51 100 60586 https://digital.lib.buffalo.edu/files/original/4467d94119c4b0be1f252a4faa3a20c0.jpg 308cae54ceb5c646961cf008ac79a7d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with white hair and a mustache wearing a formal tuxedo and an overcoat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arturo Toscanini Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_105 Subject The topic of the resource People Toscanini, Arturo, 1867-1957 - Conductor - - - Conductors (Music) Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource This black and white portrait shows a person with white hair and a mustache dressed in formal attire. The person wears a white bow tie, a white waistcoat with three buttons, and a dark jacket under a grey overcoat. Text at the bottom identifies the subject as Arturo Toscanini and includes a photographer's credit. https://digital.lib.buffalo.edu/files/original/ae0b811c92cd56ace4bb9c32761bcbe3.jpg 957dc6f2de87de162a462660173aa326 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in formal suits stand in front of a curtain, with one holding a plate and the other holding a teacup and saucer. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tullio Serafin (left) with unidentified male Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_093 Subject The topic of the resource People Serafin, Tullio, 1878-1968 - Conductor - - - Conductors (Music) Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Two individuals in dark suits and ties stand against a backdrop of dark, pleated curtains. The person on the left holds a plate and wears a light-colored tie, while the person on the right is seen in profile holding a teacup and saucer. Both people are facing toward each other with the corners of their mouths upturned. https://digital.lib.buffalo.edu/files/original/38d14c0ded1d907ae3152ec5f287dbcf.jpg 09d73fa10c04ff3ce301aa850c6943de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Black and white portrait of a person with dark hair and a head covering, featuring cursive handwriting at the bottom. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Harshaw (as Ulrica in Un Ballo in maschera?) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_079 Subject The topic of the resource People Ballo in maschera Verdi, Giuseppe, 1813-1901 Metropolitan Opera Shows costumes Harshaw, Margaret - Vocalist - mezzo-soprano - Ulrica - Has inscription Women singers Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1948 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York City USA Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1941-1950 Portrait photographs -- 1941-1950 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A black and white portrait displays a person with dark hair wearing a dark head covering and garment. One hand rests near their chest with a ring on a finger, while the lighting casts a shadow over half of their face. Handwritten cursive at the bottom reads, "Sincerely Margaret Barry". https://digital.lib.buffalo.edu/files/original/43215dda434abd3ff9af46c96b78c68d.jpg afc600ca7c713bc1c6d8d74d73acebac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a patterned gown and beaded headpiece stands against a dark background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Claudia Muzio as Desdemona in Otello Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_089 Subject The topic of the resource People Otello Verdi, Giuseppe, 1813-1901 Shows costumes Muzio, Claudia, 1889-1936 - Vocalist - soprano - Desdemona Women singers Creator An entity primarily responsible for making the resource Daguerre (Chicago, Ill.) Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person stands in a three-quarter profile wearing a light-colored, floral-patterned gown with long sleeves and a beaded neckline. A white mesh headpiece with hanging beaded strands covers the top of their head, and their long, wavy hair falls down their back. The person's hands are clasped in front of their waist, and a signature is visible in the bottom-left corner of the dark background. https://digital.lib.buffalo.edu/files/original/c6710e77169153013a7eb4cdd6151f88.jpg f4f183596314581aefce68c2fcc3b55f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A performer in a patterned gown and floor-length cape stands on a stage with arms outstretched and head tilted upward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Medea Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_021 Subject The topic of the resource People Médée Cherubini, Luigi, 1760-1842 Teatro alla Scala Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Medee Women singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1953? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Portrait photographs -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A black and white scene features a person standing on a stage in front of a fluted column and stone steps. The individual wears a long dress with small diamond patterns and a cape that drapes to the floor. They are positioned with their arms extended to their sides and their face directed toward the light above. https://digital.lib.buffalo.edu/files/original/8e1899f3648f1a6899bb070732b4ee41.jpg cd2c64c00d58b1e0304b60d6dbfaf883 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Maria Callas in the opera "Norma" with one arm raised holding a dagger. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Norma Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_010 Subject The topic of the resource People Norma Bellini, Vincenzo, 1801-1835 Teatro alla Scala Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Norma Women singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1954? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with long dark hair is shown in a white and dark costume against a black background. One arm is lifted overhead, gripping a dagger by its handle. Text in the bottom left corner identifies the performance as Maria Callas in "Norma" at Teatro alla Scala. https://digital.lib.buffalo.edu/files/original/558e05ac1ca0f2bcf59f93530b12b177.jpg 11760fa3467862e57d4f1be9796644fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a full-skirted light-colored gown stands on a checkered floor next to an ornate desk. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giulietta Simionato as Rosina in Barber of Seville Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_096 Subject The topic of the resource People Barbiere di Siviglia Rossini, Gioacchino, 1792-1868 Teatro dell'Opera Shows costumes Simionato, Giulietta - Vocalist - mezzo-soprano - Rosina - Has inscription Women singers Creator An entity primarily responsible for making the resource Foto Reale (Rome, Italy) Perry, J. Warren Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rome Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a ruffled, long-sleeved gown and high heels is positioned in a room with a checkered floor and paneled walls. To their side is a small, ornate desk with a music sheet on top. The lower portion of the frame contains white text, and a signature is written across the dress. https://digital.lib.buffalo.edu/files/original/b31dba9ed11ddf145c27805e60e75127.jpg 259898eb2c88faca7193929ef2ab6038 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a long dark gown stands on a wide staircase with text at the bottom left identifying the scene as Maria Callas in "Anna Bolena." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Anna Bolena Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_026 Subject The topic of the resource People Anna Bolena Donizetti, Gaetano, 1797-1848 Teatro alla Scala Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Anna Bolena Women singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1957 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Portrait photographs -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in a floor-length, dark-colored dress with long sleeves stands on a large stone staircase. The person has long dark hair and is looking upward with their head tilted back. Text in the bottom left corner identifies the location as Teatro alla Scala and the production as "Anna Bolena" featuring Maria Callas. https://digital.lib.buffalo.edu/files/original/c5fd17d77645dfa36c3463da8409dd56.jpg a616eddf680cdbdd2be63c0f0d3ec0e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a pleated robe stands with arms outstretched under a spotlight on a dark stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Lucia in Lucia di Lammermoor Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_034 Subject The topic of the resource People Lucia di Lammermoor Donizetti, Gaetano, 1797-1848 Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Lucia - Has inscription Women singers Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Description An account of the resource EMI-481 A person stands in profile on a dark stage, illuminated by a single spotlight from above. They wear a floor-length, light-colored robe with wide, pleated sleeves and have their arms extended forward. The name "Maria Meneghini Callas" is written in white cursive text across the bottom, with "EMI-481" in the lower-left corner. Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/599246f6206a1045da1003ca9b5b2d2e.jpg 75c669593cae55a20066d61877c7479b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses plays a cello in a black and white portrait featuring handwritten text at the bottom. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Casals Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_074 Subject The topic of the resource People Casals, Pablo, 1876-1973 - Instrumentalist - violoncello - Has inscription Violoncellists Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1958 Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Portrait photographs -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A black and white portrait shows a person with glasses positioned behind a cello with their hands on the instrument. The background includes bunches of flowers and framed pictures on a wall. At the bottom of the image, handwritten text reads "Pablo Casals" and "1928". https://digital.lib.buffalo.edu/files/original/4b0a50e85cfa66b5c561762eb39463a6.jpg adcacac51bbe45ffba158a7059753746 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing an elaborate white gown and lace veil with long necklaces and a signature on the dress. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Lucia in Lucia di Lammermoor Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_032 Subject The topic of the resource People Lucia di Lammermoor Donizetti, Gaetano, 1797-1848 Teatro alla Scala Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Lucia - Has inscription Women singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource This black and white portrait displays a person in a long, patterned gown and a floor-length lace veil. Multiple strands of necklaces hang over the high-collared bodice, and the person features prominent dark eye makeup. A handwritten signature in dark ink is positioned across the lower right of the garment. https://digital.lib.buffalo.edu/files/original/09a40f569dc8a1619822e58e0c29e627.jpg 83f950f6a3f6bfda9bead13928b0dfdd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in traditional Japanese attire perform on a stage with illustrated screens and a cherry blossom tree backdrop. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Leontyne Price as Cio-Cio-San and Mildred Miller as Suzuki in Madame Butterfly Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_091 Subject The topic of the resource People Madama Butterfly Puccini, Giacomo, 1858-1924 Lyric Opera Shows stage setting Shows costumes Price, Leontyne - Vocalist - soprano - Cio-Cio-San Miller, Mildred, 1924- - Vocalist - mezzo-soprano - Suzuki Women singers Opera -- Stage-setting and scenery Creator An entity primarily responsible for making the resource Sorensen, Nancy Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1961? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago USA Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1961-1970 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A black and white stage production features two people in traditional Japanese costumes amidst a detailed set. One person is seated on the left next to panels decorated with illustrated figures, while another stands on a platform on the right with arms outstretched. The background includes a large painted screen depicting a flowering tree and a coastal scene. https://digital.lib.buffalo.edu/files/original/6053ba083312ad8924fe7a8100650ca0.jpg 9f3f026cc219719c19a0a86689a7591e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a floor-length gown and a large fur-trimmed cloak while adorned with a tiara and jewelry. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Tosca Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_049 Subject The topic of the resource People Tosca Puccini, Giacomo, 1858-1924 Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Tosca Women singers Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person stands in a dark, floor-length gown with light-colored embroidery and sparkling details. They wear a voluminous dark cloak lined with white fur that features black markings, draped over their shoulders. The ensemble includes a tall tiara, a large necklace, and earrings, with the person positioned near a fluted column and a plain wall. https://digital.lib.buffalo.edu/files/original/302d690eb66fea680c84dc30e56e5237.jpg 25e65a511b5b1580e85b6c534cd77fbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in period costumes perform on a stage, with one seated in an armchair and the other standing beside them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Violetta and Cesare Valletti as Alfredo in Traviata, Act III Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_068 Subject The topic of the resource People Traviata Verdi, Giuseppe, 1813-1901 Covent Garden (Royal Opera House) Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Violetta Valletti, Cesare - Vocalist - tenor - Alfredo Germont Women singers Male singers Creator An entity primarily responsible for making the resource Wood, Roger Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1958? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London United Kingdom Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Two people in historical-style costumes are positioned on a stage. One individual sits in a padded armchair wearing a light-colored, ruffled gown and a headband. The other person stands next to the chair wearing a long, dark coat and a cravat, with their hands placed on the seated person's arm and hand. https://digital.lib.buffalo.edu/files/original/2bb55ffab0bd6f0eeaffbfc36b9b6514.jpg cf40809634a2bcdddedd0b9ba2d45cb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Maria Callas wears a classical-style gown and patterned headdress during a stage performance of the opera Alceste at Teatro alla Scala. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Alcestis and Paolo Silveri as the High Priest Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_044 Subject The topic of the resource People Alceste Gluck, Christoph Willibald, 1714-1787 Teatro alla Scala Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Alcestis Silveri, Paolo - Vocalist - baritone - High Priest Women singers Male singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1954 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Portrait photographs -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person stands on a stage wearing a floor-length, tiered gown with a meander pattern along the neckline. They wear a tall, pointed headdress and hold their arms out with open palms. In the background, another individual in a dark costume stands near architectural set pieces. Text at the bottom left corner identifies the performer as Maria Callas and the production as Alceste. https://digital.lib.buffalo.edu/files/original/67fb9a2192af987c788ab004786d83ea.jpg f1a33a7cfbd5a715d3ce8d18671e291e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A black and white operatic stage scene features numerous performers in costume with three handwritten signatures at the bottom. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas, Mario Del Monaco, and Cesare Siepi in Norma Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_014 Subject The topic of the resource Productions Norma Bellini, Vincenzo, 1801-1835 Shows stage setting Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Norma - Has inscription Siepi, Cesare - Vocalist - bass - OrovesoHas inscription Del Monaco, Mario, 1915- - Vocalist - tenor - Pollione - Has inscription Women singers Opera -- Stage-setting and scenery Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A large group of people in various costumes, including robes and horned helmets, is positioned across a stage. Some individuals stand on a central elevated platform while others are grouped in the foreground and background against a dark, textured set. Three signatures are written in cursive ink across the white border at the bottom. https://digital.lib.buffalo.edu/files/original/c0e2dd93a6404efba3fe265e8ef788c3.jpg 915d75d6a611a7a55175829e826bc873 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in formal attire on a stage set with wicker furniture and a garden backdrop. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Violetta and Ettore Bastianini as Giorgio Germont in Traviata Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_070 Subject The topic of the resource People Traviata Verdi, Giuseppe, 1813-1901 Teatro alla Scala Shows stage setting Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Violetta - Has inscription Bastianini, Ettore - Vocalist - baritone - Giorgio GermontHas inscription Women singers Male singers Opera -- Stage-setting and scenery Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1955 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Two people are positioned on a stage set featuring wicker furniture and a painted outdoor background. One person sits on a bench in a light-colored, long-sleeved dress, while another person in a dark suit stands behind them. Handwritten signatures are present in the top right and bottom left corners of the frame. https://digital.lib.buffalo.edu/files/original/4b5175f8dac4096f79cc90e46339491a.jpg eee30e1639fc3b99f28d3e585546b80c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in period costumes stand on a theatrical stage featuring stylized, painted desert-themed scenery. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Duchess Hélène and Gino Penno as Henri in Les V?pres siciliennes, Act II Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_072 Subject The topic of the resource People V?pres siciliennes Verdi, Giuseppe, 1813-1901 Teatro Comunale di Firenze Shows stage setting Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Elena Penno, Gino - Vocalist - tenor - Henri Women singers Male singers Opera -- Stage-setting and scenery Creator An entity primarily responsible for making the resource Fototeca del Maggio Musicale Fiorentino Perry, J. Warren Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Florence Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Two people in historical attire stand on a stage set with painted, stylized scenery. To the left is a structure with an arched doorway and stone-like texture, and to the right is a rocky formation with a short flight of stairs and large cactus-like plants. One individual wears a dark tunic with a light collar and belt, while the other wears a long, light-colored gown with dark decorative panels. The background consists of a low horizon and a sky with flat, horizontally-oriented clouds. https://digital.lib.buffalo.edu/files/original/c0004d6ed3a56e0174fe3cb1491b3cd3.jpg 443ebd988f2d040bd916a2201cffcbee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A black and white depiction of a theatrical stage set with two individuals in period costume and handwritten signatures at the bottom. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Tosca and Giuseppe Campora as Mario Cavaradossi, Tosca Act I Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_056 Subject The topic of the resource People Tosca Puccini, Giacomo, 1858-1924 Metropolitan Opera Shows stage setting Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Tosca - Has inscription Campora, Giuseppe - Vocalist - tenor - CavaradossiHas inscription Women singers Male singers Opera -- Stage-setting and scenery Creator An entity primarily responsible for making the resource Lerner, Frank Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1956 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York City USA Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource This black and white scene displays a large interior stage set featuring high vaulted ceilings, columns, and scaffolding. Two people in historical dress are located on the left side near the wooden structure. A statue on a pedestal and an ornate metal fence are visible in the foreground, with several handwritten signatures at the bottom of the frame. https://digital.lib.buffalo.edu/files/original/ea6b84c2e92f6912cd05f7668d01b55f.jpg 6efaa704d04c9d678e6e76d3d47c7247 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wears a floral headpiece and a collared shirt with a handwritten signature across the bottom. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lily Pons Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_086 Subject The topic of the resource People Pons, Lily, 1898-1976 - Vocalist - soprano - Has inscription Women singers Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource This black and white portrait depicts a person from the waist up wearing a collared shirt, a floral headpiece with roses, and jewelry. A blue ink autograph and short message are written across the center of the person's torso. The person looks slightly upward and to the side against a plain background. https://digital.lib.buffalo.edu/files/original/e0ec29f4ac97102412fabdb52ef7de52.jpg ebb57cb7d37f82cff702268763e86fe4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a suit and tie looking to the side while holding a cigarette, with a signed document in the foreground. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Leonard Bernstein Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_003 Subject The topic of the resource People Bernstein, Leonard, 1918- - Conductor - Has inscription Conductors (Music) Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in a dark suit jacket, white shirt, and knitted tie is shown from the waist up, looking toward the left. One hand rests near a large piece of paper and holds a cigarette between two fingers. A handwritten signature is visible across the bottom right corner of the paper. A curtain with vertical lines serves as the background. https://digital.lib.buffalo.edu/files/original/6a95c110a97d82041a63d97a1683d01c.jpg 57929957cce8ee31ef4f1241e487958d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with a beard and mustache wearing a white shirt and dark vest sits in a wooden chair behind a table. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ferdinand Frantz as Hans Sachs Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_076 Subject The topic of the resource People Meistersinger von Nurnberg Wagner, Richard, 1813-1883 Shows costumes Frantz, Ferdinand - Vocalist - bass-baritone - Hans Sachs - Has inscription Male singers Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with facial hair is seated in a large wooden chair behind a table. They are dressed in a white shirt with voluminous sleeves and a dark vest or apron worn over it. The bottom of the frame contains handwritten script in dark ink on a white border. https://digital.lib.buffalo.edu/files/original/d629aa5d6223a80bd008ad1d0d04d2b4.jpg caa029e587c74a6c0fbac62d08ffb58a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with light-colored, styled wavy hair and a dark top, with a green signature across the bottom right. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dorothy Kirsten portrait Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_081 Subject The topic of the resource People Kirsten, Dorothy, 1910-1992 - Vocalist - soprano - - Has inscription Women singers Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A head-and-shoulders portrait shows a person with light-colored hair styled in waves looking slightly off-camera. The person wears a dark garment with one shoulder exposed and subtle shimmering accents. A green handwritten signature reading "Sincerely, Dorothy Kirsten" is written over the person's shoulder. https://digital.lib.buffalo.edu/files/original/3d42430d6caaf3021d34c0f79c3067b3.jpg 92191e89d8f1cb9f14d49c1c24136969 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a white robe wearing an elaborate floral headpiece with hanging ornaments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Renata Tebaldi as Cio-Cio-San in Madame Butterfly Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_098 Subject The topic of the resource People Madama Butterfly Puccini, Giacomo, 1858-1924 Shows costumes Tebaldi, Renata - Vocalist - soprano - Cio-Cio-San - Has inscription Women singers Creator An entity primarily responsible for making the resource Troncone (Naples, Italy) Perry, J. Warren Description An account of the resource Signed: Chicago, 1958 A person stands in front of a plain, light background wearing a white, wide-sleeved robe and an ornate headpiece decorated with white flowers and long, beaded strands. Blue cursive script and the date 1958 are written across the middle of the person. A small leafy plant is positioned in the lower right corner of the frame. Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Portrait photographs -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/2a7fb7813fd315e845b985e4e61e8fa5.jpg 69dbae95934884b199badf339506d294 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a long, light-colored gown and cloak sits on a stone structure against a dark background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Norma Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_012 Subject The topic of the resource People Norma Bellini, Vincenzo, 1801-1835 Teatro alla Scala Shows stage setting Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Norma - Has inscription Women singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1954 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a floor-length gown and a draped cloak sits on a horizontal stone structure. The background features a large, dark, curved wall or rock formation. Handwritten text including the name "Maria Meneghini Callas" and the date "1954" is inscribed across the gown's lap. https://digital.lib.buffalo.edu/files/original/6926796c909602c7b86a53a4624af087.jpg 3746edd8369cbd8a7a1712970cfb04f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a detailed gown performs on a stage with other people in formal attire in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Violetta in Traviata Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_061 Subject The topic of the resource People Traviata Verdi, Giuseppe, 1813-1901 Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Violetta - Women singers Creator An entity primarily responsible for making the resource Not identified Perry, J. Warren Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A central person wears an elaborate, layered dress and long gloves while standing on a stage. They are positioned in profile with hands held near the chest, looking upward. Several other individuals in suits and gowns stand behind them in a dimly lit, theatrical setting. https://digital.lib.buffalo.edu/files/original/a0b566083b99d0f05a1288e706300f7d.jpg bc9dec00ca27900304494947f48a9f18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a long, pleated gown with wide sleeves stands on a stage in front of pointed arches. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Lucia in Lucia di Lammermoor Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_029 Subject The topic of the resource People Lucia di Lammermoor Donizetti, Gaetano, 1797-1848 Teatro alla Scala Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Lucia - Women singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Portrait photographs -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a floor-length, pleated gown with a long train and wide, flowing sleeves stands on a dark stage. The background features three light-colored, pointed arches against a dark wall. Text at the bottom of the frame identifies the individual as Maria Callas in "Lucia di Lammermoor" at Teatro alla Scala. A person wearing a floor-length, pleated gown with a long train and wide, flowing sleeves stands on a dark stage. The background features three light-colored, pointed arches against a dark wall. Text at the bottom of the frame identifies the individual as Maria Callas in "Lucia di Lammermoor" at Teatro alla Scala. Rights Holder A person or organization owning or managing rights over the resource. pleated gown with wide sleeves stands on a stage in front of pointed arches." https://digital.lib.buffalo.edu/files/original/942774a28e952a914faad55bf7afb140.jpg 7703ce82ef6979bc434eb2d0832fdfcb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in historical costumes stand by a table with candles on a stage as one person pours a drink. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Tosca and Tito Gobbi as Scarpia Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_054 Subject The topic of the resource People Tosca Puccini, Giacomo, 1858-1924 Covent Garden (Royal Opera House) Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Tosca - Gobbi, Tito - Vocalist - baritone - Baron Scarpia Women singers Male singers Creator An entity primarily responsible for making the resource Rogers, Houston Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1964 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London United Kingdom Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Rights Holder A person or organization owning or managing rights over the resource. "This black and white scene features two individuals in historical attire on a dark stage. On the left Description An account of the resource This black and white scene features two individuals in historical attire on a dark stage. On the left, a person in a wig and dark coat pours liquid into a glass at a table set with lit candles, a lace tablecloth, and food. To the right, another person in a floor-length, high-waisted gown stands with one hand resting on a high-backed chair. https://digital.lib.buffalo.edu/files/original/f40aefcc1701c1b78b08e085ae368d93.jpg d6005af461e175df2cb7ce1c53e83faa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a long gown and cape stands before large fluted columns in a black and white scene. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. Warren Perry Photo Collection Subject The topic of the resource Performing arts Description An account of the resource The J. Warren Perry Collection of Photographs consists of more than 1800 photographs. The focus of the collection is opera, with images of singers, productions, conductors, and concert halls. There are also photographs of ensembles and instrumentalists. Many of the photographs bear inscriptions from the artists to Dr. Perry. The documentation is international in scope and is a striking visual record of many of the most significant musicians of the twentieth century. The collection is searchable by names of musicians, ensembles, locations, halls, and photographers. Additionally, it can be searched by titles of operas, composers, and operatic roles. Five broad categories have been used to classify the images: people, productions (with a predictable overlap between the two categories), ensembles, halls, and documents (to cover the small number of clippings and letters in the collection). Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0003_1.xml">finding aid</a> for the collection. Identifier An unambiguous reference to the resource within a given context LIB-MUS006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Callas as Paolina in Poliuto Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Identifier An unambiguous reference to the resource within a given context Mus. Arc. 3.1 C35_039 Subject The topic of the resource People Poliuto Donizetti, Gaetano, 1797-1848 Teatro alla Scala Shows costumes Callas, Maria, 1923-1977 - Vocalist - soprano - Paolina - Women singers Creator An entity primarily responsible for making the resource Piccagliani, Erio Perry, J. Warren Date A point or period of time associated with an event in the lifecycle of the resource 1960 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milan Italy Format The file format, physical medium, or dimensions of the resource Black and White Type The nature or genre of the resource Photographic prints -- 1951-1960 Portrait photographs -- 1951-1960 Image Still image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource The subject stands centrally, wearing a draped gown and a large cape with one hand resting on their chest. They look upward against a background of vertical fluted columns. Text at the bottom identifies the setting as Teatro alla Scala and the performer as Maria Callas in "Poliuto." The subject stands centrally, wearing a draped gown and a large cape with one hand resting on their chest. They look upward against a background of vertical fluted columns. Text at the bottom identifies the setting as Teatro alla Scala and the performer as Maria Callas in "Poliuto." Rights Holder A person or organization owning or managing rights over the resource. "The subject stands centrally https://digital.lib.buffalo.edu/files/original/5d252140eaa7a31aac2550d24e1b56bc.jpg 1b8cacc06a8bd64bf01036b47688dc75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Collage of nine black-and-white and sepia photographs showing James Joyce at various stages of life, from childhood to adulthood. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composite of nine early photographs of James Joyce belonging to Sylvia Beach Identifier An unambiguous reference to the resource within a given context 1.1 Format The file format, physical medium, or dimensions of the resource 25.4cm x 20.3cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A montage of nine individual portrait photographs arranged in two rows. The top row shows four photographs of James Joyce as a young adult to middle-aged, including formal and casual portraits. The bottom row includes five images: a toddler in a dark dress with lace collar, a child in a sailor suit, a group portrait with two other individuals, a formal studio portrait in a heavy overcoat, and a full-length portrait in a long coat and hat. The photographs span different time periods and styles, collectively illustrating a visual biography. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2011-12-27 Type The nature or genre of the resource Image Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/11fafff0e146c2d3aebeec03aa92be8a.jpg 13f4b888d43a109a76d67c51b576228d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Profile portrait of James Joyce with slicked-back hair, glasses, and a beard, wearing a high-collared coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, bearded, seated in profile, Zurich Description An account of the resource Stamp on bottom right corner "C. Ruf Zûrich." Inserted negative "This neg. rec'd from Sylvia Beach?" per note on sleeve. Profile view of James Joyce seated and facing left, wearing a dark, heavy coat with a tall collar. Joyce has neatly slicked-back hair, a short beard, and round eyeglasses. One arm is bent at the elbow and rests on a surface, while the other hand rests on their lap. The backdrop is dark and softly blurred, directing attention to Joyce's silhouette and facial features. Stamp on bottom right corner "C. Ruf Zûrich," inserted negative "This neg. rec'd from Sylvia Beach?" per note on sleeve. Creator An entity primarily responsible for making the resource Ruf, C. Date A point or period of time associated with an event in the lifecycle of the resource 1919 Identifier An unambiguous reference to the resource within a given context 1.2 Format The file format, physical medium, or dimensions of the resource 10.9cm x 14.5cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/93eb5abf8c1866350db8b13f8975ac46.jpg ac3292ebeb15dbaaf06d97d7a04381eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Profile portrait of James Joyce with slicked-back hair, glasses, and a beard, wearing a high-collared coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, bearded, seated in profile, Zurich Description An account of the resource Stamp on bottom right corner "C. Ruf Zûrich", signed by JJ "James Joyce" Sepia-toned portrait showing a seated James Joyce in profile, facing left. Joyce has neatly combed-back hair, a trimmed beard, and is wearing round eyeglasses. Joyce are dressed in a thick, high-collared coat, with one hand resting on their lap and the other hanging loosely over the arm of a chair. The background is softly blurred, emphasizing the subject's profile and posture. The photograph is bordered by a wide margin and includes a signature in the lower right corner of the paper. Stamp on bottom right corner "C. Ruf Zûrich", signed by JJ "James Joyce." Creator An entity primarily responsible for making the resource Ruf, C. Identifier An unambiguous reference to the resource within a given context 1.2a Format The file format, physical medium, or dimensions of the resource 17.0cm x 23.8cm, uncut image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/65caa29440eab08d03b2cc1a8ba4ac3c.jpg 9d480ac22126d62a22d0bb84a1e41f16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce wearing round glasses, a straw hat, and a large bow tie, with faint color enhancements on a monochrome portrait. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with moustache, close up Date A point or period of time associated with an event in the lifecycle of the resource 1915 Identifier An unambiguous reference to the resource within a given context 1.3 Format The file format, physical medium, or dimensions of the resource 5.5cm x 8.2cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A formal portrait of a James Joyce in round wire-frame glasses and a wide-brimmed straw hat, shown from the chest up. Joyce is dressed in a suit jacket, white shirt, and large bow tie. The image has been lightly colorized, with hand-applied blue and pink shading accentuating the hat, suit, and face. Joyce has a trimmed mustache and a neutral expression. The background is plain and the image appears to be a studio portrait. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/d667149d5d18516788b8d08d7b07b2c9.jpg 6837c0bd6882859fa8db617547b59337 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in a dark suit, round glasses, and bowler hat, seated and looking toward the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce wearing hat, with head tilted, Zurich Date A point or period of time associated with an event in the lifecycle of the resource c.1912-1915 Identifier An unambiguous reference to the resource within a given context 1.4 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce wearing a dark three-piece suit, tie, and bowler hat sits against a plain backdrop. Joyce has a small mustache and are wearing round wire-rimmed glasses. His head is slightly tilted and gaze is directed toward the viewer. The image has a studio portrait style, with a textured border and sepia tone. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Format The file format, physical medium, or dimensions of the resource image/jpeg Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/7747adfeaac0ef107d675df85b1883e0.jpg 43ca689291438ef29419971cb7e6eb42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in a dark suit, round glasses, and bowler hat, seated and looking toward the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce wearing hat, with head tilted, Zurich Description An account of the resource Signed by JJ "James Joyce | Paris | 30 · x · 924" James Joyce wearing a dark three-piece suit, tie, and bowler hat sits against a plain backdrop. Joyce has a small mustache and are wearing round wire-rimmed glasses. His head is slightly tilted and gaze is directed toward the viewer. The image has a studio portrait style, with a textured border and sepia tone. Signed by James Joyce "James Joyce | Paris | 30 · x · 924" Date A point or period of time associated with an event in the lifecycle of the resource c.1912-1915 Identifier An unambiguous reference to the resource within a given context 1.4a Format The file format, physical medium, or dimensions of the resource 6.3cm x 9.2cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/108e7569d8e9b83362a4fb3517465efa.jpg 35a09271001eb32f654ab22f9fd0b4c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce standing in front of a greenhouse with hands in pockets, wearing light trousers and a flat cap. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce standing beside greenhouse, Dublin Description An account of the resource Signed by JJ "James Joyce | Paris | 30 · x · 924" James Joyce stands casually in front of a glass-paneled greenhouse with hands in their pockets. They are dressed in a dark jacket, vest, light-colored trousers, and a flat cap. Several potted plants are visible at their feet, and climbing plants are growing on the wall beside the greenhouse. The background suggests a garden setting. Signed by James Joyce, "James Joyce | Paris | 30 · x · 924" Creator An entity primarily responsible for making the resource Curran, Constantine P. Date A point or period of time associated with an event in the lifecycle of the resource 1904 Identifier An unambiguous reference to the resource within a given context 1.5 Format The file format, physical medium, or dimensions of the resource 11.0cm x 15.4cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/9a02f4c1c81ecc0c972de9aae3e2acf5.jpg 9471728f4c914cbc47bcd4fba9b2398c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce standing in front of a greenhouse with hands in pockets, wearing light trousers and a flat cap. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce standing beside greenhouse, Dublin Description An account of the resource Shakespeare and Company stamp on verso James Joyce stands casually in front of a glass-paneled greenhouse with hands in their pockets. They are dressed in a dark jacket, vest, light-colored trousers, and a flat cap. Several potted plants are visible at their feet, and climbing plants are growing on the wall beside the greenhouse. The background suggests a garden setting. Shakespeare and Company stamp on verso. Creator An entity primarily responsible for making the resource Curran, Constantine P. Date A point or period of time associated with an event in the lifecycle of the resource 1904 Identifier An unambiguous reference to the resource within a given context 1.5a Format The file format, physical medium, or dimensions of the resource 15.0cm x 19.0cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/9b5fef35eaea5833c0d759749619a78b.jpg ad1d02447b57b5de1cb49c117e22a8ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in a dark dress with a large white lace collar, standing beside a piece of furniture, aged 3. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, age 3 Description An account of the resource Signed by JJ "James Joyce | Paris | 30 x 924", JJ's handwriting on verso: "2 | Rathgar, Du" A young James Joyce stands beside an ornately carved table or chair, dressed in a dark velvet dress with a wide, ruffled white lace collar and matching cuffs. Joyce's hair is short and light in color. White stockings and dark shoes are visible. The background is plain and softly shaded, with a signature and handwritten date in the lower right corner. Signed by James Joyce, "James Joyce | Paris | 30 x 924", JJ's handwriting on verso: "2 | Rathgar, Du" Date A point or period of time associated with an event in the lifecycle of the resource 1885 Identifier An unambiguous reference to the resource within a given context 1.6 Format The file format, physical medium, or dimensions of the resource 6.4cm x 9.5cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/edbbb360623ab77b7409bd1cd49cfc60.jpg 0e31c0a5ca304dfe3e2aad41073f5536 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in a sailor suit, standing with one hand in a pocket and facing forward, aged 6. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce in sailor suit, age 6 Description An account of the resource Signed by JJ "James Joyce | Paris | 30 · x · 924" A young James Joyce stands in front of a studio backdrop, wearing a traditional sailor suit with a dark scarf and emblem on the sleeve. Joyce, aged 6, has short, neatly combed hair and a serious expression. One hand rests inside a pocket while the other is relaxed by their side. A textured object or surface appears to the right of the frame. Date A point or period of time associated with an event in the lifecycle of the resource 1888 Identifier An unambiguous reference to the resource within a given context 1.7 Format The file format, physical medium, or dimensions of the resource 10.6cm x 14.6cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/64df26956765dde32c46978cf6d86275.jpg 1a59661b88b59bda987b734d9def5001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in a sailor suit, standing with one hand in a pocket and facing forward, aged 6. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce in sailor suit, age 6 Date A point or period of time associated with an event in the lifecycle of the resource 1888 Identifier An unambiguous reference to the resource within a given context 1.7a Format The file format, physical medium, or dimensions of the resource 14.0cm x 19.3cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A young James Joyce stands in front of a studio backdrop, wearing a traditional sailor suit with a dark scarf and emblem on the sleeve. Joyce, aged 6, has short, neatly combed hair and a serious expression. One hand rests inside a pocket while the other is relaxed by their side. A textured object or surface appears to the right of the frame. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/81d737271316e3f34e9d89a3dea76b06.jpg 1a4a87d683a360f0c88c1af0a0e01888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource George Clancy, John Francis Byrne, and James Joyce posed in formal clothing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and school friends George Clancy, and J. F. Byrne Description An account of the resource Signed by JJ "James Joyce | Paris | 30 · x · 924", with 10.3 x 4.0 scrap with JJ's handwriting "G. Clancy | J. F. Byrne | Jay Joyce" Three individuals are posed in a studio setting. George Clancy, seated, left, and James Joyce, seated, right, wear dark suits. A third person, John Francis Byrne, stands behind them wearing a flat cap and also dressed in a dark suit. The image is bordered with a decorative mat. Signed by JJ "James Joyce | Paris | 30 · x · 924", with 10.3 x 4.0 scrap with JJ's handwriting "G. Clancy | J. F. Byrne | Jay Joyce" Date A point or period of time associated with an event in the lifecycle of the resource 1900-1901 Identifier An unambiguous reference to the resource within a given context 1.8 Format The file format, physical medium, or dimensions of the resource 9.8cm x 14.2cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Byrne, George Byrne, J. F. (John Francis), 1879 or 1880-1960 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/c573fa43b858fec74d7e68d5f0b44edd.jpg c4857859064536e0c6395335627b0ba8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource George Clancy, John Francis Byrne, and James Joyce posed in formal clothing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and school friends George Clancy, and J. F. Byrne Date A point or period of time associated with an event in the lifecycle of the resource 1900-1901 Identifier An unambiguous reference to the resource within a given context 1.8a Format The file format, physical medium, or dimensions of the resource 14.0cm x 19.3cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Three individuals are posed in a studio setting. George Clancy, seated, left, and James Joyce, seated, right, wear dark suits. A third person, John Francis Byrne, stands behind them wearing a flat cap and also dressed in a dark suit. The image is bordered with a decorative mat. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Clancy, George Byrne, J. F. (John Francis), 1879 or 1880-1960 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/4ed9a7588e976b00dd0a750b31b9da1f.jpg 93be56558654bc3f5a0d2155b988445b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in academic robes with fur trim standing beside a carved chair and a table with books. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce's graduation from Royal University (later University College Dublin) Description An account of the resource Signed by JJ "James Joyce | Paris | 30 · x · 924", printed on verso "PHOTOGRAPHIE | Paul DARBY | 147.Bd Saint-Germain 147 | PARIS", JJ's handwriting "Degree Day R.U.J. | Dublin |20" James Joyce stands indoors wearing dark academic robes trimmed with white fur, a bow tie, and a formal vest. One hand rests on a carved armchair, and the other on a table holding several stacked books and papers. Joyce is posed in front of a plain backdrop and is looking slightly to the side. Handwritten text appears in the lower right corner. Signed by James Joyce, "James Joyce | Paris | 30 · x · 924", printed on verso "PHOTOGRAPHIE | Paul DARBY | 147.Bd Saint-Germain 147 | PARIS", JJ's handwriting "Degree Day R.U.J. | Dublin |20" Creator An entity primarily responsible for making the resource Darby, Paul Date A point or period of time associated with an event in the lifecycle of the resource 1902 Identifier An unambiguous reference to the resource within a given context 1.9 Format The file format, physical medium, or dimensions of the resource 10.2cm x 14.7cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 University College, Dublin Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/289e17198674a5c73505ec1541015910.jpg 5c2eec3d4986793c0ef0a0457b49198a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in academic robes standing beside a table with books. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce's graduation from Royal University (later University College Dublin) Creator An entity primarily responsible for making the resource Darby, Paul Date A point or period of time associated with an event in the lifecycle of the resource 1902 Identifier An unambiguous reference to the resource within a given context 1.9a Format The file format, physical medium, or dimensions of the resource 14.6 cm x 18.9 cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce stands indoors wearing academic robes with a white fur collar. One hand rests on a carved chair while the other rests on a table stacked with books and papers. Joyce is posed looking slightly to the side. The background is plain and dark. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 University College, Dublin Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/3563c8ce83902ce666337f474b7cfd38.jpg 8baedd414ed69672f361a02a1bb549f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Full-length portrait of James Joyce in a long overcoat, scarf, and wide-brimmed hat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce in hat and great coat, Zurich Description An account of the resource Signed by JJ "James Joyce | Paris | 30 · x · 924", on verso in JJ's handwriting "21 | [illegible]" James Joyce stands facing forward in a full-length pose against a plain background. Joyce is wearing a dark overcoat, a patterned scarf, and a wide-brimmed hat. The image is slightly out of focus and has handwritten text at the bottom right corner that reads, "James Joyce | Paris | 30 · x · 924." Signed by JJ "James Joyce | Paris | 30 · x · 924", on verso in JJ's handwriting "21 | [illegible]" Date A point or period of time associated with an event in the lifecycle of the resource 1914 Identifier An unambiguous reference to the resource within a given context 1.10 Format The file format, physical medium, or dimensions of the resource 6.9 cm, x 10.8 cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/bba4dca9509e70b98e791b677868c569.jpg f97d570f0a1e7cb05241b8c9790bad37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Group portrait of fourteen people in academic attire posed outdoors around a large tree. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce graduation from University College Dublin with group of students Description An account of the resource On verso, names of students, folder includes seating diagram on Shakespeare and Company lending library card (14.1 x 10.6), note from Sylvia Beach (14.9 x 11.9), photocopy of seating diagram Fourteen individuals are gathered outdoors in front of a large tree. Most are dressed in academic robes. The group is arranged in four rows: four seated or reclining on the ground, four seated or kneeling in the middle, and six standing in the back. The background shows a garden or wooded area at University College Dublin. On verso, names of students, folder includes seating diagram on Shakespeare and Company lending library card (14.1 x 10.6), note from Sylvia Beach (14.9 x 11.9), photocopy of seating diagram. Date A point or period of time associated with an event in the lifecycle of the resource 1902 Identifier An unambiguous reference to the resource within a given context 1.12 Format The file format, physical medium, or dimensions of the resource 15.6 cm x 10.7 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 University College, Dubin Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/063b65fa8687e242aa688a818884ee80.jpg f7f49395122f77c8760e9a8844994987 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce wearing glasses and a high-collared coat, facing slightly to the right. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, bearded, three quarter view, Zurich Description An account of the resource Stamp on bottom right corner "C. Ruf Zûrich." Inserted negatives "Neg. for this rec'd from Sylvia Beach?" per note on sleeve. James Joyce is seated against a dark, softly lit backdrop. Joyce is wearing round glasses and a heavy, high-collared coat fastened with visible buttons. His hair is slicked back, and they have a short beard and mustache. One arm rests on the leg, while the other hand is positioned on the arm of the chair. The image is framed within a beige mount. Stamp on bottom right corner "C. Ruf Zûrich." Inserted negatives "Neg. for this rec'd from Sylvia Beach?" per note on sleeve. Creator An entity primarily responsible for making the resource C. Ruf Date A point or period of time associated with an event in the lifecycle of the resource 1919 Identifier An unambiguous reference to the resource within a given context 1.11 Format The file format, physical medium, or dimensions of the resource 17.2 cm x 24.0 cm, uncut image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/8c72c9d173cdeb48102d388512f21bb8.jpg bedea48d9424ec6750cd3c0b21d628b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three adults and a child posed indoors; the child, James Joyce, is reading from a paper while sitting on the floor. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with his mother, father, and maternal grandfather at age 6 Description An account of the resource Signed by JJ "James Joyce | Paris | 25 · xi · 27", negative (10.0 x 12.5) Four individuals pose in an indoor setting with ornate furniture and a patterned backdrop. James Joyce's mother is seated, center, in a striped dress holds a printed page while James, a child, is dressed in a light-colored sailor suit and leans on her knee, pointing at the page. James Joyce's father, dressed in a suit sits next to them on the right, while James Joyce's grandfather stands behind them with a hand resting on a carved wooden armrest. Handwritten text is visible in the lower right corner. Signed by JJ "James Joyce | Paris | 25 · xi · 27", negative (10.0 x 12.5). Date A point or period of time associated with an event in the lifecycle of the resource 1888 Identifier An unambiguous reference to the resource within a given context 1.13 Format The file format, physical medium, or dimensions of the resource 14.0 cm x 26.0 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/0ea50af4df1a39e404a8cf0a3f5371cb.jpg 5f933bde9ee5a2669d4529daa42016d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Giorgio and Lucia Joyce, as children, posing indoors; one in a sailor suit, the other holding a small animal. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia and Giorgio Joyce with kitten standing at window of their flat in Trieste Description An account of the resource Inserted negative "?This neg. rec'd from Sylvia Beach" per note on sleeve Faded sepia-toned portrait of two children standing side by side. Giorgio Joyce is on the left wearing a sailor-style outfit with a cap and striped shirt. Lucia Joyce, at right, in a light-colored dress, is holding what appears to be a cat. The image is worn, with visible creases, scratches, and a torn upper right corner. A partial printed sign in Italian is visible at the bottom of the frame. Inserted negative "?This neg. rec'd from Sylvia Beach" per note on sleeve. Date A point or period of time associated with an event in the lifecycle of the resource c.1910 Identifier An unambiguous reference to the resource within a given context 2.1 Format The file format, physical medium, or dimensions of the resource 10.9 cm x 7.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/543d78840b72b0e66e165e92a61b4dd4.jpg e06910d240993b8a955ffde51c191128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up portrait of Nora Joyce in a dark hat and collared dress. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Formal portrait of Nora Joyce seated, wearing black hat, Zurich Description An account of the resource Inserted negative "This neg. rec'd. from Sylvia Beach?" per note on sleeve Studio portrait showing Nora Joyce from the chest up, dressed in a dark garment with a broad white collar and a decorative bow. Joyce wears a wide-brimmed, semi-transparent hat and looks directly at the camera. The background is softly blurred. Inserted negative "This neg. rec'd. from Sylvia Beach?" per note on sleeve. Identifier An unambiguous reference to the resource within a given context 2.2 Format The file format, physical medium, or dimensions of the resource 10.4 cm x 14.7 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/d55be19e7752d328db3ec315eea4842f.jpg d8aa90d09d8835c6f264d298d15a7050 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce in a white dress and dark hat standing beside an ornate chair. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Formal portrait of Nora Joyce standing, wearing white dress and gloves, Zurich Description An account of the resource Inserted negative "?This neg. rec'd. from Sylvia Beach?" per note on sleeve Studio portrait of Nora Joyce wearing a dark wide-brimmed hat and a white dress with elbow-length gloves. She is posed with her arms resting on the back of an ornately upholstered chair with decorative tassels. The background is softly lit with a window and floral arrangement faintly visible. Joyce is looking directly at the camera with a composed expression. Inserted negative "?This neg. rec'd. from Sylvia Beach?" per note on sleeve. Identifier An unambiguous reference to the resource within a given context 2.3 Format The file format, physical medium, or dimensions of the resource 10.1 cm x 14.7 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/efc42e55636c6cdd25b651ba9cf46384.jpg 2286df6ca443510f380939766988c5a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce with Giorgio and Lucia Joyce, as children. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce with Giorgio and Lucia Joyce, Zurich Identifier An unambiguous reference to the resource within a given context 2.4 Format The file format, physical medium, or dimensions of the resource 6.6 cm x 10.0 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Studio portrait of Nora Joyce with Giorgio and Lucia Joyce. Nora Joyce is wearing a dark hat with a fabric flower and a white ruffled blouse. Giorgio Joyce, wearing a cap, round glasses, and a dark shirt with a large white bow, sits in front. Lucia Joyce, standing beside the Nora, wears a headscarf, a light short-sleeved dress with lace trim, and holds what appears to be a rolled piece of fabric. All three subjects are facing forward with neutral expressions against a dark backdrop. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Joyce, Nora Barnacle, 1884-1951 Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/e10000e11a29532ae4719672a5018b14.jpg 2b0ae35df3c95413384182bced882d1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce wearing a textured cloche hat and light embroidered blouse. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce as a young girl, wearing hat with streamers, Zurich Description An account of the resource Inserted negative "This neg. rec'd. from Sylvia Beach?" per note on sleeve Studio portrait of a young Lucia Joyce in a cloche-style hat with a pleated texture and decorative beaded band. Joyce has wavy hair and wears a light blouse with embroidered details near the shoulders and collar. A ribbon from the hat hangs loosely down the front. The background is softly blurred. Inserted negative "This neg. rec'd. from Sylvia Beach?" per note on sleeve. Identifier An unambiguous reference to the resource within a given context 2.5 Format The file format, physical medium, or dimensions of the resource 6.7 cm x 9.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/66a5aa9901e82a7767297f32caf9c48f.jpg 468232863e25d4946d4ee27913ed107a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce with shoulder-length curly hair wearing a large bow and light-colored blouse. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce as a young girl, with large bow in her hair, Zurich Identifier An unambiguous reference to the resource within a given context 2.6 Format The file format, physical medium, or dimensions of the resource 6.7 cm x 9.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A softly focused studio portrait of a young Lucia Joyce with wavy hair, wearing a large, light-colored bow tied at the top of the head. Joyce is dressed in a light blouse with subtle embroidered detailing. The background is dark and blurred, drawing attention to the subject’s face. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/4f83997bdfa513067a6ad421935ef9e9.jpg cea69ae3d6c4206799def628ccfe6fb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce, Nora Joyce and Stuart Gilbert near a stone ledge in an urban setting, with one seated holding a cane. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, Nora Joyce and Stuart Gilbert, Zurich Description An account of the resource On verso in SB's handwriting, "James Joyce with Stuart Gilbert and Nora Joyce in Zurich" Three individuals pose outdoors in front of European-style buildings. James Joyce, seated center, sits on a stone ledge wearing a boater hat, sunglasses, a dark blazer, and light trousers, holding a cane across their lap. Stuart Gilbert, seated left, is dressed in a light-colored suit and hat, and Nora Joyce stands to the right in a dark dress with a cloche hat and fur-collared coat. On verso in SB's handwriting, "James Joyce with Stuart Gilbert and Nora Joyce in Zurich." Identifier An unambiguous reference to the resource within a given context 2.7 Format The file format, physical medium, or dimensions of the resource 9.1 cm x 12.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Gilbert, Stuart Zurich (Switzerland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/be89c6170dced4d9bf144f56c19abadc.jpg 41969c308558ae9b35e3e8c0d32f745e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce, Nora Joyce and Stuart Gilbert in front of European-style buildings, with one seated on a low wall holding a cane. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, Nora Joyce and Stuart Gilbert, Zurich Description An account of the resource Shakespeare and Company stamp on verso, torn. A group portrait with three adults outdoors in a paved area with lamp posts and multi-story buildings in the background. James Joyce, seated center, sits on a stone ledge wearing a boater hat, sunglasses, a dark blazer, and light trousers, holding a cane across their lap. Stuart Gilbert, seated left, is dressed in a light-colored suit and hat, and Nora Joyce stands to the right in a dark dress with a cloche hat and fur-collared coat. The caption beneath the photo reads: “James Joyce mit seiner Frau u. seinem Biographen Stuart Gilbert,” identifying the central figure as James Joyce, with his wife and biographer. Shakespeare and Company stamp on verso and torn. Identifier An unambiguous reference to the resource within a given context 2.7c Format The file format, physical medium, or dimensions of the resource 9.1 cm x 12.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Gilbert, Stuart Zurich (Switzerland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/5b19e39f59c98552035b72a7190fbf40.jpg ab064f0efd6bb9edf7b46e99bf8704c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and Nora Joyce seated on a low stone wall near a street with old buildings and signage in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Nora, seated on wall in Zurich Description An account of the resource Inserted negative "This neg. rec'd. from Sylvia Beach" per note on sleeve James Joyce, seated left, in a dark jacket, light trousers, white shoes, boater hat, and sunglasses reclines casually on a low stone ledge. Nora Joyce sits beside him wearing a dark outfit with a fur collar and cloche hat. The setting includes a street lined with early 20th-century European-style buildings, lampposts, and visible signage, including one for "St. Raphael." The background suggests a town square or coastal promenade. Inserted negative "This neg. rec'd. from Sylvia Beach" per note on sleeve. Identifier An unambiguous reference to the resource within a given context 2.8 Format The file format, physical medium, or dimensions of the resource 8.5 cm x 10.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Zurich (Switzerland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/48b1a80c4c191f531072b073b425f9da.jpg 6ea815fc693207fd16cdbdcd8fb60971 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce with Nora and Moune Gilbert in 1920s attire sitting and standing on a low stone wall in front of a street and buildings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Nora and Moune Gilbert, Zurich Description An account of the resource Inserted negative "This neg rec'd from Sylvia Beach | no doubt" per note on sleeve James Joyce and Moune Gilbert are seated on a low stone ledge, while Nora Joyce stands behind them. Joyce, seated left, wears a dark jacket, light trousers, a boater-style hat, sunglasses, and holds a cane. Nora Joyce, standing, wears a long dark coat with a fur collar and a cloche hat. Moune Gilbert, seated right, wears a striped dress, cloche hat, and long beaded necklace. Behind them are streetlamps, buildings with steep roofs, and what appears to be a waterfront or industrial area in the distance. Inserted negative "This neg rec'd from Sylvia Beach | no doubt" per note on sleeve. Identifier An unambiguous reference to the resource within a given context 2.9 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 11.2 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/4ca0d7cb0614a2bc4ee63cca0537a85f.jpg 0038b1e1be006019bc1071a6ed8bcbe6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce with Stuart and Moune Gilbert dressed in light-colored summer clothing and straw hats standing outdoors near a wooden fence. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Stuart and Moune Gilbert, Zurich Description An account of the resource Inserted negative "This neg. prob. rec'd from S. Beach" per note on sleeve" James Joyce with Stuart and Moune Gilbert standing outside in front of a stucco building with an arched doorway. All are dressed in light-colored summer attire, including straw boater-style hats. Joyce wears a dark blazer, light trousers, sunglasses, and holding a cane. Moune Gilbert, center, wears a knee-length light dress with decorative detailing along the front. Stuart, right, is dressed in a light-colored suit and appears to be speaking with the others. A fourth figure is partially visible at the edge of the frame on the left. The setting includes a wooden picket fence, shrubbery, and a tiled or paved surface underfoot. Inserted negative "This neg. prob. rec'd from S. Beach" per note on sleeve." Identifier An unambiguous reference to the resource within a given context 2.10 Format The file format, physical medium, or dimensions of the resource 20.5 cm x 25.5 cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Gilbert, Stuart Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/9ea2cb18a2fe54e1b5c3a913e51795cf.jpg 6134ed54e9ee3e7470029661cfb5689f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Portrait of James Joyce in a suit and tie mounted on a tan background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with moustache, eyeglasses Date A point or period of time associated with an event in the lifecycle of the resource circa 1915 Identifier An unambiguous reference to the resource within a given context 2.12 Format The file format, physical medium, or dimensions of the resource 9.9 cm x 13.3 cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource An aged photograph of James Joyce in formal attire is centered on a tan or brown textured background. Joyce is wearing a light-colored suit, a collared shirt, and a tie. The portrait appears to be cropped at the shoulders and has visible wear, including torn and frayed corners. Joyce is shown with neatly combed dark hair, glasses, and a mustache. The image is monochrome and printed on what looks like newspaper or magazine paper. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/9dfaf5ed6f4136554d82145104123d8e.jpg 1b0a0446be360e4e81353289bf2dd497 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce seated and playing a classical guitar, facing slightly to the left. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce seated, playing guitar, Zurich Description An account of the resource On verso "Zurich 1915 | Taken by | Ottocaro Weiss" James Joyce dressed in a dark suit and tie is seated on a chair, holding a classical guitar. Joyce appears to be mid-performance, with the right hand positioned near the sound hole and the left hand on the fretboard. The backdrop includes a tiled wall with decorative paneling and part of an upholstered chair with a patterned fabric is visible on the left. On verso "Zurich 1915 | Taken by | Ottocaro Weiss." Creator An entity primarily responsible for making the resource Weiss, Ottocaro Date A point or period of time associated with an event in the lifecycle of the resource 1915 Identifier An unambiguous reference to the resource within a given context 2.13 Format The file format, physical medium, or dimensions of the resource 24.9 cm x 17.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/f000320d97ab6f87e8f7056551218377.jpg 5179c3c047bfcf0d1f6940383450a250 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce seated and playing a guitar, facing slightly to their left. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce seated, playing guitar, Zurich Description An account of the resource On verso "Joyce with | Guitar-- | Trieste James Joyce in formal attire is seated on a wooden chair, playing a classical guitar. Joyce looks to their left while strumming with their right hand and fingering the fretboard with their left. The background includes a wall with decorative paneling and a patterned upholstered chair partially visible on the left. Red editorial markings and handwritten numbers are visible along the photo's border. On verso "Joyce with | Guitar-- | Trieste. Creator An entity primarily responsible for making the resource Weiss, Ottocaro Date A point or period of time associated with an event in the lifecycle of the resource 1915 Identifier An unambiguous reference to the resource within a given context 2.13a Format The file format, physical medium, or dimensions of the resource 17.6 cm x 12.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/75dfd580336c506bf358a443f2eb0fe6.jpg 44fa0b28966ad3cde83b2b6a879167b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce with Sylvia Beach, Cyprian Beach and John Rodker in a book-lined room, three engaged in conversation and one reading. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Sylvia Beach, Cyprian Beach and John Rodker at Shakespeare and Company Description An account of the resource Shakespeare and Company stamp on verso. Typed note in French "James Joyce: Sylvia Beach : Cyprian Beach: | et John Rodker | à Shakespeare and Company en 1921." Inserted negative "This neg. rec'd from S. Beach" per note on sleeve. A group of four individuals is inside a room filled with bookshelves. In the foreground, James Joyce and Sylvia Beach face each other in conversation across a desk with flowers, papers, and an inkwell. John Rodker stands behind them, facing forward, and Cyprian Beach stands to the right, reading a book. The room has framed pictures on the wall, a woven rug on the floor, and is densely lined with books, suggesting a library or bookshop setting. Shakespeare and Company stamp on verso and typed note in French "James Joyce: Sylvia Beach : Cyprian Beach: | et John Rodker | à Shakespeare and Company en 1921." Inserted negative "This neg. rec'd from S. Beach" per note on sleeve. Date A point or period of time associated with an event in the lifecycle of the resource 1921 Identifier An unambiguous reference to the resource within a given context 3.2 Format The file format, physical medium, or dimensions of the resource 23.9 cm x 17.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Beach, Sylvia Shakespeare and Company (Paris, France) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/17fc2bc6a7d681867f950bff61db3a14.jpg e0c9979101502be34198307936b16dec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and Sylvia Beach outside the Shakespeare and Company bookshop; another person looks down from a balcony above. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and Sylvia Beach outside Shakespeare and Company Date A point or period of time associated with an event in the lifecycle of the resource 1921 Identifier An unambiguous reference to the resource within a given context 3.1 Format The file format, physical medium, or dimensions of the resource 16.5 cm x 22.3 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A sepia-toned street scene shows James Joyce and Sylvia Beach standing at the entrance of Shakespeare and Company, a historic bookshop in Paris. James Joyce leans casually against the doorframe holding a cane, while the Sylvia Beach stands with hands in coat pockets, facing Joyce. Above the storefront, a third person looks down from a wrought iron balcony. The shop windows display books, and signage identifies the establishment as a bookstore and lending library. The cobblestone street and aged building façade contribute to the early 20th-century atmosphere. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Beach, Sylvia Shakespeare and Company (Paris, France) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/f690cbf11a566807bfc9c6ec3a944a80.jpg 712f8dfe0b5bb4a0ca80116b3a06b01f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Sylvia Beach and James Joyce seated in a library, facing each other in conversation across a desk. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and Sylvia Beach seated at table in Shakespeare and Company Description An account of the resource Two Shakespeare and Company stamps on verso inserted negative "This neg. prob. rec'd. from S. Beach" per note on sleeve Sylvia Beach and James Joyce in Shakespeare and Company. Beach is seated on the right at a wooden desk covered with papers, books, a small vase of flowers, and writing tools. James Joyce sits across from Beach in a wooden chair, legs crossed, with hands resting in their lap. Both wear formal attire, including bow ties. Behind them, tall bookshelves filled with neatly arranged books line the wall. The image has visible wear, including torn corners and faded areas. Two Shakespeare and Company stamps on verso and inserted negative "This neg. prob. rec'd. from S. Beach" per note on sleeve. Creator An entity primarily responsible for making the resource Unknown Date A point or period of time associated with an event in the lifecycle of the resource 1921 Identifier An unambiguous reference to the resource within a given context 3.3 Format The file format, physical medium, or dimensions of the resource 22.2 cm x 16.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/a45ba472dc2e46ee158a2a3e607a977e.jpg 81e231c621eeaa954cd6cbb4643513f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Sylvia Beach and James Joyce standing in a doorway, facing each other, with a cobblestone street and buildings in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and Sylvia Beach in doorway of Shakespeare and Company Description An account of the resource Inserted note in SB's handwriting "Sylvia Beach James Joyce | à Shakespeare and Company | 8 rue Dupuytren | en 1921 | (publication de 'Ulysses" en train)" Sylvia Beach and James Joyce stand in the open doorway of Shakespeare and Company, facing each other. On right, James Joyce leans casually against the door frame holding a cane, dressed in a dark suit, bow tie, and fedora. Sylvia Beach stands in profile on the left, wearing a long dark dress and heeled shoes. The street outside is paved with bricks, and a few blurred figures are visible in the background near an arched entrance. The composition creates a frame within a frame, emphasizing the figures in the doorway. Inserted note in Sylvia Beach's handwriting "Sylvia Beach James Joyce | à Shakespeare and Company | 8 rue Dupuytren | en 1921 | (publication de 'Ulysses" en train)" Date A point or period of time associated with an event in the lifecycle of the resource 1921 Identifier An unambiguous reference to the resource within a given context 3.4 Format The file format, physical medium, or dimensions of the resource 16.5 cm x 22.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Beach, Sylvia Shakespeare and Company (Paris, France) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/b540614d2c6d24d1c270d46104937bfb.jpg ebe13532d0277cc9e0ba54001c6c00d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Formal portrait of John Quinn in a dark suit with a high white collar and cravat, looking slightly to the side. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Quinn, inscribed to James Joyce Description An account of the resource Photograph stamped "Hollinger, NY." Inserted note "To James Joyce with the kind | regards of John Quinn |June 24, 1921." Sepia-toned formal studio portrait showing John Quinn posed in profile, turned slightly toward the camera. Quinn is dressed in a dark coat with a high white collar and a cravat or tie featuring small dots. The backdrop is plain and the lighting highlights the subject's facial features. The image has a classic early 20th-century portrait style. Photograph stamped "Hollinger, NY," inserted note "To James Joyce with the kind | regards of John Quinn |June 24, 1921" Date A point or period of time associated with an event in the lifecycle of the resource 1921-06-24 Identifier An unambiguous reference to the resource within a given context 3.5 Format The file format, physical medium, or dimensions of the resource 10.4 cm x 15.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Quinn, John, 1870-1924 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/0be23099e4d9ec635291caada21be915.jpg 0eeb72293dfac1e599f86f5a10d66a88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Sylvia Beach and James Joyce seated at a desk stacked with papers; behind them are bookshelves and posters referencing Ulysses and Arnold Bennett. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Sylvia Beach at Shakespeare and Company Description An account of the resource On verso in Sylvia Beach's handwriting "Photo by New York Times of James Joyce & Sylvia Beach | at Shakespeare and Company bookshop 12 rue de l'Odéon Paris 1922 | Behind Joyce: 2 posters from London 1) announcing |write-up of Ulysses in 'Sporting Times' (Feb. 1922) and 2) | Arnold Bennett's article in the "Outlook" Feb 1922 | Behind Joyce on the right: 4 photos by New York Times | of 1) James Joyce and Sylvia Beach at Shakespeare and | Company 8 rue Dupuytren Paris (former premises) 1920 | 2) same in doorway 3) interior with James Joyce: | Sylvia and Cyprian Beach annd John Rodker | In right upper corner: 2 photos of Wilde framed | with autograph letters of Wilde- gifts to |Shakespeare and Company of Byron Kuhn "Count | Prorok" Shakespeare and Company stamp. Photograph torn and taped. Sylvia Beach and James Joyce seated at a desk in a book-filled room. Sylvia Beach, seated on the left wears a collared shirt with a tie and a jacket, facing James Joyce, who is dressed in a dark suit with a polka-dot bow tie and wears a black eye patch over the right eye. Stacks of paper and an old-fashioned telephone occupy the desk in front of them. Behind them, books fill shelves, and two posters are prominently displayed. One poster includes the headline “The Scandal of Ulysses,” and the other features the name “Arnold Bennett.” The image has visible creases and damage. On verso in SB's handwriting "Photo by New York Times of James Joyce & Sylvia Beach | at Shakespeare and Company bookshop 12 rue de l'Odéon Paris 1922 | Behind Joyce: 2 posters from London 1) announcing |write-up of Ulysses in 'Sporting Times' (Feb. 1922) and 2) | Arnold Bennett's article in the "Outlook" Feb 1922 | Behind Joyce on the right: 4 photos by New York Times | of 1) James Joyce and Sylvia Beach at Shakespeare and | Company 8 rue Dupuytren Paris (former premises) 1920 | 2) same in doorway 3) interior with James Joyce: | Sylvia and Cyprian Beach annd John Rodker | In right upper corner: 2 photos of Wilde framed | with autograph letters of Wilde- gifts to |Shakespeare and Company of Byron Kuhn "Count | Prorok" Shakespeare and Company stamp. Photograph torn and taped. Date A point or period of time associated with an event in the lifecycle of the resource 1922 Identifier An unambiguous reference to the resource within a given context 3.6 Format The file format, physical medium, or dimensions of the resource 24.0 cm x 16.0 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Shakespeare and Company (Paris, France) Beach, Sylvia Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/f81ca9a1722536e660b6fab1d31f5cd0.jpg a5f2a6cafd75b00fceca2b211bb7f1ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Sylvia Beach and James Joyce seated at a desk with papers, bookshelves and "Ulysses" posters in the background; one person wears an eye patch and bow tie. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Sylvia Beach at Shakespeare and Company Date A point or period of time associated with an event in the lifecycle of the resource 1922 Identifier An unambiguous reference to the resource within a given context 3.6a Format The file format, physical medium, or dimensions of the resource 18.2 cm x 13.0 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Sylvia Beach and James Joyce seated at a cluttered desk covered in papers. Beach is seated on the left and wears a light-colored collared blouse with a dark tie and jacket, and is looking toward the right. James Joyce is seated on the right and wears a dark suit with a polka-dot bow tie and a dark eye patch over the right eye, also looking slightly downward and to the left. Behind them is a bookcase filled with books and a wall with several posters, including prominent signage advertising Ulysses and Arnold Bennett, as well as racing odds for horses. A telephone and ink bottles sit on the desk in the foreground. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Beach, Sylvia Joyce, James, 1882-1941 Shakespeare and Company (Paris, France) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/03ac7c0167799986fd79c197bc5963a9.jpg 9e528fea8919bc8d83a8a09f633287e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Portrait of Sylvia Beach with short wavy hair in collared garment, looking slightly left. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sylvia Beach Description An account of the resource Inserted negative "This neg. rec'd from Sylvia Beach" per note on sleeve. On same exposure is negative of B. W. Huebsch (see 9.1). Black-and-white head-and-shoulders portrait of Sylvia Beach with short, wavy hair parted slightly to the side. Beach is wearing a collared shirt or dress with a decorative element on the lapel. The individual is facing slightly to the viewer’s left, with a neutral or pensive expression. The background is plain and light, possibly a studio setting. Inserted negative "This neg. rec'd from Sylvia Beach" per note on sleeve on same exposure is negative of B. W. Huebsch (see 9.1) Identifier An unambiguous reference to the resource within a given context 3.8 Format The file format, physical medium, or dimensions of the resource 20.5 cm x 25.2 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Beach, Sylvia Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/8dc9c8beac890c7b55b11cee60274b57.jpg b5a81aaef811724abd0fa1263ab093d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce wearing a textured overcoat, bow tie, and soft cap, posed in a formal portrait with handwritten inscription below. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce in cap, Bognar, Wales Description An account of the resource Inscribed in JJ's handwriting "To | Sylvia Beach | with kind regards | James Joyce |Bognar | July 1923" Sepia-toned formal portrait mounted on a dark frame. James Joyce is dressed in a thick textured overcoat, patterned bow tie, and a pleated soft cap with a visor, and wears round glasses. Joyce faces forward with a neutral expression. Below the photograph on the mount, there is a handwritten inscription in ink that reads: “To / Sylvia Beach / with kind regards / James Joyce / Bognar / July 1922”. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Identifier An unambiguous reference to the resource within a given context 3.9 Format The file format, physical medium, or dimensions of the resource 13.8 cm x 21.6 cm, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/6a0c6d7f36cafd9ee7ed45d88c76ab91.jpg 010a7d7b34fe2c64e2be5c14f1085ce5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce wearing textured coat, bow tie, and round glasses, with a soft cap tilted to one side. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce in cap, Bognar, Wales Description An account of the resource On verso in SB's handwriting "James Joyce in BOGNAR, WALES 1923 | Sylvia Beach Collection." Shakespeare and Company stamp. Studio portrait of James Joyce seated and facing the camera. Joyce wears a thick, textured overcoat, a patterned bow tie, and a soft, pleated cap with a visor. Round wire-rimmed glasses frame their face, and they have a thin mustache. The photo is bordered by white margins with faint pencil markings and measurements along the edges. The background is neutral, and lighting emphasizes the subject's face and clothing texture. On verso in SB's handwriting "James Joyce in BOGNAR, WALES 1923 | Sylvia Beach Collection" Shakespeare and Company stamp. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Identifier An unambiguous reference to the resource within a given context 3.9a Format The file format, physical medium, or dimensions of the resource 13.9 cm x 21.1 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/764e60c1030337025cc3531379555e96.jpg 8cc5f2b55e3d89119fb2e120ea1af719 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce dressed in a textured coat and cap, wearing round glasses and a patterned bow tie. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce in cap, Bognar, Wales Date A point or period of time associated with an event in the lifecycle of the resource 1923 Identifier An unambiguous reference to the resource within a given context 3.9b Format The file format, physical medium, or dimensions of the resource 12.7 cm x 17.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce is posed facing the camera in a studio setting, wearing a thick, textured overcoat and a soft, brimless cap with folds. Joyce has round wire-rimmed glasses, a thin mustache, and a patterned bow tie. The background is plain and light-colored, and the lighting highlights facial features and clothing texture. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/8d12e5b95ddbca7d90e7fbd335dbf171.jpg 07cc8d58ba8ecc74d9b4fd7ea70270ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford in suits in conversation in a room with books and furniture. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford Description An account of the resource On verso "6" wide | BOOK Review | Return to: Harcourt, Brace and Company | 750 Third Avenue, NYC." Shakespeare and Company stamp. James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford are gathered indoors. John Quinn man stands in the background while the other three are seated, engaged in conversation. They are dressed in suits and ties. Ezra Pound, on the far left, reclines in an upholstered chair with legs crossed. The center seated man, Ford Madox Ford, holds a large book or manuscript. James Joyce is seated on the right. The background features books, shelves, a lamp, and a cubist-style artwork. The setting appears to be an office or study. On verso "6" wide | BOOK Review | Return to: Harcourt, Brace and Company | 750 Third Avenue, NYC." Shakespeare and Company stamp. Date A point or period of time associated with an event in the lifecycle of the resource c.1923 Identifier An unambiguous reference to the resource within a given context 4.1a Format The file format, physical medium, or dimensions of the resource 25.9 cm x 20.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Pound, Ezra, 1885-1972 Quinn, John, 1870-1924 Ford, Ford Madox, 1873-1939 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/9211c7ae21228a571739ac406dd5e326.jpg 691931f87bde67e0310a379c0c0117c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford in suits gathered in a room, seated and standing in discussion. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford Description An account of the resource On recto "Miss Sylvia Beach from FM Ford. 8/[illegible]/23". On verso in Sylvia Beach's handwriting "Ezra Pound · James Joyce · Ford M. Ford · John Quinn | in studio of Ezra Pound rue Notre·Dame·des·Champs Paris 1923 | signed by F.M. Ford" Shakespeare and Company stamp and inserted negative "This neg. prob. rec'd from S Beach" per note on sleeve. James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford are positioned in a room with wooden furnishings. Three are seated in chairs, and one stands behind them with hands in his pockets. All are wearing suits and ties. On the left, Ezra Pound is reclining casually with one leg crossed over the other. John Quinn stands behind Pound. Ford Madox Ford is seated in the center and James Joyce is seated to his left. The background includes shelves, books, and a framed item on the wall. The setting suggests an office or academic environment. Handwritten text is visible along the bottom edge of the photograph. On recto "Miss Sylvia Beach from FM Ford. 8/[illegible]/23". On verso in Sylvia Beach's handwriting ""Ezra Pound · James Joyce · Ford M. Ford · John Quinn | in studio of Ezra Pound rue Notre·Dame·des·Champs Paris 1923 | signed by F.M. Ford"" with Shakespeare and Company stamp. inserted negative "This neg. prob. rec'd from S Beach" per note on sleeve. Date A point or period of time associated with an event in the lifecycle of the resource c.1923 Identifier An unambiguous reference to the resource within a given context 4.1 Format The file format, physical medium, or dimensions of the resource 23.4 cm x 18.1 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Pound, Ezra, 1885-1972 Quinn, John, 1870-1924 Ford, Ford Madox, 1873-1939 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/b0d4d28fb096bf79c05d007ee2092f2b.jpg 87f9bb7cad57e82bd67ea01195d46e5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce in striped attire standing on a beach near the shoreline. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce standing on beach at Ostend Description An account of the resource On verso "Photo of Lucia Joyce." Shakespeare and Company stamp. Lucia Joyce stands near the edge of the water on a beach, wearing a vertically striped outfit with a belt. Joyce is holding an object in their right hand, possibly a hat. The ocean is visible in the background, with waves reaching the shore. On verso "Photo of Lucia Joyce" with Shakespeare and Company stamp. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.2 Format The file format, physical medium, or dimensions of the resource 6.8 cm x 8.6 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/ce4b8b7ff72bc13baea645b11f022a50.jpg f4c8ae9fd09fde005640e33f1155b158 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce lying on grass with a plaid blanket, other people and houses in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce lying on grass, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.3 Format The file format, physical medium, or dimensions of the resource 8.7 cm x 5.6 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Lucia Joyce reclines on a grassy slope, wrapped in a plaid coat with arms folded over the chest. Nearby, a purse and a pair of gloves lie on the ground. In the background, another person is seated holding an open item, possibly a book or paper, and a child is seated farther back. Residential houses are visible in the distance, suggesting a rural or coastal setting. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/a4414e69e8830f274a6a49e100db1ed7.jpg 53791c63a41e8fd07ee7389b41aecb57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce in a striped sweater and cloche hat leaning against a railing outdoors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce standing outside by wall, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.4 Format The file format, physical medium, or dimensions of the resource 8.7 cm x 5.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Lucia Joyce stands outdoors, leaning casually against a wooden railing. They wear a cloche-style hat, a striped V-neck sweater with a plaid coat draped over it, and a pleated skirt secured with a belt. The background includes a mechanical or nautical element, possibly indicating the setting is on a ship or dock. Joyce is smiling slightly, and the photograph is sepia-toned. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/e4a7d7f2daa19f895522b524d1056a63.jpg 76f4a2cc7c83f3757b1f3d36a7c559e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce in a woven hat looking off to the side in partial sunlight. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce wearing hat, Ostend Description An account of the resource On verso in Lucia Joyce's handwriting "I am not wearing the | latest fashion hat as you | may think but simply | a "sac à papier"! | Lucia" Close-up view of Lucia Joyce wearing a textured, woven cloche-style hat, seated and looking slightly to the side. Joyce is partially lit by strong sunlight, casting shadows across the face and background. Joyce is dressed in a light-colored garment and positioned against a dark, indistinct background. On verso in Lucia Joyce's handwriting "I am not wearing the | latest fashion hat as you | may think but simply | a "sac à papier"! | Lucia" Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.5 Format The file format, physical medium, or dimensions of the resource 8.8 cm x 5.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/6beb5aea8bedc6c752e446a3d2ca86db.jpg b89693e154f9cb46d96a871835133c70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce in short-sleeved dress leaning on a railing with head resting on hand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce seated at table, Ostend Description An account of the resource On verso in Sylvia Beach's handwriting "Photo of Lucia Joyce." Shakespeare and Company stamp. Lucia Joyce wearing a patterned, short-sleeved dress sits outdoors, leaning on a wooden or stone railing with their head resting on one hand. Joyce looks into the distance with a neutral or contemplative expression. Part of a wine glass is visible in the foreground to the right, slightly out of focus. The background shows a dark hillside under a bright sky. On verso in Sylvia Beach's handwriting "Photo of Lucia Joyce" and Shakespeare and Company stamp. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.6 Format The file format, physical medium, or dimensions of the resource 8.5 cm x 6.3 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/83082c5b99fc5317564141cbacf6890e.jpg 0b6ad9160c74160a7ab1a60720f15add Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Biplane landing on a grassy field with a person in the foreground. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Airplane landing, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.7 Format The file format, physical medium, or dimensions of the resource 8.5 cm x 5.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A biplane is captured in mid-landing, angled upward over a flat grassy area. In the foreground, a person stands facing the aircraft, wearing light-colored trousers and a dark jacket. The person's right hand and partial arm are visible. The shadow of the person is cast on the ground to the left. The background is open field with distant, indistinct structures. The image has a sepia tone and slightly soft focus. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Airplane Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/0519fbc08dbf63c2af67e1f25d0564aa.jpg aaab85db3d173909d8017b6b617bbbf9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Group of people gathered near a large biplane. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group at door of airplane, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.8 Format The file format, physical medium, or dimensions of the resource 8.2 cm x 5.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Several individuals wearing coats and hats stand beside a large biplane on a grassy field. The aircraft has two wings and visible rigging characteristic of early 20th-century aviation. The airplane door is open, and some people appear to be boarding or disembarking. The image is sepia-toned and slightly blurred from motion. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Airplanes Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/e626fa220a622c07f63a856c06628052.jpg 65ef46075e1a95e0f6a3e2db1e2c5b22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce, Nora Joyce, and P.J. Hoey sitting on a grassy hill, dressed in early 20th-century attire. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, Nora Joyce, and P.J. Hoey seated on grass Description An account of the resource On verso in handwriting "The man on the right | is Mr. Hoey." Inserted calling card of P.J. Hoey. Three individuals sit on a grassy slope. James Joyce, on the left, wears a light-colored boater hat, an eye patch, and a dark jacket over a white shirt and trousers. Nora Joyce, in the middle, wears a cloche hat, a light blouse, and a skirt with floral detail. P.J. Hoey sits on the right and wears a dark suit and tie with a bowler-style hat. The group appears relaxed, posing outdoors in natural light. The photo is sepia-toned with a soft focus. On verso in handwriting "The man on the right | is Mr. Hoey." Inserted calling card of P.J. Hoey. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.9 Format The file format, physical medium, or dimensions of the resource 8.6 cm x 5.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/9cd9c9fd670c30ab4ea813b0cb1bf211.jpg e68dca865f00223ec679a4fef2de0c3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce seated on steps outside a beach wagon, wearing a cloche hat and light-colored coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce seated on steps of cart, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.10 Format The file format, physical medium, or dimensions of the resource 5.7 cm x 8.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Nora Joyce sits on wooden steps leading up to a beach wagon or bathing hut, which has a large visible wheel on the left. Joyce is dressed in a light-colored coat with fur trim and a cloche hat, and have her legs crossed. The background includes sand, a wooden chair, and a partially visible building with signage reading "PLACE." The overall setting appears to be a seaside location. The photograph is softly focused and sepia-toned. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/c0d5e0874ed7bfe1d3a3755bd1e48c83.jpg 21405dcde5469b64157f2c73532de80c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce in light-colored dress and cloche hat standing by a chain-link fence on a tree-lined path. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce walking, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.12 Format The file format, physical medium, or dimensions of the resource 5.8 cm x 8.6 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Nora Joyce wearing a light-colored, knee-length dress and a cloche hat stands beside a chain-link fence, holding a small clutch and gloves. The dress features lace sleeves and decorative stitching near the hem. Joyce is positioned on a dirt path that curves into the distance, bordered by trees and a grassy area. The background shows a few more people walking further down the path. The photo has a soft focus and sepia tone. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/8e304bb489fb83b5a609227f033a3279.jpg 4bb711031bb5c675c2df959335e43242 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Child playing in sand near a promenade with buildings and Nora Joyce in background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce seated on bench at Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.11 Format The file format, physical medium, or dimensions of the resource 8.5 cm x 5.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A child sits on a sandy beach area in the foreground, focused on digging or playing in the sand with a small container or toy. Behind the child, a brick-paved promenade leads to a bench where Nora Joyce, in a light-colored coat and hat, is seated. The background features multi-story buildings with balconies and large windows, typical of early 20th-century European coastal architecture. The scene suggests a seaside town, and the photograph has a soft focus. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/c9201a4cb5f3b78aa2a80778ccd9e184.jpg b4f563836f1cc46341b96dd265eaf088 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce in a coat and cloche hat standing in front of a biplane. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce standing near airplane, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.13 Format The file format, physical medium, or dimensions of the resource 5.8 cm x 8.7 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Nora Joyce stands in front of a biplane on a grassy field. Joyce is wearing a light-colored dress and a long coat with fur trim, along with a cloche-style hat. One hand holds a blanket or shawl, and the other carries a bag. The tail and vertical stabilizer of the aircraft are visible behind them, with a partial registration number ending in "G" on the tail fin. The photograph has a slightly blurred focus. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/eb5144627e7145993aa955e901d9ccea.jpg 9f0d0e832507e7815848a620c44ea862 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce sitting in a striped armchair, resting their head on their hand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce seated indoors, Ostend Description An account of the resource Nora Joyce is seated in a vertically striped armchair, wearing a light-colored blouse and skirt. They are leaning slightly to their left with their elbow on the armrest and their hand supporting their head. A small side table is partially visible in the background, and the lighting highlights the figure while leaving much of the background in shadow. Shakespeare and Company stamp on verso. Inserted negatives "This neg. rec'd. from Sylvia Beach" per note on sleeve. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.14 Format The file format, physical medium, or dimensions of the resource 8.7 cm x 5.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/69fcb55f07f4e6a9bc427536dbd8e52c.jpg b8fbb32dfc37ead412ca9fb6bb49dca4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce seated in an armchair, resting head on hand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce seated indoors, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.14a Format The file format, physical medium, or dimensions of the resource 12.0 cm x 10.1 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Nora Joyce is sitting in a cushioned armchair with vertical upholstery stripes. They are leaning to one side with their elbow propped on the armrest and their head resting on their hand. Joyce individual is wearing a light-colored, long-sleeved blouse and a skirt. The lighting is dim, with most of the background in shadow, including part of a side table or desk. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/f70712322694b4fe4c78fbbfd0c911d5.jpg dccb1af4612172481f36f8ad070fe7ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce wearing a cloche hat and fur-trimmed coat seated on a beach blanket. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce seated on bench before cabana, Ostend Description An account of the resource Nora Joyce sits on a patterned blanket at the beach, wearing a cloche hat and a light-colored coat with fur trim. Behind them are striped beach cabins, people walking along the sand, and a distant view of buildings and flags. The scene suggests a coastal resort setting during the early 20th century. Shakespeare and Company stamp on verso. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.15 Format The file format, physical medium, or dimensions of the resource 8.7 cm x 5.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/689198d524f1626a254c49ceaae263c8.jpg de05ec1162b83aa66cc6c854242f2041 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce sitting on a blanket at the beach wearing a cloche hat and coat with fur trim. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce seated on bench before cabana, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.15a Format The file format, physical medium, or dimensions of the resource 12.0 cm x 9.1 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Nora Joyce is seated on a patterned blanket at the beach, dressed in a light-colored coat with fur trim and a cloche hat. In the background, several people are walking along the sand, and striped beach cabins or tents are visible. The scene appears to be at a seaside resort or coastal area. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Ostend (Belgium) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/b659e2c8eacf491db938285dc0b5e016.jpg 22922d35ece9eda732d0d5ffe41de981 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Giorgio Joyce and Nora Joyce seated on a bench beside a table set for tea in a garden. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce and Giorgio Joyce seated outdoors at table, Ostend Description An account of the resource Giorgio Joyce and Nora Joyce sit closely on a slatted wooden bench outdoors, surrounded by leafy vegetation. Giorgio Joyce, on the left, wears glasses and a suit with a tie, while Nora Joyce, on the right, is dressed in a light-colored coat and a cloche-style hat. A small table in the foreground is covered with a patterned cloth and holds teacups, a teapot, and glassware. Shakespeare and Company stamp on verso. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.17 Format The file format, physical medium, or dimensions of the resource 8.6 cm x 5.6 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/5dd38f9db2b832e939c3bb9757b69b60.jpg 82499d7734c11699f2c4688e7b2f9d1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce, James Joyce and Giorgio Joyce seated at an outdoor table with drinks and tableware; one person is eating with a spoon. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, Nora Joyce, and Giorgio Joyce seated at table, possibly at Ostend Description An account of the resource Three individuals sit at a rectangular table set with glassware, dishes, and a patterned tablecloth in a garden setting. On the left, Nora Joyce wears a light-colored coat with a fur collar and a cloche hat. In the center, James Joyce wears an eye patch and leans their head on one hand. On the right, Giorgio Joyce, with neatly combed hair and glasses, is mid-bite with a spoon held to their mouth. Dense foliage fills the background. Inserted negative "This neg. rec'd. from Sylvia Beach?" per note on sleeve. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.16 Format The file format, physical medium, or dimensions of the resource 8.7 cm x 5.7 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Joyce, James, 1882-1941 Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/01c719238b00f56056f02cac8f82c6bb.jpg ab2b156b4f98d52c251d56b34ccc6c77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Giorgio Joyce and Nora Joyce seated on a bench beside a table set for tea in a garden. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce and Giorgio Joyce seated outdoors at table, Ostend Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.17a Format The file format, physical medium, or dimensions of the resource 12.0 cm x 9.0 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Giorgio Joyce and Nora Joyce sit closely on a slatted wooden bench outdoors, surrounded by leafy vegetation. Giorgio Joyce, on the left, wears glasses and a suit with a tie, while Nora Joyce, on the right, is dressed in a light-colored coat and a cloche-style hat. A small table in the foreground is covered with a patterned cloth and holds teacups, a teapot, and glassware. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/d76692069e7ae2f1a3f41c63f6647095.jpg d6487e34a8e29934dee25e2ead831e0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce and Nora Joyce seated on a couch with James Joyce and Giorgio Joyce standing behind them, dressed in formal attire with a dark curtain backdrop. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Formal portrait of Joyce family Description An account of the resource Four individuals pose indoors against a dark curtain. Lucia Joyce, seated on left, and Nora Joyce, seated on right are on an upholstered couch with carved wooden trim, wearing dresses with decorative details. James Joyce, at left, and Giorgio Joyce, at right, stand behind the couch. Both wear suits with ties or bow ties. All are looking toward the camera. The composition is balanced with a formal atmosphere. Signatures of each member of Joyce family on recto and Wide World Photos stamp on verso. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 4.18 Format The file format, physical medium, or dimensions of the resource 17.8 cm x 23.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Joyce, Lucia, 1907-1982 Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/ee0f9f5c6efbbe02b4f51d0c4f372f5c.jpg 16d3c869142ea4317289df52459a9c54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Giorgio Joyce in a suit standing outdoors with trees and people in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giorgio Joyce Date A point or period of time associated with an event in the lifecycle of the resource circa 1920's Identifier An unambiguous reference to the resource within a given context 4.19 Format The file format, physical medium, or dimensions of the resource 5.3 cm x 7.3 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Giorgio Joyce wears a long overcoat and suit and stands slightly angled toward the camera in an outdoor setting. The background includes a tree-lined path with a few other individuals walking or standing in the distance. The lighting suggests daylight, and the setting appears to be a park or garden. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-27 Subject The topic of the resource Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/1970f9df64e4362626665478ddaa344c.jpg 3b377bb8a282b493df49b459568b73c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and M. Monnier seated on a bench outside a brick-trimmed building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--James Joyce and M. Monnier Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.7 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce and M. Monnier sit on a wooden slatted bench in front of a wall with brick accents around an opening. James Joyce sits on the left and wears a light-colored cap, round glasses, a suit with a patterned tie, and patterned socks. M. Monnier sits on the right and wears a flat cap, a dark three-piece suit, and holds a cane in one hand while raising the other near the face. Sunlight casts shadows across the ground and wall. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/67fa1538b7936a5a4ff9baf98f2f32b1.jpg 0aa5b53aa20c775c592d03b94915b944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and M. Monnier sitting on a wooden bench outside a brick-trimmed building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--James Joyce and M. Monnier Description An account of the resource James Joyce and M. Monnier sit on a slatted wooden bench in front of a building with brick accents around doorways. James Joyce sits on the left and leans back with one arm over the bench and the other on the lap. M. Monnier sits on the right and rests his head on one hand and has a cane across the legs. The setting appears to be a sunlit courtyard or garden. On verso in Sylvia Beach's handwriting "Joyce and M. Clovis Monnier | Adrienne's father, at his house | Rocfoin near Maintenon (Eure et | Loir)" Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.8 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.3 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/1c5442f01eb199879af0639e7257b919.jpg d4465d56ff7077170c971bf059a15e8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and M. Monnier seated on a bench outside a brick-trimmed building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--James Joyce and M. Monnier Description An account of the resource On verso in Sylvia Beach's handwriting "Joyce and Adrienne's father | M. Clovis Monnier | at his house Rocfoin near | Maintenon" James Joyce and M. Monnier sit on a wooden slatted bench in front of a wall with brick accents around an opening. James Joyce sits on the left and wears a light-colored cap, round glasses, a suit with a patterned tie, and patterned socks. M. Monnier sits on the right and wears a flat cap, a dark three-piece suit, and holds a cane in one hand while raising the other near the face. Sunlight casts shadows across the ground and wall. Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.9 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/8022fe221659f41a2b074347e24d2c0f.jpg cb1a78037418253853a17cc52cb1143f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and M. Monnier seated on a bench outside a building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--James Joyce and M. Monnier Description An account of the resource James Joyce and M. Monnier sit on a slatted wooden bench in front of a stucco building with brick-trimmed openings. Both are dressed in suits and wearing caps, with M. Monnier on the right, leaning back, and James Joyce on the left, resting an arm on the bench’s backrest. There is a plant growing near the wall on the right side of the frame. On verso in Sylvia Beach's handwriting "Joyce and M. Monnier | at Rocfoin near Maintenon." Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.10 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.