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                    <text>February Seventh
Eighteen Hundred and Set.~ent)~chree
465 Niagara Street

F~bruary Set.~enrh
Nin~ceen Hundred and
844 Delaware At.~enue

Twenc1~chree

�' ' There nroer comes a lonely day but
what we miss the laugllin;;r ways

0/

thou who used to walk with us
through all our happy yesterdays,

We seldom miss the earthly great-the
famous men that life has known,
But as the years go racin;;r by , we miss
the friends we used to own .''

�Menu

Dinner given by
Thomas B. Lockwood
to his friends on
February the Seventh
Nineteen hundred twenty-three

Frank W. Alderman
Louis L. Babcock
Lyman M. Bass
John L. Clawson
H. Montgomery Gerrans
W. Harry Glenny
Louis B. Hart
Shepard Kimberly
Daniel E. Knowlton
Frank W. McGuire
Edward M. Mills
James McC. Mitchell
Roswell Park
Harry T. Ramsdell
Eugene C. Roberts
Charles Van Bergen
Arnold B. Watson
Langdon B. Wood
Theodore M. Pomeroy

Hors d'oeuvre
Orange Blossoms
Per{ec&lt; Cocktails

Olives

Salted Almonds

Celery

Consomme en tasse
Queen V iaoria SheTT)

Terrapin a Ia Maryland
Haut Sautem
Pontec Canec

Cigarettes

Roast Partridge
Currant Jelly

Spinach Epicure

Lanson Pere Extra Dry

roo6

Alligator Pear Salad
Brie

Camemberr:

Ice Cream
Macaroons

Petit Fours

Coffee
Flor de Gumbersindo
Creme de La Creme

Benedictine

Charcre:use:
Cognac V ierge
Creme de Menth.e

���</text>
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&lt;p&gt;This collection highlights the life and contributions of one of Buffalo's most distinguished citizens in the first half of the 20th century. Thomas B. Lockwood was an attorney and businessman as well as philanthropist and bibliophile. He and his wife, Marion Birge Lockwood, donated the funds to construct the University at Buffalo's original Lockwood Memorial Library. When the building was dedicated in 1935, Lockwood presented his remarkable collection of rare materials to the university.&lt;/p&gt;
&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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                <text>TBL022: Invitation to dinner, given by Thomas B. Lockwood at the Buffalo Club, to honor former Club Presidents and the Directors, Feb. 7, 1923, pp. 1-8 </text>
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                <text>Thomas B. Lockwood </text>
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                    <text>�DINNER
TESDERED TO Till;:

FOR!\&lt;IEU PRESIDE~'l'S AND 'l'HJ&lt;: DIH.ECTOUS
OF

THE BUFFALO CLUB
OS

" ' ED:SESDAY, DECE.l\'IBER THE EIGHTEE:S'l'll

NISI:: TJ~ J..; N

IIUNDili::D Al"\'0 Tl-llR 'l'Y-l•' IV E

JlY

TIIOMAS B. LOCK WOOD

SIXTY-SEVENTH PRESIDE:S'l' OF THE lHJ FI'AJ.O C J.t: B

�MENU
'l.'HE SPEAKERS

COCKTAILS

HORS D •OUVERES
FRESH ASTRACHAN CAVIAR
TOASTMASTER

LOUIS B. HART

JrO R

TUK

O FFICii

DIRE C TORS

WHOSR

BXPIRBS .JA:"iUARY

SPANISH MELON

TERM
1,

OF

SHERRY

CLEAR OXTAIL SOUP

1980

CHARLES DIEBOLD, Jn.
HEARTS OF CELERY
.. O R

TUB

OFFI C E

DIRECTORS

WHOSE

EXPIItES JANUARY

TBUM
1.

WH08R

O P'I"ICK EXPIRKI!I .JANUARY

TER;\f

1,

GRAVES

TERRAPI:S A'LA BALTIMOHE

OF

TilE

OFFIC E

DIRKCTORIII
EX~IRB8

WH08E

JA.SUARY

TBRM
1.

CIGARETTES

1.98H

ASPARAGUS HOLLANDAISE

"•ILD RI C E

GRILL£D SWEET POTATOES

BLACK CURRENT JELLY

OF

GRAPEFRUI'rA:SD AVACADO PEAR SAJ.AD
STILTON CHEESE 'WAFERS

ANSLEY W. SAWYER

POD

TBII:

FORMER

PARFAIT MARRON

PRRSJDBMT8 OP

TUB DUI'FALO CLUB

JAMES McC. :MITCHELL

KRUG PRIVATE CUVEE

BREAST OF ENGLISH PHEASAN'r

1 03~

DEAN R. NOT'l'

FOR

SALTED NUTS

1t)3T

NORMAN P. CLEMENT

F OR THV. DIRECTORS

OLIVES

OF

PETIT FOURS
CIGARS

LIQUEURS

COFFEE

�THE GUESTS
ABBOTT, CHARLES D .

HOCHSTETTER, RALPI-1

ADLER, ARTHUR J.

HOLLISTER, EVAN

ANDREWS, ED\VIN C.

HOPKINS, A, HART

ANDERSON, SEVERN A .

HOUCK, \VILLI AM G.

BABCOCK, LOUIS L.

HOW, JAMES

BAIRD, FRANK B.

.,

BASS, LYMAN M.

LAPEY, PERCY G.
J.. OCKWOOD,

BEYER, LOUIS J.

1\-IILLS, ED\VARD MCM.

BURKE, THOMAS C.

Ml'l'CHELL, JAMES M CC.

BURNS, TIMOTHY

NOTT, DEAN R.

BUTLER, ANDREW S.

OISHEI, JOHN R.

T.

PARK, ll:OS\VELL

v'

CARR, S. FAY

PO~lEROY, Tllt&lt;.;ODORE l\1.
PORTER, C. BRECiil~RIDGE

CLEMENT, NORMAN P.

CRANE, JAMES L .

REED, HOllACE.

COWPER, JOHS ""'.

ROBERT~ON 1 WILI.IAM E.

CRIQUI, CHARLES A.

RUMSEY, DANIEL L.

DIEBOLD, CHARLES JR.

SA\VYER, ANSI.. EY '\V.

DIEFENDORF, CHARLES H.

f

SAWYER, J.D.

DUDLEY, JOSEPH G.

SEARS, CHARLES D.

DUNBAR, DAVIS T.

SHORT, MYRON S.

DUTTON, ALVA L .

STREETER, DANIEL ,V,

FLERSHEM, RUDOLPH D.

TAYLOR, NELSON

GERRANS, H. MONTGOMERY

GOODYEAR, BRADLI:."'Y
HA~1LIN,

TIERNOS , JOHN L., JR.

/TRE~IAlr-i'E, MORlliS S.

GLENNY, W. HARRY

/

STEPHI~N

BAUMAN, OLIVER G.

CAPEN, SAMUEL P.

V

KENEFICK, DANIEL J .

CHAUNCEY J,

'VATSON, ARNOLD B.
WEED, SHEJ.TON

HARRIMAN, LEWIS G.

WENDT, HENilY " '·

HART, LOUIS D.

'\VOOD, LANGDON B .

HENR"·, FRANK F.

'\\7 RIGHT, THE'\V

WURST, PERRY E.

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&lt;p&gt;This collection highlights the life and contributions of one of Buffalo's most distinguished citizens in the first half of the 20th century. Thomas B. Lockwood was an attorney and businessman as well as philanthropist and bibliophile. He and his wife, Marion Birge Lockwood, donated the funds to construct the University at Buffalo's original Lockwood Memorial Library. When the building was dedicated in 1935, Lockwood presented his remarkable collection of rare materials to the university.&lt;/p&gt;
&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
&lt;/div&gt;</text>
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                <text>University Archives </text>
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                <text>TBL024</text>
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                <text>Thomas B. Lockwood </text>
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                <text>Programs</text>
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                <text> Menus </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1935</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Programs </text>
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                <text>Text </text>
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          </element>
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            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="373170">
                <text>2011-06 </text>
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            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="373171">
                <text>11/7/2011</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <elementText elementTextId="1704103">
                <text>LIB-UA011</text>
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              <elementText elementTextId="1942510">
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  <item itemId="22323" public="1" featured="0">
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                    <text>GREAT CITIZENS
OF BUFFALO
The Individuals to whom
The University of Buffalo has awarded
The Chancellor's Medal, together with
Chancellor Samuel P. Capen's Citations
in making such awards, 1925-194-4-

BUFFALO • MCMXLIV
THE UNIVERSITY OF BUFFALO

�COPYRIGHT, 1944, BY THE UNIVERSITY OF BUFFALO

PRINTED IN THE UNITED STATES OF AMERICA
BY PRINCETON UNIVERSITY PRESS AT PRINCETON, NEW JERSEY
DESIGNED BY P. J. CONKWRIGHT

�'l'HE CHANCELLOR'S .MEDAL
was incorporated in I846.
It has never conferred any honorary degrees but since
I925 has awarded the Chancellor's Medal, for which provision was made in the will of former Chancellor Norton,
to certain distinguished citizens of this community.
Charles Phelps Norton was a lifelong resident of Buffalo and a distinguished member of the Buffalo bar. He
was one of the founders of the Buffalo L aw School and
for many years a member of its faculty.
He served as Vice Chancellor of the University of
B uffalo from I905 to I909 and as Chancellor from I909
to I920. In these offices he gave the last full measure of his
ability and devotion to the interests of the University and
made it the principal beneficiary of his will. His residuary
estate came into the possession of the University in I9J2.
Nor ton H all, the beautiful and commodious Student
Union building, was erected with the funds so received, in
accordance with the directions of his will.
In additz"on to this gift of his residuary estat e, he bequeathed his valuable law library to the L aw School and
made a specific bequest of $s,ooo.oo to the University,
the income from which he directed should be appropriated
to the purchase of a medal, to be known as the Chancellor's Medal and to be awarded by the University on
W ashington's Birthday "to some citizen who has performed some great thing which is identified with Buffalo." H e stated that the purpose of this bequest was
"to personify civic patriotism and vivify public service
in the eyes of the citizens of Buffalo."
The Chancellor's Medal was first awarded in I925. In
THE UNIVERSITY OF BuFFALO

.5.

�all seventeen awards have been made. In each instance
the recipient was selected by a vote of the Council of the
University and in each instance the citation was prepared
and the award made by Chancellor Samuel P. Capen.
These citations summarize the accomplishments of certain of our most distinguished citizens in various fields of
human endeavor. They stress the significance of service
and exalt the spirit of altruism .
In the judgment of the Council these citations are so
notable, both in form and substance, as to justify their
publication. They are published in memory of Chancellor
Norton, who had the vision to see the civic value of the
Chancellor's Medal and the generosity to make provision
of the citizens to whom the
for its award, and in honor
I
medal has been awarded because of their service to this
community.
By order of the Council,
jAMEs McCoRMICK MITCHELL,

Chairman .

. 6.

�:J?..ECIPIENTS OF
THE CHANCELLOR'S MEDAL
1925

CHARLES HENRY BRENT

1926

WALTER PLATT COOKE

13

1927

FRANK BURKETT BAIRD

16

1929

JOHN JOSEPH ALBRIGHT

19

1931

CHAUNCEY JEROME HAMLIN

21

1932

FRANK ALEXANDER HARTMAN

24

1933

FRANCIS PARK LEWIS

28

1934

DANIEL JOSEPH K;ENEFICK

32

1935

KATHARINE CORNELL

36

1936

ALFRED HUGO SCHOELLKOPF

39

1938

EDWARD BRODHEAD GREEN

44

1939

DAVID LAWRENCE

47

1940

JOHN LORD O'BRIAN

so

1941

CHARLES BROWN SEARS

53

1942

THOMAS EROWN LOCKWOOD

56

1943

GEORGE WIDMER THORN

61

1944

CHARLES EPHRAIM BURCHFIELD

66

9

��and traits of character. To the great cultural institutions
of the City and to every agency tending to bring our citizens together in a common understanding an~ a common
loyalty he as given unstintedly his materi~l support, the
benefit of hi ipe wisdom, his immense personal prestige.
His gracious an dignified presence as presiding officer has
lent quality and 1 portance to countless public meetings
large and small. Hi indness and simple friendliness have
been to all who have ~d dealin s with him an inspiration
to kindness and simplicl\Y·
,
.
In his unavoidable abs nc , the Council of the University of Buffalo now awar
the Chancellor's Medal to
Charles Brown Sears, eminen jurist, leader in the cultural
life of the City, wise co nsel and knightly gentleman,
who through a genera ·on of dt tinguished service to the
community, the State and the nati n has won the admiration of his fellow-cit· zens and has " ·unified Buffalo in the
eyes of the world."

�~1

1 9 4 2

1~

THOMAS BROWN LOCKWOOD
are days in which our consciousness of geography is
involuntarily broadened. We learn the names of cities of
which we never heard before. They are scattered over all
the continents and the great islands of the seven seas. They
come to our attention because for the moment they are
military objectives, or because they have been destroyed
in the forward sweep of war.
Once they have ceased to appear in official communiques, how long will we remember them'? Who now can
recall the names of all the many towns of Belgium and of
Eastern France that twenty-five years ago were the scenes
of vicious attack and stubborn defense'? But Louvain we
remember and Antwerp and Amien.s and Rheims. We remember them-those of us who have never seen them-not
because the tide of battle once surged about them. We remember them because from them has gone out an influence
affecting the minds and spirits of men. We remember them
because they contain-or did but lately contain-great
works of art, a celebrated university, a famous library, a
noble cathedral; because in them that intangible essence
of civilization which we call culture has been potently
distilled.
Of how many cities in any land can as much be said'?
Of very few. And yet every one who possesses the slightest
historical knowledge is aware that the only way in which
a city achieves wide and lasting distinction is to partake in
THESE

. s6.

�some degree, however small, of that quality which has
made Athens, Rome and Paris deathless.
A city does not become a center of art, of religious inspiration or of learning automatically by reason of its size
or the wealth of its inhabitants or its importance as a
producer of material objects. It becomes such a center only
through the action of farsighted civic leaders directed toward that end. Vision is required and wisdom and discrimination and a willingness to sacrifice one's own substance
for the general good. The cities of the Old World which
have been sources of enlightenment all owe their preeminence to the acts of a few individuals. Some of these
have been rulers who have brought about the expenditure
of public funds to adorn and enrich their' communities.
Some have been private citizens whose great donations have
furni shed lasting monuments for the benefit of posterity.
American cities are relatively young. Not many among
them have ye t existed long enough to rival the cities of the
Old World as repositories of the products of human genius
or as foci of creative thought. Except for the few great
cities on the Eastern seaboard whose origins date back
three centuries and which already rank with the world
centers of art and science, only a handful of American
communities have assembled on any considerable scale the
instrumentalities of culture or have begun to make independent contributions to the mental and spiritual life of
mankind.
It is the great good fortune of citizens of Buffalo that
our own City is one of this small number. Its beautiful and
dynamic art gallery, its unique museum of science, its
equally unique music hall, its imposing churches and cathedrals, its distinguished university, its rich reference libra. 57 .

�ries, public and private-all of these institutions combine
to give Buffalo special eminence among the younger cities
of the nation. Each, reacting on the others, helps to generate in this community a devotion to things unseen but
eternal. Each is a source of stimulation to the citizens, a
magnet of attraction to leaders in the arts, in religion and
in scholarship who constantly visit us to give, to take and
to be refreshed.
All of these institutions are the product of many hands
and many minds. Yet each owes its origin and its initial
development to the foresight and the generosity of some
one person, or at most of a ve~y few individuals. These few
have been truly the builders of the essential Buffalo, the
Buffalo which exists independently of its streets, its houses
and its factories, the Buffalo which will endure when
streets, houses and factories have been replaced or overlaid.
On previous occasions the University has paid tribute to
certain members of this small company of civic leaders.
Today it singles out for public recognition another, whose
contribution to the City's higher life bids fair to be as lasting and as influential as that of any citizen. That the contribution has been made to the University itself ensures its
utmost utilization for the public benefit.
The gentleman whom the University now honors comes
of a line conspicuous in the annals of the City for leadership in civic affairs. Throughout his professional career as
an attorney and as director of important financial institutions he has devoted himself constantly to the improvement of the community. For a decade he served as Commissioner of Parks. In this office the beautification of the
City and the extension of its facilities for wholesome recreation were his active concern. But it has been the agencies

. ss.

�which foster the intellectual life of the City and the State
which have claimed the major part of his time and energy
and which have profited most by his unostentatious generosity. He has been a trustee-and a diligent and effective
trustee-of Union College, of the Buffalo Hi storical Society, of the Buffalo State Teachers College, of the Grosvenor Library and of the University of Buffalo. His wise
counsel, his optimism, his vigorous and courageous championship of their interests has left a permanent mark upon
1
them all.
But his fellow-citizens will undoubtedly owe as much to
his absorbing private interest as to these many active public services, because he has made us and our successors heirs
in perpetuity to the fruits of it. During the whole of his
mature life he has studied and collected books, great books,
rare books, first editions and choice editions of the principal landmarks in the history of letters for the last five
centuries. In the process he has become an acknowledged
expert in this special field of learning. The collection which
he has assembled is one of the foremost collections of literary rarities in the United States, and it is being constantly
added to.
The collection is no longer his. When the beautiful and
impressive library building, his and his wife's gift to the
University, was completed he added to it the donation of
this extraordinary accumulation of literary treasures.
The University has already acknowledged to him its
deep indebtedness. It now points out that it is not the sole
beneficiary. In a sense it is a trustee for the community.
These gifts, the building and the collection, not only bring
celebrity to the University which possesses them; they permanently enhance the aesthetic and intellectual life of
0

59

0

�Buffalo and give it distinction among the cities of the land.
Because these notable services to the University and to
the City have been so quietly and modestly rendered, many
of our fellow-citizens may have failed to gage their importance. But we, his associates, recognize that the manner
of the giving was as characteristic as the magnitude of the
gifts. It was of a p}ece with his simple integrity, his detestation of sham and pose and self-glorification, his stalwart
loyalty to friends and causes, his abounding good will
which asks and expects no return, but is nevertheless in his
despite rewarded by the love and admiration of all who
know him.
Thomas Brown Lockwood, attorney, banker, public spirited citizen, enlightened trustee of institutions of learning,
distinguished bibliophile, the Council of the University of
Buffalo awards to you the Chancellor's Medal in recognition of the fact that through your princely donation to the
University of a magnificent library and one of the country's choicest collections of rare books you have immeasurably enriched the cultural life of the community and have
"dignified Buffalo in the eyes of the world."

· 6o ·

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                    <text>�'ihoma£1 116. illockwtlob
DUz.d~ugust19,1941

Afte:r graduati.on he studied
taw at the University of.Buffalo and &lt;.?0-rnell Law .School5
and,althol:'Bh some yeat::s .51&gt;C)
later he reti:-red fTon,_ acti.ue1
practice he maintained his.x.
office until his death. WhiLe at

college,hestartcd thenotabl~
collection offlrsteditions and
other rare books l.Vhich h-e .;. l@
g.a.ve to the University ofBuffalo and which is now in the-,
tlniuersii!:Js Librar~ buildj.ng
erected and endowed by hun...
and his wife.Tie was active
in politics and held impo-rtant offices i.n Bufthlo, tne city
ofhis'Girthofwlt.ich he was
a distinguisned citi-Jen.~ . .

COnnnittu. ofthcz. elass of'Yale.'95

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;

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~

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t::t.

~(g.~
~' oa1·d here-with
re.co!os it.$ gratitu?.e for h~s lot1.9
.ser~tce to thJZ lro.cte-1~ ,wh1ch 1Da~
\:~ ~

;I'

but a fac€-t of ni:. abiding affection
for his natilSe cit .' ·~w haurz
contributed to its Welfare more

-~
~

tnerously and more rliscernin9l~ ..
U) ha~.z o£sJZr~.W

mora trull.J
'he gratitude u.Htich .should be
th£ r.ewaro .of .such wi~e and far

reaching philanthroplf..

������</text>
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                  <text>Thomas B. Lockwood --The Man and His Library</text>
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&lt;p&gt;This collection highlights the life and contributions of one of Buffalo's most distinguished citizens in the first half of the 20th century. Thomas B. Lockwood was an attorney and businessman as well as philanthropist and bibliophile. He and his wife, Marion Birge Lockwood, donated the funds to construct the University at Buffalo's original Lockwood Memorial Library. When the building was dedicated in 1935, Lockwood presented his remarkable collection of rare materials to the university.&lt;/p&gt;
&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
&lt;/div&gt;</text>
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                <text>TBL031: In Memoriam: Thomas Brown Lockwood </text>
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                <text>Thomas B. Lockwood </text>
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              <elementText elementTextId="373209">
                <text>Lockwood, Thomas B.  </text>
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                <text>Memorials </text>
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            <elementTextContainer>
              <elementText elementTextId="373211">
                <text>10/2/1947</text>
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              <elementText elementTextId="373212">
                <text>Buffalo Historical Society (Buffalo, N.Y.) </text>
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                <text>Memorial works </text>
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              <elementText elementTextId="373216">
                <text>2011-06 </text>
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            <elementTextContainer>
              <elementText elementTextId="373217">
                <text>11/7/2011</text>
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            <elementTextContainer>
              <elementText elementTextId="1942507">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.  This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;.  If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                    <text>THE FRIENDS OF
THE LOCn:WOOD MEMORIAL LIBRARY

Qlottc£ri
nf

W:rabitional Qiqrisintas Qiarols
sung hJJ

'&lt;n4e

~niurrsitJJ ®lte

or lubs

THE LOCKWOOD MEMORIAL LIBRARY
UNIVERSITY OF BUFFALO
DECEMBER 17TH, 1936

�Jro_grant
1. Somerset Wassail

15th century

'2. While Shepherds Watched

17th century

3. In Excelsis Gloria

15th century

4. Coventry Carol

15th century

5. The Holly and the Ivy

14th century
The Glee Clubs

''The Origins and History of the Carol''
Mr. Abbott

6. A Babe is Born

15th Century

7. In Bethlehem, that Fair City

15th century

8. Praise to God

17th cel).tury

(Russian)
The Glee Clubs

9. The First Nowell

17th century

10. God Rest You Merry

15th cer!tury

The Glee Clubs and Audience

Refreshments will be served in the Librarian's Study (second
floor) immediately after the concert. In the Exhibition Room i'&gt;
gathered a most interesting collection of music manuscripts and
books.

God rest you merry gentlemen,
Let nothing you dismay,
RemPmbcr Christ our Saviour
Was born on Christmas Day,
To save poor souls from Satan's power
Which bad long time gone astray,
And it's tidings of comfort and joy,
From God that is our Father,
The blessed .Angels came,
Unto somP· certain Shepherds,
With tidings of the same;
That there was born in Bethlehem,
The Son of God by name.
And it's tidings of comfort and joy,
Now when they came to Bethlehem,
Where our sweet Saviour lay,
They found him in a manger,
Where Oxen feed on hay,
The blessed Virgin kneeling down,
Unto the Lord did pray.
And it's tidings of comfort and joy,
With sudden joy and gladness,
Tht&gt; Shepherds were beguil 'd,
To see the Babe of· Israel,
Before his mother mild,
On them with joy and chearfulness.,
Rf'joiee each Mother's Child.
And it's tidings of comfort and joy,
Now to the Lord sing praises,
Ali you within this place,
Like we true loving Brethren,
Each other to embrace,
For the merry time of Christmas,
I!; drawing on a pace.
And it's tidings of comfort and joy,

�'ffilye Jtfirst ~ofuell
The first Nowell the angel did say
Was to certain poor shepherds in
fidfls as they lay;
In fields where they lay, keeping
their sheep,
In a cold winter'::; night that was S•O deep:

cnowell, cnowell, cnowell, ()!lowell,
[!Jorn is the {)(ing o/ dsreaff
They lor,ked up and saw a star,
Shining in t.he east, beyond them far;
And to the earth it gave great light,
And ~.o it continued both day and night=
And by the light of that same star,
Three Wise Men came from country far;
To seek for a king was their intent,
And to follow the star wheresoever it went:
This star drew nigh to the northwest;
O'er Bethlehem it took its rest,
And there it. did both stop and stay
Right. over the place wh11re Jesus lay:
Then did they know assuredly
Within that house the King did lie:
One entered in then for to see,
And found the babe in poverty:
Then let us all with one accord
Sing r,raises to our heavenly Lord,
That. hath made heaven and earth of naught,
And with his blood mankind hath bought:

�</text>
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&lt;p&gt;This collection highlights the life and contributions of one of Buffalo's most distinguished citizens in the first half of the 20th century. Thomas B. Lockwood was an attorney and businessman as well as philanthropist and bibliophile. He and his wife, Marion Birge Lockwood, donated the funds to construct the University at Buffalo's original Lockwood Memorial Library. When the building was dedicated in 1935, Lockwood presented his remarkable collection of rare materials to the university.&lt;/p&gt;
&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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                <text>TBL127: Program for Concert of Traditional Christmas Carols sung by the University Glee Clubs at Lockwood Memorial Library </text>
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                <text>University Archives </text>
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                <text>TBL127</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Lockwood Library </text>
              </elementText>
              <elementText elementTextId="373225">
                <text>Lockwood Memorial Library</text>
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                <text> University of Buffalo. University Glee Clubs</text>
              </elementText>
              <elementText elementTextId="373227">
                <text> Lockwood Memorial Library. Friends </text>
              </elementText>
              <elementText elementTextId="373228">
                <text>Concerts</text>
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                <text> Carols </text>
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          </element>
          <element elementId="41">
            <name>Description</name>
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            <elementTextContainer>
              <elementText elementTextId="373224">
                <text>Presented by the Friends of Lockwood Memorial Library </text>
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          </element>
          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="373230">
                <text>12/17/1936</text>
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            </elementTextContainer>
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                <text>Programs </text>
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                <text>Text </text>
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          <element elementId="91">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="373234">
                <text>2011-06 </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="96">
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            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="373235">
                <text>11/7/2011</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <elementTextContainer>
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                <text>LIB-UA011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1942506">
                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.  This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;.  If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                    <text>Dedication o ~e
Health Sciences Librar
State University of
e\ Yotk at Buflaio

�"The elegant structure of the new library reflects not only the
perfect blending of the old and the new, but also the results of combining architectural talents with professional library expertise. As a
librarian, I particularly appreciate the functional design which fulfills
the criteria for a modem health sciences library very well. Through
the simplicity and openness of its space arrangement, the new library
offers library patrons easy access to services and resources; the facility
accommodates the heavy daily flow of personnel and library
materials; and it provides comfort and quiet, safety and security, and
efficient communication between the various components of the
library staff. The facilities and resources of the library encompass
both the old and the new - from the old, invaluable rare books of
the History of Medicine Collection which has been in existence since
the founding of the library in 1846 to the latest new information
systems equipment and the audiovisuals of the Media Resources
Center. The library is certainly prepared to meet the challenge of filling the health information needs of the educational, research, and
clinical programs of the University and its constituents in decades to
come.
"It was a thrill to see this beautiful building materialize after
having vigorously pursued its funding and planning for ten years."
- C.K. Huang
Director of the Health Sciences Library

THE PROGRAM

PRELUDE

OF DEDICATION
Health Sciences
Library

PRESIDING

Austin Aint
Reading Room
Tuesday, August 19, 1986

4:00PM

DEDICAlDRY REMARKS
INTRODUCTION

Algonquin Brass Quartet
M. Robert Koren, Chairman, Unit•ersit:v Council
Steven B. Sample, President
Robert ]. Wagner, Vice President for
Unit·ersity Sernces

ADDRESS

Donald A. B. Lindberg, M.D., Dzrector, . atzonal
Library of Mediczne

PRESENTATIONS

John Naughton, M.D., Vice Preszdent for Clmzcal
Affairs; Dean, School of Medzczne

RESPONSE
NAMING OF ROOMS AND
SPECIAL COLLECTION
U VEILING OF THE
BUILDING PLAQUE
CONCLUDl G REMARKS
POSTLUDE
RECEPTION

Barbara von Wahlde, Director, Unit•ersity Lzbrarzes
Chung-Kat Huang, Director, Health Sczences Librarv
Mr. Koren, Dr. Sample, Mr. Wagner,
Ms. von Wahlde and Mr. Huang
Mr. Koren
Algonquzn Brass Quartet
Ground Floor Lobby, Ltbrary Mazn Entrance

�LIBRARY FACILITIES ARE BEING NAMED FOR:
ABOUT 1DDAY'S SPEAKER
Donald A.B. Lindberg, M.D., has been director
of the National Library of Medicine since 1984.
Holding the M.D. from the College of Physicians
and Surgeons, Columbia University, he served
for 13 years as director of the Information Science
Group at the University of Missouri School of
Medicine. He was associated with that same
university from 1960 to 1984 in a number of
capacities as both faculty member and administrator. He held the rank of professor of
pathology in the School of Medicine from
1969-1984 and was director of the Health Services Research Center and professor and chairman of the Department of Information Science
in the School oflnformation and Library Science
(1969-1971). He was also director of the Medical
Center Computer Program and director of the
Diagnostic Microbiology Laboratory, among
other positions there. Dr. Lindberg earned his
B.A. in biology at Amherst College from which
he graduated magna cum laude. In 1979, Amherst
also awarded him the degree of doctor of science,
honoris causa. A member of a wide variety of professional organizations, he is author of four books
and more than 135 articles, reports, and chapters
of monographs.
The National Library of Medicine was first
established in 1836. Part of the National Institutes of Health in Bethesda, Md., it is the
largest medical research library in the world, offering its services through affiliated libraries and
centers to all in the health care professions and
related fields.

Dona J A.B. l1nJterg

ROBERT L. BROWN
History of Medicine Collection
Dr. Robert L. Brown, Medical School archivist
and associate professor of medicine emeritus,
began his association with the library as assistant dean of the School of Medicine in 1959. He
was responsible for the then Medical-Dental
Library budget and acquisitions funding. In 1961,
while he was Medical School acting dean, the
library became part of the University Libraries
system and was renamed the Health Sciences
Library. But under Dr. Brown's direction, the
Medical School continued to fund special projects including the historical collection.
In 1974, he was appointed Medical School
archivist, and as consultant to the History of
Medicine Collection, he relocated to the library's
offices. He subseq uently undertook the difficult
process of compiling all the records of the
meetings of the faculty and executive committee of the Medical School since 1846 and other
projects related to the School's history.

students and a member of the University Council from 1872 to 1874.
On his death in 1891, he bequeathed to the
medical library his personal collection of over
1,000 volumes. These have become a very significant and valuable part of the 19th century portion of the collection. Following his death, his
sister established an endowment in his name, the
income from which was restricted to support the
medical library. In the over 90 years since this
fund was established, it has contributed in a
cumulatively important way to the library's
activities.

• AUSTIN FLINT
1812-1886
The Main Reading Room

Dr. Burwell was graduated from the University
of Pennsylvania in 1843, following which he came
to Buffalo to begin the practice of medicine. Over
the nearly half century of his practice, he became
one of the best known physicians in Western
New York . While there is no evidence that he
had a formal faculty appointment in the Medical
Department, he was a preceptor for medical

The most distinguished member of the founding
faculty of the University, Austin Flint was the
first Professor of the Principles and Practice of
Medicine and C linical Medicine. A superb clinician with an international reputation, he was
known as the American Laennec, chiefly for his
advocacy of the binoral stethoscope, and the
Nestor of American Medicine for the extensive
experience and wisdom gained from a long career
as a practitioner and teacher of medicine. Among
his many clinical contributions he described a
cardiac murmur which medical students even today learn to associate with his name. An astute
clinical investigator he demonstrated for the first
time the water transmission of typhoid fever
following an outbreak at North Boston, New
York in 1843.
He was the founder and first editor (1845-1853)
of the Buffalo Medical Journal (1845-1919), a

Robt

Austt'l Flmt

GEORGE N. BURWELL
1819-1891
Seminar Room, Room B21

t

L Brnvr (Jt'orge N. Burwell

significant regional publication whose contributions are increasingly recognized by medical
historians, and was a prolific writer in addition .
His bibliography lists 200 articles, 16 books (many
of them published in multiple editions), and five
pamphlets.
Dr. Flint was the second dean of the Department of Medicine in 1849-50, and was President
of the American Medical Association in 1883-84.

• ROSWELL PARK
1852-1914
Seminar Room, Room BlS
Dr. Park was Professor of Surgery from 1883 to
1914. A surgeon of consummate technique and
international reputation, he was a multi-faceted
man with wide ranging interests and abilities. His
extensive writings covered a broad spectrum of
subjects - professional, philosophical, aesthetic,
and political.
In 1898 the State Legislature, principally at the
urging of Dr. Park, made an appropriation to support the creation of a laboratory under the supervision of the Medical Department of the University for the purpose of study of the "Causes,
Mortality-rate and Treatment of Cancer!' This
was the first such institution of its kind in the
world, and Dr. Park was its first director. The
laboratory flourished, expanded, and through
several name changes developed into the major
teaching, research, and patient care cancer center
that today bears Dr. Park's name.
Dr. Park is the most significant donor to the
medical library. His collection of more than 3,000
vo lumes, including many medical classics, is the
most valuable portion of the History of Medicine

Collection and its worth today is conservatively estimated at over $300,000.

• JAMES PLATT WHITE
1811-1881
Conference Room, Room 325
A member of the founding faculty of the University and the first Professor of Obstetrics and the
Diseases of Women and Children, Dr. White was
credited by Austin Flint as being the individual
most responsible for the establishment of the
Department of Medicine and the University.
In 1850 Dr. White introduced in Buffalo, for
the first time in the United States, the innovation in student teaching known as
"demonstrative midwifery" in which medical
students observed the final stages of labor and
the delivery of the infant.
During his long career Dr. White was responsible for the development of many new
gynecological surgical techniques and instruments. He was dean of the Medical Department from 1852 to 1854 and again from 1879 to
1881, the time of his death. He served as Professor of Obstetrics for 35 years.
Dr. White is the indi vidual primarily responsible for the first development of the medical
library, forming a library committee of one when
the University first began to function. He supplemented the University's small collection with
works from his father's collection when necessary.
On his death he left his private medical library
of over 1,000 volumes to the University, a
valuable segment of the present History of
Medicine Collection.

Jame~

Platt Whttt

�HISIDRY OF THE
HEALTH SCIENCES LIBRARY

T
(Left) The main
reading room as it
looked in the
original Lockwood
Library, an adaptation of a 17th century room in an
English country
house built for the
Earls of Salisbury.
(Above) The former
Rare Book Room,
today's ]ames Platt
White Conference
Room.

he Med ical Department, University of
Buffalo, was founded in 1846 by a group
of distinguished members of the community. Millard Fillmore, 13th President
of the United States, served as its first
chancellor. In 1847, the Annual Circular of the school noted a library of 519
volumes purchased at a cost of $829.96.
The Medical Department moved from
its first location on Washington and
Seneca Streets to the corner of Main
and Virginia in 1849.
By the turn of the century it had
outgrown those quarters, and relocated
to a beautiful new building on High
Street. The library had been officially
registered as the Medical Department
Library with the Public Libraries
Department of the University of the
State of New York, and the collection
had grown to 7,000 volumes and also
included the leading medical journals.
The Schools of Pharmacy and Dentistry
were established in 1886 and 1892,
respectively, but not until 1953 with the
move from High Street to Capen Hall
on the Main Street Campus was a combined Medical-Dental Library formed.

In 1961 the facility was renamed the
Health Sciences Library and incorporated into the University Libraries.
The following year the University merged with the State University of New
York to become State University of New
York at Buffalo. In addition to the
original schools of Medicine, Dentistry,
and Pharmacy, the Health Sciences
Library serves the School of Nursing,
founded in 1930, and the School of
Health Related Professions, established
in 1966.
Throughout its history, the library has
been the recipient of some of the most
noteworthy private collections of
medical volumes in the area, including
those of James Platt White, one of the
founders of the University of Buffalo;
of George N. Burwell, an eminent Buffalo physician of the 19th century, and
of Roswell Park, professor of surgery at
the University from 1883 to 1914. Institutional collections of particular
significance include most of the medical
books and journals of the Grosvenor
Reference Library and the Columbia
University School of Pharmacy.

�THE HEALTH SCIENCES
LIBRARY 1DDAY

e e

oday the Hea lth Sciences Library is one
of the major bio-medical libraries in the
country with a collection of 240,000
volumes, 2,700 current journals, and
1,500 audiovisual titles. It serves as a
Resource Library of the Greater Northeastern Regional Medical Library Program. Nearly half a million patrons visit
the library each year, and the Information Services Department provides approximately 7,000 MEDLINE searches
yearly. In the early 1970s, three new
departments were established under the
leadership of Mr. C.K. Huang, present
director of the library. The Media
Resources Center collects audiovisual
programs for use by students and faculty

E

(Page Opposite) The
new circulation reserve area, part of
the library's addition . (Top Above) A
view of the new
Media Resource
Center. (Immediately
Above) The
MEDLINE search
facility of the Information Services
Department.

in support of the curricula of the five
health sciences schools. The Information Dissemination Service Department
delivers medical and health-related information to professionals in Western
New York, Rochester, and the South
Central Districts of New York State. The
History of Medicine Collection,
numbering more than 10,000 volumes,
provides the University community access to original source materials in
medicine and allied sciences. In recent
years additional programs have been instituted such as the Library Consortium
of Health Institutions in Buffalo and the
Rural Hospital Library progam.

STATISTICS OF BUILDING
Construction Cost:

$5,495,000

Capital Equipment:

984,000

Net Square Feet:

61,000

Shelving Capacity (Volumes):
Seating Capacity:
Architect:
Contractor:
Groundbreaking:

290,000
603

Scaffidi &amp; Moore
Frank L. Ciminelli
April 4, 1983

Completion (Opening): October 1, 1985

�PLANNING AND INTERIOR DESIGN
FOR THE NEW LIBRARY

I

(Page Opposite) The
Austin Flint Main
Reading Room as it
looks today following
the $5.4 million
construction and
rehabilitation program. (Above) The
Roswell Park
Seminar Room.

n 1974 the Health Sciences Library moved from the medical-dental school complex into renovated interim quarters at
Stockton Kimball Tower. Five years later
the planning for an adequate facility
began with the strong support of F.
Carter Pannill, M.D., former vice presiden t of health sciences, and on April
4, 1983, the formal groundbreaking took
place. T he decision to renovate the old
Lockwood Memorial Library and to add
a modern four-story structure posed a
major challenge for Mr. Philip Scaffidi,
the architect, and the library staff. Construction of the original Lockwood
Library was completed in 1935 under
the personal direction of Thomas B.
Lockwood who provided the funds for
t he building and also donated his
magnificent private collection of books
to the University of Buffalo. The
Georgian building designed by Edward
B. Green included two of the most impressive rooms in Western New York.
The Main Reading Room was adapted
from a room in Hatfield House in
H erefordshire built in the first decade
of the 17th century for Sir Robert and
William Cecil, Earls of Salisbury. Paneled in English oak, the room measures
40 by 75 feet and contains a handcarved mantel over a large fireplace as
well as two silver chandeliers from the
A lbright mansion, a Buffalo architectural showplace. Equally elegant is the
former Rare Book Room o n the third
floor of the build ing. The concern to
preserve t hese two rooms and to create

a modern functional library guided the
architect in his design. The four-story
addition houses major departments, such
as circulation and reference as well as
the book and journal collections while
the Main Reading Room provides quiet
study space for students and faculty.
When the renovation and new construction of Abbott Hall were well
under way and it was possible to visually
assess the volumes, relationships, and
fenestration of the emerging rooms, the
director of the Health Sciences Library
appointed the Committee on Interior
Design (Robert L. Brown, M.D., Lilli
Sentz, and Nancy Fabrizio, chairman)
to work with the architect and Office
of Architectural Services at the University on the selection of interior colors,
materials, and furnishings for the
building.
The major challenge to the committee was the achievement of an attractive
and harmonious interior unity in a
building with two disparate stylistic
components - a classical old building
in the Palladian mode with its formal
traditional paneling, fireplaces, and
carved woodwork details of superb
craftsmanship, and a contemporary addition characteristically spare and
functional.
An initial proposal by the professional
interior design group, while compatible
with the new addition, seemed inappropriate to the committee for the
aesthetically dominant old building.
The committee therefore began de novo

�(Page Opposite) A
stacks area on the
library's third floor
near the Bernhardt
S. and Sophie B.
Gottlieb Collection
in the Behavioral
Sciences and
Psychiatry. (Above)
Librarian Lilli Sentz
in the History of
Medicine Collection.

to develop a palette that would be quietly unobtrusive, and thus compatible
with the scholarly functions that the
library serves, be concordant with both
the old and the new, be widely acceptable to a heterogeneous patronage, and
have as much flair as could be achieved with the noted stipulations.
What gradually evolved was a basic
group of colors loosely characterized as
of earth and plant origin to be used for
the wall surfaces. Accents of more
vibrant terra cotta and spice colors were
chosen for upholstery fabrics; and, in
recognition of the realities of the tracking of winter boots and the additional
years of construction mud from the
campus, carpeting in shades of dark
loam and old English oak was used
throughout. The colors are complementary to the period rooms, particularly
the impressive Austin Flint Main
·Reading Room, and are also timelessly
contemporary for the new addition.
They avoid trends and current fashions
which would in a few years become
outdated.
While the original Lockwood Memorial Library furniture was impressively
custom designed and crafted in the style
of the rooms, its duplication would be
unobtainable or unaffordable and
would be anachronistic in the contemporary addition. The committee chose,
therefore, oak furniture of simple design
and functional sturdiness. In the Main
Reading Room and its related areas, a
dark English oak stain matching the existing paneling was selected, with a

similar finish for the oak end panels of
the abutting book shelves. In the adjacent rooms a medium oak stain finish
provides a transition to the natural oak
of furniture and woodwork in the service areas and offices.
When the old Lockwood Memorial
Library ceased to function as the central University library, many of its furnishings were sent to University Archives and storage. Much has been returned, including the bronze statues from
the collection of Thomas B. Lockwood
(again in the fireplace niches), andirons
from both fireplaces, the handsome
walnut conference table from the old
Rare Book Room (now the James Platt
White Conference Room), and the fine
oak book shelves in the History of
Medicine Collection. The two magnificent silver chandeliers in the Main
Reading Room, originally from the
Albright Mansion, have been rehung
and will eventually be restored.
In addition to the library furniture,
carpet, and related accessories, the
Capital Equipment appropriation of
$984,000 was expended in upgrading
and modernizing the library's service
and operations equipment and departmental furnishings. Most important
among these items are state-of-the-art
audiovisual equipment such as videodisc
players, color monitors, and sound-slide
projectors; microfiche reader-printers;
OCLC M300 Cataloging Terminals; the
OCLC SC350 Serials Control System;
the Mini-MEDLINE System; and word
processing equipment.

�THE UNNERSITY CAMPUSES
and Dance Department, Media Study,
and an art gallery.
After the arts development, the next
large complex on the newer campus will
be a Natural Sciences and Mathematics
building.
On the Main Street Campus, an expanSignificant progress has been made, but
sion
and remodeling program at Squire
work still remains to be done for the camHall
has
resulted in a new facility for the
puses to become fully functional.
School of Dental Medicine, and an addiCompletion of the Amherst Campus is tion to the School of Medicine complex
scheduled for the early 1990s. A total of was recently completed. Other scheduled
78 building will eventually serve about projects include new exterior cladding for
25,000 students.
the older School of Medicine buildings
and
interior renovations in that complex
Planning is proceeding now for a new
as
the
older campus continues to be
Fine Arts Complex that will house a large
transformed
into a modem health sciences
auditorium, a 500-seat theatre, a 200-seat
center.
theatre, the Art Department, the Theatre

986 marks the 16th anniversary of construction work on a project that includes
both development of a 1,200-acre new
campus and rehabilitation and expansion
of the older Main Street Campus of the
State University of New York at Buffalo.

1

"The building
envelope, the disposition of spaces, and
the ambience all contribute, but the single
nwst critical factor
necessary far a suecessful. facility is a

competent, dedicated
administration.
"The State University of New Yark at
Buffalo Health
Sciences Library is a
successful facility!'
- Philip R. Scaffidi
Scaffidi &amp; Moore,
Architects

�CAMPUSES

BOARD OF TRUSTEES
STATE UNIVERSITY OF
NEW YORK

OFFICERS
STATE UNIVERSITY OF
NEW YORK AT BUFFAID

Donald M. Blinken, Chairman
Mrs. Judith D. Moyers, Vice Chairman
George L. Collins, Jr., M.D.
D. Clinton Dominick
Mrs. Judith L. Duken
Arnold B. Gardner
Gurston D. Goldin
John L.S. Holloman, Jr., M.D.
Mrs. Nan Johnson
Victor Marrero
Edward V. Mele
Ms. Rosemary C. Salomone
Edgar A. Sandman
Thomas Van Arsdale
Darwin R. Wales
Ms. Jane McAlevey, Student Member

Steven B. Sample, President
William R. Greiner, University Provost

SUNY CENTRAL
Clifton R. Wharton, Jr., Chancellor
State University of New York

COUNCIL
STATE UNIVERSITY OF
NEW YORK AT BUFFAID
M. Robert Koren, Chairman
William C. Baird, Chairman Emeritus
Seymour H. Knox, Chairman Emeritus
Robert I. Millonzi, Chairman Emeritus
Frank N. Cuomo
Mrs. Harriet W Fogan
John E Kopczynski, Sr.
James E Phillips, M.D.
Ms. Joan K. Robinson
Mrs. Rose H. Sconiers
John N. Walsh, III
Philip B. Wels, M.D.
Israel DeJesus, Student Representative

VICE PRESIDEN1S
Edward W. Doty
Finance and Management
John Naughton, M.D.
Clinical Affairs
Donald W. Rennie
Ronald H. Stein
Sponsored Programs (Interim)
Robert J. Wagner
University Services

DEANS
Michael P. Brooks
Architecture and Environmental Design
Jon Whitmore
Arts and Letters
William M. Feagans
Dental Medicine
Hugh G. Petrie
Educational Studies
George C. Lee
Engineering and Applied Sciences
Kenneth J. Levy
Health Related Professions (Interim)
George S. Bobinski
Information and Library Studies
Wade J. Newhouse
Law and Jurisprudence
Joseph A. Alutto
Management
John Naughton, M.D.
Medicine
Thomas E George
Natural Sciences and Mathematics
Bonnie Bullough
Nursing
David J. Triggle
Pharmacy
Ross D. MacKinnon
Social Sciences
Frederick W. Seidl
Social Work

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&lt;p&gt;This collection highlights the life and contributions of one of Buffalo's most distinguished citizens in the first half of the 20th century. Thomas B. Lockwood was an attorney and businessman as well as philanthropist and bibliophile. He and his wife, Marion Birge Lockwood, donated the funds to construct the University at Buffalo's original Lockwood Memorial Library. When the building was dedicated in 1935, Lockwood presented his remarkable collection of rare materials to the university.&lt;/p&gt;
&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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                    <text>cA Seleflion of

Books &amp; Manuscripts
IN THE

1Lock\\lood mrmorial1Librarll
of The University of 13uffalo

New York: Printed by Richard W. Ellis for
The Lockwood Memorial Library
1

935

��LOCKWOOD MEMORIAL LIBRARY
ERECTED BY THOMAS B . LOCKWOOD
AND MARION BIRGE LOCKWOOD
IN MEMORY OF DANIEL N. LOCKWOOD
AND GEORGE K. BIRGE

��u1n Introduction

��tAn tA ppreciation
AS this book goes forth I should like to express my thanks
to those who have helped me realize an ambition of many
years- the erection of the Lockwood Memorial Library.
To those who- in my earlier years- guided me in the
paths of collecting, among whom I recall particularly the
late George D. Smith, who, with Dr. A. S. W. Rosenbach,
Mitchell Kennerley and my friend John L. Clawson, were
my companions and friendly advisers in the auction rooms
and elsewhere.
To Barnet J. Beyer, who has aided me always by scholarly
advice and from whose shelves have come many of my books
and to whom I owe much for his assistance in the preparation
of this book.
To Professor Charles D. Abbott, the librarian of the University of Buffalo, in whom I have the highest confidence.
He is a young man gifted in the understanding of books and
I feel certain that he will achieve a position among scholars
and bibliophiles to which his personality, intelligence and
ability entitle him.
To Edward B. Green &amp; Son, architects of the Library,
whose taste and ability have created a building which is
eminently satisfactory to ·both the University and myself.
THOMAS B. LOCKWOOD

��cAn Introduction
by Charles D. Abbott, Librarian
The Lockwood Memorial Library

T

HE gift of The Lockwood Memorial Library
which the University of Buffalo is so favored as
to receive, the opening of which is commemorated in this book, offers the opportunity for a few suggestions regarding the scholarly possibilities as well as
the normal functions and duties of such an institution.
The library has often and quite properly been called the
heart of every university. Certainly it is the source from
which must issue the blood vital to the continuance of
academic well-being. It is by its very nature the reservoir from which students and faculty alike must draw
an unfailing supply of the recorded wisdom of the race.
It must provide with all care and dispatch the raw materials of learning, which the capacity of the faculty and
the native intelligence of the students will transmute
into the culture that universities, at least in aspiration,
exist to propagate. It must consciously strive to maintain itself as the center around which revolves the whole
intellectual life of a community dedicated to the absorp-

�tt

cAn Introduction

tion and exploitation of the best that comes to us from
the past and the present, and to the achievement of the
best that we ourselves can create in the future.
Under ideal conditions the library will cooperate with
the faculty and the students equally, assisting the former by its alertness in making necessary and important
acquisitions, aiding the latter by provocative advice
about supplemental reading-all in the interest of that
steady and unbroken cultural advance which is the
purpose of colleges and universities today. In other
words, it must be an active participant in the work of
its community and not a mere passive storehouse where
things may be found if they are searched for sufficiently
strenuously. The prime function of the library staff is to
be constantly helpful, always ready with useful suggestions, able to direct whenever direction is required. The
members should have enough of scholarship to be trustworthy guides, and enough of taste to be reliable critics.
These general requisites our good libraries have fulfilled
now for some time, and improvement is everywhere
noteworthy. The passivity of an older tyPe of library
will soon be in total eclipse.
There is, however, one function of the library and its
staff which has been too commonly neglected especially

I

�~n

Introduction

ttt

in America-where, happily, there are notable exceptions-and over which, if it is to give the utmost in
service to education, the library must begin to exert
itself more intelligently. It must learn to value books
not only for what is in them but also for what they
represent extrinsically in the history of the arts, of literature, of science, of civilization itself. It must, like the
bibliographer and the collector, be aware of the significance, aesthetically and educationally, of the first and
original edition. Oflate years the science of bibliography
has been developed to new heights. It has become a
specific and well-recognized branch of scholarship. It
has made possible the discovery of facts, often of great
importance, which would otherwise have lain so long
buried as to retard indefinitely our arrival at a knowledge of the truth. This new science of bibliography h~s
grown out of the critical study of books in their original form; it examines them microscopically; it concentrates upon the type, the style of printing, the gathering
of the leaves, the character and quality of the paper, the
binding; it detects, and discoyers the reason for, cancels.
It requires the skill and the knowledge of a great detective, but by following the inevitable clues which author
and printer have left, it is frequently able to solve mys-

�tV

cAn Introduction

teries that have long disturbed the scholar and to uncover truths that had never even been suspected.
A spectacular example of what the new bibliography
can accomplish may be seen in the recent work of Mr.
John Carter and Mr. Graham Pollard, who have proved
a whole series of seemingly authentic pamphlets to be
forgeries. It has been peculiarly vital to the researches
of scholars like Mr. A. W. Pollard, Dr. W. W. Greg,
and Mr. Percy Simpson, enabling them to revolutionize
the whole field of Elizabethan textual criticism. University libraries, in so far as they are financially able to
do so, must be prepared to assist their scholars in this
bibliographical work by diligence and astuteness in
accumulating the materials upon which such work must
necessarily depend. Certainly it does not become them
to adopt the complacency of the Shakespearian authority who is reputed to have boasted that he had never
looked inside a quarto or folio, because he found modern
reprints sufficient to his purpose. Of course, the library
must have the standard editions, the scholarly reprints
with all their fullness of critical apparatus, but until it
can provide the "originals as well, the first editions and
those others published under the author's eye, or under
such conditions as to make them important landmarks

�u1n Introduction

v

in the history of the text, the science of bibliography
can not achieve in America the success which it has had
in England where its followers have had the rich collections of the Bodleian, the Cambridge University
Library, and the British Museum at their elbows.
Old books, documents, manuscripts, magazines, newspapers-they are the cornerstone not only of the new
bibliography, but of all research that attempts to elucidate and to amplify the past. They are the source materials out of which the scholars may build up a synthesis of knowledge, a kind of Baconian Instattratio
Magna, necessary for the stability of civilization. As
original sources they contain facts that may have appeared trivial or irrelevant to their contemporaries but
which to the modern investigator may be of tremendous
significance. It is the originals that are vital. Reproductions, reprints, facsimiles may be of value, but the conscientious worker will demand the genuine, for only in
it can he be sure that he has the real right thing; untouched by the fingers of another age. Our libraries must
be something more than the mere guardians of such of
these materials as may fall into their laps; they must
be, on their own initiative1 searchers and gleaners. They
must be alive to the wants of the scholars before the

�.

Vt

c.An Introduction

scholars themselves begin to demand, so that, when the
need arises, they can provide the essential tools in
sufficient completeness to make them useful.
First editions and other source material in the university library possess still another and, perhaps, an even
more far-reaching importance, that is less easily caught
and explained because it involves a matter of sentiment which must be known and experienced before it
can be understood. This is the definite educational value
characteristic of the first edition as a material survival
of its age and author. Collectors and bibliophiles have
always been aware of the subtle influence which old ·
books exert, an influence that most satisfactorily explains the permanence, the extent, and the intensity of
bibliomania among individuals seemingly so varied of
temperament. But the power of its association with
teaching can hardly be exaggerated. The skillful and
imaginative instructor can often fire the enthusiasm even
of the most apathetic pupil by introducing him to so
close a link with the past as the first edition constitutes.
He can bring to the aid of his teaching, if the library
can provide him with the tools, all those vestiges of
authority that cling to the book which is the very image
that its author first saw, which is itself the product of

�cAn Introduction

..

Vtt

the age whose temper and character are there reflected,
which may be the identical copy that some admiring or
contemptuous contemporary read with delighted eagerness or explosive dislike-perhaps The Excursion that
exasperated the irascible Scotch reviewer, or the very
Elegy wrote in a Country Church Yard which taught General Wolfe the lines that by their beauty made him
envious of the poet's accomplishment on the eve of his
greatest but fatal victory.
This is not wholly a matter of sentiment; it is rather,
as Mr. R. W. Chapman has persuasively explained in
one of his essays, an effect of illusion, which is of inestimable value to the appreciation of literature. Illusion
can most realistically bring back the past in all its vividness; illusion can give to the sensitive and appreciative
mind the closest contact with ages and worlds which
have otherwise materially disappeared. All this old
books in the right hands can do. Mr. Chapman, in the
essay to which allusion has already been made, writes
with such fervor of this value which is -inextricably
associated with old books, that he must be quoted:
"The man who has no feeling for old books because
they are old lacks something of literature. Everything
that is old yet still lives has a title to reverence, for it

�Vttt

e.An Introduction

has been spared by Time the winnower, whose forbearance is a patent of nobility. But an old book has more
than the dignity of age; it has a piece of immortality as
well. Since a book is not a disembodied spirit, but soul
compact with clay, the gayest and most prosperous of
new editions may suggest to a sensitive imagination an
incongruity as of varnished decay, a hint of graveclothes beneath the trappings. But the grace of an old
book is vernal and autumnal. It is as old as the date on
its title-page, and as young as the hour it was born. It
has distilled from the homage of generations the incense
it could draw, and has kept all the freshness of a budding flower.
''Of both these secrets those who are worthy of them
may partake. The volume which turns a sullen back to
the idle gaze of indifference will glow with life in the
sunshine of admiration and knowledge. To be blind or
indifferent to those aids to understanding which a first
edition can lend, is to lose a link with the past. Even
literature is subject to a slow decay; our comprehension
of dead writers must pierce a mist of ever-thickening
gloom. A book coeval with its author has a quality in
common with, his genius, and a history which is a pale
analogue to the history of his fame. It is a slender bridge

�c..An Introduction

tX

across the ages, a faint clue to the past. To the lover
whose fingers thrill to the touch of old vellum, whose
eye lights to the appeal of faded print, an old book will
yield something of the treasure of its experience, something of the bloom of its youth.''
The educational critic-even the one who admits the
importance of the first edition as an aid to the teaching
of literature and history-will probably ask of what
value it may be to the sciences, physical and social, to
mathematics, to philosophy. These subjects, as they are
frequently taught, have, perhaps, no need for the assistance of illusion, but they could use it, none the less, to
increase the natural interest of their matter. The student
whose enthusiasm cannot be quickened by the contemplation of what the great spirits, who formulated and
advanced the subject at which he is working, have
accomplished in the past, lacks something of continuity,
something of culture itself. A . philosopher has maintained that no one can estimate the importance of Locke
until he has read him in folio. To speak thus is perhaps
to exaggerate the magnitude of the first edition's influence, but it is only an outspoken insistence upon a truth
that is clearly manifest. The physicist who is unaware
of the luster that Sir Isaac Newton sheds upon his pro-

�X

cAn Introduction

fession may be a very able worker, he may accomplish
marvels of scientific erudition, but he would be none the
worse for a better sense of continuity and for an appreciation of the genius that preceded him, such as a full
knowledge of the Principia in its first edition could give
him. The first edition of such a book remains, after two
and a half centuries, the tangible evidence of what a
great man stood for; it is a part of himself. And it offers
to the modern student of physics, who has the perspicacity to realize it, a kind of spiritual contact with its
illustrious progenitor.
What is true for the physicist is equally true for the
exponents of other branches of learning. The lawyer
celebrates the importance of Blackstone, but he is unlikely to grasp him completely until he has seen the
Commentaries in all their stately eighteenth century elegance, and is thus made to associate with his hero the
very dignity of the law itself. The biologist who can
read The Origin of Species in the modest form of its first
appearance without a feeling of awe-and of consequent
respect for his profession-that so unprepossessing a
book could produce such tempestuous intellectual upheavals, is likely to be deficient in humanity. Sir William Osler, who by general consent is thought to be one

�u1.n Introduction

.

Xt

of the most eminent of modern physicians, was a prince
of bibliophiles. He collected medical books with the
same insight and understanding that he expended upon
the diagnosis of some baffiing disease, and a part at least
of his broad and sympathetic humanity, of his devotion
to the science in which he labored, came from his passion to know intimately and to appreciate the history
of the advance of medicine, a passion which he satisfied
by constant communion with the great through their
living images, their first editions.
For the scientist the first edition can have a quite definite value as an educational and inspirational force.
This is particularly true for the teacher of science, who
can use it to imbue his pupils with a new sense of the
historical importance of his subject. He will find it
unusually helpful in awakening in the younger generation the right response to the nobility of science in the
abstract and to the impressive continuity of work that
is steadily aiming at the conquest of matter. He can
bring to his aid the great thinkers of the past, the
Bacons, the Galileos, the Lavoisiers, the Mendels, not
as mere names to be casually remembered but as living
spirits embodied in· fragments of themselves. Through
them he can breed in his pupils an enthusiasm for the

�..

Xtt

cAn Introduction

unbroken progression of scientific thought and a positive respect for their own part in the discovery and
development of truths indissolubly associated with the
advance of human knowledge. Libraries must, of course,
in their work for science continue to emphasize the
accumulation of learned periodicals, of the published
results of recent experiments, of the statistics that are so
frequently of vital importance; these are the essential
tools. But there is every reason why the first edition
should be of conspicuous service to the teacher of science
as well as to the teacher of literature. There is every
reason why the scientist should be ready to make fruitful use of William Harvey's Exercitatio Anatomica de
Motu Cordis et Sanguinis in Animalibus or Sir Charles
Lyell's Principles of Geology; why the economist should
effectively exhibit The Wealth of Nations, or the sociologist The Essay on Population, if and when a university
library is fortunate enough to possess them.
Book-collecting in America has been, and is still to a
large extent, the especial province of the wealthy amateur. Many men, ,bankers, lawyers, doctors, manufacturers, of all degrees of eminence, have given richly of
their time and substance to build up great collections of
books and manuscripts in accordance with their own

�c_An Introduction

Xttt

tastes and interests. They have done signally admirable
work in bringing to this country materials out of which
culture may grow, book treasures that are the envy and
desire of all scholars and bibliophiles. And they have,
in many instances, with extraordinary generosity made
their findings available to the students who could use
them to the best advantage. None of our university
libraries has been financially able to collect on so grand
a scale, though some of our older and more heavily endowed institutions have succeeded in amassing collections of considerable importance. Fortunately, however,
the private collector has again and again honored a
university by making it the permanent custodian of his
library. He has had the glory of the achievement, and
he has already received something of his reward in the
enjoyment his books have brought him, and in the
added power of understanding which contact with them
has given him. His munificence in bestowing the fruits
of his enterprise upon a university allows him to share
with many others the privileges, the meanings, and the
delights which he has already known, and establishes
the product of what has been his labor of love in a place
where it is of service. to the greatest number of those
who can derive from it the most profit. It provides the

�.

XtV

cAn Introduction

university with a kind of equipment peculiarly useful to
its purposes, and enables the good work of education to
be carried on with a new brilliance and a fuller zest.
The libraries to which such gifts come assume, of
course, tremendous responsibilities, but they gain at the
same time opportunities which they must be constantly
zealous to improve. They have in their possession materials that are the making of scholarship; the elements
out of which the scholars may construct a knowledge of
the past so true and valuable that it will create by its
lesson a better future; and, most important of all,
materials that may fire the imagination of youth and
bring to generations of students a closer kinship with
the illustrious, a quicker and more intimate realization
of the artistic and intellectual grandeurs of man's heritage. The librarians must do all that interest and tact
may advise, all that ingenuity and diligence may suggest, to extract from these possessions the utmost value.
They must make them conveniently accessible to the
scholars and bibliographers to whose work such memorials from the past are necessary; they must encourage
the t~achers to take full advantage of the ne.y opportunity for more stimulating, more effective instruction.
And this they must do while they omit no precaution to

�u1n Introduction

XV

protect and to preserve the treasures that are in their
hands. Their task is thus two-fold: it includes both the
popularization of all the good things that have resulted
from bibliomania, and a watchfulness, which must not
seem excessive, sufficient to keep intact treasures that
could never be restored. Unless the library can fulfill
this double duty, it is false to its trust.
The University of Buffalo is peculiarly fortunate in
that it is receiving fr,om Mr. Thomas B. Lockwood not
only just such a collection of rare books as would engender enthusiasm and devotion in every librarian, but
also a building designed to accommodate the books in
the most modern fashion and to afford the faculty and
students a convenient and comfortable place for serious
work and necessary relaxation. All that forethought
and logical planning can do to provide the best physical
surroundings, the donor and the architect have done.
The Lockwood Memorial Library is not a mausoleum
in which are preserved precious and untouchable relics
of man's achievements; it is an active workshop for the
creation of the standa.rds and the background requisite
to the intellectual life for which the university stands
responsible. It is ready and eager to do everything in its
power, by means both of its physical equipment and its

�.

XVt

tAn Introduction

spiritual resources, to assist all departments of the university in their work. It fervently hopes that it can give
to the rare and important books, which have been so
trustingly confided to its care, an augmented usefulness
that will help to advance the cause of education and
that will be, at the same time, the properest homage to
the great men who have directed and informed our civilization, and whose touchingly intimate and inspiring
memorials these books are.
The list of treasures, to which this essay serves as
introduction and which constitutes the bulk of this
book, is selective and is meant to show the scope and
variety of Mr. Lockwood's collection and not to present
at full length and in complete form the record of his
acquisitions. It omits none of the greater figures to
whom at various times his interest has been given, but
it does not exhaustively describe all the books by each
author therein represented. It is illustrative of the general character and quality of the collection, which,
though it is almost wholly English and American, is
miscellaneous and in no sense narrowly specialized. The
individual volumes, for the most part, are what the
booksellers describe as ''superb copies,'' intact as issued
or preserved in handsome bindings, and protected, usu-

�tAn Introduction

..

XVtt

ally, by slip-cases. Each is an object to be cherished;
collectively they assume added importance from their
association each with the other, and from their suggestion of the continuity of English thought and literary
tradition. It would be too much to expect no gaps in
this continuity. Some very great figures are absent; some
very noteworthy landmarks in the development of English culture are not to be found. Such gaps, however,
are valuable as incentives. Incompleteness is a spur to
further extension which, we hope, will never cease.
Quite naturally the collection is richest in literature,
and particularly so in its possession of the major works.
Here is Chaucer, not in a fourteenth century manuscript,
but in an admirable early Stuart printing and, in that
most elaborate of modern editions which exhibits the
typographical genius of William Morris at its best.
Here are the great Elizabethans: Spenser with the
earliest Faerie Queene in both its parts, Shakespeare in
all the four folios, Ben Jonson in the full majesty of his
Works. Milton contributes not only Paradise Lost with
the first r667-title-page but the more exquisite beauties
of the Poems of r645; and Herrick provides in the first
edition of Hesperides a portrait of himself that does full
justice to his Epicurean nose. Dryden's Absalom and

�XVttt

e.An Introduction

Achitophel appears in a copy as fresh and uncut as on the
day it left the press. It would be tedious to enumerate
all the eighteenth and nineteenth century celebrities
who give of their best to this record of achievement,
since most of them can be discovered in the list which
follows, but it would be very remiss not to point out
that American writers are especially well represented.
The Emersons, the Hawthornes, with the wealth of
othe.r volumes from theNew England group, form a collection of unusual magnitude and value. Walt Whitman
too deserves particular mention because the copy of
Leaves of Grass here included is one of the few to which
thepoet's lack of funds permitted the final gloryof gilt
ornament. Nor is there lacking a supply of books outside the realm of pure literature. Here is Livy' s history
of Rome in its first English version, and Clarendon's
History of the Rebellion, the book that gave its name to
the Oxford Press. The lawyer will find his Blackstone,
the biologist his Darwin, and the philosopher should
rejoice at the presence of Hobbes and Locke.
In the later splendors of fine printing the collection is
also marvelously rich. It possesses an almost complete
series of the books from the Kelmscott Press, in both
the paper and vellum copies, masterpieces of design that

�~n

Introduction

XtX

have the evocative and soothing power of great art and
that bring to the literature they reproduce a new loveliness. Here too are all of Cobden-Sanderson's subtle and
fastidiously beautiful compositions from the Doves
Press-the magnificent English Bible, and the quiet
interpretations of the poets. These books, with others
from the Vale, the Ashendene, and kindred private
presses, marshalled here in a completeness that will
challenge the supremacy of any other collection, are
works of the highest typographical art, worthy of a
place of honor in any company. With them belong the
creations of the American, Bruce Rogers, who has carried printing to new heights in this country, and developed a style that has its own distinct graces.
There are in the collection other notable things, a
variety of French books, for example, printed, illustrated, and bound in the most sumptuous and lavish
fashion. They belong, as it were, to the more fanciful
trimmings of literature, but they are illustrative of a
kind of late nineteenth century luxuriance which is not
uncharacteristic. There is a special collection of Robert
Louis Stevenson which contains not only most of his
first editions, but also a number of important holograph
letters and of published and unpublished manuscripts.

�XX

c.An Introduction

Moreover, there is a fascinating series of historic medals, European and American, commemorating the deeds
of warriors and the decisions of statesmen, a pictorial
history in bronze of great events and great men; and
more important and more interesting even than these,
the genuine coins of many nations and peoples that tell
in their own allusive way the history of man from the
G eek Commonwealths to the American Republic.
The collection as a whole owes its prime importance
to the variousness of its appeal. It offers something to
every taste, to every interest-nothing in completeness,
but enough, in each case, to prove an aid to fuller comprehension. If it were confined to one or two periods, to
one or two types of literature or art, to a few individual
poets or novelists, it would have another and quite different kind of importance, and it would be of less immediate value to the university. As it is, it is most impressive for the mixture of its natural human interests and
for its choice inclusion of the great in their greatest
achievements. It becomes the nucleus, around which
may grow a new library, dedicated to learning and to
the culture that it seeks to inspire.
It is a princely gift.

�vA Selection of13ooks, &amp;c.

��cA. Selection of

Books €5 Manuscripts
in CJ'he Lockwood Memorial Library
ARNOLD (MATTHEW). Essays in Criticism.
~London, 1865; Essays in Criticism: Second Series.
London, 1888.

Together 2. vols., 8vo, original cloth, uncut.
First Editions. On the Grolier Club List of One Hundred Books Famous
in English Literature.

ASHENDENE PRESS. The Faerie Queene disposed into
Twelue Bookes fashioning XII Morall Vertues. Printed
in red and hlack, initials in red and hlue. Chelsea, 192.3 .
Folio, full dark blue levant morocco.
One of 12 copies finely printed on vellum.

ASHENDENE PRESS. Spenser (Edmund). Spenser's
Minor Poems containing the Shepheardes Calender, Complaints, Daphnaida, Colin Clouts Come Home Again,

�2

~he

Lockwood

Amoretti, Hymnes, Epithalamion, Prothalamion, Sonnets, and Sundrie other Verses. Printed in red, hlue, and
black. Chelsea, 192.5.
Folio, dark blue full levant morocco.
One of 15 copies finely printed on vellum. ·

ASHENDENE PRESS. The First and Second Part of the
History of the Valorous Knight Errant Don Quixote of
the Mancha.Translated into English by Thomas Shelton.
Printed in black and red, with woodcut initials designed by
Louise Powell. Chelsea, 192.7.

2. vols., folio, full levant morocco.
Edition limited to 2.0 copies finely printed on vellum.

BEAUMONT (FRANCIS) and FLETCHER QOHN).
Comedies and Tragedies Written by Francis Beavmont
And Iohn Fletcher Gentlemen. Never printed before,
And now published by the Authours Originall Copies.
Fine frontispiece portrait of Fletcher by Marshall. London,
Printed for Humphrey Robinson, at the three Pidgeons,
and for Humphrey Moseley at the Princes Armes in
St Pauls Church-yard. 1647.
Folio, crushed brown levant morocco, gilt and blind
panelled ~ides, gilt edges, with some lower edges untrimmed, by Riviere. Slight marginal repairs to title page.

�c.-Memorial Library

3

First Edition. The portrait by Marshall is in the First State, having the letters "v" and "d" of the words "vates duplex" in small
letters and "J. Berkenhead" in large type. It contains 34 plays,
none of which had ever been printed before. On the Grolier Club List
of One Hundred Books Famous in English Literature.

BEAUMONT (FRANCIS) and FLETCHER QOHN).
The Wild-Goose Chase. A Comedie. As it hath been
Acted with singular Applause at the Black-Priers: Being
the Noble, Last, and Onely Remaines of those Incomparable Drammatists, Francis Beaumont, and John
Fletcher, Gent. Retriv' d for the publick delight of all
the Ingenious; And private Benefit of John Lowin and
Joseph Taylor, Servants to His late Majestie. By a Person of Honour. London, Printed for Humpherey Moseley
... 1652.

Folio, half red levant morocco, by Riviere.
First Edition. This play was intended for inclusion in the 1647
folio, but was not found until later a:nd printed in folio size to be
bound up with copies of the 1647 volume.

BIBLIOPHILE SOCIETY. The Bibliomania or Book
Madness. History, Symptoms and Cure of this fatal
disease, by Thomas Frognall Dibdin. Boston, 1903.
4 vols., royal 8vo, ful! green levant morocco.
Edition limited to 483 copies printed on Holland handmade paper.

�4

CJ'he Lockwood

BLACKMORE(R. D.). Lorna Doone. London: Sampson
Low, Son, &amp; Marston, 1869.
3 vols., 8vo, calf, gilt.
First Edition.

BLACKSTONE (SIR WILLIAM). Commentaries on the
Laws of England. Oxford, I765-1769.
4 vols., 4to, original boards, entirely uncut. Enclosed
in half levant morocco slip cases.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

BLAKE (WILLIAM). Beggar's Opera, Act III. ''When
My Hero in Court Appears, &amp;c.'' Line engraving. Painted
by William Hogarth. Engraved by Wm. Blake. Publish' d July Ist, 1790, by J. &amp; J. Boydell, Cheapside ...
London. Height, 2.4 inches; length, 30 inches. In black
frame.
The First State of This Engraving, with the following scratched
below the plate, "Painted by Willm Hogarth, 172.9. Etch'd by
Willm Blake, q88." No. 71 in A. G. B. Russell's "The Engravings of William Blake."

BLAKE (WILLIAM). Original Wash Drawing of a
giant figure, seated on ground, in a hunched position,

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FIRST EDITION

��t.Memorial Library

5

head resting on knees, arms entwining legs and hands
clasped at ankles; in the background is the blue sky;
rocks to each side of figure; in the right hand margin is
depicted a snake wending its way down the side of the
rock. Height: 731 inches; length: 8 inches. Framed.
BLAKE (WILLIAM). Original Watercolor Drawing of
"Shot from the Heights of Enitharmon." Height: 6;1
inches; width: 6;1 inches. Framed between 2. sheets of
glass. Circa: 1794.
This is the Final Illustration in Blake's "Europe, A Prophecy,"
Published in 1794· The drawing depicts a nude figure of a man
carrying an inanimate woman on his shoulder and dragging a
child by the arm; they are flying from a huge tongue of flame .
This drawing is tipped on to a sheet on the back of which is a
pencil drawing of a discus thrower, and the name "Mrs. Gilchrist"
is written in the right hand margin.
There is a slight variation in this drawing and the illustration
in "Europe": the drawing depicts the man entirely nude, and the
muscles of his body are clearly depicted, whereas in the illustration as published the muscles of the body are not shown, a cloth
is draped across his loins, and the figure of the child is partially
obscured by the flames.

BORROW (GEORGE). Lavengro; The Scholar-The
Gypsy-The Priest. · London: John Murray, Albemarle
Street. 1851.

�q'he Lockwood

6
3 vols.,

121110,

original blue cloth, paper labels.

First Edition.

BOSWELLQAMES). TheLifeofSamuelJohnson, LL.D.
Engraved portrait of Samuel Johnson, by J. Heath, after Sir
Joshua Reynolds. London: Printed by Henry Baldwin, for
Charles Dilly, 1791.

2. vols., 4to, contemporary calf. Enclosed in half morocco case.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

[BROWNE (SIR THOMAS)]. Religio Medici. Engraved
title-page by W. Marshall. Printed for Andrew Crooke,
[London], 1642..
Small8vo, crushed blue levant morocco, gilt back, sides
with gilt fillets, inside dentelles, gilt edges, by F. Bedford. Margin of title-page mended.
First Edition. With 190 pages. Another edition, issued in the same
year, has only 156 pages. Both of these editions were issued without the author's consent. On the Grolier Club List of One Hundred
Books Famous in English Literature.

BROWNING (ELIZABETH BARRETT). Aurora
Leigh. London: Chapman and Hall, 193, Piccadilly.
I857·

�t..Memorial Library

7

8vo, full crushed levant morocco, gilt edges, by Riviere.
First Edition.

BROWNING (ROBERT). Men and Women. London,
1855·
1. vols., nmo, original green stamped cloth, uncut.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

BRYANT (WILLIAM CULLEN). The White-Footed
Deer, and Other Poems. New York: I. S. Platt, 1844.
16mo, full levant morocco, original wrappers, bound in
at end, uncut.
First Edition. With the two title-pages. Laid in is an autograph
Poem by William Cullen Bryant, ''The Hundredth Anniversary of
the Fourth of July."

BURKE (EDMUND). Reflections on the Revolution in
France, and on the Proceedings in Certain Societies in
London Relative to that Event. In a Letter intended to
have been sent to a Gentleman in Paris. London: 1790.
8vo, contemporary boards, morocco back.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

�8

The Lockwood

[BURTON(RICHARD)]. TheAnatomyofMelancholy,
VVhat it is. VVith all the Kindes, Cavses, Symptomes,
Prognostickes, and severall Cvres of it, etc. By Democritvs Iunior. At Oxford, Printed by Iohn Lichfield and
lames Short, for Henry Cripps. Anno Dom. 162.1.
Thick small 4to, crushed brown levant morocco, gilt
back, line borders on sides, inside dentelles, gilt edges,
by Riviere.
First Edition, with the leaf of Errata at the end, not always
present. On the Grolier Club List of One Hundred Books Famous in
English Literature.

BUTLER (JOSEPH). The Analogy of Religion, Natural
and Revealed, etc. London, Printed for James, John and
Paul Knapton, 1736.
4to, half crushed morocco.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

[BUTLER (SAMUEL)]. Hudibras. The First Part. Written in the time of the late Wars. Device. London, Printed
by J.G. for Richard Marriot, under Saint Dunstan's
Church in Fleet street. 1663.
Hudibras. The Second Part. By the Authour of the
First. Device. London, Printed by T.R. for John Martyn,

�j\tfemorial Library

9

and James Allestry at the Bell in St. Pauls Church Yard,
r664.
Hudibras. The Third and last Part. Written by the
Author of the First and Second Parts. London, Printed
for Simon Miller, at the Sign of the Star at the West
End of St. Pauls. r678.
3 parts in 2. vols., 8vo, contemporary calf.
First Issues of the First Edition. With the Errata. From the library
of John Hay, Marquis of Tweeddale. On the Grolier Club List of
One Hundred Books Famous in English Literature.

BYRON (GEORGE GORDON, Lord). Hours of Idleness, a Series of Poems, Original and Translated. Newark:
Printed and Sold by S. andJ. Ridge, r8o7.
8vo, green levant morocco, gilt back and inside borders,
gilt top, uncut.
First Edition. Large Paper Copy.

BYRON (GEORGE GORDON, Lord). Childe Harold's
Pilgrimage. A Romaunt. [Cantos I-II.] Engraved plate.
London, r8n; Canto the Third. London, 1816; Canto
the Fourth. London, r8r8.
3 vols., 4to and 8vo, polished calf.
First Editions. On the Grolier Club List of One Hundred Books Famous
in English Literature.

�IO

'The Lockwood

CHARLES I. EIKQN BALIAIKH. The Povrtraictvre
of His Sacred Maiestie in his Solitvdes and Svfferings.
Frontispiece engraved hy William Marshall. [N.p.] 1648.
8vo, full calf.
First Edition. The Earliest Issue (Almack No. r), with the wrong
pagination in sig. G.

CHESTERFIELD (PHILIP, 4th Earl of). Letters
written by the late Right Honourable Philip Dormer
Stanhope, Earl of Chesterfield, to his Son, Philip Stanhope, Esq; late Envoy Extraordinary at the Court of
Dresden: Together with Several other Pieces on Various
Subjects. Published by Mrs. Eugenia Stanhope, from
the Originals now in her Possession. 2. vols. London:
Printed for J. Dodsley in Pall-Mall, 1774.
Supplement to the Letters Written by the late Right
Honourable Philip Dormer Stanhope, Earl of Chesterfield, to his Son, Philip Stanhope, Esq; late Envoy
Extraordinary at the Court of Dresden. London: Printed
for J. Dodsley, in Pall-Mall, 1787.
Together 3 vols., 4to, contemporary calf.
First Edition.

CLARENDON (EDMUND HYDE, Earl of). The History of the Rebellion and Civil Wars in England, Begun

�._Memorial Library

II

in the Year I 641. With the precedent Passages, and Actions, that contributed thereunto, and the happy End,
and Conclusion thereof by the King's blessed Restoration and Return upon the 2.9th of May, in the year 166o.
Frontispiece portrait hy R. White after Lely and engraved
vignette hy M. Burg. Oxford, I702.-o4.
3 vols., folio, contemporary calf, rebacked.
First Edition. On·the Grolier Club List of One Hundred Books Famous
in English Literature.

CLEVELAND (GROVER). PRESIDENT I88s-188 9,
1893-1897· Together 2.0 items, among which are 5 autograph letters signed to D. N. Lockwood, and I Document signed appreciating the services of D. N. Lockwood,
U.S. District Attorney, January .2.9, 1887.
Signed Card.
A.L.s.July 15,1884. To D. N. Lockwood.
A.L.s.July 31,1884. To D. N. Lockwood.
A.L.s. Nov. 16, 1894· To D. N. Lockwood.
A.L.s. Feb. 9,1896. To D. N. Lockwood.
A.L.s. Mar. 10,1896. To D. N. Lockwood.
Affidavit A.M.
Menu of banquet given Gr~ver Cleveland. May II, 1891.
D.s. appreciating the services of D. N. Lockwood, U.S. District
Attorney, Jan. 2.9, 1887.
Inauguration Ball Souvenir. March 4, 1885.
Inauguration Ball Souvenir. March 4, 1893·

�!2

The Lockwood

Banquet of Southern Society containing letters of regard from
Grover Cleveland. Jan. 2.0, 1890.
Papers in the Maria Halpin case.
A.N.s. Nov. 13, 1886. To James D. Porter.
A.L.s. Pencil Memo to William W. Crape. March 18, 1887.
A.L.s . To C. C. Walker. August 2.7, 1887.
A Memorandum signed in pencil. March 15, 1893 ·
A memo signed. May 2.0, 1895.
Message #102.03. Message to House of Representatives.
Photograph.

COLERIDGE (SAMUEL TAYLOR). Poems on Various
Subjects. London: Printed for G. G. and J. Robinsons,
1796.

Small 8vo, red levant morocco, gilt back and inside
borders, gilt edges, by Riviere.
First Edition. With 4 lines of shorthand writing on half-title.
With the leaf of Errata and advertisements . Effusions VII, XI,
XII, and XIII, signed "C. L.," are the first printed poems of
Charles Lamb.

[COLERIDGE (SAMUEL TAYLOR)] and [WORDSWORTH (WILLIAM)]. Lyrical Ballads, With A Few
Other Poems. Small 8vo, original calf. Enclosed in a
half morocco slip case. London: 1798.
First Edition . With sig. G 1 uncancelled and with the errata and
advertisement leaves at end. The second line of p. 97 reads: "Than

�Jvtemorial Library
fifty years of reason .'' In the cancelled leaf that line was changed
to "Than years of toiling reason" and the words "With an incident in which he was concerned" were omitted from the heading
on the following page. This important book revolutionized English poetry and contains the first appearance of ''The Ancient
Mariner." On the Grolier Club List of One Hundred Books Famous in
English Literature.

COLERIDGE (SAMUEL TAYLOR). Christa bel : Kubla
Khan, A Vision; The Pains of Sleep. London: 1816.
8vo, full polished calf, by Riviere.
First Edition. With the half-title. On the Grolier Club List of One
Hundred Books Famous in English Literature.

COLERIDGE (SAMUEL TAYLOR). Sibylline Leaves:
A Collection of Poems. London: Rest Fenner, 18q.
8vo, original blue boards (rebacked), paper label, uncut. In a half red straight-grain morocco slip case.
First Edition . With the half-title. "The Ancient Mariner" is here
acknowledged by Coleridge for the first time. This was meant
to be the second vol um~ of a collected edition of Coleridge's works,
and every signature, commencing with B, is marked "Vol. II."
The first volume would have contained "Biographia Literaria,"
but in the process of composition the bulk of this work became
too great for the compass of one volume, and the original scheme
was discarded.

�q'he Lockwood
COOPER QAMES FENIMORE). The Prairie. Philadelphia: Carey, Lea and Carey, 1827.
2 vols., 121I1o, original paper boards.
First Edition.

COOPER QAMES FENIMORE). The Pathfinder: or,
the Inland Sea. Philadelphia, 1840.
2 vols., 16mo, original cloth.
First Edition.

DARWIN (CHARLES). On the Origin of Species by
Means of Natural Selection. London: 1859·
121I1o, original green cloth, uncut.
First Edition. With an autograph letter signed by Darwin inserted.
On the Grolier Club List of One Hundred Books Famous in English
Literature.

DEKKER (THOMAS). The Wonder of a Kingdome.
Ornament qn title. London: Printed by Robert Raworth
for Nicholas Vavasour, 1636.
4to, green crushed levant morocco, panelled and gilt
tooled, inside dentelles, gilt edges, by Riviere.
First Edition.

��I Sm.ucll6 And Davidaouwertd &amp; said. Behold, d!&lt;king'upur; &amp; Ia: one of d.&lt; young
.
men rom&lt; OVtr and fttch i&lt;. Th&lt;l.crd nndcr to nuy nw&gt; his righttousncss
·
and his f.Uthfulnca: for~ l.crd dcliwnd ~ irirO my hand to d.ly, but 1
would ncx scrctch forth mill&lt; hand ~ ct..l.crd'• anoiru&lt;d. And behold.
as thy hfe wu much Jtt by this d.ly "' mill&lt; cya. .., Ia: my life be much ttt
by in d.&lt; cya of d!&lt;l.crd. and Ia: lwn cldNtt m&lt; our of aU tnbuL1Ilon. Th&lt;n
S.~luid to David, Biased be chou, my son David: chou i.halr both do grut
thmss. &amp; alsoshaluallpnv.ul So David wmron his way. &amp;Saulmumcd
7J to h11 pl.aa. ([And David said in IUs hc.ut.hhaUnowpcrishoncd.lybychc
hand of S.ul: then: is no&lt;hing bet= for me than dut I sbouldspccddy aapc
ltlto the land of d.&lt; Plulistina: and Saul.tWI dapair «.me, to JtCk me any
more in anycoascof Israel: so.tWI I escape out «.his lw1d. And David.uoot,
&amp; he passed &lt;:NU wirh chc six hundred m&lt;n chat were with lwn unro Achish.
the son of Maoch. king« Garh. And David dwdr with Al:hish ar Oath, he
and his men, cvay m.m with his houxhold. cwn David with his two wiw:!,
Ahinoam the Jczrcdinss. and Abigail chc Cannehtas. Nahal's wife.. And it
was cold Soul chat David w .. !ltd to Garh: and he :llCIUjlht no m&lt;&gt;&lt;C again for
him. And David said uruo Achish. If 1 have now found gtoce in thine cya.
Ia: them gM me a pia« in some town m d.&lt; rounay. due I m.~ydwcD there :
for why should chy :octVanl: dwdl in d.&lt; roy..t city with ~! n..n Al:hish
gavo: him Ziklag dur day: whcrcforc Ziklag I)CIUincch unto chc ltUii!s «.
Judah unto this day. And d.&lt; time that DaYJ dwdt 111 chc axmtry cl chc
Plulistints wu a fuU yc.u and four """'rhs. ([And D•vid .and Ius men.......,,
up. &amp; inv:odcd chc Gcshuritu. and d.&lt; GczrUa. &amp; chc Anukkitts: for chcoc
natiONwm:« old chcinhabianD «. chc land .. chou goa&lt; toSitur. cvo:n unto
the land «EtM&gt;&lt;- And David""""" chc land. &amp;ldt n.irhcrman norWOIIW\
alive. -'toOk awoy chc shup. - ' chc""""-' chc ....... - ' chc camels.
md d.&lt; apporcl. ;uxl I'C1UI'IIUI. &amp; c.unc ro Achish. And Adush said. Whither
have ye made a t&lt;&gt;o1d rod.ly! And David said. Ag_&gt;intr chc tOUch« Judah. ~
against d.&lt; souch «. chc Jcrahmtdi&amp;a. -' ag":"'"' d.&lt; sourh.« chc K.mita.
And David saved neither JtW\ nor woman alive. ro bring bcWigs ro Gach.
saying. Lcsr they should rcll on.., uying. So did David, and so wiU be ~
m&gt;.nn&lt;r aU thcwlulc bedwclla:hin chccounuy«. chc Plulisancs- AndAchish
bclicvcd David saying. H&lt; hach mad&lt; his pcoplt Uracl unaiy to abhor him:
:&gt;8 therefore heM be my :octVantforc:vcr. ([And it camc:ropassinchcocd.lrsthat rht Philistints g•ihtml their M~IU&lt;S roecchcr for wufoft. ro lighr wlch
lsrul. And Achishsaid unro David. Know d&gt;ou .usurcdly. durchousiWrf&gt;
our wtth m&lt; ro batclt. rhou-' chy mc:n. And David sUd ro lu::hisb. Surdy
thou shalt know what thy ocrvant can do. And A.chuhsaid to David. Th&lt;rc·
fore Wllllfll.\lr.t thee ~of min&lt; head for ewr. ([Now Samucl.wasdcad.
ond aU brad had lamented him. - ' buried him in R.unah. ......, Ill his own
c&amp;ry. And S.ul had put away chcoc duchadWniliarspiria.l&amp;Ddthcwiunls.
39"

A PAGE OF THE ENGLISH BIBLE, PRINTED AT THE DOVES PRESS

�t.Aiemorial Library
D[ONNE] (J[OHN]). Poems, By J.D. With Elegies on
the Authors Death. London. Printed by M. F. for Iohn
Marriot. 1633·
Small4to, original calf.
First Edition, with the two original blank leaves at the beginning
and end. Bound in at the end is "Ivvenilia: or certaine Paradoxes,
and Problemes, written by I. Donne" (1633: the First Edition).
On page 165 (misprinted 149) is the First Printed Version of
Basse's famous "Epitaph upon Shakespeare." With the signature
of a former owner, John Astons, on the title-page. On the Grolier
Club List of One Hundred Books Famous in English Literature.

DOVES PRESS. The English Bible. Containing the Old
Testament &amp; the New Translated out of the Original
Tongues by Special Command of his Majesty King
James the First and Now Reprinted with the Text Revised by a Collation of its Early and other Principal
Editions and Edited by the Late Rev. F. H. Scrivner
M.A., LL.D., for the Syndics of the University Press of
Cambridge. Hammersmith, 1903-1905.
5 vols., folio, full levant morocco.
Although the Catalogues Raisonnes issued by the Press state that
only two copies were printed on vellum, actually three copies
exist. This third copy Mr. Cobden-Sanderson called a 'Retree
Copy' because it was made up of extra vellum sheets. In volume I

�r6

'The Lockwood

J. T. Cobden-Sanderson has written "The 3 or Retree copy-Presented to Anne Cobden-Sanderson by the Doves Press, C. S." It
was purchased privately from Mrs. Cobden-Sanderson.

DOVES PRESS. The English Bible. Containing the Old
Testament &amp; the New Translated out of the Original
Tongues by Special Command of his Majesty King
James the First and Now Reprinted with the Text Revised by a Collation of its Early and other Principal
Editions and Edited by the Late Rev. F. H. Scrivner
M.A., LL.D., for the Syndics of the University Press of
Cambridge. Hammersmith, 1903-1905 .
5 vols., folio, full vellum, gilt lettering, uncut, by the
Doves Bindery.
Edition limited to 500 copies.

DRYDEN (JOHN). Absalom and Achitophel. A Poem.
Si Propius stes, Te Capiet Magis. London, Printed for
J. T. and are to be sold by W. Davis in Amen- Corner,
1681.

The Second Part of Absalom and Achitophel. A Poem.
London, Printed for Jacob Tonson, at the Judges Head
in Chancery-Lane, near Fleet street. 1682.
vols., folio, sewn, totally uncut as issued. Enclosed
in cloth case.
2

�ABSALOM
AND

ACHITOP-HEL.
A

P 0 EM.
----Si Propii11 j1r1

Te Capirt Magit----:__

LONDON ,
Printed for

J. 7 . and are to be Sold by W. IArvti in
Atne11-Cotffer,

FIRST EDITION

1

68 !.

��t..Memorial Library
First Editions of both parts. The First Issue of Part II. On the
Grolier Club List of One Hundred Books Famous in English Literature.

ELIOT (GEORGE). Romola. London: r863.
3 vols., 8vo, original green cloth.
First Edition.

EMERSON (RALPH WALDO). Nature. Boston:James
Monroe &amp; Co., r836.
Il.tnO, original cloth.
First Edition. With the bookplate of R. W. Emerson. On the
Grolier Club List of One Hundred Books Famous in English Literature.

EMERSON (RALPH WALDO). Essays. Boston, r84r.
Il.tno, original cloth.
First Edition.

EMERSON (RALPH WALDO). Essays: Second Series.
Boston, r844·
I l.tno, original cloth.
First Edition.

EMERSON (RALPH WALDO). Poems. Boston: James
Monroe &amp; Co., r847.

�IS

'The Lockwood

121no, full crushed levant morocco, by the Club Bindery.
First Edition. With the 4 pages of advertisements.

ERASMUS (DESIDERIUS). The Praise of Folie. Moriae
Encomivm a booke made in latine by that great clerke
Erasmus Roterodame. Englisshed by Sir Thomas Chaloner knight. Anno. M.D. XLIX. Title within woodcut
horder, Berthelet's device on last page. Colophon: Imprinted
at London in Fletestrete in the Hovse of Thomas Berthelet, 1569 [read 1549]
Small 4to, origi al brown calf, blind tooled, lined with
two leaves from an early liturgical book and a leaf of
early XVI th Century farm accounts in Latin and English. The margins of a few leaves at the end are very
slightly damp-stained and very slightly wormed. Enclosed in a crushed brown levant morocco solander case,
blind tooled.
First Edition in English.

FIELD (EUGENE). A Collection of n Love Letters
from the poet to his sweetheart, Julia S. Comstock.
8vo and 4to, 18 pp., Sept. 2., 1872.-July 5, 1873.
A charming 'and interesting Collection of Love Letters. Of these
letters no copies were privately printed for Thomas B. Lockwood by William Edwin Rudge and the typography arranged
by Bruce Rogers in 192.7.

�JW.emorial Library
FIELD (EUGENE). Original Autograph Manuscripts
of The April Fools, The Night, The Fisherman, A Plea for
the Classics, The Joppa &amp; Jerusalem R. R., Mr. Holman
to Mr. Dana, Spring, The Toy, The Bachelor, and The
Dehutante.

8vo and 4to, I I pp.
A Collection of 10 Manuscript Poems disclosing the charm and
urbanity of the mid-western poet. An important and characteristic
collection of Eugene Field Manuscripts.

FIELDING (HENRY). The History of Tom Jones, a
Foundling. London, I749·
6 vols., IllTIO, full polished calf, gilt backs, gilt edges,
by Riviere.
First Edition. With the ''Errata.'' On the Grolier Club List of One
Hundred Books Famous in English Literature.

FRANCE (ANATOLE). Le Lys Rouge. Compositions de
A.- F. Gorguet, gravees sur hois par Desmoulins, Dutheil
Romagnol, et en couleurs parCh. ThCvenin. Paris, 1903.

8vo, brown levant morocco, sides tooled in an original
design of interlacings in light and dark green and white
mosaic, with 17th century gold tools, doublure of cop-

�20

CJ'he Lockwood

per colored morocco, green silk guards, gilt over uncut
edges, original covers bound in, by the Club Bindery.
One of 90 copies on Japan paper, the full-page plates in two states,
remarque proof in colors and proof before letters. The first plate
is in five states.

GASCOIGNE (GEORGE). The VVhole woorkes of
George Gascoigne Esquyre: Newlye compyled into one
Volume, That is to say: His Flowers, Hearbes, Weedes,
the Fruites of warre, the Comedie called Supposes, the
Tragedie of Iocasta, the Steele glasse, the Complaint of
Phylomene, the Storie of Ferdinanda Ieronimi, and the
pleasure at Kenelworth Castle. Title within ornamental
border with ornament. Partly Black Letter. London Imprinted
by Abell Iesses, 1587.
Thick small 4to, crushed red levant morocco, Jansen
style, inside gilt fillets. Each leaf inlaid. With the initials and notes of John Philip Kemble on title-page.
First Edition. Separate title-pages of "The Fruites of warre,"
"Hearbes," "Weedes," "The Steele Glas," and "The Complaint
of Philomene," the last dated 1576.

GOLDS.M ITH (OLIVER). The Traveller, or a Prospect
of Society. A Poem. Inscribed to the Rev. Mr. Henry
Goldsmith. London: 1765.
4to, morocco, gilt edges, gilt tooled back.

�cJvtemorial Library
First Edition. First Issue. With the reading on page 3, line
"Amidst the store, 't were thankless to repine."

21
12.:

[GOLDSMITH (OLIVER)]. The Vicar of Wakefield:
A Tale. Supposed to be written by Himself. London:
1766.
2

vols. in

I,

8vo, original calf.

First London Edition.

GOLDSMITH (OLIVER). The Deserted Village, A
Poem. Copper plate engraving with "Isaac Taylor del. et
sculp." under left corner, and "The sad historian of the
pensive plain" engraved below the centre. London: Printed

for W. Griffin, at Garrick's Head, in Catharine-street
Strand, 1770.
4to, in half sheets.
First Edition.

GOLDSMITH (OLIVER). She Stoops to Conquer: or,
The Mistakes of a Night. A Comedy. As It Is Acted At
The Theatre-Royal In Covent-Garden. London: 1773.
8vo, full levant morocco, gilt lettering, uncut.
First Edition. With "Diggory" omitted from the 'Dramatis Personae'; the catchword on page we misprinted 'Tony' for 'Hastings';
and the errors in pagination: 65 for 56, and numbering of pages
?2.-80.

�q'he Lockwood

22

GRAY (THOMAS). Odes. Vignette on title page. Printed
at Strawberry Hill for R. J. Dodsley in Pall-Mall. 1757.
4to, in half sheets, original wrappers.
First Edition. With the half title. First Book Printed at Strawberry Hill.

GROLIER CLUB. A Decree of Star Chamber Concerning Printing. Made July II, 1637. New York, 1884.
8vo, original printed Japan wrappers, extra-gilt, uncut.
Edition limited to 150 copies finely printed on Holland paper at
the DeVinne Press.

GROLIERCLUB.Whistler(JamesMcNeill).TheEtched
Work of Whistler. Compiled and Arranged and Described
by Edward G. Kennedy. With an Introduction by Royal
Cortissoz. Illustrated hy reproductions in collotype of the
different states of the plates. New York, 1910.
3 portfolios and

I

volume of text, 4to.

Edit~on limited to 402. copies printed on Old Stratford paper, at
the DeVinne Press. The volume of text is interleaved. The most
exhaustive publication that has appeared on the etched work of
Whistler. There are 446 etchings, chronologically described, many
with the assistance of Whistler, or from memoranda left by him;

�Jvtemorial Library
prints have been measured, and the variations in size marked. A
complete list of the plates known to have been destroyed or cancelled, is included, with an additional list of So plates, which
from their rarity may be assumed to have passed out of existence.
Many of the cancelled plates are reproduced; together, with rooo
reproductions of the various plates. The Author, in his Notes,
gives a very interesting account of his interview with Whistler,
and how he secured his hearty consent and cooperation for the
proposed catalogue.

[HAMILTON (ALEXANDER)]. The Federalist: A Collection of Essays, written in Favour of the New Constitution, as Agreed upon by the Federal Convention,
September q, 1787. New York: Printed and Sold by
J. and A. M'Lean, 1788.
2.

vols. in

I,

12.mo, original sheepskin.

First Edition. Thick Paper Copy. On the Grolier Club List of One
Hundred Books Famous in Eng}ish Literature.

HARDY (THOMAS). Tess of the D'Urbervilles. A
Pure Woman. Faithfully Presented by Thomas Hardy.
[London: 1891].
3 vols., 8vo, original cloth, lettered in gilt on backs,
with honeysuckle design on sides.
First Edition.

�'The Lockwood
[HAWTHORNE (NATHANIEL)]. Fanshawe, a Tale.
Boston: Marsh and Capen, 182.8.
12mo, rebound in brown cloth, morocco back.
First Edition.

HAWTHORNE (NATHANIEL). Twice-Told Tales.
Boston, 1837.
12.ID0, full crushed levant morocco, by the Club Binders.
First Edition. With all the advertisements. With an inscription
by Hawthorne pasted on the fly leaf reading as follows: "TwiceTold Tales by Nath. Hawthorne."

[HAWTHORNE (NATHANIEL)]. Peter Parley's Universal History, on the Basis of Geography. Engraved
title-pages and illustrations in the text. Boston, 1837·
2. vols., 12.ID0, original cloth. Enclosed in levant morocco slip cases.
First Edition. With an autograph letter signed by Hawthorne on
the evils of autograph collecting.

HAWTHORNE (NATHANIEL). The Gentle Boy. A
Thrice Told Tale. With an original illustration. Boston,
1839·
Oblong 4to, original printed wrappers. Enclosed in
levant morocco slip case.
First Edition.

�I' AN'SBA WB,

A TALJ:.

BOSTON:
1&gt;'1.\RSH &amp;: CAPEN, 362 WASHINGTON STREET.
PRJ:U OF PUT%' A It .UID

• 1828.

FIRST EDITION

80~1' •

��j\femorial Library
HAWTHORNE (NATHANIEL). The Sister Years;
Being the Carriers' Address to the Patrons of the Salem
Gazette, for the First of January, 1839· Salem: 1839.
8vo, full morocco, by Stikeman.
First Edition.

HAWTHORNE (NATHANIEL). The Celestial RailRoad. Boston, 1843.

24ffiO, original printed wrappers.
First Edition.

HAWTHORNE (NATHANIEL). The Scarlet Letter.
A Romance. Boston, 18so.
I21TIO,

original brown cloth.

First Edition. First Issue. With "reduplicate" instead of "repudiate" on page 2.1. With author's autograph signature "Nathaniel
Hawthorne" on title-page. On the Grolier Cluh List of One Hundred
Books Famous in English Literature.

HAWTHORNE (NATHANIEL). A Wonder-Book for
Girls and Boys. Illustr..ated. Boston, 1852..
I21TIO,

original cloth.

First Edition. With Hawthorne's autograph signature at the end
of the preface.

�crhe Lockwood
HAWTHORNE (NATHANIEL). Tanglewood Tales,
for Girls and Boys; Being a Second Wonder-Book.
Illustrated. Boston, 1853.
1 6mo,

red levant morocco. With advertisements and
original cloth covers bound in.
First Edition. First Issue.

HAWTHORNE (NATHANIEL). Doctor Grimshawe's
Secret. A Romance. Edited, with Preface and Notes by
Julian Hawthorne. Boston, 1883.
I2lllo, rebound in cloth, entirely uncut.
First Edition. Laid in are two pages of an autograph letter signed
by Nathaniel Hawthorne about his wife Sophia.

HERRICK (ROBERT). Hesperides: or, the Works both
Humane &amp; Divine of Robert Herrick Esq. Engraved
frontispiece with hust of Herrick, hy William Marshall.
Crown on title-page. London, Printed for John Williams,

and Francis Eglesfield, 1648.
Small 8vo, brown morocco, gilt back, gilt fillet borders
on sides, inside dentelles, gilt edges, a few lower edges
untrimmed. A few marginal repairs.
First Edition. At the end are added "His Noble Numbers or his
Pious Pieces" with a separate title dated 1647. On the Grolier Club
List of One Hundred Books Famous in English Literature.

�..Jvtemorial Library
HOBBES (THOMAS). Leviathan, or The Matter,
Forme, and Power of a Common-wealth Ecclesiasticall
and Civil!. With engraved title-page. London, 1651.
Small folio, contemporary calf.
First Edition.

HOLINSHED (RAPHAEL). The Firste volume of the
Chronicles of England, Scotlande, and Irelande. Faithfully gathered and set forth, by Raphaell Holinshed.
Title within elahorate woodcut horder, arms on verso. Profusely illustrated with woodcuts. Black Letter. At London,
imprinted for Lucas Harrison. 1577.

The Laste volume of the Chronicles of England, Scotlande, and Irelande, with their descriptions. Faithfully
gathered and compiled by Raphaell Holinshed. Title
within elahorate woodcut horder, arms on verso. Profusely
illustrated with woodcuts. Black Letter. At London, imprinted for Iohn Harrison. 1577.
2.

vols., folio, full red levant morocco, by Riviere.

First Edition. The title-page is rebacked and leaf 1463 is repaired.
The very rare blank le&lt;j.f*B*6 is present, as well as the duplicate
cancel leaf at page 437 of the History of Scotland and page 90 of
the History of Ireland. Leaves Yyyy are missing. They are very
rare and seldom found.

�28

The Lockwood

HOMER. The Whole Works of Homer; Prince ofPoetts
In his Iliads, and Odysses. Translated according to the
Greeke, By Geo. Chapman. 2 engraved title pages and a
plate in memory of Prince Henry. At London printed for
Nathaniel Butter [about 1616].
Folio, crushed red levant morocco, gilt back, gilt panelled sides, inside dentelles, gilt edges, by F. Bedford .
. The First Complete Edition of Chapman's Homer. The Iliad had
been published alone, about x6n, likewise the Odyssey, about
x615. This copy is not of the issue with Chapman's portrait. It
contains three of the four blank leaves, lacking only the final
blank. On the Grotier Club List of One Hundred Books Famous in
English Literature.

[IRVING (WASHINGTON)]. A History ofNew York,
from the beginning of the world to the end of the Dutch
dynasty, by Diedrich Knickerbocker. Folding map. New
York, 1809.
2 vols., 12mo, full levant morocco.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

[IRVING (WASHINGTON)]. The Sketch Book of
Geoffrey Crayon, Gent. New York, 1819.
2 vols., 8vo, levant morocco.
First Edition.

�Jvtemorial Library
JOHNSON (SAMUEL). A Dictionary of the English
Language: in which The Words are deduced from their
Originals, and Illustrated in their Different Significations by Examples from the best Writers. To which are
prefixed, A History of the Language, and an English
Grammar. London, Printed by W. Strahan, I755·
2. vols., folio, original calf.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

JONSON (BEN). The Alchemist. Written by Ben Ionson.
London, Printed by Thomas Snodham, for Walter Burre,
1612.
Small 4to, half maroon morocco.
First Edition. Each leaf inlaid, with initials and notes of John
Philip Kemble on title-page.

JONSON (BEN). The Workes of Benjamin Jonson.
Title-page engraved by W. Hole. Portrait of Jonson by
Vaughan. Imprinted at London by Will Stansby, 1616.
The Workes of Benjamin Jonson. The second Volume.
Containing These Playes, Viz. I Bartholomew Fayre.
2. The Staple ofNewes. 3 The Divell is an Asse. Ornament.
London, Printed for Richard Meighen, 1640.
2.

vols., folio, full levant morocco, by Bedford.

�q'he Lockwood
First Edition. First Issue of Volume I. On the Grolier Club List of
One Hundred Books Famous in English Literature.

KEATS QOHN). Lamia, Isabella, The Eve of St. Agnes,
and Other Poems. London, 1820.
8vo, blue French levant morocco, fine gilt tooling on
sides and back, gilt top, uncut. Enclosed in a half morocco slip case.
First Edition. With all the half titles and advertisements. On the
Grolier Club List of One Hundred Books Famous in English Literature.

KELMSCOTT PRESS. Morris (William). The Defence
of Guenevere, and Other Poems. Woodcut border and
initials. Hammersmith: 1892.. .
8vo, full levant morocco, panelled center, inside covers
gold tooled with inlays, silk doublures, by Riviere.
Edition limited to 10 copies finely printed on vellum. With the
autograph signature "William Morris, October 13, 1892.."

KELMSCOTT PRESS. The Poetical Works of Percy
Bysshe Shelley. Edited by F. S. Ellis. Woodcut title, borders and initials. Hammersmith, 1894-1895·
3 vols., 8vo, white pigskin, the sides richly tooled
and gilt to a graceful design of tulips and tulip leaves,
gilt edges, by the Doves Bindery. Signed, "19 C-S 01."

�A PAGE OF TilE WORKS OF CHAUCER, PR!N.TEO AT THE KELMSCOTT PRESS

��t...Memorial Library
Edition limited
red and black.

to

2.50 copies, finely printed in Golden type, in

KELMSCOTT PRESS. Chaucer (Geoffrey). The Works
of Geoffrey Chaucer. Edited by F. S. Ellis. Illustrated
with 87 woodcuts designed by Sir Edward Burne-fones, and
engraved by W. H. Hooper, woodcut title, 14 borders, 18 different frames bordering illustrations and 26 large initial
words designed by William Morris especially for this work.
Hammersmith, 1896.

Folio, full white pigskin, elaborately embossed and
lettered, gilt edges on the rough, silver clasps, by the
Doves Bindery.
One of 42.5 copies finely printed in Chaucer type, in red and black,
and with the headings to the longer poems in Troy type, of which
number 48 were bound in white pigskin, after designs by William
Morris.

KELMSCOTT PRESS. Chaucer (Geoffrey). The Works
of Geoffrey Chaucer. Edited by F. S. Ellis. Illustrated
with 87 woodcuts designed by Sir Edward Burne-fones, and
engraved by W. H. Hooper, woodcut title, 14 borders, 18 different frames bordering illustrations and 26 large initial
words designed by William Mo"is especially for this work.
Hammersmith, 1896.

Folio, half holland.

�The Lockwood
One of 13 copies finely printed on Vellum in Chaucer type, in Red
and Black, and with the headings to the longer poems in Troy type.

KIPLING (RUDYARD). The Jungle Book. With illustrations hy]. Lockwood Kipling. London, 1894; The Second
Jungle Book. With illustrations hy]. Lockwood Kipling.
London, 1895· London, 1894-1895·
2 vols., 8vo, original blue cloth, gilt edges.
First Editions.

KIPLING (RUDYARD). ''Captains Courageous.'' A
Story of the Grand Banks. Illustrations hy I. W. Taber.
London, 1897.
nm.o, original blue cloth, gilt edges.
First Edition.

KIPLING (RUDYARD). Kim. With 10 reproductions of
clay bas-reliefs done by]. Lockwood Kipling. London, 1901.
8vo, original red cloth.
First Edition.

[LAMB (CHARLES)]. Elia. Essays which ha veappeared
under that Signature in the London Magazine. London:
Printed for Taylor and Hessey, Fleet Street, 1823; The
Last Essays of Elia. Being a Sequel to Essays published

�J'rtemorial Library

33

under that Name. London: Edward Moxon, r833. London, r823-r833·
2 vols., small 8vo, brown crushed levant morocco, gilt
tooling on sides and back with star, leaf, flower and
spray ornamentation, entirely uncut, by CobdenSanderson. Enclosed in a brown levant morocco solander case.
First Editions, first issues. With the original publisher's advertisements at end of each volume. On the Grolier Club List of One Hundred
Books Famous in English Literature.

LAMB (CHARLES). Album Verses, with a few Others.
Vignette on title. London: Edward Moxon, r83o.
8vo, lilac crushed levant morocco, gilt and inlaid back,
the sides elaborately decorated with a double Arabesque
border combined at the center to form four panels in
which are sprays of roses and leaves in gold against a
background of dots. The ribbons which form the borders are inlaid in a light brown morocco, the inside
borders are of the same design, gilt top, uncut, by
Riviere. Enclosed in a morocco case.
First Edition.

LIVY. Titus Livius Patavinus Historicus duobus Libris
Auctus cum Luci Flori Epitome, Indice copioso, et

�34

CJ'he Lockwood

Annotatis in Libras VII Belli Macedonii. 454 leaves,
roman type. Woodcut historiated border on the title-page,
repeated on the second title-pageJ· border on dedication page,
and numerous large floriated initials. Moguntiae: Joannis
Scheffer, 1518.
Folio, brown pigskin, gilt and blind tooled back and
sides, gilt edges, by Clarke &amp; Bedford (a few slight marginal repairs). With the Newbattle Abbey label, and
modern Lothian bookplate.
First Complete Edition of Livy. With preface by Erasmus and
ornaments after the designs of Holbein.

LOCKE (JOHN). An Essay Concerning Humane Understanding. London: Printed for Tho. Basset and sold by
Edw. Mary at the sign of the Three Bibles in St. Paul's
Church-yard, 1690.
Folio, original calf.
First Edition. First Issue. With the Dedication to the Earl of Pembroke and Montgomery. On the Grolier Club List of One Hundred
Books Famous in English Literature .

LONGFELLOW (HENRY WADSWORTH). Evangeline, A Tale of Acadie. Boston, 1847·
full levant morocco, by the Club Bindery. With
the advertisements bound in.
IllllO,

�~emorial

Library

35

First Edition. With "Lo" page 61, line I. On the Grolier C!ttb List
of One Hundred Books Famous in English Literature.

LONGFELLOW (HENRY WADSWORTH). The Song
of Hiawatha. Boston, r855·
umo, original stamped cloth.
First Edition. First Issue. With "Dove" on page 96, changed in
later issues to "Dived." Inserted is an autograph letter signed by
H. W. Longfellow.

LOWELL QAMES RUSSELL). Poems. Cambridge :John
Owen, r844.
Royal8vo, three quarter levant morocco, gilt top, uncut.
First Edition. Large Paper. With the autograph inscription: "To
Frank &amp; Sarah Shaw with the author's love. 1844" and an autograph poem laid in.

[LOWELL (JAMES RUSSELL)]. Meliboeus-Hipponax.
The Biglow Papers, Edited, with an Introduction, Notes,
Glossary, and Copious Index, by Homer Wilbur, A.M.
Cambridge, r848.
r21Ilo, full levant morocco, gilt fillets, by the Club
Bindery.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

�'I he Lockwood
LOWELL (JAMES RUSSELL). The Vision of Sir
Launfal. Cambridge: George Nichols, 1848.
original yellow glazed boards, uncut. Enclosed
in a morocco slip case.
I21IlO,

First Edition.

LOWELL (JAMES RUSSELL). A Fable for Critics.
[New York] G. P. Putnam, Broadway. [18]'48.
original boards, paper label. Enclosed in a morocco slip case.
I21IlO,

First Edition .

LYLY (JOHN). Sixe Covrt Comedies. Often Presented
and Acted before Queene Elizabeth, by the Children of
her Maiesties Chappell, and the Children of Paules.
Written By the onely Rare Poet of that Time, the Wittie
Comicall, Facetiously-Quicke and vnparalleld Iohn
Lilly, Master of Arts. London Printed by William
Stansby for Edward Blount, 1632.
Small I21IlO, blue crushed levant morocco, gilt tooled,
gilt inside borders and edges, by David.
"

First Edition . Contains "Endimion," "Campaspe," "Sapho and
Phao," "Galla thea," "Mydas," and "Mother Bombie," all except "Endimion" having separate title-pages. The plays were
published in separate editions before 16oo, but the Lyrics appear
here for the first time.

�J'rtemorial Library

37

MACAULAY (THOMAS BABINGTON). The History
of England from the Accession of James the Second.
London, 1849.
7 vols., 8vo, original cloth.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

MACPHERSON (JAMES). Fingal. An Ancient Epic
Poem. Together with several other poems composed by
Ossian, the son of Fingal. London, 1762..
4to, full tree calf.
First Edition.

MARKHAM (EDWIN). The Man with the Hoe, and
Other Poems. Frontispiece. New York, 1899·
nmo, original cloth, gilt top, uncut.
First Edition.

MELVILLE (HERMAN). Moby-Dick; or, the Whale.
New York, 1851.
nmo, original cloth. Enclosed in a half morocco case.
First Edition.

MILTON (JOHN). Poems of Mr. John Milton, both
English and Latin, Compos'd at several Times. Printed

�'The Lockwood
by his true Copies. The Songs were set in Musick by
Mr. Henry Lawes Gentleman of the Kings Chappel, and
one of His Maiesties Private Musick. Engraved portrait
hy William Marshall. London, Printed by Ruth Raworth
for Humphrey Moseley, and are to be sold at the signe
of the Princes Arms in Pauls Church-yard, 1645.
Small8vo, full levant morocco, by Riviere.
First Edition.

MILTON QOHN). Paradise lost. A Poem Written in
Ten Books By John Milton. Licensed and Entred according to Order. London Printed, and are to be sold by Peter
Parker ... Robert Boulter ... And Matthias Walker ...
!667.
Small 4to, blue straight-grain morocco, blind tooled,
gilt edges. Slight marginal repairs in last two leaves
and outer margin of title-page skilfully mended.
First Edition. With the First Title-page and the Characteristic
Points of the First Issue of the Text. Line 731 of Book III is misnumbered 740, and the penultimate line reads: "Throws his steep
flight with many an Aerie wheele.'' On the Grolier Club List of
One Hundred Books Famous in English Literature.

MORRIS (WILLIAM). Original Autograph Manuscript of "·Love is Enough, or, The Freeing of Pharamond. A Morality."

�BOTH ...

.•

t&lt;:

E',N G L t S H .· and L"A T I'N.·j
Compos..d at fev¢llalti~•.·:~ ·
'

·¥

- ..

..

• · FrinteJ and publijlid according ll
OKDEK.
Printed by Rutb
,. ·

··

LOND 0 N,
R.c\¥o_rth for Humpbr~, "?&gt;1tJfo/rfi

and are to'be fold at the figne of the Prui(;CS
-

• ArllUin PilJI,ls Church-yard. s64s ·

FIRST EDITION

��~emorial

Library

39

Written in ink on 90 pp., folio, bound in full red levant
morocco.
A characteristic William Morris manuscript and one of the finest
of his Imaginative Romances.

MOTLEY (JOHN LOTHROP). The Rise of the Dutch
Republic. A History. New York, 1856.
3 vols., 8vo, original cloth.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

NEWMAN (JOHN HENRY, Cardinal). Apologia pro
vita sua: being a Reply to a Pamphlet Entitled "What,
Then, Does Dr. Newman Mean?" London, 1864.
8 parts, 8vo, original wrappers, uncut. Enclosed in a
box case.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

NEW YORK STATE. GOVERNORS. A Complete Set
of New York State Governors from George Clinton to
Alfred E. Smith, 1777-1926. Various sizes and dates.
A Collection of 313 Autograph Letters, Manuscripts, Documents,
Letters signed, Documents signed, etc., etc.

�The Lockwood
PEPYS (SAMUEL). Memoires Relating to the State of
the Royal Navy of England, For Ten Years, Determin'd
December I 688. With portrait of Pepys hy White and the
folding tahle. [London], 1690.
Small 8vo, original calf.
First Edition. Privately issued before the publishers' imprint was
added.

PEPYS (SAMUEL). Memoirs of Samuel Pepys, Esq.
F.R.S., Secretary to the Admiralty in the Reigns of
Charles II and James II comprising his diary from 1659
to 1669, deciphered by the Rev. John Smith ... and a
selection from his private correspondence. Edited by
Richard, Lord Brayb;ooke. London: Henry Colburn,
!825.
2

vols., 4to, half calf.

First Edition. On the Grolier Club List of One Hundred Books FamottS
in English Literature.

PERCY (THOMAS, Bishop). Reliques of Ancient English Poetry. Consisting of Old Heroic Ballads, Songs,
etc. Engraved frontispiece. London, 1765.
3 vols., nmo, full light polished calf.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

�~emorial

Library

PRESCOTT (WILLIAM H.). History of the Conquest
of Peru, With a Preliminary View of the Civilization
of the Incas. Frontispieces. New York, 1847·
2.

vols., 8vo, original stamped cloth, gilt backs.

First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

PRESIDENTS AND VICE-PRESIDENTS OF THE
UNITED STATES. A Collection of Autograph Letters,
Letters Signed, Autograph Documents, Documents
Signed. Folio, crimson levant morocco, panelled back
and sides, doublures of watered silk, gilt top. Enclosed
in a slip case.
Some of the outstanding items, each piece separately
mounted or inlaid.
George Washington. L.s. Folio, I p. Nov. I9, I777·
D.s. Folio, 5 pp. March [I783]. To the
general, field and other officers assembled
at the new building pursuant to the
general order of the eleventh instant .

.

John Adams. L.s. 4to, 2. pp. June 2.2., I82.3.
To William C. Somerville.
D.s. Folio, I p., vellum. March 9, I798. Appointment of George Balfour as surgeon in the United
States Navy.

�The Lockwood
Thomas Jefferson. L.s. 4to, I p. July 2.9, 1804. To F. W. Ast.
D.s. Folio, I p., vellum. Sept. 2.4, I8o5. Commissionforthe brig "Hope" of Charlestown.
Also signed by James Madison.
Aaron Burr. A.L.s. 4to, I p. Dec. 2.3, I82.6. To Sam M. Hopkins.
James Madison. A.L.s. 4to, I p. April2.6, I82.6. To J. Payne Todd.
A.D. 4to, 1 p. Draft of message to Congress.
James Monroe. L.s. 4to, 2. pp. March 2.5, 1796.
John Quincy Adams. A.L.s. 4to, 2. pp. Oct. 5, I8I5.
To William Plumer.
Andrew Jackson. A.L.s. 8vo, 2. pp. March 2., I8Jo. To Mr. Ingham.
Martin Van Buren. A.L.s. 4to, I p. April n, [n.y.]. ToR. Smith.
A.L.s. 8vo, 2. pp. April2., [n.y.]. To V. Marly.
John Tyler. A.L.s. 8vo, 2. pp. To William Webster.
James K. Polk. 4to, I p. Aug. 30, I848. ToR. I. Walker.
Zachary Taylor. L.s. 4to, I p. Jan. I, I848. To J. Burnet.
Millard Fillmore. A.L.s. 8vo, 2. pp. Nov. 2.3, I857·
A.L:s. 4to, I p. Sept. 30, I85o. To Rev. Charles.
Franklin Pierce. A.L.s. 4to, 2. pp. April6, I847· To James K. Polk.
L.s. 4to, I p. Aug. I6, I853· To Jefferson Davis.
James Buchanan. L.s. 4to, 2. pp. Oct. 2.9, I845·
To Robert]. Walker.
A.L.s. 8vo, 2. pp. May I8, I863.
To A. T. Goodman.

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43

Abraham Lincoln. A.L.s. 8vo, I p. Dec. 6, I86x.
To Secretary of State.
A.L.s. 8vo, I p. Feb. I, I862..
To Secretary of War.
D.s. 4to, 2. pp. Jan. I8, I864.
Pardon of Addison Demeritt.
Andrew Johnson. D.s. 4to, I p. Dec. 2.0, 1853· Commission to
Charles C. Tucker as Commissioner of
Tennessee.
A.L.s. 4to, I p. March 3, I86&amp;. To Gen. Grant.
U. S. Grant. A.L.s. 4to, I p. Nov. 4, I862..
To Gen. C. S. Hamilton.
A.L.s. 4to, 2. pp. July 1.3, I863 . To Andrew Johnson.
Rutherford B. Hayes. A.L.s. 8vo, 2. pp. Sept. I5, I876.
To C. H. Grosvenor.
James A. Garfield. A.L.s. 4to, I p. Dec. 2.3, I88o.
To E. A. Carmen.
Chester A. Arthur. A.L.s. 4to, 2. pp. Aug. I8, I862..
To Gen. Hillhouse.
Grover Cleveland. A.L.s. 8vo, 2. pp. June 4, I889.
ToT. H. Morrell.
Benjamin Harrison. A.L.s. 8vo, I p. May 2.1, r88x.
To Attorney General.
William McKinley. L.s. 8vo, r p. Sept. I3, I89x.
To Charles G. Tefft.
Theodore Roosevelt. A.L.s. 8vo, 1. pp. Dec. I8, I883.
To James G. Wilson.

�44

The Lockwood

Woodrow Wilson. L.s. 8vo, I p. Sept. 6, I895· To H. M. Alden.
Warren G. Harding. L.s. 8vo, I p. June 2.5, I9l.O.
To George Beatty.
Calvin Coolidge. A.L.s. 4to, I p. March 5, I932..
To Thomas B. Lockwood.
Herbert Hoover. L.s. 4to, I p. April2.5, I92.8.
To Frank G. Moorhead.

[RICHARDSON (SAMUEL)]. Clarissa . Or, the History
of a Young Lady. Published by the Editor of Pamela.
London: I748.
7 vols., nmo, half calf.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

[RILEY (JAMES WHITCOMB)]. ''The Old Swimmin 'Hole," and 'Leven More Poems. By Benj. F. Johnson
of Boone. Indianapolis, I 883.
I6mo, wrappers.
First Edition.

ROGERS (BRUCE-Typographer). The Song of Roland.
Translated by Isabel Butler. Illustrations colored hy hand.
Cambridge, I 906.

�t.Aiemorial Library

45

4to, original decorated boards, vellum back, uncut.
Edition limited to 2.2.0 copies finely printed in French Gothic and
Civilite types by hand in red, blue, brown and black. Warde: No. 71.

ROOSEVELT (THEODORE). Autograph Letter signed:
"Theodore Roosevelt." 4 pp., r6mo. Washington, D. C.
June 8, 1893· To John Burroughs. With envelope containing a portion of the address in Roosevelt's writing.
Together 2 pieces. Enclosed in a full morocco slip case.
An Early Illuminating Letter written soon after the issue of the
"Wilderness Hunter," throwing much light on Roosevelt the
naturalist, patriot, and statesman.
" ... In a few days you will receive my "Wilderness Hunter" which I
venture to send you because I quote from Walt Whitman just before my
preface, and allude to you in the last chapter, and because I hope you may
be interested in what I have to say concerning two or three birds and
mammals in the latter part of the fourth chapter . ..
''It was with an effort that I refrained from being didactic, and urging
your volumes not merely on the lover of nature, but on the lover of manliness
and right-doing, on the lover of our country. I wish much your "Before
Beauty" and "Before Genius.." could be drilled into our people, and especially our literary people-the people who do not understand the necessity
of the non-literary element in literature, if it is to be worth anything . .. ''

He then discusses certain aspects of Greek and Roman civilization
and contrasts the Greek leaders Plato, Pericles and Demosthenes
with Washington, Lincoln, Grant and Farragut.

�CJ'he Lockwood
ROSSETTI (DANTE GABRIEL). Poems. London:
F. S. Ellis, r87o.
8vo, full blue levant morocco, by Riviere.
First Published Edition.

ROSTAND (EDMOND). L' Aiglon. Drame en stx
actes, en vers. Frontispiece portrait. Paris, 1900.
8vo, full green crushed levant morocco, back and sides
gilt tooled with wreaths, French eagles, lines and
scrolls, inside borders inlaid with purple blossoms,
doublures and flys of flowered silk, gilt over rough
edges, original wrappers bound in, by Affolter. Enclosed in slip case.
First Edition. One of 180 copies printed on Japan paper.

ROWLANDSON (THOMAS). [COMBE (WILLIAM)].
The English Dance of Death, from the Designs ofThomas
Rowlandson, with Metrical Illustrations, by the Author
of "Doctor Syntax." With seventy-four coloured plates, including frontispiece and illustrated title in Volume I, hy
Thomas Rowlandson. London: R. Ackermann, I815-I816.
2 vols., royal 8vo, full calf, gilt borders, gilt backs, by
Root.

First Edition.

�Jtrtemorial Library

47

[ROWLANDSON (THOMAS)], The Grand Master or,
Adventures of Qui Hi? in Hindostan. A Hudibrastic
Poem in Eight Cantos by Quiz. Coloured title, folding
frontispiece and 26 full page coloured plates by Rowlandson.
London. Printed by Thomas Tegg, 1816.
Svo, full polished calf, gilt back, gilt edges.
First Edition. With the "Errata" slip at the end.

ROWLANDSON (THOMAS). [COMBE (WILLIAM)].
The Dance of Life, A Poem, by the Author of ''Doctor
Syntax.'' Illustrated with 26 coloured engravings by Thomas
Rowlandson, including the frontispiece and engraved title.
London: Published by R. Ackermann, I817.
Svo, old tree calf.
First Edition.

[ROWLANDSON (THOMAS)]. GOLDSMITH (OliVER). The Vicar of Wakefield; A Tale, by Doctor Goldsmith. Illustrated with 24 designs, by Thomas Rowlandson.
London: Published by R. Ackermann, 1817.
Svo, blue morocco, gilt borders, gilt backs, by Riviere.
First Edition with the Rowlandson illustrations.

ROWLANDSON (THOMAS). Journal of Sentimental
Travels in the Southern Provinces of France, shortly

�The Lockwood
before the Revolution. Seventeen coloured aquatint plates hy
Thomas Rowlandson. London: Published by R. Ackermann, 182r.
Royal 8vo, original cloth.
First Edition.

RUSKIN (JOHN). The Stones of Venice. With etchings
and lithographs hy the author. London: Smith, Elder,
and Co., I851-1853·
3 vols., 8vo, full levant morocco, by Kaufmann.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature .

[SCOTT (SIR WALTER)]. Ivanhoe; a Romance. By
"The Author of Waverley," &amp;c. Edinburgh: 1820.
3 vols., 8vo, contemporary half calf.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

[SCOTT (SIR WALTER)]. Redgauntlet: A Tale of the
Eighteenth Century. By the Author of "Waverley."
Edinburgh: 1824.
3 vols., 8vo, "in original boards.
First Edition.

�J'rtemorial Library

49

SHAKESPEARE(WILLIAM) .Mr.WilliamShakespeares
Comedies, Histories, &amp; Tragedies. Published according
to the True Originall Copies. Engraved portrait of
Shakespeare, signed "Martin Droeshout: Sculpsit. London."
London Printed by Isaac laggard, and Ed. Blount, r62.3.
Folio, red crushed levant morocco, extra rough gilt
edges, by Riviere. The title-page is in facsimile, the
leaf of verses genuine but inlaid and all other leaves
genuine with the exception of a few minor repairs to
margins, a few time discolorations and possibly a few
portions of letters restored.
First Folio, containing 36 plays in all, r6 of which had never
before been published. This copy is sound and exceptionally tall,
measuring 13 by 8% inches. On the Grolier Club List of One Hundred
Books Famous in English Literature.

SHAKESPEARE(WILLIAM).Mr.William Shakespeares
Comedies, Histories, and Tragedies. Published according to the true Originall Copies. The second Impression.
Engraved portrait of Shakespeare, signed "Martin Droeshout:
Sculpsit. London.'' London, Printed by Tho. Cotes, for
Robert Allot, and are to be sold at the signe of the
Blacke Beare in Pauls Cqurchyard, r632..
Folio, full calf, center panel blind tooled.
Second Folio. The title-page and verses facing the title-page are
in facsimile and there are slight repairs in a few leaves at the end.

�50

rrhe l.JJckwood

SHAKESPEARE (WILLIAM). Mr.WilliamShakespear' s
Comedies, Histories, and Tragedies. Published according to the true Original Copies. The third Impression.
And unto this Impression is added seven Playes, never
before Printed in Folio. viz. Pericles Prince of Tyre.
The London Prodigall. The History of Thomas Ld.
Cromwell. Sir John Oldcastle Lord Cobham. The Puritan Widow. A York-shire Tragedy. The Tragedy of
Locrine. Engraved portrait frontispiece of Shakespeare, signed
"Martin Droeshout: Sculpsit. London." London, Printed
for P.C. 1664Folio, contemporary calf, rebacked. The portrait with
verses in facsimile, the title-page and following leaf
margined. Enclosed in a solander case with protecting
covers.
Third Folio.

SHAKESPEARE(WILLIAM). Mr.WilliamShakespear' s
Comedies, Histories, and Tragedies. Published according to the true Original Copies. Unto which is added,
Seven Plays, Never before Printed in Folio: viz. Pericles
Prince of Tyre. The London Prodigal. The History of
Thomas Lard Cromwel. Sir John Oldcastle Lord Cobham. The Puritan Widow. A Yorkshire Tragedy. The
Tragedy of Locrine. The Fourth Edition. Engraved por-

��FIRST EDITION, BOUND BY T.

J.

COBDEN-SANDERSON, 1889

�~emorial

Library

sr

trait of Shakespeare, signed "Martin Droeshout: Sculpsit.
London.'' London, Printed for H. Herringman, E. Brew-

ster, andR. Bentley, at the Anchor in the New Exchange,
the Crane in St. Pauls Church-Yard, and in Russel-Street
Covent Garden. 1685.
Folio, red crushed levant morocco, gilt back, gilt panelled sides, inside dentelles, gilt edges, by Riviere.
Fourth Folio. A perfect copy, measuring

14~

by 9;.{ inches.

SHELLEY (PERCY BYSSHE). Laon and Cythna; or,
the Revolution of the Golden City: A Vision of the
Nineteenth Century. In the stanza of Spenser. London:
Printed for Sherwood, Neely, &amp;Jones, r8r8.
8vo, crimson crushed levant morocco, sides elaborately
gold tooled with twining sprays, flowers, dots and
stars, inside line borders, entirely uncut and gilt on the
rough, by Cobden-Sanderson. Enclosed in a half morocco
slip case.
First Edition. With the leaf of Errata. The binding is signed and
dated •·c.s. r889 ...

SHELLEY (PERCY BYSSHE). Prometheus Unbound.
A Lyrical Drama in Four Acts, with Other Poems.
London: C. and J. Oilier, 182.0.

�'The Lockwood
8vo, blue levant morocco, gilt edges, by CobdenSanderson.
First Edition.

SHELLEY (PERCY BYSSHE). Posthumous Poems.
London: Printed for John and Henry L. Hunt, 1824.
8vo, blue morocco, with floral designs on top and bottom of cover, silk doublures, by Root.
First Edition.

SMITH (ADAM). An Inquiry into the Nature and
Causes of the Wealth of Nations. London: 1776.
1.

vols., 4to, full contemporary calf, rebacked.

First Edition. First Issue. With the errors in pagination, the
Errata, and the half-title in volume II. Fine tall copy. On the
GrolierClub List of One Hundred Books Famous in English Literature.

[SMOLLETT (TOBIAS)].The Expedition of Humphrey
Clinker. By the Author of Roderick Random. London,
Printed for W. Johnston in Ludgate-Street, and B.
Collins, in Salisbury. 1771.
3 vols., foolscap 8vo, full fawn calf, romanesque borders, gilt edges.
First Edition. First Issue. With the date "MDCLXXI" on title
of first volume. With the half-titles. On the Grolier Club List of
One Hundred Books Famous in English Literature.

�THE FAERIE
QVEE_NE:
Difpofed into twelue books;
F ajbioning '

X I I •·1v1orall vertues.

LONDON
Printed for William Ponfqnbic;
I 5 9 Oo
FIRST ISSUE OF THE FIRST EDITION

��Jvtemorial Library
SPECTATOR (THE). London,

53

1712.

7 vols., 8vo, full panelled calf.
First Published Edition.

SPENSER (EDMUND). The Faerie Qveene. Disposed
into twelue books, Fashioning XII. Morall vertues.
Large device on title-page. London Printed for William
Ponsonbie. 1590.
Thick small 4to, crushed blue levant morocco, back
and sides richly and completely gilt tooled, inside corner ornaments, gilt edges, by Riviere.
First Issue of the First Edition of volume I (Books I, II and III).
With blank spaces for the Welsh words on page 332., and with the
two leaves of sonnets pages 6-7 uncancelled. On the Grolier Club
List of One Hundred Books Famous in English Literature.

SPENSER (EDMUND). The Faerie Qveene. Disposed
into twelue bookes, Fashioning XII. Morall vertues.
Device on title-page. London Printed for VVilliam Ponsonbie. 1596.
The Second Part of the Fa_erie Qveene. Containing The
Fovrth, Fifth, and Sixth Bookes. By Ed. Spenser. Device
on title-page. Imprinted at London for VVilliam Ponsonby. 1596.

�54

q'he Lockwood

2 vols., 4to, crushed crimson levant morocco, gilt backs,
richly gilt ornamented sides, gilt edges, by Riviere.
Second Edition of the First Part, and the First Edition of the
Second Part. The first volume contains a rare specimen of an early
woodcut bookplate.

[STERNE (LAURENCE)]. A Sentimental Journey
through France and Italy. By Mr.Yorick. London, 1768.
2 vols., 8vo, original calf. Enclosed in a cloth case.
First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

STEVENSON (ROBERT LOUIS). New Arabian Nights.
London, I 882.
2 vols., nmo, original green decorated cloth, figured
gray end-papers, uncut.
First Edition. First Issue. With the author's note on a separate
leaf following the dedication in Volume I, and the 32. pages of
advertisements dated May r882. at the end of Volume II. Page 155
ofVolume II is misnumbered 55, and the miss pelt name' 'Maledroit''
(instead of "Maletroit") is present on page 179 of the same volume.

STEVENSON (ROBERT LOUIS). Treasure Island.
Frontispiece map. London, 1883.
nmo, original cloth, gilt lettered.

�._/\1emorial Library

55

First Edition. With 4 pages of advertisements at the end of the
volume.

STEVENSON (ROBERT LOUIS). A Child's Garden of
Verses. London, r885.
8vo, original cloth, bevelled edges, gilt lettered.
First Edition.

STEVENSON (ROBERT LOUIS). Original Autograph
Manuscript of "The Castaways of Soledad" written on
17 folio pages. With Numerous Corrections and Additions.
A Story of Shipwreck and a Desert Island, not unlike his
wonderful tale ''Treasure Island.'' This manuscript contains three complete chapters, which are headed "In the
Launch," "The Island of Solitude," "The Landing,"
and an additional page. The novel was never completed.
75 copies of "The Castaways of Soledad," hitherto unpublished,
have been printed privately for Thomas B. Lockwood by William
Edwin Rudge, New York, in December, 192.8.

STEVENSON (ROBERT LOUIS). An Intimate and
Interesting Series of 20 Autograph Letters Signed to his
Mother (r869-189o) and 4 Autograph Letters Signed
to his Father (r868-r887). r868-r89o.

'

�CJ'he Lockwood
A Series of 24 Holograph Letters inlaid or mounted in
6 vols., full crushed levant morocco, by Riviere.
These letters written in Stevenson's characteristic droll and good
humored style cover the span of his entire mature life. The first
letter was written in 1868 when at the age of 18 Stevenson was
sent to Wick to study the harbor works in order to prepare for
the profession of engineer and follow in the footsteps of his father.
Almost all the others are written from Southern France where he
went to recuperate after his nervous breakdown in 1872.. The last
letter gives an account of his life in the South Seas four years before his death. Although Stevenson says little in these letters of
his literary ambitions and achievements, he does give us an intimate picture of his daily life and activities.

STOWE (HARRIET BEECHER). Uncle Tom's Cabin;
or, Life Among the Lowly. Illustrations. Published by
John P. Jewett &amp; Company, Boston, 1852.
2

vols., nmo, original black cloth.

First Edition. On the Grolier Club List of One Hundred Books Famous
in English Literature.

STOWE (HARRIET BEECHER). Original Autograph
Manuscript of "Chimney Corner," a short story. Written in ink on 22 pp., 4to, bound in three-quarter crimson
French levant morocco, gilt tooled back, with inlays of
emerald levant, gilt top.

�c...M.emorial Library

57

On page I is an autograph note by James T. Fields reading: "This
MS. is one of Mrs. H. B. Stowe's 'Chimney Corner Papers' and
is in her handwriting. J.T.F." "The Chimney Corner" was published in Boston in 1868.

[TENNYSON (ALFRED, Lord)]. In Memoriam.
London: Edward Moxon, 185o.
nmo, green levant morocco, gilt top, uncut, by
Stikeman.
First Edition. First Issue. The misprint "baseness" for "bareness"
occurs on page 198.

THOREAU (HENRY DAVID). A Week on the Concord
and Merrimack Rivers. Boston and Cambridge, 1849.
121110, original cloth.
First Edition.

THOREAU (HENRY DAVID). Walden; or, Life in the
Woods. Vignette on title. Boston: Ticknor &amp; Fields, 1854.
121110, original cloth.
First Edition.

TROLLOPE (ANTHONY). The Last Chronicle of
Barset. With 32- woodcut illustrations hy George H. Thomas.
London: Smith, Elder and Co., 1867.

�q'he Lockwood
In the original 32. parts, Svo, original cream wrappers.
Enclosed in a morocco slip case.
First Edition.

VERLAINE (PAUL). Fetes Galantes. With 69 illustrations hy A. Gerardin, finely engraved on wood hy Noel and
others. Paris: Societe Artistique du Livre Illustre, 1899·
8vo, sage green levant inlaid with two Cupids and a
Piping Faun on each cover, with a gilt compartment of
Wreaths and Butterflies, pink damask linings and flyleaves, rough edges gilt, original wrappers bound in,
by David.
First Edition. One of 145 copies on vellum paper with a frontispiece and 12. striking water color illustrations by R. Kiss bound in.

WALPOLE (HORACE). Works. Numerous illustrations.
London: 1798.
5 vols., 4to, russia gilt.
First Complete Edition. First Appearance of many of Walpole's
Letters.

WEBSTER QOHN). The Tragedy of the Dutchesse of
Malfy. As it was Presented priuatly, at the BlackPriers; and publiquely at the Globe, By the Kings
Maiesties Seruants. The perfect and exact Coppy, with

�Leaves
of

Grass.
Brookl y n ,

N e w Y ork:

1R55.

FIRST ISSUE OF THE FI RST ED!TlON

��..
•

Jvtemorial Library

59

diuerse things Printed, that the length of the Play would
not beare in the Presentment. London: Printed by
Nicholas Okes, for Iohn Waterson, 162.3.
Small4to, half leather and boards.
First Edition. Lacks blank leaf AI. The First English Play to give
the names of the actors and the characters they assumed. On the
Grolier Club List of One Hundred Books Famous in English Literature.

WHITE (GILBERT). The Natural History and Antiquities of Selborne, in the Country of Southampton.
With engravings and an appendix. London, 1789.
4to, full contemporary mottled calf, leather label, gilt
back.
First Edition. First Issue. With the Errata. Fine tall copy. On the
GrolierClub List of Om Hundred Books Famous in English Literature.

[WHITMAN (WALT)]. Leaves of Grass. Frontispiece
portrait on plain paper. Brooklyn, N.Y.: 1855·
4to, original green cloth, blind stamped, rustic lettered
title, triple-line border stamped in gilt on front and
back covers, gilt lettering and ornaments on backstrip,
marbled end papers~ gilt edges. Enclosed in a half
morocco slip case.
First Edition. First Issue, with the portrait, end papers and binding in earliest state.

�6o

The Lockwood

WILSON (WOODROW). Original Autograph Manuscript signed "Woodrow Wilson." Extract from his
Message to Congress. December, 1914. Written on I p.,
8vo. The White House, Washington. No date.
" . . . We are a true friend to all the nations of the world, because we
threaten none, covet the possessions of none, desire the overthrow of none.
Our friendship can be accepted and is accepted without reservation, because
it is offered in a spirit and for a purpose which no one need question or
suspect. Therein lies our greatness. We are the champions of peace and of
concord. Woodrow Wilson."

WORDSWORTH (WILLIAM). Poems. London:Printed
for Longman, Hurst, Rees and Orme, Paternoster-Row,
!807.
2

vols., 8vo, original calf. Enclosed in cloth case.

First Collected Edition.

�AN EDITION OF NINE HUNDRED AND SIXTY COPIES HAS BEEN
PRINTED BY RICHARD W ELLIS ; THE GEORGIAN PRESS
IN NEW YORK • ANNO MCMXXXV

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&lt;p&gt;This collection highlights the life and contributions of one of Buffalo's most distinguished citizens in the first half of the 20th century. Thomas B. Lockwood was an attorney and businessman as well as philanthropist and bibliophile. He and his wife, Marion Birge Lockwood, donated the funds to construct the University at Buffalo's original Lockwood Memorial Library. When the building was dedicated in 1935, Lockwood presented his remarkable collection of rare materials to the university.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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&lt;p&gt;Funding for the creation of this collection was received from the &lt;a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener"&gt;Western New York Libraries Resources Council&lt;/a&gt; through the Regional Bibliographic Data Bases and Interlibrary Resources Sharing Program. &lt;br /&gt;&lt;br /&gt;Please see our &lt;a href="http://library.buffalo.edu/specialcollections/about/policies"&gt;rights management information&lt;/a&gt; for policies regarding use.&lt;/p&gt;
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