Horn player Adam Unsworth of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person wearing a gray long-sleeved shirt is shown in profile playing a brass French horn. They are looking at several pages of sheet music spread across a music stand. The room has a wooden floor and contains various pieces of musical equipment in the background.
State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Trombonist Benjamin Herrington of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person with short brown hair and glasses holds a brass trombone to their lips while wearing a black collared shirt. Their hand is positioned on the instrument near the mouthpiece, and music stands are visible in the blurred background.
Trombonist Benjamin Herrington and tubist Raymond Stewart of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person wearing a green shirt plays a large silver tuba in an indoor setting with wood-paneled walls. Another person in a black shirt sits in the background, playing a trombone. Musical equipment and stands are visible throughout the room.
Conductor Dan Bassin with percussionists Michelle Purdy, C.W. Dunbar, Robert Fullex, and Jason Bauers of the UB Percussion Ensemble and student composer David Rappenecker at a rehearsal of Rappenecker's work Emergence at June in Buffalo 2012
University at Buffalo Percussion Ensemble - Ensemble
Six people are positioned behind a collection of percussion instruments including tom-drums, bongos, and a mallet instrument. A music stand with open sheet music is centered in front of the group. The background features a gray wall with a set of doors and a red exit sign above them.
Trumpet player Jon Nelson and horn player Adam Unsworth of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person in a black shirt plays a trumpet while another person in a grey shirt plays a French horn. They sit on a wooden stage in black chairs facing music stands with sheet music. Behind them, several rows of red auditorium seats are visible in a darkened room.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Trumpet player Tim Leopold, trombonist Benjamin Herrington, and tubist Raymond Stewart of Slee Sinfonietta rehearsing composer David Felder's work Canzone XXXI at June in Buffalo 2012
A person in a green shirt sits in the foreground playing a tuba with a large, conical silver mute inserted into its bell. Behind them, another person in a grey shirt plays a smaller brass instrument while looking at sheet music on a black stand. The room features dark, textured curtains in the background.
Student composers Ruben Naeff, Duncan Schouten, and Zane Merritt at June in Buffalo 2012.
Three individuals are positioned in an indoor space with a dark brick background. The person on the left has short hair and a beard, while the person in the center wears glasses and a plaid shirt. The individual on the right has long wavy hair and stands with arms crossed.
Student composers Nissim Schaul, Juan Colon Hernandez, Jonghee Kang, Yeung-Ping Chen, and Mark Popeney at June in Buffalo 2012
Five people stand in a row in front of a light brown brick wall and a glass window. Four of the individuals wear glasses, and they are dressed in casual outerwear including jackets, a hoodie, and a fleece. Each person faces forward with their lips closed and the corners of their mouths slightly upturned.
Composer David Felder speaking at June in Buffalo 2012
Several people are seated across multiple rows of red tiered benches in a room with white walls and wooden panels. One person stands at the front of the room, facing the group with an arm raised while holding a paper. A boom microphone is positioned near the standing person, and a set of double doors is visible in the center background.
Flutist Roberto Fabbriciani at June in Buffalo 2012
A person with short hair sits in a row of pews with dark red cushions. They wear a dark blue button-down shirt beneath a black blazer and have their hands folded. The background consists of multiple rows of similar wooden benches.
Horn player Adam Unsworth, trumpet player Mike Gurfield, and trombonist Benjamin Herrington of Signal in a rehearsal at June in Buffalo 2012
Signal (Musical group : 2008-) - Ensemble
Three people sit in a row playing brass instruments, including a French horn and two trumpets. A fourth person stands behind a black grand piano with its lid propped open in the background. The musicians wear casual clothing and are positioned in an indoor space.
Clarinetist Bill Kalinkos and violoncellist Lauren Radnofsky of Signal in a rehearsal at June in Buffalo 2012
A person in a black t-shirt is shown from the side playing a clarinet. Their hands are positioned on the body of the instrument, and the mouthpiece is at their lips. Behind them, another person is playing a cello with a bow.
Percussionist Bill Solomon of Signal in a rehearsal at June in Buffalo 2012
A person in a maroon shirt holds two mallets over the keys of a marimba. In the background, a vibraphone, cymbals, a double bass, and rows of red chairs are arranged in a large room. A music stand with sheet music and a snare drum with a cymbal are positioned in the foreground and midground.
Conductor Scott Voyles with clarinetist Yevgeny Dokshansky, flutist Bettina Danielle Berger, and percussionist Michael Compitello of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person sits holding a bass clarinet in front of a music stand while a second person in the foreground points toward the left. A third person sits nearby behind another music stand, and a fourth person stands in the background near a marimba. The room contains musical equipment including sheet music, instrument stands, and percussion mallets.
Four people are arranged in a room, with one person in the foreground gesturing toward sheet music on a stand. Two individuals sit while playing a flute and a bass clarinet, while a third person stands behind a mallet percussion instrument. Grey double doors with push bars are visible in the background.
Pianist Anna D'Errico of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person with dark hair pulled back stands in front of a black grand piano with its lid propped open. The person's hands are placed near the interior strings and frame of the instrument. Sheet music is positioned on a stand, and a green chalkboard with staff lines and writing is in the background.
Student composer David Rappenecker and conductor Dan Bassin at June in Buffalo 2012
One person on the left wears glasses, a striped shirt, and a dark tie while looking down. To the right, another person in a tan blazer and dark tie holds a blue pen. They are standing in a dimly lit indoor space with a dark curtain in the background.
Violinist Yuki Numata, violoncellist Jonathan Golove, clarinetist Jean Kopperud, and pianist Steve Beck rehearsing student composer Dimitar Pentchev's work 1:05 at June in Buffalo 2012
Four people are positioned around an open black grand piano. One person sits at the piano and points towards sheet music on a stand, while three others stand nearby holding a violin, a cello, and a clarinet. The group is in an indoor room with light-colored walls and a dark curtain.
Conductor Brad Lubman rehearsing with Signal members, flutist Kelli Kathman, oboist Jackie Leclair, clarinetist Bill Kalinkos, violoncellist Lauren Radnofsky, violinist Courtney Orlando, horn player Adam Unsworth, trumpet player Mike Gurfield, trombonist Benjamin Herrington, pianist David Friend, and percussionist Bill Solomon at June in Buffalo 2012
A conductor stands on the left, gesturing toward a group of seated musicians playing various instruments. The ensemble includes individuals playing the violin, cello, flute, clarinet, horn, and trombone, while a person on the right plays a marimba. Several music stands holding sheet music are positioned throughout the room, which also contains a piano, tubular bells, and percussion equipment.
Score of student composer Duncan Schouten's work Of Those Beneath for percussion quartet at June in Buffalo 2012
A black backpack rests on a red theater seat in an auditorium, with a spiral-bound musical score protruding from its main compartment. Another identical score leans against the back of the same seat, featuring the title "OF THOSE BENEATH for percussion quartet" by Ian Schouten. Multiple rows of empty red seats extend into the background.
Student composer Duncan Schouten with percussionists Jason Bauers, Michelle Purdy, John Bacon, and Tom Kolor in a rehearsal of Schouten's work Of Those Beneath for percussion quartet at June in Buffalo 2012
A group of five people is gathered around a central music stand with sheet music on a stage. They hold various drumsticks and mallets near an array of percussion instruments including drums and wooden blocks. The background shows rows of empty theater seats in a dark auditorium.
Student composer Duncan Schouten and conductor Tom Kolor in a rehearsal of Schouten's work Of Those Beneath at June in Buffalo 2012
One person in a light pink shirt looks downward while another person in a dark striped shirt stands beside them with their arms raised and index fingers pointing. Both individuals have short brown hair, beards, and spectacles. The background shows a large, dark interior space with pillars and textured ceiling panels.
Percussionist John Bacon in a rehearsal at June in Buffalo 2012
A person with short wavy hair and glasses plays a percussion set consisting of various drums and granite blocks. They hold two drumsticks and wear a black t-shirt with dark pants. Other instruments, including a large bass drum and a rack with water bottles, are visible in the background against a wood-paneled wall.
Composer Steven Stucky leads a masterclass with student composers Colin Labadie, Tyler Capp, Zane Merritt, Andres Carrizo, Eun Young Lee, and David Rappenecker at June in Buffalo 2012
Seven people are situated around a table, some sitting and some standing. A person in a blue button-down shirt turns a page in a large white spiral-bound notebook. In the background, a wall features a sign labeled "SEMINAR ROOM" and a framed piece of text.
A group of seven people gathered in a room look at a spiral-bound book of sheet music resting on a table. One individual in a blue shirt turns the pages while others stand or sit around them. A sign on the wall in the background reads "SEMINAR ROOM."
Composer David Felder leads a masterclass with student composers at June in Buffalo 2012
Several people are seated around a dark-wood U-shaped table while one person at the front gestures with a hand. Notebooks, coffee cups, and a water bottle are placed on the table's surface. The room contains a television on a cart and audio equipment in the background.
Several people sit at a brown U-shaped table configuration in a room with white walls and a green chalkboard. Papers, notebooks, coffee cups, and a water bottle are placed on the table's surface. In the background, there is a television on a cart, speakers, and a rack of electronic equipment.
Conductor Tom Kolor with student composer Jonathan Kolm in a rehearsal of Kolm's work Cantogo at June in Buffalo 2012
One person in a light pink button-down shirt stands beside another person in a dark grey pullover. Both individuals wear glasses and look down at papers and folders held in their hands. The background is a dark room with vertical curtains.
Flutist Roberto Fabbriciani rehearsing at June in Buffalo 2012
An individual wearing glasses and a dark blazer stands while playing a gold-colored flute. A music stand in front of the person holds multiple pages of sheet music taped together, with a microphone positioned nearby. Several additional flutes rest on a black padded bench in the background.
A person wearing a black suit plays a gold-colored flute while standing in front of a music stand with several pages of sheet music. Two microphones are positioned above the flute player on a boom stand. Additional instrument cases and equipment are visible on the wooden floor in the background.
A person wearing glasses and a dark suit plays a gold-colored piccolo while standing behind a row of music stands. Two microphones are positioned on boom arms above the performer. The background is composed of dark drapes and wooden wall panels.
A person with graying hair and rimless glasses plays a small woodwind instrument. They are dressed in a dark jacket and shirt, positioned in front of a black microphone. The background consists of dark, vertical curtains.
A person with short grey hair and glasses plays a silver-colored flute behind music stands and sheet music. Two microphones on boom arms are positioned in front of the individual. The background consists of dark brown drapes and vertical wood paneling.
Conductor Tom Kolor directs percussionists Liz Holland, Robert Fullex, Jason Bauers, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Holland, Liz, percussionist - Percussion
Five musicians perform on a wooden stage, with one person conducting from a platform and four others playing various percussion instruments. The stage holds marimbas, drums, and music stands in front of wood-paneled walls. Red auditorium seating is visible in the foreground.
Conductor Tom Kolor directs percussionists Michelle Purdy, Robert Fullex, Jason Bauers, and Liz Holland of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Conductor Tom Kolor directs percussionists Robert Fullex, Michelle Purdy, Liz Holland, and Jason Bauers of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Six people stand on a wooden stage, with one individual on a small podium facing five others positioned behind a variety of percussion instruments and music stands. The background features wood-paneled walls and a pipe organ console situated in an elevated balcony area.
Percussionists Robert Fullex and Jason Bauers of the UB Percussion Ensemble in a performance at June in Buffalo 2012
One person on the left plays a marimba using four mallets. A set of tubular bells stands in the center foreground. On the right, another person plays a vibraphone with two mallets.
Conductor Dan Bassin with percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Five individuals stand on a wide wooden stage with several percussion setups, including drums and music stands. In the background, a large pipe organ is built into the wood-paneled wall, and rows of red theater seats occupy the foreground. One person is positioned near a low podium on the left, while others stand behind collections of instruments across the stage.
Conductor Dan Bassin directs percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
A conductor stands on a podium facing four people playing various percussion instruments on a wooden concert stage. The background features tall wood-paneled walls and a large pipe organ in the upper right corner. Empty red theater seats face the stage in the foreground.
Conductor Dan Bassin directs percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance of student composer David Rappenecker's work Emergence at June in Buffalo 2012
A conductor stands on a podium facing four musicians playing a variety of percussion instruments. The ensemble is spread across a large wooden stage with music stands positioned in front of each person. Rows of empty red theater seats are visible in the foreground.
Conductor Tom Kolor directs percussionists Michelle Purdy, John Bacon, Jason Bauers, and Liz Holland of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Five people are on a stage with wood-paneled walls and a light-colored wooden floor. One person stands with their back to the viewer near a music stand, while the other four people are positioned behind various percussion setups. These instruments include a large bass drum, congas, and several cymbals mounted on stands.
Five people occupy a wooden stage in a large concert hall with wood-paneled walls and organ pipes in the background. Four performers are positioned behind various percussion instruments, including drums, congas, and mallet percussion. A fifth person stands with their back to the viewer, facing the group with arms raised.
Percussionists Jason Bauers and Robert Fullex UB Percussion Ensemble in a performance at June in Buffalo 2012
Two people wearing glasses stand behind a large set of black tubular bells in a room with wood-paneled walls. The person in the foreground wears a checkered shirt and holds a mallet as if to strike the instrument. A music stand with sheet music is attached to the chime frame, and other percussion instruments are visible in the background.
Composers Fred Lerdahl and Steven Stucky at June in Buffalo 2012
One person with gray hair and a mustache stands next to another person with dark hair and a beard. Both individuals wear glasses and look down at a document. They are positioned in front of a white wall and a gray curtain.
Composer Robert Beaser at June in Buffalo 2012
A person with short, salt-and-pepper hair, glasses, and facial hair is shown in profile wearing a black jacket. To their right is a blackboard with musical staff lines, and behind them is a dark blue curtain.
Composer Steven Stucky in a master class with student composers at June in Buffalo 2012
Four people are visible sitting around a conference table covered with notebooks, a laptop, and a coffee cup. A person at the head of the table wears a dark blazer and glasses while sitting in front of a television. Behind them, a whiteboard with musical staff lines and a window with vertical blinds are visible.
Senior faculty composers David Felder, Robert Beaser, Fred Lerdahl, and Steven Stucky at June in Buffalo 2012
Four people are positioned in a row in front of a large white column and vertical blinds. They all wear eyeglasses and dark-toned clothing, including a grey blazer, a textured black shirt, and a black jacket over a graphic t-shirt. Some of the individuals are turned slightly toward each other.
Flutist Barry Crawford performing David Felder's work November Sky at June in Buffalo 2012
A person with short hair and facial hair wears a dark blazer and shirt while playing a piccolo. Their fingers are positioned on the instrument's keys, and their head is tilted downward. The background is a solid dark color.
Composer David Felder leads a master class with student composers Jacob Gotlib and Matthew Schreibeis at June in Buffalo 2012
Several people are seated around wooden tables in a room equipped with a large Sony television and audio gear. One person holds a document titled "Noticing" while facing others who sit in the foreground. The room features a green board on the wall and various pieces of electronic equipment on stands and shelves.
A person with short dark hair and a dark suit jacket plays a silver transverse flute. Their gaze is directed toward a music stand in the bottom right corner of the frame. The background consists of a dark, solid surface.
A person in a dark suit holds a large silver flute with a curved headjoint and presses their fingers onto the keys. They are positioned against a plain black background. The instrument is held horizontally with the mouthpiece near the person's lips.
Composer David Felder with flutist Barry Crawford after a performance of Felder's work November Sky at June in Buffalo 2012
A person on the left in a black shirt and glasses gestures toward a person on the right wearing a black suit. The person on the right holds a large vertical silver wind instrument while extending their other hand. A piano and a cymbal stand are visible in the background against dark wood paneling.
Percussionists Robert Fullex, Jason Bauers, Liz Holland, and C.W. Dunbar of the UB Percussion Ensemble performing Julia Wolfe's work Dark Full Ride at June in Buffalo 2012
Four performers are seated on a wooden stage with percussion instruments and music stands. Each person holds drumsticks and faces their respective setup under stage lighting. The background is a dark wood-paneled wall, while the silhouettes of audience members appear in the foreground.
Trumpet players Jon Nelson and Tim Leopold, horn player Adam Unsworth, trombonist Benjamin Herrington, and tubist Raymond Stewart of Slee Sinfonietta performing David Felder's work Canzone XXXI at June in Buffalo 2012
Five people sit on a wooden stage playing instruments including a tuba, a trombone, and trumpets. Music stands are positioned in front of each musician. The background is a vertical wood-paneled wall.
Percussionists Liz Holland and Michelle Purdy of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
Rows of red theater chairs are occupied by several people looking toward a stage area. Behind the seating, more individuals stand and sit amongst various musical instruments and electronic equipment. A large gong and drum set are visible in front of a backdrop of black curtains.
Percussionists Robert Fullex, Liz Holland, and Michelle Purdy of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
Rows of individuals occupy red seating in a theater, oriented toward a performance space. In the background, several people are positioned near drums, microphones, and a gong behind a black curtain. The interior features high ceilings with white pillars and a balcony level.
Percussionists Melanie Voytovich and C.W. Dunbar of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
Two performers are positioned behind large sets of percussion instruments on a wide wooden stage. An audience sits in rows of red chairs in the foreground, facing the performance area. The wood-paneled auditorium includes a pipe organ mounted on the wall above the stage.
Percussionist Jason Bauers of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
A person with short dark hair and glasses holds drumsticks while positioned behind various percussion instruments. Large gongs are mounted on circular frames near a music stand and a set of small drums. The background features vertical panels and bright overhead lighting.
Conductor Tom Kolor directing the UB Percussion Ensemble in a performance of Iannis Xenakis's work Persephassa at June in Buffalo 2012
An audience sits in rows of red theater seats within a large hall featuring wood-paneled walls and tall white pillars. A person stands in the center aisle with one hand raised, facing the seated group. In the foreground, another person stands behind a set of percussion instruments including timpani, cymbals, and a gong.
Percussionist Michelle Purdy of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
A person wearing a light-colored shirt and dark vest is positioned behind a set of drums, holding mallets over the surfaces. A large gong, cymbals, and sheet music are arranged around the musician on a stage. Black curtains and white pillars form the background where other individuals and instruments are also present.
A person wearing a dark vest holds mallets over multiple drums while standing behind a large timpani. A music stand with sheet music is positioned in front of them, framed by large gongs on either side. The background shows rows of red chairs in a hall and other individuals in the distance.
A person wearing a vest and glasses stands behind a large timpani, striking it with a mallet. They simultaneously hold a small brass instrument in their mouth, with other drums and a music stand positioned nearby. The setting includes a black curtain backdrop and large pillars in the background.
Composer David Felder with student composers Jonathan Kolm and Jonghee Kang at June in Buffalo 2012
Three people wearing glasses stand against a black curtain background. On the left, a person in a brown blazer holds papers and raises one hand. In the center, a person wearing a grey and black shirt clasps their hands together while looking toward the left. A third person stands on the right in profile, wearing a grey hoodie.
Flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violinist Veronique Mathieu, violoncellist Christophe Mathias, and percussionists Michael Compitello and Bill Solomon of Ensemble Interface in a rehearsal at June in Buffalo 2012
Six musicians are positioned on a stage with wood-paneled walls, playing instruments including the flute, clarinet, violin, and cello. Two individuals stand in the background behind percussion instruments, one holding mallets over a marimba. Sheet music rests on black metal stands in front of the seated performers.
Composer David Felder with UB faculty members Bruce Jackson and Diane Christian at June in Buffalo 2012
One person in profile wears a dark patterned sweater and large earrings. A second person in a black graphic t-shirt and full beard stands in the middle. A third person on the right wears a light blue striped shirt and a brown blazer.
Conductor Scott Voyles and pianist Anna D'Errico of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person sits at a Steinway grand piano with the lid open and multiple pages of sheet music displayed. In the background, a person in a dark suit stands with arms raised facing the musicians on a stage with red seating. A tall microphone stand is positioned near the back of the stage.
Conductor Scott Voyles with composer Fred Lerdahl at June in Buffalo 2012
Two people stand in profile, facing one another against a background of vertical curtains. The person on the left wears black glasses and a black jacket, with their right hand raised in a gesture. The person on the right has grey hair and wears a grey blazer while holding papers that feature a grid pattern.
Conductor Scott Voyles in a rehearsal with violoncellist Christophe Mathias, violinist Veronique Mathieu, and clarinetist Yevgeny Dokshansky of Ensemble Interface at June in Buffalo 2012
A person wearing a dark suit stands on a stage and gestures toward several musicians seated with their backs to the camera. The musicians play stringed instruments and percussion while following sheet music on stands. The background shows an empty, dimly lit concert hall.
Conductor Scott Voyles of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person in a dark suit and glasses stands on a stage behind a music stand with their right arm extended. Two individuals are partially visible in the foreground, with one holding a violin and another holding a bow. The background shows a dark wall and rows of empty seats.
A person stands behind a music stand with their arms outstretched and hands blurred by motion. They are wearing a dark blazer over a black shirt and rectangular glasses. In the lower foreground, a hand holds a stringed instrument bow over sheet music.
Conductor Scott Voyles with violoncellist Christophe Mathias and violinist Veronique Mathieu of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person wearing a dark suit and glasses stands behind a music stand, gesturing with a raised hand. In the foreground, two musicians are seen from behind as they play string instruments over sheet music. The background consists of a dark, dimly lit stage area.
A person in a dark suit and glasses stands at a music stand with their arms raised. In the foreground, portions of two people holding musical instruments and bows are visible behind sheet music. The background shows a dimly lit hall with dark walls and structural pillars.
A person stands center stage with their arms raised in a conducting gesture over sheet music. In the foreground, the back of a musician's head and a portion of a harp are visible. Sheet music is open on stands, and the background shows the dim interior of a performance hall.
A person with short light hair wears a dark suit jacket and a black turtleneck with their hands raised. Black-rimmed glasses are positioned on the bridge of their nose. The background is dark.
A person with dark hair tied back leans over a black Steinway grand piano and reaches an arm inside to touch the internal components. Sheet music for "gaspra" by Beat Furrer is propped on a stand, and the piano's black and white keys are visible in the foreground. The individual is wearing a white t-shirt and looks toward the area they are touching.
Flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshanksy, violoncellist Christophe Mathias, violinist Veronique Mathieu, and pianist Anna D'Errico of Ensemble Interface in a rehearsal at June in Buffalo 2012
Five individuals perform on a stage with a grand piano in the background. Sheet music stands are positioned in front of a violinist, a cellist, a bass clarinetist, and a flutist. The musicians wear casual clothing while seated in chairs during the performance.
Conductor James Baker with violinist Curtis Macomber, violoncellist Chris Finkel, percussionist Tom Kolor, and pianist Stephen Gosling of the New York New Music Ensemble performing student composer Colin Labadie's work Quartet at June in Buffalo 2012
A group of musicians performs on a wooden stage in front of a seated audience. From left to right, individuals are seated playing a grand piano, a violin, and a cello, while another person stands at a percussion instrument in the background. A conductor stands facing the group with their back to the viewer, directing the performance.
Pianist Stephen Gosling, violinist Curtis Macomber, and clarinetist Jean Kopperud of the New York New Music Ensemble performing student composer Matthew Schreibeis's work In Search of Planet X at June in Buffalo 2012
A musical trio performs on a wooden stage in front of a dark audience. One person sits at a black grand piano, another plays a violin, and a third person plays a clarinet. Sheet music stands are positioned in front of the violin and clarinet players.
Conductor James Baker directs a performance of student composer Davide Ianni's work Transients with flutist Jayn Rosenfeld, violoncellist Chris Finckel, and clarinetist Jean Kopperud of the New York New Music Ensemble at June in Buffalo 2012
Four people are on a stage performing music with a flute, cello, and clarinet. One person in a suit stands with their back to the camera, gesturing with their arms. Percussion instruments, music stands, and a piano are arranged in the background.
Conductor Scott Voyles directs a performance of Morton Feldman's work For Frank O'Hara with pianist Anna D'Errico, violinist Veronique Mathieu, flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violoncellist Christophe Mathias, and percussionist Michael Compitello of Ensemble Interface at June in Buffalo 2012
Seven musicians play instruments including a piano, violin, flute, clarinet, cello, and percussion on a light-colored wooden stage. A conductor stands facing the ensemble with their back to rows of red audience seats in the foreground. The background features wood-paneled walls and a pipe organ, while all performers are dressed in black.
Conductor Scott Voyles directs Ensemble Interface in a performance of Beat fürer's work Gaspra at June in Buffalo 2012. Performers left to right: pianist Anna D'Errico, violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, percussionist Bill Solomon, clarinetist Yevgeny Dokshansky, and flutist Bettina Danielle Berger.
Eight people in black attire perform on a stage while a person in a suit conducts the ensemble. The musicians play a variety of instruments including a grand piano, violins, a cello, percussion, and woodwinds. A large pipe organ is visible in the background above the wood-paneled wall.
A group of musicians in dark attire plays instruments including a grand piano, violins, a cello, and percussion. A conductor stands with their back to the camera, gesturing toward the ensemble. The performance takes place on a large stage with wood-paneled walls and organ pipes in the background.
Conductor Scott Voyles with members of Ensemble Interface after a performance at June in Buffalo 2012. Performers left to right: pianist Anna D'Errico, flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violinist Veronique Mathieu, violoncellist Christophe Mathias
back row: percussionists Bill Solomon and Michael Compitello
Eight musicians in dark clothing are positioned on a light wood stage in a concert hall with wood-paneled walls. One individual on the left gestures toward seven other musicians holding instruments such as a flute, violin, and cello. A grand piano, percussion instruments, and music stands are arranged around the group, while rows of red theater seating are visible in the foreground.
Conductor Scott Voyles with members of Ensemble Interface after a performance at June in Buffalo 2012. Performers left to right: percussionists Bill Solomon and Michael Compitello, clarinetist Yevgeny Dokshansky, violoncellist Christophe Mathias, violinist Veronique Mathieu, flutist Bettina Danielle Berger, and pianist Anna D'Errico.
Eight individuals dressed in dark clothing stand in a line on a wooden stage in front of wood-paneled walls. Some hold instruments including a flute, violin, cello, and clarinet while a grand piano and percussion instruments are positioned behind them. Rows of red auditorium seats and the heads of audience members are visible in the foreground.
Flutist Jayn Rosenfeld and pianist Stephen Gosling of the New York New Music Ensemble with composer Robert Beaser at June in Buffalo 2012
Three people are gathered around a piano looking at sheet music. One person wearing a purple shirt sits at the instrument, while two others stand behind the music stand. A wood-paneled wall and a black speaker are visible in the background.
Members of Ensemble Interface: violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, clarinetist Yevgeny Dokshansky, flutist Bettina Danielle Berger, harpist Kristen Moss Theriault, and percussionist Michael Compitello in a rehearsal at June in Buffalo 2012
A musical ensemble performs on a stage featuring light wood floors and vertical wooden wall panels. The group includes individuals playing violins, a cello, a clarinet, and a large golden harp situated in the foreground. Sheet music on stands is placed before the seated and standing performers near a black grand piano.
Conductor Scott Voyles directs Ensemble Interface in a performance of Louis Andriessen's work Zilver at June in Buffalo 2012. Performers: pianist Anna D'Errico, flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violinist Veronique Mathieu, violoncellist Christophe Mathias, and percussionists Bill Solomon and Michael Compitello.
A group of musicians dressed in black perform on a wooden stage within a concert hall. The ensemble includes a pianist, flutist, clarinetist, violinist, and cellist, with percussionists and a conductor also present. Rows of red audience seats are positioned in the foreground of the room.
Clarinetist Yevgeny Dokshansky and flutist Bettina Danielle Berger of Ensemble Interface in a rehearsal at June in Buffalo 2012
One person with reddish-blonde hair tied back plays a silver flute while wearing a black long-sleeved shirt. Another person with short dark hair wears a plaid shirt and plays a clarinet in the background. Sheet music sits on a stand to the left against a backdrop of vertical wood panels.
Composer Fred Lerdahl in a masterclass with student composers Colin Labadie, Juan V. Colon Hernandez, and Tyler Capp at June in Buffalo 2012
Four people are seated in desk chairs arranged in a circle, with one person reading aloud from a spiral-bound manuscript. A black music stand is positioned in front of the group, and a whiteboard with a diagram is mounted on the wall behind them. The room also contains a wooden lectern and additional empty chairs.
Student composer Nissim Schaul with violoncellist Christophe Mathias, violinist Veronique Mathieu, and percussionist Michael Compitello of Ensemble Interface in a rehearsal of Schaul's work Trio at June in Buffalo 2012
Four people are positioned around a music stand in a room with vertical wood-paneled walls. One person holds a cello and a bow, while another sits in the center holding a violin. Two other individuals stand and lean toward the music stand in the foreground. Items such as mallets and instrument cases are positioned behind the group.
Harpist Kristen Moss Theriault and flutist Bettina Danielle Berger of Ensemble Interface performing student composer Nathan Kelly's work Harbor Music at June in Buffalo 2012
Two musicians perform in a room with wood-paneled walls and a wooden floor. In the foreground, one person sits behind a large harp with their hand positioned over the strings. In the background, a second person stands while playing a silver flute next to a music stand.
Conductor Scott Voyles with student composer Jonghee Kang in a rehearsal of Kang's work Drawing at June in Buffalo 2012
Two individuals stand in a dimly lit room, looking at pages of music on a stand. The person on the left wears a dark suit jacket and glasses, using their hands to turn the pages. The person on the right wears a light blazer and holds a folder of sheet music.
Percussionist Michael Compitello of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person wearing black stands behind a Yamaha vibraphone, using a bow on one of the metal bars. The surrounding area is filled with percussion equipment including cymbals, gongs, and mallets, with a large harp positioned in the background.
Conductor Scott Voyles with percussionist Michael Compitello in a rehearsal with Ensemble Interface at June in Buffalo 2012
A person in the foreground plays a percussion instrument with mallets, positioned near music stands and a collection of small cymbals. In the center, a person wearing a suit and glasses stands behind a music stand, gesturing toward the group. To the right, another person sits and plays a cello while looking at sheet music.
Conductor Scott Voyles with percussionist Michael Compitello, flutist Bettina Danielle Berger, and violoncellist Christophe Mathias in a rehearsal with Ensemble Interface at June in Buffalo 2012
A person in a suit stands center stage with raised hands, facing several performers. In the foreground, one individual strikes a percussion instrument with mallets while another sits with a cello. Sheet music rests on multiple stands across the stage under focused lighting and overhead microphones.
Clarinetist Jean Kopperud playing a tube instrument built for the performance of composer David Felder's work Rare Air: Blews at June in Buffalo 2012
A person with long, light-colored hair and glasses holds a long, snake-like musical instrument that coils around their torso. The instrument features a head with an open mouth and teeth, while its body has a scaly pattern. The person holds a mouthpiece to their lips with one hand and supports the head of the instrument with the other.
Clarinetist Jean Kopperud performing composer David Felder's work Rare Air at June in Buffalo 2012
A musician wearing an orange shirt, black trousers, and glasses performs on a bass clarinet. They sit on a chair behind a music stand, and a microphone is positioned in front of the instrument. The performance takes place on a wooden floor with dark chairs in the background.
Composer Yeung-Ping Chen with violinist Yuki Numata in a rehearsal of Chen's work Light and Tear at June in Buffalo 2012
An individual wearing a black t-shirt and glasses stands next to another individual who holds a violin in a playing position. Both people look toward a music stand containing multiple pages of sheet music. The setting is an indoor space with dark, wood-paneled walls.
Brad Lubman, conductor of Signal, at June in Buffalo 2012
A person with short hair and a beard stands on a wooden stage wearing a grey long-sleeved shirt and a watch. Their face is turned to the side with an open mouth while they stand over a spiral-bound music score. The background features musical equipment, including music stands and instruments.
Members of Signal in a rehearsal at June in Buffalo 2012
A group of musicians plays various instruments including violins and a clarinet while seated in a rehearsal space. Multiple microphones on stands are positioned throughout the ensemble near sheet music stands. Two large gongs hang in the background against a wooden wall.