52 100 60586 https://digital.lib.buffalo.edu/files/original/a0d34f06b94f6031b26df2abb427c998.jpg 7507242fd9f5bfd5678590528474835f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people near a bench outside a building; two seated and one standing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--Nora Joyce, James Joyce and M. Monnier Description An account of the resource On verso in Sylvia Beach's handwriting "Nora Joyce, James Joyce | and M. Monnier at Rocfoin | near Maintenon" James Joyce and M. Monnier sit on a wooden bench in an outdoor setting bordered by brick columns and greenery. James Joyce, seated at left, wears a light-colored cap, round glasses, and dark clothing; M. Monnier, seated at right, has a white beard, wears a flat cap, and holds a cane. Nora Joyce stands behind the bench, dressed in a light-colored outfit with a cloche hat. The group is positioned near a building entrance, with sunlight casting shadows on the ground. Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.11 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/cd9de072dc1c116d7be6638f4672fb9b.jpg a21625c940bbdbd529d55f41ece3ddc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people seated on a bench and one standing behind them in a garden area. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--Nora Joyce, James Joyce and M. Monnier Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.11a Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce and M. Monnier sit on a wooden bench in an outdoor setting bordered by brick columns and greenery. James Joyce, seated at left, wears a light-colored cap, round glasses, and dark clothing; M. Monnier, seated at right, has a white beard, wears a flat cap, and holds a cane. Nora Joyce stands behind the bench, dressed in a light-colored outfit with a cloche hat. The group is positioned near a building entrance, with sunlight casting shadows on the ground. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/001082855d0f7a6da7a2387722fdf0aa.jpg f55a5df16fc3f73aa6e96839cfc295c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five people gathered outside a building, with two seated on a bench and three standing behind them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--Madame Monnier, Adrienne Monnier, Sylvia Beach, James Joyce and M. Monnier Description An account of the resource James Joyce and M. Monnier are seated on a slatted wooden bench in front of a brick-framed doorway. Seated on the left, Joyce wears a cap, round glasses, and a dark jacket, while M. Monnier, seated on the right, has a beard, wears a flat cap, a three-piece suit, and holds a cane. Behind them, three people stand closely together. Madame Monnier, on the left, has hands on hips and wears a belted dress with buttons. Adrienne Monnier, standing in the center, wears a blouse and cardigan. Sylvia Beach stands on the right and wears a jacket with a scarf tied at the neck. All five individuals are outdoors, standing in front of a textured wall with some sunlight casting shadows. On verso in Sylvia Beach's handwriting "Adrienne, Madame Monnier & SB | Joyce and M. Monnier | at Rocfoin near Maintenon." Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.12 Format The file format, physical medium, or dimensions of the resource 9.0 cm x 6.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Beach, Sylvia Monnier, Adrienne Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/97e9017642f87f5761c4da2084133442.jpg 506f211e8a8498a0031a89d14d138862 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce, James Joyce, and M. Monnier sitting on a bench outside a brick building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--Nora Joyce, James Joyce and M. Monnier Description An account of the resource Nora Joyce, James Joyce, and M. Monnier are seated on a slatted wooden bench in front of a brick-framed doorway. Nora Joyce, on the left, wears a cloche hat and a dress with a pleated skirt. In the middle, James Joyce wears a cap, round glasses, a tie, and a dark jacket. The person on the right is M. Monnier, who has a beard, wears a flat cap and a three-piece suit, and holds a cane resting between their knees. The ground appears uneven, with stones and patches of grass. On verso in SB's handwriting "Nora and James Joyce with | Adrienne's father M. Clovis Monnier | at his hous Rocfoin near | Maintenon (Eure-et-Loir)" Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.13 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/64a6afcea9403e4ba7b5417b046c72c4.jpg 8e3cf7d24471eb5a0a568ffb67085fb1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Giorgio Joyce in a cap and glasses standing on a city street with hands in pockets. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giorgio Joyce standing in street wearing cap, hands in pockets Date A point or period of time associated with an event in the lifecycle of the resource c.mid-1920's Identifier An unambiguous reference to the resource within a given context 4.20 Format The file format, physical medium, or dimensions of the resource 5.7 cm x 8.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Giorgio Joyce stands on a broad city sidewalk with tall, ornate buildings in the background. Joyce wears a cap, round glasses, a dark jacket over a vest and tie, and high-waisted trousers with hands tucked in the pockets. Several pedestrians and architectural details are visible in the background, suggesting a busy urban setting. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, Giorgio Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/3cf9e720b29b8c21f3c9012a9f37f007.jpg 9b331a368e37d8e761d796ec66e42a91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in a light-colored suit and hat standing on a flat outdoor surface with a cane and coat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composite of four photographs of James Joyce Description An account of the resource Composite is compiled of two separate photograph prints. Two inserted sets of negatives "This neg. rec'd from Sylvia Beach" per note on sleeves. James Joyce stands outdoors on a flat, open surface, wearing a light-colored three-piece suit, a tie, and a wide-brimmed hat. He holds a cane in one hand and a dark coat draped over the other arm. The background is empty, suggesting an expansive setting such as a beach or plain. The image appears faded or overexposed. Composite is compiled of two separate photograph prints two inserted sets of negatives "This neg. rec'd from Sylvia Beach" per note on sleeves. Identifier An unambiguous reference to the resource within a given context 5.1 Format The file format, physical medium, or dimensions of the resource 14.1 cm x 9.5 cm 14.1 cm x 15.5 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/01171b7d2e8beb469238ebac82929e31.jpg 45c516d12050b3d3787665f779b9b61b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce wearing round glasses, a suit, and a bow tie, facing forward with a neutral expression. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce passport photograph Description An account of the resource Signed by James Joyce James Joyce is formally dressed and centered in the frame, wearing round glasses, a dark jacket, a white shirt, and a bow tie. Joyce is posed facing forward with a neutral expression and slicked-back hair. The background is plain and slightly blurred. A handwritten inscription appears in the upper left corner and says, "James Joyce Paris." The photograph is signed by James Joyce. Identifier An unambiguous reference to the resource within a given context 5.2 Format The file format, physical medium, or dimensions of the resource 7.0 cm x 8.6 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/1beca392296a491d5a4981ae4a1441cf.jpg d250e70231f44df0011b64a5415e98f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce wearing round glasses, a dark suit, and a tie, looking slightly to the left. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce passport photograph Identifier An unambiguous reference to the resource within a given context 5.3 Format The file format, physical medium, or dimensions of the resource 3.7 cm x 5.1 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A sepia-toned head-and-shoulders portrait of James Joyce with short, neatly combed hair, wearing round eyeglasses. Joyce is dressed formally in a dark suit jacket, white collared shirt, and a tie. The background is plain and unfocused, drawing attention to the subject’s face and attire. The expression is neutral, and the person is posed in three-quarter view, looking just off to the side of the camera. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/3c65f98673cd08be364e81bb09019ca8.jpg cd8355dfefa9a214d20cb7a8325d95d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and Lucia Joyce standing by the seaside, one in a suit with sunglasses, the other in a coat with a scarf and textured dress. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and Lucia Joyce, Brittany, France Description An account of the resource 1924 James Joyce and Lucia Joyce posed in front of a body of water, with a small island or landmass visible in the background. James Joyce is on the left and wears a dark suit, patterned tie, and sunglasses, and has slicked-back hair and a mustache. Lucia Joyce is on the right and stands closer to the camera, wearing a light-colored coat with dark trim, a dark scarf, and a textured knit dress. Both appear to be looking toward the camera, and the scene is brightly lit, likely during daylight. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 5.4 Format The file format, physical medium, or dimensions of the resource 8.5 cm x 5.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/e880b13969e956ec85b370c0b1ceece1.jpg a1b848b603b77aa5e508d4e8a1e57d54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce and Nora Joyce standing outdoors in cloche hats and patterned dresses, facing the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nora Joyce and Lucia Description An account of the resource Handwriting on verso "summer 1925." Shakespeare and Company stamp Lucia Joyce and Nora Joyce standing side by side in front of a hedge on a sunny day. Both are wearing cloche hats and mid-length dresses typical of 1920s fashion. Lucia Joyce is on the left and wears a light-colored dress with a textured or embroidered pattern and white shoes. Nora Joyce is on the right and wears a patterned dress with a contrasting border and is holding a small handbag. The ground is grassy and uneven. Handwriting on verso "summer 1925" and a Shakespeare and Company stamp. Date A point or period of time associated with an event in the lifecycle of the resource summer 1925 Identifier An unambiguous reference to the resource within a given context 5.6 Format The file format, physical medium, or dimensions of the resource 8.4 cm x 6.1 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, Nora Barnacle, 1884-1951 Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/0705b553a69d073bf9d2f7e7f0a01e2e.jpg 95c51a91b710dfcf1bbf1ee43236d76c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce in a suit and hat holding a walking stick and coat, barely visible on a faded background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Description An account of the resource Inserted negative "This neg. 'rec'd from Sylvia Beach'" per note on sleeve. James Joyce standing and facing forward, dressed in a light-colored suit and hat. Joyce holds a walking stick in one hand and what appears to be a coat draped over the other arm. The image is extremely faded and lacks detail due to age or overexposure, with only the faint outline of the figure discernible against the sepia-toned background. Cracks and wear are visible in the upper portion of the image. Inserted negative "This neg. 'rec'd from Sylvia Beach'" per note on sleeve. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Identifier An unambiguous reference to the resource within a given context 5.5 Format The file format, physical medium, or dimensions of the resource 13.8 cm x 8.7 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/1fb0a7acb7d84829f4bff4d99ee066a2.jpg 4e2bcae64f7f6f6caf487afb737fc026 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce sitting on a bench in partial sunlight, looking to the left with hands clasped. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce seated on bench at Fechamp Description An account of the resource Handwriting on verso "cadre plat en 11% argent." Shakespeare and Company stamp. Inserted photograph of this picture framed and displayed with 5.9, 5.10, 5.11. James Joyce seated on a wooden bench outdoors, facing to the left. Joyce wears glasses, a light-colored open-collared shirt, and a dark jacket. Their hands are clasped at the waist, and their expression is calm. Sunlight highlights the side of the face and upper torso, while the background remains in shadow. A handwritten note in the lower right corner reads, “James Joyce, Fécamp, July 1925.” Handwriting on verso reads "cadre plat en 11% argent," and features a Shakespeare and Company stamp. Inserted photograph of this picture framed and displayed with 5.9, 5.10, 5.11. Date A point or period of time associated with an event in the lifecycle of the resource 1925-07 Identifier An unambiguous reference to the resource within a given context 5.7 Format The file format, physical medium, or dimensions of the resource 23.1 cm x 16.8 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/3703eab828c1cbe075958212da3d2a83.jpg e30d8563eb07c66c0372cd9a99589530 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce seated on a bench with hands folded, wearing glasses and a partially unbuttoned shirt. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce seated on bench at Fechamp--full front view Description An account of the resource Handwriting on verso "Ficamp Summer 1925" James Joyce sits on a wooden bench in an outdoor setting, wearing round glasses and a relaxed suit with the collar of the white shirt open. Joyce has their hands loosely folded over the waist and appears to be in a shaded area. A table is partially visible in the foreground. Handwriting on verso says, "Ficamp Summer 1925." Date A point or period of time associated with an event in the lifecycle of the resource 1925-07 Identifier An unambiguous reference to the resource within a given context 5.8 Format The file format, physical medium, or dimensions of the resource 8.5 cm x 6.0 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/7faa6fcd97d1df91980bbf65b353a036.jpg 67d8a455e99df5d22f9b54753904accf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Profile portrait of Georg Goyert facing left with handwritten inscription at the bottom. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georg Goyert, German translator of Ulysses Description An account of the resource Inscribed on recto "Für Fräulein Sylvia Beach | Georg Goyert |Mai 1927" A close-up profile of Georg Goyert, a person with short hair, wearing a tweed jacket. He is looking to the left. A handwritten inscription in German addressed to "Fräulein Sylvia Beach" and signed "Georg Goÿert" with the date "Mai 1927" overlays the lower portion of the image. Date A point or period of time associated with an event in the lifecycle of the resource 1927 Identifier An unambiguous reference to the resource within a given context 7.1 Format The file format, physical medium, or dimensions of the resource 12.1 cm x 18.0 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Goyert, Georg, 1884-1966 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/6189c3efdcd866fe046fbfa9d778ebcd.jpg 47a9c09ed027db412c603a48c5b73f0a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Group of people standing in front of the restaurant Au Sourd, including chefs, staff, and a dog. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Proprietor and staff of Restaurant Au Sourd in Toulon France (Photo sent to Sylvia Beach at James Joyce's request) Description An account of the resource On verso in Sylvia Beach's handwriting "Mention of this restaurant in J.J. letter from Toulon 22.V.28 | this photo sent to SB by proprietor of restaurant AU SORD at Joyce's request" A group of people is posed in front of a restaurant named "Au Sourd," as indicated by signage on the awnings and above the doorway. The individuals include uniformed chefs in tall hats, servers in formal attire, and a few others in regular clothing. A dog sits at the feet of one person near the center-left. The restaurant’s name is repeated on both window awnings, and a sign reading “L. Ferrando” appears above the door. On the back of the photograph, in Syliva Beach's handwriting, "Mention of this restaurant in J.J. letter from Toulon 22.V.28 | this photo sent to SB by proprietor of restaurant AU SORD at Joyce's request." Creator An entity primarily responsible for making the resource Unknown Date A point or period of time associated with an event in the lifecycle of the resource 1928 Identifier An unambiguous reference to the resource within a given context 7.2 Format The file format, physical medium, or dimensions of the resource 18.1 cm x 12.9 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Restaurants--France Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/2bdaf9fdd2aec8e9958b1b4c5bb3bbd1.jpg 706e0636a1b9aa9f6f0dd71f3bab5e10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and John Drinkwater dressed in suits and straw hats standing outside a building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and John Drinkwater in Salzburg, Austria Date A point or period of time associated with an event in the lifecycle of the resource 1928 Identifier An unambiguous reference to the resource within a given context 7.3 Format The file format, physical medium, or dimensions of the resource 11.5 cm x 18.2 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce, on left, and John Drinkwater, on right, stand side by side in front of an ornate doorway and stone building façade. Both wear light-colored straw boater hats and suits with ties. Joyce is dressed in a dark suit and holds a cane, while Drinkwater wears a lighter suit and also holds a cane, with an umbrella tucked under one arm. The sunlight casts sharp shadows, suggesting a bright day. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Drinkwater, John, 1882-1937 Salzburg (Austria) Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/aaa550a641b3c579558e87d293bcbad0.jpg cf887e2ba248aee655e4b620fe2ccd8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Street view of Maintenon, France, showing people fishing from a bridge and a horse-drawn cart on a cobblestone road. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin, a portfolio of eight photographs of the Joyces with Adrienne Monnier and her family Description An account of the resource Captions in Sylvia Beach's handwriting. Postcard of Maintenon serves as cover image to portfolio. Inserted photocopies of portfolio as it appeared with photographs intact. A vintage postcard labeled “61. – MAINTENON (E.-et-L.) La Rue de la Ferté – Vue prise du Pont” shows a quiet cobblestone street in Maintenon, France, viewed from a bridge. Several people are seen leaning over the bridge railing, fishing or observing the water below. A covered horse-drawn cart moves along the street, which is lined with buildings featuring dormer windows and steeply pitched roofs. Trees partially obscure parts of the view, adding to the scene's tranquil and historic atmosphere. The photograph is credited to G. Foucaud, a publisher in Dreux. The postcard is a cover of a portfolio of photographs of the Joyces with Adrienne Monnier and her family. Captions are in Sylvia Beach's handwriting. Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Type The nature or genre of the resource Green paperboard folded in half Identifier An unambiguous reference to the resource within a given context 7.5 Format The file format, physical medium, or dimensions of the resource 24.9 cm x 21.1 cm, folded image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 photographic postcards Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/50e746b998ef1bb61135631ad0667efe.jpg acc6a92e1b8bca2244de0d913ad1fa1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce, Kathleen Markwell, Daisy Drinkwater and Nora Barnacle Joyce standing outside a building, dressed in early 20th-century attire, including hats and light-colored summer clothing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, Nora, Mrs. John Drinkwater and Kathleen Markwell, Salzburg, Austria Date A point or period of time associated with an event in the lifecycle of the resource 1928 Identifier An unambiguous reference to the resource within a given context 7.4 Format The file format, physical medium, or dimensions of the resource 11.4 cm x 18.1 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce, Kathleen Markwell, Daisy Drinkwater and Nora Barnacle Joyce stand in front of a building entrance with large doors and decorative stonework. James Joyce, on the far left, wears a dark suit, tie, and straw boater hat, holding a cane. Kathleen Markwell, standing to Joyce's left, holds a large hat. Daisy Drinkwater wears a long necklace and Nora Barnacle Joyce is dressed in light-colored dress and wide-brimmed hat, typical of 1920s summer fashion. The setting appears to be a formal or public building, and the individuals are posed and smiling. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Markwell, Kathleen Kennedy, Daisy, 1893-1981 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/cf08a58b732ad6989dc708d7b282dab7.jpg 3e56c1505faf92cc3421b840b98caf1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and M. Monnier seated on a wooden bench outdoors, both wearing caps and suits. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Joyces at Rocofoin--James Joyce and M. Monnier Description An account of the resource On verso in Sylvia Beach's handwriting "Joyce and M. Monnier | at Rocfoin near Maintenon | (Eure et Loir)" James Joyce and M. Monnier sit on a slatted wooden bench in an outdoor setting with brick architecture in the background. Both are dressed in suits and flat caps. James Joyce, seated on the left is sitting with legs crossed and arms folded, while M. Monnier, on the right, rests their head on one hand and leans against the armrest. The bench is positioned on a dirt or gravel surface, and there is shrubbery on the right side of the frame. On the back of the photograph, a note written in Sylvia Beach's handwriting reads, "Joyce and M. Monnier | at Rocfoin near Maintenon | (Eure et Loir)." Date A point or period of time associated with an event in the lifecycle of the resource circa 1928 Identifier An unambiguous reference to the resource within a given context 7.6 Format The file format, physical medium, or dimensions of the resource 8.9 cm x 6.4 cm image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/specialcollections/pl/use/james-joyce.html">https://library.buffalo.edu/specialcollections/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2011-12-28 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/72801d5ce604cdb55c79dde1ba5aa75a.jpg cdc6e84f853aff1f0ab1f7663db6361c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Barnacle Joyce, Miss Sullivan, John Sullivan, and James Joyce gathered around a piano; one is seated at the keys, two others stand nearby, and one sits to the side. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Nora, John Sullivan [O'Sullivan] and Mrs. Sullivan, grouped at piano Description An account of the resource In Sylvia Beach's handwriting on recto "Nora Joyce Mrs Sullivan John Sullivan Joyce at the Joyces' flat." stamp for Daily Sketch on verso Nora Barnacle Joyce, Mrs. Sullivan, John Sullivan [O'Sullivan], and James Joyce gathered around an upright Gaveau piano. Mrs. Sullivan is seated at the piano bench with hands on the keys, turned to look at the camera. James Joyce stands behind Mrs. Sullivan, dressed in a light-colored jacket with a crest, bow tie, and round glasses. Nora Barnacle Joyce sits beside the piano, and John Sullivan leans with an arm resting on the piano, dressed in a dark suit. Sheet music is propped up on the piano, and framed portraits hang on the wall behind them. A handwritten note in Sylvia Beach's handwriting identifies the individuals as Nora Joyce, Miss Sullivan, John Sullivan [O'Sullivan], and Joyce at the Joyce’s flat. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 10.1 Format The file format, physical medium, or dimensions of the resource 23.9 x 17.9 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 O'Sullivan, John, 1877-1955 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/105e67e59b966f4ff1c54639de8a07f4.jpg db4db53ca8906a606847a203b6491817 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and John Sullivan in formal clothing, Sullivan is seated at a table with an open book, Joyce stands behind. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 10.2 Format The file format, physical medium, or dimensions of the resource 17.9 x 24.0 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Stephens, James, 1882-1950 O'Sullivan, John, 1877-1955 Title A name given to the resource James Joyce and John Sullivan [O'Sullivan] Description An account of the resource In handwriting (Sylvia Beach's?) on recto "John Sullivan Joyce." Stamp for Daily Sketch On verso. John Sullivan [O'Sullivan] and James Joyce are indoors in a room with heavy curtains and decorative furnishings. John Sullivan [O'Sullivan] is seated at a table with an open book and is dressed in a dark three-piece suit. James Joyce stands behind, wearing a light-colored jacket with a crest on the pocket and a bow tie. Both are looking toward the camera. A hanging light fixture is partially visible in the upper right. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/36bf1df2a78e3cf30122131d5f25ad62.jpg db4db53ca8906a606847a203b6491817 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and John Sullivan in formal clothing, Sullivan is seated at a table with an open book, Joyce stands behind. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 10.3 Format The file format, physical medium, or dimensions of the resource 18.2 x 24.1 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Stephens, James, 1882-1950 O'Sullivan, John, 1877-1955 Title A name given to the resource James Joyce and John Sullivan [O'Sullivan] at James Stephens' apartment, Paris Description An account of the resource Embossed on recto "New York Times | 106, Rue Reaumur, Paris." World Wide Photos stamp on verso. Inserted note with signatures of James Stephens, John Sullivan [O'Sullivan], and James Joyce. Inserted note in Sylvia Beach's handwriting "Photograph of James Joyce James Stephens John Sullivan (3 Irishmen in Paris) | in James Stephens' apartment, rue Campagne Première, Paris | given to Sylvia Beach by Joyce and signed by the three." Shakespeare and Company stamp. John Sullivan [O'Sullivan] and James Joyce are indoors in a room with heavy curtains and decorative furnishings. John Sullivan [O'Sullivan] is seated at a table with an open book and is dressed in a dark three-piece suit. James Joyce stands behind, wearing a light-colored jacket with a crest on the pocket and a bow tie. Both are looking toward the camera. A hanging light fixture is partially visible in the upper right. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/1d037fd4f29497db861da83774020ba0.jpg 649abcfed68d2fe2f4decbca0560db1e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce, John Sullivan, and James Stephens gathered in a living room, two seated and one standing behind them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In handwriting (Sylvia Beach's?) on recto "Sullivan Joyce James Stephens." "New York Times | 106, Rue Reaumur, Paris" embossed. James Joyce, John Sullivan [O'Sullivan], and James Stephens are posed indoors in a furnished room. Joyce and Stephens are seated in armchairs near a fireplace, facing each other in conversation. John Sullivan [O'Sullivan] stands behind them, looking off to the side. All three wear suits and ties. In the background are framed pictures, a display shelf with decorative objects, and patterned curtains. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 10.4 Format The file format, physical medium, or dimensions of the resource 17.9 x 24.0 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Stephens, James, 1882-1950 O'Sullivan, John, 1877-1955 Title A name given to the resource James Joyce, James Stephens and John Sullivan [O'Sullivan], Paris Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/9ce752181509050a1c6d202c0faaaf8c.jpg 75cf0c91162ddd9add1823d7349a03ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Stephens, James Joyce, and John Sullivan wearing overcoats and hats standing on a city sidewalk having a conversation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, James Stephens and John Sullivan [O'Sullivan] walking in Rue Raspail, Pairs Description An account of the resource Embossed on recto "New York Times | 106, Rue Reaumur, Paris." In handwriting on verso "James Joyce avec James Stephens et John Sullivan | Boulevard Raspail à Paris" James Stephens, James Joyce, and John Sullivan [O'Sullivan] walk on a wet sidewalk beside a city street, dressed in long overcoats and brimmed hats. James Joyce, in center of image, holds a walking cane. John Sullivan [O'Sullivan], to Joyce's left, also holds a walking cane. All individuals appear engaged in conversation. Behind them, two more individuals are walking along the building-lined street. Leafless trees line the road, and the street surface appears wet, suggesting a cold or rainy season. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 10.5a Format The file format, physical medium, or dimensions of the resource 24.1 x 18.3 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Stephens, James, 1882-1950 O'Sullivan, John, 1877-1955 Paris (France) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/40d98cc58bc0c61e0c8b75a62e73a219.jpg a32f65b3bb14935d6aa2d492ecd7efa7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Stephens, James Joyce, and John Sullivan wearing overcoats and hats standing on a city sidewalk having a conversation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, James Stephens and John Sullivan [O'Sullivan] talking on Rue Raspail, Paris Description An account of the resource Embossed on recto "New York Times | 106, Rue Reaumur, Paris". Shakespeare and Company stamp of verso, taped. Inserted note "Trois Irlandais: James Joyce: James Stephens | John Sullivan (ténor à l'Opéra) | se promènent sur le Boulevard Raspail à Paris." James Stephens, James Joyce, and John Sullivan [O'Sullivan] standing on a wet sidewalk beside a Paris street, dressed in long overcoats and brimmed hats. James Joyce, in center of image, holds a walking cane. John Sullivan [O'Sullivan], to Joyce's left, also holds a walking cane. All individuals appear engaged in conversation. Behind them, an individual is walking along the building-lined street. Leafless trees line the road, and the street surface appears wet, suggesting a cold or rainy season. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 10.6 Format The file format, physical medium, or dimensions of the resource 24.1 x 18.2 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Stephens, James, 1882-1950 O'Sullivan, John, 1877-1955 Paris (France) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/603f6f96f57c79969f36c4f79290ded7.jpg 3f8fff438186a117e15186781dc25e54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce, James Joyce, and Ole Vindig walking along a sidewalk beside a building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, Nora and Ole Vinding, Copenhagen Description An account of the resource In handwriting on verso "James Joyce, his wife, and | Ole Vindig | Copenhagen--Summer, 1936. | gift of Bill Potts" Nora Joyce, James Joyce, and Ole Vinding walk down a paved sidewalk bordered with cobblestones next to a row of buildings. James Joyce, walking in the center, wears a suit, hat, and glasses, holds a walking stick, and appears to be reading a paper. Nora Joyce, walking to James' right, wears a long dark coat and hat. The person on James Joyce's left, Ole Vinding, wears a long coat and hat and holds a hand near the brim of the hat. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 10.7 Format The file format, physical medium, or dimensions of the resource 9.2 x 12.8 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Vinding, Ole, 1906- Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/817b75e7db990cd18a4a3684474e5226.jpg 43fac6123d959abc143b262ae78277aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce seated in a wicker chair holding a baby outdoors near a building with shuttered windows. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce seated, holding baby (possibly Stephen Joyce) Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 11.19 Format The file format, physical medium, or dimensions of the resource 8.1 x 12.9 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce, dressed in a suit and white shoes, is seated in a wicker chair, holding a baby (possible Stephen Joyce) dressed in light-colored clothing. They are positioned on a paved outdoor surface near a stucco building with multiple shuttered windows, one of which has its shutter open and angled upward. The baby looks toward the camera while the James Joyce looks at the baby. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Stephen J., 1932- Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/6f21d0b2f7cd1425817f700ca0b27de3.jpg c888f6fbb6feb6ce767af30be67a2795 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Helen Fleischman Joyce and James Joyce conversing in a garden, Joyce seated in a deck chair holding a cane, and Fleischman standing and leaning forward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce seated, speaking to Helen Fleischman Joyce Date A point or period of time associated with an event in the lifecycle of the resource 1938 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 11.22 Format The file format, physical medium, or dimensions of the resource 11.8 x 8.3 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource In an outdoor garden setting, James Joyce, dressed in a suit and glasses, reclines in a deck chair, holding a cane and gesturing while looking up. Helen Fleischman Joyce stands nearby, leaning forward slightly, wearing a striped dress and a dark hat. Potted plants, hedges, and the entrance to a building are visible in the background. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/b398129e9b96442670ffe4aa8095b3ef.jpg dcc84b0de205ab757675f0599217fa24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stuart Gilbert smoking a pipe and holding papers while standing on a balcony above a river. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stuart Gilbert on balcony of his home, Ile St. Louis Description An account of the resource Inserted negative "This neg. probably rec.'d fr. Sylvia Beach" per note on sleeve Stuart Gilbert dressed in a suit stands on a wrought iron balcony overlooking a tree-lined river. They are holding several sheets of paper and have a pipe in their mouth. A large building with gothic-style architecture is visible in the background behind the trees on the opposite riverbank. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 11.24 Format The file format, physical medium, or dimensions of the resource 25.3 x 20.3, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Seine Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/7dd111399775228abf658d4dd1e460b4.jpg 812eddd811b7b69c0c9b50f4234e80d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce wearing a long dark coat standing outdoors with hands on hips. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce in Zurich Description An account of the resource In handwriting on verso "Photo de Joyce |prisi l'année de | sa mort, à Zurich. | Donnée à moi par | Georges Borgeaud." Inserted note on Shakespeare and Company envelope "photo de Joyce l'année de sa mort | à Zurich donnée a' Adrienne par | George Borgeaud: donnée par Adrienne a Sylvia." James Joyce dressed in a dark overcoat and round eyeglasses standing with his hands on hips near a metal railing. Trees and multi-story buildings are visible in the background across a body of water in Zurich. Date A point or period of time associated with an event in the lifecycle of the resource 1941 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 11.25 Format The file format, physical medium, or dimensions of the resource 8.8 x 8.8 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Zurich (Switzerland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/0c36d5bc50d014335f2f7c9ead2b0580.jpg baaa6451cacde59d638805d9ba747e13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Large group of children and an adult seated and standing in rows outside a stone building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce in class photograph, Trieste Date A point or period of time associated with an event in the lifecycle of the resource circa 1912-1915 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 12.1 Format The file format, physical medium, or dimensions of the resource 23.2 x 13.4, mounted image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A group of children is arranged in six rows, with some seated on the ground, others on chairs, and the rest standing. An adult is seated at the far left in the front row. The children wear a variety of light and dark clothing, with some wearing bows or lace collars. The setting is outside a textured stone building with two visible windows and a dirt ground. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, Lucia, 1907-1982 portrait photography Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/a6c1b47a0c0fd54754c3092eeb7cce8a.jpg 5567a8506eccb0a156157d7be508b8a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce posing in a dance motion against a scenic backdrop. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce in dance pose, Paris (see "Lucia Joyce" page 100) Date A point or period of time associated with an event in the lifecycle of the resource 1925 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 12.2 Format The file format, physical medium, or dimensions of the resource 13.1 x 17.9 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource Lucia Joyce stands poised in a dance position with one arm bent above the head and one leg lifted behind. Joyce wears a sleeveless leotard with shorts. The background features a painted set with architectural elements and foliage, creating a theatrical or artistic atmosphere. The photograph has a sepia tone and a staged studio composition. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, Lucia, 1907-1982 Dance Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/8e11dd2d4eefdb1b0e5a7e8e79f3c418.jpg 15445f65694bbfaf2015f0c9a91b3b45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Dancers performing on stage in leaf-like costumes against a dramatic painted backdrop. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce in dance performance Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 12.3 Format The file format, physical medium, or dimensions of the resource 17.9 x 12.8 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A group of dancers poses mid-performance on a theatrical stage. They wear textured costumes resembling leaves or natural materials, and many are in expressive, dynamic positions, with outstretched arms and bent knees. The background features a large, swirling painted curtain, contributing to a forest-like or abstract visual effect. The lighting emphasizes the performers' movements and forms. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, Lucia, 1907-1982 Dance Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/f2d4de0638fd67888713c42841973527.jpg 297d1011d8f2546d8ae276ec65d5f094 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Group of dancers in mid-performance wearing leaf-like costumes on a stage with a painted backdrop. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce in dance performance Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 12.4 Format The file format, physical medium, or dimensions of the resource 18.0 x 12.8 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A group of dancers is captured in the middle of a theatrical performance. They wear costumes resembling leaves or foliage, and their movements are expressive, with arms extended and bodies contorted in various poses. The stage is set against a large painted backdrop that features abstract, swirling patterns, possibly depicting a natural or forest-like setting. The lighting highlights the dancers in the foreground, while others appear slightly blurred, suggesting motion. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, Lucia, 1907-1982 Dance Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/96b6b46e5b816a30b587334889e8194f.jpg 6dfded90c169f160bfe43a02f6921a7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lucia Joyce, Eileen Veale, and another person seated in armchairs against a floral wallpapered wall. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucia Joyce with Eileen Veale and [Bojene Delimeto?] Description An account of the resource In handwriting on verso "Eileen Veale | Lucia Joyce | [Bojene Dilemeto] | This picture was | sent me by Mabel | Worthington | Adaline Glasheen | ? 1974" Lucia Joyce is seated in an upholstered armchair. Eileen Veale and another person are seated in armchairs to Joyce's left. The room has light floral wallpaper and a framed landscape painting hangs tilted on the wall above them. A closed white door with a dark vertical push plate is visible on the right. All three individuals are dressed in light-colored attire and appear to be posing casually. Date A point or period of time associated with an event in the lifecycle of the resource circa 1974 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 12.5 Format The file format, physical medium, or dimensions of the resource 8.8 x 8.9 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, Lucia, 1907-1982 Veale, Eileen Delimeto, Bojene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/bcbfce465286c2cc324c5c35dd7a5c4d.jpg cf21179d0eb9584d5f92c52a5c5750da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Street corner building with sign for Croix Rouge Française and pedestrians walking nearby. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clinic of Dr. Borsch, Paris Description An account of the resource On verso in handwriting "Dr Louis Borsch's clinic | rue du Cherche Midi" Inserted negative "Clinique de Dr. Borsch | This neg. from Sylvia Beach" per note on sleeve. A two-story building on a narrow street corner houses the "Croix Rouge Française" with signage indicating "Permanence du 6e Arr." The building has shuttered windows and worn exterior walls. A smaller plaque is mounted on the corner wall, and a circular red cross emblem is attached to the upper facade. To the left, a storefront with "ANTIQUITES" written above the entrance is visible. Three people walk along the sidewalk. A faded advertisement is painted on the upper wall, partially reading "JOURS PLISSES." Adjacent buildings line both streets in the background. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 13.11 Format The file format, physical medium, or dimensions of the resource 14.9 x 9.1 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Streets—France—Paris Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/8903b79c3d845dc92cd9c0b09557b3f9.jpg 23306579e6f7aac696782384ab0a2037 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Corner view of a curved stone building with signs reading "CHESNOT" and "TRIESTE VENISE." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joyce's apartment, 2 Square Robiac, Paris Description An account of the resource On verso in SB's handwriting "Photo C. S. | 2 Square Robiac | cor. Rue de grenelle" Shakespeare and Company stamp A multi-story curved stone building at the corner of a street, featuring both smooth and brick surfaces. A vertical sign on the upper wall reads "TRIESTE VENISE," and a larger awning-style sign above a storefront on the ground floor reads "CHESNOT." The ground-floor entrance is protected by a metal gate. A plaque on the corner wall identifies the location as "1er SQUARE ROBIAC N°2." Several windows with iron railings are visible, and a mid-20th-century vehicle is parked along the curb in the foreground. "Photo C. S. | 2 Square Robiac | cor. Rue de grenelle" is written on the back of the photograph in Sylvia Beach's handwriting. A Shakespeare and Company stamp is also on the back of the photograph. Identifier An unambiguous reference to the resource within a given context 13.14 Format The file format, physical medium, or dimensions of the resource 6.7 x 11.4 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/0c227a45dde7f03ef739ad3dcd995578.jpg 9603288a6b1757d2b070b52def5da65d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stone building entrance with double doors and a small car parked in front. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joyce's apartment, 2 Square Robiac, Paris Description An account of the resource On verso in handwriting "2 Square Robiac VII°" A street-level view of a stone building façade featuring horizontal grooves and an arched double doorway framed with decorative molding. The building contained James Joyce's apartment. Above the doorway is a sculpted ornament consisting of a wreath and leaf design. A rectangular window with a metal railing is situated directly above the entrance. The building is marked with the number "2" to the right of the doorway. A compact mid-20th-century car is parked at the curb on a cobblestone street in the foreground. "2 Square Robiac VII" is written on the back of the photograph. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 13.15 Format The file format, physical medium, or dimensions of the resource 9.1 x 14.8 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Streets—France—Paris Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/424331324830a3ea9b2c0bfa5d36df0e.jpg 4221b24603e34f8dc2d37c620311a289 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Entrance to Victoria Palace Hotel with two parked cars in front. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Façade of Victoria Palace, rue Blaise Desgoffe, Paris Description An account of the resource On verso in handwriting "Victoria Palace | rue Blaise Desgoffes." Inserted negative "This neg. rec'd from Sylvia Beach" per note on sleeve Entrance to the Victoria Palace Hotel, featuring a large arched doorway with a glass and metal canopy above it. The hotel's name is displayed in cursive script on the canopy. The building's façade is decorated with ornate stonework and wrought iron balcony railings. Two mid-20th century automobiles are partially visible in the foreground, parked along the curb. A small sign near the entrance reads “Hotel Restaurant.” Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 13.19 Format The file format, physical medium, or dimensions of the resource 9.1 x 14.7 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Streets—France—Paris Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/5fc4d66d808d76c5ff5520c95220746f.jpg 60a6d7da965e17fa5384ac89df74e72a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Dark vest with embroidered motifs of dogs and deer. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs from the La Hune exhibition Description An account of the resource Douane Centrale stamp on verso A dark button-up vest featuring a pattern of embroidered dog and deer heads across the fabric. The vest has a rounded neckline, visible stitching, and a single welt pocket on the lower left side. The interior lining is a lighter fabric, partially visible around the collar and arm openings. The vest is laid flat against a light background. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.11 Format The file format, physical medium, or dimensions of the resource 18.3 x 24.0 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource vests (garments) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/797eb3aae83eadddabf556a5b80cf762.jpg ed37731fde9d0e1c83e384ec2e153c0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Necklace with rectangular links and a small book-shaped pendant. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Necklace given to Nora Joyce by James Joyce Description An account of the resource Douane Centrale stamp on verso A necklace made of elongated rectangular chain links and spaced black square beads is displayed against a plain background. At the center of the necklace hangs a small, rectangular pendant shaped like a book, attached by a loop. The chain features a circular clasp on the lower right side. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.12 Format The file format, physical medium, or dimensions of the resource 23.5 x 17 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource necklaces Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/8829578948a5b89af696f8285b2286e9.jpg 243c7d009addde3c8aae71dc7ed47cbd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of a miniature book charm labeled “FINNEGANS WAKE – JAMES JOYCE – 1922–1938” attached to a pen clip. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Finnegans Wake charme and pen Description An account of the resource Douane Centrale stamp on verso A small metal charm in the shape of a hinged book is attached to the clip of a fountain pen. The charm bears the inscription “FINNEGANS WAKE – JAMES JOYCE – 1922–1938” on its cover, presented upside down in the image. The background is plain, emphasizing the detail of the charm and pen. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.13 Format The file format, physical medium, or dimensions of the resource 17.8 x 23.6 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Literature--Ephemera Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/5b2b84f4992588426e30ca196d40c21b.jpg 07e428d06e3f1d11b13e9bcca4d35072 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two-story building in Paris with a French Red Cross sign above the door and worn exterior walls. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clinic of Dr. Borsch, Paris Description An account of the resource On verso in SB's handwriting "Photo by C. S. | Clinic rue St. Place |rue des Regara | where JJ treated by Dr. Borsch." Inserted negative "This neg. rec'd from Sylvia Beach" per note on sleeve A worn, two-story building stands on a corner in Paris. The sign over the entrance reads "CROIX ROUGE FRANÇAISE - PERMANENCE DU 6e ARR" indicating a building in the 6th arrondissement. The façade is weathered, with barred windows and a faded advertisement painted on the upper wall. A circular red cross emblem is mounted to the right. A person is walking on the sidewalk in the lower left of the image. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 13.3 Format The file format, physical medium, or dimensions of the resource 6.6 x 11.2 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Streets—France—Paris Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/a5f2025cbbb378d0b3791f587f736b2b.jpg 4ac0b401dcb36099c9b44840c03e90e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Full-body portrait of James Joyce in a dark coat and hat, standing against a plain background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs from the La Hune exhibition--Joyce standing in great coat with "Joyce during the first Paris years" printed on front Description An account of the resource Douane Centrale stamp on verso James Joyce stands facing forward in a long dark coat and wide-brimmed hat. His hands are at his sides, and he is wearing a patterned scarf. The background is blank and evenly lit, and the image has a slightly soft focus. A printed caption below the image reads: “Joyce during the first Paris years.” Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.14 Format The file format, physical medium, or dimensions of the resource 16 x 26 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/9e2603fe7477f3339fd1989ebda9cd19.jpg 99ff466159005a6f3e247313531b749e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Portrait of Lucia Joyce in profile with short, dark hair. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Lucia Joyce Description An account of the resource Douane Centrale stamp on verso Black and white portrait of Lucia Joyce in left profile. The individual has neatly combed short hair and is wearing a dark-colored garment with a V-shaped neckline. The background is softly lit and plain. The photograph has a soft focus, contributing to a smooth, shaded appearance. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.15 Format The file format, physical medium, or dimensions of the resource 23 x 29 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, Lucia, 1907-1982 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/eddb53d536c98a244be4321f1533c4d2.jpg a147c4206ba03ea6cf522e18064c3c56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Gravestone of James Joyce with surrounding markers. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Grave of Joyce at Zurich Description An account of the resource Douane Centrale stamp on verso Cemetery scene showing a slanted gravestone in the foreground engraved with the name "James Joyce, 1882–1941." The grave is bordered by two small numbered markers labeled "1450" and "1449." To the left stands a larger upright headstone with partially legible text, including the word "Family." In the background is another vertical headstone with the name "Luise Guyer, 1865–1941." Low vegetation and a fence are also visible in the scene. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.16 Format The file format, physical medium, or dimensions of the resource 22.7 x 29.4 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Sepulchral monuments Zurich (Switzerland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/8de106b9c662d7ba1e0314456ae8d2bf.jpg d05c7af100cc50e490053a68223b815c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Gallery wall with framed portraits and display cases. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of La Hune exhibition--Panel illustrating Joyce's place in literary history Description An account of the resource Interior view of the La Hune exhibit featuring a tall central wall filled with framed portraits arranged in a grid. The paintings include formal portraits of individuals in historical dress, with the largest central portrait showing an older person seated. Below the portraits is a wooden display cabinet containing objects. The lower row displays a chronological series of photographs of Joyce, labeled with the years 1888, 1902, 1914, 1923, and 1928, documenting his life stages. Between the portrait rows is a display case filled with books, photographs, manuscripts, and documents, all protected by glass and arranged to highlight milestones in Joyce’s literary career. The original photograph is mounted and framed. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.2 Format The file format, physical medium, or dimensions of the resource 36.1 x 44.4 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Portraits Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/4536c079006257935feda5afe0ad5aac.jpg 17483890275f338ddc090ff11fdf83a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Awning of Les Trianons restaurant and bar. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Portal of restaurant "Les Trianons" Description An account of the resource Douane Centrale stamp on verso A close-up view of the corner awning of a building labeled "Les Trianons" with large text reading "Restaurant" and "BAR." The awning extends over the entrance, which features glass doors and a decorative number 5 above an arched doorway on the adjacent wall. Part of a balcony railing and ornamental detail are visible above. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.20 Format The file format, physical medium, or dimensions of the resource 30.5 x 22.3 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Restaurants--France--Paris Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/c96e19cf56e6a8914abb6a476eabf4e3.jpg 848cc5668b1bd3d80c71ffcdef2a98a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Brick row house with arched doorway and sash windows. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibit--Birthplace of Joyce Description An account of the resource Douane Centrale stamp on verso. "Maison natale de Joyce" handwritten on verso. A two-story brick row house with a slate roof, featuring sash windows with curtains on both floors. The entrance has an arched opening, and a low iron fence separates the house from the sidewalk. Decorative brickwork frames the windows and doorway. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.23 Format The file format, physical medium, or dimensions of the resource 22.9 x 29.2 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/484f84c46471c3023a71a844249368ed.jpg e75c6d1ff787c09db7950c730ef17be8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource The Dublin Custom House, a Neoclassical building with central dome reflected in a river. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--The Dublin Custom House Description An account of the resource Douane Centrale stamp on verso The Dublin Custom House, a large neoclassical structure with a symmetrical façade, featuring a central domed tower flanked by colonnaded sections and flat-roofed wings. The building is situated along a river, and its reflection is visible in the calm water in the foreground. A horse-drawn carriage and pedestrians appear near the base of the building. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.24 Format The file format, physical medium, or dimensions of the resource 29 x 18.5 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Custom House (Dublin, Ireland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/382bebca4d7562b408f37d32e6225ce7.jpg 10f1a4bed545e60b9a0e6ba3f3e5e61d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Dense industrial cityscape of Dublin, Ireland, with factory rooftops, smokestacks, and distant church spires. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--View of Dublin Description An account of the resource Douane Centrale stamp on verso View over the rooftops of a densely packed industrial area in Dublin, Ireland, featuring multiple buildings with corrugated roofs and chimneys. Several smokestacks emit visible plumes of smoke. In the background, church spires and larger structures rise through the haze, indicating an urban environment with mixed industrial and architectural elements. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.25 Format The file format, physical medium, or dimensions of the resource 29.4 x 18.4 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Dublin (Ireland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/28e056860fd6e9a7f7f44bd8ca938d44.jpg da82d200e6b3cff1c07157ef26ea296d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Row of brick houses with laundry hanging in a small backyard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Rathgar Description An account of the resource Douane Centrale stamp on verso and illegible handwriting in French on verso. A long row of attached brick houses stretches into the distance on the right side. In the foreground, a fenced yard contains a clothesline with white laundry hanging to dry. The yard is bordered by a stone wall and a small structure with a corrugated roof. Trees and vegetation are visible on the left. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.26 Format The file format, physical medium, or dimensions of the resource 18.6 x 29.2 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Rathgar (Dublin, Ireland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/1a476e9dfa547185ed28c22a1477070d.jpg 3a835e5ace4ce7e1ca94b62e42809ee7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Tree-lined park with flowerbeds, pathways, and a pond in the center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--St. Stephen's Green Description An account of the resource Douane Centrale stamp on verso. Illegible handwriting in French on verso A landscaped park with flowerbeds, open grassy areas, and a central pond. Bare tree branches frame the top of the scene, suggesting late autumn or early spring. A few people are visible on benches or walking along the paths. The background includes additional trees and what appears to be a structure or monument faintly visible in the distance. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.27 Format The file format, physical medium, or dimensions of the resource 29.2 x 22.7 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Saint Stephen's Green (Dublin, Ireland) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/0cec7df648eb7914b07e75204e78a437.jpg 7234a45353076752c29d0659469978c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Large boulder inscribed “Parnell” in a grassy area with a small “Perpetual Care” marker in the foreground. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Parnell's grave Description An account of the resource On verso in pencil: "Parnell ne reviendra | jamais. D'it il il | est la. Tout ce qui | etait mortel en lui | est la. Paix à ses |cendras." Douane Centrale stamp on verso A grassy clearing features a large boulder with the name “PARNELL” engraved on its face, situated near the center of the composition. At the front edge of the grass is a small plaque reading “PERPETUAL CARE.” The background is densely lined with tall trees, creating a shaded natural enclosure around the boulder. The scene suggests a memorial or gravesite. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.28 Format The file format, physical medium, or dimensions of the resource 15.5 x 20.2 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/d1f271c53160fae4bef80963ca564ce4.jpg 70dfd10b1f78f60045f272761f4bb219 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Exterior of the clinic of Dr. Borsch on a city street corner in Paris, France. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clinic of Dr. Borsch, Paris Description An account of the resource On verso in handwriting "Clinique du Dr Borsch | rue du Cherche Midi" Street-level view of a building bearing a sign that reads “CROIX ROUGE FRANÇAISE PERMANENCE DU 6ᵉME ARR.”, indicating it is a building in the 6th arrondissement. The structure has barred windows and a door with two posters displayed behind the glass. A circular Red Cross sign extends outward above the entrance. Several people are visible walking or standing on the adjacent sidewalk. The building's exterior shows signs of wear, and the street is lined with mid-rise buildings stretching into the background. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 13.5 Format The file format, physical medium, or dimensions of the resource 9.1 x 14.2 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource streetscapes Language A language of the resource fre Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/26711a652125c8ded4de1cf662a47455.jpg b892a1f6c683e216992d8539aa9f6cdc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Reading room with ornate architecture and people studying at desks with bookstands. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Reading room of the National Library, Dublin Description An account of the resource On verso in pencil: "National Library | Cc Hypogée de pensée | Author de moi, | momies compartimentées, embaumées | dans des aromates de mots." Douane Centrale stamp on verso. Large reading room with high ceilings and elaborate classical architectural details, including carved panels, decorative molding, and a frieze depicting figures holding garlands. The room contains rows of long wooden tables equipped with slanted bookstands, where numerous people are seated and reading. Two archways, flanked by bookshelves and topped with decorative pediments, lead to another section of the building. A gallery with turned balusters runs along the upper level. Signs reading “Silence is requested” are placed on the tables. Large reading room with high ceilings and elaborate classical architectural details, including carved panels, decorative molding, and a frieze depicting figures holding garlands. The room contains rows of long wooden tables equipped with slanted bookstands, where numerous people are seated and reading. Two archways, flanked by bookshelves and topped with decorative pediments, lead to another section of the building. A gallery with turned balusters runs along the upper level. Signs reading “Silence is requested” are placed on the tables. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.29 Format The file format, physical medium, or dimensions of the resource 23.3 x 18.8 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource National Library of Ireland Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/2b5bd7c242a893e568aa6d4e0b934ea4.jpg 60386a0a7675005d5f93d934d261e899 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Interior of a Gothic-style church with rows of pews and a stained-glass altar. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Principal altar: Star of the Sea Church at Sandymount Description An account of the resource Illegible note in French on verso View down the central aisle of a Gothic-style church, showing high vaulted wooden ceilings supported by pointed arches and columns. The nave contains several rows of wooden pews leading up to a large altar. The altar area is decorated with ornate woodwork and a multi-panel stained-glass window. A white pulpit is visible to the left. Hanging lights are suspended along both sides of the ceiling. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.30 Format The file format, physical medium, or dimensions of the resource 15.6 x 12 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource churches (buildings) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/d973a49583203f80f2a94a42d950acc6.jpg 1de32eeb068a5bd54a894af040a7add0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Statue atop a pedestal behind a spiked iron fence. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--Statue of Virgin Mary passed by Stephen Dedalus in Ulysses Description An account of the resource Illegible note in French on verso A stone statue stands elevated on a square pedestal within a fenced enclosure. The statue depicts a robed figure with outstretched arms, adorned with a floral arrangement. The iron fence surrounding the pedestal features decorative pointed finials. The background includes a plain wall and partial foliage on the right side. Lighting suggests the statue is photographed from a low angle in bright daylight. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.31 Format The file format, physical medium, or dimensions of the resource 13.7 x 20.7 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource statues Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/3a8b0cb22575457ca122b40bc46a74d2.jpg 7d51226671035204c249df571bf31b6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Rocky shoreline with sloping terrain and tidal pools along the coast. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--The Ulysses mounts Description An account of the resource Douane Centrale stamp on verso A rugged coastal landscape with uneven rocky terrain sloping down to the water. Large boulders and scattered stones cover the shoreline, with shallow pools of water collecting in the depressions. A steep rock face rises toward the background, and the sea stretches out to the horizon under a pale sky. The scene appears remote and natural, with minimal vegetation and no visible human structures. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.32 Format The file format, physical medium, or dimensions of the resource 29.5 x 21.4 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/fcbb117df516daf9f8208205ec6bfdb0.jpg a8b79ca2a2fe5dd02d50e99e294c9e78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource View of rocky coastline with small buildings and tree in foreground, distant islands visible across calm water. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--The Ulysses mounts Description An account of the resource Douane Centrale stamp on verso A coastal scene with rocky cliffs and a few small buildings along the shoreline. A large tree frames the upper right corner, while additional tree-covered landforms and small islands are visible across a calm body of water. The photo appears to be taken at dusk or dawn, with low light and a faint glow in the cloudy sky. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.36 Format The file format, physical medium, or dimensions of the resource 29.5 x 21.1 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/cf670e0a2719f41df683e6700a9b9c55.jpg c16174e26bc38ef409ea4ce4e8a3a4d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Sailboat on the ocean with rocky islands in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph from the La Hune exhibition--The Ulysses mounts Description An account of the resource Douane Centrale stamp on verso A distant sailboat with two dark sails moves across the right side of the ocean, with low rocky islands visible on the horizon to the left. The water appears calm, and the overall tone of the photograph is light and hazy, suggesting it may have been taken on an overcast day. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Identifier An unambiguous reference to the resource within a given context 15.39 Format The file format, physical medium, or dimensions of the resource 30.4 x 22.2 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Type The nature or genre of the resource Image Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/699872a9cddb91be2002c95456955f87.jpg 6a8578c80026438590c69c9bca9a82ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Exhibit display featuring portraits and a timeline of James Joyce's life from 1888 to 1933. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group of unmounted photographs from and of the La Hune exhibition Description An account of the resource Photo Maywald stamp on verso. " "mention obligatoire." Douane Centrale stamp on verso. A literary exhibition showcases materials related to James Joyce. Along the top row, painted portraits of Joyce and others are framed and hung on a wall above glass display cases. The display cases contain books, letters, and photographs. Below them, a sequence of five large black-and-white photographic panels labeled with the years 1888, 1902, 1914, 1923, and 1933 shows Joyce at different stages of life, from childhood to adulthood. Each panel presents a portrait corresponding to the specified year. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.4 Format The file format, physical medium, or dimensions of the resource 23.2 x 25.7 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/5ed6a7a4dcb0b827ec51a9fd46fcc127.jpg 6a8578c80026438590c69c9bca9a82ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Exhibition wall displaying portraits and photographs chronicling James Joyce’s life and work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of case at James Joyce exhibition, American Embassy, London Description An account of the resource Handwritten on verso: "Case containing Joyce items | from Sylvia Beech collection from LML | to exhibition at American | Embassy, London, Summer 1960" A museum exhibit dedicated to James Joyce features two rows of framed images. The upper row includes painted portraits of various individuals, likely Joyce and associates. The lower row displays a chronological series of photographs of Joyce, labeled with the years 1888, 1902, 1914, 1923, and 1928, documenting his life stages. Between the portrait rows is a display case filled with books, photographs, manuscripts, and documents, all protected by glass and arranged to highlight milestones in Joyce’s literary career. Date A point or period of time associated with an event in the lifecycle of the resource 1960 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.4 Format The file format, physical medium, or dimensions of the resource 12.7 x 16.7 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/1f86e44c40ea84bec2b790bda8fd9e3f.jpg 021fe251b908418c370033dc516debc5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Exhibit display featuring a large annotated map of Dublin dated 16 June 1904. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group of unmounted photographs from and of the La Hune exhibition--Map of Dublin Description An account of the resource Photo Maywald stamp on verso. Douane Centrale stamp on verso. The display shows a large wall-mounted map of Dublin with sections marked by numbers and overlaid photographs, referencing locations from James Joyce's Ulysses. The date “16 Juin 1904” is prominently noted, indicating Bloomsday, the day the novel takes place. To the left, there is French text and a smaller map or illustration. Below the map is a labeled section titled “ULYSSE” and a display case filled with books and documents, alongside a woven-seat wooden chair. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.6 Format The file format, physical medium, or dimensions of the resource 24 x 28 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/fe9d4e0b40469cb857adae760e33d856.jpg a9897596e7c30d0902d0ddeef1655401 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Display case with James Joyce’s death mask and an open handwritten book. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group of unmounted photographs from the La Hune exhibition--Case showing death mask Description An account of the resource Photo Maywald stamp on verso. "mention obligatoire." Douane Centrale stamp on verso Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.9 Format The file format, physical medium, or dimensions of the resource 24 x 26.1 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/22ffcfa986a097d1b816098cd8de3572.jpg c20304e10538f600503605be894ec216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Large group of people gathered at a long table, labeled "Déjeuner Ulysse," Paris, June 1929. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce, Adrienne Monnier, and guests at the "Dejeuner Ulysse" Description An account of the resource On recto in Adrienne Monnier's handwriting "Philippe Soupault Mm Joyce Edmond Dujardin - Paul Valéry - James Joyce - Leon-Paul Fargue | Lucia Joyce - Thomas McGreevy - Sylvia Beach - Adrianne Monnier - Mm Paul Valéry - Main Scheikeritch | Lucianne [illegible] Marc Chadourne - Jules Romains - André Chamson [illegible] | Déjeuner "Ulysse" le Jeudi 27 Juin 1929." Inserted negative "This film from Sylvia Beach" per note on sleeve. A group of individuals pose for a formal portrait behind and around a long banquet table set with glassware, vases of flowers, and a tablecloth. Most of the seated figures in the front row are identified in handwritten notes beneath the image, including notable literary and cultural figures such as James Joyce, Paul Valéry, Sylvia Beach, Adrienne Monnier, and Léon-Paul Fargue. The inscription at the bottom reads, “Déjeuner ‘Ulysse’ le Jeudi 27 Juin 1929.” The group appears to be commemorating the celebration of James Joyce's Ulysses. Many attendees are dressed in formal or semi-formal attire, and the scene is set indoors near windows with open shutters. Date A point or period of time associated with an event in the lifecycle of the resource 1927-06-29 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 8.1 Format The file format, physical medium, or dimensions of the resource 23.1 x 17.4 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Monnier, Adrienne Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/63dcc42a9867c4269796efc516661773.jpg ed93a9d28c350c907d64fa55e1483360 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Holbrook Jackson seated and writing, with a pipe in their mouth. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holbrook Jackson, seated, smoking a pipe Description An account of the resource Embossed on recto "Hana Studios Ltd. London." On verso in handwriting, "Holbrook Jackson." Shakespeare and Company stamp. Holbrook Jackson is shown seated in a dark-toned portrait, holding a pen and writing on a pad or paper. They wear a dark suit with a tie and have a pipe in their mouth. Their eyes are directed downward in concentration. The image has an embossed stamp in the bottom right corner that reads “Hana Studios Ltd London.” There are visible ink marks or blemishes on the lower portion of the image. Type The nature or genre of the resource IMage Identifier An unambiguous reference to the resource within a given context 8.10 Format The file format, physical medium, or dimensions of the resource 9.8 x 14.0 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Jackson, Holbrook, 1874-1948 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/bf7f4e6b19543b0c2108ff175142dd8a.jpg 0e90ad79f3cabf9a7b3721f0e12902bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Interior exhibition space with catalog display and wall chart. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Group of unmounted photographs from the La Hune exhibition Description An account of the resource Photo Maywald stamp on verso. "mention obligatoire." Indoor exhibition area featuring a white partition wall covered with various papers and posters, including a sign that reads “CATALOGUE.” Behind it is a large illustrated educational chart with labeled categories arranged on a tree diagram, and a figure of a person. To the left, there's a wall-mounted telephone and posters, including one referencing “VERSAILLES.” On the right, shelves are filled with stacked publications. The space includes tiled flooring and white structural columns. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.1 Format The file format, physical medium, or dimensions of the resource 15.9 x 17.0 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/bdf73fd08f786ea09e8405f01d15a72d.jpg 98e0825f3271a9bd646f0369adfc1357 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Plaster cast of James Joyce's head with closed eyes and textured hair. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs from the La Hune exhibition--Joyce's death mask Description An account of the resource Douane Centrale stamp on verso A close-up view of a plaster "death mask" cast depicting James Joyce's head with closed eyes. The surface shows fine texture and detail, including wrinkles and a mustache. The hair appears sculpted with prominent grooves. The head is oriented slightly downward. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 15.10 Format The file format, physical medium, or dimensions of the resource 20.5 x 29.4 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/9ccf704df48ed4c23b0c20ae8e63f052.jpg 6aad31c5fbc149b15361acfad6f5a51c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Herbert Gorman, dressed in a light sweater and tie standing outdoors, looking to the right, with a railing structure in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Herbert Gorman, Joyce's first biographer, in profile Description An account of the resource Signed by Herbert Gorman on recto Herbert Gorman is shown in profile, facing right, wearing a buttoned cardigan and a patterned tie. Their hair is tousled and the background reveals a structure resembling a rooftop railing or scaffolding. The lower portion of the image includes a dark ink inscription and signature reading “Sincerely, Herbert S. Gorman.” Date A point or period of time associated with an event in the lifecycle of the resource 1930s Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.10 Format The file format, physical medium, or dimensions of the resource 10.9 x 8.0 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Gorman, Herbert Sherman, 1893-1954 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/086bd9d7aec2c9190bfc31e8436ad677.jpg 2a93fb63e881ad6a14f3b27f68bade6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and Augustus John standing side by side; one in a suit and sunglasses, the other in a robe holding a pipe. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Augustus John, Paris Description An account of the resource On verso in handwriting "Joyce avec Augustus John" inserted negative "This neg. rec'd. from S. Beach" per note on sleeve Two individuals are posed in front of a patterned curtain. James Joyce, on the left, wears a dark suit, a plaid tie, and round sunglasses, with hands in their pockets. Augustus John, on the right, wears a belted robe over an open-collared shirt and holds a pipe in one hand. The background includes part of a cushioned chair and draped fabric. Date A point or period of time associated with an event in the lifecycle of the resource 1930 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.4 Format The file format, physical medium, or dimensions of the resource 17.9 x 23.9 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Subject The topic of the resource Joyce, James, 1882-1941 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/46c88459429eef276cfb42081bfef25b.jpg 50341b63119d2fbcbec9bf05d227c02f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Giorgio Joyce in a dark suit with round glasses and a striped tie, facing forward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giorgio Joyce Description An account of the resource Stamped on verso "Photo Lutetia | 111, rue de Rennes |Paris" Giorgio Joyce faces the camera in a formal portrait against a plain, dark background. They are wearing round eyeglasses, a dark suit jacket, a light-colored shirt, and a diagonally striped tie. Their hair is neatly combed and they have a small mustache. The lighting is even and highlights facial features clearly. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.5 Format The file format, physical medium, or dimensions of the resource 6.7 x 9.1 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/4ba4103c917461aebb0a41b7f0aeabcd.jpg c927698b6180c9c44655198ab49e9771 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Helen Fleischman Joyce in dark clothing with a layered pearl necklace, facing forward. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Helen Fleischman Joyce Description An account of the resource Stamped on verso "Photo Lutetia | 111, rue de Rennes |Paris" Helen Fleischman Joyce faces the camera in a formal portrait against a plain, dark backdrop. They are wearing a dark garment with a multi-strand pearl necklace. Their hair is braided. The lighting is soft and even, highlighting the facial features clearly. Date A point or period of time associated with an event in the lifecycle of the resource circa 1930 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.7 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 6.5 x 8.8 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 https://digital.lib.buffalo.edu/files/original/b02a0addd1d6a1acc6835eecbec3f223.jpg c07648f5414733619d80564758efb784 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person seated on a wooden bench, wearing a light-colored dress and wide-brimmed hat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seated woman, possibly Helen Fleischman Joyce Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.8 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 8.7 x 13.7 image/jpeg License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource A person, possibly Helen Fleischman Joyce, sits on a wooden bench, wearing a long, light-colored dress with dark cuffs and collar accents. A wide-brimmed hat with decorative buttons covers the head. The background appears to be a painted studio backdrop with soft, indistinct scenery. One arm rests on the bench armrest while the other hand is raised to the side of the face. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Date Created Date of creation of the resource. 2013-03-12 https://digital.lib.buffalo.edu/files/original/8b73e9378741a600d89da0b7db1501a5.jpg 132cbadd527e349c987d403f82a7145c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce stands in front of a fireplace. Philippe Soupault stands next to Joyce. They are reading a stack of papers that James Joyce holds in his hands. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Philippe Soupault Description An account of the resource Pacific & Atlantic Photo stamp on verso. Inserted negative "?This neg. rec'd from Sylvia Beach?" James Joyce stands next to a fireplace in an ornate interior space. Joyce is wearing a robe and glasses and holds a stack of pages. Philippe Soupault stands to Joyce's left and is dressed in a suit and tie and holds a folded sheet of paper and looks down at it. A decorative clock and candelabra sit atop the mantel beside them. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Identifier An unambiguous reference to the resource within a given context 9.9 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 22.6 x 16.7 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Subject The topic of the resource Soupault, Philippe, 1897-1990 Joyce, James, 1882-1941 Type The nature or genre of the resource Image https://digital.lib.buffalo.edu/files/original/9b2f0059048abce9826f37c9eb6bedbd.jpg 72aa0ee62e4f4aaf7b3c8cd3be71226a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Herbert Gorman seated in front of a brick wall, wearing a shirt and tie. "Herbert S. Gorman" is written on the bottom of the photograph. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Herbert Gorman, Joyce's first biographer, three-quarter view Description An account of the resource Signed by Herbert Gorman on recto Herbert S. Gorman sits in front of a brick wall. They are dressed in a collared shirt and textured tie. The individual is facing slightly to the side with a neutral expression. A large cursive signature is visible at the bottom of the image. It says "Herbert S. Gorman." Date A point or period of time associated with an event in the lifecycle of the resource 1930s Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.11 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 8.1 x 10.8 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Subject The topic of the resource Gorman, Herbert Sherman, 1893-1954 https://digital.lib.buffalo.edu/files/original/78e3275050dae5ec9faf58e2ad52e7f4.jpg 9bd323ab692cd76bd5492e9ecc5d67ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Nora Joyce, James Joyce, and another person walking along a city sidewalk, dressed in early 20th-century clothing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce and Nora Joyce in London on their way to be married Description An account of the resource On verso in handwriting "For private use only & not for publication" with Planet News stamp. In Sylvia Beach's handwriting "James & Nora Joyce in London on their way to the Registrar's office to be married." An inserted negative "This neg. no doubt from Sylvia Beach" per note on sleeve. Nora Barnacle Joyce, James Joyce, and another person walk side by side on a sidewalk in London. Nora Barnacle Joyce wears a long coat with a large fur collar and a cloche hat. In the center, James Joyce wears a suit with a bow tie, fedora, and a cane. The person to Joyce's left wears a three-piece suit with a tie and brimmed hat, holding a hand near the mouth. A wrought iron fence lines the left side of the walkway, and parked cars and bicycles are visible in the background. Date A point or period of time associated with an event in the lifecycle of the resource 1931-07-04 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.12 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 11.9 x 10.0 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Nora Barnacle, 1884-1951 https://digital.lib.buffalo.edu/files/original/3a094dfcbcf4ea1b19ffa5db37157def.jpg 687756ab6a2e1cde96ef18c163d54d35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people seated at an outdoor table with a fifth person standing behind it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Nora, Lucia and unidentified little girl at table in garden Description An account of the resource On verso in Maria Jolas's handwriting "In clearing out some old papers | I found an undeveloped negative | which turned out to be this | M. J. (April 1968) | It was probably taken in Austria | (terrace of the Schloss at Feldkirk [Feldkirch]?) | in 1932, and I imagine the photo- | graph was taken by Mathilde, the nurse who accompanied Lucia at that time. The other figures, of | course, are the servant and her child. | The three Joyces are good likenesses. But | how sad they all look!" A group of people is gathered around a table covered with a cloth and set with glassware, seated in a shaded outdoor area beneath trees. A child sits on the left side, next to Lucia Joyce, while James Joyce and Nora Barnacle Joyce sit on the opposite side of the table, one wearing sunglasses and the other a cloche-style hat with a fur-collared garment. A fifth person stands behind the table, partially in sunlight, near a vase of flowers. The setting appears to be a garden or patio. Date A point or period of time associated with an event in the lifecycle of the resource 1932 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.13 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 12.9 x 8.9 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Subject The topic of the resource Joyce, Lucia, 1907-1982 Joyce, Nora Barnacle, 1884-1951 Joyce, James, 1882-1941 https://digital.lib.buffalo.edu/files/original/b2a4225623af6caa7b63cfc3e528aab5.jpg caf5d7b2b475ee31d4d994d69c2ca83e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource James Joyce and Lucia standing in front of large leafy plants in an outdoor setting. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce with Lucia in the garden at Lake Constance Date A point or period of time associated with an event in the lifecycle of the resource 1932 Identifier An unambiguous reference to the resource within a given context 9.14 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 8.9 x 5.8 Image image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource James Joyce, dressed in a light-colored suit and hat stands next to Lucia, dressed in a sleeveless top and skirt, also wearing a hat. They are surrounded by tall leafy tropical plants, possibly in a park or garden. Trees and a body of water with a railing are visible in the background, along with several other figures in the distance. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Subject The topic of the resource Joyce, James, 1882-1941 Joyce, Lucia, 1907-1982 Type The nature or genre of the resource Image https://digital.lib.buffalo.edu/files/original/83ef42318fa3dbbea90304ba8b076273.jpg 0088a2c518dbc2a13915065f196ab641 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two individuals around a hammock, with a baby in patterned headwear lying inside. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Auguste Morel and family Description An account of the resource On verso "à Sylvia Beach | la Sainte famille (Morel) | en 1933" and "Noël | a Sylvia | 20 mai 1951" A hammock is suspended outdoors, containing a baby who is wearing a patterned hood or cap. Auguste Morel stands to the right of the hammock and the other person stands to the left. Both people are looking at the baby. The fabric of the hammock features a detailed crocheted or lace trim. Trees and foliage are visible in the background, suggesting an outdoor garden or forested setting. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.15 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. Format The file format, physical medium, or dimensions of the resource 13.0 x 9.9 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Subject The topic of the resource Morel, Auguste https://digital.lib.buffalo.edu/files/original/558dca32fa283474c0ffbae4fdbaab0d.jpg 2909ea798958087d32b93d08ee0cb968 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource John [O']Sullivan in ornate costume and metallic helmet with snake embellishment, shown in profile. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John [O']Sullivan in costume for the opera "Aida" Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.16 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. Format The file format, physical medium, or dimensions of the resource 8.9 x 13.6 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Description An account of the resource John [O']Sullivan wearing an elaborate costume poses in profile. The outfit features a highly decorated collar and chest piece with detailed beadwork and embroidered patterns. The metallic helmet is adorned with a raised snake motif and chains hanging at the side. The costume appears to be theatrical or operatic. Handwritten text above the figure reads "John Sullivan (Aida)." Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 Subject The topic of the resource O'Sullivan, John, 1877-1955 https://digital.lib.buffalo.edu/files/original/a56ab7ea03c1d082c82357756c3e8171.jpg 111265fdb441fa4301d161c9afa2bc4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Italo Svevo seated in a carved wooden chair, wearing a suit and holding a cigar. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Joyce Collection Description An account of the resource The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation. Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas. Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce. Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s <a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/">online catalog</a>. For now, the digital collections site only includes select photographs from the James Joyce Collection. Rights Information about rights held in and over the resource See individual items for detailed information. Identifier An unambiguous reference to the resource within a given context LIB-PC004 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italo Svevo, seated Description An account of the resource Italo Svevo sits in a carved wooden chair against a plain backdrop. He wears a dark three-piece suit, a patterned tie, and polished shoes, with one leg crossed over the other. A cigar is held in one hand resting on the knee. His posture is relaxed, and he looks directly at the camera. Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9.3 Rights Information about rights held in and over the resource <a href="">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. Format The file format, physical medium, or dimensions of the resource 15.4 x 18.8 image/jpeg Date Created Date of creation of the resource. 2013-03-12 License A legal document giving official permission to do something with the resource. <a href="https://library.buffalo.edu/pl/use/james-joyce.html">https://library.buffalo.edu/pl/use/james-joyce.html</a> Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Subject The topic of the resource Svevo, Italo, 1861-1928 Is Part Of A related resource in which the described resource is physically or logically included. James Joyce Collection. LIB-PC004 James Joyce Collection. PCMS-0020 https://digital.lib.buffalo.edu/files/original/9095d0d6d8e5496cca4711c9aecfd027.jpg 9a4beac30e6ab9d9579787958fd78437 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Interior courtyard with stone arches, columns, and balustrades in Renaissance style. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_0001a Title A name given to the resource Cracow : The royal castle of Wawel Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A two-story Renaissance courtyard featuring rounded arches supported by stone columns with decorative capitals. The lower and upper levels are lined with evenly spaced balustrades. The architecture creates a rhythmic pattern of light and shadow, with overhead rods or wires extending across the open space. A window and doorway are visible on the upper floor in the background. The lighting emphasizes the geometric shapes of the arches and columns. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Zamek Królewski (Warsaw, Poland) Castles--Poland--Kraków Architecture--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Warsaw, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/551e1b2deb75fe1135a3c63d01512a92.jpg cd8dc0911430d9d5ef8c7199716c6938 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Gothic arched doorway with a partially open wooden door and a statue above. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_00010 Title A name given to the resource Cracow: The entrance of the Jagiellonian Library Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A large Gothic-style doorway with a pointed arch and diamond-patterned wooden doors, one of which is partially open. The door is set in a stone façade featuring stepped decorative molding. Above the arch, there is a carved statue of a robed figure in a niche, possibly religious. The surrounding wall is made of large rectangular stone blocks, with a mixture of weathered and repaired sections. Cobblestones cover the foreground area in front of the entrance. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Photographical Pictures by J. Bulhak Subject The topic of the resource Collegium Maius (Uniwersytet Jagielloński) Biblioteka Jagiellońska Architecture--Poland--Kraków Kraków (Poland)--Buildings, structures, etc. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/3aee4197458ff2b791b981bed30c1599.jpg 6a848830fd3f5b78b1e5b1375213a747 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Cobbled street with horse-drawn carts and figures near a park and tall building. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_00011 Title A name given to the resource Cracow: The Kanonicza |street| near Wawel Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A narrow, cobblestone street lined with old buildings leads to an open park area. Horse-drawn carts are parked along the left side of the street. Several people are visible, including a person walking on the left sidewalk and a pair standing in conversation near the street's center. On the right, windows on the tall building are open outward. In the background, a large light-colored building with rows of windows rises behind a tree-lined area. The setting appears calm and historical in atmosphere. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Subject The topic of the resource Zamek Królewski na Wawelu (Kraków, Poland) Castles--Poland--Kraków. Kraków (Poland)--Buildings, structures, etc. https://digital.lib.buffalo.edu/files/original/4a282d58edc49f7d00f16e2624d36b19.jpg aea4a555d833e976a13789658364e960 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Gothic church spires and rooftop statues seen behind lower residential buildings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_3353a Title A name given to the resource L'archcatedrale St. John Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A view of ornate Gothic spires and domed structures rising behind simpler, gabled residential rooftops. The foreground includes plain chimneys and brick walls, while the background reveals elaborate vertical pinnacles, finials, and statues atop a richly decorated church. A statue of a robed figure stands on a pedestal in front of the taller church towers. The scene captures a contrast between modest domestic architecture and the grandeur of ecclesiastical design. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Bazylika Archikatedralna w Warszawie p.w. Męczeństwa św. Jana Chrzciciela Cathedrals--Poland--Warsaw Churches--Poland--Warsaw Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Warsaw, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/321a52e3bebbd7840b2fbce7b6cec046.jpg 87be643ef36917f472e7a19a2590272b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Arched stone gate between historic Gothic and Renaissance buildings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4004a Title A name given to the resource Wawel Katedra Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A narrow cobblestone street leads to a stone archway set into a Renaissance-style gatehouse, with decorative finials lining the roofline. To the left is a brick building with small windows, and to the right is a Gothic structure with tall arched windows, engaged columns, and carved detailing. The scene is flanked by stone walls, and the archway provides a view of a distant path or hillside through the opening. The architecture reflects a mix of late medieval and early modern European styles. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Katedra Wawelska Churches--Poland--Kraków Architecture--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc Cathedrals--Poland--Kraków Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9c4ef410e910af7dccbc8543dd5b7637.jpg b1ad85da57d75d5cced119c1e79d2eff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Multiple towers and domes of a cathedral complex, including Renaissance and Baroque architectural elements. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4006a Title A name given to the resource Krakow: La catedral en Wawel Creator An entity primarily responsible for making the resource Bułhak , Jan Date A point or period of time associated with an event in the lifecycle of the resource 1921? Description An account of the resource A historic cathedral complex with several architectural features in view, including tall towers, domes, and ornate detailing. The central structure includes a rectangular bell tower with small arched openings and a pyramidal roof. Surrounding it are domed chapels with lanterns and decorative facades. In the background, a taller tower with a clock and statues stands beside another large dome topped with a spire and balustrade. The building showcases a mix of Romanesque, Gothic, Renaissance, and Baroque architectural elements. Trees, a fence, and a small figure with a cart are visible in the foreground. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Katedra Wawelska Churches--Poland--Kraków Architecture--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc Cathedrals--Poland--Kraków Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b081bb4d35dc01a104adf80e4abf6fa4.jpg 9af26f3c83fe55f7e67a319df2c7afd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of copper-clad domes and spires on a historic church, with rooftops and buildings in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4014a Title A name given to the resource Wawel Katedra Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A detailed view of multiple domes and spires on a historic church, featuring prominent bulbous copper roofs with vertical seams and finials. The central dome is large and octagonal, with several smaller domes surrounding it. The rooftops of nearby buildings and parts of the surrounding city are visible in the background. The surface of the metal domes appears weathered, and the image includes some signs of physical damage or aging. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Katedra Wawelska Churches--Poland--Kraków Architecture--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc Cathedrals--Poland--Kraków Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c118478b42f549178d4c8ed9c021b355.jpg 22626eb9633988847b4c255eafd89bef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource View of an ornate church spire with a lantern and crown finial, overlooking a historic European cityscape. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4016a Title A name given to the resource Wawel Katedra Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A detailed architectural tower with a bulbous dome, lantern, and slender spire rises prominently in the foreground. The tower features decorative finials, an open belfry with columns, and a tall pinnacle topped with a crown-like ornament. Surrounding the main structure are smaller domed rooftops. In the background, additional domed and gabled buildings stretch across a hazy cityscape under overcast skies. The scene is framed on the left and right by dark vertical edges. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Katedra Wawelska Churches--Poland--Kraków Architecture--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc Cathedrals--Poland--Kraków Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/6cc1fb2be4396ec32a1d599c5ff3bf0f.jpg 4c0027b6332bbd2e221fa2f906fc3176 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stone relief of a skull with crossed bones draped in cloth. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4076a Title A name given to the resource Wawel Katedra Creator An entity primarily responsible for making the resource Bułhak , Jan Date A point or period of time associated with an event in the lifecycle of the resource 1921? Subject The topic of the resource Katedra Wawelska Churches--Poland--Kraków Architecture--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc Cathedrals--Poland--Kraków Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Description An account of the resource A carved stone skull and crossbones relief set in an arched recess. The skull faces forward with empty eye sockets and an open nasal cavity, while the bones are crossed behind it in an X formation. Draped fabric wraps around the top and sides of the skull, adding a funerary or memorial element. The surface of the sculpture is worn and scratched, with visible etchings and graffiti marks. The background stone is textured, contributing to the aged and somber atmosphere. Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/63f7f3a290f6116f9ccd82f6a50478ee.jpg 99a1a3cb5f1212e33307e71a9ae05c28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stone relief of a crowned eagle with wings spread and a diagonal sash. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4094a Title A name given to the resource Godło Wawelu Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource An ornate stone-carved heraldic eagle displayed on an oval shield. The eagle is crowned and shown in a dynamic pose with outstretched wings and claws. A wide diagonal sash crosses the eagle’s body from the upper left to the lower right. The feathers are carved in detailed, layered textures, and the wings curve outward with dramatic flair. The dark tones and shadowing give the carving a sculptural depth. The background surface appears to be wooden paneling. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Subject The topic of the resource Emblems--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc https://digital.lib.buffalo.edu/files/original/f51cdfca52514585283eb3053a34e5a0.jpg b70c7e3d393cc53961f01700c09a4e16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stone relief of a crowned eagle on a shield. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4095a Title A name given to the resource [Emblem of St. Florian's Gate] Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A stone-carved heraldic shield featuring a crowned eagle with outstretched wings and talons, sculpted in high relief. The eagle's feathers are stylized, and its beak is open. The shield has a slightly rounded bottom and is adorned with scrollwork around the wings. Two metal loops are visible at the top, suggesting the shield is mounted on a vertical surface. A small plaque beneath the shield reads “ORZEŁ HERB POLSKI,” identifying the emblem as the coat of arms of Poland. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Brama Floria?ska Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Subject The topic of the resource Emblems--Poland--Kraków https://digital.lib.buffalo.edu/files/original/fcbd88cb73639a93f315e330fb473b51.jpg 24af016111bbf291da25ae4aceab80b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Castle structure with ornate towers and dome rising behind a fortified brick wall on a slope. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_0002a Title A name given to the resource Cracow : The Wawel royal castle Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A historic architectural complex situated on a sloped street, featuring a castle-like building with an ornate Baroque-style dome and multiple decorative turrets. The foreground includes a high brick retaining wall with crenellations and an arched turret, separating the structure from the road. The castle's windows, steep roof, and architectural details suggest Renaissance and Baroque influences. A large tree partially shades the left side of the frame, and the lighting indicates a late afternoon or early morning sun. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Subject The topic of the resource Zamek Królewski na Wawelu (Kraków, Poland) Castles--Poland--Kraków. Kraków (Poland)--Buildings, structures, etc. https://digital.lib.buffalo.edu/files/original/0fda4dc381ac3fcc4f0aa322425ff382.jpg 3bdfeb70e32f6aa032481746fcc6e44e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Round brick tower and steep-roofed structure partially obscured by dense trees. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4100a Title A name given to the resource Zamek Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A historic fortification consisting of a large cylindrical brick tower with crenellations at the top, and an adjacent building with a steep, shingled roof. The tower is vertically windowed and sits slightly elevated above the tree line, while the adjacent structure has rectangular windows and decorative roofline detailing. Both structures are partially obscured by dense foliage in the foreground, suggesting a location on a wooded hill. The sky is mostly clear with a few clouds. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Castle in Kracow Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Subject The topic of the resource Zamek Królewski na Wawelu (Kraków, Poland) Castles--Poland--Kraków. Kraków (Poland)--Buildings, structures, etc. https://digital.lib.buffalo.edu/files/original/78bdcf719bd4a1ef80b1a4e71fe367ab.jpg 2ed269ce6896b33b476e62dd2a4efe7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Arcaded courtyard with classical columns and balustrades casting deep shadows. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4156a Title A name given to the resource Cracovie, château royal: Wawel Zamek Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource Interior view of a Renaissance-style courtyard with multiple arched arcades supported by stone columns featuring Ionic capitals. The balustrades along the walkways consist of robust, vase-shaped balusters. Strong sunlight casts elongated shadows across the floor, emphasizing the architectural rhythm. The upper level mirrors the lower with similar columns, arches, and balustrades, suggesting a palace or historic civic building. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Subject The topic of the resource Zamek Królewski na Wawelu (Kraków, Poland) Castles--Poland--Kraków. Kraków (Poland)--Buildings, structures, etc. https://digital.lib.buffalo.edu/files/original/09a99db19dd8829cbf48985ab713d62f.jpg 54f6e9f6a34f639a8683ae5389473af1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource View of a twin-towered brick church with a spire and dome, fronted by a monument in a large city square. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4186a Title A name given to the resource Kościół P. Maryi Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource Elevated view of St. Mary's Basilica in Kraków, Poland, featuring its asymmetrical twin towers: the taller with a spire and the shorter with a domed top. The Gothic brick façade includes pointed windows and a prominent decorative entrance. In the foreground, the Adam Mickiewicz Monument stands in the middle of the Main Market Square (Rynek Główny), surrounded by pedestrians and trees. The surrounding buildings reflect 19th-century European urban architecture. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Kościół Mariacki (Kraków, Poland) Churches--Poland--Kraków Kraków (Poland)--Buildings, structures, etc. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/257e105d9663dc15a0ba4b76540aef16.jpg cfe9b96fd6c386fb280c24b14aa58f94 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Tall brick church facade with narrow Gothic windows and a spired tower in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4193a Title A name given to the resource L'eglise Notre-Dame Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A Gothic-style church with a steeply pitched metal roof and two tall, narrow arched stained-glass windows flanked by decorative stone detailing. The brick facade includes prominent vertical elements and stone accents. In the background, a multi-tiered spired tower with pointed pinnacles and a decorative crown rises against the sky. A small structure with arched windows and a pitched roof stands at the base of the church. Electric wires cross the foreground. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Kościół Mariacki (Kraków, Poland) Churches--Poland--Kraków Kraków (Poland)--Buildings, structures, etc. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9fe463d9adee04e2b09a2b37ba3dd295.jpg c1762f10f8bfa7d7fb701d07ff385728 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Church tower with a conical metal roof and narrow arched windows, set against a rural backdrop. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4017a Title A name given to the resource Wawel Katedra Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A vertical view of a historic church tower featuring a square base with narrow arched windows and a sharply pitched metal roof topped with a cross. A smaller dome with a lantern is visible in the lower right. Surrounding the tower are tiled-roof residential and institutional buildings. In the distance, open fields and low-rise structures extend toward the horizon under a cloudy sky. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Katedra Wawelska Churches--Poland--Kraków Architecture--Poland--Kraków Wawel (Kraków, Poland)--Buildings, structures, etc Cathedrals--Poland--Kraków Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/2e1a3de5c1e4c9288f1574e6929ebff8.jpg 27ca0cd503923c85d896e7849e28cd88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Gothic-style tower with a tall spire surrounded by smaller pinnacles and a decorative crown. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jan Bułhak Collection Description An account of the resource Jan Bułhak was a prolific Polish photographer who specialized in landscape and architectural photos in Poland and present-day Lithuania and Belarus. Jan Bułhak was born on October 6, 1876 in Ostaszyn, near Navahrudak, which can be seen in some of the University at Buffalo’s collection. In 1905, Bulhak became interested in photography and began to publish his works in various Polish magazines. In 1939, Bułhak created the collection entitled Polska w obrazach fotograficznych Jana Bułhaka ("Poland in Jan Bułhak’s photographic pictures"), which contained over 11,000 photos arranged into 158 subject albums: Vilnius, Kresy, Lviv, Warsaw, Kraków, Nowogródek Voivodeship , to name a few. The photos in the University at Buffalo’s collection belong , for the most part, to this original collection, although many of the photos were taken in the mid-1920s. By World War II, Bułhak had taken between 40,000 and 100,000 photographs. In 1939, he presented the collection to the Polish government. Unfortunately, a majority of these negatives perished during the war. In 1944, after bombardments in Wilno (Vilnius), Bułhak's studio burned down and it is reported that about 30 thousand negatives were lost in the fire. The University at Buffalo’s collection of Jan Bułhak photographs was originally donated by to the Library in 1955 by Mr. John M. Walczak of New York City. Rights Information about rights held in and over the resource Available for unrestricted use. Language A language of the resource Polish English Identifier An unambiguous reference to the resource within a given context LIB-006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-006_Krakow_4196a Title A name given to the resource [Steeple of Kościół Mariacki] Creator An entity primarily responsible for making the resource Bułhak , Jan Description An account of the resource A close-up view of the upper section of a Gothic tower constructed from brick and stone. The lower portion features narrow arched windows set into alternating bands of light and dark masonry. Above this is an octagonal lantern with decorative stonework, surmounted by a steep, shingled spire ringed by eight slender pinnacles. At the base of the central spire is a crown-like finial with sculptural detailing. The sky in the background is overcast. Polska w obrazach fotogr. J. Bulhaka Krakow Jan Bulhak Art. Fotograf. Wilno Jagiellonska 8 Poland in Pictures, photographer J. Bulhak Subject The topic of the resource Kościół Mariacki (Kraków, Poland) Churches--Poland--Kraków Kraków (Poland)--Buildings, structures, etc. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kraków, Poland Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Format The file format, physical medium, or dimensions of the resource image/jpeg Is Part Of A related resource in which the described resource is physically or logically included. Jan Bułhak Collection. LIB-006 Jan Bułhak Collection Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).