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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>Perry, J. Warren</text>
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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              <elementText elementTextId="1760500">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>Still photo from the film "The Bolshoi Ballet" made during the company's tour of Great Britain in 1956. Incorrectly identified on photograph and film as being from Swan Lake.</text>
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&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>Still photo from the film "The Bolshoi Ballet" made during the company's tour of Great Britain in 1956.</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Illuminations (Choreographic work : Ashton)</text>
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                <text>Shows costumes</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>New York City Ballet</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ballerinas</text>
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                <text>Le Clercq, Tanaquil - Dancer (Female) - Sacred Love - Has Inscription</text>
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                <text>Perry, J. Warren</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1760458">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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&lt;p&gt;The J. Warren Perry Collection of Ballet Photographs, ca. 1910-1960 is a complement to the J. Warren Perry Collection of Photographs, ca. 1910-1971. It consists of 300 black and white photographs of many of the most significant ballet dancers and choreographers of the mid-twentieth century, especially the 1950s. Included in the collection are photographs of Alicia Alonso, Sir Frederick Ashton, George Balanchine, Jacque D'Amboise, Agnes DeMille, Anton Dolin, André Eglevsky, Margot Fonteyn, José Greco, Melissa Hayden, Nora Kaye, John Kriza, Francisco Moncion, Yvonne Mounsey, Nadia Nerina, Ruth Page, Jerome Robbins, Maria Tallchief, Galina Ulanova, and Igor Youskevitch. Many of the photographs bear inscriptions from the dancers to Dr. Perry.&lt;/p&gt;
&lt;p&gt;The collection also contains the photographic work of the most important dance photographers of the first half of the twentieth century, including Herman Mishkin, Witzel, Maurice Seymour, Fred Fehl, Roger Wood, Houston Rogers, Martha Swope, Michael Dunne, George Platt Lynes, and Walter E. Owen.&lt;/p&gt;
&lt;p&gt;Complete details about the collection and a brief biography of Dr. Perry can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_2.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>Performance of Western Symphony by the New York City Ballet&#13;
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                <text>Shows costumes;&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Fehl, Fred;&#13;
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                <text>New York City Ballet;&#13;
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="364767">
                <text>1955</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Perry, J. Warren;&#13;
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            <name>Type</name>
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                <text>Photographic prints -- 1950-1960;&#13;
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                <text>Image; Still image;&#13;
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Mus. Arc. 3.2;&#13;
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                <text>JWPB300&#13;
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1760457">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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              <elementText elementTextId="1941985">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
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                    <text>Robert F. Kennedy speaking at an outdoor podium, holding a pen, with microphones in front and a crowd in the background.</text>
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              <name>Title</name>
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                  <text>Prominent Visitors to Buffalo</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;div&gt;
&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>LIB-UA016</text>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Kennedy, Robert F., 1925-1968</text>
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                <text>Political candidates--United States</text>
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                <text>Politicians--United States</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Former U.S. Attorney General Robert F. Kennedy delivering  a 1964 campaign speech in Buffalo, New York for the U.S. senatorial race for New York State.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="364781">
                <text>BKennedy_D497-1</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1858053">
                <text>Former U.S. Attorney General and U.S. senatorial candidate for the State of New York Robert F. Kennedy stands at an angled wooden podium outdoors, addressing a crowd at Squire Hall terrace on the State University of New York at Buffalo South Campus. (Squire Hall was formerly  called the Norton Union). The speaker is holding a pen and surrounded by several microphones. People are seated and crouched around the stage, and a person is visible taking a photo with a flash camera. The scene is set against a building with stone and brick walls under a clear sky. A person sits near the base of the podium, adjusting cables or equipment.</text>
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              <elementText elementTextId="1978646">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1879118">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="105">
            <name>Is Part Of</name>
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              <elementText elementTextId="1931533">
                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
              </elementText>
              <elementText elementTextId="1931747">
                <text>Audio/Visual Center Photograph collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="1931873">
                <text>State University of New York at Buffalo. University Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1931999">
                <text>State University of New York at Buffalo. University Libraries</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1932125">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1932251">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1932366">
                <text>1964-10-03</text>
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  <item itemId="21861" public="1" featured="0">
    <fileContainer>
      <file fileId="16731">
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              <element elementId="41">
                <name>Description</name>
                <description>An account of the resource</description>
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                  <elementText elementTextId="1858050">
                    <text>President Lyndon B. Johnson speaking at a podium with the presidential seal in front of large columns.</text>
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      </file>
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    <collection collectionId="69">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Prominent Visitors to Buffalo</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="364775">
                  <text>&lt;div&gt;
&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;</text>
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              <name>Identifier</name>
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                  <text>LIB-UA016</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Johnson, Lyndon B. (Lyndon Baines), 1908-1973</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>U.S. President Lyndon B. Johnson speaking at a podium in Niagara Square outside City Hall in downtown Buffalo, New York. </text>
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            </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="364793">
                <text>LBJ_1377_20</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1858051">
                <text>U.S. President Lyndon B. Johnson stands at a podium adorned with the seal of the President of the United States, speaking into multiple microphones. The setting includes the large stone columns of the City Hall, Buffalo New York in the background and patriotic bunting draped across the front of the stage. President Johnson wears a suit and glasses.  A staff topped with a decorative eagle stands beside the podium, and several people are partially visible in the background.</text>
              </elementText>
              <elementText elementTextId="1978645">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1879117">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="105">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="1931532">
                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
              </elementText>
              <elementText elementTextId="1931746">
                <text>Public Affairs Photograph collection </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1931872">
                <text>State University of New York at Buffalo. University Archives</text>
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>Future President Richard M. Nixon, dressed in a suit and tie, stands behind a wooden podium, hands resting on each side, addressing an audience at Memorial Auditorium in downtown Buffalo, New York during his campaign for the 1969 U.S. presidential election. Two microphones are positioned in front of them. Behind the speaker, a large banner is partially visible with the words “WELCOME DICK and” and “THE ONE!” displayed. The backdrop is a curtain appropriate to an indoor political rally.</text>
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
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                <text>1968-10-07</text>
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                    <text>Arch~'ie.s&#13;
&#13;
!-iT&#13;
I&#13;
&#13;
~~&#13;
&#13;
7&#13;
&#13;
THE BUFFALO MODEL Clif't CONfERENCE&#13;
January 19 - 20, 1967&#13;
Sponsored by - COOPERAliVE URBAN EXTENSION CENTER&#13;
Gordon Edwards, Director&#13;
Dean Robert F. Berner, Conference Chairman&#13;
&#13;
�BUFFALO'S RESPONSE TO&#13;
THE MODEL CITY PROGRAM&#13;
&#13;
10:45 - 12:00 noon&#13;
&#13;
CHAIRMAN:&#13;
&#13;
Richard Miller&#13;
Commissioner of Urban Renewal&#13;
City of Buffalo&#13;
&#13;
RESPONSE:&#13;
&#13;
Honorable Frank Sedita&#13;
Mayor of Buffalo&#13;
Honorable Robert F. Kennedy&#13;
U. s. Senator&#13;
Chester Gorski, President&#13;
Common Council of Buffalo&#13;
James W. Burns, Director of Budget&#13;
City of Buffalo&#13;
&#13;
Recorder:&#13;
&#13;
Leonard Graziplene&#13;
&#13;
- 39-&#13;
&#13;
�Mayor Frank A. Sedita introducing Senator Robert F. Kennedy&#13;
Ladies and Gentlemen:&#13;
This conference on Buffalo's approach to the Model City program has clocked&#13;
nearly ten hours of discussion since yesterday morning. We have brought forward&#13;
a broad range of subjects and we have examined some of the City's most critical&#13;
social, economic and environmental problems from several points of view. Many&#13;
of the ideas that have been generated in this conference will receive full consideration as my Administration continues the task of preparing an application&#13;
for Federal planning funds under the National program for Model Cities.&#13;
I stated yesterday in my opening remarks that the City Administration fully&#13;
accepts the challenge and the opportunityofthispromising new Federal approach&#13;
to the dilemma of urban deterioration. Our Model City Steering Committee and&#13;
its Technical Subcommittee will make a concerted effort to develop a Buffalo&#13;
Plan that is coordinated, imaginative and well enough funded to tackle the core&#13;
city problem in its true dimensions.&#13;
I want to emphasize once more that we will be seeking the advice and participation of many persons and groups in the Buffalo community who have not been&#13;
a part of this introductory conference. Indeed, full participation of the entire&#13;
community, and a constructive dialogue with the people of the affected neighborhoods, are among the primary goals of my Administration in undertaking a&#13;
Model City program.&#13;
We must of necessity leave many decisions and most of the down-to-earth,&#13;
detailed planning for the revitalization of neighborhoods within the Model City&#13;
area to the time when adequate Federal planning funds have been made available&#13;
to us. The program is new and complex, and we are in the earliest stages of&#13;
planning its direction. But surely it is never too soon to strengthen and consolidate our lines of communication and our ties with the people who will be most&#13;
intimately affected by these coming programs for social, educational and economic&#13;
advancement.&#13;
As we have been probing the problems of our core city of Buffalo this past day&#13;
and a half, the distinguished gentleman who is about to address you has recently&#13;
been part of a broader national forum on urban problems: the far-reaching&#13;
Senate hearings on the plight of our cities, conducted by Senator Ribicoff of&#13;
Connecticut. In my view, no participant in those hearings displayed a more&#13;
searching concern to get at the rootof big-city problems and to explore possible&#13;
ways of bringing about their solution than the Junior Senator from New York.&#13;
&#13;
- 40 -&#13;
&#13;
�Ladies and Gentlemen, as a Mayor who deeply shares that concern and urgently&#13;
hopes that we can continue to find better ways towards urban revitalization, I&#13;
am proudandhappytobeabletopresent to you SENATOR ROBERT F. KENNEDY.&#13;
Senator Robert F. Kennedy&#13;
"You are an exampletothe rest of the state. You are the first city to do what&#13;
you are doing today ••• "&#13;
&#13;
"If men do not build," asks the poet, "how shall they live?" That is the&#13;
&#13;
question millions of men and women all over America ask themselves -- ask&#13;
us -- everyday; everyday of idleness, of uselessness, every "day that follows&#13;
day, with death the only goal.'' That is the question, indeed, of life in the American&#13;
city in years to come. In city after city -- and in Buffalo as well -- we have felt&#13;
the pain of infections too long left festering -- idleness and ignorance, rats and&#13;
disease and hopelessness. Yet even as we become more aware of the injustice,&#13;
indeed the danger of serious convulsion in our urban order, our efforts to right&#13;
injustice, to open opportunity, to build better lives for all our people -- all&#13;
these efforts have faltered and slowed.&#13;
For our past efforts to deal with the problems of our cities have not worked;&#13;
their promise failed, their purpose flagged.&#13;
We have seen families on welfare rolls, their husbands and fathers and sons&#13;
idle, when we knew they should be at work -- but our job-training programs too&#13;
often have not resulted in jobs, and the unemployment rolls have gone up, not&#13;
down, in Harlem and Watts and Southside Chicago.&#13;
We have seen housing dilapidated and deteriorating, and we know children&#13;
should not grow up in such conditions -- but too often our public housing projects&#13;
have turned into slums, and urban renewal relocated families into deeper misery&#13;
elsewhere.&#13;
We have seen children three years behind in reading, and know that lack of&#13;
education would&#13;
&#13;
b~ight&#13;
&#13;
the whole course of their lives -- but our education bills,&#13;
&#13;
passed with great fanfare and hope, have not educated the children.&#13;
And failure and disillusionment have fed on themselves, bringing further&#13;
discontent and dissatisfaction to large numbers of people throughout the country.&#13;
But even in the face of discouragement and disillusion, we must maintain our&#13;
commitment to act -- to dare -- to try again. The plight of the cities -- the&#13;
- 41-&#13;
&#13;
�physical decay and human despair that pervades them -- is the great internal&#13;
problem of the American nation, a challenge which must be met. The peculiar&#13;
genius of America has been its ability, in the face of such challenges, to summon&#13;
all our resources of mind and body, to focus these resources, and our attention&#13;
and effort, in whatever amount is necessary to solve the deepest and most&#13;
resistant problems. That is the commitment and the spirit required in our cities&#13;
today. That is the commitment and the spirit which is reflected in the holding of&#13;
this conference today.&#13;
And by your meeting you show your determination that change will come in&#13;
Buffalo, not byfiatfrom Washington or Albany, not from the offices of a President&#13;
or a Senator or a Governor, but from the work and effort of the Buffalo community.&#13;
This is vitally important. Title I of the Demonstration Cities Act provides&#13;
a new framework for getting Federal money to the city -- to you -- in a&#13;
coordinated way. It makes it far easier for a city to attack the problems of its&#13;
slum ghettos on a total basis. It contemplates that planning for new schools and&#13;
new homes and new hospitals and new parks will take place in an interrelated&#13;
way.&#13;
But it is no more than a framework -- a skeleton which will rattle in the&#13;
closet of its creator unless local imagination and action gives it flesh and sinew&#13;
and life.&#13;
No city's problems are the same as any other. Neighborhoods vary in their&#13;
geographies and demographies, in their strong points, in their deficiencies. Job&#13;
possibilities differ from city to city. School needs and health needs and recreation&#13;
needs differ.&#13;
There is no one in Washington who is wise enough or all-knowing enough to&#13;
tell every city or even any city what its particular problems are and what peculiar&#13;
resources it can tap to help deal with them. That is all up to you. The success or&#13;
failure of the Demonstration Cities Act will depend upon your ability to innovate,&#13;
to mobilize your resources, to reach out to the poor. But let me stress as well&#13;
that you, the civic leaders of Buffalo, also have a responsibility not to impose&#13;
solutions on the neighborhoods you seek to revitalize.&#13;
The people of any ghetto area in which you begin a model neighborhood effort&#13;
will not and should not have to follow blindly the leadership or accept the&#13;
direction and control of outsiders -- whether from government, or private&#13;
industry, or foundations. If there is to be any action, any true progress in a&#13;
neighborhood, that neighborhood itself must be involved in what happens -- in&#13;
- 42-&#13;
&#13;
�the success or failure of any program.&#13;
As I sat at the recent hearings on the Cities, I heard witness after witness&#13;
describe the same indispensable element in any program to help the poor of our&#13;
cities -- whether it be a program to help individuals make ends meet a little&#13;
more easily or a program to rebuild an entire neighborhood. That element is the&#13;
self-respect, the self-esteem, the dignity of the individual.&#13;
When we are talking about the rebuilding of a neighborhood, this means that&#13;
the individual who lives in that neighborhood must have a share in the decisions&#13;
which affect his life. We heard from representatives of the East Columbus&#13;
Community Organization, a community action program which has been especially&#13;
true to the principle of decision-making by those who live in the neighborhood.&#13;
Because the citizens who are served by E C C 0, as it is called, have had full&#13;
responsibility for the programs of community servicewhichhave been organized&#13;
under E C CO's aegis to serve them, these programs -- day care and Head Start&#13;
and remedial education -- have had the overwhelmingly enthusiastic participation of the people.&#13;
I have seen job-training programs, operated by the Department of Labor, in&#13;
which two-thirds of the trainees dropped out before completion of a six-week&#13;
course. But I have also seen, in Philadelphia, training programs run by Reverend&#13;
Leon Sullivan's OI C, in which the people themselves take responsibility for the&#13;
management and control of the programs -- and see that the trainees understand&#13;
their responsibility to the community, so that nine out of ten complete an arduous&#13;
six-month training course.&#13;
Whatever program Buffalo develops under the Demonstration Cities Act must&#13;
be developed with the participation of the neighborhoods to be served.&#13;
What will you want to do in your ghetto neighborhoods?&#13;
As many of you know, I have been working with the people of the BedfordStuyvesant in Brooklyn to develop a comprehensive and coordinated program for&#13;
the renewal of that neighborhood. This is a prototype approach, an experiment&#13;
which, if successful, can help to guide the efforts of others in our state and around&#13;
the nation. Let me tell you briefly what the people of Bedford-Stuyvesant hope to&#13;
accomplish.&#13;
The program will begin with physical reconstruction -- because it is needed&#13;
for its own sake, to provide decent and pleasant homes and neighborhoods; but&#13;
more importantly as a base and focus for the creation of jobs -- well-paying,&#13;
dignified work, trades and skills which will be useful for a lifetime. Indeed,, we&#13;
set our aim as a vital, expandingeconomythroughout the community -- creating&#13;
- 43-&#13;
&#13;
�jobs in manufacturing and commerce and service industries.&#13;
Related to the employment efforts, we have proposed the creation of new&#13;
educational opportunities of many kinds:&#13;
•&#13;
&#13;
special supplementary education for workers, to help them raise their&#13;
skill levels, and move into advanced career fields which, I understand,&#13;
is also the purpose of your Opportunities Development Corporation here&#13;
in Buffalo;&#13;
&#13;
•&#13;
&#13;
extension courses in the area, from basic reading to college credit, so&#13;
that every member of the community could reach his full potential;&#13;
&#13;
•&#13;
&#13;
and education in the basic skills of urban living -- dealing with&#13;
government agencies, or furniture stores, or the corner grocery.&#13;
&#13;
And we have urged the reconstruction of social services, and their integration&#13;
with the rebuilding effort -- for example, reorganizing medical services around&#13;
0&#13;
&#13;
neighborhood clinics built and managed by the people of the neighborhoods.&#13;
Through the fabric of all program components run three critical threads:&#13;
•&#13;
&#13;
cooperation with the private business community in&#13;
&#13;
self~sustaining,&#13;
&#13;
economically viable enterprises;&#13;
•&#13;
&#13;
integration of programs for education, employment and community&#13;
development under a coordinated overall plan;&#13;
&#13;
•&#13;
&#13;
and impetus and direction to be given in these efforts by the united&#13;
strength of the community; working with private fbundations, labor&#13;
unions, and universities, in Community Development Corporations&#13;
organized for this purpose.&#13;
&#13;
This is, in brief, what the people of Bedford-Stuyvesant hope to do.&#13;
They have begun. You must begin as well, as you indicate you will by the&#13;
holding of this conference.&#13;
The way ahead will not be easy. It will not be easy to plan for schools and&#13;
homes and clinics and parks in interrelation. It would be easier to let them&#13;
develop as we have so often in the past, hoping they somehow end up where they&#13;
should be to serve our children a generation hence.&#13;
It will not be easy to assure the people of the neighborhood a voice in making&#13;
&#13;
decisions. It would be easier to tell them how it is going to be, hoping they will&#13;
be satisfied with the rest1lt.&#13;
It will not be easy to bring in the universities and the foundations and private&#13;
&#13;
- 44-&#13;
&#13;
�r&#13;
business and the labor unions. It would be easier for government to try and do it&#13;
all, hoping it will find the fiscal resources somewhere.&#13;
The path of innovation is never easy. Change is always painful. But it is the&#13;
only path with the promise of saving our cities, the only path with the potential&#13;
of bringing forth the resources needed for the task ahead. In our central cities&#13;
are millions of Americans whohavetoolongbeen denied a share in the American&#13;
dream. And the gap is widening.&#13;
Therefore, you who are gathered here must join together -- the people of the&#13;
neighborhood, government, private enterprise, foundations, and universities -in an effort of unprecedented scope. The future of our nation demands that. I&#13;
know Buffalo is ready.''&#13;
&#13;
Chester Gorski -&#13;
&#13;
''NO PATCHED QUILT APPROACH FOR BUFFALO ••• "&#13;
&#13;
Our first line of attack will necessitate securing information from each of the&#13;
various departments of the city's administration. On July 12, 1966 the Buffalo&#13;
Common Council gave approval for Buffalo's applying for a Model Cities Program&#13;
Grant.&#13;
One of the most important phases of our program should be recreation, since&#13;
Buffalo's recreation facilities are four times lower than the minimum requirements should be, according to the National Recreation Association.&#13;
To make our city a center of creativity, we must set our sights on total&#13;
solutions such as the Model City Program offers. No patched quilt approach for&#13;
Buffalo, we need a total solution.&#13;
&#13;
James W. Burns -&#13;
&#13;
"THE STATE MUST TAKE A HAND ••• "&#13;
&#13;
In order to make a Model Cities Program a success, we will need help from&#13;
the State Government. Buffalo cannot at this time, raise real estate taxes. The&#13;
constitutional debt limitation has been reached in Buffalo. There will be a one&#13;
and one-half million dollar gap existing in the present city budget. New York State&#13;
has not allowed Buffalo to levy a local income tax and we should not raise the&#13;
sales tax since it affects most those who can afford it least.&#13;
To make a total success of the Model Cities Program, the State must take&#13;
a hand in its dynamics.&#13;
The financial situation of our city is the most significant determining factor&#13;
in the anticipated success of our program.&#13;
- 45-&#13;
&#13;
�AUDIENCE DISCUSSION:&#13;
Mr. Burns invited Assemblyman Eve to contribute to the discussion.&#13;
Arthur Eve - The Model City Conference must be expanded to include grass-roots&#13;
representation. We must encourage citizen participation in the Model&#13;
Cities Program. Since smaller cities cannot afford the research and&#13;
planning to secure Federal Aid, I am recommending that the New&#13;
York State Legislature create a division of Urban Affairs.&#13;
Rev. Carl Tyson - Could the Model Cities Program include new ways of funding&#13;
for the city's budgetary needs? That is, programs for creative&#13;
funding?&#13;
Nathaniel Keith - To the extent that they are innovative - remember supplemental grants are available through the Model Cities Program.&#13;
George Rand (asks of Arthur Eve) - Could the present New York State Department of Housing be expanded to give cities help in preparing proposals?&#13;
Mr. Perkins - Core area residents must be consulted in preparing the proposal.&#13;
We must involve the people themselves.&#13;
Eve-&#13;
&#13;
Could a Model Cities Conference such as this be set up in the core&#13;
area to involve the neighborhood people?&#13;
&#13;
Edward Brock - How can we define innovative and imaginative government?&#13;
Answer -&#13;
&#13;
It's impossible to define as such.&#13;
&#13;
Councilman Franczyk - Have any other cities made application yet?&#13;
Goldman - No applications have yet been received, but other cities are preparing&#13;
proposals.&#13;
Question - Who makes the actual decision on which city will receive the funds?&#13;
Goldman - The Secretary of Housing and Urban Development.&#13;
&#13;
- 46-&#13;
&#13;
�</text>
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
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                <text>State University of New York at Buffalo. University Archives</text>
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>Nixon, Richard M. (Richard Milhous), 1913-1994</text>
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                <text>New York Senator Jacob K. Javits, New York State Governor Nelson A. Rockefeller,  future First Lady Pat Nixon, and the future U.S. President Richard M. Nixon at his 1968 speech in downtown Buffalo, New York during his campaign for the 1969 U.S. presidential election.</text>
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                <text>Four people stand closely together on a stage, smiling. New York State Senator Jacob K. Javits on the left has an arm raised in greeting. New York State Governor Nelson A. Rockefeller stands smiling in the center while future First Lady Pat Nixon, wearing a light-colored dress with a corsage, smiles and faces future U.S. President Richard M. Nixon on the far right, who is leaning in while speaking.  A large banner hangs behind them, partially visible with the words “THE ONE” at the top of the image. The venue is indoors at the the Memorial Auditorium in downtown Buffalo, New York on the occasion of future President Richard M. Nixon's 1968 speech during his campaign for the 1969 U.S. presidential election.</text>
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                    <text>...&#13;
&#13;
N.i xon and demonstrators&#13;
&#13;
.&#13;
&#13;
Richard M. Nixon makes a .point at his "biggest an~ ·&#13;
best" rally M onday night ·cit 'M_emotiaJ A uditorium. ··&#13;
He was greeted by 400 shouting protesters who were&#13;
later attack ed by the police.&#13;
&#13;
Police attack protestors at.Nixon rally&#13;
&#13;
--'&#13;
&#13;
. ~ · · Approximately 400 demonstra. . tors marc hed into Memorial Auditorium Monday night to show&#13;
their disapproval of Presidential&#13;
candidate Richard Nixon.&#13;
After they were denied seats&#13;
in the upper levels of the hall,&#13;
they marched back down to the&#13;
corfl,ention floor and stood at the&#13;
side of the stage on which Nixon&#13;
would appear. They were orderly,&#13;
and began shouting such slogans&#13;
as ~'Two, four, six, eight, We don't&#13;
:·want a fascist state", and "Nixon''-"W,a.Jlace:"-,both the. same."&#13;
Suddenly, t he Buffalo Police&#13;
····!ll_oved) n and,or dered the demon·. , strators to get ou,t of the Aud.&#13;
The demonstrators obeyed the&#13;
requests of the police, and began to file out of the hall. With·&#13;
out warning, the cops began to&#13;
charge into the ranks of the&#13;
- - - .---&#13;
&#13;
·--~-----&#13;
&#13;
- - .. ----&#13;
&#13;
1&#13;
&#13;
I&#13;
&#13;
/&#13;
&#13;
UUAB Concert&#13;
.&#13;
Committee&#13;
presents&#13;
&#13;
BUFFY ST. MARIE&#13;
and&#13;
&#13;
RICHIE HAVENS&#13;
;In Concert&#13;
&#13;
Kleinhans Music Hall&#13;
&#13;
demonstrators, kicking; punching,&#13;
ing a reasonable request . of an&#13;
Mr. Gross' .arr_aignment then frie~ds . of min~ had. 'told me&#13;
and swinging their ' nightsticks.&#13;
earlier that they . overheard the&#13;
officer. Mr. Falk was charged · proceeded. , - · . . . · .&#13;
One girl was thrown against a&#13;
with r efusing a reasonable reThose. demonstrators attending .cops say they were going to pickradiator, and suffered a badly quest of an officer and r esisting the arraignment reacted · to the off a few of the leaders of the&#13;
burned leg; another young man's&#13;
arrest. Mr. Tortor ice was charged clear ing of the courtroom by re- Movement here in Buffalo. I was&#13;
face was wounded when struck&#13;
with resisting arJJest and public forming the ir group and again standing against a wall, doing&#13;
with a nightstick ; a pair of eye- use of profanity. All t hree are· m arching in front of · the court- nothing, when a cop came by and&#13;
glasses were smashed .&#13;
c urr~ntly free on bail.&#13;
hou se, this time with the cry of · put his nightstick through a win- ·&#13;
" F ascist judges must go!"&#13;
1&#13;
dow. He then grabbed me, and&#13;
Outside· the auditorium, a camThe next morning, cries of&#13;
Mr. Gross was asked why he charged me with criminal misera was taken out of a demon"stop the cops" and "no more was arrested. He said: " A few chief for breaking the window."&#13;
strator's hands by a policeman,&#13;
frame ups" were shouted by 75&#13;
t h r o w n on the g r o u n d, and&#13;
to 100 ·demonstrators outside the&#13;
sm.a~ hed. Many p rotestors had by&#13;
Buffalo City .Courthouse prior to&#13;
this time regro{Jpe·d., a,nd t he night · t he ar raignments .&#13;
' "&#13;
'a ir \vas ' fill ed . wit h shouts of&#13;
hljtred for the ~ ' p i g cops."&#13;
. , The. demonstration , which was&#13;
·· Togeth;r aga"i~, the prot~stors loud . but orderly, attracted a lar ge&#13;
number of spectators from the&#13;
began marching d o w n M a i n&#13;
Street. toward Broadway. Upon nearby State University of Bufreaching Lafayette Square, and falo Law School and the State&#13;
ferno fame, Wilt . Chamberlain,&#13;
by Peter Simon&#13;
while 1;1 ttempting to cut across it, Office Building. Meanwhile, the&#13;
Rocky Graziano and Connie FranC i ty Edito r&#13;
the group was, without provoca- police stayed in front of the&#13;
The Richard M. Nixon r ally cis also were scheduled to appear&#13;
tion, again dispersed by the po- courJ house with Delawar e Ave .&#13;
although non e wer e present.&#13;
acting as a di viding line between Monday night was a mas.terpiece&#13;
lice .&#13;
With this wide variety of celebof political organizat ion.&#13;
Most people ran and managed t he two gr oups.&#13;
Good advance · work, intensive rities, on e wonders how many&#13;
Demonstrators moved into the&#13;
to mer ge on Main Street, and&#13;
shortly afterward the marchers courthouse at about 2 p.m. to at- publicity .and a little bit of luck . people came to Hear someone&#13;
slowly dispersed, at _the instruc- te nd· the ar raignment. With a combined to pack Memorial Aud- other than Nixon.&#13;
t,ions o( the .l_e.ade r 1s of the dem- sta nding room only attendance, itorium with an enthusiastic ·and&#13;
:Another factor in the - huge&#13;
onstration, who feared more po- the bailiff was ve hement in ask- . relatively p·e aceful crowd .' turnout w as the fact that tickets&#13;
Thir&#13;
d-party&#13;
candidate&#13;
George&#13;
.&#13;
ing&#13;
for.&#13;
silence·&#13;
and&#13;
order&#13;
in&#13;
the&#13;
· lice violence .&#13;
for the r ally were widely distribco urt. Several people were asked C. Wallace held a r ally in · the uted. Although attendance was .&#13;
When the smoke had cleared&#13;
it · was discovered that thre~ t o leave .when t hey wer e unable same auditorium F r iday. A few open to anyone and tickets&#13;
overconfide nt Wallace aides prepeople had been ar rested : Gerald to find seats.&#13;
weren't needed, they served a&#13;
The first to be arraigned was dicted that t heir man would out- ..._ good publicity purpose.&#13;
Gross, a grad uate of SUNY AB,&#13;
Ira F alk, a 21 year old student draw Nixon .&#13;
and currently in charge of the&#13;
The Nixon camp was quick t o&#13;
from Baldwin, N. Y. Mr. F alk&#13;
Also, many p eople undoubtedly&#13;
" Afro-Asian Bookstore in Exile";&#13;
didn't realize that a ticket wasn't&#13;
Ira Lee F alk, a student here ; and with h is atorney present, was ar- capitalize on t he ch allenge.&#13;
The Republican effort include d needed , and fe lt they had ·s om er aigned on charges of disorderly&#13;
F rank Tortorice, a worker and&#13;
r adio advertisements which -gave thing special.&#13;
.&#13;
n ative Buffalonian. Mr. Gross cc;mctuct anll. r esisting arrest.&#13;
the impr es!;ion t hai · ·attendance ·&#13;
Next was Frank Tortorice 19&#13;
The' r esu'Jt was a st anding r oom&#13;
was char ged with cr iminal m isonly .crowd. of about '20,000 at t he&#13;
chief, r esisting arrest , and refus- of Buffalo, who was being ar: at the rally wpulq be .eql!ivalent&#13;
raignd on charges of r esisting ar - to a private meeting with Sen- Nixon event , almost three times&#13;
r:est an d p ublic use of profanity ators Javits and Goodell.&#13;
t he num ber who tur ned out to&#13;
836-7411&#13;
Dlf'SON'S&#13;
Before. the Ni~on speech, brief&#13;
when Judge Ost r owski order ed&#13;
hear W allaces one m an show . .&#13;
the courtr oom cleared of spec- perform ances were staged by&#13;
The only heckling Nixon entators . This occurred after an - Frank F ont aine and Lionel Hamp- counter ed was fr om a sm all numoutbl!rst of lau ghter by m ost of t on. J ack Kemp, the injured Buf- ber of Wallace supporter s.&#13;
the spect at ors d uring t he j udge's falo Bill's quarterback spok e .&#13;
MOVED HERE!&#13;
About 300 left -wing dem onWilmer and t he Dukes of In- strat ors· were ej ect ed by police&#13;
readin g of t he charges.&#13;
WHO CARES ABOUT A&#13;
before Nixon ·spoke, elim inating&#13;
35-YEAR-OLD MAIDEN 1&#13;
t he possibility of the kind of&#13;
massive . prot est which Wallace&#13;
en counter ed three nights earlier.&#13;
The end result was what Nixon&#13;
t erm ed his " biggest and best"&#13;
rally of the campaign.&#13;
Nixon is sitting comfortably oq,&#13;
his · big lead in spit e of Spiro Agn ew's troubles with ethnic groups.&#13;
With the p ossibility of sor.1e&#13;
sort of unrest ricted television debate with Humphrey gr owing&#13;
dimmer every day, it would t ake&#13;
a monumental blunder on Nixon's&#13;
part t o lose the election.&#13;
TONITE!&#13;
rachel&#13;
It appears that the Nix0n or SPECIAL LIMITED&#13;
gan ization will avoid any such&#13;
ENGAGEMENT!&#13;
m istake.&#13;
POSITIVELY ENDS TUESDAY!&#13;
&#13;
Ni~(jli · raJfy.$hnws&#13;
good'OrfianizU~ion&#13;
&#13;
•&#13;
&#13;
SUNDAY, OCT. 20&#13;
I&#13;
&#13;
8:30 P.M.&#13;
Main Floor $4.00 and $3.25&#13;
Balcony $3.25 and $2.50&#13;
&#13;
Tickets now on sale in&#13;
Norton Ticket Office and&#13;
Buffalo Fest iva I Ticket&#13;
Office in the Statler Hilton&#13;
Hotel.&#13;
&#13;
BUSES LEAVING NORTON&#13;
at&#13;
.7 :45 and ~ :00 ~&#13;
I&#13;
&#13;
I&#13;
Page Four&#13;
&#13;
fijid(~ ~ndWalterMattbaa&#13;
·"&#13;
are&#13;
) ,f• The Odd&#13;
·&#13;
·&#13;
~uple&#13;
&#13;
~racheL&#13;
&#13;
==---=~~~~·/&#13;
&#13;
�</text>
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>Police attack protestors at Nixon rally, Memorial Auditorium, Buffalo, New York, 1968.</text>
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>Former U.S. Attorney General Robert F. Kennedy delivering  his 1964 campaign speech at the State University of New York at Buffalo, South Campus as a part of his U.S. senatorial seat campaign for New York State. </text>
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                <text>Former U.S. Attorney General Robert F. Kennedy, dressed in a suit, stands at a wooden podium on an outdoor platform at the Squire Hall terrace, delivering  his 1964 campaign speech at the State University of New York at Buffalo, South Campus as a part of his U.S. senatorial seat campaign in New York State. (Squire Hall was formerly Norton Union). Several microphones are positioned on the podium, and multiple individuals nearby are crouched or standing, photographing or adjusting equipment. A crowd of seated and standing people watches in the background, with a stone-faced building and a taller structure partially visible behind them.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1879107">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
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                <text>Audio/Visual Center Photograph collection</text>
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                    <text>Friday, January 27, 1967&#13;
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SPECTRUM&#13;
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Kennedy, Meyerson&#13;
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Senator Robert F . Kennedy met&#13;
briefly with UB President Martin Meyerson Friday, January 20,&#13;
in the President's Hayes Hall&#13;
Office to discuss the role of the&#13;
University in education and ur-ban affairs, the problems of the&#13;
poor, and student involvement in&#13;
community ·action programs.&#13;
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he and the Senator, recognizing&#13;
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student&amp; should be able to participate in social action programs.&#13;
Before visiting the University,&#13;
Kennedy addressed the Model&#13;
City Conf e r e n ce, wher e he&#13;
p r a is e d President Meyerson.&#13;
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planner, he told the conference,&#13;
"You are fortunate to have his&#13;
active interest."&#13;
&#13;
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                    <text>Clipping from the University at Buffalo's The Spectrum newspaper, dated Friday, January 27, 1967.</text>
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                    <text>PAGE SIX&#13;
&#13;
Friday.~&#13;
&#13;
Januar¥;.27,, 1•967&#13;
&#13;
Buffalo Applies for Grant SUNYAB to Offer .New Course:&#13;
Wants to·be 'Model City' 'Beginning English lor ForeignerS~'&#13;
...&#13;
&#13;
The Buffalo Model City Conference, held January 19&#13;
and 20, was convened to discuss Buffalo's application for a&#13;
"model neighborhoods" grant under the federal "Demonstration Cities and Metropolitan Development Act of 1966 _,&#13;
Th_e act provides an opportunity for improvement of&#13;
the environment and general welfare of people living in&#13;
&#13;
A class made up of people who&#13;
speak different languages but&#13;
cannot speak ~nglish wilL meet&#13;
for the first bme at the State&#13;
University at Buffalo this month.&#13;
The new course, entitled "Beginning English for Foreign Professionals and Families," is the&#13;
latest addition to the University's&#13;
five _year old program in Foreign&#13;
Student English. previous&#13;
courses, all of which have been&#13;
designed for people with some&#13;
knowledge· of English either because t hey have had prior instruction or have been in the United&#13;
·States lon---.___&#13;
g enough to pick up&#13;
some of the language, have attracted housewives, businessmen&#13;
and students.&#13;
&#13;
selected cities throughout the&#13;
country.- ·&#13;
quiring local imagination and acThe possibilities and difficul- tion to give it substance.&#13;
·&#13;
· ·&#13;
Mr. Norman Goldfarb, of the&#13;
bes&#13;
of o btammg&#13;
sue h a -grant&#13;
for Buffalo were d iscussed at t h e Citizens Council on Human Relaconference. Millard Fillmore Col- tions, cited the need for objective&#13;
lanning free of political and&#13;
lege Dean R o b ert F. Berner, P&#13;
Conference Chairman, explained economic pressures. He urged&#13;
that a city would be required to Mayor Sedita to convert his steer.&#13;
.l&#13;
.&#13;
f&#13;
ing Committee into a Resource&#13;
include in 1ts app icatwn or a&#13;
· of spec1'f 1c&#13;
' c1·t y Committee, empowering univergrant, an anal ys1s&#13;
problems, a description of goals sity authorities to suggest what&#13;
and objectives and a description improvements are needed.&#13;
of the administrative structures&#13;
The Conference was sponsored&#13;
Although Assistant Professor of&#13;
proposed to coordinate the pro- by SUNYAB's Cooperative Urban English Dr. Donald A. Leuschel,&#13;
Extension Center. The center, teacher of the course, has taught&#13;
gram.&#13;
· ,&#13;
d&#13;
Mr. J . Goldman, director of the directed by Gordon Edwards, is begmmng English before an&#13;
Model Cities Program for Region ' f i n a n c e d by a $30,000 grant speaks Spanish, French and Thai,&#13;
1 (New York and New England), under the Higher Education Act his experience has always been&#13;
of 1965&#13;
"in situations where the students&#13;
criticized past redevelopment ef- ....----·- - - - - - - - - - - - - - - - - - - - - - - - - .&#13;
fort as isolated project-centered&#13;
programs of limited goals and ·&#13;
leaving serious gaps of coverage.&#13;
Let Him _Know That You're Not&#13;
Stressing local approach and&#13;
Just Any Kind Of Datemaximum flexibility in the program, he said cities seeking to&#13;
Rue Coffee House INSIST ONqualify must present programs&#13;
Franklin•----offering participation of residents&#13;
concerned, producing a substanest&#13;
341 Franklin near Tupper&#13;
tial impact on the model area,&#13;
Evenings after 8:00&#13;
and promising tangible results&#13;
in a reasonable length of time.&#13;
A Buffalo Model City Steering&#13;
Committee, representing b o t h&#13;
c i t y agencies and community&#13;
groups, · was formed by Mayor&#13;
Frank Sedita at the conference.&#13;
Its 18 members, named by the&#13;
Mayor, represent the city agen~, lowest prices in regularly scheduled jet service&#13;
cies of the budget, city planning,&#13;
* savings up to $200 off regular fare&#13;
urban renewal, s c h o o l s and&#13;
* established agency on 150 campuses&#13;
human relations, as well as the&#13;
Chamber of Commerce, the Buf(: extended vacation period&#13;
falo Urban League, the Commun(: refunds available&#13;
ity Act on Organization and the&#13;
•· travelled by over 3500 collegefolk annually '&#13;
Cooperative Urban Extension&#13;
NEW YORK:&#13;
Center at UB.&#13;
&#13;
all spoke the same language," he&#13;
explained.&#13;
"I'm going to use my hands a&#13;
lot," he gestured, "I'll have to&#13;
teach the course entirely in English, starting with sounds and&#13;
eventually workt'ng up to sentences. Later, we'll study the&#13;
alphabet and written English."&#13;
The course, which . will u tilize&#13;
English tapes recorded by Dr.&#13;
L eusc h e 1• wou ld prep a re P a r t'lCl·&#13;
pan t s for more a d vanced s t u d Y 0 f&#13;
English, and would- eventually&#13;
k ·t&#13;
'bl f&#13;
t d t&#13;
rna e 1 posst e or a s u en&#13;
with no knowledge of English to&#13;
enter the University, Dr. Leuschel&#13;
'd&#13;
sat ·&#13;
" 0 ur f ee1·m g lS&#13;
· that there IS&#13;
· a&#13;
definite need for this kind of&#13;
course," he commented. "I'm sure&#13;
there are people in the ·metropolitan area who would be inter ested." _&#13;
&#13;
He noted that no University&#13;
students will be taking the course&#13;
because some knowledge of the&#13;
English language is an entrance&#13;
requirement for them.&#13;
e&#13;
e&#13;
The beginning English course&#13;
was established at the suggestion&#13;
of Dr. Judith T. Melamed, direc-.'&#13;
tor of the Foreign Student Eng;&#13;
lish Program at the University. The Class will meet t hree times&#13;
a week beginning January 23:&#13;
M d&#13;
d W d&#13;
d&#13;
f&#13;
on ay an&#13;
e nes ay rom&#13;
6:25 to 8:05 p.m. and Thursday&#13;
from 6:25 to 7:15 p.m. There is a&#13;
$ 0 f&#13;
f&#13;
h fi&#13;
b&#13;
f&#13;
5 ee or t e rst ·mem er ·o&#13;
a family and a $25 fee for each&#13;
"'&#13;
other adult member of the family:&#13;
Interested persons may regist~r&#13;
by mail or in person to the&#13;
Office of Continuing Education in·&#13;
230 Hayes Hall.&#13;
&#13;
.-&#13;
&#13;
•&#13;
'&#13;
&#13;
/-&#13;
&#13;
Girl!&#13;
&#13;
W&#13;
&#13;
Gallery&#13;
&#13;
Why we are No. 1 in college travel&#13;
&#13;
to&#13;
&#13;
Senator Robert F. Kennedy addressed the conference on Friday,&#13;
saying that our past efforts have&#13;
not worked, "their promise failed, their purpose flagged." He&#13;
spoke of the Demonstration Citties program as a framework r~-&#13;
&#13;
EUROPE- $259.&#13;
&#13;
L&#13;
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Here's 25¢&#13;
to help get you&#13;
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You 9we it to yourself&#13;
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Swedish girls, in 'fact , have used this&#13;
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What's so remarkable about it ?&#13;
First of all, Carefree doesn't need an&#13;
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Help restore your mental&#13;
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d~d l , sharpen your wits with !VoDoz ... m ail us the front&#13;
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Jeading regular tampon . .\nd Carefree expands, not in just OI1e direction,&#13;
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But hurry, o ffer ends Feb_2 8 . N o refunds a fter Marc h 7, 1967. Mail coupon today!&#13;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>Buffalo Applies for Grant, Wants to be 'Model City'.</text>
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                <text>This page from the University at Buffalo's The Spectrum newspaper, dated Friday, January 27, 1967 includes two articles. One, titled, "Buffalo Applies for Grant Wants to be 'Model City'", and another, titled, "SUNYAB to Offer New Course: 'Beginning English for Foreigners'". Further down the page are advertisements for the Rue Franklin West Coffee House &amp; Gallery, Garber's Travel Agency booking trips to Europe, Carefree brand tampons, and NoDoz brand caffeine pills. </text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1879101">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
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                <text>University Archives Reference Collection</text>
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                <text>State University of New York at Buffalo. University Archives</text>
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                <text>1967-01-27</text>
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                  <text>Prominent Visitors to Buffalo</text>
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                  <text>&lt;div&gt;
&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>Unidentified audience member speaks out  at the 1967 Buffalo Model City Conference in Buffalo, New York.</text>
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                <text>ModelCity_1689_9</text>
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            <description>An account of the resource</description>
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                <text>An unidentified audience member, dressed in a suit and tie, stands and appears to be speaking in a crowded auditorium at the 1967 Buffalo Model City Conference in the Common Council Chamber, Buffalo City Hall, Buffalo, New York. Others around them are seated and observing, some with attentive expressions. The setting features tiered wooden seating and a patterned wall in the background. A few people in the background are standing, and one is lighting a cigarette.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1879100">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
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                <text>Public Affairs Photograph collection </text>
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            </elementTextContainer>
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                <text>State University of New York at Buffalo. University Archives</text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>1967-01-20</text>
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                    <text>President Richard M. Nixon at a podium speaking with both arms raised.</text>
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                  <text>Prominent Visitors to Buffalo</text>
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;</text>
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                <text>Nixon, Richard M. (Richard Milhous), 1913-1994</text>
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            <description>A name given to the resource</description>
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                <text>Future U.S. President and, then,  presidential candidate Richard M. Nixon at his 1968 campaign speech in downtown Buffalo, New York.</text>
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                <text>RNixon_D867-30</text>
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                <text>Future U.S. President, and then presidential candidate,  Richard M. Nixon stands behind a wooden podium, speaking emphatically into two microphones with both arms raised during his 1968 campaign speech at Memorial Auditorium in downtown Buffalo, New York. He is dressed in a dark suit and tie and, behind him, is a large banner with partially visible text that includes “WELCOME” and “DICK and...” Dark curtains serve as the backdrop.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1879099">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1931514">
                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
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              <elementText elementTextId="1931728">
                <text>Audio/Visual Center Photograph collection</text>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1931854">
                <text>State University of New York at Buffalo. University Archives</text>
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                <text>1968-10-07</text>
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                    <text>UB President Martin M. Meyerson and Senator Robert F. Kennedy in suits standing and talking in an office.</text>
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;</text>
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                <text>U.S. Senator from New York State Robert F. Kennedy and State University of New York at Buffalo President Martin Meyerson, both wearing dark suits, are standing and conversing in the UB President's Office in Hayes Hall on the State University of New York at Buffalo, South Campus. President Meyerson is smiling with one hand near his jacket. Senator Robert F. Kennedy, on the right, is smiling and facing President Meyerson, with one hand resting on a chair. Behind them is a wooden bookcase with books and a potted plant on top.  A desk with papers, a carafe, and glasses is partially visible on the left side.</text>
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                <text>U.S. Senator Robert F. Kennedy, dressed in a dark suit, striped tie, and white shirt, is seated behind a microphone, appearing to be mid-speech or mid-discussion at the Buffalo Model City Conference in the Common Council Chamber at the City Hall, Buffalo, New York. The background includes a wood-paneled surface and a rotary phone. The framing is close-up, showing Kennedy from the chest up.</text>
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              <elementText elementTextId="1879097">
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&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                    <text>NO MORE&#13;
MR. CHARLIE&#13;
&#13;
MASS.&#13;
PREVIEW&#13;
&#13;
(see page five)&#13;
&#13;
(see page fifteen)&#13;
&#13;
VOLUME 15&#13;
&#13;
BUFFALO, NEW YORK, FRIDAY, OCTOBER 2, 1964&#13;
&#13;
NO. 3&#13;
&#13;
The Convocations Committee of the Student Sen·&#13;
ate will present Senator Kenneth B. Keating and&#13;
Mr. Robert Kennedy, both candidates for the Sen~te&#13;
seat from New York State. The speakers, appearmg&#13;
today and tomorrow, will speak f~o~ t~e _outdoor&#13;
terrace of Norton Union. The pubhc IS mvited.&#13;
Senator Keating, arriving in a 12 car motorcade,&#13;
will be on campus at 10:20 and will speak to the&#13;
students at 10:30. After his half hour address he&#13;
will tour Norton Union meeting students in the&#13;
cafeteria and halls. Before leaving the campus he&#13;
will stop and visit President Furnas in Hay~s Hall.&#13;
After serving in the House of Representatives for&#13;
12 years he was elected to the Senate in 19?8. ~orn&#13;
in Lime New York in 1900. Senator Keatmg IS a&#13;
graduat~ of the University of Rochester and the&#13;
Harvard Law School. From 1923 until 1949 he was&#13;
a practicing attorney in Rochester, New York. He is&#13;
married and has a daughter and two grandsons.&#13;
Senator Keating the Republican incumbant, is&#13;
basing his campaign on experience and his record.&#13;
&#13;
SENATOR KENNETH B. KEATING&#13;
&#13;
Mr. Kennedy, arriving with six cars and a bus,&#13;
will make his address at 11:00 tomorrow. After his&#13;
15 minute speech he will leave the terrace and&#13;
possibly address the Students for Johnson, Humphrey and Kennedy, _their meeting to be held in the&#13;
Multi-Purpose Room.&#13;
Born in 1925, Mr. Kennedy grew up in New York&#13;
City. Previous to his seeking the Senate seat from&#13;
New York State he was Attorney General of the&#13;
United States. He is married and has eight children.&#13;
Mr. Kennedy, the Democratic candidate, is baising&#13;
his campaign on his record as Attorney General,&#13;
hoping to show how he can transfer his accomplishments from the national scene to New York State.&#13;
Both are the first convocations for this year. Commenting on the program President Robert P. Finkelstein said, "The Student Senate, through the Convocations Committee, always endeavors to present&#13;
issues of educational interest to the student body.&#13;
Our latest speaker series features the two major&#13;
candidates for the New York State Senate -seat.&#13;
This is in keeping with the present interest in the&#13;
election campaign, and the Senate wishes to present&#13;
to the student body both sides of the Senatorial&#13;
campaign."&#13;
&#13;
MR. ROBERT KENNEDY&#13;
&#13;
Homecoming Date Set&#13;
Theobald Explains&#13;
Starts Friday, October 16&#13;
By JANET&#13;
&#13;
Cybernetics Theory&#13;
&#13;
~IDOW&#13;
&#13;
This year the main activities&#13;
of Homecoming Weekend will&#13;
commence Friday, October 16.&#13;
Once again the steering committee is sponsoring an oilcloth contest to publicize the theme of the&#13;
weekend, "Some are silver, and&#13;
the others gold." This year, how·&#13;
ever, the contest is open to in:&#13;
dividuals as well as groups, and&#13;
applications may be picked up&#13;
at the candy counter in Norton&#13;
Union.&#13;
A queen for the weekend will&#13;
be selected. Any university wonian was eligible to be a candidate.&#13;
The queen candidates were&#13;
briefed at a meeting Monday,&#13;
and they will be judged at a&#13;
coffee hour this afternoon in the&#13;
Haas Lounge . . At this time the&#13;
ten finalists will be chosen. These&#13;
finalists will be presented to the&#13;
student body at 1:00 p.m. in the&#13;
Conference Theater, Wednesday.&#13;
The queen will receive her crown&#13;
at the Pep Rally, Friday night&#13;
from last year's queen, Carolyn&#13;
Cooper.&#13;
The weekend will officially&#13;
open Friday, October 16, with&#13;
&#13;
CAROLYN COOPER&#13;
&#13;
Homecoming Queen 1963&#13;
the Pep Rally in Rotary Field,&#13;
scheduled for 9:30 p.m. At this&#13;
time the cheerleaders will spirit&#13;
the crowd for Saturday's game&#13;
against VMI, and the ten finalists will be introduced. Following the rally, there will be a&#13;
mixer in Norton Union.&#13;
Saturday will see the arrival&#13;
of the UB alumni, especially the&#13;
Class of '39 which is celebrating&#13;
its 25th Reunion. To accommodate an even larger crowd this&#13;
year, the game against Virginia&#13;
Military Institute will be played&#13;
(Cont'd. on Pg. 11)&#13;
&#13;
Robert Theobald, economist,&#13;
author and lecturer, explained&#13;
his theory on the "Effects of Cybernetics" last Friday in the Conference Theater.&#13;
Mr. Theobald regretfully stated&#13;
that one of the scarcest resources&#13;
of our country is trained people.&#13;
He claimed that if you're "sensible" and don't get educated, you&#13;
can work for 20 hours a week and&#13;
still earn a good income, whereas&#13;
if you become . educated, you usually work approximately 80&#13;
hours per week. Consequently,&#13;
those with the most capacity for&#13;
leisure time have the least time&#13;
to enjoy it. Cybernation, Mr.&#13;
Theobald went on to explain,&#13;
would guarantee everyone a fixed&#13;
income which would enable them&#13;
to have more time for what they&#13;
wanted to do. He admitted that&#13;
it will be difficult to make people believe in the effects of Cybernation unless his proposals&#13;
are fitted into the needs of the&#13;
present society:&#13;
Student Salary: people who are&#13;
also students are working as&#13;
much as people in a factory, and&#13;
should thus be paid a salary for&#13;
&#13;
ROBERT THEOBOLD&#13;
&#13;
attending school. Mr. Theobald is&#13;
"fed up" with the claim that&#13;
there are always enough grants&#13;
or scholarships, because it is usually "the students who need&#13;
them that never get them."&#13;
Aid to people over 65:-Mr. Theobald believes that the present&#13;
Social Security laws are inadequate for providing a reasonable&#13;
standard of living for Senior Citizens.&#13;
&#13;
The location for the two&#13;
convocations has b e en&#13;
changed from Clark Gym&#13;
to the outdoor terrace of&#13;
Norton Union.&#13;
&#13;
Physically and mentally ill: All&#13;
people in this category should be&#13;
given a reasonable living standard.&#13;
Widows and widowers: An adequate income should be given&#13;
to those widows and widowers&#13;
with children.&#13;
Ammend the employment act:&#13;
It should be the intention of the&#13;
American government either to&#13;
provide enough jobs or to provide an adequate one for all those&#13;
who are unemployed - if it&#13;
proves impossible to reduce unemployment to a reasonable level.&#13;
"This does not have to be a&#13;
deterministic world where we are&#13;
all swept along," Mr. Theobald&#13;
concluded. He challenged his&#13;
audience to change the value&#13;
structure techniques required of&#13;
this age.&#13;
"Students do change things.&#13;
The individual actions of each&#13;
of us have noticeable effects on&#13;
events and we are all involved&#13;
in the problems of social change."&#13;
&#13;
.&#13;
&#13;
�</text>
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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                <text>U.S. President Lyndon B. Johnson stands at an outdoor podium decorated with the seal of the President of the United States, delivering a speech in front of City Hall in Niagara Square, downtown Buffalo, New York.  The President is mid-gesture, raising one hand with a pointed finger. The podium is draped with patriotic bunting. Other individuals are partially visible around the speaker, including one seated in front and another standing behind the podium.</text>
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              <elementText elementTextId="1879083">
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                <text>Public Affairs Photograph collection </text>
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
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              <name>Title</name>
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                  <text>Prominent Visitors to Buffalo</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="364775">
                  <text>&lt;div&gt;
&lt;p&gt;This collection chronicles many of the politicians, authors, musicians, and activists that visited Buffalo as well as UB. Documentation from the University Archives includes photographs, coverage of events from the UB Spectrum student newspaper, and related ephemera. Speakers include Robert F. Kennedy, Richard M. Nixon, Lyndon B. Johnson, Muhammad Ali, and Ralph Nader. Much of the coverage is from events from the 1960s and 1970s. Additional visitors and content are regularly added to the collection.&lt;/p&gt;
&lt;p&gt;A portion of these images are available for purchase from the &lt;a href="http://library.buffalo.edu/store"&gt;UB Libraries Store&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="364776">
                  <text>LIB-UA016</text>
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              </elementTextContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <name>Dublin Core</name>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="365346">
                <text>Nader, Ralph</text>
              </elementText>
              <elementText elementTextId="1955366">
                <text>Lawyers--United States</text>
              </elementText>
              <elementText elementTextId="1955367">
                <text>Consumer protection--United States</text>
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              <elementText elementTextId="1955368">
                <text>Consumer movements--United States</text>
              </elementText>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="365349">
                <text>Sign advertising American consumer advocate Ralph Nader's speech at the Clark Gym on the South Campus of the State University of New York at Buffalo on  Earth Day,  April 22, 1970.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="365350">
                <text>Nader_3417_04A</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="365353">
                <text>State  University of New York at Buffalo. Clark Gym</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1857956">
                <text>A large sign promoting a speech by American consumer advocate and lawyer Ralph Nader is attached to a tree on a grassy area near a sidewalk on the South Campus of the State University of New York at Buffalo. The sign indicates the event will occur on Earth Day April 22, 1970 at noon in the Clark Gym on UB's South Campus. In the background, several parked cars, including vintage models, are visible in a lot beside a prominent academic building with a tall clock tower. People are walking along a path on the right side of the frame on the South Campus of the  State University of New York at Buffalo.</text>
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              <elementText elementTextId="1978598">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1879070">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="1931485">
                <text>Prominent Visitors to Buffalo. LIB-UA016</text>
              </elementText>
              <elementText elementTextId="1931699">
                <text>Public Affairs Photograph collection </text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="1931825">
                <text>State University of New York at Buffalo. University Archives</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1931951">
                <text>State University of New York at Buffalo. University Libraries</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1932077">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1932203">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1932346">
                <text>1970-04-22</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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