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                    <text>State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                <text>Duett aus der Oper die Bergknappen</text>
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                <text>Uniform title: Ach, wie Klopft mit heissen 						Schlägen </text>
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                    <text>State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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                <text>Legend : for 2 flutes, 2 clarinets, 2
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                <text>For band. Cover title. Holograph (Ink). At head of cover: June 1st 1890. Received in wrapper reading "2d Grand Symphonic Poem in F for full Orchestra , 1rst Quarter 1st March 1892 , 2d Quarter 1st June 1892" in fulfillment of Praeger's contract with Lord Dysart.</text>
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                <text>Andante [in G major]</text>
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                <text>For band. Caption title. Holograph (Ink, with bar lines in blue pencil).</text>
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                <text>Praeger, Ferdinand, 1815-1891</text>
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                <text>State University of New York at Buffalo. Music Library</text>
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                <text>Mus. Arc. 46, Box 14 Item 427 </text>
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                <text>Uniform title: Andantes, piano, G major, arr.</text>
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>Ferdinand Praeger Collection of Scores, circa 1829-1891</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>University at Buffalo Libraries believe this work to be in the U.S. public domain. This work may not be in the public domain in other countries.</text>
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                <text>2d Trauermarsch in F? minor</text>
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                    <text>State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                <text>1st Trauermarsch = funeral march for
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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                    <text>State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                <text>For 2 violins, viola, and violoncello. Cover title.  					Holograph score (Ink), manuscript parts (Ink).  					Work begins in D minor, ends in D major. Right edge of score torn, some notes are missing.                Removed to separate box due to high level of mold. </text>
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                  <text>Ferdinand Praeger Collection of Scores, circa 1829-1891</text>
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                  <text>Music--Manuscripts </text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>Praeger, Ferdinand, 1815-1891</text>
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                  <text>State University of New York at Buffalo. Music Library</text>
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                  <text>University at Buffalo Libraries believe this work to be in the U.S. public domain. This work may not be in the public domain in other countries.</text>
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                <text>Zwölftes Streich-quartett in F</text>
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                <text>For 2 violins, viola, and violoncello. Cover title. Holograph (Ink). Work begins in F minor, ends in F major.</text>
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                <text>Praeger, Ferdinand, 1815-1891</text>
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                <text>State University of New York at Buffalo. Music Library</text>
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                <text>Uniform title: Quartets, strings, no.12, F</text>
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                <text>Ferdinand Praeger Collection of Scores, circa 1829-1891 </text>
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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Ferdinand Praeger Collection of Scores, circa 1829-1891
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Ferdinand Praeger Collection of Scores, circa 1829-1891
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

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Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                    <text>State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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                    <text>State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                  <text>University at Buffalo Libraries believe this work to be in the U.S. public domain. This work may not be in the public domain in other countries.</text>
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                <text>Quatuor pour piano, violino, viola
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                    <text>State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

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�State University of New York at Buffalo. Music Library
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

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Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

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�State University of New York at Buffalo. Music Library
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Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
Mus. Arc. 46

�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
Ferdinand Praeger Collection of Scores, circa 1829-1891
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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�State University of New York at Buffalo. Music Library
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�State University of New York at Buffalo. Music Library
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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Ferdinand Praeger Collection of Scores, circa 1829-1891
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�State University of New York at Buffalo. Music Library
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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                    <text>State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
Praeger's compositions were performed in cities across Europe, including Paris, Leipzig, Berlin, Hamburg, and Meiningen. Praeger is perhaps best known today for his connection with Richard Wagner. Following Wagner's death, Praeger wrote the book &lt;em&gt;Wagner, as I Knew Him&lt;/em&gt;, which quickly became controversial and was pulled from publication. Wagner followers disputed the book, claiming that Praeger exaggerated his role in Wagner's life and portrayed Wagner in a negative way. &lt;br /&gt;&lt;br /&gt;The collection has been described in a finding aid available at &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml"&gt;http://purl.org/net/findingaids/view?docId=ead/music/ubmu0046.xml&lt;/a&gt;</text>
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&lt;p&gt;This is the largest collection of Praeger's musical manuscripts in the world. Nearly all the scores are in Praeger's own hand. The majority of the works are for piano, but the collection also includes chamber music for strings, large ensemble works, vocal works, and sketches. Praeger was born in Leipzig on January 22, 1815, to a Dutch father and an English mother. As a child, he studied cello, piano, and violin. His father, Heinrich Aloys Praeger (1783-1854) worked as a musician, composer, and conductor. In 1831, at the age of 16, Praeger became a music teacher at The Hague and continued to study piano, violin, and composition. He moved to London in 1834, working as a teacher and traveling to give piano recitals, many of which included his own works. Praeger became the London correspondent for Robert Schumann's music journal, &lt;em&gt;Neue Zeitschrift für Musik&lt;/em&gt;, in 1842. His contributions included highlights of London musical events, reviews of performances, and general discussions about current musical topics.&lt;/p&gt;
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                  <text>&lt;p&gt;The Ferdinand Praeger Collection of Scores, circa 1829-1891, consists of 484 items, all but a few of which are manuscript scores. Due to the fragile condition of some of the scores, not every score was digitized. As a result, there are only 472 digitized scores in this digital collection. Two of the additional documents received with the collection were also digitized and the digital collection includes digital copies of documents, portraits, and correspondence about the Praeger family generously provided by the great, great grandson of Ferdinand Praeger, Andrew Leach.&lt;/p&gt;
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�State University of New York at Buffalo. Music Library -- Ferdinand Praeger Collection of Scores, circa 1821-1891 -- Mus. Arc. 46

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                <text>Music--Manuscripts </text>
              </elementText>
              <elementText elementTextId="1612970">
                <text> Piano music</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1612971">
                <text>For piano. Caption title. Holograph (Ink). Caption: 16/12. 90, Missie's birthday 17/12.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1612972">
                <text>Praeger, Ferdinand, 1815-1891</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1612973">
                <text>State University of New York at Buffalo. Music Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1612974">
                <text>1890</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1612975">
                <text>Music Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1612977">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1612978">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1612979">
                <text>Mus. Arc. 46, Box 7 Item 327 </text>
              </elementText>
              <elementText elementTextId="1612980">
                <text> ubmu0046_327.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="1612981">
                <text>Uniform title: Waltzes, piano, F major</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="114">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1612982">
                <text>scores (documents for music)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1612983">
                <text>[2] p. of manuscript music, 31 cm.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1612984">
                <text>Ferdinand Praeger Collection of Scores, circa 1829-1891 </text>
              </elementText>
              <elementText elementTextId="1612985">
                <text> Mus. Arc. 46</text>
              </elementText>
              <elementText elementTextId="1612986">
                <text> LIB-MUS025</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1747162">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="1929238">
                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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