frame.
Magnus Mårtensson conducting chamber ensemble
A group of musicians sit behind music stands on a stage while one person stands facing them. A grand piano and a person playing a flute are positioned near the center, while two other individuals are located at the console of a large pipe organ built into the wood-paneled back wall.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
A small ensemble of musicians sits on a wooden stage with sheet music on stands. One person plays a flute while another sits at a grand piano, and several others look toward the center. A large pipe organ with silver pipes is built into the back wall, where two people are seated at the console.
A person wearing glasses and a leather jacket sits at a grand piano with the top lid open. The internal strings and hammers are visible as the individual's hands rest on the keyboard. This high-angle, black and white scene is set next to a window.
A person in dark clothing sits on a bench at a grand piano with its lid open. One hand is positioned on the keys while the other hand is raised near the sheet music. The piano rests on a light-colored wooden floor in a room with dark paneled walls.
A black and white scene shows a person seated at a grand piano with its lid propped open. Their hands are positioned over the keys while looking at sheet music resting on the music stand. A dark jacket hangs from the side of the piano, and wood-paneled walls are visible in the background.
A person sits on a bench playing a grand piano with its lid propped open. A dark jacket hangs over the edge of the piano, and a mallet percussion instrument is visible in the background. This black and white scene contains a large text watermark across the center.
A person wearing a black shirt sits at a grand piano with sheet music on the stand. One hand rests on the keys while the other is raised in the air with visible motion blur. The room features vertical wood-paneled walls and a drum in the background.
A person with short reddish hair and glasses sits at a black grand piano with their right arm raised. Two sheets of white paper are propped on the music stand. The background features a red wall adjacent to a textured grey wall.
A person with short reddish hair sits at a black grand piano with their hands on the keys. They wear glasses and a dark jacket while leaning toward sheet music on the music stand. The background features a red wall to the left and a white textured wall behind the instrument.
A person with glasses and short hair is positioned at a piano with their hands on the keys. This black and white profile shot shows the individual leaning forward against a light-colored wall. A watermark text is overlaid across the middle of the frame.
Quatuor Diotima with composer Aaron Cassidy
Five individuals are gathered on a wooden stage, with four seated in a semi-circle holding string instruments and facing music stands. A fifth person is positioned in the background center facing the group within a darkened hall with large vertical pillars. A watermark spans the center of the black and white composition.
A person with curly hair operates a large audio mixing board in a dark theater. Rows of empty seats rise behind them, and several cables and pieces of electronic equipment are spread across the workspace.
One person has a gray beard and hair, while the other has short hair. Both wear glasses and stand in front of a vertically draped backdrop. A copyright watermark is visible across the center of the frame.
A person with graying hair, a beard, and glasses wears a light-colored button-down shirt. Their hands are raised near their face with the index fingers pointing forward. The scene is black and white with a dark horizontal band in the background.
This black and white composition shows a person with short hair looking down while wearing a dark, short-sleeved shirt. A watermark reading "Copyright by Irene Haupt" is layered over the person's torso. The background consists of vertical lines resembling a curtain or pleated wall.
Tony Arnold, soprano, and Mosves Pogossian, violinist, in rehearsal of Kurtag's Kafka Fragments
Two people are positioned behind black music stands with sheet music in front of a wooden paneled wall. The person in the background holds a violin and a raised bow, and the person in the foreground looks to the side. Large text is watermarked across the center of the scene.
James Baker, conductor of the New York New Music Ensemble
A person wearing a white, long-sleeved shirt with a high collar stands centrally in front of a large concrete pillar. Sunglasses are perched on top of their head, and they hold a small blue object in their hands. The background features a light gray cinder block wall with a television, a wall-mounted telephone, and a wooden table to the left. A large watermark reading "Copyright by Irene Haupt" is overlaid across the center of the scene.
Stafano Bassanese and J. T. Rinker at sound console
One person wearing glasses and a dark sweater operates a large soundboard while referencing a sheet of paper. To their right, another person in a blue shirt works on a smaller console and laptop. Several other people are visible in the background of the dimly lit indoor space.
A person with a shaved head and glasses is wearing a grey v-neck sweater over a collared shirt. They are gesturing with one hand and arm extended toward the left side of the frame. The background is solid black.
A person with short blonde hair and glasses plays a gold-colored flute while standing behind music stands with white sheets. They are wearing a black sleeveless top on a stage with wooden floors and walls. A microphone on a stand is visible in the upper left area of the frame.
Beverley Ellis, violoncello and Sonja Inglefield, harp
Three musicians perform with stringed instruments in an indoor setting. A person in the foreground plays a large wooden harp, while another person in the center plays a cello seen through the harp's strings. To the left, a third person is partially visible playing a violin, and a chalkboard with musical notes stands in the background.
David Felder, seated at June in Buffalo 2006
A person with short hair and light skin is seated against a plain wall. They wear rectangular glasses and a collared shirt with a repetitive black and tan vertical pattern. Their hands are clasped in their lap, and they are turned toward the right side of the frame.
David Felder, composer, and Elliot Caplan, filmmaker at June in Buffalo 2006
Two people are seated in chairs within a large, dimly lit room where others are also present in the background. The individual on the left wears a dark, long-sleeved shirt and eyeglasses, while the person on the right wears a cap, eyeglasses, and a light-colored jacket. The person on the right holds a white disposable cup in their hand. A watermark is visible across the center of the scene.
State University of New York at Buffalo. Center for the Arts
A person with wavy brown hair sits behind a wooden desk wearing a black vest over a red and grey checkered shirt. Their hands are raised and open, and a yellow digital watch is visible on their left wrist. The background is a plain white wall, and there are yellow folders on the desk.
A person with short dark hair and a tan t-shirt sits behind a black piano. Their profile is shown as they look toward the keyboard, with a vertical wood-paneled wall in the background. A copyright watermark is layered across the middle of the scene.
A person with white hair wearing a patterned shirt and blue jeans sits in a red chair while playing a violin. They hold a bow across the strings of the instrument, which is tucked under their chin. A black music stand with white paper is positioned in front of them, and several other red and blue chairs are visible in the background.
The person wears a black tailcoat and white bow tie while standing on a small platform against a dark background. One arm is extended to the side and the other hand is on the chest with the mouth open. Three stage lights are positioned on the platform around the person's feet.
This black and white portrait shows a person with short, dark hair and a goatee dressed in a tuxedo and white bowtie. They have one hand raised in the foreground with fingers spread apart. The background is solid black, and translucent text is visible across the middle of the frame.
Nicholas Isherwood, baritone, with projected image of himself in background
A person wearing a white bow tie and dark jacket is illuminated from below in a black environment. Positioned above them is a large, brightly lit projection of their face with wide eyes and bared teeth. The high-contrast lighting makes only the person and the projection visible against the darkness.
A person wearing a tuxedo with a white bow tie stands in the bottom right corner of a dark setting. A large screen displays blue-tinted, distorted close-up faces with open mouths looking upward. The person on stage also has an open mouth and looks toward the projection, which has a watermark reading "Art by Irene" across it.
A person with short hair and a goatee is wearing a formal black tuxedo with a white bowtie, shirt, and vest. They have a small stud earring and are turned toward the side with their teeth showing. A large copyright watermark is visible across the middle of the frame.
Nicholas Isherwood, baritone, lower right, with projected image
Several blurred hexagonal light shapes in yellow, green, and orange are centered on a light purple rectangular screen. The screen is surrounded by a black border, and faint text reading "Copyright by Irene H" is overlaid in the center. Three small orange light artifacts are visible on the right side of the dark frame.
A person in a black polo shirt and glasses holds a baton while looking down at a music stand. Their left arm is extended to the side, and the background shows tiered seating in a darkened auditorium. Part of another person's head is visible in the lower right corner.
A person with glasses wears a black t-shirt and tan pants while holding a violin to their shoulder. They stand before a music stand displaying several pages of sheet music. Rows of unoccupied red seats in a performance hall occupy the background.
This individual with short grey hair and glasses wears a black zip-up jacket over a blue t-shirt. Both hands are raised in a gesturing motion, showing a ring on one hand and a watch on the other wrist. A copyright watermark is visible across the middle of the frame in front of a neutral background.
A person with short grey hair and glasses wears a black jacket over a blue shirt. One hand is raised with fingers spread while the other rests near a black surface. The background is a plain white wall, and a watermark stating "Copyright by Irene Haupt" is visible across the subject.
A person with short white hair and wire-rimmed glasses is shown from the chest up. They wear a dark jacket over a red t-shirt featuring a Nike logo and a Portugal crest. One hand is raised with the fingers partially clenched, and a watch is visible on the wrist.
Bernard Rands, composer, with James Avery, conductor
Two individuals wearing glasses stand together looking down at papers on a stand. One person wears a light blue button-down shirt, while the other wears a black jacket over a red shirt. The background shows a dimly lit indoor venue with rows of seats and large columns.
A person with short gray hair and glasses is shown from the chest up in black and white. They wear a dark, open jacket over a t-shirt with "USA" printed on it. The background is a plain, light-colored wall.
A person with shoulder-length hair stands while holding a silver flute to their mouth. They are dressed in a red and black patterned long-sleeved shirt and black pants. The background features a wood-paneled room with a grand piano, musical equipment, and organ pipes.
A person with short white hair wears a light blue and white plaid jacket over a pale yellow shirt. Their right hand is raised in a gesture with a gold ring visible on a finger. The background is out of focus, showing a dark curtain and a light-colored window area.
An older person with short grey hair and blue eyes gestures with both hands held in front of their chest. They wear a light blue and white checkered blazer over a lime green button-up shirt. Gold rings are visible on their fingers, and a watch is on their left wrist. A large watermark is superimposed across the middle of the frame.
An older person with grey hair and blue eyes faces forward. They wear a light green button-down shirt underneath a blue and white plaid blazer. A large copyright watermark is centered over the person.
A person with short white hair and fair skin wears a blue and white checkered blazer over a light green button-up shirt. They are positioned in the left side of the frame with their arms extended and hands open in a gesturing motion. A watermark reading "Copyright by Irene Haupt" is layered across the center of the scene.
A person wears a light green shirt under a blue and white checkered blazer while holding their hands out in front of them. Gold rings are visible on the fingers of both hands. The background is blurred, and a copyright watermark is visible across the center of the frame.
An individual with white hair stands indoors wearing a plaid blazer over a light-colored button-up shirt. They hold a white publication titled "Of Reminiscences and Reflections" by Gunther Schuller and a dark fabric bag with a floral print. A brick pillar and a doorway are visible in the background.
A person with short gray hair wears a button-down shirt and a checkered blazer. Their hands are raised and held open in front of them. A watermark reading "Copyright by Irene Haupt" is visible across the center.
A person with short white hair and a patterned shirt looks toward the right side of the frame. Their right hand is raised in front of them with fingers extended and a ring on one finger. A watermark is visible across the center of the frame.
A person with glasses gestures with their hands while holding a baton over a music stand. The back of another person's head and a brass instrument are visible in the foreground against a dark background. Watermark text is displayed across the center of the scene.
Harvey Sollberger, holding Charles Wuorinen score
The person in the foreground holds a large music book open towards the viewer. Another person sits in the background holding a flute. The room features vertical wood paneling and contains music stands and chairs.
A person in a gray checkered shirt and glasses plays a flute in front of a stand with sheet music. A microphone is positioned to the right against a solid black background. The person has gray hair and is shown in profile.
A person wearing glasses and a patterned shirt holds a silver-colored flute to their mouth. They stand behind a music stand with open sheet music in a dimly lit auditorium. A microphone on a boom stand is positioned to the right, and a large watermark is visible across the center.
Harvey Sollberger (conductor), Tony Arnold (soprano), and members of the New York New Music Ensemble: Chris Finckel (violoncellist), Linda Quan (violinist), and Jayn Rosenfeld (flutist)
Six people are positioned on a wooden stage, with one person sitting behind a music stand and five others standing nearby. The background features vertical wood paneling and a black speaker on a tall stand. Red theater seating is visible in the background to the left.
A person in a yellow cap, dark sunglasses, and a maroon t-shirt stands in front of a concrete pillar. They hold a large brass trombone vertically in front of them while wearing khaki shorts. Dark shadows are cast on the tiled wall behind the person.
A person with glasses holds a brass trombone with the large bell facing the camera. A white brick wall serves as the background, and a watermark is visible across the center. The person's left hand is shown wearing a wrist watch while holding the instrument.
David Taylor, trombonist, with Charles Wuorinen, composer, Harvey Sollberger, conductor, Stephen Gosling, pianist, and members of the Slee Sinfonietta
Eleven individuals stand on a wooden stage alongside a grand piano, percussion instruments, and music stands. A large pipe organ is integrated into the wall behind the performers, and the foreground shows rows of red theater seats and the tops of audience members' heads.
Augusta Read Thomas, composer, with conductor James Avery and violinist Mosves Pogossian
A person in a light blue button-down shirt and tan pants faces toward the center of the group. In the middle, a person wears a blue and black striped sweater, while a person on the right wears a dark polo shirt and glasses. They are standing in an indoor space with vertical wooden wall paneling and a light wood floor.
Charles Wuorinen, composer, with trombonist David Taylor
Two people lean over a large volume of musical scores laid out on a wooden surface. The person on the left wears a light-colored striped shirt and spectacles, pointing at the pages. The person on the right is dressed in a red short-sleeved shirt and tan shorts, positioned in front of rows of unoccupied red theater seating.
Charles Wuorinen, composer with conductor James Avery
Two people stand and converse in a room with vertical wood-paneled walls. The person on the left wears a yellow and blue striped short-sleeved shirt and glasses, while the person on the right wears a light gray long-sleeved button-down shirt. A copyright watermark is visible across the middle of the frame.
Charles Wuorinen, composer with conductor Harvey Sollberger
Two individuals are positioned in an auditorium filled with empty red seats. One person is dressed in a grey t-shirt, and the other wears a light striped short-sleeved shirt and glasses while holding a red folder. A watermark is visible across the center of the frame.
Charles Wuorinen, composer with trombonist David Taylor and violinist Charles Haupt
A person in a red shirt and shorts crouches on a wooden stage while looking down at an object in their hands. In the aisle next to the stage, a person in a patterned blazer gestures with their hands while another person stands holding a red folder. The background features rows of empty red theater seats and wood-paneled walls.
James Avery, conductor, and John Berners, composer
Two people stand behind a vibraphone and a music stand, looking down toward the instrument. A large wooden harp is positioned on the left, and string instruments are visible in the background. One person wears a plaid shirt and a name tag, and the other person wears a button-down shirt and glasses.
A person wearing glasses and a dark jacket over a white shirt sits on a chair while playing an acoustic guitar. A music stand holding sheets of music is positioned in front of the guitarist, and other musicians are partially visible in the background. The indoor setting includes various instruments such as a piano and woodwinds.
A person stands in a dimly lit room with their hands resting near a large audio mixing board and a laptop. They wear a dark sweater, a collared shirt, and glasses. Other people and empty chairs appear in the background behind them.
One person wearing a black t-shirt stands next to another person in a floral print shirt. Both individuals have their heads tilted toward something below the camera's view. A large watermark is superimposed across the center of the frame.
Four people perform on violins and a cello in a room with a piano in the background. Each musician is seated and uses a music stand to hold their sheet music. One person is shown from behind, while the others face forward or sideways.
Arditti String Quartet in rehearsal onstage in Slee Hall
Four people sit in a semi-circle playing string instruments, including violins and a cello. They are positioned in front of music stands with sheet music, with several microphones on boom arms nearby. The background consists of dark wood paneling, and one person on the far left wears headphones.
Four individuals stand in a rehearsal space, with two holding violins and bows in the foreground. Music stands are positioned in front of them, and a large red curtain hangs in the background. The people wear casual clothing such as button-down shirts, a t-shirt, and slacks or jeans.
Arditti String Quartet with workshop participants, Dominique Schafer, Trevor Bjorklund, Carmel Raz, Aaron Helgeson, Fusun Koksal, and Bert Van Herck
Nine individuals pose in two rows on a wooden stage against a backdrop of white panels. Three people crouch in the front row near a cello on the floor, while six others stand behind them, some holding violins and a viola. A piano is visible on the left side of the frame.
Tony Arnold, Paolo Cavallone, and Christian Baldini
Three individuals are gathered behind a marimba that has several mallets resting on its wooden keys. One person holds a white binder open, and the others stand nearby looking toward it. Large storage trunks are visible in the background.
Three individuals stand near a table covered in percussion instruments, including drums and metallic bells. One person holds a piece of white paper while the others look toward it. Hanging gongs and a marimba are positioned in the background.
Tony Arnold, vocalist, and Christian Baldini, conductor, rehearsing Paolo Cavallone's Scendero a patti with ensemble of Sabatino Scirri, flute, Rin Ozaki, percussion, Will Chapin, guitar, and Jonathan Golove, violoncello
A group of people sits and stands on a stage with various musical instruments. One person conducts the group while others play a flute, an acoustic guitar, a cello, and percussion. On the right, a person holds a megaphone to their mouth.
Buffalo Philharmonic Orchestra with Robert Franz, conductor
Buffalo Philharmonic Orchestra - Orchestra
A person in a light green shirt stands on a platform and holds a baton while facing a group of seated musicians. The orchestra members play string instruments like violins and cellos behind music stands. The room features vertical wood paneling and several metallic organ pipes visible above the performers.
David Felder during seminar at June in Buffalo 2007
A person wearing glasses and a patterned long-sleeved shirt sits at a wooden table with both hands held up. The background features dark cabinets above a metallic surface and a large black speaker. A watermark reading "Copyright by Irene Haupt" is layered over the middle of the scene.
A person with glasses and a black collared shirt is captured from the torso up with one hand raised in a gesture. They sit in a room with an upright piano to their right and a speaker on the brick wall to their left. A watermark reads "Copyright by Irene Haupt" across the middle of the frame.
A person with short hair and glasses sits behind a wooden table with an open book, gesturing with both hands. In the background, a rack of electronic audio equipment is visible next to a large blue speaker on a stand. A watermark is visible across the center of the scene.
David Felder, with the Buffalo Philharmonic Orchestra and conductor Robert Franz during rehearsal of Felder's Three pieces for orchestra
A person in a light green shirt stands on a small platform facing a seated ensemble of musicians with violins and cellos. Another person in an orange shirt stands below the platform, holding papers and looking toward the person on the stand. The group is positioned on a wooden stage in front of a wall with vertical wooden slats.
David Felder with the Arditti String Quartet during rehearsal of Felder's String Quartet no. 2
Four people play violins and a cello while seated around music stands in a room. A fifth person sits in the foreground holding a sheet of music. The background contains a piano, instrument cases, and various wooden stands against a plain wall.
Four individuals sit in a semi-circle holding violins and a cello in front of music stands. A fifth person stands to the side of the group, looking towards them. In the background, there are various instrument cases and larger stringed instruments leaning against the wall.
David Felder examining score with students Aaron Helgeson, Jane Stanley, Eliza Brown, and Michael McBride
Five individuals are gathered around a table to view papers. Two people are seated in the foreground, while three others stand behind them and lean forward. A whiteboard with musical staff lines is positioned in the background.
David Felder commenting on a score, with students Michael McBride and Jane Stanley
An individual wearing glasses and a patterned shirt leans over a table, gesturing toward an open book containing musical notation. Two other people sit at the table and look toward the document. In the background, a whiteboard with musical staff lines is visible on the wall.
David Felder examining score with students Jeff Silva, Daniel Blake, and Dominique Schafer
Four individuals are gathered around a wooden ledge that holds several spiral-bound books of sheet music. They are standing in an auditorium with rows of red chairs and large vertical pillars in the background. The people are dressed in casual attire, and some wear eyeglasses.
A person stands beside a large black bass drum that is tilted on a metal stand and strikes it with drumsticks. They wear a dark short-sleeved shirt, light-colored pants, and glasses. Various other percussion instruments, including cymbals and a mallet instrument, are visible in the background on a dark stage.
Johannes Fischer performing with bass drum
A person wearing a dark shirt and light pants is captured mid-jump with drumsticks raised above their head. They are surrounded by various instruments, including a large bass drum tilted on its side and a set of timpani. Another person sits to the far left behind music stands in the dimly lit performance space.
Jonathan Golove performing on violoncello while composer Jane Stanley watches (rehearsal of her work, Deep turn)
A person with glasses and a beard sits while playing a cello and wearing a checkered button-down shirt. A second person with shoulder-length dark hair stands behind them wearing a black garment and a white shawl with embroidered patterns. A music stand is positioned to the left, and percussion instruments are visible in the background.
Students David Hanner (right), John Aylward, and Fusun Koksal examining a score during a lecture by David Felder
Three people are seated in an auditorium with rows of red chairs. The person on the right wears a white shirt and looks at papers, while the person on the left wears a black shirt and holds a hand near their chin. A third person sits in the row behind them, wearing a green vest and a dark scarf.
John Harbison in Music Library Seminar Room
A person with a mustache rests their hand against their chin while sitting in front of a large whiteboard with musical staff lines. To the left is a television on a metal stand. They wear a dark jacket over a collared shirt.
John Harbison with conductor Robert Franz and the Buffalo Philharmonic Orchestra
An orchestra of musicians with string instruments is seated in front of a person standing on a black podium. Another individual stands on the stage floor beside the podium, gesturing toward the group. The background features a large wall composed of vertical wooden slats.
John Harbison with conductor Harold Rosenbaum rehearsing Harbison's But Mary Stood, with Calvin Weirsma and Deborah Wong, violins, and Lois Martin, viola
Two people stand near the center of a stage, with one positioned on a small riser behind a music stand. Three other people are seated with stringed instruments, including cellos and violins. In the background, rows of red seats fill an auditorium hall with tall wooden pillars.
John Harbison and conductor Harold Rosenbaum during rehearsal of Harbison's But Mary Stood, with Deborah Wong, violin, Lois Martin, viola, and Chris Finckel, violoncello
Three people are seated and playing string instruments while two others stand nearby in conversation. Multiple music stands with sheet music are positioned across the wooden stage area. Rows of empty red seats and large architectural columns fill the background.
John Harbison examining score with students Aubrey Byerly, Bert Van Herck, Fusun Koksal, J.T. Rinker, and Lee Weisert
Six people are positioned around a table containing three sheets of paper, with three individuals seated and three standing behind them. Everyone in the group looks down toward the documents. A white board with horizontal lines is mounted on the wall in the background.
Charles Haupt, Rin Ozaki, and Tony Arnold
On the left, a person with gray hair and glasses holds a violin and bow next to a vibraphone. In the center, a person with long dark hair holds sheet music, while a third person in an orange shirt stands to the right. A green chalkboard and a wooden cabinet are visible in the background.