573 100 60584 https://digital.lib.buffalo.edu/files/original/19e427fcdda7c7fbf3a8aa72c2ea7814.pdf d0897c074d32cf00d5f2c64f456c63ff PDF Text Text inimally invasive approaches to stroke treatment �llffall Hysiciu VICE PRESIDENT FOR 'I\ ERSITY COMMUI'iiCATIONS u jennifer McDonough DIRECTOR OF NEWS SERVICES Arthur Page DIRECTOR OF PERIODICALS Sue Wuetc/Ier Paroski Named Interim Dean EDITOR Stephanie A. Unger ART DIRECTOR & DESIGN on January 15, 2003 , that he planned to resign Alan]. Kegler and David]. Riley effective February 14 as vice president for health affairs at the University at Buffalo and dean of DESIGN the UB School of Medicine and Biomedical Sciences. Karen LichtJCr CoNTRIBUTING WRITERS Lois Baker and Ellen Goldbarun PRODUCTION COORDINATOR CyrJtlria Todd-Flick At the same time, UB President William R. Greiner announced the appointment of Margaret W. Paroski, MD '80, the medical school 's senior associate dean for academic affairs and admissions, as interim vice president for health affairs and interim dean of the School of Medicine and Biomedical Sciences. LNIVERSITY AT BuFFALO SCHOOL OF MEDICINE AND BroMEDrc.AL SciENCES Dr. 1\fargaret Paroski, lnterzm Dean EDITORIAL BOARD Dr. john Bodkin Dr. Martin Brecher Dr. Harold Brody Dr. Linda J. Corder Elizabeth Volz, Class of 2005 Dr. fames Kanski Dr. Elizabetlr Olmsted Dr. James R. Olson Dr. Stephen Spaulding Dr. Bradley T. Truax Dr. Franklin Zeplowitz Greiner said UB "will hold off on the search for and appointment of a new vice president and dean until UB's 14th president has been appointed by the SUNY Trustees. " On January 13, 2003, Greiner had announced plans to retire as UB's 13th president effective June 30, or at a later date if requested by State University of ew York Chancellor Robert L. King, depending on the appointment of his successor. ln a message to faculty members at the time of his resignation, Bernardino said that he and his wife were moving back to Atlanta to be closer to their children . Prior to coming to UB as vice president for health affairs in April 1998, Bernardino, who also holds an MBA degree, had served as director of managed care with the Emory University System of Health Care, Inc. , and professor of radiology in the Emory University School of Medicine. TEACH!-.;G HOSPITALS Erie County MediCal Center Roswell Park Cancer Institute Veterans Affarrs Western New York Healthcare System As vice president, he oversaw the clinical and collaborative activities of PAR OS KI UB 's five hea lth-sciences schools-medicine and biomedical sciences, dental medicine, health related professions, nursing and pharmacy. He was named dean of the medical K,tLIIT>A Hf.-\LTH: Tire Buffalo General Hospital The Children's Hospital of Buffalo Millard Fillmore Gates Hospital Millard Fillmore Suburban Hospital C.iTIIOll< Ht\1111 SL"iTE\1: Mercy Hea/tlr System Sisters of Cluuity Hospital Niagara Falls .\1emorial Medical Center ® UII[ISI!IIlllfflll. Ill Sill! UIHISllY If m!Ill Letters to the Editor Buffalo Physician is published quMtcrly by the Unive rsity at Buffalo School of Medicine and Biomedical Sciences in cooperation with University Communications. Letters to the Editor are welcome and can be sent c/o Buffalo Physrcian, 330 Crofts Hall, Umversity at Buffalo, Buffalo, NY 14260; or via e- mail to bp-notes@buffalo.edu. Telephone: (716) 645-5000, ext. 1387. The staff reserves the right to edit all submissions for clarity and length. T...::J:... University at Buffalo ~ 1'1teState Ut~iversityofNew York school in July 2001. "I think that this is an appropriate time to move on," Bernardino noted in his message. "We have accomplished the major goals that I set forth when I arrived in Buffalo: establishment of an infrastructure within the medical school, reorganization of the school, restructuring of the practice plan and the negotiation of new affiliation agreements with the teaching hospitals. The latter two I consider to be very significant events in the history of the medical school. And the last one, as important as it is to UB, probably is more important to the Buffalo community." Greiner noted that Bernardino's contributions to UB during the past five years "have been significant, and his departure is a loss to our entire UB community." He added: "Mike came to UB with a clear vision and action agenda: reform of the administrative structure of our faculty practice plans, and transformation of our relations with our affiliated hospitals regarding both the delivery of graduate medical education, and the fiscal and managerial relationships between the hospitals and the medical school vis-a-vis our shared responsibility for teaching, research and health-care delivery. �"These reforms have been made," Greiner added. "Our practice plans are on a sound fiscal basis, and our new affiliation agreements provide not only the platform for first-rate teaching and research programs, but also a new framework for regional health-care delivery. Beyond these extraordinary accomplishments, Mike has seen to it that the finances of the medical school and its administrative leadership are both in very strong condition." While Bernardino gave credit to many colleagues in and outside the university for their roles in those accomplishments, Greiner said that "he has been an extraordinary leader. UB, the medical school and all of us in the Buffalo-Niagara area owe Mike a debt of gratitude for all that he has done to date, and for the future prospects for Buffalo-Niagara, which his work here has greatly enhanced." UB Provost Elizabeth D. Capaldi praised Bernardino for "managing in a very short period of time to organize the clinical affairs of the School ofMedicine and Biomedical Sciences and to put the financial affairs of the school in excellent shape. "We now have a firm foundation to move forward," Capaldi added, "and all of us are indebted to Mike for his excellent work. I doubt anyone else could have accomplished what he has in this short a period of time. We will miss his leadership." Greiner said Parosk.i "is one of UB's most accomplished faculty members, and has proven herself an outstanding administrative officer. I have every confidence that she will provide excellent leadership for the medical school and for clinical affairs." Prior to joining the medical school's administration in May 200 I as director of admissions, Paroski served as medical director of the Erie County Medical Center for five years and as clinical director of neurology at the medical center for four years. She has been a member of the medical school's faculty since 1984 and is a professor of clinical neurology. A !980 graduate of the UB medical school, Parosk.i is president of the UB Alumni Association and past president of the UB Medical Alumni Association. An accomplished educator, Paroski was the 1988 recipient of the UB medical school's coveted Siegel Award for Excellence in Teaching. In addition to her administrative duties, she currently teaches in five medical school courses and serves as the course coordinator for the mandatory senior neurology rotation. She served for a year as the school's point person for curriculum development and implementation in preparation for the Liaison Committee on Medical Education Review, which took place in October 2002. She also has an active practice in neurology. A native of Buffalo, Paroski received a bachelor of arts degree in biology and psychology from Canisius College in 1976. She completed her residency training in neurology in UB's affiliated teach- HEALTH SCIENCES ing hospitals and is board certified in neurology. In 2000, she completed a master's degree in medical management at Carnegie Mellon University in Pittsburgh. -ARTHUR PAGE JUN I 3 20D.1 LIBRARY �Dear Fellow Alumni, y the time you read this message, the 2003 Spring Clinical Day and Reunion Weekend will have lfficers ~~~ liar~ Mn~ers ZIU-ZII3 taken place, and we will be in the process of preparing a full report for publication in the summer issue of Buffalo Physician. This year we had an outstanding scientific program that was organized by Marty Brecher, MD '72. Speakers included Rohit Bakshi, MD '91; Robert Genco, DDS, PhD; Bruce Holm, PhD; and Jeffrey Skolnik, PhD, (our Stockton Kimball Awardee), who discussed various topics in the field ofbioinformatics. Matthew Enstice, associate director of the Buffalo-Niagara PRESIDENT Patricia K. Duffner, MD '72 Medical Campus (BNMC) development, also gave a presentation on the past, present and future of the B MC. The recipients of the 2003 Achievement Awards were Bertram Portin, MD '53, VICE PRESIDENT Robert Zizzi, MD '58, and Robert Milch, MD '68. The Berkson Awardee was Robert Stephen B. Pollack, MD '82 Kaplan, MD '81. For the first time, the awards were presented immediately following MEMBERS Rohit Bakshi, MD, '91 Martin L. Brecher, MD '72 Martin C. Mahoney, PhD, MD '95 the scientific session so that those who could not attend the luncheon were able to congratulate these outstanding alumni. Planning for Spring Clinical Day and Reunion Weekend was helped immensely by Kimberly Venti, who was hired in December 2002 as director of donor stewardship and constituent relations in the Office of Alumni Affairs and Development in the School of Medicine and Biomedical Sciences (see introduction of Venti on page 36). We are very fortunate to have her as medical alumni administrator. In addition, I would like to recognize the essential role members of UB's Office of Special Events Colleen Mattimore, MD '91 played in the extensive planning required for this weekend event. Finally, I would like to extend a PAST PRESIDENT special thanks to Steve Pollack, MD '82, vice president of the Medical Alumni Association, for his excellent work with the reunion class chairs. fohn f. Bodkin, JI, MD '76 EMERITUS MEMBERS In closing, I have two sad pieces of news. The first is that Michael E. Bernardino, MD, MBA, vice president for health affairs and dean of the School of Medicine and Biomedical Sciences, has resign- Donald P. Copley, MD '70 ed effective February 14, 2003, to return to Atlanta and Emory University. During Mike's tenure, Robert E. Reisman, MD '56 affiliation agreement and carried us through the Liaison Committee on Medical Education (LCME) REGIONAL MEMBERS Joseph A. Chazan, MD '60 Rhode Island Max Doubrava, MD '59 Nevada Dorothy C. Rasinski, MD '59, /D Califomia he established a firm financial foundation for the University Practice Plan, negotiated a difficult visit last fall with flying colors (see article about the school's reaccreditation on page 28). Mike was extremely supportive of the Medical Alumni Association, assisting us in recruiting and funding our new, outstanding administrator, Kim, as well as providing funding to support a parttime staff member who is now working with us, Jennifer Lobaugh. Mike was also a great friend to me personally, and I will miss him. Secondly, Dr. William Greiner has announced that he will be stepping down as president of the University at Buffalo in June 2003 or at a later date if requested by State University of New York Chancellor Robert L. King, depending on the appointment of his successor. I first got to know Bill when we served together on the Kaleida board of directors during one of the more turbulent times in the history of medicine in Buffalo. Bill's voice was always one of reason and clarity. His great love Orestes G. Rosabal, MD '77 Florida for the university and for his job as president was apparent to everyone who met him. Bill has made me proud to be a UB alumnus and a member of his faculty. Eric f. Russell, MD'74 Jllinois PATRICIA K. DUFFNER , MD ' 72 President, Medical Alumni Association �VOLUME 37, NUMBER 0 p H y s c A N Features The Inside Passage 4 Minimally invasive treatment of stroke and other cerebral vascular diseases-Buffalo's neurosurgeons chart the way BY UNGER Acute Care, Astute Care 20 Two UB alumni develop pathway to ensure optimal care for acute cardiac patients BY 24 S. A . !COLE PERADOTTO On Course, Part II Cardiologist John Corbelli, MD '79 , left, and emergency room physician David Janicke, MD '88, PhD, right, are working to reduce our region's high rate of death from hean disease. For more, turn to page 20. A conversation with Margaret Paroski about medical education, curriculum and admissions PICTURED ON THE COVER ARE NEUROSUR G EON$ HOPKINS, RIGHT, AND LEE GUTERMAN, LEFT. PH 0 T 0 37 John Canty, MD '79, elected to Association of University Cardiologists 47 Tony g,MD '91, an update on Disaster Psychiatry Outreach 28 School of Medicine and Biomedical Sciences reaccredited for eight years 31 UB establishes School of Public Health and Health Professions 32 Merril T. Dayton, MD, named chair of surgery Frederick Munschauer named chair of neurology 33 Rob Bermel, MD '03, receives Oldendorf Award 30 Oishei and Wendt foundations support Buffalo Life Sciences Complex 39 James Platt White Society annual listing 43 ews from your UB classmates and other alumni 44 Francis Fote, MD '52, founder of Grounds for Health, volunteers around the world L. N . " I C K" BY ERIC FRI C K . Medical Student Research Forum, a showcase for achievements �L. N. "Nick" Hopkins, MD, chair of neurosurgery at the University at Buffalo, and his DB colleague, lee Guterman, PhD, '89, are recognized leaders in field of neuroendovascular surgery. Pictured with them is £lad levy M li f w �F.-AIR - -- Minimally invasive approac es to stroke treatment �ore o ent an ot, scientific advances come slowly and incrementally, each step dependent upon the work of earlier researchers whose focus, patience and plodding zeal were guided by a shared vision that at times may have seemed over· reaching, perhaps even a bit surreal. n cases where these incremental steps are successful, however, there comes a turning point when the quiet, behindthe-scenes evolutionary work reaches a critical mass and becomes revolutionary in its impact. Nowhere is this phenomenon better exemplified than in the work of neurosurgeons who over the past several decades have collaborated with other clinical specialists and basic scientists to make real the vision of treating stroke and other cerebral vascular diseases with minimally invasive surgical techniques. These techniques involve taking advantage of the body's circulation system to navigate micro-thin devices through the large artery in the groin until they reach injured or blocked vessels in the brain or neck, where treatment is provided using procedures and devices specially designed for endovascular surgery. Bolstered by ongoing iterative advances in the miniaturization and visualization of these devices-and 6 l ulfa l e Pb ysicin Sp r i 11 g 2003 the testing and perfecting of them in a large number of clinical trials-minimally invasive approaches to cerebral vascular diseases not only are here to stay, but within the decade are expected by many to become the gold standard for a growing number of neurological conditions requiring surgery. The reasons for this are numerous: The endovascular approach is less invasiverequiring only a needle puncture in the groin as opposed to opening the skull; the risk of infection is lower; postoperative recuperation is faster; hospital stays are shorter; expenses are reduced and the emotional stress on patients and their families is significantly decreased. A widely recognized leader in the field of neuroendovascular surgery is L. . " ick" Hopkins III, MD, chair and professor of neurosurgery and professor of radiology in the University at Buffalo School of Medi- �I - cine and Biomedical Sciences, who also serves as director of the UB Toshiba Stroke Research Center. Inspired by cardiologists, whom he readily credits with pioneering the concept of endovascular intervention, Hopkins has long made it his mission to take minimally invasive techniques as they apply to coronary arteries and adapt them for use in the more delicate, convoluted and difficult-to-access blood vessels in the brain. "While the concept is the same, the devices, techniques and training required to treat cerebral vascular disease with endovascular approaches are quite different from those used to treat coronary artery disease," he explains. "The intracranial circulation is much more tortuous and difficult to navigate, and the blood vessels in the brain are much thinner." Undaunted by the challenge of discovering new or better ways to safely navigate micro-devices deep within the brain, Hopkins, in collaboration with his UB colleagues, has been at the forefront of efforts to develop and test many of these devices and procedures and has meticulously built an Endovascular Surgical euroradiology Service at Kaleida Health's Millard Fillmore Hospital in Buffalo that is a magnet for patients from all over the United States. In addition, the service has become a top draw for talented residents and fellows seeking to learn advanced neuroendovascular surgical skills and to participate in groundbreaking research projects in collaboration with scientists at the Toshiba Stroke Research Center. Hopkins attributes the success of UB's neurosurgery program to its three-pronged approach of clinical care, research and education, as well as to the fact that the faculty is multidisciplinary. "We have always had very strong vascular surgery and neurosurgery here," he notes. "However, I think that the addition of the endovascular approach has made our center a leader because we can offer both traditional, open surgery, as well as endovascular surgery interchangeably, with no bias. By this I mean that all services are provided by one group of physicians, so there's not one specialist saying, 'I can do it better with open surgery' and another saying, 'I can do it better with endovascular surgery.' "As you might imagine," he continues, "as the lessinvasive endovascular techniques continue to mature and gain popularity, this is a very important advantage because there are centers where the two approaches are separated and it's getting to be a competition between ---- endovascular and traditional surgical techniques. In our department, because we're a multidisciplinary team, there's no competition, so we can avoid bias in deciding the best way to treat patients." The synergy among clinical specialists in the department is further enhanced by the fact that basic-science faculty in the Toshiba Stroke Research Center also represent a broad spectrum of disciplines, including radiation physics, biomedical and aerospace engineering and polymer chemistry. "One of the things I'm most proud of is that our program, because of the Toshiba Stroke Research Center, has always been in the lead in terms of researchmostly translational-type research-that goes hand in hand with the development of new techniques," says Hopkins. The concept of the Toshiba Stroke Research Center at UB was originated by Lee Guterman, PhD, MD '89, according to Hopkins (see page 16). "Over the years, it's been a truly exciting thing for me to be associated with great people, and my partner, Stent deployed to open ablocked carotid artery. Studies are ongoing to determine Lee Guterman, has the safety and efficacy of this procedure been one of those as aless·inrasire alternatire to opening people," says Hopthe neck and peeling out the plaque. kins. "Back when he was a medical student and resident at UB, Lee kept saying, 'We've got to be doing some research here.' And that led directly to the multidisciplinary team we put together in the early 1990s and, eventually, to our developing the concept of the Toshiba Stroke Research Center. "The ability to do the preliminary work at the research center and then to transfer, or translate, that research into the clinical setting very quickly has been a huge opportunity for us to have both a strong clinical and teaching program," he adds. Spri u g 2003 e 1111111 Hysici11 7 �The Ins and Outs of Ste ·ng and Coiling Two endovascular procedures that today have the potential to revolutionize the treatment of stroke are "stenting," which is used to prevent ischemic stroke (blockage of brain blood vessels), and "coiling," which is used to prevent hemorrhagic stroke, or aneurysm (burst blood vessels in the brain). Hopkins and his group have been involved in long-term clinical and laboratory studies that have directly contributed to the development of both of these procedures, neither of which has escaped growing pains as it inches its way toward winning acceptance as standard treatment for carefully defined patient populations. The primary cause of ischemic stroke is a buildup of plaque in the carotid arteries on each side of the neck, which supply blood to the brain. If patients present with TIAs, or transient-ischemic attacks (mini-strokes) and are found by Doppler ultrasound studies to have significant plaque buildup in their carotid arteries, the standard treatment over the past 50 or more years has been endarterectomy, a surgical procedure in which the artery is opened and the plaque is peeled out. Traditionally, the procedure has been performed by vascular surgeons; however, it is not uncommon for neurosurgeons to perform endarterectomy as well. Although safe and effective for many patients, endarterectomy does cause significant scarring and is a highrisk procedure for patients with severe medical co-morbidities, such as coronary artery disease or pulmonary disease, according to Hopkins, who began performing the operation about 25 years ago. In the early 1980s, Hopkins became convinced that alternatives to endarterectomy had to be found for high-risk patients, when he operated on the father of a friend. The patient was a physician who had severe diabetes, coronary disease and pulmonary disease and was obese. In addition, he presented with mini-strokes, which pointed to a severe blockage of his carotid artery. " All this meant that it was going to be a difficult operation," recalls Hopkins, "but we didn't have an alternative. So I operated on him and he made it through the procedure, but it was difficult. To make a long story short, he never made it out of the ICU. Right then, I said there has to be a better way." Shortly thereafter, a French surgeon began pioneering the use of balloon angioplasty for treatment of carotid artery disease. By the mid-l990s, surgeons were placing a tiny mesh cylinder, called a stent, over the balloon , so that when the balloon was inflated at the site of the occlusion, it expanded the stent, which then braced open the artery and maintained blood flow to the brain. Traditionally, this stenting procedure has Elad Levy, MD, senior fellow in endovascular neurosurgery, standing, reviews acase with radiologic technologist been performed by interventional cardioloGene Maziarski, seated, in the control room of the special procedures suite at Millard Fillmore Hospital. gists and neuroradiologists. 8 l1flala Hysitiaa Sp r irzg 2003 �Until recently, a serious drawback to the stenting and Drug Administration] has not approved a product. approach was the tendency for pieces of plaque to be We reserve it for the high-risk patients. I think they're a dislodged during the procedure and migrate up to the lot of places where people have been using this technobrain and cause a mini-stroke. This risk has been signi- logy pretty willy-nilly. We're just not ready for that yet. ficantly reduced by the development of a tiny filter that We don't know for sure that carotid stenting is as safe as is placed distal to the stent to collect any debris that is carotid endarterectomy, which is still a great operation. released during the pro- More studies, like the CREST, need to be done." As is the case with carotid artery disease, clinicians cedure, after which it is are determined to expand viable treatment options for removed. Over the past five patients with hemorrhagic cerebral aneurysm, a devasyears, there have been tating condition that affects some 30,000 Americans a ongoing studies assess- year, 15 percent of whom die within minutes and 50 ing the safety and effi- percent, within a month. cacy of stents in carotid For the past three decades, an intracranial surgical artery disease, and the procedure called clipping has been the standard treatUB group has been in- ment for aneurysms. This involves a neurosurgeon volved in six of them, opening the skull, finding the location of the bleeding with either Hopkins or vessel in the brain and placing a clamp on the section l tiny filter is now placed distal to the lesion to collect pieces of plaque if dislodged during the Guterman serving as of artery that has become weakened and has bulged procedure, significantly improving safety. principal investigator. out owing to pressure from the circulating blood. (In One of the most some cases, the clip is applied to the parent vessel of important trials to date the unruptured aneurysm-as opposed to the bleeding is the SAPPHIRE (Stenting and Angioplasty with vessel-to prevent a future rupture. ) Protection in Patients at High Risk for EndarterecOver the past 12 years, an endovascular approach tomy) Trial, in which patients considered at high risk called coiling has come into its own as a technique that for surgery were randomized to receive either surgery might someday supplant the need for invasive surgery or stents. to treat aneurysms. "Stents won overwhelmingly," says Hopkins, noting Performed by either a neurosurgeon or a neurothat the results of the study were reported at an Ameri- radiologist, coiling involves the use of computercan Heart Association meeting in ovember 2002. "It aided X-ray imaging to navigate a catheter from the proved for the first time that stenting is safer and better groin up into the brain to the site of the aneurysm, for surgery in patients who are at high risk." where micro-thin Slinky-like devices called coils are Currently, Hopkins is co-principal investigator for gently packed inside the aneurysm, where they form a a study called CREST (Carotid dense mesh catacomb that clots Revasculariza tion Endarterecoff the bleeding. Coil-type devices have been tomy vs. Stent), which is compararound for approximately 20 years; ing endarterectomy with stenting however, the technology was given a in patients who are not at high formidable boost in 1990, when risk for surgery. Guido Guglielmi-a neurosurgeon "One of the things I think is and neuroradiologist with electrical important to emphasize is that all expertise (then at the University of the way along in the development California at Los Angeles)-invented of this technology, our group has a coil that detaches from the catheter been extremely conservative in when zapped by a small electrical the way we have used it," Hopkins current. notes. "We don't use carotid Before and aher images of acarotid Over the past decade, however, stenting in the normal low-risk artery revascularized following stenting. coiling has not flourished as much patients for which the FDA [Food - S pr i n g 2 00 3 I a II a 11 n ysic i a a 9 �in the United States as it has in Europe owing to concerns that U.S. physicians have about the long-term efficacy of the procedure, as well as to differences in European and American health-care delivery and reimbursement systems. Questions concerning the efficacy of the procedure were recently addressed in a landmark European study funded by the Medical Research Council (the British equivalent of the FDA) that compared coiling to surgery for the treatment of aneurysms. As reported in the October 26, 2002, issue of The Lancet, the ISA T (International Subarachnoid Aneurysm Trial) was halted early when results after a year showed that 31 percent of patients who underwent surgery for an aneurysm were disabled or had died compared with 24 percent who had undergone the coiling procedure. Although these results are promising, U.S. physicians are calling for additional studies that will address specific long-range concerns they have regarding the question of recurrent hemorrhage after coiling compared to surgery. While the neurosurgeons are participating in ongoing trials to examine the efficacy of coiling and coiling devices, they are also working with their UB colleagues Angiogram at top depicts at the Toshiba Stroke Research Center to an aneurysm; in the develop improvements to existing coiling centerit has been packed technology, as well as next-generation with Slinky·like devices devices and procedures that have the pocalled coils, which tential to someday supplant coiling itself. prevent blood flow into the aneursym, bottom. One such improvement that was developed at the center is the idea of using specialized neuro stents to overcome a significant problem that had precluded coiling from being used to treat aneurysms that have a wide neck (the opening from the normal blood vessel into the bulge). For these types of aneurysms (an estimated 30 to 40 percent of all aneurysms), coiling doesn't work because the devices cannot be held in place- they slip out through the wide neck. Several years ago, Guterman and his colleague Ajay Wakhloo, PhD, MD, (now director of interventional radiology at the University of Miami) developed the concept of placing a stent at the base of a wide-necked aneurysm to hold the coils in place. Owing to the development of this new technique, which is now in clinical use, neurosurgeons and neuroradiologists can effectively treat a larger number of aneurysms using less invasive endovascular procedures. "The technique accomplishes three things," explains Guterman, UB assistant professor of neurosurgery and co-director for device development at the Toshiba Stroke Research Center. "One, it enables us to confine the coil within the aneurysm; two, it actually shapes the flow of blood, which is funneled by the stent back into the normal artery; and three, it straightens out a segment of the artery where the aneurysm is, which gives the blood a further hemodynamic boost." Image Is Everything 10 lulfalo Pbpician Spr1 11 g 2003 The idea to develop a next-generation device that might someday supplant coiling has evolved from a seemingly unrelated but highly successful area of research at the Toshiba Stroke Research Center that promises to advance all aspects of neuroendovascular surgery: the development of a prototype camera that can turn blurred X- ray images of tiny blood vessels and micro-devices into high-resolution images that can detect a structure as fine as a single strut on a neuro stent. Called a "high-resolution region-of-interest microangiographic digital detector," the camera, which was patented by UB in September 2002, is close to being ready to test in the clinic, according to Stephen Rudin, PhD, UB professor of radiology and physics, codirector of the center's Imaging Division and lead researcher on the project. Having clear X-ray images of vessels and instruments is critical to reaching a damaged or occluded site in the brain without injuring vessels along the way. Once at the site, improved visualization greatly enhances a Physicians at UB developed a clinician's ability to place or technique that uses stents in reposition a device. combination with coils, pictured here, to treat wide·neck Work on the camera beaneurysms, acommon type gan in 1999 with the support of aneurysm previously untreatable using coils alone. �of a three-year, $1.2 million grant from the ational angiography, which provides good-quality images at Institute of Neurological Disorders and Stroke. Much somewhat higher exposure, but not the continuous, progress has been made since that time. real-time imaging that you get with fluoroscopy," ex"We started with an existing camera chip that had plains Rudin. "What they'd really like-and what we'd about a centimeter-by-centimeter field of view, which like to develop for them-is one device that can switch is very impractical," explains Rudin. back and forth between the two. "We now have a five-centimeter-by-five-centimeter "To do that requires a non-trivial step from where we field of view and can correct for artifacts and nonlinear- are," he adds with a chuckle. "However, we do have all ities, something we couldn't do before," he continues. the elements of technology in place; they've been test"Also, we are able to take pictures at five frames per ed and have been successful enough to make it feasible second, at 50-micron pixel sizes. Since the images are for one of our students to earn his PhD on the topic." digital-just like you'd get from any digital camera-we Almost as exciting to Rudin and the research team at can place them in files in a computer, where they can be the Toshiba Stroke Research Center is a new capability processed, displayed and manipulated. These are all they have discovered for the camera-it allows them to things that conventional equipment can do at rough res- see well enough to rotate a stent on its axis. olution; but we are doing them at high resolution." While the camera is in the final phase of being readied for testing in the clinic, under development is a newer camera that the researchers hope will move the technology forward from five frames per second to 30. "This is the subject of one of our graduate student's thesis," says Rudin-"to be able to go to 30 frames a second, which is real-time." Another more longterm goal for the team is to take the camera, which is designed only for angiography, and develop it to a point where it can be integrated into a single device that can perform angiography in combination with fluoroscopy. " ormally what the surgeons do is switch back and forth between Stephen Rudin, PhD, professor of radiology and physics and co·director of the Imaging Division in the UB Toshiba Stroke Research Center, the fluoroscopy, which has played akey role in developing acamera that gives neurosurgeons high·resolution X· ray images of vessels and instruments. This provides real-time, lowimprovement in imaging has in turn led to anew concept for endovascular treatment for aneurysms called a"low·porosity patch." resolution imaging, and e Spring 2003 l1ffale Pbysiciae 11 �This realization has led the scientists to formulate a concept that may lead to the development of a new endovascular treatment for aneurysm: If stents can be clearly vis ualized and manip ulated, why not create a stent that has a low-porosity patch on it that can be maneuvered up against the neck of an aneurysm to seal it and thereby prevent it from growing and hemorrhaging? "Aneurysms are bulges in the vessel, and these bulges are not symmetrical," explains Rudin. "The advantage now is that we can use the camera to not only see at high resolution things as small as a strut [on a stent], but we feel that we can rotate the stent on its axis, and if there's any asymmetry, we'll be able to localize it and wall off the aneurysm with the low-porosity patch." This approach, Rudin and his group theorize, might someday make coils superfluous. e the Blocks New area of stroke research explored ne of the biggest challenges in stroke ment of Neurosurgery are exploring a novel treatment is finding a way to quickly open approach that combines the use of the country, the UB re- blocked vessels in the brain without caus- thrombolytics with minimally invasive searchers, led by Ad nan ing hemorrhage or another stroke. (endovascular) surgery to treat patients Qureshi, MD, used a newer, longer-acting Some blockages respond to intravenous with acute ischemic stroke. Results from a thrombolytic agent called reteplase, which thrombolytics (drugs that thin the blood and prospective trial they conducted, which they injected directly into the clot through dissolve the clot); however, these agents, were reported in the November 2002 issue a catheter placed intra-arterially, rather such as the standard tpA (tissue plasmino- of Neurosurgery, show that more than one- than through an intravenous line. If the gen activator), can cause bleeding in the third (7 of 191 of the patients-all of whom drug alone did not reopen the vessel quick- brain, even when given at recommended would otherwise have been expected to ly, then mechanical thrombolysis treat- dosages. Other serious impediments to the suffer severe deficits--returned to func- ment was used to break up the clot. drugs are that they must be administered tional independence. " This trial opens up new horizons for within three hours of stroke onset to be " If there is a major artery that's block- stroke treatment," says Qureshi, now at effective, they are active for only 6 to 10 ed, we know from our cardiology col- the University of Medicine and Dentistry of minutes and they aren't recommended for leagues [who treat blocked coronary arter- New Jersey. "It shows the feasibility of us- patients who have had a recent surgery. ies) that you can sing and dance and squirt ing both measures in combination to open Minimally invasive therapies such as drugs in there all you want, but if you don't up the blood vessels and reduce the risk of balloon angioplasty and stenting are used to remove the clot, if you don't reperfuse the hemorrhage. None of the 19 patients treat- compress the plaque against the walls of the heart or brain, the patient won't get bet- ed experienced symptoms of brain hemor- artery to establish a channel whereby blood ter," explains L. N. " Nick" Hopkins, MD, rhage. The two worked synergistically." flow can be restored; however, this "me- chair and professor of neurosurgery and " This pharmaco-mechanical, intra- chanical" approach increases the chance professor of radiology at UB. "So, we've arterial approach has launched our de- that fragments of plaque from the clot will been working on ways to use drugs that partment into a whole new area of stroke break off, migrate to the brain and cause block platelets and dissolve the clot in research," adds Hopkins. "Methodologies another stroke (see article on page 4). combination with the mechanical removal such as this have the potential to add of the clot." greatly to what we are doing already." To overcome these problems, researchers in the University at Buffalo's Depart- 12 of the first of its kind in l1flal• Hpicin Spriflg 2003 In the prospective trial, which was one �"In the past, people hadn't thought of this approach because there was no way to control the stent because you couldn't see it clearly enough," explains Rudin. "We would have to be very precise, very targeted when we're positioning these patches over the aneurysm," adds Guterman. "It can't be done sloppily because there are problems with putting low-porosity regions in neurovasculature. For example, there are tiny perforator vessels that come off the main vessels. You don't want to cover these up because they lead directly into brain tissue, and if you cover them up and stop the flow, you can cause severe damage. So the placement of this type of stent will require very careful guidance, which means you have to be able to see what you're doing, which means you have to have high resolution, which we now have with the new camera." A patent application has been submitted for the new device, called an asymmetric low-porosity stent, and in January 2002 the researchers received a $75,000 grant from the UB Office of Science, Technology Transfer and Economic Outreach (STOR) that will enable them to buy equipment needed for the fabrication of an array of prototype devices. Teaching the Teachers These and other clinical-research endeavors serve to attract the best and brightest residents and fellows from around the world, who, in turn, continuously rein fuse the UB neurosurgery group with energy, ideas and talent. Each year, the department accepts one or two residents; it also offers a two-year fellowship in endovascular neurosurgery that is open to two individuals at a time. (Other fellowship training is offered in neurooncology and in critical care and stroke.) To date, some 25 fellows have graduated from the UB program. "All of our alumni are out there starting their own programs, and that's even more exciting," says Hopkins. "This [training] is one of the main reasons why our service is strong. Because when there is a difficult decision to be made at the angiography table, we have the most incredible team of young people standing there kicking ideas around. "These kids are so smart that I find that after the first six months I'm learning as much from them as they are learning from me," he continues. "Oh sure, I've got a few gray hairs and when one of them gets into a technically difficult situation, I can sometimes go in and show them a little trick or two, but these young people are phenomenal. Every one of them has come to me with recommendations from their chair, saying: 'This is the best student I have ever trained,' and they send them here. "So I have been absolutely privileged to be able to teach and collaborate with the talented young people who choose to come here. They've given up two years to learn these new endovascular techniques because they feel, as I do, that the future of neurosurgery in the vascular area is going to be endovascular." Currently, the senior fellow in endovascular neurosurgery at UB is Elad Levy, MD, who earned his medical degree at George Washington University and has completed two years of residency training in neurosurgery at the University of Pittsburgh. "I think everyone [in the field] considers this to be the number-one endovascular fellowship in neurosurgery in the country," says Levy, who will complete his training at UB in June 2003, after which he will return to the University of Pittsburgh to finish his residency. Today's generation of neuro stents "Dr. Hopkins has been a are so tiny and pliable, they can go pioneer in the past decade. wherever microcatheters go within the brain's vascular system. He's really considered by many to be the 'father' of neuroendovascular surgery; he's constantly pushing the envelope. Most importantly, however, he is a mentor in every sense of the word. He teaches us not only about neuroendovascular surgery, but about patient care and about judgement. Judgement comes from experience, and I don't think anyone else has as much experience as Dr. Hopkins does." In terms of advances in clinical research, Levy says "Buffalo is the leader in intracranial stenting," and he explains why he thinks now is a particularly exciting time to be involved in neuroendovascular surgery. "As recently as two years ago, stents really had a lot of trouble going around the C- 1 arch, where the vertebral artery takes a very sharp turn before going into the skull base, or the intracranial cavity," he says. The reason for this is that the stents were designed for the heart, so were not delicate or pliable enough for neuroendovascular surgery, according to Levy. Today, however, finer, more pliable stents designed for neuro- e S prin g 20 0 3 l1ffale Pbysiciaa 13 �New and effectiv Opti • For reasons that are not entirely says Munschauer. "Clearly we don't clear, the rate of stroke in the Buffalo have all the answers; in general, how- could not be making their and Niagara region is higher than any- ever, the population is more obese and way into the clinic at a better time, as where in New York State and one of the more sedentary. We also have higher each year in the United States about highest in the United States, according rates than expected of hypertension, 750,000 people have a stroke. Of these, to Frederick Munschauer, MD, chair of diabetes and hypercholesterolemia. about 160,000 die, making it the third the University at Buffalo's Department leading cause of death in our country of Neurology, chief ofthe Jacobs Neuro- he adds. "We think there are probably after heart disease and cancer, and the logical Institute and founding director genetic and environmental factors that leading cause of severe neurologic dis- of the Research Center for Stroke and we have yet to explain." ability.* As the elderly segment of our Heart Disease at the institute. "But that doesn't explain it all," For more information on the Research population continues to grow, the "Our research at the Jacobs Neuro- Center for Stroke and Heart Disease in stroke death rate is predicted to reach logical Jnstitute is directed toward find- the Jacobs Neurological Institute, visit epidemic proportions. ing out why those rates are higher," http://www.strokeheart.org. Th five most common stro .........---toms includ sudd n: Stroke deaths per 100,000 population for year 2000 ERIE 80.9 • numbness or weakness of face, arm or leg, especially on one side of the body; WYOMING 80.6 • confusion, trouble speaking or understanding; AllEGANY 74.1 CHAUTAUQUA 72.3 NIAGARA 63.7 USA 60.9 ORLEANS 58.9 GENESEE S8.0 CATTARAUGUS 54.8 NY STATE 41 .8 • difficulty seeing in one or both eyes; • trouble walking, dininess,loss of balance or coordination; • severe headache with no known cause Call911 if you see or have any of these symptoms. Treatment is more effective if provided quickly; every minute counts. •source: National Stroke Association at http://www.stroke.org/. RESEARCH CENTER for STROKE & HEART DISEASE JACOBS "ELROLOGICAL I"STITLH �Collaboration Among Specialists logic applications can navigate vessels as small as two millimeters. "Essentially, you can just about go wherever micro-catheters go [within the body's vascular system]; that's how soft these stents are," notes Levy. "So, if a catheter can get in there, so can a stent." Levy is enthusiastic about the research opportunities he has had through his fellowship and is eager to describe a UB study he recently collaborated on that was published in the December 2002 (Vol. 97) issue of the journal of Neurosurgery. The study pertained to stenting for atherosclerotic disease in intracranial vessels using what Levy refers to as "a revolutionary technique." "Traditionally, surgeons just go in and stent the lesion, but there is a high incidence of dislodging plaque, which goes upstream and causes strokes," he explains. Under Hopkins leadership, the UB study group examined whether they could treat vertebrobasilar atherosclerotic disease with staged stent-assisted angioplasty, according to Levy. "The idea was to first treat the plaque with angioplasty to open up the vessel to give it a little bit more blood flow, then let it heal before returning in a month or two-after there had been some scar formation and protection-and then treat with stenting to provide the best revascularization. "Our question was: 'Is this a safer approach?' And there were no strokes in the subgroup of patients that we treated with this 'staged-stenting' approach." While large-scale, multiple-center trials need to be conducted before the efficacy of this new approach can be determined, Levy is convinced that studies like this are pointing to where his field is moving in the future. He is also convinced that his work on these studies is helping him to develop the endovascular expertise he will need as a neurosurgeon. "There's no such thing as a magic bullet, so the more tools surgeons have to treat neurovascular disease, the better position they are in, and the better surgeon they will be," says Levy. "And this removes bias. Most people [in the field] can do one or the other: Typically the endovascular procedures are done by neuroradiologists, and surgery is done by neurosurgeons. So there's always the possibility that there will be a clinical bias, a lack of information, or even a financial bias to treat your patients one way or another. But if you have a variety of tools, a variety of skills, it helps you to individualize patient care." As technical barriers continue to fall, clearing the way for a future that is sure to include endovascular approaches to cerebral vascular diseases, it will be physicians like Levy and his peers who will have to resolve the thorny, long-term issues related to which specialists will provide such care and, subsequently, which will reap the economic rewards-issues that, over the years, have evolved parallel to the technology. Leaders today, like Hopkins, can strive to lay a foundation but, ultimately, it will be the current generation of students, residents and fellows who will decide what the future will hold. "Over the years, I've tried to build bridges," says Hopkins. "In our service, and on more and more services throughout the country, neurosurgeons are working hand in hand with neuroradiologists to manage the whole schema of care for the neuroendovascular patient, from diagnoses through preoperative and postoperative care. This, I feel, is what the blueprint should be for the future. "From the patient's perspective," he adds, "it will be critical for specialists to find synergistic ways to provide these really wonderful new neuroendovascular techniques, many of which are certain to become standard care over the next decade." 6 Special thanks to Paul Dressel for illustrating this article and for providing editorial assistance. Spri11g 2003 luffalo Pbysiciaa 15 �,MD'89 UB Toshiba Stroke Research Center �The Toshiba Stroke Research Center was necessary to expand the was established at the University at models that were available for Buffalo School of Medicine and Biomedical testing, designing and implementing new technologies." Sciences in 1996 with a $3.6 million gift of As a result, Guterman went to the University of Wisconsin equipment from Toshiba America Medical to train in the latest laboratorytesting techniques, which he Systems. In the spring of 2003, the com· brought back to Buffalo. This training, he says, positioned pany continued its support for the center UB's Department of eurosurgery to be the third group in by equipping a second research suite the world to use the Guglielmi detachable coil for the neurowith its most advanced X-ray endovascular treatment of anangiographic machines. eurysms when it came on the market in 1990 (see BY S· The concept of establishing a research program at UB to study and perfect neuroendovascular surgery techniques was originally envisioned by Lee Guterman, PhD, MD '89, according to L. N." ick" Hopkins, MD, chair of neurosurgery at UB and director of the Toshiba Stroke Research Center. "Back when he was a medical student and resident at UB, Lee kept saying, 'We've got to be doing research here,"' says Hopkins. "And that led directly to the multidisciplinary research team that we put A· Unger together in the early 1990s and, eventually, to our developing the concept of the Toshiba Stroke Research Center." Prior to entering medical school at UB, Guterman earned a doctorate in polymer chemistry at Clarkson University in Potsdam, New York. After completing residency training in neurosurgery at UB, he pursued a fellowship in endovascular surgery under Hopkins, and in 1996 he joined the faculty of the UB School of Medicine and Biomedical Sciences. Today he is an assistant professor of neurosurgery at UB and codirector of device development at the Toshiba Stroke Research Center. "Back in the late 1980s, when you looked through the literature related to endovascular treatment for cerebralvascular disease, there really were no basic-science laboratories in the country other than one in Wisconsin and one in Los Angeles," recalls Guterman. "There was such a paucity of research, it was clear to me that in order for this fledgling new field to take off, it e related article on page 4). Soon thereafter, the Department of Neurosurgery received seed grants from the Margaret L. Wendt Foundation and the John R. Oishei Foundation, both of Buffalo, to support its research in this new field. "With that funding, we were able to get a laboratory going at the university," says Guterman. "We began looking at the use of stents along with coils for the treatment of aneursyms, and different types of imaging technology-specifically, we made images of aneurysms using an ultrasound probe that had been used to image coronary vessels, but never before used to look at aneurysms." Work in the one-room laboratory gained further momentum when Guterman teamed up with Stephen Rudin, PhD, UB professor of radiology and physics, to develop region-of-interest fluoroscopy. They and their UB collaborators were convinced that in order for neuroendovascular technology to move forward, it was critical that imaging methods be developed that would be capable of providing clear views of tiny blood vessels and micro-devices deep within the brain. "We found we could produce very high-quality images while at the same time limit the radiation dose to patients," explains Guterman. About the time that the device development and imaging research efforts were gaining ground, Hopkins and Guterman were approached by the chair of a company called Boston Scientific (now a major medicaldevice manufacturer), who told them about a young neuroradiologist named Ajay Wakhloo, PhD, MD, who was looking for a clinical-research position. Spring 2003 laflal1 Plysiciu 17 �"There was such a paUCity Of research, it was clear to me that in order for this fledgling new field to take off, it was necessary to expand the models that were available for testing, designing and implementing new technologies." Wakhloo joined the UB Department of eurosurgery and began collaborating on hemodynamic (blood-flow) research with Barry Lieber, PhD, UB professor of mechanical and aerospace engineering and current director of the UB Center for Bioengineering. "Blood-flow patterns have a major effect on arterial disease, including atherosclerosis, aneurysms and arteriovenous malformations-all major causes of stroke," notes Guterman. "For this reason, hemodynamics was another area of research we felt it was very important to develop." Wakhloo left UB in 1999 to become director of interventional radiology at the University of Miami. Currently, Hui Meng, PhD, UB associate professor of mechanical and aerospace engineering, and Kenneth Hoffmann, PhD, UB associate professor of neurosurgery, are furthering the blood-flow research by designing experimental models that mimic hemodynamic patterns through and around blood-vessel abnormalities. Based on this information, their colleagues in the Toshiba Stroke Research Center's Prostheses Design Division are custom tailoring implantable prostheses to correct the aberrant blood flow. "By the mid-1990s, we had achieved a critical mass of neurosurgeons working with physicists, chemists and mechanical and aerospace engineers," continues Guterman. It was during this time that Bruce Holm, PhD, who today is senior vice provost at UB, approached Hopkins and Guterman about moving the laboratory into the Biomedical Research Building that was being built on UB's South Campus. This invitation prompted the surgeons to begin looking for a corporation to donate equipment and funds to establish a state-of-the-art angiographic research facility. 18 lalfal1 Pbysician S pr111 g 2 00 3 In 1996 Toshiba America Medical Systems announced its support for such a facility, and the UB Toshiba Stroke Research Center was established with a gift of $3.6 million in equipment from the company. The mission of the new center was formalized to focus on the three areas of study that the UB researchers had identified a decade earlier as being critical to the advancement of the field of neuroendovascular surgery: image optimization and radiation dose reduction; device development and testing; and hemodynamics. Once the center was fully operational, its reputation quickly grew. By the late 1990s, physician-collaborators from all over the world began gravitating to Buffalo, not only to perform research experiments, but also to train in how to use the new, catheter-based medical technology. "It was this infusion of brain power that has really pushed our research forward," notes Guterman. Over the years, in addition to attracting physicians interested in receiving state-of-the-art training in neuroendovascular procedures and in collaborating on research projects, the center also has drawn medicaldevice equipment manufacturers eager to test new products or improve existing devices. Today, in order to maximize this synergy, researchers in the Toshiba Stroke Research Center closely collaborate with the UB Office of Science, Technology Transfer and Economic Outreach (STOR), directed by Robert ]. Genco, DDS, PhD, UB vice provost and SUNY Distinguished Professor. "To Dr. Genco's credit," says Guterman, "STOR provides UB with a unique opportunity to capitalize on the relationships that the center has developed with medical-device companies throughout the world. The hope is that we �will see medical technology that's either developed or enhanced here in Buffalo and then spun off to form start-up companies that would be based in Buffalo." This "seed mentality" at UB, as Guterman refers to it, has great potential not only to move forward the research at the center, but also to provide a source of jobs for the Buffalo community. Guterman credits both Holm and Genco for their leadership and vision in these areas, as well as Jaylan Turkkan, PhD, UB vice president for research, and Kenneth Tramposch, PhD, UB associate vice president for research. "The support at UB for translating research discoveries into products is remarkable," he notes. In collaboration with these administrative leaders, a new and increasingly important focus for center researchers is to win grants from the ational Institutes of Health to further support their basic-science studies. Given the role Guterman has played in the establishment and success of the UB Toshiba Stroke Research Center, it's only natural to ask him if he has been ap- proached about leaving Buffalo to pursue other opportunities in this burgeoning field of clinical research. Without hesitating, he responds: "When I look across the United States at jobs that have been offered to me over the years, it's been very difficult to consider leaving Buffalo because of the wonderful relationship I have with my partners, the outstanding clinical opportunity I have to practice neurosurgery and the access I have to a research laboratory that is the finest of its kind in the world," he says. "If you put those three elements together, it's almost impossible to consider taking a job anywhere else." <D For more information on University at Buffalo's Toshiba Stroke Research Center, visit the UB Department ofNeurosurgery's Web site at www.neurosurgerybuffalo.com/. For more information on the UB Office of Science, Technology Transfer and Economic Outreach (STOR), visit its Web site at www.stor.buffalo.edu/. When is a house more than a home? ... When it is a Patio Home at Canterbury Woods. Come and learn more about what makes our new Patio Home Community so unique. Informational Seminar Seating is Limited Call 929-5817 To Reserve your Date and Time Episcopal Church Home and [jfiliates $ 705 Renaissance Drive, Williamsville, NY 14221 Spri11g 2003 l1flale Pbysiciaa 19 ��Although !estern Ne xrYorkers would like to be known for their big hearts, 1 t~e the 're n1ore well known for their bad That's because this region holds a dubious claim to fame as the heart-disease capital of the United States. According to statistics from the Kaleida Research Center for Stroke and Heart Disease, Western New Yorkers are hospitalized more frequently for cardiovascular disease than people in any other region of the country. More disturbing still is the fact that the incidence of fatal heart attacks in the region is nearly 50 percent higher than the national average. In response to this health crisis, two alumni of the University at Buffalo School of Medicine and Biomedical Sciences have developed a comprehensive protocol for acute cardiac patients. Designed to ensure optimal care from a patient's first crucial minutes in the emergency department through the time of discharge from the hospital, the pathway focuses on faster diagnosis and intervention, with the aim of decreasing readmissions, medication errors and health-care costs-while, most importantly, increasing survival rates. He ') <? o R ~a1' Known as the Acute Coronary Syndrome Emergency Treatment Strategies program, or ACSETS, the pathway was created by John Cor belli, MD '79, UB clinical instructor and a cardiologist with Buffalo Cardiology and Pulmonary Associates; and David Janicke, MD '88, PhD (pharmaceutics), UB clinical assistant professor, emergency medicine research and residency director at Millard Fillmore Hospitals and an emergency physician with MFHS Physicians' Emergency Services, PC. "What we have done is come up with a standardized set of orders that help 'risk stratify' the patient," says Corbelli, who also serves as research director for his medical group. "It gives physicians a reference, right there in the emergency department, as to how they should be assessing a patient's risk. So, if a patient is at a certain level of risk, he would be treated with the level of medical therapy that would most effectively address his particular situation." The idea for the pathway-which was introduced into the Kaleida system last fall-has its roots in a May 2001 meeting of physicians and managed care representatives. At that meeting, UB Department of Neurology chair Frederick E. Munschauer III, MD, who is director of the Research Center for Stroke and Heart Disease, presented a hearts. raft of alarming statistics about Western ew York's escalated rates of hospitalization and mortality due to heart disease. At a follow-up gathering four months later, physicians began discussing the possibility of standardizing care for acute cardiac patients at Kaleida's four area hospitals. "It's clear that in terms of quality of care there are some things that can be done for acute coronary events in the emergency department that have been shown to improve outcomes," says Munschauer. "In much the same sense that pilots use checklists before they let a plane take off, we felt there should really be recommended practice guidelines. "It's not that we as a community of physicians are bad in this area," he adds, "but this makes us better." Corbelli and Janicke signed on to the project at the end of 2001 and began working on it in earnest in early 2002. As part of their research, they arranged video teleconferences with experts in the field from the Cleveland Clinic and Harvard University. The physicians also conferred with medical directors of area health maintenance organizations to make sure they would lend their support for such a program. During the summer before the program was launched, they educated Kaleida physicians and nurses about the system. "We did a lot of homework before this came out," says Janicke. "For six to nine months we were just fact-finding, getting all the information together and trying to come together with a consensus that everyone would be comfortable with in our region." When writing drafts of the protocol, the physicians relied primarily on the most recent guidelines from the American Heart Association and the American College of Cardiology. "There are a lot of complicated treatments that have come out, and it's hard to sort through them all," notes Janicke. "For instance, the recommendations from the American College of Cardiology are 95 pages long. It takes time for clinicians to gather the data and use that information. What we thought to do was to make it more simple and concise so people would be aware of what the recommendations actually are." The pathway begins in the emergency department when patients present with acute chest pain and possible acute coronary syndrome. "The forms are preprinted, so no body's struggling with handwriting," explains Corbelli. "They all include a risk-stratification outline followed by Sprrng 2003 1111a11 npiciu 21 �., -· an outline of recommended medications based on the individual patient's level of risk. It helps make the process very efficient, and it cuts down on medical errors." If a patient is admitted to the hospital, the emergency department orders follow him to the floor, ensuring that the admitting physician knows exactly which procedures and medications were administered and why. At this point, the physician refers to a separate set of orders so that the medications started in the emergency department are more efficiently carried on once the patient is admitted to the hospital. "One of the problems with people who have heart disease, is that they may not be on all the medications that have been demonstrated in the medical literature to help lower their risk of having another attack: an aspirin, a beta blocker, an ACE inhibitor, cholesterol-lowering medication and clopidogrel," explains Corbelli. "By combining a preventive approach with an acute approach to the treatment of these patients, the ACSETS pathway represents an unusual- perhaps even uniqueapproach compared to treatments in other areas of the country," he adds. Finally, when the patient is ready to leave the hospital, the physician discharges him with a form in duplicateone for himself and one for his referring doctor-that lists the medications that have been prescribed, why they have been prescribed and how they are pronounced. "A big problem is that patients either don't fill the prescriptions, or they fill the prescriptions and stop taking them," notes Corbelli. (As a general rule, the greater the number of drugs prescribed, the lower the patient's compliance is in taking them.) "The idea with this form is to help empower the patient to understand why the doctor is putting him on these medications so that, hopefully, he'll see the importance of staying on them," he adds. ow that the pathway has been launched in the Kaleida hospitals, the question remains: Will physicians follow the guidelines? That's something Anthony Bonner, MD '68, can address. Two years ago, he spearheaded a similar protocol for cardiac patients that remains in use at South Buffalo's Mercy Hospital. "The real battle is getting everyone to use them. To me, they just make life easier, but some people are reluctant to use them. They feel they're too 'cook-bookish,' says Bonner, UB clinical assistant professor of medicine and Mercy's chief of cardiology. "On the other hand, a lot of intelligent, well-read doctors made these guidelines ba ed on the best available information, and we should follow them as best we can." Janicke stresses that ACSETS is not intended to replace I ! I I I I i II 1111111 P~JIICIII s i a physician's judgment. "Any time a pathway or protocol is handed out, there's always reluctance. I've never seen there not be reluctance," he acknowledges. "But this is not a cookbook. This is a guideline for evidence-based treatment options. It still takes a well-trained clinician to make a timely diagnosis and decide how high risk the patient is in order to determine appropriate treatment. Emergency physician involvement is particularly crucial because the emergency department is where most patients present with acute coronary events and risk-stratification treatment needs to be initiated promptly. "Once the physicians and residents become aware of why we're recommending various treatments," he continues, "then the buy-in starts to be cumulative." Corbelli adds that ACSETS avoids battles that have limited the acceptance of other pathways because it is different in its fundamental concept. "It's an educational and communication vehicle serving not only to guide treatment but also to instruct the physician as to why different therapies are appropriate according to individual risk," he explains. "This communication/education approach facilitates patient understanding and therefore buy-in, as well." The Corbelli-Janicke plan includes a detailed review of the pathway that will allow physicians to identify not only how closely the hospital orders were followed for every patient admitted to a Kaleida hospital, but how well patients are complying with their medication regimen-and, not least of all, how the pathway affects patient outcomes. "In addition to the care pathway, there is a very detailed research protocol that looks at, one, whether physicians are using ACSETS consistently and, two, whether it really improves the quality of care in our region,'' explains Corbelli. "Also, once people are discharged, we plan to monitor whether they're actually taking their medications, and we're looking to see if there's a lower frequency of heart attacks, of patients needing angiograms, angioplasty and so on." Disseminating the Concept ACSETS will be updated to stay current with the literature and with the latest recommendations from the American Heart Association and the American College of Cardiology, according to Janicke. Furthermore, the physicians stand ready to make any changes to the forms to make them more reader-friendly for physicians, nurses and patients. "We're constantly thinking of ways to revise this,'' says Janicke. "That's the only way, really, to make this work." Last ovember, shortly after the ACSETS program was introduced, research findings reported at a meeting of J �More disturbing still is the fact that the incidence of fatal heart attacks in the region is nearly 50 percent higher than the national average. their pathway and research with hospitals outside the the American Heart Association pointed to the need for the standardized care it advocates. A group of studies highlighted a gap between what guidelines call for in preventing and treating particular heart conditions and what physicians actually prescribe for them. "We as physicians need to look at the results of all these clinical trials and assemble them into a coordinated, comprehensive plan so that we make sure that care is delivered in an optimal fashion," asserts Munschauer. "This ACSETS program really allows for everything to become systematized and eliminates the chance for variations from best practice." Months after completing the pathway's final draft, Cor belli sits at a desk that is still covered with the literature he scoured in preparation-the physical representation of what he describes as "a huge effort." With all the heavy lifting done, both he and Janicke are interested in sharing Kaleida Health system. Already, two other hospitals in the region-Niagara Falls Memorial Medical Center and Lockport Hospital-plan to use the ACSETS program. One advantage of smaller hospitals signing on, the physicians note, is that it provides a continuum of care for patients transported to a Kaleida hospital when specialized cardiac services are not available at an outlying hospital. "From the standpoint of health and, correspondingly, the cost of medicine, the acute coronary syndrome is a very significant problem in our area," stresses Corbelli. "That's why our goal is to disseminate this concept. We want to make this available to anyone who's interested." 4D The ACSETS pathway, along with a description of how it was developed and implemented, was published in the March 2003 issue of Critical Pathways in Cardiology. "We practice law for your peace of mind." Suburban location, extended hours and personal service. Fstate Planning • Corporate • Real Fstate • Elder Law Personal Injuty • Criminal Law • Family Law Taxation and Financial Planning HoGAN & W ILLI G, PLLC - - - - - A t t o r n e y s nt Lnw - - - - - Proud Sponsor of hoganandwillig.com The Tour de Cure • May 31, 2003 Ftmdraising event for tlte American Diabetes Association One John James Audubon Parkway • Amherst, New York 14228 • 716.636.7600 �1111111 Plpici11 Spr~ng 20Ul �The goal in publishing these articles is to inform our readers Q: When you consider a candidate for medical school at UB, do grade point about the complex economic, political, regulatory and historic average and MCAT score carry the most weight? considerations school leaders must weigh in making decisions A: Too often people think that getting into medical school means and to provide a larger context within which to understand the many new developments taking place on campus. that you just had the best grades. We recently rejected a candidate with a 4.0 grade point average from a top university and a 40 on '' Comments and questions, as well as suggestions for future topics, are welcome and can be e-m ailed to bp-notes@buffalo.edu or mailed to the address printed on the inside front cover of the magazine, below the heading "Letters to the Editor." his MCAT when one of our interview questions was, 'Tell me about a time when you couldn't stand spending one more minute on an activity needed for medical school.' And this student's answer was, 'Community service. I just couldn't stand dealing to medical school at UB? with those people.' So here at UB, you will find that our interview process is geared toward picking people who-in addition to how they look on paper-embody characteristics that we feel will make them a good fit for the profession. A: Q: What are the personality characteristics of the students you seek to -S.A. Unger, editor Q: What is the process students must follow in order to apply for admission To apply to medical school, for starters, you have to have the prerequisites. You can major in anything you want as long as you have taken four semesters of chemistry (two of which have to be organic) and two semesters of biology-all of which have to be with labs-two semesters of physics and two semesters of English. Everyone has to take the MCAT [Medical College Admission Test], except for candidates who come in through the early assurance program. They must also complete an AMCAS application, which requires that they write a personal essay. Letters of reference must also be submitted. All of these materials, combined with college grades, need to be submitted to apply. Now, for competitive applications, we want to see that these candidates have adequately tested their decision to go into medicine. For example, if someone applies who has a 4.0 GPA in art history and has a great MCAT score, but they have never set foot in a hospital, that person might want to try volunteering in a medical setting to see if they are going to faint every time they see blood! To become a physician, you have to complete a lot of years of school, and it costs a lot of money. We would really love to graduate every student we admit, so that makes us a whole lot pickier on the selection end. attract? Can you elaborate on this? A: We are obviously looking for someone who is motivated and altruistic and who has excellent analytical skills. We also assess candidates to see if they have intellectual curiosity, because we are looking for the lifelong learner. We also want to attract people who are open-minded and capable of changing their minds if new information is given, and capable of tolerating that which they have no intention of changing their minds about! We look for this because when you become a physician, you're going to treat a lot of people whose value systems are completely different from your own, and we have to know whether a person is going to be able to cope with the fact that there are patients out there who aren 't like them, but still need to be cared for by them. Too, we look for individuals who are able to make other people comfortable. So, in general, we look for a "good" personality and certainly the challenge is to define exactly what that is. At UB, the Admissions Committee has put together a composite list of characteristics that they feel define this. Spri n g 2003 llfl1lt Hysiciu 25 �Q: Who sits on the Admissions Committee, and what role do its members play in the admissions process? A: I want to start by saying that the Admissions Committee meets every Wednesday for five to six hours, eight months a year, so each member is asked to make a huge time commitment. These are incredibly dedicated people! The committee is made up of about 50 members, although only 20 to 30 are able to attend any given week. They represent a mix of basic-science, clinical and volunteer faculty, as well as some emeritus faculty. When the files from applicants come in, each is reviewed and scored separately by two different people on the committee. We have a system for scoring files that takes into account who the student is by way of his or her background, what they say in their personal statement, what others say about them in their letters of recommendation, and so on. These two scores provided by the comm ittee members are then added to what we call the "weighted score," which is a single number we arrive at through a formula that basically takes the hard-core numeric data we have available from tests scores and transcripts, adjusted for various degree-ofdifficulty factors. A composite score is determined by combining the two interviewers' scores and the weighted score, and then we rank the students and begin the interview process. Each week, we bring in anywhere from 20 to 25 candidates, each of whom is interviewed by two members of the Admissions Committee. How is the interview conducted? We have begun using a behavior-based technique, which is actually very popu lar in the business world, whereby-unlike the stock market- the belief is that past performance is the best predictor of future performance. So we no longer throw out a hypothetical question such as, 'How would you tell the parents of a five-year-old that their child is dying of leukemia?' After all, this is a class of 21 year olds, for the most part, and they have never had to do anything like this in their lives! Instead, we pose a question such as, 'Tell me about a time when you had to del iver bad news to someone. How did you prepare yourself? How did you handle yourself?' Everybody can come up with a time when they were the bearer of bad news-such as telling your sister that her dog was hit by a car-and how you handled it is a good predictor further down the line of how you're going to handle these types of situations with patients. As I explained earlier, the committee has compiled a list of characteristics that they feel are important attributes for a physician. Under each characteristic, we have multiple questions they can ask. They're not going to ask every candidate every question, 26 l 1 ff al1 Hysici11 Spr~11g 2003 but at least each question is one that we, as a group, have determined to be fair. Interviewers can certainly ask additional questions not on the list to explore each candidate's unique features and to round out the core questions. Because everyone is now interviewed using the same process, I think it's more objective and, frankly, I feel it's been much easier to make decisions. Q: What would you tell students to encourage them to come to UB when they have been accepted at other medical schools, as well? A: First, even though our tuition is going up, I would tell them that UB provides a relatively inexpensive education for what you get. More generally, however, something I would encourage prospective students to think about is a school's personality and culture and whether it's a good match for them. Some schools, for example, emphasize competition, whereas at UB we very much emphasize a collaborative approach to education. Our feeling is that when a student graduates and gets out in the hospital, he or she is not competing with the other physicians taking care of a patient. It's not that we don't expect them to strive for excellence, but we encourage them to compete for their personal best, as opposed to trying to beat the person sitting next to them. My theory is that all boats rise with the tide. In reality, I know that the students do have to compete in the outside world. If you want to go into orthopedics, you have to have a dazzling board score, but my conviction is that you can get that yourself by studying hard. Success doesn't have to come at the expense of other students. In essence, I think the students are pretty good at looking at schools and sizing up where they best fit. And I really don't want to encourage them to come here if they don't want to. I want students to come here who feel they fit UB's personality because, frankly, if we can meet their needs, they're going to be happier and all of our lives will be easier! Q: [Former] Dean Bernardino has said that recruitment of minority students to our school is a priority. Can you update our readers on some of the efforts being made in this area and the results to date? A: Yes, as we discussed earlier, Dr. Bernardino mandated that I admit classes that better reflect the demographics of the community we live in-the community our students are going to go out in and serve when they graduate. We have a great deal of diversity in Buffalo, Western ew York and throughoutthe state; in particular, we have large African American and Hispanic populations. In terms of updating you on progress in this area, our medical school has six minority students in the second-year class and 17 in the first-year class, so we have made a real effort over the past year. �l To assist us in this process, last August we brought in a consultant, Dr. Billy Ballard, who presented the Expanded Minority Admissions Exercise, which is a workshop designed by the Community and Minority Programs section of the AAMC [Association of American Medical Colleges]. The primary goal of the exercise was to increase our knowledge and sharpen our skills as they relate to assessing noncognitive attributes in minority students applying to medical school. These attributes, we learned, may be predictors of academic success, but often go unrecognized by admissions committees. By completing the exercise with Dr. Ballard, we were given guidance in how to go beyond the basics, such as what a student's GPAand MCATscores are, because minority students often come from disadvantaged backgrounds, where, for example, they may have had to work full time while in college and their GP A may not be the best reflection of their ability. So, in addition to looking at numeric data, the workshop walked us through how we can take a look at things like a student's support system, aptitude for realistic self-assessment and other things that tend to make or break how people do and help you select candidates who have the best chance of getting through medical school. We can't have one way of admitting minority students and another way of admitting non-minority students, and an increased understanding of the role of noncognitive attributes has helped us evaluate all our applicants. I think that, across the board, you have to be sensitive to characteristics that do or don't predict performance. For the same reason that I'm not going to admit a student with a 4.0 GPA from a top university with a 40 on the MCAT who states in the interview process that he doesn't like community service and working with people, I think it's reasonable to consider admitting someone who may not have such high numbers, but who brings all sorts of other things to the table. Another step we've taken to provide our office with the expertise it needs to effectively increase minority student representation at our school is to bring on board Dr. David Milling, who joined the staff of the Office of Medical Education in December of 2002 as assistant dean for multicultural affairs. A 1993 graduate of our school, Dr. Milling is the first physician to hold this position. As a respected teacher and clinician, I think he will serve as a terrific role model for our students. We are also indebted to Adrian Jones, assistant director for multicultural affairs, who runs our post-baccalaureate program and has played a critical role in improving our recruitment efforts. Q: What role do scholarships play in your ability to attract quality expenses, have to buy expensive equipment and books and need to have a car, the financial pressures they feel can be enormous. I have 135 students I must consider when I distribute that $90,000, so it doesn 't go very far-and I don't want to start giving out $50 scholarships! So, basically, what I have is very little money to use as an attraction. Now people may say, 'Well, your school is inexpensive. ' To that I say, 'There's nothing cheaper than free. ' By tha I mean, let's say I'm competing for a particularly attractive st dent and I can give him $6,000 toward his tuition, but Mayo is offering him a full scholarship; then my money doesn't really mean I I I anything. We have pitifully little endowment. Do we lose goods udents because of that? Absolutely. I have students on the multiple-accept list who as , "How much scholarship assistance am I going to get?" And t en they pick the school that offers them the best deal, and who can fault them? Many of our students today are looking at $70,000 t $100,000 debt when they graduate-a mortgage without a hous . We have to find ways to help them more. Q: If, 20 years from now, you were to ask members of the Class of 2006 what they feH about their medical education at UB, what - ould you like to hear them say? A: I would want them to say that we really prepared them for lifJ when they went out the door-that they do have e core education they need, they do have the learning skills the need in a fie! that is constantly changing, and that they do have the people skills they need to take good care of their patients. Finally, I'd like them to feel that they have basic lifetime skills that allow them to take good care of themselves so that they can take care of other people and enjoy themselves while they're doing it. I think this last point is often overlooked, and I hope it is something that we are able to teach and instill in our students. The bottom line is that if you don 't take care of yourself, you will not be in any shape to take care of anyone else, and medicine is a profession of giving. So, when I talk with our first-year students 20 years from now, I'd love to hear that when they get up each morning, they're looking forward to going to work. If that's the case, then the skills we taught them will be manifested in ways that their patients will gladly attest to. 4D students? v· : I have about $90,000 in scholarship money each year to hand out. ow, when you look at the fact that tuition at our school is $14,000 a year and that the students need to come up with living Spr i r~g 2003 l1ffal1 Plysicin 27 �MEDICAL SCHOOL E W S New curriculum, fiscal management lauded he School of Medicine ing the school's financial unand Biomedical Sciences derpinnings, were tasks the at the University at Buf- LCME had directed the medifalo has earned reac- cal school to achieve in order to creditation for eight receive its reaccreditation. In more years from the its final report, the LCME now Liaison Committee on labels both those areas specific institutional strengths. Medical Education(LCME). Most of the reaccreditation The action constitutes a work was accomplished under ringing endorsement of the school's educational program: the school's former dean, Eight years is the longest inter- Michael Bernardino, MD, who val between surveys allowed by resigned his post in February the LCME. The program's next after five years at UB to return accreditation survey will take to private radiology practice in Atlanta. The LCME notes place in 2010. Bernardino's contribu"To have LCME say, BY tions to the medical LOIS 'We'll see you in 2010' school as the first of five was great news, " says institutional strengths. Margaret Paroski, MD, The report commends him interim vice president for health affairs and interim dean as an effective agent for change of the medical school. "We have and lauds his leadership, coma few areas that need shoring munication with faculty and up, but by-and-large, the eval- students, and management of uators really liked our school 's the school's financial resources. Other specific strengths new curriculum. "Being involved in redesign- highlighted in the report are: ing the curriculum was one of • The new curriculum: "Colthe most exciting things I've laborative efforts of the dean's done in my academic career," educational administration and says Paroski, who directed the faculty have led to the creimplementation of this effort. ation of a new pre-clinical cur"The feedback from students riculum that promises a more has been very positive. We now cohesive educational environhave a living, breathingcurricu- mentand institutional culture." lum. ltmakes teaching so much The faculty: "The faculty more fun." displays noteworthy commitRedesigning the first two ment to its responsibility for years of the curriculum into teaching and supporting mediorgan-based modules instead of cal students. " department-based modules, The students: "Student moplus reorganizing and stabiliz- rale and enthusiasm about the 28 l•ffall Pbysici11 S pr~11 g 2003 school and its curriculum have shown significant improvement as a result of the faculty and administration's responsiveness to their concerns." • The Health Sciences Library: "The well equipped Health Sciences Library is responsive to the needs of a modern, electronically literate academic community, and functions as an important focal point for integrating the academic life of a multifaceted and geographically dispersed institution. " The report also notes five items in which the school was in partial or substantial noncompliance with LCME standards, and three "transition " areas outside the medical school that need attention in order for the school to sustain its ongoing accreditation. The transition areas named are lack of affiliation agree- Keyser Cadillac Upst:at:e Ne"WYork's only exclusive Cadillac Dealer Keyser Cadillac 4130 Sheridan Drive · Williamsville. NY 634-4100 key ercadillac.com �RELOCATION HU 'T REAL ESTATE ERA ments with teaching hospitals (Kaleida Health and ECMC have since signed agreements, Paroski notes), residency program management and oversight. UB is also addressing this concern, Paroski says, by phasing out consortium management of the residency program and transferring responsibility to the medical school. The final transition item warns that students and residents may not get enough exposure to patients in several specialty areas, in particular internal medicine, pediatrics, obstetrics and gynecology, and neurology, because of decreased hospital admissions and shortened hospital stays, a problem faced by teaching hospitals across the country. ''THEACTIO.'CO 'STITUTESARINGI~GE,'DORSEME TOF we help people move. THE SCHOOL'S EDUCATIO 'ALPROGRAM: EIGHT YEARS IS Call for a free relocation portfolio regarding your destination city. Calll-800-688-1170 or go on-line and visit our web site at huntrealestate.com THE LO. 'GESTI. 'TERVALB ETWEE.' SURVEYSALLOWEDBY THELCME. ' ' Totally customized service portfolio including Paroski reports that UB is addressing this problem by creating smaller clerkship groups, which gives each student maximum exposure to available inpatients, and by using standardized patients when necessary. Noncompliance issues that the LCME says must be addressed center on the need to set global objectives for the entire curriculum and establish ways to evaluate how the school is meeting those objectives. The report also says UB must offer students more career, residency (specialty) and financial counseling, areas in which the school has made substantial progress, according to Paroski. ancy Nielsen, PhD, MD '76, interim senior associate dean for medical education, has set up a program of one-on-one career counseling for third and fourth year students, Paroski says, and her entire staff is taking more responsibility for financial aid and debt management counseling. Establishing reliable ways to evaluate the new curriculum as a whole and student performance and improvement under the new curriculum will be a bigger task, Paroski says. ''I'm not sure how to measure a better doctor. It's a hard • Nationally trained relocation experts • Complete family needs analysis • Global home sale assistance • Special services for seniors • Full community tour • A complete cost of living analysis • A list of all school systems throughout WNY • Complete spousal placement assistance including resume writing and corporate contacts • 24 hour or less response time • Confidentiality assured thing to get your arms around." One approach will be to ask attending physicians who supervise third-year students to compare the performance of students who went through the old preclinical curriculum with those trained under the new curriculum, she says. "We want to see if we have created this 'active learner' as we had hoped." The LCME has requested a progress report on noncompliance and transition issues by September 2004. Hunt ERA Relocation Center 5570 Main Street Williamsville, New Yor1< 14221-541 0 CD Email: huntrelocation@huntrealestate.com S p ri n g 20 0 3 llffalt nysiciu 29 �BUFFALO LIFE SCIENCES COMPLEX B Y A R THU R P AGE John R. Oishei Foundation grants $9 million On March 6, 2003, the John R. Oishei Foundation announced grants research space to the BNMC. Construction will begin in the summer totaling $9 million to the three partners in the Buffalo Life Sciences of 2003. The complex will house the Hauptman·Woodward Center for Complex (BLSCI. Structural Biology, the Roswell Park Center for Genetics and Pharm- University at Buffalo will receive $2 million and Roswell Park acology, and the UB Center of Excellence in Bioinformatics. The BLSC Cancer Institute (RPCII and Hauptman-Woodward Medical Research will sponsor life sciences research designed to improve human health Institute IHWII each will receive $3.5 million. by developing new therapies to treat and cure disease. The award, the largest in the Oishei Foundation's 63-year history, With commitments totaling more than $11.7 million, the John R. is contingent on the BLSC institutions obtaining the necessary Oishei Foundation is the largest foundation supporter of "The commitments to reach their respective funding goals. It has been Campaign for UB: Generation to Generation," which has a goal of made to UB, HWI and RPCI as a partnership under the auspices of $250 million. Buffalo Niagara Medical Campus (BNMCI. The three organizations, Gifts from the foundation to the campaign have included 20 which have a long history of collaborative research, are cooperating separate grants supporting a wide range of projects. Among them are in the design and development of an integrated, three-building life more than $2 million for the Toshiba Stroke Research Center (see sciences research center, the Buffalo Life Sciences Complex, to be articles on pages 4 and 161; $1.5 million to the School of Medicine built at Ellicott and Virginia streets. and Biomedical Sciences to establish a Center for Research in Car- While the HWI and RPCI awards will be dedicated primarily to diovascular Medicine (see article on page 371; $1.2 million for facilities development, the money granted to UB will go toward the vascular disease prevention research; and $600,000 in support of recruitment, salaries and research of top-level scientists at the UB infectious disease research programs at the school (see article on page 351. Center of Excellence in Bioinformatics. An earlier grant from the Oishei Foundation to UB for $1,542,000 The John R. Oishei Foundation is committed to enhancing the was used to support the salaries and research of Jeffrey Skolnick, quality of life for Buffalo-area residents by supporting education, PhD, the center's director, and two other scientists recruited with health care, scientific research and the cultural, social, civic and Skolnick from the Danforth Plant Science Center in St. louis. other charitable needs of the community. It was established in 1940 The Buffalo Life Sciences Complex will consist of three new buildings adding more than 400,000 square feet of state-of-the-art by John R. Oishei, founder of Trico Products Corporation, one of the wor1d's leading manufacturers of windshield wiper systems. 4D Margaret L. Wendt Foundation awards $4.5 million 30 In December 2002, the Margaret l. Wendt the three partners in the Buffalo Life Sci· The Margaret l. Wendt Foundation is a Foundation announced grants totaling $4.5 ences Complex. Each institute will receive private, philanthropic organization that focuses its work in Western New York and is million to the University at Buffalo, Hauptman- $1.5 million, which will be used to reinforce Woodward Medical Research Institute (HWI) connectivity between the buildings they are devoted to the development of a stronger and Roswell Park Cancer Institute (RPCII- constructing as part of the complex. Western New York Community. 1 1 11111 Hysiciu Spriug 2003 �I UB School of Public Health and Health Professions established BY LOIS BAKER On January 31,2003, the University at Buffalo established its School of Public Health and Health Professions, which will train public health and health professionals in an environment focused on wellness, disease prevention, and environmental and population issues. ormed by merging the university's School of Health Related Professions, which has a strong track record in allied-health education and research, with the Department of Social and Preventive Medicine, which has been part of UB's School of Medicine and Biomedical Sciences and is a national leader in research into the epidemiology of disease, the school will continue highly regarded research programs investigating chronic disease and will develop innovative ways to meet emerging health needs of citizens in Western ew York, ew York State and the nation. Faculty and researchers in the School of Public Health and Health Professions will focus on key public health issues, including chronic diseases, environmental health, women's health, obesity, maternal and child health, rehabilitation and assistive technology. Their emphasis will be on studying the interaction of environmental factors and lifestyle habits (e.g., nutrition, physical activity, smoking) with genetic predisposition and evaluating their effects on the population burden of disease. UB's Center of Excellence in Bioinformatics will provide the supercomputing power to take public health research to the next level, integrating epidemiology with such disciplines as genetics, geographic mapping and telemedicine. A vital component of the school will be a Western ew York Population Health Observatory, a regional health and disease surveillance system that could serve as a model for establishing such systems throughout the U.S. The observatory, which will work closely with the eight Western ew York county health departments, will have three components: public-health surveillance and research, community participation, and education. Maurizio Trevisan, MD, who is interim dean of the School of Health Related Professions and chair of the Department of Social and Preventive Medicine in the UB School of Medicine and Biomedical Sciences, has been named by UB Provost Elizabeth Capaldi to serve as acting dean of the School of Public Health and Health Professions while a search is conducted for its first dean. Trevisan, an internationally recognized researcher in the epidemiology and prevention of cardiovascular disease, is the principal investigator of the Western ew York Center of the (national) Women's Health Initiative and is involved in a series of studies funded by the ational Institutes of Health investigating the relationship between oral health and cardiovascular disease. Structurally, the school will comprise the existing UB Departments of Social and Preventive Medicine, Exercise and Nutrition Sciences, and Rehabilitation Science, as well as the biostatistics unit, which will become a department. Three new departments are proposed: Environmental Health, Behavioral Sciences, and Public Health Practice and Health Policy. The UB Center for Assistive Technology, which houses two National Rehabilitation Engineering Research Centers-aging and technology transfer-and the UB Center for International Rehabilitation Research Information and Exchange (CIRRIE), will come under the school's umbrella, as well. The School of Public Health and Health Professions, which accepted its first students for the spring 2003 semester, currently offers degree programs leading to a master's in public health (MPH); master's and doctorate in epidemiology; master's in biostatistics; bachelor's, master's and doctorate in exercise science· ' bachelor's and master's in athletic training; master's in nutrition; doctorates in rehabilitation sciences and physical therapy (DPT) and bachelor's and master's in occupational therapy. In the future, the school plans to expand its offerings to include doctoral degree programs in public health, biostatistics and nutrition. CD Sp r ing 2003 luffale Hysicin 31 �PATHWAYS N Ews ABO UT UB' s ScHOOL O F M E DICINE AND BIOM E DICAL SCI ENCE S AND I T S ALU MNI , FACULTY, S TUD EN T S A ND S TAF F Dayton Named Chair of Surgery Merril T. Dayton, MD, chief of gastrointestinal surgery at the University of Utah College of Medicine, has been named chair of the ,:': . .. .... . Department of Surgery in the University at Buffalo School of DAYTO N Medicine and Biomedical Sciences, effective .~i'' . ···'·.· '. July 1, 2003 . Dayton earned a bachelor's [DAYTON] SERVH AS CHIEF 01 GENERALSURGER AT THE SALT LAKJ VA MEDICAL CENTFR FRO 1987 TO 1997 ANI: WAS NAMED CHIEF OF GASTROI~TES· 'II Al SURGERY AI THE UNJVERSIT) OF UTAH I 32 1 1 11 111 nysicill 1998. degree in zoology from Brigham Young University in Provo, UT, and a medical degree in 1976 from the University of Utah in Salt Lake City, his hometown . Following an internship and junior residency in surgery at UCLA Hospital and Clinics in Los Angeles, he completed a two-year fellowship at the Center for Ulcer Research and Education in the Wadsworth Veterans Administration Physiology Research Center, also in Los Angeles. Returning to UCLA, he served as senior S prirz g 2 0 03 and then chief resident of surgery and completed a one-year gastrointestinal surgery fellowship. Dayton spent three years as assistant professor of surgery at the University of Iowa College of Medicine before joining his alma mater's surgical faculty in 1986. He served as chief of general surgery at the Salt Lake City VA Medical Center from 1987 to 1997 and was named chief of gastrointestinal surgery at the University of Utah in 1998. He also served as assistant dean of admissions at the medical school from 1990 to 1995 and has maintained an active teaching schedule throughout his professional career. He was promoted to full professor of surgery in 1997. His primary clinical interests are inflammatory bowel disease and colorectal surgery. Dayton has been active in several professional organizations, including the Association for Surgical Education, which he served as president; the American College of Surgeons; the Society of University Surgeons; the ational Board of Medical Examiners and the Association of VA Surgeons. He has lectured and published widely. In 1996, Dayton was included in The Best Doctors in America: Pacific Region. - L O IS BAKER Munschauer Named Chair of Neurology Frederick E. Munschauer, III, MD, has been named chair of the Department of eurology at the University at Buffalo School of Medicine and MuNscHAUER Biomedical Sciences. In addition, he serves as chief of The Jacobs eurological Institute at Kaleida Health's Buffalo General Hospital and as founding director of the Research Center for Stroke & Heart �Disease at the institute. Munschauer earned bachelor of science degrees in electrical and mechanical engineering at Duke University in Durham, C, and a master of science degree in mechanical engineering from Massachusetts Institute of Technology in Cambridge, MA. He earned his medical degree at McGill University in Montreal, Quebec, in 1979, after which he completed residencies in internal medicine and neurology at The Johns Hopkins Hospital in Baltimore, MD, and a fellowship in neurologic and neurosurgical intensive care at the ational Hospital for ervous Disease, Queen Square, London, England. Munschauer is the recipient of numerous professional and teaching awards, including the 1995 and 1986 White Coat Award for outstanding clinical teacher, as voted by the UB medical house staff; and the 1985 Siegel Award for outstanding clinical teacher, as voted by the UB medical student body. His research interests include primary and secondary prevention of stroke and heart disease, as well as multiple sclerosis and its therapy. Rob Bermel, a fourth-year student in the University at Buffalo School of Medicine and Biomedical Sciences, has received the prestigious Oldendorf Award from the American Society of Neuroimaging (ASNJ. Named in honor of Dr. William H. Oldendorf, a neurologist who developed the principles of computed neuroimaging, the award is presented to a young investigator for outstanding neuroimaging research submitted to the annual ASN meeting. Bermel was cited for research he completed under the direction of Rohit Bakshi, MD '91, in the Buffalo Neuroimaging Analysis Center (part of The Jacobs Neurological Institute*) in collaboration with colleagues at the center, the Cleveland Clinic and the University of Colorado. The winning project was titled "Gray Matter T2 Hypointensity Predicts Longitudinal Brain Atrophy in Multiple Sclerosis: Effect of Intramuscular Interferon beta-1a Treatment." UB collaborators, in addition to Bakshi, included Srinivas Puli; Christopher ljoa; Andrew Fabiano (Class of 2004); Elizabeth Fisher, PhD; Richard Rudick, MD; Bianca WeinstockGuttman, MD; and Frederick Munschauer Ill, MD, chair, UB Department of Neurology. (Bakshi was the recipient of the Oldendorf Award in 1988, also for research conducted in Buffalo.) The award includes $500 in cash and coverage of expenses to attend the 26th annual meeting of the ASN, which was held March 6-9, 2003, in New Orleans. At the meeting, Bermel presented his research findings in a plenary lecture on March 7. In May 2002, Bermel was awarded the American Academy of Neurology's G. Milton Shy Award for medical student research in clinical neurology, based on studies he conducted at the Buffalo Neuroimaging Analysis Center on the use of the bicaudate ratio as an MRI marker of brain atrophy in multiple sclerosis. Following graduation from medical school, he will enter residency in neurology at the Cleveland Clinic. -S. A. Unger - S. A . UNGE R Spring 2003 1111111 Hysicin 33 �PATHWAYS Vela:z:que:z: Appointed Chair of Pathology In the winter 2003 issue of Buffalo Physician, it was announced that Francisco Velazquez, MD, had been named interim chair of the Department of Pathology and Anatomical Sciences in the University at VELA ZQUEZ Buffalo School of Medicine and Biomedical Sciences. On January 28, 2003, he was appointed chair of the department. Biomedical Sciences in ovember 2002 as head of the Division of Gastroenterology and S JTR I N utrition in the Department of Medicine. Sitrin' office is located in - S . A. UNG ER the new Gastrointestinal Suite on the eighth floor of the VA Sitrin Heads Medical Center and his Castroenterolo research laboratory is on the second floor of the VA Michael D. Sitrin, MD, joined Research Building (Veterans the University at Buffalo Affairs Western New York School of Medicine and Healthcare System), across from UB's South Campus. Prior to coming to UB, Sitrin was professor of medicine in the Section of Gastroenterology/Nutrition at the University of Chicago School of Medicine, where he also served as director of utrition Support Services, director of the Clinical utrition Research Unit, and medical director of University of Chicago Home Care. Sitrin is a member and former president of the American Society for Clinical utrition, and a member of the Velazquez has held the rank of clinical associate professor since August 2000 and has also served as pathologistin-chief at Kaleida Health. Recently, he was appointed division commissioner for Western ew York for the College of American Pathologists' Laboratory Accreditation Program. Phillips, Lytle understands t hat health care providers face unique legal challenges. HIPAA, STARK, compliance issues, DOH regulations, rei mbursement, the OPMC, and let's not forget about M FCU audits. These are all hot topics that we are prepared to help you with . Experience • • Breadth Depth Have questions or concerns? Call or e-mail Lisa McDougall, Esq., the health care practice group coordinator, at (71 6) 847-5478 or lmcdougall@phillipslytle.com . PHILLIPS. LYTLE . HITCHCO C K.. A T T 0 est . BLAINE 8 R N E Y S 1834 3400 HSBC Center, Buffalo, NY 14203 (716) 84 7-8400 website: www.phillipslytle.co m BUFFALO 34 l a fl ale Physiciaa • f REDONIA • jAMESTOWN • N EW YORK • ROCHESTER HUBER LLP �American Gastroenterological Association, the American Institute on utrition, and the American Federation for Clinical Research. He currently serves on the editorial boards of the journal of Critical Care Nutrition and Currellt Opinion in Clinical Nutrition and Metabolic Care. Sitrin earned a bachelor of science degree in zoology from the University of Michigan and a medical degree from Harvard University School of Medicine in 1974. He completed residency training in medicine and a fellowship in gastroenterology/nutrition at the University of Chicago in 1978, where he also served as chief instructor/resident in medicine in 1979. Sitrin's laboratory research interests include the molecular mechanisms of action of vitamin D in intestinal cells, the role of vitamin Din regulating cell growth, and the effects of vitamin D and calcium on colon carcinogenesis. His clinical research interests include nutrient absorption, metabolism, and requirements in patients with digestive disorders. - S. A. grants were awarded to Anthony Campagnari, PhD, professor of microbiology and medicine, who is researching sexually transmitted diseases; and Thomas A. Russo, MD, associate professor of medicine in the infectious diseases division, who is studying E. coli infections. Campagnari will lead studies analyzing virulence factors and potential vaccine antigens of Haemophilus ducreyi, the etiologic agent of chancroid, a sexually transmitted disease. Infection from H. ducreyi significantly increases the risk of human immunodeficiency virus (HIV) infection. Russo is seeking to develop a vaccine for extraintestinal I CON TI NU ED ON P AGE 36 UNG ER Kouo and Leonard Inducted into 101 Oishei Foundation Supports Research In December 2002, the John R. Oishei Foundation awarded two $300,000 grants in support of infectious disease research programs at the University at Buffalo School of Medicine and Biomedical Sciences. The For young and old. For patients and families. Hospice care touches everyone, including children with a sick mom or dad, sibling or grandparent. With chaplains and social workers helping out, the whole fam ily feels better. The sooner you call, the more we can help. Hospice. A plan for living. 686· 8077 hospicebuffa lo.com. ~Ls r 1 c E -z;2)~ T H E CE :-I TE R F O R H~SPICE& PAUlATIVE CARE 1978 - 2003 Spri11g 2003 l uf11l1 Pbpiciu 35 �PATHWAYS pathogenic E. coli, the most common cause of extraintestinal infection in ambulatory, long-term care and hospital settings. Typical infections due to E. coli include urinary tract infection, diverse intraabdominal infections, pneumonia, surgical site infection, meningitis and soft-tissue infections. "The strains of E. coli that cause extraintestinal infection are under-appreciated 'killers.' Each year in the United States, billions of direct health-care dollars are spent on millions of these infections, which are associated with thousands of deaths," says Russo. - SUZANNE CHAMBERLAIN Trump Nam d Editor Donald L. Trump, MD, senior vice president of clinical research and chair of the Department of Medicine at Roswell Park Cancer Institute has been appointed editor-in-chief of the journal Oncology. Trump was appointed to the position following the death of Paul TRuMP Carbone, MD, who had served as editor-inchief since 1992. Trump also serves as secretary/treasurer of the American Society of Clinical 36 laffall Hysici11 Oncology and is a reviewer and/or member of the editorial board for the New England Journal of Medicine, Journal of the National Cancer Institute, Cancer, Cancer Chemotherapy and Pharmacology, Journal of Urologic Oncology and Current Treatment Options in Oncology. Venti earned a bachelor of science degree in communications from the State University of New York - DEBORAH PETIIBONE College at Buffalo and will complete a master's degree in the field in 2003. Venti .loins Office of Alumni Affairs Kimberly A. Venti has been named director of donor stewardship and constituent relations for the Office of Alumni Affairs and Development in the School of Medicine and Biomedical Sciences. In this role, she is responsible for increasing membership and stewardship of the James Platt White Giving Society and coordination of class reunions. She will serve as the primary liaison for the Medical Alumni VENTI Association and Medical Emeritus Faculty Group. Venti comes to UB from Roswell Park Cancer Institute, where she served as director of development communications. In this capacity, she was responsible for all media relations, marketing and promotions for the Roswell Park Alliance Foundation. S pr i 11 g 2 00 3 - S. A. MoRELLI U NGER Morelli and Connolly Participate in NINDS Study and Report Daniel Morelli, MD '74, professor of family medicine, and Brian Connolly, MD, clinical associate professor of family medicine at the University of Buffalo School of Medicine and Biomedical Sciences were selected to participate in a symposium at the ational Institute of eurological Disorders and Stroke ( INDS) in December 2002. The symposium, titled "Improving the Chain Recovery for Acute Stroke in CONNOLLY Your Community," addressed public recognition of stroke; choosing your level of care; professional education; templates for organizing stroke triage; incentives for stroke treatment; and support systems for providers. Morelli worked with the Choosing Your Level of Care subgroup, while Connolly worked with the Support System Providers group. All six of the groups published their findings this spring as an update to the 1997 INDS Symposium on Rapid Identification and Treatment of Acute Stroke. - S. A. U N GE R CD �Sudden Cardiac Death Researchers in the University at Buffalo School if Medicine and Biomedical Sciences who are studying sudden cardiac death have received two generous grants in support of their work. r In February 2003, The John R. Oishei Foundation awarded $1.5 million to the University at Buffalo School of Medicine and Biomedical Sciences to establish a highly interactive, multidisciplinary Center for Research in Cardiovascular Medicine that will lead to better understanding of the mechanisms responsible for sudden cardiac death (SCD) in ischemic heart disease. At the time of the announcement, Thomas Baker, executive director of the Oishei Foundation, said: "The foundation's directors were impressed with the level of cooperation among departments and investigators working on this critical area of cardiac research. UB has taken the lead in research that could prove extremely beneficial in saving many lives." John Canty, MD ' 79, Albert and Elizabeth Rekate Chair in Cardiovascular Diseases at the UB School of Medicine and Biomedical Sciences, will serve as principal investigator of the project. He will lead a team of 11 others, including clinical scientists from the Division of Cardiology in the UB Department of Medicine, and basic scientists from the UB departments of Physiology and Biophysics, Biochemistry, Genetics (Roswell Park Cancer Institute), Pharmacology and Toxicology, and the Center for Positron Emission Tomography. "Our goal is to establish the University at Buffalo as a premier center of research in the area of sudden cardiac death," says Canty. "Cardiovascular disease continues to be the leading cause of mortality in the United States, and the aging of our population makes it a growing area of concern. Although great strides have been made in treating ischemic heart disease, myocardial infarction and heart failure, the impact of these advances has been disappointing with respect to preventing other types of cardiovascular disorders, such as sudden cardiac death from ventricular arrhythmias." The John R. Oishei Foundation's mission is to enhance the quality of life for Buffalo-area residents by supporting education, health care, scientific research and the cultural, social, civic and other charitable needs of the community. It was established in 1940 by John R. Oishei, founder of Trico Products Corporation, one of the world's leading manufacturers of windshield wiper systems. The foundation, a major supporter ofUB and its community-focused activities, has given or pledged nearly $12 million to "The Campaign for UB" for programs, including the Toshiba Stroke Research Center (see article on page 4). ;r T Canty has also received a three-year, $141,750 grant from the Mae Stone Goode Trust to support research on sudden cardiac death. Mae Stone Goode "left the funds for cure rather than care" and established the trust for medical research on tuberculosis, cancer and "other diseases of humanity," according to attorney William Yorks, co-trustee and second cousin to Mrs. Goode. She was a person who made many gifts anonymously during her lifetime, he notes, and the public should now know "about the generosity of this woman of strong character." Gifts from the trust are made in the names of Mae Stone Goode, who died in 1955, and her husband, Richard W. Goode, a real estate investor in Buffalo who died in 1928. r T p T( John Canty, MD, Albert and Elizabeth Rekate Chair in Cardiovascular Diseases at the UB School of Medicine and Biomedical Sciences, was recently elected to the prestigious Association of University Cardiologists (AUC). Founded in 1961, the AUC is limited to an active membership of 125 academic cardiologists from the United States, elected by their peers. The organization has a purely educational purpose and meets once a year for a two-day session of scientific interchange. Members are recognized as leaders in American cardiology whose efforts are actively shaping the course of research and training in cardiovascular disease in the United States. . Spring 2003 1111111 nysicill 3 7 �DEVELOPMENT E W S By li nda J . Cor de r , PhD, CFRE HE PHO E CALL CAME OVER A DECADE AGO. It brought mixed reactions, as the subject was painful to hear, and likely even more difficult for this alumnus to discuss. He wanted to let me know that he was leaving the school a bequest, but he was reluctant to give me even a ballpark figure. He had just found out he was in the early stages of Alzheimer's Disease and there were too many unanswered questions for him to predict how much money might be left. How long would he live? How much would his care cost? Would he outlive his wife? Underneath the spoken words were his silent questions, uncertainty, fear and frustration. In spite of these unanswerable questions, he was taking steps to ensure that he would leave his alma mater a portion of his worldly goods, while he was still able to direct his own affairs. This conversation seared itself into my memory, and over the years I kept my ears open for news from his friends. The disease took its expected toll. His wife died. His friends stayed in touch with him and oversaw his care. And, last year, Dr. Dobrak, medical class of 1939, died. His legacy to the school that he loved was generous. "What was left" was over four hundred thousand dollars. He had designated that it be divided among the Medical Alumni Scholarship Endowment, an endowment fund to underwrite an annual lecture in {'i ( p radiology and an endowed inter\\ R >U disciplinary radiology research fund. His gift to the scholarship fund increased it by approximately 45 percent at a time when rising student debt makes it critically important that funds be made available to qualified students. His support of radiology comes at a time when there is a national shortage of radiologists, and UB, like most medical schools nationally, is working to enhance the training of residents in radiology. Dr. Dobrak's bequest was a return on the investment that faculty 38 l 1 ff al1 Hpiciu Spri n g 2003 members in another era had made in him and his subsequent career. It was a wise decision relative to minimizing his taxable estate. Most important, it was a gift of love and a statement of faith in the future of his alma mater. There are many reasons that people make gifts to educational and other charitable institutions. Some mirror those of Dr. Dobrak. They support the groups' missions. An institution made a positive difference in their lives. They have generous hearts and want to expand possibilities for other individuals in similar circumstances to those they once faced. They wantto "repay" a gift or scholarship they received at an early time in their lives. Whatever triggers these gifts, we accept them all as a statement of faith in the future of this school. For that belief and regard, we say thank you to those who choose to share their resources with their alma mater, their hometown medical school, their nationally acclaimed institution where they have chosen to teach, work, conduct research and provide patient care. This year, we salute nearly 250 members of the James Platt White Society who made gifts during the 2002 calendar year to the UB School of Medicine and to the Health Sciences Library and its medical history collections. We applaud those whose lifetime commitments place them with the Founders' Circle of the Society. We acknowledge with sadness, love and appreciation our members whose lives ended during this past year, and with thanksgiving, those who have made arrangements for legacies in the future. The spirit ofphilanthropy is alive and well at UB's School of Medicine and Biomedical Sciences. For this we are grateful and express our heartfelt thanks to all donors. CD lz da L ' ( c>rda Phi>, 1~ a '"c ate c ec.n fc r , 1111'1111 dfmr .md .Je clop ·~··t Shl '"''be cJ•It•llte a e mazl tf he) J, r /lujf.l L td •, r b p Jll( at I 8~~ ~ '6 l.? "· �}ANUARY 1, 2002-DECEMBER 3 1 ) 2 0 0 2 Founded in 1846, the University at Buffalo School of Medicine and Biomedical Sciences has a proud history. James Platt White, MD (1811-1881), one of the nation's first practicing obstetricians and gynecologists, was a founder of the school. He later served as professor and was dean of the school at the time of his death. Because of]ames Platt White's contributions to society and the university, his name is associated with a group ofdistinguished donors who make leadership gifts to the UB School of Medicine and Biomedical Sciences through the James Platt White Society. Members of the society contribute $1,000 or more annually to the School of Medicine and Biomedical Sciences. This special group of donors may choose to support student scholarships; seed funding for ground-breaking scientific and clinical research; the Dean's Excellence Fund, which provides the dean flexibility to take advantage of unanticipated opportunities that arise mid-year; or any fund the donor may choose within the medical school. In forming Professor White's annual "class," we honor our history and recognize a very special group of donors. I. ,. UB•s founders, primarily physicians and attorneys, envisioned a school to train students for service to the community. The Society's founders help to actualize that vision by providing a generous base of support for programs and activities that enrich the academic environment and enhance medical training. Donors who have cumulative contributions of $50,000 or more, or who have established an irrevocable deferred gift for $100,000 or more, are granted lifetime membership in the James Platt White Society. Dr. George M. Ellis Jr. ' 45 & Mrs. Kelly Ellis Dr. Glen E. Gresham & Mrs. Phyllis K. Gresham '85 Mr. & Mrs. Edmund C. Lynch Newport, RI Connersville, IN Williamsville, NY Mrs. Catherine Fix Dr. Thomas J. Guttuso, Sr. '61 and Mrs. Barbara L. Guttuso Dr. Eugene R. Mindell & Mrs. June A. Mindell Mrs. Joan W. Alford Dr. William M. Chardack Buffalo, NY Gulfstream, FL Mrs. June M. Alker Dr. Joseph A. Chazan '60 & Mrs. Helen Chazan Providence, RI Martinsburg, WV Williamsville, NY Dr. Charles D. Bauer ' 46 & Mrs. Mary A. Bauer Mrs. Annette Cravens Dr. Thomas F. Frawley ' 44 Williamsville, NY Buffalo, NY Chesterfield, MO Dr. and Mrs. Ralph T. Behling '43 San Mateo, CA Dr. Ernst H. Beutner & Dr. Gloria Beutner '80 Eggertsville, NY Dr. Willard H. Boardman ' 44 and Mrs. Jean E. Boardman ' 48 Winter Park, FL Mr. Donald L. Davis Williamsville, NY Dr. S. Max Doubrava Jr. ' 59 and Mrs. Joan Doubrava Las Vegas, NV Mrs. Marjorie B. Eckhert Buffalo, NY Ms. Rose M. Ellerbrock Williamsville, NY Mrs. Christine Gretschel Genner Potomac, MD Dr. Lawrence Golden '46 and Mrs. Nancy Golden ' 48 East Amherst, NY Dr. Eugene J. Hanavan Jr. ' 41 Buffalo, NY Mr. & Mrs. Jeremy Jacobs East Aurora, NY Mrs. Pamela Jacobs Eggertsville, NY Buffalo, NY Dr. Pasquale A. Greco '41 & Mrs. Lois J. Greco Mrs. Morris Lamer Buffalo, NY Dr. Phil Morey ' 62 and Mrs. Colleen Morey Williamsville, NY Dr. Richard J. Nagel '53 & Mrs. Florence T. Nagel Orchard Park, NY Dr. Richard B. Narins ' 63 & Mrs. Ellen B. Narins East Aurora, NY New York, NY Buffalo, NY Spring 2003 luffalt Pbysiciaa 39 �DEVELOPMENT Mr. Allan Wade Parker San Francisco, CA Dr. Albert C. Rekate '40 & Mrs. Linda H. Rekate '71 Williamsville, NY Dr. Elizabeth P. Olmsted Ross'39 Buffalo, NY Dr. and Mrs. Edward Shanbrom '51 Santa Ana, CA Dr. Albert Somit Carlsbad, CA Dr. Janet H. Sung & Mr. John J. Sung Clarence, NY Dr. Philip B. Wels '41 & Mrs. Elayne G. Wels Williamsville, NY Mrs. Virginia S. Wendel Ft. Meyers, FL Dr. John and Mrs. Deanna Wright Williamsville, NY c The Dean is the School's leader. Every leader depends on a small circle of associates who help bring the organization's vision into reality. Individuals or couples qualify as members in the Dean's Circle with generous gifts of$25,000 or more during the calendar year. E W S Dr. Janet Sung and Mr. John Sung Clarence, NY Dr. Charles S. Tirone '63 & Mrs. Anne R. Tirone '94 Williamsville, NY Ms. Virginia S. Wendel Fort Meyers, FL Dr. James J. White, Jr. '69 Buffalo, NY cle Cha Fe o Just as a department chair leads a program, donors ofleadership gifts in the range of $10,000 to $24,999 are given special recognition. cle Fe ll ows within the school are recognized for added depth they bring to postgraduate study. Fellows are honored for gifts that total $2,500 to $4,999. Dr. and Mrs. Frederic D. Regan'45 Boca Raton, FL Dr. Melvin M. Brothman '58 Snyder, NY Mrs. Gloria C. Stulberg Buffalo, NY Dr. Jennifer L. Cadiz '87 Lemoyne, PA e cle A strong faculty is central to a great university. Likewise, central to the future of our School is the dedication of a cadre of supporters whose annual gifts range from $5,000 to $9,999. Dr. Charles D. Bauer, '46 & Mrs. Mary A. Bauer Williamsville, NY Mr. Sheldon M. Berlow Buffalo, NY Dr. Joseph G. Cardamone '65 & Mrs. Susan G. Cardamone '65 Eden, NY Dr. Joseph Chazan '60 & Mrs. Helen Chazan Providence, Rl Dr. Jack C. Fisher '62 Lajol/a, CA Dr. Anita J. Herbert '63 Bradford, PA Dr. Hani A. Nabi Buffalo, NY Dr. Nancy H. Nielsen '76 Orchard Park, NY Dr. Thomas P. O'Connor '67 & Mrs. Sandra S. O'Connor East Amherst, NY Dr. Edward A. Rayhill '54 & Mrs. Joanne Rayhill Grand Island, NY Mr. Jerry Ritch Piscataway, Nj Dr. & Mrs. Richard Ronald Romanowski '58 Williamsville, NY within the fames Platt White Society have made gifts to the School totaling $1,000 to $2,499 during the past year. Those marked with an asterisk (*) are young scholars, graduates of the last decade, who qualify with gifts of$500 to $999. Dr. Harold Brody '61 Getzville, NY Dr. Kenneth Z. Altshuler '52 Dr. James B. Bronk '81 & Mrs. Suzanne Bronk Napa, CA & Mrs. Ruth Altshuler Dallas, TX Dr. & Mrs. William S. Andaloro '45 Caledonia, NY Dr. Mark Anders Buffalo, NY Dr. Douglas Armstrong Buffalo, NY Dr. J. Bradley Aust Jr. '49 San Antonio, TX Dr. Rohit Bakshi '91 & Mrs. Lorain Bakshi Buffalo, NY Dr. George Bancroft '81 & Mrs. Susan K. Bancroft '79 Hamburg, NY Dr. Kevin Barlog '82 & Dr. Elizabeth P. Barlog '82 Amherst, NY Dr. Jared C. Barlow Sr. '66 & Mrs. Barabara Barlow Grand Island, NY Dr. Allen Barnett '65 Pi11e Brook, N] Dr. Michael B. Baron '71 Blountville, TN Dr. Paul D. Barry '71 St. Augustir1e, FL Mr. Donald l. Davis Williamsville, NY Ms. Ellen Freudenheim Brooklyn, NY Dr. and Mrs. Glen E. Gresham Williamsville, NY Dr. George A. Gentner '41 Phoenix, AZ Dr. Irving Sterman '64 and Mrs. Gail K. Sterman jacksonville, FL Dr. Robert A. Baumler '52 Amherst, NY Dr. Kim Griswold '94 Buffalo, NY Dr. Gerald Sufrin Snyder, NY Dr. Richard A. Berkson '72 & Mrs. Andrea Berkson Rancho Palos Verdes, CA Mr. Jeremy M. Jacobs, Sr. East Aurora, NY Mrs. Pamela R. Jacobs Buffalo, NY Mr. & Mrs. Edmund C. Lynch Newport, RI lllfal1 Hysiciaa Mr. Arthur H. Judelsohn Buffalo, NY Mr. Eugene M. Setel Buffalo, NY Mr. James I. Stovroff Buffalo, NY Sprt11 g 200 3 e One strength of an outstanding institution is the caliber of those who study there. Scholars Dr. Michael E. Bernardino & Mrs. Joan Bernardino Buffalo, NY Dr. Robert Bernot '60 & Mrs. Carol Bernot North Hills, NY Dr. Theodore S. Bistany '60 & Mrs. Undine Bistany Buffalo, NY Dr. Lawrence Bone '73 Orchard Park, NY Mr. & Mrs. William Bourke Orchard Park, NY Dr. Suzanne F. Bradley '81 Whitmore Lake, Ml Dr. Timothy Bukowski '87 & Dr. Naomi J. Kagetsu '86 Chapel Hill, NC Dr. Vern l. Bullough Westlake Village CA Dr. James P. Burdick '75 & Mrs. Sharon A. Burdick East Amherst, NY Dr. William M. Burleigh '67 Rancho Mirage, CA Mrs. John W. Buyers Williamsville, NY Dr. Evan Calkins & Dr. Virginia Calkins Hamburg, NY Dr. David T. Carboy '63 & Mrs. Jacqueline G. Carboy Lincroft, Nj Dr. Nicholas C. Carosella '54 & Mrs. Mary Carosella Appleton, NY Dr. Yung C. Chan '73 Draper, VA Dr. Norman Chassin '45 & Mrs. Charlotte S. Chassin Williamsville, NY Dr. Charles Kwok-Chi Chow & Mrs. Patricia Chow Hong Kong Dr. Eugene Cisek & Mrs. Ruth Cisek Buffalo, NY Dr. Geoffrey E. Clark '68 Portsmouth , NH Dr. Terence M. Clark '71 Clemson, SC Mr. Michael J. Collins '90 & Dr. Kathleen A. O'Leary '88 Buffalo, NY Dr. Mark Comaratta '85 East Amherst, NY �Mr. Anthony Conde & Mrs. Janette Conde Dr. Susan Fischbeck '82 & Dr. Patrick T. Hurley '82 Orchard Park, NY East Concord, NY Dr. Brian F. Connolly Dr. Thomas D. Flanagan '65 East Amherst, NY & Mrs. Grace Flanagan ' 70 Williamsville, NY Dr. Linda J. Corder Buffalo, NY Dr. J. Steven Cramer East Amherst, NY Dr. Julia Cullen ' 49 Buffalo, NY Dr. Daniel E. Curtin '47 & Mrs. Elaine Curtin Orchard Park, NY Dr. & Mrs. Raymond Dannenhoffer Amherst, NY Dr. David R. Dantzker '67 & Mrs. Shenye Dantzker New York, NY Dr. RogerS. Dayer '60 & Dr. Roberta A. Dayer ' 72 Buffalo, NY Dr. Ronald I. Dozoretz '62 Falls Chtach, VA Dr. Melvin B. Oyster ' 52 Niagara Falls, NY Dr. Robert W. Edmonds ' 41 Sun City Center, FL Dr. Robert Einhorn ' 72 North Brunswick, Nj Mr. John E. Estes '86 Malvern, Australia Dr. Domonic F. Falsetti '58 and Mrs. Margaret Falsetti Lewiston, NY Dr. Leon E. Farhi & Mrs. Haya Farhi Eggertsville, NY *Dr. Thomas Hugh Feeley '96 & Dr. Danielle Susan Notebaert '95 Elma, NY Dr. William A. Fleming '64 & Dr. Beth D. Fleming '67 Buffalo, NY Dr. Herbert E. Joyce '45 & Mrs. Ruth Marie Joyce East Aurora, NY Lockport, NY Dr. Frank A. Luzi '88 & Dr. Lori Luzi '88 Dr. Wendy A. Kaiser '85 & Dr. Roger E. Kaiser Jr. ' 79 Clarence, NY Dr. Robert J. Patterson '50 & Mrs. Patricia M. Patterson Snyder, NY Dr. John H. Peterson '55 Clarence, NY East Aurora, NY Dr. James F. Phillips ' 47 & Mrs. Marcella Phillips *Dr. Martin C. Mahoney '95 Buffalo, NY Clarence, NY Dr. Matthew Phillips '91 Dr. James R. Kanski '60 & Dr. Genevieve W. Kanski '84 Dr. William L. Marsh '46 Buffalo, NY Buffalo, NY Eggertsville, NY Bethesda, MD Dr. Stephen B. Pollack '82 Dr. Penny A. Gardner '69 Dr. Steven R. Kassman '87 and Mrs. Jeannine Kassman Dr. Ralston Rodcliffe Martin Williamsville, NY '90 Dr. Anthony V. Postoloff '39 Los Altos, CA Drs. Laura and Michael Garrick Getzville, NY Dr. Ronald F. Garvey '53 Tyler, TX Mr. Warren Gelman '70 & Mrs. Patricia C. Gelman Glendale, AZ Vellejo, CA Dr. Kenneth K. Kim '65 and Mrs. Susan Kim Dr. Conrad May '81 Clinton, NY Dr. Francis J. Klocke '60 Chicago, IL Buffalo, NY Dr. Robert A. Klocke '62 & Mrs. Barbara Klocke Dr. Lawrence H. Golden '46 Williamsville, NY & Mrs. Nancy P. Golden ' 48 Eggertsville, NY Dr. Joseph M. Kowalski '93 Amherst, NY Willia msville, NY Kensington, MD Dr. Linda G. Rabinowitz '82 M ilwaukee, WI Dr. Brian McGrath '87 Buffalo, NY Dr. Harry L. Metcalf '60 & Dr. Kaaren Metcalf ' 78 Dr. Kenneth John Raczka ' 72 & Mrs. Rita Raczka Amherst, NY Williamsville, NY Dr. & Mrs. Richard A. Rahner '58 Dr. William Mihalko Erie, PA Clarence Center, NY Dr. Merrill L. Miller ' 71 Dr. Bert W. Rappole '66 & Mrs. Mary Helen Rappole Hamilt011, NY jamestown, NY Dr. Michael Goldhamer '64 Mrs. Delphine Kozera San Diego, CA Lackawanna, NY Dr. and Mrs. Carl V. Granger Dr. Kenneth Krackow Dr. David P. Mindell & Mrs. Margaret H. Mindell Dr. Bernhard J. Rohrbacher '83 Buffalo, NY Williamsville, NY Ann Arbor, MI Getzville, NY Dr. Eugene R. Mindell & Mrs. June A. Minden Ms. Alice May Greer Dr. Jacob S. Kriteman '67 Niagara Falls, NY Danvers, MA Dr. Robert T. Guelcher '60 & Mrs. Elizabeth Guelcher Dr. Milton C. Lapp '52 Erie, PA Corning, NY Buffalo, NY Dr. Jeffrey S. Ross '70 Georgetown, DE Lebarwn Springs, NY Mr. James J. Rosso & Mrs. Cheryl Rosso Dr. Andre D. Lascari '60 & Mrs. Susan Lascari Dr. Shedrick H. Moore '55 Buffalo, NY Poestenkill, NY Costa Mesa, CA Dr. John H. Hedger ' 75 Dr. Thomas J. Lawley '72 Dr. John D. Mountain '33 Buffalo, NY Dr. Albert G. Rowe '46 Salisbury, MD Atlanta, GA Manhasset, NY Dr. Reid R. Heffner Jr. & Mrs. Elenora M. Heffner Dr. Dolores C. Leonard '87 & Mr. Martin Leonard Dr. Arthur W. Mruczek Sr. '73 Medina, NY Buffalo, NY East Amherst, NY Dr. Richard L. Munk '71 Dr. Ross G. Hewitt '79 Buffalo, NY East Amherst Williamsville, NY Dr. William Fiden ' 70 Dr. Richard T. Ho '92 and Dr. Veronique M. James '88 San Diego, CA Dr. Harold J. Levy ' 46 & Mrs. Arlyne Levy Honolulu, H I Depew, NY Rochester, NY Mrs. Patricia Papademetriou Blacksburg, VA *Dr. Randall J. Loftus '92 Eggertsville, NY Burlingame, CA Lancaster, NY Dr. Marc S. Fineberg Dr. Hilton R. Jacobson ' 45 Williamsville, NY Lakewood, NY Dr. Gerald L. Logue & Mrs. Joelle Logue Robert M. Jaeger, M.D. ' 47 Sylva11ia, OH Dr. Masao Nakandakari '55 Dr. John Naughton Mr. Paul F. Hohenschuh & Dr. Marjorie E. Winkler Williamsville, NY Orchard Park, NY Dr. Edwin A. Salsitz ' 72 Dr. Marshall A. Lichtman '60 & Mrs. Alice Jo M. Lichtman '58 '77 East Amherst, NY Dr. Joseph F. Ruh '53 Amherst, NY Dr. Hing-Har Lo ' 74 Dr. Thomas C. Rosenthal ' 75 & Mrs. Georgia Rosenthal Orchard Park, NY Dr. Maynard H. Mires Jr. '46 Dr. Christopher Hamill '89 Dr. Fredric M. Hirsh ' 73 & Mrs. Donna A. Hirsh Dr. Helen Marie Findlay '78 & Dr. Albert Schlissennan Dr. Thomas A. Lombardo Jr. '73 and Mrs. Donna M. Lombardo Dr. Robert Galpin Dr. Michael Ferrick '65 Buffalo, NY Dr. Cynthia L. Jenson '92 Bangor, ME New York, NY Mrs. Elizabeth Ann Schaefer Snyder, NY Dr. David S. Schreiber '69 Westwood, MA Dr. Daniel S. P. Schubert '65 Buffalo, NY Shaker Heights, OH Dr. John S. Parker '57 & Mrs. Dorris M. Parker Dr. Fred S. Schwarz ' 46 Latrobe, PA Buffalo, NY Dr. Margaret W. Paroski '80 Dr. Molly R. Seidenberg '53 & Mr. Peter Martin Buffalo, NY Rochester, NY Allentown, PA Spring 2003 lulfalt Pbysici11 41 �0 E V E L 0 P M E N T Dr. Joseph Tannenhaus ' 45 Homosassa, FL Dr. Timothy S. Sievenpiper '68 & Mrs. Karen S. Sievenpiper Dr. Michael Taxier ' 75 East Aurora, NY Columbus, OH Dr. Howard C. Smith '53 Dr. Wayne C. Templer '45 Huron, OH Coming, NY Dr. James A. Smith '74 Mr. Fritz Terplan Orchard Park, NY San Francisco, CA Dr. & Mrs. Robert G. Smith '49 Dr. Martin Terplan ' 55 Savannah, GA San Francisco CA Dr. Robert Smolinski '83 & Dr. Claudia Foskett '85 Dr. George Thorngate, IV '45 Orchard Park, NY Dr. James C. Tibbetts '64 & Mrs. Elspeth Tibbetts '64 Pebble Beach, CA E W S Dr. James E. Wild '83 & Dr. Andrea T. Manyon-Wild '83 Amherst, NY Dr. Richard G. Williams '80 Clearfield, PA Mr. Ralph C. Wilson Jr. Orchard Park, NY Dr. Lester E. Wolcott '51 Beverly Hills, CA Williamsville, NY Dr. James F. Stagg '47 Dr. Bradley T. Truax '74 & Mrs. Elizabeth Truax *Ms. Sanda Yu '95 Orchard Park, NY Dr. Melvin J. Steinhart '62 & Mrs. Susan S. Steinhart Delmar, NY Dr. Morton Stenchever '56 and Mrs. luba Stenchever Lewiston, NY Malden, MA Dr. Bernice S. TyraiH:omforl '58 Dr. Franklin Zeplowitz '58 & Mrs. Piera Zeplowitz Los Altos, CA Dr. Richard D. Wasson '58 & Mrs. Janet Wasson Holiday, FL Dr. Arnold Wax '76 Mercer lslarJd, WA Henderson, NV Dr. William C. Sternfeld ' 71 Dr. Paul H. Wierzbieniec '74 & Ms. Ellen Wierzbieniec Sylvflllia, OH Dr. lin-lan Tang '84 Plainfield, Nj Cmwndaigua, NY Buffalo, NY Dr. Gary J. Wilcox ' 73 Carlsbad, CA The Edmund Ha es Societ Tit is society is tutmed after General Edmund Hayes, all illtemationally renowned designer of bridges who in 1923 bequeathed nearly $390,000 to UB. Through the years, manygenerotls illdividuals have been inspired by the same conviction and have elected to build Oil Hayes' foulldation of support. Through their commitment to the university, and through their investment in Univer- Buffalo, NY Dr. David C. Ziegler '64 & Mrs. Susan D. Ziegler ..........., ........... ...........,.......... Socletr ...... ..., ..... Williamsville, NY Dr. & Mrs. John R. Wright . "' ... . _ .... Willa Mrs. Janet F. Butsch Aurora, CO Dr. Stuart Alan Wolman '74 Dr. Wende Westinghouse Young Dr. Philip M. Stegemann '82 North Hills, NY Dr. Marvin Z. Kurian '64 & Mrs. Eleanor Kurian Sturgeon Bay, WI Tucson, AZ Dr. Robert Bernot '60 & Mrs. Carol Bernot Lubbock, TX Carlsbad, CA Dr. Albert Somit generous gifts made between 1989 to 1993. Donors to the Health Sciences Library and the History of Medicine funds are also recognized as members of the society in the appropriate circle. ........... I8HI'OIII We have made every effort to ensure accuracy in these Walrwt Creek, CA Lists. Ifyouhaveanyques- Special Members call Kim Venti toll free at tions or corrections, please Those individuals and couples listed as follow were granted multi-year memberships based on Dr. Frances R. Abel 1-877-826-3246 or 716829-2773; ore-mail her at kventi@buffalo.edu. 4D Dr. Lance Fogan Dr. Benjamin E. Obletz Dr. & Mrs. Richard A. Rahner Mrs. June M. Alker Dr. Thomas F. Frawley Dr. & Mrs. Rohit Bakshi Dr. Ronald F. Garvey Dr. Charles A. Bauda Dr. Pasquale A. Greco Dr. John T. Cangelosi Dr. Eugene J. Hanavan, Jr. Dr. & Mrs. Edward A. Rayhill Dr. Albert C. Rekate Mrs. Edith Corcelius Dr. David Holden Dr. Myron G. Rosenbaum Dr. linda J. Corder Dr. Hilliard Jason & Dr. Jane Westberg Dr. Elizabeth P. Olmsted Ross Dr. Richard F. Kaine Dr. Daniel S.P. Schubert Dr. Julia Cullen Dr. Thomas G. Cummiskey Dr. Edward L. Curvish, Jr. sityat Buffalo, benefactors have taken part ill shapittgthe Dr. Leonard S. Danzig future of UB and sewrillg its legacy into the next Dr. Melvin Oyster celltury. Ifyou are interested in becoming a member of Ms. Rose M. Ellerbrock the Hayes Society, you cart contact our plmmed giving Dr. George M. Ellis, Jr. department at (716) 645-3312. Dr. Jack C. Fisher l afl a le Phy siciaa Spring 2003 IIIII fw the Scllool to receiYe Dr. J. Walter Knapp Dr. Albert Somit Dr. Harold J. Levy Dr. Eugene M. Teich Dr. Sanford H. Levy Dr. Max B. Weiner Dr. Milford C. Maloney & Mrs. Dione E. Maloney Dr. Karl L Manders Dr. & Mrs. Ralph M. Obler Dr. Pierce Weinstein Dr. John R. Wright & Mrs. Deanna Wnght Dr. Wende W. Young Anonymous 4 2 beqHIII or 131 �1940s Robert J. Dean, MD '47, anesthesiology, lives in Kinston, NC, where he is on staff at Lenoir Memorial HospitaL Favorite medical school memory: "jim Phillips entertaining the class as Dr. ]ones." 1950s James E. Lasry, MD '57, cardiology, lives in La jolla, CA, and is retired. Favorite medical school memory: "Professor Oliver P. )ones." Robert l. Baumler, MD '52, Sherman Waldman, MD '57, internal medicine, lives in Amherst, NY, with his wife, Jane. Favorite medical school memories: "Dr. 0. P. )ones' oral examinations in gross anatomy, as painful as they were." pediatrics, is in solo practice in Buffalo and is affiliated with Kaleida Health and the Catholic Health System. Favorite medical school memory: "0. P. )ones' recitations (with anxiety)." E-mail address is: swoldman @acsu.buffalo.edu. Melvin B. Oyster, MD '52, Richard l. Falls, MD '59, has family practice, lives in Niagara Falls, NY. He is in group practice with Niagara Family and is Director Emeritus of the FMMC family practice residency. Favorite medical school memory: "Hitchhiking daily from Buffalo to Niagara Falls until I got Neal Fuhr's old car!" E-mail address is: mbd3918@adelphia.net. been presented the 2003 Professional Service Award from The Prevention of Blindness Society of the Metropolitan Area [Washington, D.C.]. The award is given annually to the person who best exemplifies the spirit of the society's mission and its commitment assnotes to the community. Falls was chosen not only for his lifelong public service, but also for his many efforts to enhance the lives of patients and their families with vision challenges, according to the society. He has been active in the American Academy of Ophthalmology, Virginia Society of Ophthalmology and was past president of the orthern Virginia Academy of Ophthalmology. He is senior partner for the Northern Virginia Center for Eye Care and was chief of ophthalmology section at I nova Fairfax Hospital for 16 years. In 1992, Falls received the Clinician of the Year Award from Georgetown University Medical Center's Center for Sight for his voluntary efforts in resident education. 1960s Patrick J. Kelly, MD '66, joseph Ransohoff Professor of eurosurgery and chair of the Department of eurosurgery of ew York University School of Medicine, has been named trustee of Boys & Girls Clubs of America. In this position, Kelly will play an active role in securing financial support for the national youth organization and will help formulate strategies for positive youth development programs. As a child from a disadvantaged background, Kelly was a member of Boys & Girls Club in East Aurora, NY, and he credits the organization with setting him on a good path. "It's time to give something back," he says. Jonathan Ehrlich, MD '67, practices obstetrics and gynecology in the suburbs of Atlanta and, since 1973, has delivered over 4,000 babies. He has served as chair of the Medical Advisory Committee of Planned Parenthood of Atlanta and was the founding vice president of the Sandy Springs Branch of the American Cancer Society. Jn 1998, aware that the largely uninsured noncitizen Hispanic population in Atlanta had difficulty obtaining adequate obstetrical care, Ehrlich helped found a prenatal clinic with a local Hispanic business man to serve the Spri11g 2003 obstetrical needs of that community. Today he serves as medical director of the clinic-Centro Internacional de Maternidad (CIMA.). Since the clinic opened, the physicians and midwives of CIMA have deliv- ered over 2,000 babies. Largely through their efforts, the principal obstetric hospitals in Atlanta now distribute information packets and consent forms in Spanish and have full-time translators. For recreation Ehrlich skis, rafts and has run the ew York Marathon twice although, for the life of him, he cannot remember why. He has four children ("I believe in my product") and is married to Dr. Margaret Gorley Ehrlich from Eatonton, GA. She says he is everything her mother was afraid would happen if she moved to a big city. E-mail address is: dreobg@aoJ.com. JosephS. Kriteman, MD '67, pediatrics, lives in Dan Vers, MA, with his wife, Melody. They have two children: Lewis Scott Kriteman, MD, age 35; and Heidi Ruth )anock, age 31. E-mail address is: jskmbk@massmed.org. l1ffal• Physician 43 �Bv S. A. UNGER bstetrician/gynecologist Francis A. Fote retired in November 1987 and moved to Arizona in 1989. Prior to retiring, he had been in private practice in Buffalo since 1959 and had been an associate professor of OBIGYN at UB. In addition, he served as chief ofOBIGYN at Our Lady of Victory Infant Home (for unwed mothers and orphans), at Our Lady of Victory Hospital(l963 to 1982) and at Mt. Mercy Hospital(l982 to 1987). After retiring and living in Arizona for two years, however, Fote decided to return to work and began serving as a physician-volunteer and advocate for the poor and underserved around the world. The following is a brief outline of some of the projects he has been involved with since "retiring": In 1991, Fote spent two months in Northern Kenya with the Consolata Missions, where he worked with Ethiopian refugees fleeing civil war in their country. In 1992, he spent two weeks in El Salvador with the American Volunteer Medical Team IAVMT), providing medical care to the poor following civil war in that country. (The AVMT is a program begun by Cindy McCain, wife of Senator John McCain.) In 1994, he traveled to Santarem, Amazon, Brazil, where he spent a month introducing colposcopy and LEEP for management of uterine cervical dysplasia. In 1995, he worked for two months at the Common Health Center Hospital for the government of the Northern Mariannas on the island of Saipan. There, he supervised midwives, nurses and introduced LEEP. From 1995 to 2000, he served as a volunteer in the Gynecology Clinic at Luke Air Force Base Hospital in Glendale, Arizona, as a Red Cross Volunteer. From 1996 to 2002, he volunteered with Clinica Adelante, a community health clinic in Arizona that is dedicated to care of poor migrant farm workers. At the clinic, he taught colposcopy and helped establish obstetrical services. Currently, he serves on its Board of Directors. In 1997, he founded "Grounds for Health" IGFR), an international nonprofit organization providing health-care services to coffee-growing communities in Mexico and Central America. Also from 1997 to 2002, he worked with the San Pedro Pochutla Hospital in Oaxaca, Mexico, and the Huatusco Hospital, in Huatusco, Vera Cruze, Mexico, where he established a Dysplasia Clinic for the study of cervical cancer, the leading cause of cancer deaths for Mexican women. (The clinic is operated by local Mexican doctors and is supported by health-care volunteers such as Fote, who bring their own equipment and pay their own expenses. The health-care team Fote has worked with on this project include a cytopathologist nurse, physicians, and technicians, who volunteer a week of their time, twice a year.) If you are interested in participating in a health-care project overseas, Fote recommends contacting one of the following organizations listed below, or you can email him at ffote@aol.com. ( D 1) OPTIONS IPCII Project Concern International 3550 Afton Road, San Diego, CA 92123. Phone: (619) 694-0294; Internet postmaster@procon.cts.com (Fote has provided an OPTIONS catalog, which is available in the Office of Medical Education.) 21 Northwest Medical Teams International, Inc., Volunteer Program; P.O. Box 10 Portland, OR 97207 Phone: (503) 644-6000; fax (503) 644-9000 3) Grounds for Health, 286 College Street, Burlington, VT 05401. Phone: (800) 375-3398; www.groundsforhealth.org 4) Esperanca, 1911 West Earl Drive, Phoenix, AZ 85015. Phone: (6021 252-7772 (Amazonia and Madagascar) �David L. Larson, MD '67, psychiatry, lives in Wausau, Y, and is Vernon. I have three boys, and Debbie and I have now been married affiliated with North for 29 years. I am presi- Central Health Care. Favorite medical school dent of our hospital 's local IPA and president memory: "Anatomy recitation , freshman year. " of Pinnacle IP A, a sevenhospital IPA. " E-mail address is: dlarson @norcen.org. Mark Polis, MD '77, urol- l1ldlolo&YIIIreat ........ lhesi115ewema P•rk, MD, with ller husltMd, Rollert E. Buttles, ..... their two childl'lll: SarH, liP 10, •nd Rollert A., liP 8. F..nte medal scheol 11181Hries: "IIJ flnt cll•lul raUtiollln third,.... ..... I felt lille. '1"8111' doctor. The raUtioll ... surgery •nd I spellt sevenl weeks doilll ........ with Dr. Ross ......... He t.u&ht ... how to IUrt lVI .... how to ........... patlelds.lt .... nice, pluunt Introduction to c:llnluiMIIIIcille." ' . ogy, lives in Williamsport, PA, with his 1970s wife Denise. He has two Michael Kressner, MD '77, children: writes: " I live in Cory, age 26; Scarsdale, NY, and practice gastroenterology in ew Rochelle and Mt. and Chelsea, age 22. Favorite medical I CONT I NUED O N P AGE 4 6 BRING NATURE INTO YOUR HOME & OFFICE "Experience the tranquility of Tropical Fish" LARGEST SELECTION IN THE AREA • Complete set-ups from table/desk top to large central displays • Equipment and supplies • Tropical fish , gold fish & Koi (domestic & imported), dwarf frogs, bottom feeders, mollusk, crustacean & other unusual varieties. • Imported livestock and frozen foods • Wide selection of aquarium accessories and decorative items • Food, antibiotics and water conditioners • Aquatic plants (live & artificial) • L1ghtmg accessories " " " " Numerous Dry-Scape Displays in Our Showroom Beta Vase Plant Aquariums Lucky Bamboo Plants Set Up and Maintenance Programs rw'1"a'u'"' Gift Ideas & Gift Certificates Lifet1me Health 1s a not-for-profit complete care prov1der featunng state of the an health centers .We are seek1ng BC/BE phys1c1ans to JOin our prest1g1ous roster of health care profess1onals. Main St - At 5 J?: C Tropical Fish if TRANSITOWN PLAZA ~ F -----~-- 1-90-1·90 Exrt 49 Find out how Lifetime can fit your life by sendmg to Physician RecrUitment. Lifetime Health. 205 Park Club Lane. Buffalo. NY 14221 PH 877-217-7465 FAX 310·917·5062 EMAIL. lscreeney@earthllnk.net cv Lifetime Health Spr i n g Like J t : J r ? Here's what we've got! The Bills. The Sabres. The Toronto Blue Jays Going over Niagara Fails in a barrel Physicians V1sit 'Little Joe '- the Giant Pacu (roughly 30 lbs.) or Our Large Predator- Tiger Shovel Nose Cat-Fish. OPEN: Mon, Wed, Thurs 9am-9pm; Tues & Fri Noon-7:30pm Sat 1Oam-6pm; Sun Noon-Spm Pressure at your current poSition JUst too much to handle? Is your pract1ce g1v1ng you way too many headaches? If so. then 11 ~lime to shuffle off to Buffalo' Worried about the snow? No sweat Buffalo only averages about 25 days of snow a year Snowfalls that would bnng l1fe 1n some Cities to agnnd1ng halt are no problem here! And our average summer temperature is a perfect 79 degrees. NEED IDEAS: " THEN GET TO BUFFALO. 2 00 3 Suicide wings at the Anchor Bar Reeling in fresh fish for sizzling backyard BBQ Crossing into Canada for an evening of fun Downhill winter adventures on snow covered mountains wwwfitsyo 1.1'1 ife.com Equal Opportunity Employer. m/f/d/v. II f fIll Pb Is i c iII 45 �CLASSNOTES certified in internal medicine, geriatrics and clinical pharmacology. E-mail address is: is@doc.mssm.edu. CONTINUED FROM PACE 45 school memories: "General surgery rotations during third year; psychiatry rotation at Buffalo Asylum for the Insane; Dr. Lee's 1990s Philomena Mufalli Behar, MD '92, lives in Amherst, NY, with her husband Jerry, and their two-yearold daughter, Julia. She completed residency training in pediatric otolaryngology in Buffalo in 1997 and a fellowship at Emory University in 1999. She is in group practice and on staff at Children's Hospital of Buffalo. E-mail address is: pmbehar@aol.com. 1980s anatomy class, first year." E-mail address is: b.d.bop@suscom.net. Kathleen Grisanti Lillis, MD '87, pediatrics, lives with her husband, Michael Lillis, PhD, in Ira Salmon, MD '77, inter- nal medicine and geriatrics, lives in Elmhurst, Y. He is affiliated with Mount Sinai Medical Center and North Shore Hospital and is board Williamsville, Y. They have four children: Michael, age 9; Christopher, age 8; Alexandra, age 7; and J ulianna, 3. E-mail address is: klillis@upa .chob.edu. Elizabeth Conroy, MD '92, dermatology, lives with her husband. leffrev. in "Come Discover What My Mom Has Found!" - J ltoll/1 .!Tttm i • Beautiful private 1 & 2 bedroom apartments • 3 meals a day in elegant dining room • Weekly housekeeping • Scheduled • Hair salon, bank, library, billiards Come Home to Amberleigh ·A~~~~~ity 2330 Maple Road, Williamsville For a free brochure or personal tour, call 689-4555 4 6 l t f falt Pbpiciu Spr~ng 2003 �OUTREACH ANTHONY G, MD '91, MEDICAL DIRECTOR I n the winter 2002 issue of Buffalo Physician, Anthony Ng, MD '91, was featured in an article about his work as medical director of Disaster Psychiatry Outreach (DPO' in New York City during the weeks following the September 11 attacks. Over the past year, DPO has received a number of awards and honors for the seiYices it has provided. In October 2002, the New York State Office of~lental Health (OMH) recognized DPO with an award of special achievement for its response to 9/11, for which. 'g was present to accept on behalf of the organization. In November 2002, DPO was honored by the Philadelphia Psychiatric Society (PPS 1 at its annual Benjamin Rush Ball. Each year PPS members raise funds for an organization focused on the issues of mental health, and for 2002 they selected DPO to receive this funding. In other news, the United Nations has granted DPO nongovernmental (NGO) status. In a statement issued subsequent to this announcement, DPO administrators stated: "With this status, it is our intention to explore opportunities and expand on current projects that assist in training and outreach for international disasters. This association constitutes a commitment on the part ofDPO to disseminate information and raise public awareness about the purposes and activities of the United Nations and issues of global concern." Last fall, DPO representatiws participated in the September 9-11 th UN Annual NGO collaborative meeting, where discussions focused on ways in which the CN could collaborate with psychiatrists to provide treatment and assessments of UN staff involved in high-risk missions abroad. In April 2002, DPO held its 2 d International Congress on Disaster Psychiatry in New York City, which drew a large number of attendees. DPO has also been actively recruiting and training an increasingly large pool of volunteers who work in close collaboration with DPO and their local chapters of the American Red Cross. Buffalo volunteers have been active in working with the Erie County Department of Mental Health and the Office of Emergency Management in disaster mental-health preparedness in Western New York. Psychiatrists interested in volunteering with DPO can contact the organization at (212) 598-9995 or via e-mail at info@disasterpsych.org. <I;) S. A. Williamsville, Y. They have four children: Dylan, age 10; Jacob, age 7; Julia, 4; and Sam, 1. MG across the street; NY, NY, with ina." Classma tes can e-mail her at suzskiq@aol.com. Suzanne Rosenberg, MD '92, Yin and Gayle Singh, MDs pediatrics and physical medicine and rehabilitation, lives in Lakewood, CO. Favorite medical school memories: "The peanut butter party; Chevy's; pushing Rick's '92, live in Montrose, CO, with their three children: Vijay, 6; Arjun, 4; and Liam, 2. Vin practices orthopaedics and Gayle, family medicine. They completed their CNGER residency training at the University of Colorado and are currently in group practice and on staff at Montrose Memorial Hospital. Favorite medical school memories: "Peanut butter party; Rick's cottage; watching Reed rotate around the couch." E-mail address: vs ingh67@aol.com. Karen 1. Chojnacki, MD '95, has joined the Department of Surgery at Thomas Jefferson University Hospital in Philadelphia, PA. Prior to that she was a surgeon on staff at Bryn Mawr Hospital, where she had also served as a Spring 2003 Baltz Teaching Fellow and residency director, overseeing graduate and undergraduate medical education. Chojnacki's clinical and research interests include laparoscopic management of ben ign esophageal diseases and surgical treatment of pancreatic cancer and liver tumors. She is a fellow of the l 1 ffal e Hys i c i n 47 �CONTINUED FROM PAGE 47 American College of Surgeons and a member of the Society of American Gastrointestinal Endoscopic Surgeons. Her postgraduate training began at Jefferson University Hospital, where she completed a residency in general surgery and served as administrative chief resident. She also completed an advanced laparoscopic fellowship at the University of Southern California in Los Angeles, where she was a clinical instructor in surgery. medical school memory: "Being done with blocks." Jason Ho, MD '96, family practice/urgent care, lives in Pasadena, CA, and works in Valencia. Favorite medical school memory: "Gross anatomy lab and graduation!" E-mail address is: jasonhomd@yahoo.com. Joseph Chow, MD '97, Patrick V. Scott, DDS, MD '97, oral/maxillofacial surgery, lives in Hamburg, NY, with his wife, Gabrielle Scott, DDS. They have two children: Maxwell, age 5; and Nicholas, age 2. E-mail address is pscott@ bluemoon.net. Marc Richman, MD '98. Timothy Bukowski, MD '87, writes: "One of the residents in our urology training program at the E-mai family medicine, lives in Orchard Park, NY. He and his wife, Dawn, have a daughter named Elizabeth, age 2. Favorite University of North Carolina at Chapel Hill School of Medicine is Marc Richman, a 1998 UB medical school graduate. For the fourth consecutive year, Marc has scored in the lOOth percentile (highest) on the inservice exam given by the American Urological Association. I do not believe this has been done before. In july 2003, Marc will be joining a urology practice in Virginia Beach, VA." CD GENESEE HEARING SERVICES THE AUDIOLOGY CENTER 61 Wehrle Drive (Near Harlem) Amherst 14225 630 Orchard Park Rd. (Near Ridge Rd .) West Seneca 14224 837-6213 712-2000 • Diagnostic audiometric evaluations (pediatric and adult) • Digital & programmable hearing aid fittings on 60-day trial basis • Tinnitus evaluation and therapy • Vestibular evaluation for patients with dizziness/vertigo • Vestibular therapy • State of the art facilities "The Ear is the Road to the Heart" (Voltaire) 48 lulfal• Hysici11 Spring 2003 Daniel Schneider, AuD Jennifer Schneider, MA Jerri Kaplan Joyce, MA �The Medical Student Research Forum Poster Presentatio11 took place on Tuesday, January 14, 2003, in the Biomedical Education Building Atrium at the University at Buffalo School ofMedicine and Biomedical Sciences. A total of29 students participated, displaying the results of research projects they conducted at UB and other institutions. Each participant worked closely with a research mentor to complete his or her project, and a variety offimding agencies supported the students with stipends. "This forum provides students the opportunity to showcase their research and commwzicate and interpret their results to other students, as well as to faculty," says Debra L. Stamm, assistant dean for student services in the Office of Medical Education. "We recognize the importance of research training in providing the best medical care to patients and in providing fitture physicians with a well-integrated educational experience." Each research poster was evaluated by three faculty judges, and all student participants received a certificate of recognition. The three students with the top scoring posters each received cash prizes. TO THE FOLLOWING STUDENTS WITH THE TOP SCORING POSTERS: 1ST PLACE Jennifer Nowobilski, Class of 2004 PROJECT: Characterization of the Immune Response to '\on typeable Hemophilus Influenzae in Chronic Obstructive Pulmonar, Disease Left to right are Jennifer Gurske, Jennifer Nowobilski, and Shawn Ciecko, with Debra L. Stamm, assistant dean for student services. MENTOR: Timothy .\I urphy, .\ID, professor of medicine and Imcrobiology and chief of infectious diseases at CB and the \'eterans Affairs \\'estern , ' ew York Healthcare System 2ND PLACE 3RD PLACE Jennifer Gurske, Class of 2005 Shawn Ciecko, Class of2004 PROJECT: The Effects of Shoulder Rotation Positioning During Long Head of Biceps Brachii Tenodesis on Passive Range of .\lotion (PROM) of Fresh Frozen Cadaveric Shoulders ME TOR: William .\Iihalko, :\10, associate professor of orthopaediCs, research director for the Department ofOrthopaedicsand executn-e director of the lJB Center for Advanced Technology PROJECT: Endoscopic Approaches to the Th}Toid Compartment MENTOR: David Terris, .\!D, Division of Otolaryngology Head and. -eck Surgery, Stanford Universitv .\ledical Center �crnnsc CATHY GEARY HEALTH SCIENCE LIBRARY 130 ABBOTT HALL SOUTH CAftPUS p H A R M A c p 0 E I A 0 l B's HISTORY OF :\1EDJCINE COLLECTION PRESENTS itally reproduced from offizinellen Gewachse, a four-volume edition of pharmaceutical plants and their medicinal uses, published in German in 1863. The pharmacopoeia by Otto Karl Berg (I8I5r866) is part of the Robert L. Brown History of Med1cine Collection, located in the Abbott Hall Health Sciences Library. Pictured here is the Bitterwood, one of a series of botanical images digitally restored as part of an initiative to preserve and h1ghlight unique resources from the library's collectiOn. Reproductions are available for purchase through the library, and can be viewed online at iMedia.buffalo.edu/ art/. Image restoration was performed by iMedia, the instructional media services department of Computing and Information Technology at UB. I· Bl· 0002·03 0 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Physician Magazine Description An account of the resource <em>The Buffalo Physician</em> (formerly the <em>Buffalo Medical Review</em>) was published quarterly by the State University at New York at Buffalo School of Medicine and Biomedical Sciences and the Office of Publications. The magazine informed its alumni, friends and community about the school’s pivotal role in medical education, research and advanced patient care in our region. Identifier An unambiguous reference to the resource within a given context LIB-HSL008 Subject The topic of the resource State University of New York at Buffalo. School of Medicine--Periodicals Medical colleges--New York (State)--Buffalo--Periodicals Publisher An entity responsible for making the resource available State University of New York at Buffalo. School of Medicine Robert L. Brown History of Medicine Collection Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Type The nature or genre of the resource Text Still Image Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Buffalo medical review Is Part Of A related resource in which the described resource is physically or logically included. Buffalo Physician Magazine LIB-HSL008 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo physician, Spring 2003 Subject The topic of the resource State University of New York at Buffalo. 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Ill' l\ '111 •tc/1a EDI TO R P E RI OD I .\1epl11111it· A . Unga the past few years, we have seen many noted," i hanges at the mcdi al chool. A _aul AJinsky A Rr DIR ECT OR & D E I G . Alan J. Ke.,;:/er1111dD111·idJ. Riley hange m ans mO\·ement. Movement means friction." For tho e who cra\·e Mabil­ these have been painful times. "The patient is stable" can mean that we have triumphed D 10 Karen l ic/111a over illness; however, a dead patient i · also stable, and th,11' not where we want to be. The changes we have made arc not random. ~!any have targeted areas where year of student feedback have told us that our pcrforman c is not optimal. I am frequently asked how we C.o - rR G \\ RITERS I B UT I Lois B11ka <1111/ Ell,·11Goldbaum '- Coo RDl"ATOR Cyntlria Tod,I -Flick PR O D UC.TIO know that change will actually impro\·e our situation. How do we kn w that the friction of change is polishing a gem and not grinding years of tr,1dition into NI\ E R 1n a pile of rubble? In reality, we annot guarantee that every hangc will S C H OOL have a positive outcome. But we do know that if we are not willing to 8! 0 8 ~T O f l f ~LO \! E DI tF DICAL l '- E : c iE, C ES Dr. ,\ltlrF,t1rt·t P11rosk1, /11teri111De1111 change, we will never improve. In rea ing the quality of our school and the education we offer our students is the mission that guides us. Our accrediting bodies the Liaison lion (LC 1E) and the American (A GMF)-are tD ommittee for Medical Edu a­ ollege for raduatc Medi al Education not content with the statu quo. Both have visited our s hoof in the p,1,t year and they liked the changes they sJ\\". a re ult, we re eived one of the first eight-year accreditations from the I. ,\IE and a full five-year accreditation from the ACGi\tE. However, we cannot rest on our laureL . .\s Will Rogers pointed out, even "if you're on the right tra k, you'll get run over if mu iust ,it there." IT O RI L B O AR D Dr. }Q/rn Botlki11 Dr. Harold Brodr Dr. I i11d11/. Corda Dr: /<1111 ,es K1111ski _ , 006 Br11111 , e11b1111er,Clt1.,s "f Dr . Elizabeth Olm ud Ro;, Dr . /t1111esR. O/s011 Dr. 1t·p/1en pa11ldi11g Dr. Brn,tley T. Tr11a, Dr. Frt111kl111 L,·pfo.,·itz lthough our new curriculum is only two year old, w have already made nu­ TEAC merou. changes and have done a lot of fine-tuning. With change comes the responsibility of determining whether we have achieved the desired outcome. We all agree that we want an educational cxpcrien e that re ults 111"better do tors," but we need to agree on a definition of"bettcr." n e\'en more difficult task 1. try­ ing to find a way to measure "better.". ome outcomes, such a. s ores on the 'nited Medical Licensing Exam (U ILL), are casilv qu,mtified. late, \\ h1le u h a standardized mt·asurcment b tatisti ally pleasing, it may not be our best indi ator and it crtainly does not en ompa s man)· of the qualitie our patients While I do not \,ant to diminbh the import,rncc of ,1ch1e\'ement on tandardizcd te. ts, a multiple choice ex,1111probably won't be the best measure of a curriculum that seeks to ~timulatc ,1e1ivelearning, analrtical thinking ,rnd lifelong disco\'ery. How do we measure these cognitive skills in the long term? How do we mea ure noncognitive attributes such as ,kills and professionalism? I would ask cath of you to reflect on what you rnmider to be the attributes of a "g od do tor" and how these attnbut O Ho. PIT A!. C,.,.,,., \ ,.t.'terans Affuin l\"r .(trrr~ . ·di'1l Ne" ' rork H,•altl1wr< >· K HEID.4 I H EALTII: The Buffalo G,·11eml Hospira . 1 T/1< · Wo111,·11a11<iClri/,lre11's Ho;p,111 of Bufjalo . . 1 .\fil/ar,/ F,llmorr (,<11,· , Ho,p•ta . 1 11111Ho>/'''" .\Ii/lard F1ll111orr\11/111rl onsidcr important. How many of you knm \,hat your personal ph)·si i,rn g ton the board ? I. that how you cho. e vour donor? comp,w,ion, good communication II I Erie County ,\frrlmrl Roswell Park C,wc.-r /r1,till•I< ' scan be measured. Pica c hare vour thoughts \,ith me (paroski " buffalo.edu) ,md help u shape the medi al education that \\'ill produce the kind of physician you want to take care of you and vour family! C HHOIIC Nia .~arJJl-,1/h \ltmoriul .\letlirnl C,•111t·r © unm1nn 1111u1. 111nm IIIYIISltlII 11!Ill Leners totheEditor Hut alo 1'11) s,,mn , puhh h«.l 4uJn rl> b the l "" er 11\ JI Butfal<• \ ,houl of. lcJ1unc and l11om,J1,al St.i~nu•~ m lOOp\.'r.ltlllll \\Ith L ni\a , it, I cttl·" /\I RCARET PARO.Kl. \f D 80, \l\f\l Interim Dean, c/1001of 1edicrne anti Biomedical /111erim Vice Preside11t for Health Affairs J-iEHT/1 \ 1,TE •I: \ltr <)' flra/1/1 \ys1t111 S,slers of U111ril)lfo .,p11t1I cie11ces ( ommu011..3tHHh. lo the Editor.ire'"-'11i.ornt nd ,an he cnl c u Ruf/,1/,,Pin'' '"~ HO< mil llall. lJnl\er"t Jl l!ultJJ,,, lluttalo. !'J'I l 121>0; or n1 c marl 1'' bp-no1c, bull.1!0.cdu. I ckrh (716) M, 5000. <xi, J 1~7. 1• 11< f, 1 '::i. lh · tall rc,cnc, 1h,· ngh111 all uhnmS1011tor dJrityJn.l ""~ 8 .,ffalo University at of. ,.., fork TI1c tale l 11n-(1'SIO I �\' 0 LU \I E '-I U M B E R 38. 0 p y H s C N A Features I New Vision ofCollaboration Plan for the Buffalo iagara Medical ampu take hap , effecting chang in biom dical education at UB BY COTT THO IA InStep withMedical Milestones 1 Ralph Behling, MD '43, look back on a car er of medical "fir t " BY COTTTHOMA Take Note Per onal digital a i tant enter m dical chool , giving tudent a new tool with which to learn BY '!COLE PER. DOTTO JaniceSunrceleratesrraduatin uywithherfather. Jo nSung.FormreontheUISchol 26. ofMedicine ndIi edicalSciences· 157thco mencement t rntopace C0\£1 DEPICTS Tiff LIFE Sc.;U~Cf<,;, ,1ro1c.,L CA,,,u~ .Medical School 1 'ipnng Clinical Day and alumni achic,·cment awards 18Match Da) 2003 listing 24 appuccino and .-chmitt, a well-matched couple 26 ,raduation celebration! Reseatc 23 Record high in rc,earch funding at UB 28 Piero Bianco uses laser tweeters to film double helix a, it unwinds Pathw s Reunion Weeend 32 l:li,abcth 39 Reunion Olmsted Ross rc,eives honoral") doctorate 33 icgel awards 37 · owak direct, scientific planningat UB Center in Bioinformati , Weekend 2003 photo collage-a time for old friend, and classm,1te, to reunite and reminisce about their medical school years COMPLE\ TO IE h, ..cr ,ao\ioro Classnotes 4-4:-.ew. from rour B da,-mates and other alumni 48 In memoriam: Daniel Ko,era, \\'illard Fi,chcr, fJne Freiberg, Jeffrey Perchick BUii r 0~ ,, IHC Tl-If: n1G11 Tom hontcra, Cl,1" of 2003, honored a, this year\ Jame, Platt \\'hitc - cholar BtHf.\10 ...L. l.\GJ\IA BurrALo. '.\'ii �• • new of collaboration The Buffalo Niagara Medical Campus 2 1111111 nyslci11 \ ' , ,, 0 0 ! �O i a boxy, andmember represent it: founding in titution , each COTT colored kybridge that takes pede triam, from THOM of whi h pays due. to belong to the organization Ro well Park ancer Institute north to Buffalo and so ha ave ted intt:rest in ensuring the uccess­ ful out ome of the new pr ject. The \"i ion of the ~ uncl­ General Ho pita!. There is omethingabout thi bridge that is perhap emblemati of the Buffalo medical ing in titution is to improve the overall environment of community's long truggle to find ornmon ground: head­ the campus and its infrastru ture in order to make it an ing north, it go s uphill. appealing pla e for people to eek are, provide are, Indeed, in the past, it ha been an uphill battl to bring onduct ba i and clinical re ear h, and teach and train together the element of them dical mmunity: hospital health- are pr fc ional . administrator , health-care providrr , researchers and While the concept of the B '~l a· a cohcsi\·e, inte­ medi al educator . But not far from thi uperimp . ed grated entitv ma} be new, the itc itself ha long been a walkway, a ne\, vi ion of collaboration i · taking hape in hub i r health are and biomedical education and re­ the heart of the ity. sear h in Buffalo. In fact, it wa at the corner of, 1ain and In April 2001, leader of the ni\'er ity at Buffalo, Virginia-the \'Cry heart of the pre ent-day ,ampus-that Roswell Park ancer In titutc, Hauptman-Woodward the UB hool of medi ine was fir. t built in J849. Kaleida Medical Research Institute, Kalcida Health y tern and Health'· Buffalo General Hospital, as well as Ro well Park Buffalo Medical roup Foundation announced the laun h ,rncer Institute, al o ha\'e b en located on the site for the of the Buffalo I iagara ~ledical ampus (B M ). better part of a centul'). Hauptman-Woodward ~ledical Re ·earLh Institute was e tablished on High treet in 1956. The \'enture i being undertaken in partner hip with In 19 5, Herbert A. Hauptman, PhD, the current president the city and ounty, a well as with neighborhoods ur­ of the institute, received the 1 'obel Prize in Chemistry for rounding the campu ·, which, in previou · year , had been a mathematical te hnique he de\'eloped to determine the informally referred to a the High treet 11edi al orridor. stru ture of biological molecule . The B, M i admini tered by a board of director whose .'-iummt'r 20U~ l1ff1l1 Hysicill 3 �lso located on the present-day campus arc the Buffalo ~ledical Group (the city\ largest consortium of practitio ners) and the lJB Research Institute on Addi tion . I ate this summer or early fall, com tru tion will begin at the 8. 1~1 on a modernistiL three -buildmg complex (see cover). The new 400,000-square-foot complex, ched uled for completion in two to three ·ears, will comprise the followmg interconnected buildings: The new home for the B enter of Excellence in Bioinformati s, a four-story, 129,000-square -foot build­ ing to be lolated at the wrner of l:llicott ,lnd Virginia Streets (currently the center b operating in temp rarr headquarters nearby at 90 I Washington Street) Roswell Park ancer I nstitute's new Center for Genetics and Pharmacology The new headquarters for the I lauptman-\Vood, ard ~fcdical Rese,1rch Institute (connected br skybridge). The three buildings will have more than 22,000 qua re feet of common space, including conference rooms, meet­ ing area . , auditoriums, a court}ard and lobby space. Io cated throughout the complex will be kitchen preparation rooms for catering; there, ill also be a food kio k where people from ,1IIthree institutions can dine in onjunction with seminars and classes, or meet informally for coffee rlum.h. rhere will also be 27,000 square feet of shared labora ­ tory space, where facilities and sen ices will be avai lable for "ientifiL staff from the three inslltutions. This in­ dudes five shared laboratories in Ros, ell Park's build ­ ing, four in ' B's building, and four in the I lauptman ­ Wooth~ard building. But the BN 1 is not just about buildings. What is being em ·isioned for the medical Lampus is a total environ ­ ment, with features including green pace and "pocket parks," fountains, special lighting and signs. The intent, planner sar, i to ·reate "an integrated place for living, '"orking and learning"-.1 place where workers, patients and ordinary cit11ens will want to spend some time. An Assetto the Region and its chool of Medicine and Biomedical cienccs are kev player in the proje t, which univers1t} officials sa} will benefit mediLallbiomedi al cdurntion as well as Buffalo's economy. 4 1 1 111 11 P•rsici11 II ,u Ill t• r 2 0 0 1 "Our . ense is that we need a stronger con entration of clinical a ti\'ity and clini al facult} than ha been there, " . ays ·s pre . ident William R. Greiner. "\ e need central places where faculty an be together. We need to rebuild a facull) culture on the linical ide of the medical school." The medical campus, he says, will reate opportunities for medical school profes ·ors, clinicians, students and re­ earchers to collaborate, compare notes--cven JU t have a cup of coffee and to s around ideas. S,1ys reincr: "There's nothing like face-t face." The univer ity will have a trong pre~ence on the B, ' MC this summer and earl}' fall, a construction on the new home for the L:B enterofl:xcellence in Bioinformatics begim. At this state -of-the -art focilil)•, researchers will use the uni ­ versity's massive ·uper mputing power to ondult ana ­ l)'tiLal work on genes and their protein produi:ts in hope of developing more sophistilated di,1gno tit: device , as well ,ts targeted drugs. " B has to be a major plarer in anrthing inrnlved with health, mediline and science in Buffalo, " says l-linbcth D. apaldi, UB provost. • he s,1r the univer it) anti ipates making "an appreciable economic impact" on the Buffalo community as a result of work conducted at the Center of Excellence in Bioinformatics. �The life-:cience indw,try based on work of the center will include the development of soft\\·are, di,1gn , tic te t , medical devices, therapeutic., bioinformat1 s services and genomics - and proteomics-based busine . se . ' urrcntlv, the fore asted demand for . uch prodults 1 formidable: The market for information-technology products in the lifeiences e tor alone i e timated to be -B billion by 2004. The biopharma euu al and biode\ice industrie are expect ­ ed to ontinue to grow at approximately ix percent an­ nually and to have worldwide annual ale in exces of -100billion by 2004, a wdl. Thi demand, ac ording to apaldi, ha the potential to translate work at the Center of Excellence into thou­ . ands of well-paying Jobs 111 Buffa! , ranging from com­ puter -support and lab ratory technicians to medical informatiLs and re:earch s ientists. Impacton MedicalEducation may be just a dra ­ matic, ay Margaret Paroski, MD, interim dean of the VB School of ~ledi ine and Biomedical ciences and interim vice pre ident for health affairs: " ne of the main prob­ lems that we have is that, unlike a lot of other medical schools that own a univer ity hospital, our tudents are trained in nine different hospital . n e you ·tart frag ­ menting and di ·persing people, you don 't have the orri ­ dor conversation and the type of collegiality that rou have when people are all in one pla e. There' an inherent ineffi ien y to it." The B ' f\.l , she ar, mjtigates such problems by creating opportunities for that collegialit}. f\.lany variable remain a the project begins to de, elop, Paroski say . \\'hat shape UB\ medical education will take in the future " i going to depend on what the campus real!) e,•olve into," he obsen •es. "\ e have 280 student doing a clinical rotati n at any one time. The) need expo ure to a whole range of fields: urgery, medicine, obstetri , ped­ iatrics, p rchiatry and a variety of ubspe ialties. [The medical campus ] be omes a focus fi.u a . ubgroup of ser ­ vices. It offer ' great po tential for resear h, for pecialt} · servi es and as an academic think tank." One possibilitv the medical chool is considering, she explains, is an ambufatory ,are center on the medical campu ·. uch a facilit,, he ays, would sen ·e inner-CH} residents who don't have cars to drive to the suburb for medi al are , as well a other city residents who imply prefer t seek treatment closer to home. And a. the detaih of the medical campus e\'olve, he ay. , UB will c ntinue to pla} the role of the ,·isionary motivated by intere ·t. other than profit. "The unher ity has the advantage f . en ·ing as the noncompetitive um ­ brella, as the coordinator f service with a f, cu . on regional need . rather than just the bottom line," she add . "We don't pretend to be the people calling all the hots. We can step back and look at all the parties and try to help coordinate their intere t . " For example . CB is providing a lot of the faculty who are driving the a ademic research piece of the project. B ha . a e, s to information and input from man}· sour e , o the \ •alue added ' that we bring to the table as an en tit}' that has it foot in e\'ery camp 1sthat we are in a good po . ition to appreciate \\'here everyone 1s coming from. " s for the medical campus's e onomic a. pects-its hoped -fi r role as a ataly t for th economic resurgence of Buffalo-Paroski is pragmati . "The better hape the city is in, the easier it is for us to attra l quality student and qualit) faculty," she says. ''L'B i a major player in the Western e,,· \ ork area, so we're obviou . I · intere ted in the health of the city. " But I think the medi al school look at thi . project from an educational and regional health-care per pective 11mmrr 200J 1 111111 nrsici11 5 �rather than from strictly a business perspective. The idea of being able to pull together the infrastructure to let groups work together is trcmendou Iv helpful." Thomas R. Bee her Jr., ,1 Buffalo attorney and inn'.st­ ment advisor, erves ,is volunteer chair of the nonprofit organization that i overseeing the B r-.1.. He say that identifying ne ,v way of, orking together has been kc> to the planning pr e s. For example, Bee1..herpoints to the proximity of Ros­ well Park ancer In titute to Buffalo General I lospital, institutions that require mu h specialized equipment and s ould sal'e mone} b~ sharing . me of it. Likewise, he point out that patients with can er often have other gen­ eral medical problems, o it make sense to faciliate their a e s to Buffalo ener,11. Bee her .ind others have seen how this kind of integra­ tion an work at such facilities as Longw d ~ledical enter in Bo ton. For one thing, he say , "the interplay between the ientish and the lini ians is ,·el) powerful. Even something as simple as a ommon meeting spa e, where people an share idea , i, l'Cry important." Memberof the "FruitBelt'' Neighborhood working to ensure g d relations with the medical ampu 's ncighb rs in Buffalo's "huit Belt" ection, holding publi information e · ions and making u h goodwill gestures as sponsoring a pring clean-up project. Repre. cn­ tati,·e from the I ru11 Belt and llc11to1 n neighborhood ,uc included on the planning committee for the medical campus. "For the project to be ucce ··ful, it re­ .illy h uld not have border. at all," empha izes Beecher. " mong other thing·, we "ant the Buffalo 'iagara ~1cdical ampus to provide jobs and health care for the neighborhood' re ident ." Indeed, one key to the mcdi al campus's u ce · will be the degree to I hich it encourage· the people who vi it and work there to explore the surrounding cit} .1 oward that end, Ike her ays, planner hope to ha,·e the '1agara Frontier 6 l 1fl a l 1 Pl ysiciu ~14mmt•r 100l Tran portation Authority reconfigure the Allen-Ho pital tation of the Metro Rail so that lien treet-whi h n I\ dead-end at .\lain treet, in front of the tation--can continue east toward the medi al campll5. ( step in that direction was re ently taken , hen the authori agreed to change the station's name to "Allen-.\ledical C.impu .. ") At the ven least, the reconfiguration of the talion should en ourage people Lo make the short walk across ;,,\ain Street and p,llronize the businesses on Allen, in the city's arts) Allentown di. trict. "1 here ha. been inspiration and leadership for the project from the universit} and the med ital chool," Bee her say . "Bill Greiner has been ver) intere ted in ollaborating a ro s instituti n , and now Dr. Paroski, as well. They already had a very. ignificant inve tment in people there. The) could see the benefit, from the univer ity 's perspective, of ha,·ing a presence." Amy .\1. chmit, the medical ampus\ project man­ ager, notes the "tremendous philanthropic . upport" for the project, in addition to inve tment br the component institutions ,llld the ity, count and tate. That charitable support, she ay , ha in luded a ·4.- million grant from the Margaret L. Wendt Foundation and 10.5 million from the John R. ishei Foundation. "There's public and private support that\ really going to ha,e a trcmendom effect on the economy of the region," chmit says. "These institutions, through their operation at the B,' 1 , generate over 600 million in annual e:,.pend1tures. \\. hat we're seeing here I the confluen e of a lot of good things." nother good thing hmit ha en ountcred while working to educate people about the B, '.\I is how the proje t is resonating in a ery p itive wa · with alumni of B's school of medi ine. "\Ve had a di pla) booth for the B 't-.1 at pring linical D,iy," he recounts. "It \\JS amazing to me the number of alumni who came up to our table and stopped to look at the map and to tell me uch thing a 'fifty year ago when I wa a tudent thi. i where I lived, this is where my las e were,' or 'I'd go down thi street to the ho pita!.' "I wa tou,hed to see how many people in the pring linical Day audience had ven• di 1111 tive memorie · of this geography and were really. enjoying the notion of it being brought back to life." 4D �Spring Clinical Day 2003 ScientificProgram program began with a briefoven-iewofthe Buffalo iagara Medical Campus by Matthew K. Enstice, a ociate director for campus development ( ·ee related tory on page 2). Following this pre entation, Martin Brecher, MD '72, program chair, introduced the day'· ·cientific peaker , as follow· : Roh it " Rob" Bakshi, MD '91, asso­ C1,te professor ol neurologr in the L n1versity at Buffalo 1..hool of ,\kdu ..1nc and R1omedical '-1..1ences, founding director of the Buffalo euroim,1ging naly i. C.enter and a BAK,111 neuroimager in the Jacobs 'eurological Institute, Kalcida Health's Buffalo General I lo pita!. Bakshi ·poke on "Brain i\lRI in the Bioinformatics Era." Robert Genco, DD , PhD, ·c Y Distinguished Professor of Oral Biology and. licrobiolog~ in the University at Buffalo School of Dental :--.kdi­ unc and vice provost of the B Office of cicnce, Technology Transfer and Economi .. Outrc,1 h. C,enco spoke on the "Role of Infection and lntlamma tion in CardiO\·ascular Disease." Medical Alumni Achievement Awards Bruce Holm, Ph D, professor of pediat­ rics, gynecology and obstetrics ,rnd phar­ macolog~ and toxi­ cology in the UB HOLM -.:hool of ~kdicinc and Biomedical cienccs, and scnior \·ice prm·ost at LB. Ho lm spoke on "Discovery­ Based Medicine in Buffalo." sentations, the audience had an opportunity to ask questions of a panel made up of the spc,ikt:rs, after which Jcffre) ·1eoL~1cK kolnic k, PhD, director of the B Center of Excclkm:e in Bioinformatics, deli\'ered the 5tod,­ ton Kimball Lecture. Fol!owmg the lecture, titled "Predi tion of Pro tein • tructure and fundion of the Human Genome," PatnC1a Duffncr, .\11) ·~2, pre. ented 'ikolnick with the to~kton Kimb,i!I \ward on bchalt of the B .\lcdical lumni ,\ ,o.:iation. The program concluded 1\·ith th(' pre,cntation of the 2003 :-.tcdi­ cal Alun ni Achic\'ement ,\\,ard,. Following graduation from med, ..al s hool, Portin interned in Florida, re turning to Buffalo for a urg1 .11re,i ­ den.. at the E. J. 1e, er Ho pit al no" nter . fter Erie ounn • I dical ~ompl ting re id n , train mg in I 959, he spent a car in J olore t,11prel.cp­ t r hip, beLommg u:rtificd in general urger. in 1960and in col n and r eta I urg r. m I 961. t B Portin ro e to th rank of dim al pro~ or of in 1983, a rank he ull hold 19 4-94, h crved a diredor I I fa ult, urgcry . From of th 111111, nysici11 1 �re~1den pro r.1m m lolore(tal sur gery; and from 1996 01. he ,cned a J i tant dean at the medi al '"-hool. Portm wa an • ttending surgeon at I >ca unc , Buffalo (,cncr.1I ,md i tcr Ho pitab. \t ister,, he en­ d • , prc,1dent of the medical st,1ff and a a member of the board nl di re tor . ationall , he en ed a, pr idrnt of the \meri-.rn 1"- ictv of olon and Re tal urgeon and I>rl' 1dent of thr meri"-an Board of olon ,md Rectal urger , rcrn.1m ing on the b .ml , ., enior e am itH'r until 1995. He repre ented urgcon • t the \ G 1E, the I .ind the \merkan ( ollegc of urg on , \\ here he n ed on the (Jraduate F.duLation <.ommittee. ( urrentl , l'ortin is a medical LO ordinator in the t )ffi1..cof Prok sion,1I ~ledi al C ondull .rnd th 'c\, \ork late I cpartment ot H alth. Sin--c 1997, he ha n d on th board of dire tors of th atholi llc,1lth t m and i ,1m mherol thee crnti, e rnrmrnttee and Lhair ol the bo.1rd of dir tor of the atholi I lealth }stem ll ime I le,1hh are Board. I olll•\\ ing graduation, Ziui rr,l i, ni .in appointm nt .1 a full time ,11tcnd ing ph rc.i.rn in medi in (...udiol­ og, ,11f..J. 1e, r lcmonal Ho pita) led Kai (enter),. 8 \11mmrr JOO~ position hc wntinue, to hold. In ad­ dition, h , rvnL1, dir1..·tor of dini1..al ardiolog} at the mrd1rnl enter from 1969 76, and again from 1991 to the prl' ent. I'll h.1 also held ,ariou fa ult appointments at thc B d10ol of.\lt:diLinc,111d Biom ·dk,11 1..11..•n c, whl.:'rchi.:' ontinu ·, to t1..•.11.;h. I or Zizzi, a high point in hi a­ reer 1..,11111.:' in thl.:' mid 1961h, "hen Pre ident I }ndon Johnson dedared J "' r" on hrart d1 <.'ae, troke and 1..an1..er.\\ ith the ne\\l} av,1il,1bk fund , Zizzi c.h, ired a rnmmittec that e,t,1hli,hed a < oron.irr ( ar1..•s hool for the 1r.1ining of nurse and para1111..'di1.., in the,r ficld .. I ht' training and It', d1ing of nurses \, a sub e qu nth ab orbed b} the l; B Lhool ol 'ur ing, and lhl p.1ramcd1 pro gram "a, ahsorhcd b, Eric ( om. rnunit ( ollt•g . Ziui ,1lso ,cn ed a, a, i t,rnt medial dir tor of H I<. and upcni d the mm l' from th<.'old mori,11 I lo pit.ii to the nc\~ f 1978. I h1..•log1stkal t~ k wa, a ,orn pli,heJ \\ ithout inident in one da · \\hile m,1intaining a full taffed cm r­ gcn, room during the ntire mlne. Zizz1's profe sional a ,odation, indud1..· ,cni(l a l1zz1 pre id1..•nt to thl.:' \\' 'Y o,iet ' of Internal M didne, \\. 'Y He,1rt \ o iation,and ~lcd1 • J­ ret,1n of th \\ Y Sodet 'of Internal 1cd- 'tS tlLil'tY 1L1n and a dire torofthe, of Int rnal lcdicine, a ,,di a Indl.:'­ pcndent Health. Ztzzi b • me a L>ip­ lomate of the mcri1..an Dcleg.1tc for the Hou e of Delegate , ~lcdi .1I o i et} ol , Y , in addition to holtling numcrnu other member hip . In addition to re ei, ing a B MediLal \lumm .:hit.'\ement \\ard this year, 11kh, medical director for the< .enter for Ho,pi1..e and P.1lliatl\e <.m in Buffalo, \,a hon rl.:'d by th LB \lumni \ od.ition, \\ h1 h I re ented him "ith it < ,mmunit} I .idcr hip \\,,ud at it ,rnnual clebrati lll of I ullenl..C.'l>inna, h Id on April 4. The award i gi,en "in re ogni­ llon of ,ind appre iation for out­ tanding contribution, to tht uni\ er­ it, communit ,er an e tcnded period of time or for a ingle, trul) rem,ukablc 1..,ireer." fter gr, duating from medkal Lhool, . likh Lomplcted hi, int rn­ hip and rt,idtn yin general sur 'Cl) at the Buffalo (,enaal l lo pita!, thl.:'n n d for t\,o ,ear a a urg on (IC DR) at 1hc l'nitcd tatc • a,al H pita! in Quant, o, \ irginia. In 1975, Mikh began ,rnrking in the prhatc pr,1uiu• of general .md ,a 1..ular urg1..'f')at the Buffalo 1cdi.,I <,roup. In 197/l, heh 1..,1m1..• the ftr I medi'-al diredor of I lo pk1..• Buffalo, a , oluntccr po,itil n he held until 19 4. in e 19 0 he ha been the dire tor ol th P.11liati, .ire l nit of the Buffalo (,eneral Ho pita), and in 1997 bee.am the dire tor of thr Pal- �liati\l.: Care ( onsultation <.:r.iu? of th K.ilrida lkalth tem. In 1993 h<.:left prirnte pradile to bclomc the mcdi al dire tor for the ( enter for H pi and Palliathe .ire. likh has had a falUlt) appoint­ llll'llt at thl· UB ,hool of ~kJiline .ind Biomedi al 1en e inle 1975, and he lUrrently holds th<.:ranks of profc or of dini­ l al urger and adjunl"t a . Oli,lte linkal professor offamil) medi ine. He hold, nu merou tealhing , ,,.ud and other it,llion , 111 luding: The Lifetime chie\l'lllcnt ,\ward from ( hildren', Ho. pi e lntern,1tional (l 99~ ), fhe Chandra )ut tanding < lini.:al Te,1 ·her Award from the lJB l>epart­ m ntof urgery(in 19,9and 1991), and th Robert •. Berk on 1emorial ward for , oluntcer facult • l' lei len in tea hing. Fcllm, of the merilan oil ge of urgcon , tikh er. e on the Pal­ liati, e C.ue Consensu uidclines Pan I of the 'ational anlerCenter 'ct,,ork, the Ethi ( ommittce of the Kai ida I lcalth ) stem ,rnd the E:.ri Counl\ 1 d1 al olit't). He \\,1 a founding offi er of the , c,, \ ork tat Canler .111dAID Pain lnitiati,e ,rnd i o hair of the ational urg1cal Palliative ar \\ orkgroup of th Robert \\ ood John on lmpro"ing are at the End of-Life Initiati\e. RobertE.Kaplan , MD'81 HEROBERI .BI::.RK0 1·,110,~lemorialAward in the rt of 0tlcdicine i - presented annuallv to a member of the \ olunteer facultv to hon;r the Dr. Berk on, value and ideal epitomized who,, as an e teemed family phy ician in Buffalo. Patient care was his forte; competence, compas ion, patience and dedication to teaching were his virtues. Hi pecial e.·pcrti e in the "art of mediune" i pt:r petuated in this award. b;· This rear ' award \\as present d to Robert E. K. plan , MD ',' I , b · Patricia K. Duffnrr,, ID ' 72, pre idcnt of thc UB ~kdical Alumn i A so<"ia­ llon , on pril 26 at Spring lini al D,n·. followmg graduation from thr nivcrsi ty at Buffalo School of , kJ11.ine and Bio1mdic, l c1cnces, Kaplan trained m pediatric. ,ll the hildren ' Ho pita) ofRuffalo (CHOB ). He then entered a fcllow hip at CHOB in hild neurologv for thret· war, during whid1 time he wrote an important article :;n benign fa;nili, 1; neonata l/infantile eizure , accordmg to Duffncr . " Boh ,,a ,lll out landing hil<l ncurologv re idtnt," he e plamrd, "hut when he completed his fellowship, he decided that ht' ,rnnted to return to hi fir t low , primarr pl·Jiatric and , ince that tim , has bcen m ,1Ctne prhatc pral"tice a a mrmberofthe Buffalo Pediatric i\ssoc1,1tes." '[ hroughout thc yrar , Kaplan ha wntinucd hi interest in r<.:earch , and currentl y he is wnducting a tud on ,cnous throrn ­ boembolism prophyl axis using elcctrllal stimulation . He ha, ho ,, ritten a paper , publi hed in Prduitric:, on telephone tre,ltment for ret urrcnt nursemaid ' clbm ·, and ha ,, ritten a hook, titled Parent ' Emcrgencr .\fedzcnlG111d c. ".\lost important, howe, er, and th<.:re,1son he wa <..hosenfor this p C.E 17 11mmer ZOOJ 1111,11 Plpiclu 9 �Ralph Behling, MD '43, looks back at a career of "firsts" ----------- ,,,__ In Ste ________. If anyon had told him back th n that hi childhood and youn to be notabl dventure It ju t didn't em "fountaineer''-a adulthood wer , Ralph T. B hlin , MD '43, would hav II that unusu I, he demurred. y , to work 14 hours I kefront dance hall n sod j rk-at destined day in the umm r r Buff lo, th n spend th chool ye r in South Florida. Plowin through omethin Admini on chool in thr e ye rs in t medical did; there was tering th ju t war on, you know. fir t injection available, and syphilis was wid And introducing th d of four? That wa of nicillin pr ad. It didn't Pap t Th In Buffalo? m momentous dru wa newly at the time. t to th western Un"ted State ? W I , if h h patho ogists into o'ng to d getting th ju wh r uired. If ever a career intersected with medical milestones of the mid-20th century, it was Behling's, even if it didn't seem remarkable to him at the time. Today, however, when one asks Behling about his early years in medicine, a new perspective arises-one that recasts his then-mundane historic proportions that he only now finds worthy of recounting. experiences into But first, the soda-jerk years. Behling's H parents ran Hamburg-on-the-Lake, a dance hall on Lake Erie south of Buffalo. During the summers, he worked there from 1 O in the morning until 2 the next morning, concocting "milkshakes with eggs and malt and whatnot" for the city dwellers who came to the resort to kick up their heels. "We'd sit around and listen to the bands from Chicago on the radio-Jimmy Dorsey, Tommy Dorsey, Shep Fields. Next morning I'd get up and start washing dishes," he says. 10 1,11a1, nysiciae \ummt't 2001 ��He also cut the lawn nee a week-four acres' worth. And a the per n re pon ibl for taking out the trash, he learned to loathe watermelon (a trash an full of watermelon rinds is a heavy one). "I al o learned to hate hard­ boiled eggs," he ays. "If you'd picked up a· many egg.hell a I did, vou'd learn to feel the ·ame way." But health concern made the future do tor un­ able to endure\ e tern I ew York' tough winter . "My father and I were both ickly," Behling recalls. "He had a thma, and I wa · a puny kid." oat the end of each i.ummcr, the family pi ked up and moved to Lake \'l'orth, Florida. The seed of an interest in medi inc were planted when Behling\ parent· bought a Buffalo drug tore and he went to the niversity of Buffalo's pharmacy school-then an undergraduate pro­ gram- o he c uld \ ork in the tore. \ ith a ba helor' degree in pharmacy, he launched right into UB's medi al school in 1940. The government wa · in a hurry to get do tors trained for the war effort, so the four-year program wa. queezed into three. After graduating, Behling wa delared "e ential" on the home front, o he tayed in Buffalo for his intern ·hip and residen y training. It was during his intern hip at Buffalo General Hospital-where he worked "for ab1oolutelyno pay"-that he wa introduced to a new won­ der drug, penicillin. "It was a powder in those day ," he re all . "Y u had to mi · one dose at a time under terile onditions with rubber gloves and then give it to the patient." It al o had to be administered every four hour -. But it worked, and that was important, gi\·en that syphilis and other venereal diseases were rampant in rie ounty. Behling worked hard as an intern, but when he became a resident at E. J. Meyer Memorial Ho pital (now Erie ounty Medical enter), he had to put his life into over­ drive 16 hour a day. ', 11 111 m ,• r }. 0 ti J Be ides treating patients and teaching enior medical tudent in the ho pital's Varicose Vein Clini and yphilis linic, he treated patient· in the outpatient Dermatology linic, and onsulted ever other night on all dermatology patient forrhe 1,000-bed ho. pita I. "I had o much to do," he ays, "I would ·tart a spinal on one patient, let the nur e collect the fluid and tart an ther spinal at the next table. l was busy, man. I have no idea how many patient I aw in a da>•·" The pre iou penicillin had to be kept under lock and ke '· "I need d it," he ·ay . "Th arthritic guys and \ hat­ not all wanted it but, tough, I needed it for my yphili patients." It was at E. ). Meyer that Behling met his future wife Rita, who was head nurse on the hospital's psychiatric ward." he wa the econd-prettie t nur e in the ho pital," he re all . "A friend f mine was dating the prettie t." But the pa e of the residency finally got to him. He went to his bo ·- a powerful dermatology profe or­ and pleaded exlrnustion. He needed to be omewhere el e. The pr fes r called the ., . urgeon general, and the next tage ofBehling's areer began with the Publi Health ervice (PH,). He moved to Bethe da, aryland, rented a room,. nd began working to eliminate disea e outbreaks, meanwhile flying back to Buffalo nearly every weekend to ee Rita,\ ho was still w rking at E. J. !eyer. Publi -health work metimes means being a one-man medi al S\\! AT team. A fi w month after he joined the PH , Behling was ent to Elkhart, Indiana, to deal with an out­ break of ringworm of the ·calp. T\ o thou and children in the late were infe ted and the ·chool · were decimated. "Kid were paying another kid 50 cent to borrow hi cap o they could get it and stay out of chool," he ay . The infe tation al ·o wa being pread in the front-row seat of movie theaters, when young moviegoer put their head on the ba k of the eats to look up at the reen. It wa a me s. Behling et up a linic in ea h chool and howed th children's moth r how to pull out the infected hair that had been detected u ing ultraviolet light. He also in tructed mother that the children' head hould be washed every morning before they went to ·chool. "They were all ure their kids were going to catch pneu­ monia," he says, "but I had already received a tatement from the I cal pediatricians that this wouldn't happen." He spent six month in Indiana and pers nally aw at lea t 1,000 patients. But at la t the outbreak wa · con­ trolled. "l wa a real hero with the mother ," Behling . ay . "J didn't have t buy very many dinners, and I g t �"You had t n1i, one do e [of penicillin] at a time under terile c ndition with rubber glove and then gi it to the patient." It al o had to be ad111in­ istered every four hour . But it worked, and that wa in1portant, given that yphili · and other v nereal di a e were ran1pant in Erie County. to go to all the ba ketball and football gam for free. In Indiana, that'· a big deal." Back in Maryland, Behling took n hi next a ·sign­ ment: can er ontrol. ongress, in a remarkable plurge, had allocated 14 million for can er ontrol and educa­ tion. Behling was one of a dozen PH worker cho en for the grant . His hare wa · I million, although, he ay , "I don't think I pent more than 400,000." Hi· charge was to ·et up tumor clini that would t t different treatment proto ol , with the goal of standardiz­ ing ancer treatment nationwide. He went to alifornia, where, among other prnje ts, he managed a comprehen­ sive can er urvey of an Fran i c and Oakland and tarted tumor clini in ma.ior ho pitals that, ideally, were clo e to medical chool in the western nited tate ·. It wa in that ontext that he introduced the Pap smear-now the gold tandard for dete ting and preventing cenical and uterine can er. The test was ju t coming into wider u. e in the Ea t, Behling ay , but doctor in the\ e t re ·i ted it. "In those day , it wa s rt of provincial out here," he ay from hi , an \1ateo, alifornia, home. "If it didn't ome from the We t, it couldn't be much good." First he had to get pathologi t trained to read the lide that the test produced. He found two likely candidate , and ver a wine-and-dine meeting-mo·tlywine,hesays on piratoriaJly­ he per uaded them to train for the pro edure back East with eorge Papanicolaou, MD, inventor of the Pap te t. 1ext he had to per uade d tor to use the te t. "I wa · really pu hing the Pap mear," Behling ay . "Talk, talk, talk, talk. It wa easy, on e I got omebody trained to read the slide . I'm a pretty good talker. And I wa a big shot from out of town, had an atta he a e and I million for anccr control.'' The te t became a tandard procedure. Behling till ha· a pi ture of Dr. Papanicolaou-with whom he rre ponded but newr met-on hi office wall. When the government asked him to return to Bethe da, Behling decided that alifornia wa where he wanted to tay. In 1950, he resigned from the PH to begin a private practi e in dermatology and to teach at the lJniver ity of alifornia/ an Franci o ch ol of ~ledi ine. He aL o ran the an Mate County venereal disease clinic for many year . After retiring from medi ine in 1984, Behling be ame involved in the real e tate business, managing mo tly commer ial propertie. Hi wife, Rita, died in 1997, and he married Eileen in 1999. Between them, they ha\'e I 0 hildren, all over 40 . Hi civi contributions include the Kiwani lub ("32 year f perfect attendan e," he boa t ), the Ma ons and the Chamber of ommerce. He i n the board of the lo al alvation Army, ing · in a barbersh p quartet and i a tenor in hi hurch choir. 'Tm bus}'," he ay . But lightly le s bu y, perhap , than tho c overdri e year· 3,000 mile a\ ay and half a lifetime ago. Chofce EmployeeBenefitsGroup LLC Specialized Products & Services For Group Medical Practices Howard N. Silverstein, CIC (716) 6 1-5033 • v II Free: 77-552-150 e-mail: h @choice,lbenefits.c m web: www.choice-lb n fit .com 6633 ain tre t • William \'ille, "'""'~' ew York 1-1221 2001 l 1lf a l1 H pi c i �'.\1 ED I C C\L H O O L lake Note Personaldigital assistantsenter medicalschool I 0 1 ER DO acade ic year was the aim 515. which first·year st e ts were a le to purchase alt at incl ded t e Pal , a protectiv tal car· rylng case and a sec rity encry tloo ro· gra . Eachs ring, staff in th dical Co ffic ti g will valuate new Dis end whichmodelthe Incoming class sho Idpurchase. Withthe rapidrate at whrc th device a d ap lications ar c angl g, it is estimate t at st dent will wantt t4 1 ,11, 1, p radet ir P ls everytwoyears. n ,sicia ■ \11mm,~r lOOJ rr ove ov r, Stedman' s.Make way, etter's.At the niv r ity at Buffalo chool of Medicine and Biom dical cienc , incoming m dical tu­ d nt areadding omethingn w-andhigh-tech­ to th ir li t of mu t-hav chool suppli : a p r onal digital a si tant, more commonly known a a PD During the 2002-03 acadcmi year, the school began requiring all firs t-year stu ­ dent to report for class with one of the palm-s1zed,computer - ompatibleorganiz ­ ers . tarting in the fall of 2003, students in all four dasses will be expected to own one. The PDA mandate comes at a time when rapidly growing number of health-care profc. sionals are u ing the de\'i es to access patient data, lab re ults, medi al rcferen c re­ sources and drug guidelines, all ,11the point of c.are. tudents are f, llowing suit, purchas­ ing the sleek little de\'ices to replace hand­ written "cheat heets," dog-cared rcferen e guide and other con\'entional, and some ­ times cumbersome, learning materials. "Quite hone ti}, we probablv didn't have to require PDAs of students because �they were going to have them anyway," ay Ray Dannenhoffer, PhD, asso iate dean for support en-ices and dire tor of medical computing. "This tool is ju t too powerful not to be completely embedded in how medicine is practiced." UB' policy regarding PD stem from it mandate to train tudent to be­ come the mo t proficient and efficient practitioners of tomorrow. A the PDA become pervasive in hospital and clinic , Dannenhoffer and others ee it as their duty to teach tudents to u e the te hnol­ ogy effectively and wi ely. "In thi · age, having information, and the technology to obtain that informa­ tion, at your fingertip. is becoming tandard pra tice," ob erve largaret Paro ki, MD ' 0, interim dean of the chool of ~Iedicine and Biomedi al ci­ ences and vice pre ident for health ,1ffoir at UB. "Rapid access to information at the bed ide make a big difference in the quality of patient are. Clearly, PD ~ of­ fer significant advantages in medicine, and we wanted ur tudents to be at the forefront of thi · technology." \\ hile ·ome at the medical hool quickly recognized the PDA as a powerful learning and teaching tool, ir \\a n't im­ mediately clear how the handheld device could be incorporated into the curricu­ lum. That ta k fell to t,,fichael Blumen on, enior LAN analyst and the school' man­ ager of wireles · appli ation . To Blumen · n, supporting tudent use of the PDA entail much more than re ommending a parti ular model and letting new u er fumble through it ap­ plicati n on the fly. Instead, the school is doing evef)1hing from ho ting training . ion -joking( · referred to as the "PD ;..t· • •H unit"­ to creating de troni calendar· for cour e and ·ch ol e,·ent and oftware that con­ nects third-year tudent · with their clerk­ ship director· during rotation . "We're trying to make the tran ition to handheld computing vef)· imple for the student," Blumen on ay . "\\'e're not only helping them in tall application , but for the absolute neoph}1e who are cared of the thing, we're an wering ba ic question about how to use it. We have a respon ibilitv to help them be omfi rtable with thi tech­ nology before they leave here." This flexible and hand -on approach is ju t what's needed if the device are to be effi tivelyintegrated, according to fir I-year student Brian eubauer, who say that the re ponsc among his cla mates to the PD ~ ha been mi.xed. " ome people use them every day and take ad,·antage of all a peel of the Palm, like the univer ity- pon ored alendar, clinical program , and ·o on. Oth­ ers, I dare . a), an not navigate much past turning it on," he ·ay . "I do feel that they arc a good ide,1, and that they urelywill be an integral part of medicine now and in the future," 'eubauer add . "But there need· to be a tronger effort to mak ure that all v.; tudent · are adept at their u c. Given what I've _c n, I'm confi­ dent that, in time, thi will be achieved." doing in the future, ·o I ·hould get myself u ed to u ing it a oon a po 'ible." Hoffmann estimates that at lea ·t 75 per­ ent ofhi third-year la own a PD . "You u ed to ee students arrying around the . e huge reference books and p ket guide that didn't really fit in their p k t . Or they would have Lorun to the library and lo k everything up. But thi i o com pa t and ·o much ea ier than a book that it' unbelievable. I'm looking forward to u ing mine more and more." Throughout hi third-year rotation·, Hoffmann estimate. that he relied on hi PDA anywhere from five to 30 times a day, referring primarily to ePo rates Rx, the clinical drug referen e program that on­ lain medical information on more than here a Kouo, la· of 2003, and Ja on Hoffmann la · of 2004, both pur­ cha ed PDA before their third year of medi al school-and well before they were required. "I thought it\\" uld b mu h more con­ venient to have resource available on a Palm rather than ha\ ing to can,· several pocketbooks around when on the wards," a , · Kouo. "J also thought that u ing a PD would be omething that I would be 1,600 medication., including dosing, contraindications and drug interactions. During hi· pediatri · rotation, Hoffmann purchased the 5-Minute Pediatric on­ ult, a software ver ion of the fa I-access refercn e of ondition ecn in infant , children and adolescent . "You feel intimidated when you're third-year tudent," Hoffmann note . "You're in a different etting every even weeks, and once you feel omfortable and n t nly h lping th 1n m tall appli ati n , but b r the , ho ar b lut thing, , re an­ d ering ba ic que ti n ab ut . , ho, to u It. ummer 200J 1111111 nysici11 15 �E D I L C C H O O L l \I observing, assist mg r performing." Linda Pes ar, \1D, profes or of linical p. r hiatl"} and director of medical student cdu ation in psychiatry, i the first clerkship director to field-test the ·s~tobile~kd and the Patient Encounter. he de cribe · the software as "excellent." ing it, he\ able to keep in regular contact with student and immediately address con ems thev, or stabll', you'rl' put in a new dini . It\ nice to know that with the PDA you ha\'e all these resoun:es at your fingertips." In addition to software they bur or download for free, students are also ben­ efiting from pedagogi al program that UB has tailor-made for their need . The team­ work of Blumenson and medical mput­ ing programmer .\1ark S hneggenburger u 'r n t training m dical pra tic today 1n dicin ' re training 1nedi tud nt t b abl t pra ti th 1n dicin f fi e nd IOy ar fr 111n ' Senior UNanalyst Michael llumenson . /eft, isrespon· sibleforteachinf students howtousethePOAs . Heis pictured herewiththird-year student JasonHoffmann . she, may have about their rotation. "One of the tasks of the course direc­ tor is to keep track of the tudent:,,' expo­ sure to different patient diagnoses and treatment modalities," says Pe sar. "But with the paper system we oftrn found ourselves behind the eight ball. We'd get the information fr m students in the middle of the rotation, and at the end. "\ ith the PDA Patient r.ncounter, I can know as frequently as I wi h what the students arc being exposed to, and I ha\'e the capacit} to interYene on their behalf to enrich their learning experience." Pessar add· that the Patient Encoun­ ter rncreases both the flm\ and the qu,1lity of communi ation between in­ tru tor and tudent. has re ulted in the B 1obileMed applica­ tion. One facet of this program helps stu­ dent during 1heirclinical rotations. Known as the Patient Encounter, it allows them to jot down patient information on their PD and send the electronic reports to their clerkship dircLlor, ia the Internet. "With the Patient Encounter, medical student quick)~-capture the c encc of the patient they're seeing," e. plain Blumcmon, who adds that ,,II the information revealed complies with the privacy rcquiremenh of the Health lmurance Portability and -\c­ countability Act. 'They can re ord ethni­ city, gender, what hospital they're working at and the attending they're working with; thev also capture what diagnoses they're exposed to and what procedures they're 16 1111111 nrs1c111 \umm, • r lO(J J "There is a note section on the Patient En ounter in which I have asked my stu­ dents to tell me interesting aspeLls of the ca e. What this means is that on a day-to­ day ba is I ha, e the ability to comment on Ill) tudent ' patient . "I can ay-as I have said-This is a very interesting point. I know there is a review article on the subject. If you're tn­ tere ted, why don't you look it up?' Or, 'Tell me something about the patient's history that leads you to this differential diagnosi .' r, 'This is reall} fa cinating. It' aca elikethisthatgotmeintopsychia­ try.' It allows me to have a mu,h more in­ timate encounter with the "tudcnt · than I would if I interacted with them in a group of 15 or 16." Beyond the Patient Encounter, both Blumen on and chneggenburger have completed or arc developing a number of PDA applications for use in ide of B 1obile~led and the medical school curriculum. They include: A calendar for school and cour e event as well as a student'· personal appoint­ ment . "If you really want nc integrated alcndar with rour whole life on it, you an use it that way," Blumenson say·. A task Ii t to help student organize and prioritize. Instructor , e retarie and administrator. an publish all sorts of information t the task list; for example, a reminder for fourth-year students to purchase their aps and gown , or for small group· creating custom a ign­ ments for one another. An de tronic . un·cr tool that would make obsolete the pencil-and-paper sun·eys students are frequentlv a ked to fill out during their medical school edu­ cation. Electr nil surwy would re ult in increased response rates, according to Blumenson, and a dramatic savings for the school. �• Additionally, the medicalcomputing taff has initiated a sy tern that allow tudents to tay in constant contact with the school when they're tationed at area hospital·. The traditional method of end ing and receiving information on a PDA requires a cradle attached to a personal computer. Using infrared technology, however, B tudents , resident and faculty can trans­ mit that information directly to the medi­ cal school without relying on either piece of hardware. "The impli ati n are ignificant," Blumen on ay . "We are giving rem te tudents the ' onduit' to ·end almost real­ time data to the chool. Likewise, the school can send imp rtant updates to the remote tudent and know th at enhancement and chedule change will be seen and read in a timely fa hion." Among everyone invo lved , there'· a en e of excitement about the PDA under ­ taking. fter all, B is blazing a trail to­ ward a ignificant and, ome would say, inevitable, development in medical hool educat ion. Dannenhoffer, who ha re­ ·earched the matter, estimate that only 15 to 20 percent of medical chool nation­ , ide have created an infrastructure to for­ mally upport student ' use of the P "We're not training medical tudent to practice today's medi ine; we're train ­ ing medical tud ent to be able to practice the medicine of five and 10 year from now, " he concludes. "If anyone thinks that in five or IO year ome kind of handheld reference devi ce is not going to be an ab olutely irreplaceable part of hO\ medicine is practiced, they're just mi ing something." C!i> For more i11for111atio11 011 tlie use of per­ sonal digital assistants at the University at Buffalo c/1001of Medicine and Bio111cdic11/ cie11ces,visit the Office of Medical Com­ puting's Web site at: www.s111bs.b11fjalo.ed11lpda/. "Come Discover What My Mom Has Found!" - t fi,,rcm.C7ti1/II • B autiful private 1 & 2 bedroom apartmen • 3 meal ' a day in elegant dining room • W kly housekeeping • • Activitie' program • Hair alon, on-si bank, library. billiard - Come Home to Amberleigh • A~~~~£J.!it 2330 Maple Road, William ville For a free bro ·hure or personal tour. call 689-4555 award, are hi c ntribution to medi ­ cal education," ·aid Duffn r. In addition to acting a pre eptor for enior pediatric re idents and a a mentor for first -year medical ·tu­ d nt , Kaplan ha volunteered at the Hodge Pediatric Clinic continuou ly ince 1996, teaching students and re ident the art of pediatric . "Re­ views of his tea hing have been uni­ formly out randing," Duffner noted. "It i lear that with the change in medicine today, e pecially the reduc- , ,4mm tion in the number of inpatients, we at the medi al chool mu t improve our ability to teach in the outpatient ar na. To do this, we must call upon our , oluntccr facultv to help teach our ·tudents and re ident , omc ­ thing Bob has been doing for the la t seven years. The Berk. on Award is for excellence in teaching the art of medicine by a member of the rnlun ­ teer faculty. urcly, we could not have cho en a more de erving indi,idual than Robert E. Kaplan." C!i> ,·r 20 0 1 I 11111, n ysic i 1, 17 �\f I ll I C \ L C H O O L E \\ S JillMarie Albrecht ·Pawlowski Regine lruny (NRMP) resultswereannounced onMarch 20byN ncyNielsen. PhD. MD '76,interim SL, \' AI Hi.;1 fALO (;RAlll n seniorassociate deanformedical education intheUniversity at Buffalo School of \I( lllf"AI 1)1 '-' I AL i:Jll'CA I Ill'-' ( ""'OR'I ll \I 'Bt:H.HO, 'Y Medicine andBiomedical Sciences. "Itwasa creatday!"saysNielsen . "Ourstudentsmatched wonderfully. andwe PierreSayed Aoukar areenormously proudofthem." According totheNRMP . therewere23.965 activeapplicants inthe2003match. Lh;i v I R, 1 1 ,. o I Ro, 1n, 1 L R/ Roc11r, JR,.·, over500morepanicipants thanlastyear. A.laker Dataprovided byeachyear's residency matchservesasasnapshot ofcareer April interestsamonc medical schoolcraduates . ThefollowinC arespecialty highlights CIRJH StlORI l,,J\IRSIT\ forthisyear: reponedbytheNRMP JiO,PiTAt/ •• , L 'iutn<ll (1 \lBERI .\lrrun /f\\ "H ,111,.,Co111t,1 I AT !oN<, \Ii !Ivor ·1" OF htA'-l> R/ 1:'<11 lll<'AL PARi-,.'Y lrandylethBryden L\J!), J-ROBIRI \\oon 1011;.so, \It ll JLAI St IICHll/ r,.;t\\' '""'<.:'-,.'I BRl C arltoaKuhn lyun ()I \11 experiencedfewer 115 matches thanlastyear. withafillrateof Family practice 76.3percent. U.S. seniorsfilled42percentofthefamily practice positions offered . down from47.2percentin2002. Theoverall fillrateforinternal medicine was95.1percent. upslightly fromlast year.U.S.seniorsfilled55.2percentoftheinternalmedicine positions offered in thematch . a decrease from58.7percentin2002. Pediatrics continued itsfive·year trendofplacing morepositions inthematch andexperienced anoverall 93.8percentfillratefor2003 . Surcery increased itsoverall fillratefrom9U percentlastyearto99percent in2003 . Thisyear,U.S .seniors filled82.7percentofPGY·1 surcery positions. upfrom 75.3percentin2002. Anesthesiology experienced a fillrateof96.3percentforits PGY-1 positions . with40morematches thanlastyear.Italsoexperienced a 95.6percentfillratefor PGH(second·year residency) positions. Diagnostic radiology PGY ·1positions filledatarateof97.8percent. compared to 94.7percentin2002.TherateforU.S.seniorsmatching intopathology positions increased from49.7percentin2002to59.8 percentin2003. lltCl'-1 \(,. H.\S,J I, ')' ,RAOl Joy 'EIlurnadett lallard ( s,. I Ho,r11 Rm ;'-.(() Guy JosephCappucc ino or Ron11,11RI R, \;)' 111,11 lrianlobenlennett ll ·1vF Ronlt Rst 1, "I 01 Roc111, r1 RI ,\I Bl Rl T111 BRo ·x. rw,· 1>,0II 11,·11A Ho,P1TAI n, You:,.') IRSHY IIRO\v hlltCAL-l>t IIAIO TAI ( o,soRtll•.,1/Ht•H '<C J , RI 1.,1/ T Dav idJonathan Brauer SL Y AT lit 11 RIA'­ I\ I RSI I y/ , l'RO\'llll 01 Co""1crtc ( ·y Karen Chi-Lynn Chan l'Rl SIIYTI RIA" I AL (COR'-111 'OR" l·ARMl'-GlON, 01 )/ (COR'-1!11 ·1\, YoRi.;,,'Y (A\lrl, LJ,t\ OL LH,> PFIORI , ·1 \\ YoRi.; l'Rlsu, Uizabetb Laetitia lourlce N, \\ I. (\I0'-1 Fnt'<nA­ JamesWillialoyle l c i 11 I l"STI \lfDIC:1;.i ·n ( 11,11 Ctl\'llA C\\tPt;, 11tta l 1 nys Anrelo Michael Caprarella ·y R, Roben A. lermel Ho,PI 18 ·y ) ORJ.; ;\J f llll AL COi LI t; H A I \\'1 STUii s rHR ;\Ji Ill< Al (' '-HRl\'AtllAILA, ,•y , 'bW SunilK marlansal L '-'l\'FR"1v . ATl­ .\TIU'< lh111.tnRI/ I 01 11.u 11\IORI, lll( 10,, GRAOl AlbenHeng-YaoChanr All· IIl flllJ<.:ATHl \lo,. Y Pierreloukar , /eh, cele rateswit An£elo Cararena. ritf,t.Aokaris eade•tot e Univrsityoflochesterand Caprarella, ta AlbenEinsteia Collere ofMedicine . ,111 ·1, F'-TFR/1 HosPtlAt L l ,111 '(,,, \Ii 'Y 1>JCAI �Rebecca Dwyer learns shewilltrainin family med icineatLoslngeles County­ Harbor-UCU Medical Cente r. CraigHorbinsk i isecstatic tolearnthataher year,bewilltrainin completinc atransitional ophthaloloCY attheMayo Clinic . ScottRobert Darling Hos Pl! Al BRoo"n $ KitlingCheng I 8t,FFAl.O BROO"I y OF P• , ,v1 Sl\'ERSl'I PA PHILADELPHIA, """Al c, '-'HR \''-,. FR/ Dionne Dillon ,'C 1n 1 r R or PA RGH, Lisa Ann Dos Santos YORK PRESD\'TI HosP!TAI ((OR'-iHI (A\lns)\N1-w Michelle Lynn Clark y _·i; • 10 Adam Jonathan Cohen AT TO"' , BRoo ·u, 'Y F1s,n1N AT BnH \ IEDl<.AI FGE Of hRAfL CE.'TFR, E\ , Yo11"-, Los 'Y A'<;F1 UCLA F' ou:- MLDIU,L TORRAli<.E, CA EoucATIO'­ l '1/BUHAL0, y Daniel Maurice Cotter Y Al Bu, ,Nl\'l'l<SITY HOSPITALS Of Cn,·H.A"DICAsF \\ 'os1 '"" RFs~Rv> "''ERs1n/ C11VFIA'll,OH ERL, Co-.;soRTIU\1/BunALO, Enu:.ATIO'­ '-JY l\Y AT Bt: FPAI o GRADUA rE ;\lF!>ICAt-D~"TAl fnt:cATION Co,-.s0RTltlM/Bu , HO, ·y Y Al RLII ! ALO GRAlll ATE ,\IEDl<.AL-DE ·1A1 Eotc ,t1os NY A 110, ..;y I ALO, ,_., t.Rsll'Y CATIO" n,. ·y OF :SORTH , ,.,CHAPH H1u, J'o:C Corey Adam Gilbert HO\\ARD ' '< l\'ERSJT\/ WASHl"GTO '- , DC Christina Therese Graczyk Andrew M.Freeman Sl, ·,oRnU'1/8uFFALO, Bn 'YArBtnA10GR,ot'.\1l C.,1<ou Peter Jonathan Frederick SUN) AT 8UFFAL0GRADl'A1E !'.IF Dlt:At-Dt "TAI EDlJCATIO Co,;soRTJt,M BUFFALO, '\ FAL0 GRADUATF ),.flDl<.AI-DE,-.TAL Co PRFSB\'l Ho,PITAL (CoR. ELL AM Pl s)\NE\\ YORK,,')' Lisa Estelle Esler -Brauer SU YORK " \ !FOICAL-Df' , TU fD o , ,oRTJl , 1/Bt rFAI BUc!ALOGll\l)l'\Tl· M1-01<.AL-Dt·TAt Co,soRTI SL Melissa Marie Franckowiak NEW GRADU.HI , T.u Lon ATIO E:-HR/ Samantha Elaine Easley NY AT BtlFAIO \1 1 0, '\Y Co,soRTILM1Bt:HA 1 Y-HARDOR­ SY AI0, Peterson Fortunato Giallanza .. Lo G11Anl'ATr E0t,< futcA-r10, tuMIBuH o , ,01<rn Cou Danielle Marcene Conley s AT Bun 1'lEDl('AL-DENlAL Rebecca Louise Dwyer ALBERT Mtoa·1,t l h,rAt ·,01t1 t:.) 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Co,,oRTIU\1/8 Daniel Kan NY 1 IAl(I, .\I.\ I ON, Kimberley llose Leonari Howard Hao \IRIRTEr, lll'COIIIGHOI .\111111'1'1~ Al )1w1,11 \1 l>l<AI \/1 W lh"IH l.O (I, y \l, Al Bl I JAi() Mr 1>1cA1-D1,1A1 Dorothy Helen Hedricks ( O'-'SORTI At ( 1 NTI II ') AT A1'D 'n, or. Yo11r../ Natasha Susan Manes C,RAJH!ATI fnt·t '1/B CottH,I HosPl1AI 't \\' YORK, RI Emily Li ANO 'Y PARK, \ho, U!Sl\'~RSIH/ l'ROVIDt. Frances Melinda llno1 I, I\I C.E TIR/ 1', S1. 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") AT �Jeffrey M.Nonh Maria Podebryi-Tsur-Tsar 0 • 0RlllWE.T~RNLl fl At BERJ ,1£1" L "TERI PHIi Mn,1t \0fLPHIA, AL l'\fW Pc\ HOSPITAi A'IPUS \ORK l'RP,B\ I RI ( .0R."111 '1 \\ YORK, N l\"IRSIJY/ YAI ff\\ H/\\'f" .\lfl)ll CE TER (\\'ATI R!IUR\")/ IL (. HICAU>, HAVI lrentOD Pauliscili ·y OHIO--rATE Alison Erin Prestia·Cuptill "l\fR.IJY/ 1sv,, 011 Cm.u CT • YAI I FW HA\'! Cl. TFR HA\ I .• /\1 '1 \\' \\ All \!Elli ' AL RBUR\·)/, E\\ CT Joanna Ethel Shaw :'\hort:AI Joshua Daniel Non Ho. FRstn NI\ CtEVHA"I)' RESER\"l Ct I \"fl VJRGI PITA ts o, ASL \\'1 SlfR." IA .0.t\10'i\\ LI ·1\'FRSI rl" RICH ll, Hl. \'rRGI. 01 IA/ l-ALTH .L \ (CHIS 11 RI ILLD)/ \'A \!fill C.o . L, \ AT BUFHIO :-1u,1cA1-D1. Co U l\ 'E R JTVHfHtHCL·TEROF Prrr,eLRt,H 'Pn1,s1 RGH, PA Aaron Mauhew Dlde1 1v1RSITY Of Ro< Hl ROCHISTI R, Y OR11i;"/B 1-nUCATIO · ,·y HA10, Madbnilatba TERI II 'i All-. fl CFNTFR (\\'AJERBUR\ llA\F.,C.1 I.. Of flfl "'YL\ ' A."IA II Al)fLPHI/\, .\1 R· • I\\ DC C.o. S0Rl O GRAl>UA"l Ent• ll \I 8LHAI 0,. l\lEOIC,'.I Y. ·-QL:lE -~J\JA H;E CrNTrRIU 1/\1 A,, 'Y 1'-'CI \h Sasba Pavlov-Shapiro ' All Ho,Pn 1)1(1 0LIIGI I /CINCI Al :-1ro1CAI A Tl, Al IIUHALO ."l, y GR\O A"I Bt H/\L0 Melissa Marie Phillips "lA OH or RounsrrR/ E'l.·u1A Y Ar B HALO Al Bt•HAL0 J-NFw ·c11001J. hR,1 E\\ARI.:, "l\'FRslTY I /\lroH ') :At h ·, RSI y \!fDIC,U ,RAIHFATI f1n:c11noN ',;\ I\ I R\IT> Roe H~~TER/ nR,, ot Ho PtT11L/ Ror.11tsHR/ ·y Janice Sinae Sunc . lJ \ , I IIUFFAI 0 GRADl ATE \Ir l>ICAI-DlNT ,1 l'ot · c.Anor-. Daniel P. Scllneider sE11,,WoRctsHR, nr Gn,FRAt "\ LI"•'r Rsrrv ROCHE IW 1RAIHAT1 U RoCHFsllR Ro<Hl',IIR, Rachel Elizabetll Scb itt Carl Henry leyaolds Y ·t, , .Po11s,I ·y \lfOI< Al-lh. TAI EDl"CATIO. ·o,sORll -i/BLHAlll, ·y \lflll<'AL Y CHOO! OF :'\l.,ssAUll l\\A '• Co ·soR 11t \tlBl'HAt o, . ·y \I \ 'A. 'I. DnidEric C.Searls \htllCAL C1'1ER\MoRRm,, ._l\"I RSITY, GRAtiUATF l\llotcAt-l>INTAI ~DUIATI0 Co, 0RTI M/BUHAI0,, '\' AllA AH TH Fo CATION 1/Bt H LO, , ·y \llDIC.Al-lh. C.o ,oRTl A 0FM1111u 01 'Y Jennifer lnnSmoral (.·DIA U,\11) l\"~R,n\" Rn<HfSIIR, UNl\'l Rstn· EW YoRi.., Mro1cA1.-DE"r"1 Co oR11ts1'8tHAI0, I\ERs11\"01 Co11 • ,I !s111,o, KaaljotSintJ! David Sc lesinrer LaraJoycellendano SL 'Y M101cA1 ·rATL C1,nR/ ·y \ HILDRI (8ROOKI I w \oRK (RH.HMn,o ·y , FW YORK EW ·y Eric WeldnSchaefer 'IE\\" \ORI-. l,'"\"IRSITY ( t."HR Nn, \ORK, Elena latner OLU.IBIA YoRK,, n, 1 ATION LisaMarie leaves Al Co11 ( I Gerard Silva Yatin Patel l\11n1 YORI-. PRESBYTERIAN HoSPllAL CAMPts PA YAl 1C1.·11R I RAI Gt Nl\'I Hl'-'GTOS, ) /\T 8t 1 H/\I \!11>1cA1.-DE,T/\I Timothy Sebastian Pardee ' S~JT, Bosro,, \\ ASHl'-<,T0.. \\ 'il, y YoR ·y R/ lir i Sat~aoant a DI AL )/, 'rw PITAL AT BUFfALO ,RADIIAH Dll.A t-D, NT A Etll'CAT 10 C.o,,oRlllM/Bt · fFAlO, ·y Nfl, • ChristoperThomas Rossi GFORGf Brian Jo nPate :'\IA,SACHL llosPITAL \t Bt HALO, (,RADUAT[ TAI 'IT\" • ,oRTll, O GRADUAH fotCATIOS OH Michele lobinOdrobina SL \h H 8UHAI ' AL-DFNTAI MicelleCarol laczh l\"f"RSIIY/ AND, ,0LIFC.I I GA . ummer 2003 2 1 �Jennifer Louise Trask Chantale ¥ante '-1\ ' t.RsJT\' 01 Roc11r,, Roe H 1sn R, NY A I Bl FFAIO All .\111>1< AI­ ·1AI l·1nc ,110. l, , ' GRAil D1, Co,S<>R11c,1 Bl IHIO, Michael Joseph Viksjo / ,\181R 01 Ro, 111,, l RI Rou11 ,, 1 R <,,,111A1 Ho "1"1 / 'il ' Roe 111 U,1v1R Kristen Jennifer Thomas Stephen John Turkovich ',l, ·1\1Rs1n · 01 Rnc111,11R / ·y RocH!SllR, \l11>1CAI 8tll.\JO(,R11lllATI D1,1A1 lnt ( o ·,oit fll ,l / Bt 11 Alo, · cA110, , 01 ·y 01 COLJl(;f .\I, Ill ( ... I CI N I [ R ,1, ·111"TY I CA1110RN1A \oit>c L,1v,1ts,n " ·L\, Sol lo, TIii < 1n, \,c,111S,C 01 nH Co1, 1G• en \'1ac , 1,1A / Al , ,\llDH/11 • ' oRTII 'iHORI L,1\' F RSlll Hos1>11 Al 'sYl Sc HOOL T, \11 DIC ISi /, \IANII/\SSI 01 \/) Lh ,11 Al TI A1'! <H \ ' 11<<.;JSJII / ( lllLH,I Joyce Leanne Zmuda )cl11,, HoPi.;1,, u,1\ "LRSI n / :'\11) Jenniler Lynn Wiler UT .\ICP 11.. 11,1 SI\ ""'' P111IAIHLPHIA, I RSITY / PA We practice law for those who practice health care. Phillips, Lytle understands that health care providers face unique legal challenges. HIPAA, STARK , compl iance issues, DOH regulations, reimbursement, the OPMC, and let's not forget about MFCU audits. These are all hot topics that we are prepared to help you wit h . • Experience • Breadth Depth Have questions or concerns? Call or e-mail Lisa McDougall, Esq ., th e health care practice group coordinator , at (716) 847-5478 or lmcdougall @phi llipslytle.com. LYTLE . HI A T CHCOCK T T O . B BLAINE E Y S R est. 1834 3400 HSBC Cent r, Buffalo, NY 14203 (716) 847 -8400 website : www.ph1llipslytle .com BUIFALO 22 \ II mm 1:· r 2 0 0 t • V,\ \'111c;1,.i11 C0\1\10"' C ALI H U,J\' E RSIT\' Rl<.H\tONI> , \' .\ PH1LL1rs. 111 lobbiNicole Wu Shawn Roy Vainio R' · :'\ho, NY \ ' 1R<,1"'1A Co,1\Hl,\\lAtTH U ,I\FRSIH RIOl\10'-1> 81111 J\IORt, or YoRi.:, lossAlertYaple IV Tl R f ·, l\"IRSII\ R~IJY ·y Elizabeth An Yaple SanTuTran ,1v1 \/rw Ct,TER )/ NY I·'(, I..\' ll .\If llo,P1r111s /l \1Ts Bo,10, , \1 \ \h l>I< Al - 1>I '- I Al f lll ' C A I JO, CoN,oR111,,M Bt:11 ,10,. ·y ) Al . ll\' or Roc.:HE,1ER / Tina Wu 11 HORE ( ;\10'i ... I " .. ., BtllAJO(,JUDUAII Rouu,nR, L,s1v1a,1n Roc HISHR,. Julie Ann Yoeel :S:) ,1 fR, T l· "'Slfl'- :'\!Hl>I C I Nf I HI BRo,x, LJ,J\'FR,11\' Ro<.HI ra / '>;)' Deserie Silva Trojan PatrickSweeney Lyndsay Jean Willmott FREDO IA • )AM STOWN • EW YO RK • ROCH ESTlR HUBER LLr �hl' Bufl:110 Graduak' \ll'dical/lknt.11 l.duc.11ion Consortium, respon,ible tor .111the rnc:diLal spc:­ .:ialn training in \\'t•,tern 'c:w York, h,1s rc:cein:d a "fa\'or,1bll'" r,llini.: from thl' \ml'ri an Coun<.il for Gr,1duatc .\ll'di--al fduc.ttion (J\C(,MI ). Tht• rl',11 ..creditation i, for fivt yc,1r,, the ma. imum ll'ngth of time .11lowahlc between n:\'il'\\.,. ... hi, is n:rr good Oll\'S for Buffalo and our rl'sidcncr pro­ grams," say, Rosc:annl' lkrger, .\ID, st:nior ,1,soli.ttl' dl',m tor graduate nll'di1.al l'duc,1tion in the lJniver,it} ,It Buffalo chool of .\tedi-.inl' and Hiomedi<..,11 cil'nces." m, wl' c.111dt•\·ote our iull ,lltention to the businl'ss of l'du.:,11in!_.: residt•nh. Tht:r mu,t learn to use thl' best ,n ,1ilahle Lil'n<..c, nd rdine thl'ir kills to provide ,afr and '-ompa. sionatl' patient c,irl'. Our n:,id<nls .md facultv wekoml' thi, ..hallenge." Prcp,ir,1tion for thl' rl'view b<'g,111in _ooo.culminatin • in :i IL·ngth}' do<..ument submitted to the,\( G:-.11'in August 2002. A site re\ ie1H'r \ i,itl'd Bull,110 in Sq>tl'mher 2002 ,md met \\ ith m<'mhcrs of the Consortium Rl' itknh ' ( ommiltl't'. tht· dl'an of th<' B rnl'dic.11 chool, and the Graduate: • kdical Fdu ..ation (.ommittee, compri td ol n:,id n ) progr,1m dircdor , re,i­ Jents, dep, rtmc:nt ..hair , .md hospital offi i:il . Th,: nc1,· ti, e•} car re,i..crl'ditation will begin ffici,111},, h n from the the comortmm reLeiH·, the rm I announcement ,\ t;:,..t[, whi ..h is r pc .. ed thi summer. urrcntly, the um ort1um pon,or, 5 I ,1c rcdited re iden ..v ,rnd fdlow,hip training programs, ba,~d in nine mcmbl'r ho. pi­ t.1b, nd in ,ewr,11 Lommunit ·-b. ed location,. Becau c th<' LIB s..·hool of I kdi ..ine and Biomedical, ciences Jo<'s not oper,1k its m,n unhl'r,it}' ho pita!, n:,idenq· training 1. onducted in ih affiliatl'd hospital . Historically, the program have bel'n man aged bv the consortium, ,,hiLh " ..ompo ·ed ot repre L'ntati1 e, from the hospitals and the mcdiL.11,dmol. Thi, admini,trativl' structure will he pha,ed out in the wmmg month,, and re pon ihility fl r gradu:ik mc,lical tdu ...ition will be transfrrred to the U B mc:Jical sLhool. 1 ht' ho,p11,1b will re m,1in ,1, partnl'rs in tht program. Berger .1, · th, re, ie,, pro.. , ,, a conducted ,,ith th 1, tran fer in mmd. RECORD HIGH i Research Fund· ng BY ARTHUR C( CU LTY WHO AR E TH E P~GE )) BE T A D BRIGHTE T esearchfundingat the Universityat Buffalo increasedby more than 28 percentduringthe 2002 fiscalyear (FY 20021, increas­ ing to $239. 7 millionand representinga growthof $52.9 million overthe previousyear. Research in the life sciences accounted for $168.6 million in "We are vel)I pleased by the progress we've made in the past year funding, or 70.4 percent of the total FY 2002 research funding of in research funding-progress $239.7 million, with funding of medical research totaling $111 million, efforts and ability of our faculty to secure both research dollars and or 46.3 percent of the grand total. increased national recognition for the important work they do on a daily The record-high funding included a 33 percent increase in funds received from the federal govemment, which jumped by $32.2 million, from S96.6 million in FY 2001 to $128.8 million in FY 2002. The data, which was released in March 2003, covered the period that speaks directly to the outstanding basis," said UB President William R. Greiner at the time the data was reported. Greiner further noted that "while this increase in funding will only improve UB's standing as New York State's largest and most compre­ between July 1, 2001, and June 30, 2002, and was collected through the hensive research university, perhaps even more importantly, it demon• National Science foundation's (NSFJ Survey of Research and Develop· strates the depth of our commibnent to our research mission: We are ment Expenditures at Universities and Colleges. dedicated to continually expanding the boundaries of our knowledge The NSF survey data show that 88 percent of the total in research funding received by UB during FY 2002 was for basic research as oppos• ed to applied research. UB researchers whose funding is included in the report include those at the university, at affiliated teaching hospitals and at UB's Research and to sharing the benefits of our discoveries.. "Our faculty is comprised of the best and brightest ," he continued. "We count ourselves fortunate to have such gifted, dedicated research• ers working in our academic community, and we look forward to contin­ ued progress in the years ahead." Institute on Addictions. l 1llal1 rlpiclu 23 �■ GUY CAPPUCCI SCHMITT M O AND RACHEL BEAT THE ODDS Jtch Day is alw,1ysa sp.:-cialday for graduating medical tudents, but for ,uy appuc ino and his fiancee, Ra hcl fourth-year studcnh in the ni\'crsity at Buffalo ~chool ofl\lcdicine and Biomedical ciences-\1atch hmin-b th Day 2003 was magical. ,lppuccino had s.:-t his sights on entering a residency program in plastic and reconstrucuve ·urgery. Traditionally, student\ interested in pursuing a c.ireer in this field arc required to complete five years of training 1n general surgery, after which thl')' qualify to apply for fellowships in f lastk surgery. On'r the p,1st 15 years, how1.:vi:r,a new model for training in this field has ernlwd. residencies," thl'sl' programs ,ire open to student- upon completion of medical school. -ailed "integrated plastIC surgery ationwidc then~ arc onlv about 77 slots ,l\,1ilablc in the intl'gratcd programs each year, so competition is formidable, according to, 'ancy 1 iclsen, PhD, ID '76, inti:rim senior .1ssod,1te dean for m ... ·dical education. Amazer!r111rl ]1, "· · d ,\ native of 5tonr Point, Y, ,appuccino earned a bachelorof science degree in biochemistry through B\ Honors Progrnm, graduating summa cum laude in 1999. \\.'hile a second-year medical student, he met Shirley Anain, MD, a pediatric plastic and recon tructive surgeon at 'hildren 's Hospital of Bui alo, whom ht· .:redih with mentoring-and inspiring-him. "Dr. An,1inhas a stellar reputation in the communit}" for the work she does with children who ha,·c craniofacial deformities," says Cappuccino. "She has been very helpful to me and is current!)' mentoring other UB medical students." In addition to sh,1dowing nain, Cappuccino ,1ssi ted her in cases invoh ing children born with such defects ,1scleft lips and p,1late , and cranial synostoscs (where the skull bones fu e too earh ). 2, 1111111 nyslci11 ,'\ummer 200 ~ "When I saw the hildren born with thee deformitie coming out of surgery looking almost normal, there wa nothing else in the world I \\anted to do," sav Cappuccino. "l wa · amazed and in ·pired, and I knew as earl} as my second year in medical chool that I was meant to dedicate my life to this, ork." De pile his calling to enter the field, appuccino knew the odds were .:ig.iinsthis obtaining the goal he had et for himself: earning a coveted slot in one of the integrated plasti surgery re iden y pro­ gram , something no medical student at UB had ever done. 'everthele • he teadfostly pur ued hi g al through ut medical chool. During hi fourth year, in a final push to gain a competitive edge, he completed two intensive month-long vi iting extern hip in plastic and rcconstructive wrgery---one at Cornell l\ledicaJ College �"YO TF KF.TH T KI I CTE aid Cappuccino hen hefir.t ~ai,v the e candiclphoto­ graphs taken at Match [Jay while he and hi cla 111ate/ fiancee RachelSch1nitt,openedtheir envelope. ( lanhattan campu ) and the other at the Univer ity of tedicine and Denti try of ew Jer ey ( MD J). He then applied to the chool ' integrated re idency program , and both granted him an interview. Fa l ., • 'r. Rachel ' chmitt, appuccino' fiancee, had in turn decided to pursue a areer inane thesiology. A native of Clarence, Y, chmitt earned a bachelor of cience degree in biology at Le 1oyne College in yra­ cu e, Y, graduating umma cum laude. Ane the iology i al o a highly competitive pecialty, and it re• quire ompletion of a preliminary year prior to beginning training in the field. a re ult, the couple found them elve in the precariou po ition of needing to earn three re idency lot on Match Day, preferably in the ame location: a pla ti and recon tructive surgery . lot for appuccino, and preliminary training and ane the iology lots for ' hmitt. Both had ranked UMD J a their fir t choice. On March 20, member of the B medi al chool Cla of 2003 gathered with friends, family and faculty at the Pearl treet Brewery in Buffalo, where Match Day took place. The student were ummoned in random order to come fonvard to re eive an envelope that contained a letter announ ing the school and field of medicine in whi h they would be training. A it happened, appuccino's name wa called early. "When I received my envelope, I held it and we waited for about another 140 name to be called before Rachel received hers, then we opened them together." \ hen they did, Cappu cino and ' hmitt learned that they had indeed beat the odd : both were headed to UMD J. In addition, hmilt will be doing a preliminary year in general urgery, which mean the couple, who were married on Mar 30, 1 ill intern together in the Department of urgery as hu . band and wife­ a fir t for the department. Bybe oming the fir t B medi al tudentto pla e in an integrated pla tic urgery re idency program, appuccino has inspired and motivated other UB tudent to pur ·ue similar dream . "I 've been contacted by tudent asking me for advi e in plastics re idency; the · ay I've given them hope, " say appuccino, who relishe his trailblazing role. One of the rea on Cappuc ino mar feel so comfortable a a role model i becau c he i no tranger to folJowing in the footsteps of other he admire . His brother, Andrew , is a pine surgeon whose wife, Helen , i a general urgeon; both are 1988 graduate of UB' medical chool ( ·ee Reunion Weekend photograph on page -12). And appuccino's ister, Mary, is a pediatri infectiou di ease speciali t , ho e husband, Joe Bonafede, is an ear, no e and throat spcciali t; both arc I 991 graduates of the medical ·chool. ''I gue I'm carrying on a proud famil tradition, " ay appu cino. "But it end with me. I'm the younge t of even kids!" Sum mer 2003 llllale n1sltlai 25 �Rebecca Dwyer,leit, andChristinaGraczyk, right. dedicatingTheIris-. EvanHoover beinghooded by SeniorAssociate Dean Suzanne Laychock, PhD, left,and FrankSchimpfhauser, PhD.right. DavidBrauer, classspeaker; InterimDean andVicePresident for HealthAffairsMargaret Paroski, MD,andOBPresident WilliamGreinerpresentingKari Brossardwith her degree; AmyE.Kirby,thefirst biomedical sciences candidate to deliveranaddress ataOBSchool ofMedicine andBiomedical Sciences commencement; , Joyce Zmuda, left. andMargoMcllenna, right, Melanie Fiorella, /eh.andDavid Fintak, right,reciting theOath. 2& 1,11111 npicin \um mer JOO 1 �The 157th commencement for the University at Buffalo School of Medicine and Biomedical Sciences was held on May 23, 2003, at the Center for the Arts on the North Campus. This year, the school conferred 130 MD degrees, 3 MD/PhD degrees, 6 MD/MBAdegrees, 21 PhD degrees, 2 MOMS (doctor of medicine and oral maxillofacial surgery residency program} and 15 MA degrees. The honored speaker was CongresswomanLouise M. Slaughter, who is currently serving her ninth tenn in Congress as a representative of the 28th Congressional District of New York State. �R E E A R C E H I\' 'I DOUL3 erlw IS J II C 11 IQ U AL L OW C I E TIST , 0 FILM I 'GLF- IOLF< ! l BIOU -U . !ISi \\ HO PROD U· S 10\ IFS. I JI IS, HO\\ E\ l R, D ) 'OT t I !RO. ' !CLE 1 HL- HU,\IA . CO . Im 10 , \ I \ •s Tl BJE :::1 I H : HELi IA. BIOWC,\ ,ff l rs ~!OST BASJt- HOII YWOOD; ·r HE rRA ,' I Ot \110 .' .\ . ' I) DI G OID 1 A. Bian o, who is an a istant pr fessor of microbiology in the niver ity at Buffa) hool of Medi ine and Biomedical Sci­ ence , i the first to re ord on videotape in real time a molecule of a parti ular D A motor protein, or nanoma hinc, in the pro e s of"unzipping" a double strand of bacterial D A. To a ompli. h this feat, he u c a Le h­ niquc he developed ailed "la. er tweezer." U ing this tool, he can grasp and hold a D m le ulc long enough to aplure the action as the double helix unwinds. 'These la er tweezers allm\ u t look at nc molecule at a time and under tand how a pr tein really w rks," ay Bian o, who al o is a member of the enter for ingle M lecule Biophy i at B. "When you look at groups of proteins, all of the nu­ ance of individual pro­ teins are lo l. With this sy tem we can pull a D1 molecule out fa lution and a tually watch a single D heli ase mole ule (the m tor protein I take an individual D A molecule and pull it apart." If there were an Academy ward ~ r most imp rtanl ba ic cien c film, 28 1111111 n,sieiu S umrn l·r lOOJ Bianco's I ork urcly would be in the run­ ning. Knowing how D A unwind . , copic and repairs itself- what tarts it, what top it and why-will make possible ma­ jor advancement in c,mcer treatment and is vitally important to the progres · of gene therapy and re ombinanl D A re ear h. ince cancers arc caused by uncon ­ tr lied cell growth, and D A motor pro­ teins make this po sible by allowing D A to copy itself, the e proteins are natural drug target . Re earcher know that many ancer drugs stop cell growth, but they don 't know preci ely hm . Bianco i hop ­ ing to pr vidc ome detail . "We want to find out what happen when you put an amitumor drug in the\ ay of the motor protein, " ay Bian o. "If the drug tops cell growth, we want to find out exa tly how it doe - it. \Viii the protein start the unwinding with the drug present? If it tart , will it continue? Where will it stop, if at all?" The re­ ulting movie . will how how existing drugs work and will allow re earcher t test the efficacy of new drugs designed to inhibit D A repli­ cation and repair. Bianco developed his y tem while a po tdoctoral fellow at the niversity of alifornia at Davi , in collaboration with colleagues from Lawren e Livermore a­ tional Laboratory in Livermore, alifor ­ nia. reating it con urned everal years; the work culminated in publi at ion of the at11re in breakthrough in the journal January 2001. Learning hm a D motor protein function and capturing it on film po ed veral vexing technical problems at the time: how to natch a ingle D A molecule, stretch it out, and hold it table long enough to \ atch the motor protein (helica e) in action. Then there wa the problem of i1e: DNA motor protein are too mall to be observed under a micro cope. Bianco olved the c problem in a vari ­ ety of way . The laser tweezer form the crux of the y tem. By fi cu ing an infrared la er beam through a micro cope objective and aided by the law of phy i s, he can create an optical trap that tops a D A molecule in it tracks. The mole ule it elf i · t o clu ivc to be caught, however, Bianco tether the D A molecule to a microscopic poly ty ­ rene bead to give the tweezers omething to gra p. ext he atta hes a motor protein molecule to the oppo itc end of the D A mole ule, and tag both bead and D A with a fluore . cent dye. The dye creates an �-. • ... ..... • • Prr B co,P image suffi iently bright to be re orded b\ a microcamera de­ signed to perform under very low light onditiom. Technique to bind nuores ­ cent dye to the D A helicase have only recently been developed; 8ian o now has that capability at 8. S tretching out the mole ule and ini­ tiating the action c ur · in a now ell, a tinv, cu tom -made, Y-shaped appa­ ratus the size of a micros ope lide. 8ianc introduce the bead and it cargo f OJ and motor protein into one channel of the flow cell (one of the arm of the "Y"), in ert ATP-the molecular energy ource-int the other channel, and ~ u es an optical micro · ope and laer beam on the jun ture of the channel . The tretched -out molecule and its en­ ergy sour e flow in their . eparate hannel into the juncture, where the action begin . . The la er beam capture the poly tyrene bead in its tweezer -like grip. Manipulat ­ ing the la er beam, Bian o maneuver the D A into the path of the ATP, which jump -starts the heli a e. The breakthrough film described in at11re features a molecule of E · heri hia coli helica ·e called Re B D, which acts by unzipping the D mole ule from one end to the other. That movie how the tretched -out trand of glm ing D A becoming progres ivcly horter a the in­ vi ible motor protein unzip them, di placing the dye a it goe . Thi action i called pro e ive tran lo­ cation. n film, it look like a string of lights being witched off, one b}' one. Once D A trand are eparated, the elemental pr e · es of replication or re­ pair an begin. At U8, Bianco i nm working to adapt his ystem to inve ·tigate other, more com­ plex ba terial helicases. The pre ent target i Rm 8, a circular nan machine that drives a criti al late tep in geneti re om ­ bination called branch migration. ' nlike Re 8 D, thi · motor protein wraps it elf around D A like a doughnut on a tring , carrying out tran location in a different manner. The B et -up i · equipped with two optical trap · and i ignificantly more advanced than Bianco ' former r tern, allowing him to work with more compli ­ cated molecules such a RuvB. The overarching goal of Bianco ' reearch i to learn how cancer drug inter ­ fere with tran location. Thi information will, in turn, allow drug <level per to tar­ get chemotherapy drug to them t effe tive point in the pr ces . Bianco intend to define and film the action of everal m tor protein , then begin , orking with everal specific cancer drug provided by ollabo ­ rators at Ro well Park Cancer In titute . "There i potential here to an wer que . tions you could newr an wer an y other way," 8ian o note . <L> 1 111111 npici11 29 �p TIIW ,\YS WS A D I BOT BIO DI AL SUMMER IILI nu RI ( El I I) El RD I R Fl 1994, .lO 11 11 I (I 30 I I Fl). \umm, 2003 T FF 2003 Da, id Milling, i\lD '93, has been named assist.mt dean for multi ultur,11 affairs in the OffiLeof ~tcdical I.ducation at the niversity at Buffalo s hOl)Iof r-.tedicineand Biomedical Sl.iences. In this role he is resp nsiblc for de,·cloping a program to recruit and retain undergraduate ,rnd graduate medical students and trainees whosl' backgrounds reflect the diversit} of underrepresented populations in 'cw York ",tale. I le also works with fawlty and staff to implemenl these goals and objectives, ,is well as to procure funding to support the efforh of minority applicants. In addition, r,.,tilling continues to serve the school as assistant professor of dinic.al medilinc (a position he has held since 1996) and as ·r A D IT cour c director for the Clinical Practi c of :\lcdicine for ccond -vear student . i\lilling completed residency training in internal medicine at B, and from 1995 to 1996 served as hief resident at f-ric <..ounty Medical Center. 1--rom1997 to 1998 he completed a primary are faculty development fcllow,h1p at :\ltch1gan talc niversity in f-ast I ansing. :-.lilting received the iegcl \ward for Teaching Excel­ lence at B in 1994, and again in 2000 ( for full-time faculty clinical staff}. I o in 2000, he received the 1-.Carter Pannill Award for uhtanding Tea bing, which i. presented to a junior acult · member in the B Department of Medicine. - .. A. '1CtR niversity at Buffalo Pres­ R. ,reiner ident Willi,1111 announced in January 2003 that he is stepping down as the 13th president of 8. following this announce­ ment, a Presidential earch Ad, isor. Committee was establi hcd b) the 8 ouncil to solicit and c, ,1luate nominations and applica tiom for the president's position according to the guidelines established by the SU1 Y Board of Trustees. In Mar h, Jeremy .t\l. /a ob , chair of the 8 Coun ii and chair of the Pre idential earch Advisory .ommittec, named the 17 members of the committee, three of whom arc facult'r members in the B hool o 1cdicine and assi tant professor in �the departments of urgery and orthopaedic , who i nc of four member· of the ·B oun ii serving on the ommittee; Michael . ohen, 1D, chair of the acuity, cnate and profe sor of neurology and pediatric ; and Frederick . Morin Ill, MD, profe · ·or and chair of the Department of Pediatrics. For more information on the presidential earch, vi ·it http://www.buffalo.edu, presidentiabearch/. -ARTHUR Buc,;1 P GE Richard J. Bu kley, MD '74, a pra ticing surgeon with Amht:r. t urgi al As iates in Am her t,, Y, ,, as installed as the npre ·ident of the Medical ·otiety of the ountr of Erie on ;\lav 6, 2003. A natin~ of Buffalo, Bu klcv ompleted his undergraduate training at olorado ollege, 0, his master' degree at ,rnisius .ollege and mcdi al degree at the UB chool of l\ledicine and Biomedical cience . He is a diplomate of the Amerian Board of urgen·, a Fellow of the Ameri an ollege of urgeons and a delegate from Eric County to the House of Delegate of the l\ledical ocietv of the tate of I ew York. Buckle) is a clinical assistant professor at 8 and i. on raff at Kaleida Health and Kenmore ~1erq Hospit.il, now a part of the atholic Health Sy tem. . A. L nurses, te hnicians and support . taff who prO\·ide quality health care to the people of Western I ew York." A EO, Kaiser ,aid he \\;11focus on "high-qualit} medic,11care, u tomer satisfaction, employee growth and development and enhancing our information technology.'' GER Roger E. Kai er Jr. ~ID '79, ha been appointed chief execu­ tive officer of the Erie Healthcare Network. Kai er, who is a ociatc professor of linical anesthesiology at the UB chool of Medicine and Biomedical ciences, had been erving as the interim CEO ince October 2002 and medical dire tor ince 200 I. In addition, he erwd as clinical director of the E l\1 Department of ne~thesiol­ Og) from 1989-2003. "It will be a privilege and an honor to sen·e as EO," aid Kai, er at the time of his appointment in ~la}'. "A a practi ing physician at L MC for nearly 20 years, I am familiar with the personaliry of this organization and the talented team of phy icians, brain into various region . The resear h can potential!~ hed light on whether ognitive impairment in l\l is related to global or focal disease and whether this is located in gray or white brain matter. The AO is the onlr national medical honor o iety in the world; it is dedic,lled to upporting academic excellence and perpetuating ex ellence in the medical professi n. Third-year medical student -S. \ '\CFR Mi hael , anfilipo has been awarded a prestigious Alpha Omega Alpha (AOt\) tudent Research Fellow·hip. ebastian ( ian io, DDS, A n,lli\·e of Buffalo, U1 Y Di tingui hed en·ice , anfilip is a member of the Professor and chair of the Buffalo I euroimag111g Department of Periodontic naly is enter, where, under in the L niver ity at Buffalo the leader hip of Rohit hool of Dental /l.1edi inc, Bakshi, ,\tD '91, he is ha recei,ed the 2003 performing quantitative i\lRI Pharmacology, Therapeutics resear h in multiple s lerosi and Toxicology Re earch (;\L ). In 2002 he received a ward from the International L'B hool of ledicine and s.o iation for Dental Biomedical ciences Re earch Fellow hip to (IADR). The study whole brain gray­ award recognizes and-white matter iancio\ difference in :-.1· and " ignificant whether the e global contributi n to brain differen e are the field of related to cognitive dental research," impairment in l\L. and was pre\\'ith the QA award, ented to him m anfilipo will further Goteborg,, weden this June at inwstigate the relation hip the I DR General es ion. between cognitive dy fun -. UE \\ l;lTCHER tion in , I and variou. grav­ and-white matter region· by u ing three-dimen ional :-.rn1 techniques to ubdivide the umm,r 2003 1 1ll111 Hysiciu 31 �p t, T fl Y \ y regory . herr, MD, a vascular/endova cular surgeon, ha joined the medical staff at Erie unty Medi al enter (E M ); in ugust 2002, he joined niver ity at Buffa! chool of Medicine and Bi medi al cience a as i tant profe or of. urgery. A native of Roche ter, NY, and a graduate of Tuft niver ity ho I of 1edicine 111 Bo t n, 1 , herr ompleted a po tdoctoral re earch fellow hip and a clini al vascular fellow hip group led by Robert R •chtarik, PhD, s ni r re­ search scientist in the niver­ . tt} at Buffalo\ Resear h .B re. earch asso<.iate profe sor of ps hiatry and p y hology, ha_ received a · 2.3 million grant fr m the ational Institute n Alcoh I Abuse and koholism to study how and wh · different levels of care work for different people with al ohol problems. The study is being c nducted in collaboration with the rie ~ounty Medi al enter' (E M ) Divisionof hemical Depend ncy' outpatient and inp,llient rehabilitation programs. RobertB. Whitne , MD, 8 linical,1ssistant profcSM>rffamily medicine and psychiatry,and clinical director of E ~tC \ Division f hemi al Dependency,is a comn:stigator on the project. Other coinvestigatorsinclude RIA rescar h sdentist eil B. M ·(;illicuddy, Phl , and Gerard J. .onnors, PhD, direct r of RIAand B probsor of psrchology. l·or more information on work being condu ted at the Research Institute on ddict1om, nsit ii,\ ebsite at \ ww.ria.buffolo.cdu/. - KATHLEE lcdi ine in Ellr.abelh PierceOlmstedRoa, MD'39, recehedan honoraiy the Ameri­ can Board of Cu ERR urgery in general surgery and i a regi tered \ ,1sculartechnologist. In addition to perform­ ing vascular urgery, hcrr pe ialize in aortic ancury m repair and minimally inva ivc endova · ular surgery technique , in luding aneury rn repair, angio­ graphy, and angiopla ty/ stenting f arteries and veins. - \!£LANI! GRIFF! doctorof science degree on May 23, 2003, at the 157th commencement of the UnlYersitJat BuffaloSchoolof MedicineandBIGlnedical Sciences- A piollNr'.,g ophthalmologist c nlclan, lnYentorand mator,Olmsted Roa Isoneofthe Unlvenityat Buffalo's most dlstlnpishedalunmlandoneof WesternNewYortl'smost dedicatedphlanthroplsts. For six decades she has chan­ neled her expert! e into program for the visually Impaired, fromInstitutingcompanysafety pales and mak­ ing large-printbooksavailableIn publicschools to organiz­ ing vision-testing programsIn Buffalo'spreschools. Presenteda Lifetime Medical Alumna Achievement AwardIn 1999, OlmstedRosshas placed heralmamaterat th6 fotef1ont of vision researchwith the establishment of the Ira G. Rossand Elzabeth Pierce OlmstedRoss,MD, W "\lit FACS,chairIn ophthalmology at the UBSchoolof Medicine 3 2 11tfal1 n,siciu ~ummrr 2003 and BiomedicalSciences. �Louis A.and Ruth Siegel leaching Awards 2003 Siegel Awards Category I: for Excellence tyw in Teaching Category Ill: u t n-f ulty Recipient: Recipient: "Dr. Cohan is a professor with compassion, sensitidtv and a 10\·e of teaching. He take trong interest in his tudents and treats them with the utmost re pect. He took the time to learn everyone's name and created a very warm and friendly space for us to learn." Category II: h cl n cal c1 Recipient: "Dr. Fox erves as the sole physician advisor to the tudent volunteers of the Lighthou -e Free :-,tedical linic. A a physician, he is a role m del for every tudent who works in the linic. He approaches each intera tion with his students as an opportu­ nity to prepare them for their future medical career .. . He empower . us t take responsibility for every a pc t of the clinical encounter and teache us to be unbiased and com pas. ionate medical de i ion maker -." "Dr. Rabadi is one of the be t attending phy i­ ians I have had during my four years at UB. It is clear that Dr. Rabadi loves tea hing. He has a great ability to commun1 ate with and edu ate tudent in a fun, nonthreatening \\ay." Category IV: w rd 1d nt an Recipient: "Dr. Olawaiye 's attitude is a breath of fresh air. If you ever had a question, he gave you an entire I0- to 15-minute lecture on the topic. He never intimidated us, despite the fact that he b a 'walking HlJB. ' l:T' of information ... He created well- rafted storie to get us to remember clinical jewel -." Foryoung and old. Forpatients and families. Hospicecare touches everyone, including children with a sick mom or dad . sibling or grandparent . With chaplains and social workers helping out, the whole family feels better. The sooner you call, the more we can help. Hospice. A plan for living . 686 -80 77 hospicebuffalo.com. 111 1 ( l S IIR fOR H l SPICE& PAUlATIVE CARE Summer 2001 1111111 nysici11 33 �PATHWAY Alan D. Hut on, PhD, a·· iate profe · or and hief of the Divi ion of Biostatisti in the h ol of Public I lealth and Health Professions at the niversity at Buffalo, ha been awarded a 340,000 Faculty Development grant from the New York tate Office of cien e, Te hnology and Academic Re earch ( Y TAR) in recognition of academic excellen e in the field of bioinformatics. f that amount, 260,000 will be allocated for salarie and 0,000 for equipment. The support is part of Y TAR's Faculty evelop­ ment Program that a i t in ·titutions of higher education in 1ew York tate in the recruitment and retention of leading entre­ preneurial re earch faculty in science and technology fields with strong com­ mercial potential. An earlier Y TAR Fa ulry Development grant wa u ed to recruit Hut on, a key investigator in bio tati tics/statisti al geneti , to support the infrastru ture of the B enter of Excellence in Bioinformatics. Y TAR officials expect Hutson, who joined the UB faculty in eptember 2002, to make ·ignifi ant ontri­ bution to re car h in the areas of bioinformatic , bioterrorism/biosecurity and clinical trials, all of\ hich have commercial spin-off potential. He al o will continue hi linical re earch and will e tabli ha data coordinating center that will be a boon to clinical re earch­ ers and keep millions of dollars in New York tate that now are being contracted out to data coordinating enter in other state . - UE WUETCHER \ illiam L. Duax, H.A. Hauptman Distingui hed cienti tat the Hauptman­ Woodward Medical Re earch 111 ll\ a lull. worry-free lifestyle for independent adult, 62 and older oflenng as,et protec.t1onand health care guarantee conven,enc.e and value you wont find anywhere el,e C1/lto,foyfor mort111fonn,11to11 m11/a prrso,,,,/prosprdu (716) antcrbury 1 ,11111 npici11 'i ,, m m •· r 2 0 0 .~ \ oods 929-5817 • 705 Renaissance Dr., \ illiams.illc. Y 14221 �graphic re earch. The organization is al o rcsponible for maintaining interna­ tional tandard for data gathering, storage, and analy i , nomenclature and method . This, ork i vital to the infra truc­ ture of cience in Institute (H\\'I), and profes­ or in the Department of tru tural Biology in the Cni\'er ity at Buffa! hool of Medi inc and Biomedi al • ience , ha been elected pre ident of the International nion f ry tallog­ raphy (IUCr). The I U r, which 0UAX ha over 20,000 members from 60 countrie , i devoted to pr moting international cooperation in cry tall graphy and the publi ation of cry tallo- government laborato­ ries, univer itie , and indu tries throughout the world. As pre ident of the I r, Duax will focus on extending the benefit and ervice of the IU r to countrie that are not currently members. I le will al o be re ponsible for ensuring the u ce · of the next International ngre · and eneral A emblies of the Union that will take place in Florence, Italy, in 2005 and 0 aka, Japan, in 200 . Duax, who also erve as an adjunct as· iat profe or in UB' t.1edi inal hemi try Department and a an a ciate re ear h profe sor in the Bi hemistry Department at the Ro well Park Divi ion of B, ha publi hed over 300 manu cript . In addition, he ha· received many notable honor , in luding the Di tinguished cientist Award of the linical Ligand A ay o iety, and an Honorary Doctoral Degree from the Technical niversity of Lodz in Poland. He is a member of the ew York Academy of cien e and is a pa t member of the govern­ ing board and executi\'e board of the American Institute of Phy ic . TAVA HA. CHIJK THE AUDIOLOGY CE TER GEE EE HEARI G SERVICE 61 Wehrle Drive (Near Harlem) Amherst 14225 630 Orchard Park Rd. (Near Ridge Rd.) West Seneca 14224 837-6213 712-2000 • Diagno. tic audiometric valuations (pediatric and adult) • Digital programmable hearing aid fittings on 60-day trial ba ·i • Tinnitus e\aluation and therap • c tibular evaluation for patients with diuines /vertigo • tibular therapy • late of the art fa ilities "Th Ear i the Road to th R art /\,1//,J/R 0 / um mer 200 I lllfale nysiciu 35 �PATHWAY • VO K. ichael ummings, PhD, hair of the Department of Health Beha iors in the Division f an er Prevention and Population ciences at Ro well Park ancer Institute, wa awarded the 2003 Joseph W. ullen Memorial Award by the American o iety of Prevcnti c Oncology (A PO) at its annual national meeting in Philadelphia, P . fhe A P Award re og­ nizes distinguished achieve­ ment in national tobacco c ntrol effort , resear h, development of prevention and ce · ation programs with wide-reaching public health impa t, and public poli y and advo acy initiative . It also re ogni,e and honors an indi­ vidual who e leader hip, like that cu ,t mies f ullen, is e. emplified by a commitment to fostering llaboration among the wide netw-orkof basi and bchavi ral cientist , health care profe sional and public health advocates involved in the fight again t toba o and tobacco­ related di ea e. Cumming was honored by the A P for being an interna­ tionally re gnized authority n tobacco is ue who ha con­ tributed to several urgeons eneral Rep rt on moking and Health and to an Institute of Medicine rep rt on nicotine addiction in hildren. He wa · al cited for hi re ent work, in luding studies using internal toba co company documents to inve tigate cigarette marketing practices, the effectiveness of tob,teco ontrol poli ie on adult and youth moking behavior and consumer risk per eption about tobacco produ t · and nic tine delivery device . ummings ha publi. hed over 160 s ientifi papers and is the deputy editor of Tobncco 011trol:A11 llltemntional Journal. DEBORA II PETTIBO!S CD E NGtllnlREINTO YIIIR H ME& OFHCE "Experience the tranquility of Tropical Fish" LARGEST SELECTION IN THE AREA • Completeset-ups lrom table/desk top to large central displays • Equipmentand supplies • Tropicalfish, gold fish & Ko, (domestic& imported),dwarf lrogs. bottom leeders. mollusks,crustaceans & other unusualvaneues. • Importedlivestockand frozen foods • Wide selectionof aquarium accessoriesand decorative items • Food, antibioticsand water cond111oners • Aquatic plants (live & artificial) • Lighting accessones tlllTmfAS: ~ NumerousDry-ScapeDisplaysin Our Showroom ~ Beta Vase Plant Aquariums ~ Lucky Bamboo Plants ~ Set-Up and MaintenanceProgramsAva1labl ~ Gift Ideas & Gift Certificates V,s,t 'l.JrtleJoe·. !he Giant Pacu /roughly 30 lbs.) or Our Large Predator- T,ger Shovel Nose Cat-Ash Tran itown Plaza 634-9344 WWW tdslropical.com OPEN: Mon,Wed,Thurs9am-9pm; Tues& FriNoon-7:30pm Sat 10al1Hipm; SunNoon-Spm 36 1 111111 Plrsicl11 \ 11 m '" ,· r 2 0 0 J ~ D Tropical /; TRANS/TOWN P1RA j C) - -------1 J-q() Exll.49 Fi,,/1 -90-­ �Sc·enti 1cP anning Bv onna Jean Nowak, PhD, an internationally recognized scientist whose research has contributed directly to the Human Genome Jo H DELLA Co TRADA UB Provost Elizabeth D. Capaldi, announcing Nowak's appointment, noted that she "has an absolutely critical job at the UB Center of Excel­ Project, as well as to microa1Tay-basedapproaches to under­ lence in Bioinfonnatics-building standing heritable disorders and cancer, has been named integrating that with the infonnatics piece coordinated by director director of scientific planning for the University at Buffalo Center of Excellence in Bioinfonnatics. In this capacity, she will direct the Jeffrey Skolnick. "She will work with the deans at UB and our academic partners to integrated experimental component within the center that willbe crucial to recruit world-class researchers who can participate in our coordinated achieving the goal of creating a wortd-class center and advancing a bold systems-biology approach," Capaldi added. experimental initiative to complement its ongoing theoretical efforts. the "bio" part of bioinfonnatics and A native of Buffalo, Nowakearned a bachelor's degree in biology from An associate professor of biochemistry in the UB School of Medicine Canisius College, a master's degree in natural sciences from UB and a and Biomedical Sciences, Nowak previously served as director of the doctoral degree in experimental pathology, also from UB, where she Microarray and Genomics Facility, a collaborative research lab shared by received a New York State Predoctoral Fellowship in Cancer Research. the school and Roswell Park Cancer Institute (RPCII, and headquartered at RPCI. Prior to that, she was involved for 14 years in research at RPCI developing physical clone resources for cloning disease genes and map­ She completed her postdoctoral training in human genetics at RPCI under the mentorship of Thomas B. Shows, PhD. The UBCenter of Excellence in Bioinfonnatics was founded in 2001 by New York State Governor George E. Pataki, who proposed creation of ping the human genome. Among her major achievements, Nowak has authored landmark papers Centers of Excellence in Buffalo, Albany, Syracuse, Rochester and Long describing the cloning of several heritable cancer disorders, including a Island as part of an effort to leverage the state's expertise in high fonn of ataxia telangiectasia INijmegen Breakage Syndrome). Her work on technologies, attract new businesses and improve the state's economy. the Human Genome Project was published in the genome issue of Nature. To date, it has garnered more than $290 million in support from New Nowak also developed a microarray-based method for identifying numeri­ York State, the federal government, foundations and corporate partners. cal differences in DNAbetween tumor and nonnal cells and cells from UB's research partners in the center are Roswell Park Cancer Institute people with genetic disorders. The results of this work were published in and the Hauptman-Woodward Medical Research Institute. The UB Center of Excellence in Bioinfonnalics is located temporarily Nature Genetics. Nowak,who has received more than $3 million in research grants from at 901 Washington Street. Construction of a 129,000-square-foot to begin in late summer or in the National Institutes of Health, has authored or co-authored more than structure to house the center is scheduled SO research articles in leading scientific journals and is associate editor early fall 2003. The new building will be located at Ellicott and Virginia of Physiological Genomics. Streets on the Buffalo Niagara Medical Campus. --- Alp ha Omega Alpha Honor Medical Society Alpha Omega Alpha is a national organization dedicated to supporting academic excellenceand perpet!iating excellencein the medical profession.It is the 011/ynatioual medical honor society in the world;st11dentsare selectedon the basis of scholarshipand integrity. Neivly nominated AOA members of the University at Buffalo's Epsilon Chaprerfrom the Class of 2004 initiated this spring are: James R. Boyle Sara R. Connolly Carmine Alexander Grieco Christina L. Haverstock Cristina Lampuri Jennifer E. Nelson Jennifer L. Nowobilski Summ('r 1003 lllf al 1 Pl ysicin 37 �0E\ELOPIE~T f\\, • The flow ofGenerations I y Li nda J. Co r de r • Ph D. CFRE This continuity, this Oow of the river of co1noded with the B: e11eratio11lo Ge11ern1io11. institutional life, is what the ampaign for VB: Ge11eralio11lo Ge11eratio11celebrated. Tho.)c It struck me al both reunion weekend and commencement who hared their mem nes during the cam­ just how fitting that theme of generational continmtv ts for paign enriched the recorded history of our our institution. official end of the ampaign for tr,mscends time and d1stJnce. It is J Our community community that remembers it-. history and plans for its future. It is a community of memory and of hope. Our school was the first ,ic,1demic unit of gratitude for what the, received and their belief B. It sun ·1ved 1908. Among the shortcomings listed were the absence of,trts cxactlr right that the school topped ib 50 miUion goal as the and science prerequisites and the lack of a meeting 1.1blefor result of a gift m,1de hr the LB Council. The former 1,a solved in11iallyby institut ­ celebrate his sixtieth reunion. n,llion to their stories. During the w.ir, UB, like many medical B\ College of PRI l CC E TE TO PUBLIC," fcren e rooms. five mornings per week at 8 a.m. Fl'ery Friday after school, to the Hexner Report b still The un i,·er-,itr evolved successfully trom "private" to "public," and from being a ,1turdav morning they had intern hips and residencies ,1fter ,ictive duty; others were allr recognized research university. all the years ,rnd changes, All eight spoke glowingly of their regard for the chool, the alumni continue to return to celehr,lle their quality of their education, their preparation for the rest of roob. They wait in anticipation when their their lives. children, grandchildren, nieces and nephews One member of this class, Dr. Ralph Behling, chose this ,1pph to LB. !'heir eves moisten with tear as weekend to announce has plan, to endow a hair in dermatol ­ the) slip hoods over their children\ heads at ogy. his own spe ialtr (sec article on page IO). This is imply ,111dwat h the newest medical doctors re- his way of ensuring that future medical students and resi­ plans for the school\ future . They share th ir 01111 areer succe\Ses, as well as the 1,ays their cdu ation b making a difference, personally and to those they en ·e. nd many alumni take steps to make .irrangcments so th.11the s hool will continue to m,1ke ,1dilferencc to those who follm,. n,siclu they had a long march; even special drills for noncombatant officers .. omc finished their considered essential stateside and continued their training . lumni gather to hear ,rnd disLUss research finding, and lllfJlt )0111 solid regional institution 10 an internation­ peat the oath th,1t phvsicians have sworn for generations. 38 LOndensed to three year . ,\tcmber, of the Class of 1943 could the Army '>pec1alized Trainmg Program or the aw\ VI 2 Program . .\lcdical school then also included a muster 111response Through commencement chools, was on the "accelerated plan," \\ith the curri ulum the centerpiece of one of the s hool's con- built FRO I Eight of thirty -three )il'ing members of the Class of 1943 nion, whi h donated property and Arts and Scaen..:eswas established. The table E\ Ol\iED alumnu who returned to gathered to commemorate this mile tone. I listened in fosci­ of Buffalo's \\'omen\ rai. ed th required endowment of I 00,000, I\ ER ITV .1 generou Edu a­ commitment tional and Indmtrial l'ULD in the importance of this school to future gen­ a re ommend.ition of closure by the Flexner Committee in ing premedi al courses. Then, ,1 few rears later, through the U who participakd through gift erations of physicians and scienusts. Thus, it :;omehow !>l'emed philanthropic Tut school. Tho. and L>stateplans were expressing both their \ 11 111 111 er }. 0 Cl .I dents will have fulfilling experiences and that the,, in turn, will also eventuallr be .1ble to contribute to the school's con­ tinuity ... from generation to generation. CD �IEL faHE), cc,TER, \\ ILLIA\! V.ITH CL.A ·s I TE. BLOO\!, l.Fl'T A. D fRA c1.· PELl!L ..:; .J c,: 0:: = 0. "' :r. 0 , SEATED, LEFT TO RIC,IIT, RO ALD R CHO\\ A. D MICHAEL t;tll\A. \\JTH RICH RD "' 0 AGEL, '-TA\ DI. G, LEFT TO RIGHT BElffRA\I f-, SKIP GARVEY, PORTI 0 = =- D MILFORD MAL01'EY um mer 200 I llllile Plpici11 39 �• R nion ■ E, !ATE JOH I ,o l1flal1 P111ici11 LAMAR JR, LEFT B A D RM \ummer 100• 3 �s CU~IBO, LFfT MARCHETTI, A ·o ROBERT MILCH CLA:s D CocHAIRs ~IIcH>.EL SA:-. ·o. ·E icrr RTHUR MRUCZEK CF:.,TFR. \\ITH CLASS~IATES A. ·o BROTHERS FL! e, ' ummrr 2001 1111,1, n,siciu �'\'i 1TH '\'i lfE f I Lf.E Special thanks to Kenneth Zimmennan, chairfor the Class of 1983, and Sanjay "Ray" Ogra, chair for the Class 1993,for all their efforts. 42 1111111 nrs1c111 ')um m r 003 �Alunmi, Dear Felio r the time this edition of llficers u• le ■ hrs har• Zll3-Zll4 811ffa/oPhysicumgoes to press, I will have begun mr term as pre. idcnt of the }.kdi al Alumni A ociation ( MAA). I eagerly look forn·ard to sen ing in this capacitv, as the governing board of our association embarks on it annual goal of initiating and supporting social and academic proje b related to the medical school, its tudcnts and alumni . PRE. IDEST I would like to start by tipping mv hat to Patrici., Duffner, MD '72, who preceded St<'plte11B. Polfock \ff) 'X.? \ I F. PRE IDE me as president. Pattv led the go\'erning board with her unique blend of vivaciou - r ne,s, good humor and a\'OJr faire. The centerpie e of her tenure \\Js a • pring Col/e('11 \lattimorc \1() '9/ Tl(EA Clinical Day unlike any in recent memory, highlightmg downtown Buffalo, the t:RER Buffalo "iiagara Medi al Campu , and UB\ Center of b ellence in Bioinformatic-. In addition to \for1i11 I. Bralt,•r, .\Ji) '7.? Dr. Duffner, who will serve a past president, I \\'ill work along ·ide Colleen Mattimore, MD '91, and Martin Brecher, MD '72, who were elected vi e president and treasurer, re pectil·elv. t E I BER Rolrit U11k,/11, .\tv, •91 the alumni association continues to evolve in its relatiorn,hip " 'ith the Medical elopmrnt Office and the l f,,1.,,. ( appucn110, \II) 'xx hool Dev­ n1ver itr at Buffalo Foundation , I .1111pleased to welcome new individual. to active role. in the alumni office. These include Kimberh \ 'cnti, director of donor stewardship and .\fnrti11 C. \fo/l(lllt'I, \f [) '95, Pit I> constituent relations, and Jennifer Lobaugh, coordinator of special e,·ents. Kim and Jennifer are talented, energetic ,·oung women who have proven themseh·cs invaluable to the w cess of our C:o//<'n1 \ftitt1111ore, .\10 •91 programs in the short time they have worked with u . \\'ith a year under their belts, they will provide C/111,/,·, ;,'i/cs, \t D '113 tremendous support as we roll up our lee,·es and continue to do "great things" for the alumni, the f11dr11111i11/ra, \II) '96 medical students, and the school. As you enJO} your summer , your governing board ha begun to plan for the year ahead. The lr-.tERITU hMBER /ol,11 /. Roilki11 II, highly ,uc essful Phy. ician- tudent ~lentoring Program, in which each in oming medical tudent \t D '76 b matched to a community physician, will be presented to the tudent when they arril ·e for Donald P. Coplr)', \f [) '70 orientation. Rob,•rt l, Re, 1111111, .\t [) '56 we plan to take o,·er downtown Buffalo and build on the successes of the past year, o mark your pring Clini al l), 1} and Reunion Weekend b set for the weekend of pril 30, 2004- calendars and plan on being ,1 part of it! Rtc.10 L IBID R Iosep/, \, C/"1za11, .\11) '60 Rl,ode l,la11d TLPHDI \fo_, Do11/,r,11•11, ,\fl) '59 "'c1·ade1 Vorotlrr C. R11.,i11ki, '59, JI) <1lifomi11 p,.,side11t, 8. POLLACK Medical , MD ' 2 l1u1111iAssociatio11 P. . If you haven't alreadr renewed your ~fedical Alumni membership for 2003-2004, you ma) do so .\fl) by enclo ing payment in the em·elope inserted in this issue. Thank you! S 11 mmt • r 2 003 1 , 111 11 n rsi1i 11 43 �L ~ S N O T E LarryBeahan,MD'55. hJs puhlished a book titled SUMMER 2003 Allega11)'Ht'llbemla ·1ab, whi,h is dernted to Allegan)' talc Park, its histo11, lore and rnntro , crs}. The book i~ ,ivail­ able at \m.11on.,om. will be certified through EdwinR. lamm, MD'60. JosephI. Bellantl. MD'58. FICS.,, rites:"! finall, re­ wa ,elected b)' the Fdlow, of the Lollege .-- ---, of Allergy, Asthma ,rnd Immunol­ ogy to re ­ ceive the 200!. ,old I lc.1ded Cane A\\ard. Presented annually, the award re ognizcs an aller­ gist who has dcmon,1r,1tcd the higheM ,tandard, of s ·ientific excellence and intl-gnty while serving as ,I tired from active pradice 111 J,1nu.irv :!003, which gin:, u, more time to spend ,ll our rlorida (,ulf Coast home. \\ c now have eight grandchil drcn-all living nearby in Horid,1! Of our four chil­ dren , one .., an arti t; one ,1buildu/dc igner; one a tea ·her; and a on who i, still single and manages ,1 Sylvan Learning Center in Tampa. " Fdlow of the college for at least 20 year,. Bdl,rnti is a profc"or of pl'd1,1tri ·s ,rnd mi~ro ­ Correction: biology/immunology JI ,eorgctown nivcr,il) and founder ,1nd director of ,nrgctown\ lnterna tional Center for lnter­ ass JacobKriteman.MD'67, was misidcntifit:d as "Jml'ph" 111the spring :!003 issue of B11ffi1/o Pl,y ­ ,ic,1111 . I r. Kntem,111lives in Damers, Z\IA. disciplina11· 1ud1cs of Immunology. He is the rt>cipient of numerous other honors ,rnd awards, including the pr stigiou, I:. 1'.lc,1dJohmun \w,ird in Pediatric Research for his contributions in Jnti ­ dr.il immunit\. In 1992, he recein:d an honor,lr)' writes: "My wife, Karen, and I recently had a grand ·hild, Holden, and are en­ jo)'ing this degre<.' rom the niwr­ sity of Palermo, Ital . Bell,1nti is al,o a past recipient of the tock ton Kimball Award at L!B. new phase of our lives. I p.isscd the critical arc medkine reccrtifkation ex,1111 !,1stNowmbcr and MichaelBan,n.M '71. FCCP,Blountl'ille, K), \ummrr 2 UOt 2013. 1 MORE BOARD r :0.1SFORFVER! Prac­ fun ,llld chal tice is 1111 lenging sin e I moved rom i\1assachu cm sc1·rn year ago." f mail ad ­ dress is: km baron@ ch,irtertn.nct. ThomasDiSessa. MO'71. has been ,1ppmntcd pro ­ fc ~or of pediatrics and chief of pcd1,1tric cardiol­ Og} at the nivcr,ity of Kentu ky, Lexington, KY, where he has also ,1-sumed the position of director of the pediatrk c ho • rdiographv lab ra­ tory at the LIK lhildrcn \ hospital. I le and his wife, Patricia, mo, ·ed from Life employees. 1'.apili joined cw York Life in I 985 as Jn Jssociatc medical direc ­ tor in the Employee. · Health Department. Six year later he be ame medical dirc,tor, anti 111 2001 he was nam-ed a ,i e presi ­ dent, a position he held prior to his promotion. A native of the Phil ­ i\kmphis to Lexington in July. The) ha,c three children: Thom,1s Jr., 29; John, 27; and Prter 21. F mail address is: cchodx@>aol.com. ippines, Kapili earned hi. medical degree at B in 1977 and completed his residency training JI St. Vincent's Hospital .ind \tedical Center . He gr,1duatcd from Fordham l ,n, chool in \l,1y 2003. I le I a l'ellow of the American -\cadem) of Disabilit) haluating Phvs1cians .ind a Fellow of the \meric.in Bo,ird BerneeY. llapili, MD'77. of Internal i\ledicine. In ,1ddi1ion to his work with has bcrn named first vi<:e president in the Fmplov­ ecs' Health Department of the, cw York Life Imu ranee Company. In this capa ·it)-, he oversees .1 full}' staffed medical facility that offers a wide range t1f servkes, mclud ­ ing phy 1cal e,am111,1tion,, fertility treatment , emergenq , care, medi ,1I screenings, and wellness programs for ew York 1 'e" York Life, Kapili is a volunteer physician for the helsea \ illage Program for the Home ­ bound Elderly. es ( I1-1)in I995, after two ­ years of internal medi­ cine training and subse­ quentlr did a residencr in anesthesiology at Yale ' niversitr . After being on staff at Johns Hopkins Barvie1~ I\ !cdi al Center as a lmical instructor in ancsthes1ology, 1 re entl) served as a commander in the .. Publk Health ervice ,1cti,e reserve at \: alter Recd Army Medi ­ cal enter, assisting in the management of battkfidd casualties dur ­ ing the recent Operation Iraqi Freedom. I am mar ­ ried to Julia Wulkuhle, PhD, a staff scientist at the 'sill." E-mail address is: drjohncoopcr@yahoo.com. RohitMRob" Bakshi.MO'91. a sociate profes or of neurology and founding director of the Buffalo euroimaging An.ii pis Center m The Jacobs eurological !mtitute, has been elected to the mcri ­ can euro - ociation. John0. Cooper,MD'89, write : "! completed a fellow,h1p in molecular biolog) at the ational lmtitutes o I lealth ording to the Bakshi'. election follows rigorous rev ic" and is based on his "subst.inti,11 �RELOCATIO Ht, T REAi f<;TATf FR BruceThiershas been electedYicepresident-electof the AmericanAcademyof Ne will be installedin February2004, with histenureas vice presi­ Dermatology. dent beginningin February2005. Thiers,who practicesin Char1eston, SC, receivedhis medicaldegreefrom UB in 1974 and completedhis residencyat the State Universityof NewYorkat Buf­ falo AffiliatedHospitals.He Is cun-entlyinterimchair, professorof dermatology, and directorof clinicaloperations(dennatologylat the MedicalUniversity of SouthCarolinain Char1eston. Ne is alsochief of the Dermatology Serviceat the Char1eston VeteransAdministration MedicalCenter. web-based Thiersis the directorof the AmericanAcademyof Dermatology's CMEProgramand is a memberof Its Councilon Education.He is a past member of the Academy'sboardof directors,ExecutiveCommittee,PrioritiesCommittee, AssemblyCouncil.In additionto his numerousacademyactivities, and Scientific ThiersIs cun-entlypresidentof the South CarolinaDennatological Association. Theauthorof morethan 130 publications,Thiersis cun-entlythe editorof we help people move. the Yur Boolrof DHmatology and DennatolOgicSurgery and has servedas the all for a free relocation portfolio regarding your destination it)­ all 1-800-6 -1170 or go on-line and visit our web site at hu n treales tate.co m Academyof Dennatology. associateeditorof the Journalof the Americ1111 academic contributions to the field of neurology" and his "promise for the future." HowardPodolsky.MD'91, has been appointed vice pre ident-chief medical officer at JI.I t. M.iry\ Health in ·t. Louis, MO. enter "Thi announ ement follows .in extensive search process , given the pivotal n,llurc of this po ­ sition," said Kenneth W. Lukhard, Mary's . "It was \ital we find the best individual for thi key leader hip role. \\'e t. haw accomplished that goal with the appointment of Dr. Podolsky." Following gradua­ tion from UB, Podolsky completed his intern ­ hip and residency train­ ing in internal medicine at The Christ Ho pital in incinnati, OH. In I993, he completed an externship with the Department of Gastroenterology / Hcpatology .it the University of Chi ago. Later this rear, he 1,·ill complete a JDdegree in health la1>studies at t. Louis Uni1•ersity hool of L.iw. Totally cu tom iz ed servic e portfolio includin g Christine8. lmbrosone. PhD'94, ha been ap­ pointed chair of epidemi­ ology in the Department of ancer Prevention and Population cience · at Roswell Park Cancer Institute ( RP I). In this capacity, she is respon ­ sible for re. earch in mo­ lecular epidemiology and biomarkers and collabo­ rates with investigator in the hemoprevcntion, genetic and therapeutics • Nationally trained relocation experts • Complete family needs analysis • Global home sale assistance • Special services for seniors • Full community tour • A complete cost of living analysis • A list of all school systems throughout WNY • Complete spousal placement assistance including resume writing and corporate contacts • 24 hour or less response time • Confidentiality assured programs. Prior to thi,, Ambrosone served in the Molecular Epidemiology Division, National en tcr for Toxi ologu:al Research, Food and Drug Administration, in Jefferson, Arkan,as Hunl ERA Relocation Center 5570 Ma,nStreet Wil ,amsv,lle . New Yon<14221-5410 Email : huntrelocatoon@huntrealestate com S u mm e r 20 /J .l l 1if1l1 riysicin 4 5 �• ( 1996- 00); as a member of the .Arkama, Can er Rese,irch Center in Lillie Ro k ( 1996-02); and as Jeffrey Tessier.MD'95. focuses on molecular epi­ demiology and the role of genetic factors in modify­ ing rdatiomhip, between reprodudin:, dictan and Therese completed her general surger, residency at Eastern Virginia Medi cal School in 'orfolk, \'A. She subsequentl> · went on to complete a fellowsh1p in trauma sur gery/ ntical care at the 'niwr,ity of ,\1aryland ho k/Tr,1um.1 Center in Baltimore, \ID. he no\, holds ,1 faculty position in the Din,1011 of Trauma ·urgcn·, Emer­ gency Surgery, and C nt1"al (_arc.it the \ ledkal ollege of\ 1rginia/ \ 'irgima (_ommonwealth environmental exposure, ' niver,it~ in Richmond, a s ciate professor and director of the Can ­ cer Lp1de111iologr Program at the Dcrald 11. Ruttenberg Cancer Center at the ~lount Sma1 School of ~lcdicine in ·cw York (2000-02). Her research .ind cancer ri k. 46 ThereseDuane.MD'95. and l1tla l 1 n,s i c i 11 \' . Therese b married to clas. mate Jeftrcr Tessier, MD '95, and thev have recently added Luke John Duane-Tessier to the family. Jeffrey is leaving ,1Ct1, ·e sen ·i e in the U.. Navy lo pursue a re,ear h fellm,·,hip in in­ fectious disease, at the niversity of Virgini,1. edical lumni was elected president of the Medical AlumniAssociationon April 26, 2003, at SpringClinical Day. Pollack is a UB clinical assis­ tant professorof ophthalmologywho is in private practice in Williamsville,NY. will serveas the new vice presidentfor the association.Mattimore is a UB clinical instructorof pediatricsand is on staff at Kaleida Health'sWomenand Children'sHospital TimothyV.JordenJr.• MD '96. ha . iomed the 1:.ne Count) \lcd1cal Center\ Dep,ntmcnl of urger, ,, an attending phy,i ­ ci,rn. He aJ.,o currently ...crvcsa ,, clink,11 assis ­ B\ D,,1>artrncnt ofSurg~I). tant professor 111 of Buffaloand Mercy Hospital. will serve as treasurer. Brecher is chair of the Department of Pediatrics at Roswell Park Cancer Institute, chief of the Division of Pediatric Hematology/Oncology at Kaleida Health's Women's and Children's Hospital of Buffalo, and chief of pediatric hematology/oncology in the UB Department of Pediatrics. �THEN GET TO BUFFALO. Likelbr? Plesst1e yoo:curentpos.::Jn tw handle Is vw practice !JM11Q waytoo rr. , headilChe5 ~so -~~meto~olf oBuflar • Visit the UBSchool of MedlciN alNIm-edlcal Scletlces' website at www.smbs.buffalo.edu • click OIi Alumni • click on What's Up, Doc? Bu aJo only i!'ll!f alJOl.( 25!laysotsnowa 'fCiJf Snowf t ..-.rodIJll19 some Cl!JeS toag-inding ha ar '10 pr heft And<U agesummer •empcratll' Womed :WNfl Physicians Here's whatwe'vegot! TheBills.TheSabres , TheTorontoBlueJays GoingoverNiagaraFalls in a barrel prefrtcrmplet Suicidewingsat the AnchorBar llthealthcertffi • familyupdates • interestln&'trips alNItrails' • happyoccasions,11■-• tntert■cles • mo,nt~ • retirement • honon and awards • publications • publicsemce/electlo■ to office • researchendeawon • muslnp on life as a doc .... toJOI<U preslJ!llOl' Reelingin freshfishfor rOS!ef olhealth eveprole;siOOals. sizzlingbackyardBBQ F t yoo:I e by send L{e\lmeHealth205 Crossinginto Canada 221 PH 877Z'77465 for an eveningor fun ear f DownhillwinteradVentures on net snowCOYefed mountains Lifetime Health wwwfitsyoll'I ife.com alo-rnedical.bk!ib" .co m Your medical resource is just a click away . University at Buffa l o The State Universityof New York UNIVERSITY MEDICAL BOOKSTORE Main Street• Phone:(716)833-7131 • um mer 2003 1,11111 Plpitill 47 �S U MMER d C.Fi ch r schools by moving the children into their home in Willard G. Fischer died on February 27, 2003, in his Eggertsville, NY,residence followinga long illness. He was 92. A Buffalo native, Fischer was a family physi­ order to allow them to le­ gally attend schools outside their home districts. The Freibergs had five children of their own and Jane quit her practice at Kaiser after cian who was known for making house calls until the day he retired in 1991 at age 80 after practicing their first child was born. Their efforts to assist black medicine for 55 years. Followinggraduation from medical school in 1936, he served as chief of staff at Deaconess Hospital for several years and was a children to enter Palo Alto schools eventually led to the establishment of the Tinsley Transfer Program, a court• mandated effort to help chil­ dren from poor districts, according to Gertrude Wilks, member of the staff of Buffalo General Hospital. then Palo Alto's mayor. As a result of the Freiberg's, "so many doors have been During that time, he also served as president of the opened," Wilks said. Deaconess staff for two terms and president of the Deaconess Hospital Foun­ dation for several years. Survivors include two daughters, HollyMomberger of the Town of Boston, and Melinda Keirnan of Solon, OH;a stepdaughter, Martha Freiberg is survived by her husband, Kenneth, of Palo Alto; and children: Jo Ann Reagan of Farmington, CT;Donald of MountainView, CA;Andre of Hershey, PA; Ellen Freiberg of Santa Rosa, CA;and Paul of Palo Alto. "Mimi" Heaps of Orem, UT; Daniel Chartes Kozera, an obstetrician­ gynecologist Gerald Ford of Tempe, AZ, and Donald Ford of Logan, His wife, the former Helen Heinrich Ford, died in 1997. and treasurer for the UB Medical AlumniAssociation, died suddenly on February 24, 2003. He was 69. J • u r '3 Jane Auer Freiberg died in June 2001. A native of Buf­ falo, NY,she moved to Palo Alto, CA,following medical school. In the 1960s, she and her husband, Kenneth, helped black children from Pa lo Alto enter better 48 1111,1, n,si,in Lackawanna, West Seneca, and Derby. He was on the staff at both Our lady of Victory Hospital and Buffalo Mercy Hospital and held leadership positions includ­ ing department chair al both institutions. In addition, he was an obstetrician for Our lady of Victory Infant Home and Maria Goretti Home. Kozera was an accom­ plished physician and com­ munity leader. He was the first in Western NewYork to perform successful intrau­ terine transfusions for Rh hemolytic disease. He was past president of the Buffalo Gynecologicand Obstetric Society, the OB-GYNunit at Mercy Hospital and the Erie County Health Board. He a son, Craig W. of Rich­ mond, MA;two stepsons, UT;23 grandchildren; and many great-grandchildren. drafted into the Army, where he served as a captain in the Medical Corps and act­ ing chief of OB/GYNat Kenner Army Hospital at Fort lee, VA. Kozera practiced medi­ cine for more than 30 years and had offices in A native of Lackawanna, NY,Kozera graduated as salutatorian from Canlsius High School and cum laude was elected to the Wall of Fame at Mercy Hospital in 2000 for his years of service and dedication. Kozera Is survived by his wife of 46 years, the former Delphine M. Gorski of Lackawanna; two sons, Davidof Lynchburg, VA,and Michael of Prospect, CT; three daughters, Kathleen Roweof Delmar, NY,and Caryn laReche and Terese from Fordham University in 1955. Followingmedical Macpherson, both of Clifton school, he completed his residency at Sisters of Char• ity Hospital. In 1967, he was lotte of Lackawanna;a sis• ter, CarolynChlosta of Issue, MD; and 10 grandchildren. ~ 11 mm l r .2 (} tJ J Paril, NY;his mother, Char­ Jeffr y Jeffrey S. Perchick died on March 1, 2002, as a result of an apparent robbery. He was 55. Perchick was in the practice of oncology and hematology in the City of Poughkeepsie, NY.Previ­ ously, he was an attending physician at Vassar Broth­ ers Hospital, 2003 Pittsburgh and received fel­ lowship training in hematol­ ogy and oncology at Strong Memorial Hospital at the Universityof Rochester. He was In private practice limited to hematology and oncology since 1978 In Poughkeepsie, NY. Perchick is survived by his wife of 32 years, Jo Anne, and his children: Rebecca Kent of Poughkeepsie; Brian of St. Francis Hospital, and Hudson River Psychiatric Center. He was a Rochester, NY;and Larry, who is a student at Tufts Universityin Boston, MA.He is also survived by his two former senior medical direc­ tor at Hospice of Dutchess grandsons, Joshua Gilbert Kent and Jeffrey Perchick County, and former chair of Kent of Poughkeepsie. "Dr. Perchick was ex­ the Cancer Committee at Vassar Brothers Hospital. Followinggraduation from UBmedical school in 1972, Perchick completed his internship and residency training in int.ernal medi• cine at the Universityof traordinary. He was a great man and a great doctor, and he will be missed not only by his family, but also by his patients, whom he treated like 'family,"' said a former patient. 4D �James Scholar Alfred"Tom" FronteraJr.,Classof 2003 Pictured. left toritht.Jo ·s t er.Yer 1ca. Alfred Sr.. T , andsister en 1fer. he Jame PlattWhiteSocietyi a distinguihed group of donor that contribute 1,000 or more annually to the Univerity at BuffaloSchoolof Medicineand BiomedicalScience. . ·amed after Jame Platt White, .\10, one of the founders of the ~tedical hool, White wa. a pioneer in as both dean and pre ident of the ni\'ersity at Buffalo merican obstetric and gynecology who sen·ed B facult}. Each year at grnduation, the Jame Platt White . · iet}·honors a . tudent who e:em­ plifics the leadership qualities that personify those of Dr. White-foresight, intellectual ,·igor and moral courage. This year'· r cipient is Alfred ·1. Frontera Jr., or "Tom," as he is known to familr members and friends. Tom was hooded by his father, Dr. Alfred T. Frontera r., a neu­ rologist \\;th succe~ ful practices in their hometom1 of Kingston, . ;)'_ Tom i. following in his father's foot tep. by entering into residency training in neurol­ ogr at Columbia lJniwrsit}· College of Ph) iciam and urgcon . , eurolq,1y is a family affair, a,;Tom' sister, Jennifer, is in her fourth ye-..1r of rcsidenq-'in neurology at olurnbia. Tom recei"ed a Hitchcock hair adorned ,\;th the L'B hool of, fcdicinc and Bio­ medical Sciences insignia in recognition of thi special honor. �p H A R M A 0 p 0 E I A Thi 11lu tranon "''lls d,.,. uall reproduced from offizm ·lien Ce .. ach,e, a four ,olume cd1t10n of pharmaceutical plants and their m d1c111alu e , publi hcd m German m 1863. Thc ph rmacopoe1a b, 0110 Karl Berg (1815 1866) 1 part of the Roh rt L. Brown H1 tory of led,cme Colle 110n. lo c tcd m th \.bbott Hall Health c1encc Llhrnl'). 1'1ctun d h.-re 1 the Daphne, one of a ene of botanic I 11na c d1gi tally re to red a pa, t of an 1m11atl\e to pre .-,.,,e nd highlight umque re ourc from the libr I') collec11on, Reproduct 10n are av ,!able for purcha e throu h the hbran, and can be ,1ewcd onhne at 1 ledia.buffalo.edu an . Image re tora11on wa, performed b I ledUI. the 1n trucllonal m ,ha ser dep rtment of om pu1111g and Inform 1t10n 1 echnologi; t B \ICC 8 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Physician Magazine Description An account of the resource <em>The Buffalo Physician</em> (formerly the <em>Buffalo Medical Review</em>) was published quarterly by the State University at New York at Buffalo School of Medicine and Biomedical Sciences and the Office of Publications. The magazine informed its alumni, friends and community about the school’s pivotal role in medical education, research and advanced patient care in our region. Identifier An unambiguous reference to the resource within a given context LIB-HSL008 Subject The topic of the resource State University of New York at Buffalo. School of Medicine--Periodicals Medical colleges--New York (State)--Buffalo--Periodicals Publisher An entity responsible for making the resource available State University of New York at Buffalo. School of Medicine Robert L. Brown History of Medicine Collection Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Type The nature or genre of the resource Text Still Image Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Buffalo medical review Is Part Of A related resource in which the described resource is physically or logically included. Buffalo Physician Magazine LIB-HSL008 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo physician, Summer 2003 Subject The topic of the resource State University of New York at Buffalo. School of Medicine -- Periodicals Medical colleges -- New York (State) -- Buffalo -- Periodicals Publisher An entity responsible for making the resource available State University of New York at Buffalo. School of Medicine Robert L. Brown History of Medicine Collection Date A point or period of time associated with an event in the lifecycle of the resource 2003-Summer Relation A related resource MIcFilm LD701 .B42 M5 no. 268-271, Buffalo physician and biomedical scientist Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Type The nature or genre of the resource Text Still Image Identifier An unambiguous reference to the resource within a given context LIB-HSL008_v38n01-2003-Summer Table Of Contents A list of subunits of the resource. New Vision of Collaboration In Step with Medical Milestones Take Note Medical School Research Pathways Reunion Weekend Classnotes Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 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Copyright 2003 University at Buffalo, State University of New York Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/88787c314a1b7e8a1e1197d4c1d9581c.pdf f308abb79a62ccf4a16d8e0514985a76 PDF Text Text - �ltlfah ••rsicu• ASSOCIATE VICE PRESIDENT FOR UNIVERSITY COMMUNICATIONS Dr. Carole Smith Petro DIRECTOR OF PERIODICALS Sue Wuetcher Dear Alumni and Friends, EDITOR Stephanie A. Unger ART DIRECTOR/DESIGNER Alan]. Kegler DESIGN ASSISTANT Karen Lie/mer CONTRIBUTING WRITER Lois Baker PRODU C TION COORDINATOR Cynthia Todd-Flick UNIVERSITY AT BUFFALO SCHOOL OF MEDICINE AND BIOMEDICAL SCIENCES Dr. Michael Bernardino, Dean EDITORIAL BOARD Dr. john Bodkin Dr. Martin Brecher Dr. Harold Brody Dr. Linda]. Corder ]asott Hoffmarw, Class of 2004 Dr. ]ames Kanski Dr. Elizabeth Olmsted Dr. james R. Olson Dr. Stephen Spaulding Dr. Bradley T. Truax Dr. Franklin Zeplowitz TEA C HIN C HOSPITALS Erie County Medical Center Roswell Park Cancer Institute Veterans Affairs Western New York Healtltcare Sy stem K~lffl)A Ht A I/fl,' The Buffalo Geueral Hospital Tlte Childreu 's Hospital of Buffalo Millard Fillmore Gates Hospital Millard Fillmore Suburban Hospital C .1 111 0 l/ C Hf-\IJII St li ff\1: Mercy Health System Sisters of Charity Hospital WOt.:LD LIKE TO BEC.I · :-.n FIRST :-.IESSA(;Ic to readers of Buffalo Physician by asking you to join with me in welcoming the Class of 2005 to the University at Buffalo's School of Medicine and Biomedical Sciences. On August 13,2001, members of the medical class participated in the school's Fourth Annual White Coat Ceremony, a symbolic rite of passage whereby incoming students are formally initiated into their roles as physicians-in-training by being "cloaked" in a white coat. While each class entering our school is unique, the Class of2005 holds the distinction of being the first to enter the new organ- and system-based curriculum that is being introduced this fa ll (see cover story, "Medical Education, for Life"). The implementation of this new curriculum is an important milestone because it directly impacts on our school's primary mission, which is to educate physicians and biomedical scientists. Over the next year, there are a number of important goals related to medical education at UB that will require a vast amount of energy. First, we need to prepare for a visit in August 2002 from the Accreditation Council for Graduate Medical Education (ACGME), the entity that oversees and accredits residency programs across the country. Following that visit, our objective will be to work toward transferring sponsorship of UB's residency training programs from the Medical-Dental Consortium to the university, a move that will result in our Office of Graduate Medical Education assuming a much stronger administrative function, emphasizing quality training. Once we establish the university's sponsorship of our residency programs, I anticipate that we will be revisited by the ACGME within two years to be evaluated for accreditation as the new residency program sponsor. In addition to the visit from the ACGME in August 2002, we are scheduled to be visited in October 2002 by the Liaison Committee on Medical Education (LCME), the accrediting body for medical schools. I am currently working to organize a task force, subcommittees and other data-gathering groups in advance of this visit, as it is critically important that Ni11gara Falls Memorial Medical Ceuter @ UIVIISITY liiUFFILI. THE SlATE UIIYEISITY If NEW Till Letters to the Editor we be well prepared. Each of these groups will play a key role in compiling a written report that we are required to send to the LCME by spring of next year, along with a strategic plan for the school. Also within the next year, we will attempt to negotiate a new affiliation agreement with UB's major hospital affiliates. The agreements under which we currently operate are outdated, having been established, for the most part, back in the mid- 1980s. Needless to say, many economic and regulatory changes have occurred since then. Essentially, it will be important that we have a clear understanding of how the university relates to the ho pitals we are affi liated with, as well as how they relate to us. In negotiations to date, we have emphasized that we consider both undergraduate and graduate medical T~ ~ University at Buffalo 17te State University ofNew York �- - -- --- --- ~-~ ~ - ~ - -~ -~ education-as well as research conducted by UB faculty at these affiliated hospitals-to be the university's responsibility. In reviewing these and other complex issues related to UB's School of Medicine and Biomedical Sciences it is obvious that no one individual can manage such a large institution in today's turbulent economic, social and regulatory environments. Recognizing this, I have reorganized the school's administrative structure, placing responsibility for financial matters, external hospital relations and practice plan management within the Office of the Vice President for Health Affairs. I have also expanded the academic component within the Dean's Office by establishing three senior associate dean positions: one for admissions and curriculum, one for graduate medical education and one for research. Working in a complementary role with these deans is the associate dean for alumni affairs and development, whose goal it is to continue to increase private philanthropy, primarily to support the academic component of our school. I am pleased to announce that Margaret Paroski, MD '80, clinical professor of neurology and medical director for Erie County Medical Center, has agreed to serve as senior associate dean for admissions and curriculum. Roseanne Berger, MD, associate professor of clinical family medicine and pediatrics and associate dean for graduate medical education since 1993, has agreed to serve as senior associate dean for graduate medical education. Bruce Holm, PhD, who has served as senior associate dean for research since 1999, will continue in this role, which expanded to encompass all of UB's health-sciences research programs when he was named senior associate vice president for health affairs earlier this year. Lyn Corder, PhD, who has served as associate dean for development since October 1997, will continue to coordinate activities with various constituencies that support You will note that this issue of Buffalo Physician contains a the school, including alumni, parents, faculty and emeritus faculty and friends. I will rely on these three senior associate deans to manage and lead their designated areas, each of which is crucial to our school's future. Our alumni and friends will continue to work with the associate dean for alumni affairs and development to enhance the academic mission through volunteering their time and providing much-needed financial support to make the experience for those who teach and learn within our walls as rich and full as is possible. response envelope. We trust that you will use it. Most of our peer institutions include these envelopes in every publication to help to underwrite their cost. Here at UB, the School of Medi- Despite the recent changes and many challenges that lie ahead, I think it is imperative that we not lose sight of our school's many strengths. Certainly any institution that has graduated 155 classes of medical students, as UB has, is an institution that is capable of adapting to the vicissitudes of time. Indeed, change is upon us, but by working together I am certain we can honor and sustain UB's formidable reputation as a place where some of our nation's finest physicians and scientists have been educated and trained. cine and Biomedical Sciences has published this magazine as a service to its alumni, faculty, residents, students and staff, at no charge, for years. We hope that the inclusion of a gift envelope in each issue will be suffi- Finally, as this issue of Buffalo Physician was going to press we learned of the tragic events of September 11. Our school has over 1,550 alumni living and working in the ew York City area, and an additional 600 or more within a 45-minute drive of Washington, D.C. Together, these individuals comprise about 30 percent of our living alumni. Many more undoubtedly have personal ties, family members or friends directly affected by the attack. It is at times like this that we are reminded of our interconnectedness, as well as our collective obligation to do everything in our power to foster the healing that must now take place. }~f.,. ~ :~=..B ERNARDINO, cient reminder that this publication-like so many activities, lectures, special events and reunions-are only possible through the generosity of our alumni and friends. Also, please feel free to use the envelope for any feedback or comments you may have about your school. MD, MBA Dean, School of Medicine and Biomedical Sciences Vice President for Health Affairs L n /. ( t ,,1, r, asso, 11llc dean fJr alumni affairs and de• clopment �Dear Fellow Alumni, '> 1 " LW Sl HOO! \ t \R START'>, I would like to welcome the students of the graduating class of 2005. Having just celebrated my 25th class reunion at this year's Spring Clinical Day and Reunion Weekend, my hope is that our incoming students will be as proud of their school in the years ahead as my classmates and I are of ours. While our students may not be aware of the changes occurring at our school, we, as alumni, have a responsibility to be aware of these changes, to adapt to them and support our school and its leadership in every way we can. In the Dean's Message, Dr. Bernardino talks about plans to restructure the residency program, with the university emphasizing quality training. He also describes negotiations to restructure the relationship between the university and its affiliated hospitals. The university must assume that the medical education programs-both graduate and undergraduate-as well as research conducted by UB faculty in the affiliated hospitals, are the responsibility of the School of Medicine and Biomedical Sciences. These goals represent changes in the way that these programs have been administered in the past, but they will bring UB in line with most medical schools in orth America with regard to their residency programs and teaching hospital affiliates. The reorganization of administrative structure within the school is a positive change. I believe that Dr. Bernardino has assembled a strong group of administrators to work with him. They are people who Jove the school and will help to make his job manageable. At the same time, they will assist in preserving UB's traditions within an institution that has done an excellent job of educating physicians, participating in important and groundbreaking research and serving the region in a variety of ways for more than a century and a half. Dr. Bernardino faces many challenges regarding the above issues, and has several difficult decisions to make to ensure that the school will operate on a solid financial footing well into the future, especially given the "turbulent economic, social and regulatory environments" that he mentions. Now is the time to step up to the plate and support our school. Be as generous as you can be with your time, your positive suggestions and with your resources. I see the current changes as positive. (The glass is more tha11 half full!) Think about it, the school has a sound business plan, excellent faculty, terrific students and a reorganized infrastructure. The School of Medicine and Biomedical Sciences, our alma mater, will not only be able to maintain its position as one of the most important entities in Western New York, but it has the potential for greater national prominence and recognition. BODKIN II, MD President, Medical Alumni Association jOHN j . �VOLUME 36, p H y s c A N Features 6 14 Medical Education, for Life Organ-based curriculum introduced this fall de-emphasizes lecture format BY S.A. UNGER Sure Hands Teach Hands·On Medicine ew Bedside Procedures/Clinical Laboratory course proves popular BY NICOLE PERADOTTO First-year student Garrett Zoeller listens intently as speakers representing Muslim, Christian, Jewish and Sikh faiths came together in Butler Auditorium to talk about the events of September 11, 2001. On page 48, POLITY president Jason Hoffmann describes the students' inspiring response to this tragic day. Cov~.:R u ... LUSTRAT 0'..; BY STEPHANIE CARTER 18 White Coat Ceremony and Humanism Award 20 ewMPH Program 22 Telemedicine's exanding applications 25 Virtua l-reality palpation glove developed and tested at UB 21 Kishbaugh and Ball receive a ugh ton Award 32 Research news briefs 28 jack Konsek, _ .......... u""'·-'"u""""''--1-- Development 37 Message from 30 David Block, MD '64, chose a career in medicine over golf, much to the relief of jack icklaus Class of 2003 , looks at ways medical students can help to reform managed care the director"Gifts that Strengthen our School" 38 Endowments listing 41 ews from your UB classmates and other alumni 48 Our students' response to the events of September ll �------ - ------- - ALittle Fire in the Belly DEAR EDITOR: "The recent Buffalo Physician [Summer 2001] featuring Don Pinkel is excellent. It had great meaning to those of us who knew him as a house officer." Jacob Steinhart. MD DEAR S.A. --....[·--·· ...-·-..--·------·-· .-:-·..·-·-· , Professor Emeritus, Pediatrics news to patients. Anyone interested in UNGER, Thank you for the splendid article about obtaining this article may request a copy by my brother, Dr. Donald Pinkel, in the e-mailing me at drsta!l@buffalo.edu. summer 2001 issue of Buffalo Physician. Robert Stall. MD '83 It certainly brought back memories of his lntema/ Medicine '86 studying-in the attic of our Kenmore Geriatric Medicine '88 house, and Mom taking him big dishes of ice cream! Loretta Pinkel Kelsey Buffalo, ew York Drs. Beutner and Jordan DEAR EDITOR UNGER, DEAR S.A. UNGER, Your article on Thank you for your excellent job of editing Buffalo Physician. I was especially excited to Dr. [Donald] Pinkel is read the Pathways article in the summer fascinating. And, of 2001 edition regarding the dermatology course, I love all the award given to Drs. Beutner and Jordan. references in it to my Dr. Beutner was a great inspiration to me wonderful husband in beginning an academic research career in [the late Dr. Mitchell '64 and the enthusiasm of Dr. Jordan (then Rubin] and the photographs a medical student) for the pemphigus of him, too. Buffalo Physician is a most interesting magazine. Maizie L. Rubin Charleston, South Carolina project which was ongoing in the lab at the time was also memorable. I would like to extend my congratulations to both of these gentlemen for the belated recognition of their pioneering work and to add my personal thanks for the Good Ways to Deliver Bad News help and inspiration I received as a fortunate witness to this creative work. DEAR EDITOR, Jerry A. Bash, PhD '71 I read M. D. Kinnamon's article, "Good Ways to Deliver Bad News," with great interest [summer 2001 issue of Buffalo Physician]. It is critical that all health-care professionals learn how to communicate bad new in a forthright, yet sensitive way. I have prepared a handout in which I describe my approach to conveying bad 4 IUII I ID Phy sicin A II I [/Ill II 2 0 0 I Letters to the Editor are welcome and can be sent via e-mail to bp-notes@buffalo.edu; or by post to Buffalo Physician, 330 Crofts Hall, University at Buffalo, Buffalo, NY, 14260. Letters may be edited for length and clarity. �- Buffalo-Niagara Medical Campus DEAR EDITOR, The article entitled "Buffalo- iagara Medical Campus" [B MC) in the summer 2001 edition of Buffalo Physician states ~--~ -------- --------- --- -- - - --- result in tamponade. This is part of medicine at the State University of Advanced Trauma Life Support [ATLS), York at Buffalo. Thank you, especially to ew and at SU Y at Buffalo-and at a rapidly Drs. Richard Braen, Richard Krause, increasing number of emergency Dietrich Jehle, Tony Billittier, Dave Ellis, residencies-this assessment is a skill Ron Moscati, Stan Spurgeon, Jeanne Basior, Dave Janicke, Josette Teuscher, incorrectly that "UB doesn't own land or Rob McCormack and Rick Lafountain. structures on the medical campus." McKinley's The B MC encompasses approximately 100 acres bounded on the north by ....... ........., Best Street, on the east by Michigan Street, ~ on the south by Goodell Street and on the west by Main Street. UB owns the five- Christopher J. Jaksa, MD Emergency Resident Buffalo Medical-De11tal Consortium 1997-2000 ---------··----- story, 116,500-square-foot building at 1021 Main Street that houses the University's Research Institute on Addictions [RIA]. RIA research scientists hold faculty appointments in the departments of psychology, psychiatry, sociology, social and preventive medicine, among others, and in the School of Social Work. During fiscal year 200 I RIA received in excess of $7.7 million in external grant and contract awards, mostly from federal sources. Dale M. Landi Vice President for Special Projects and Programs, University at B11jfalo McKinley Assassination belonging to the emergency physicians. Indeed, the person initially assessing Buffalo Physician Receives AAMC's Award of Excellence the President would be the emergency physician, who would activate the trauma team. Moreover, the emergency physician I am proud to announce that Buffalo Physician would intubate the President, as needed, magazine has been chosen to receive an Award of and the emergency attending would direct Excellence-the highest level of recognition- the overall resuscitation until a trauma in the 31st Annual Association of American attending was available. Medical Colleges/Group for Institutional Advance- My points are these: (1) the role of the ment Awards of Excellence competition. emergency physician is often crucial in Buffalo Physician won the award in the external trauma, and (2) one of the early propo- audience publications category. In his letter notifying nents of bedside ultrasound in trauma our school of the award, L. G. Blanchard, vice chair was Dietrich Jehle. Dr. Jehle just happens of public relations for the AAMC Group on to direct the Emergency Department at Institutional Advancement (GIAI, wrote "This is the Erie County Medical Center and, highest level of recognition among winners. You and DEAR EDITOR, ironically, is cited in the same spring your staff are to be highly commended for your out- I enjoyed Dr. Fisher's recent article on 2001 issue of Buffalo Physician for his McKinley's assassination [Buffalo Physician, spring 2001 issue). I also read Dr. Seibel's accompanying standing work. Over 130 entries were reviewed this year, and the level of competition was especially teaching and work on bedside ultrasound . rigorous .... Your fine work advances all of us in One more observation: Buffalo has an the GIA, our member institutions, and the practice impressive history, but has certainly article on the modern care the President struggled since at least the 1960s to would receive. He points out that maintain some vestige of the glory that was of medicine." Please join us in congratulating Stephanie A. Unger, editor of Buffalo Physician, and Alan J. penetrating abdominal trauma requires hers at the time McKinley was assassinated. Kegler, the magazine's art director and designer, exploration and that neither CT nor MRI There is a palpable yearning to compete for this very prestigious award. imaging studies is indicated, which is quite and excel-even as the city continues to right I think. What is not noted, however, lose population-and an unwillingness to in Washington, D.C., on November 3, 2001, at the is that bedside ultrasound would be used in concede the lessening of its once mighty annual AAMC meeting. The award was presented at a ceremony the first few minutes of the President's stature. I completed my residency just over arrival to see if there is free fluid (blood) in a year ago, and I can assure my Buffalo Michael E. Bernardino, MD, MBA the abdomen, and to see if there is any friends that there is one place that does evidence of pericardia! blood, which could excel; namely, the residency in emergency Dean, School of Medici11e m1d Biomedical Sciences \'ice President for Health Affairs A II t II Ill 11 2 0 0 I lu llal1 Ph ysiciu 5 �• n, �Illustrations by Stephanie Carter In particular, the new curriculum de-emphasizes the traditional lecture format in which students are taught the basic sciences within a department-based context (anatomy, pharmacology, biochemistry, etc.), and instead introduces a variety of teaching formats that complement lectures. These varied formats-such as small-group discussions and other activities intended to foster self-directed learning-are in turn being used as methods to introduce students to a new organbased approach to learning that not only integrates basicscience knowledge across disciplines, but gives this knowledge additional relevancy by placing it within a clinical context. In the new curriculum, therefore, the teaching of basic science is no longer departmentally based, but instead is organized around a series of nine organ-based (or system-based) modules that are preceded by a four-part series of"foundation" modules that all students are required to take their first semester to ground them in basic-science fundamentals. (See page 11 for a listing of the modules and module leaders.) "In each organ-based module, all the basic-science elements (physiology, pathology, biochemistry, anatomy, etc.) are integrated into the study of one organ, which also includes clinical elements with case presentations," says Heffner. "The goal of this new approach," he adds, "is to better equip third- and fourth -year students to integrate their knowledge in a similar way once they begin to work more intensively in a clinical setting." Autumn 2 001 lallala Pbysiciaa 7 �here are a number of reasons why the school's administration and faculty felt a change in curriculum was needed, according to Heffner. "One of the foremost reasons is that educators, in general, have come to understand that many people learn in a way different from the way we thought they did," he says. "We thought people listened to lectures, read books and memorized facts. But now we know that this isn't the only way to learn; in fact, the best way for many people to learn is for them to engage in what we call 'active learning,' where they make their own goals and learn at a pace and in an order that is appropriate for them." Heffner says he and others on the faculty have discovered firsthand about the viability of this mode of learning through their experience with the Scientific Basis of Medicine (SBMI course that was introduced into the school's curriculum in 1996. This course-many facets of which have been interwoven into the new curriculumwas the school's first attempt to teach basic science to students in small-group sessions that emphasized problem-based (or "case-based") learning, which puts the onus on students to learn in a self-directed, active way. "Active learning is the whole idea behind problem-based learning [PBL]," says Heffner, who notes that some medical schools around the country have gone exclusively to this format in recent years. "At UB, we have seen that students can become remarkably resourceful learners using PBL; however, one problem with using this approach exclusively, we felt, is that it's not very efficient, so what we' ve put in place at UB is a hybrid curriculum, where you have some PBL-some small-group, casebased learning-and some lectures, which give you a very quick overview of the subject in a concise, time-conserving way," he continues. Another reason why the curriculum has been changed is the fact that the amount of biomedical knowledge has grown exponentially in the past few decades, making it impossible for even the best and brightest of students to understand and retain it all. To accommodate this increase in knowledge, many, if not all, medical schools began to compact more and more information into lectures. As a result, the density of lecture material tended to overwhelm students and frustrate their attempts to prioritize information in terms of importance and relevancy. It also left them little free time to pursue independent learning in the library or in discussions with classmates and faculty. "Part of what all medical schools have tried to do in response to the information explosion is to jam more and more information into the curriculum, and at some point the 8 lu lfal1 Physiciu A [/ t II lit II 2 0 0 I shoehorn was not able to get the foot into the shoe," says Spurgeon. "This wellintended, but somewhat misguided, approach led to our throwing out a lot of isola ted facts to the students, rather than making sure they understood what the basic concepts were and learned how to build on them." The first-semester "foundation modules" in the curriculum-which include anatomy and embryology; fundamentals in molecules, cells and molecular genetics; an introduction to disease principles; and an overview of medicine and society-are key to addressing this problem, according to Spurgeon. "In these modules we have stripped basic science down to the very bare essentials because it wouldn't be sound education theory to take 135 students who have come out of college with very different backgrounds and not give them some similar basic science to begin with," he says. "Essentially, what we want to do is to make sure that the students entering the organ-based modules are well grounded in basic concepts and terminology." "Once the students report into the organ-based modules, we begin to bring together and integrate the biochemistry and anatomy and all the other basic sciences in a context that they will need to learn and use in medical practice," he continues. "So, now what they were once learning as isolated �facts they are learning in context, and we know students retain knowledge better when it is learned this way." A primary objective of the new curriculum, therefore, is to emphasize concepts rather than requiring students to memorize a myriad of facts, many of which are soon outdated, according to Heffner, who stresses that "the ever-increasing body of medical knowledge makes it imperative that we prepare students in this way for life-long learning." nother driving force behind the planning and implementation of the new curriculum is the goal of reinvigorating medicine-and its practitionerswith an appreciation for the art of medicine, as well as the science. "In the new curriculum, we want to start early [in the medical-education process] to reverse a trend that has occurred in American medicine since about the end of World War II, and that is the notion that the best way to as well as introduces students to preventive medicine, population-based medicine, epidemiology and biostatistics. Yet another reason for the new curriculum was the perception among clinical faculty that third- and fourth-year students who had been schooled in a lecture-dense, departmentally based curriculum knew a lot of facts, but were having difficulty pulling these facts together when confronted with a single-patient situation, according to Heffner. "One of the main things that we think is most valuable with the new curriculum," he says, "is that the students are exposed to patient situations where they can use all the pharmacology, pathology and physiology they would have learned in separate courses [in the past], and they can pull all this together in a more realistic clinical situation." Agreeing to aPlan of Action In the late 1990s, these and other reasons for instituting a new curriculum became more pressing and galvanized the faculty to A primary objective of the new curriculum. therefore. is to emphasize concepts rather than requiring students to memorize a myriad of facts, many of which are soon outdated, according to Heffner, who stresses that "the ever-increasing body of medical knowledge makes it imperative that we prepare students in this way for life-long learning." serve patients is to do a lot of tests and be extraordinarily scientific," Heffner says. "What has happened-and this is not news to anyone-is that physicians aren't doing as much of the things they used to, like sitting down with patients for a few minutes and explaining to them what they're being treated for and why. We've sometimes forgotten to do that, and we need to remind students from the very beginning that this is extremely important. "It's not that we haven't taught this before, but it was something that came more in the third year," he notes. "The feeling, though, is that if you don't introduce this to the students right away, but instead primarily emphasize molecules and cells, by the time they reach their third and fourth years and somebody tells them they need to listen to the patient, they may not be as receptive to this message." The concept of "humanism in medicine" is therefore strongly emphasized throughout the new curriculum, beginning with the first-semester Medicine and Society foundation module, which addresses "the role of the physician in society," work with former Dean John R. Wright to plan and implement change. Wright's predecessor, Dean John aughton, had earlier identified a need to "modernize" the medical-education curriculum, stressing that the lecture-based format as an exclusive means of teaching was rapidly becoming passe. His efforts, while not culminating in a complete reform of the curriculum, did result in the implementation of the Scientific Basis of Medicine course and its clinical counterpart, the Clinical Practice of Medicine (CPM) course. (The goal of CPM at that time was to introduce first- and second-year students to the clinical setting by teaching them such basic skills as taking a history, performing a physical examination and preparing a differential diagnosis. In the Autum11 2001 l1ffal• Physician 9 �new curriculum, CPM has been retained by closely integrating it into the systems based modules.) "What happened, at Dean aughton's insistence, is that SBM and CPM came into being," recalls Heffner. "However, these courses just got grafted onto an already dense lecturebased curriculum, so the hours and days became longer for the students." hen Wright became dean, Heffner further explains, "he decided to take a whole different approach and created his own task force in 1998 to look at the curriculum." Wright placed the responsibility for reforming the curriculum squarely in the lap of the Task Force, which was originally made up of a group of about 50 faculty members and students; however, he also took approach would be adopted, an eightperson subcommittee was charged with developing a recommended plan of action. Murray Ettinger, PhD, SUNY Distinguished Professor in the Department of Biochemistry, was a member of this subcommittee. "There was surprising agreement about several things everybody wanted in the new curriculum," says Ettinger, who, along with Alan Saltzman, MD, MBA, clinical professor of medicine, had been instrumental in establishing the SBM course five years ago. "First of all, there was rapid agreement that the curriculum should begin with foundation modules that provide students with the requisite "In the past this information mentally based c would have been presented in depart- , where it had no practical application to the students so they would ask, 'Why do we have to memorize all these enzymes?', whereas now we think they will say, 'Wow, we have to know all this because it applies to the clinical situation with an actual patient."' a strong stance on what the "ground rules" would be. "Dean Wright made a number of things very clear to the Task Force," Heffner explains. "We couldn't add anything to the curriculum, we had to shorten the hours students were in class, we had to move away from having lectures all day and figure out some other way to teach the students, and, finally, we needed to figure out what was important for the students to learn. We couldn't just take new material in our fields and integrate it into the curriculum by talking faster about it in a lecture." Once established, the Task Force and its Steering Committee spent the next year and a half studying various options. After it was decided that the organ-based 10 I U f f I II Ph y s i c i I n Autumn 2001 basic science they would need once they entered the modules integrated by physiologic systems. "It also was clear to everybody-even if they weren't thrilled with it themselves-that there was going to be small-group learning in each of the [organ-based] modules; we were not going to have three or four lectures in a row; all lectures were going to be in the morning, so the material we were teaching had to be broken up into different teaching formats; and many or most of the modules were going to include the basic structure we developed [in SBM], which incorporated problem-based learning." Once the subcommittee's plan was approved by the Steering Committee of the Task Force, the next step was to form the various module teams, which then set to work developing the curriculum. "By far the strongest component in the whole process has been the module teams. They are the ones who put the meat of this together and have been at the center of the work I CO NTIN U ED 0~ PA G E 1 2 �- I -- -------- --- --- New Organ-Based Modules and Leaders ach module is organized and directed by a module leader(s) responsible for such things as arranging and coordinating lectures, lining up laboratory instructors, and making sure faculty are available on a given day and handouts and objectives for each session have been submitted. Many faculty are involved in each module, some of which are as long as 13 weeks. Foundation Modules *ANATOMY AND EMBRYOLOGY Team Leader: Robert Hard, PhD *MEDICINE AND SoCIETY (epidemiology, biostatistics, population-based medicine, prevention, evidencebased medicine) Team Leaders: Carl K. Li, MD Maurizio Trevisan, MD * FuNDAMENTALS I: MoLECULES, CELLS AND MoLECULAR GENETICS Team Leaders: Murray Ettinger, PhD Donald Campbell, PhD John Cotter, PhD Mark O'Brian, PhD *FUNDAMENTALS II: PRINCIPLES OF DISEASE AND THERAPY Team Leader: Alan Reynard, PhD *MusCULOSKELETAL AND INTEGUMENT Team Leaders: John Cotter, PhD Reid Heffner, MD *NEUROSCIENCE/BEHAVIOR Team Leaders: Christopher S. Cohan, PhD Margaret W. Paroski, MD Linda F. Pessar-Cowan, MD *CLINICAL PRACTICE OF MEDICINE Team Leaders: Andrea T. Manyon, MD David Milling, MD *CARDIOVASCULAR AND CIRCULATION Team Leaders: Avery K. Ellis, MD Perry M. Hogan, PhD *LUNG AND RESPIRATION Team Leaders: Leon E. Farhi, MD Alan A. Saltzman, MD *GASTROINTESTINAL, METABOLISM AND Team Leaders: Michael Duffey, PhD Mulchand Patel, PhD Robert Scheig, MD UTRITION *ENDOCRINE/REPRODUCTION, BIOLOGY/LIFE CYCLE Team Leaders: Suzanne G. Laychock, PhD John A. Ryan Jr, MD *HEMATOLOGY Team Leaders: Amy M. Sands, MD Gerald Logue, MD *RENAL Team Leader: James M. Goldinger Jr., PhD Other Topics The subjects of microbiology, social and preventive medicine, genetics and pharmacology do not fit into any one organ-based module. Therefore, module leaders are working with leaders in these areas to ensure that the subjects are appropriately incorporated into the modules. A II t II "' " 2 0 0 I laffale Pbysiciaa 11 �MEDI C AL ED UC ATI O N . C ONTINUED FROM PACE 10 in developing the curriculum," says Ettinger, who notes that the Steering Committee was eventually enlarged to include all the module leaders, a move he credits with helping to keep the work on track and well coordinated. A ew Way oSpend aDay Out of this three-year process has evolved a curriculum that builds on the many strengths inherent in the way UB has traditionally trained medical students while at the same time integrating more modern educational methods. As the 2001 school year opened, second-year students continued with the old curriculum to maintain continuity the big difference comes in is in the manner in which the material is being presented," he says. To describe more concretely how the organ-based modules will work, Heffner also uses the example of the heart. "We might begin with a common clinical problem; let's say a patient has a heart attack. Well, that might involve the physiology of the heart: How does the heart pump? What is blood pressure? "This could lead to a discussion of the cellular abnormalities of the heart," he continues. "What happens to the heart in a heart attack? This would get into pathology and also metabolism: Why do we need oxygen in the first place, which would take us into biochemistry and would also bring in pharmacology and how you treat a heart attack. "It may sound confusing in the beginning because the students won't have some of the material ed to come to grips with this clinical problem. But we've learned from PBL that they can do it. The students become very resourceful; they learn how to look things up, they learn how to ask questions and what questions will yield the information they need. It may take awhile, but they do it." with their first-year studies, and the first-year students began their studies in the foundation modules. In keeping with the objective of encouraging the students to learn more independently, the class time in the new curriculum is mainly restricted to the morning, leaving afternoons and evenings for self-directed learning, according to Heffner. Students immersed in the organbased curriculum are not being taught material that is new in comparison to what students have learned in years past, so much as they are being taught the material in a new format, Spurgeon emphasizes. "We're not talking about different material because, largely, it's the same. Medical students still need to learn where the heart is located and what the four chambers of the hearts are. Where 12 I u I I a I o Pb y s i c i a 1 Autumu 2 001 "And then you could move into discussing things like the cause of a heart attack such as atherosclerosis, elevated blood lipids, which would turn you back toward biochemistry again. "All these put together would give you an understanding of what the patient's problem is with a heart attack," Heffner concludes. "In the past, this information would have been presented in departmentally based courses, where it had no practical application to the students so they would ask, 'Why do we have to memorize all these enzymes?', whereas now we think they will say, 'Wow, we have to know all this because it applies to a clinical situation with an actual patient."' student's day, therefore, may begin with a lecture on myocardial infarction in the morning, followed by a case presentation of heart attack in a small -group discussion, where the lecture material is further explored. "It may sound confusing in the beginning because the students won't have some of the material they need to come to grips with this clinical problem," says Heffner. "But we've �learned from PBL that they can do it. The students become very resourceful; they learn how to look things up, they learn how to ask questions and what questions will yield the information they need. "It may take a while, but they learn how to do it. And this certainly more accurately reflects the way they will need to learn new information as practicing physicians." Gentzke & Associates~ Inc. Registered Investment Advisor ALifelong Mission for Lifelong Learners In the years ahead, as the new curriculum becomes increasingly integrated into the fabric of the School of Medicine and Biomedical Sciences, faculty are convinced that it will continue to evolve based on ongoing evaluation of its effectiveness. In addition to ironing out logistical challenges, Ettinger feels that it will also be important at some point in the near future for the members of the Task Force to step back and assess the success of the new curriculum in relation to the mission statement they composed at the outset of the process. "In the very beginning, we spent quite a bit of time coming up with a mission/vision statement in which we said we should try to develop a curriculum that would cultivate in our graduates an approach to medicine that would represent a continuous, lifelong way for them to think about learning, even 15 or 20 years down the line," he reflects. "I think we should rekindle this mission statement and begin to ask ourselves whether we are in fact doing this, whether our students will someday tell us that a lot of their approach to medicine is based on what they learned here-that UB is a place they feel helped shape them, in a recognizable way, as physicians." If this can be accomplished, then the new curriculum will indeed be just a new way of perpetuating what has traditionCD ally been a hallmark of medical education at UB. Pri,·ate Pm1folio .\I anagcment Ta.~ Con!:'lulting E::,tate Plamring President and CEO Glenn Gentzke and Chief Investment Strategist Chris King F ee-Ba::,ed .\ ssct .\lanagcment L UB Commons TL\"\ -CREF .\ cki::,or _\ etwork 520 Lee Entrance Suite 205 Amherst. NY 14228 Certified QuickBooks Profc::,sional .\ chi::,or::, Tel: (716) 639-0475 www.gentzke.com A II t II Ill II 2 0 0 1 l ufllll Pbysicin 13 �l1flal1 Physic i ae AU/1111!11 200/ �• Staaley Spurgeon, MD, demnstrates pracdare to Maria I. Podebryi, Class If 2113. Standing behind Podebryi is Charles SeYeril, PhD, MD, assistant dean f1r first and second·year students. wko created tke uw course and team teachs it. BY . I !COLE PERADOTTO Autumn 2001 15 �HIS ELECTIVE GIVES STUDENTS AN OPPORTU ITY TO LEARN HOW TO PERFORM INVASIVE PROCEDURES ON A CADAVER RATHER THAN ON A PATIE T," EXPLAI MD, PHD, A LONGTIME COURSE AFTER RETUR UB A ATO MY PROFESSOR WHO WAS I SPIRED TO DEVELOP THE ING TO SCHOOL IN MID-CAREER TO EARN A MEDICAL DEGREE . "WHETHER OR NOT THEY USE THESE SKILLS I MEDICAL SCHOOL, THEY'LL DEFI "WHE S CHARLES SEVERIN, THEIR THIRD OR FOURTH YEAR OF ITELY HAVE TO USE THEM AS RESIDENTS," HE ADDS. THE TIME COMES, THEY MAY NOT REMEMBER EVERYTHING THEY LEARNED, BUT A LOT OF IT WILL COME BACK TO THEM AND THEY'LL BE THAT MUCH FURTHER AHEAD OF THE GAME . " The idea for the course took root in the spring of 1997, when Charles Severin was in his last semester of medical school at UB. During a neurology rotation at Buffalo Veterans Affairs Medical Center, he found himself battling a severe case of jitters while performing his first lumbar puncture. "I wanted to seem as calm as possible, even though my insides were churning," recalls Severin, now the assistant dean for first- and second-year students in UB's Office of Medical Education. "The attending was sitting beside me saying, 'Open the drape. Make sure you don't contaminate the field. Do this. Don't do that.' Now, if you were that patient, how comfortable would you feel about my inserting a needle in your back?" As is the case in many, if not all, medical schools around the country, Severin found that although he and his fellow students had been taught the "whys" of procedures, the "hows" were left to on-the-job training. "When I was attempting to perform that lumbar puncture for the first time, I didn't know what was in the kit; in fact, I didn't even know there was a kit. "! did know why the procedure was being performed and I knew what bac- 16 I u I I 1 I o Ph J sic i In A II t II Ill 11 2 0 0 I teria I might find because that was taught in medical school. But what wasn't taught was how to actually do the procedure." While experiences such as this in medical school may have inspired Severin to develop the new hands-on course, it was his expertise in anatomical sciences that gave him the necessary background to conceptualize the course and envision how it could be implemented in a practical way. Based on his teaching and research, he understood how conditions could be stimulated on a cadaver to mimic those of a living person; for example, pressurizing the vascular system with saline to reproduce normal blood pressure, or clouding the fluids with chalk dust to suggest an infection around the meninges. Fresh from his own experience in medical school, Severin says he also knows firsthand just how intensely students yearn for an opportunity to work in a hands-on way with patients. "Doing these procedures once won't make anyone an expert," he concedes, "but it will help students learn what to expect and it will familiarize them with the basic techniques and tools involved. My goal with this course has been to put students in a position where they're better prepared than I was." Giving Somet~ing Back to t~e Students When Severin decided to pursue a medical degree in his mid-40s, it wasn't with the intention of practicing; rather, he wanted to use the experience to better serve his students in his classroom. "I thought I could learn what it's like to be a medical student-the ups and downs, the highs and lows-and use that information in my teaching," he e>-'Plains. "At the time, I wasn't thinking of developing a course. I was just thinking that the experience would help my lectures in gross anatomy, or any other course I taught. But now that I have instituted the course, I feel I have fulfilled part of my goal in attending medical school by giving something back to the students." When the Bedside Procedures/Clinical Laboratory course was introduced in January 2001, 73 students expressed interest in enrolling. With only 32 openings, participants were chosen by a lottery. Among those selected was James Boyle, who gave the seven-week elective high marks. "Being prepared for what we're going to face in the hospital, where you're expected to know what to do and how to react, was what attracted me to this class," he says. "Even if we don't know all the answers, when we get there this gives us an edge." �"It's very practical," adds Betty Lim. "It teaches you how to wash your hands properly, how to handle the equipment, how specimens are labeled-all the protocol you won't find in a textbook." In fact, Severin has yet to find a text that covers all the topics discussed in the class. When he attended a meeting of the Association of American Medical Colleges last fall and presented a poster on the Bedside Procedures/Clinical Laboratory course, no one he spoke to about the course had heard of another quite like it. "To our knowledge this is something new and different. This is a unique opportunity for second-year students," says Stanley Spurgeon, MD, who team-teaches the class with Severin, Judith Tamburlin, PhD, assistant professor of biotechnical emphasize what Severin calls the "art of medicine," otherwise known as bedside manners. "You can turn out a lot of medical students who are very proficient in a technique. They'll hit the spot every time; they'll produce minimal pain. But as far as patient interaction is concerned, they're not good at all," he observes. "I saw that a lot during school. Students were ordering the right tests and giving the right medications, but there was really no interpersonal skill there. I want these students to know not just how to do the technique, but how to explain what they're doing to patients." Demystifying the laboratory Tamburlin and Gordon are responsible for a third component of the class, the the interpretation of laboratory results correlated with proper specimen collection and transport hasn't been taught." All the Ri~t Moves. without the Jiners During one Friday afternoon session of the class last spring, half of the course' s students peered through microscopes in the hematology lab . At the same time, the remainder of the class prepped for alumbar puncture on a cadaver. Severin and Spurgeon guided this group every step of the way, showing them just where to position the fenestrated drape, demonstrating how to apply betadine so it doesn't drip down a patient's back and stressing the precautions that need to be taken to keep the field sterile. As he helped one of the students angle the spinal Kit Ling Chang,/e/t, and Julie A. Gavin, right, Class of 2003, at work in the laboratory. and clinical laboratory sciences and pathology and anatomical sciences; and Mable Gordon, a clinical instructor in the UB School of Health Related Professions. "In the hospital, students frequently are given credit for knowing something they may not know, but there's a reluctance to say, 'What do you mm, doctor?'" adds Spurgeon, clinical assistant professor of emergency medicine and pediatrics. "That's part of what we're trying to address so they'll feel more comfortable doing the things they're called upon to do." Beyond exposing students to various clinical presentations and discussing accompanying case studies, the teachers laboratory. Guiding students through three makeshift labs-hematology, chemistry and microbiology-they describe what happens to a sample once a physician collects it. In addition to explaining how samples are transported, processed and analyzed, both teachers offer practical procedural-tips and discuss the necessary communication between physicians and laboratory specialists. "The students shouldn't be afraid to go to a lab. They should feel comfortable going there and discussing the results of a sample. It all plays into better patient care," Gordon says. "They learn a lot of things in their basic science courses," adds Tamburlin, "but needle correctly, Severin looked up at the class and admitted: "You know, the first time I did one of these I was scared. I was trembling. My hands were shaking." ot so for student Rob Bermel. Of course, the fact that he performed the procedure on a cadaver did wonders for his comfort level. And when it comes time for him to introduce that spinal needle into an actual patient? Bermel will be nervous, he says. But he'll be ready. "For two years we have been sitting in lecture halls and looking at books and projection screens. A lot of us came to medical school to perform hands-on medicine. Finally, we are having a chance." CD A11t11mn 2 001 l affale Physici11 11 �MEDICAL SCHOOL N E w S Donning the White Coat First-year students initiated into their new roles n August 13, 2001, the University at Buffalo School of Medicine and Biomedical Sciences welcomed its Class of 2005 at the fourth annual White Coat Ceremony held in Slee Hall on the orth Campus. The ceremony is a rite of passage for first-year medical students, who are reminded of their responsibility to "care" as well as "cure" patients by endorsing a psychological contract of professionalism and empathy at the start of their medical careers. To formalize this commitment, they are officially "cloaked" with their first white coats, after which they recite the Physician's Oath, a modern Neil Harris of Santa Barbara, California, being cloaked by lorie leonard, MD '87. version of the ancient Hippocratic Oath. Following Cappuccino's talk, Jack Opening remarks were delivered by insights into how they might strive to Coyne, MD '85, VB clinical associate Michael Bernardino, MD, MPH, dean of accomplish this balance despite the rigorous UB's School of Medicine and Biomedical demands that will be placed on them in the professor of pediatrics, was presented the Humanism in Medicine Award (see opposite Sciences and Vice President for Health years ahead. page) by Charles Severin, MD, PhD, Affairs at the university. assistant dean for students in the Office of After welcoming the students Medical Education. and their families, Bernardino Margaret Paroski, MD '80, senior assogave a brief history of the ciate dean for admissions and curriculum, ceremony and its underlying then introduced each of the students as philosophy. He then introthey were being cloaked. The ceremony duced the keynote speaker, concluded with Bernardino leading the Helen Cappuccino, MD '88, students as they recited the Physician's clinical assistant professor of Oath in unison. surgery at Roswell Park The White Coat Ceremony is sponsored Cancer Institute. Cappuccino by UB's Medical Alumni Association and talked to the students about The Medical School Parent's Council. ~ the importance of maintain S. A. UNGER ing a healthy balance in their lives as they begin their formal medical education Helen Cappuccino, MD '88, keynote speaker at the White Coat Ceremony. and shared many personal 18 I a I I 1 I o Ph J sic i I a Alllllmll 2001 �2001 Humanism Award Jack Coyne, MD '85, clinical associate professor of pediatrics, was presented the University at Buffalo School of Medicine and Biomedical Sciences' Humanism Award at this year's White Coat Ceremony (see article opposite). Nominations for the award are made by directors of the third- and fourth-year clerkships. Coyne was extolled by his nominators for "being a knowledgeable and enthusiastic teacher ••. who is a very kind and caring person, both with students and his patients." One student stated: "Dr. Coyne forms extraordinary bonds with patients, which I hope to imitate as a pediatrician." A"Class" Profile-2005 The students commended Coyne's many humanitarian projects, including his work as medical director for the Child Advocacy Center at Kalieda Health System's Children's Hospital of Buffalo. In this capacity, his nominators reported, "he works very hard to fight for the rights of children who have been abused, and he very often takes time out of Dr. Jack Coyne, right, receiving award. his busy schedule to testify in court for abuse cases that he sees." Coyne was also commended for his outreach efforts to students who are having difficulty coping with the stresses of medical school. In addition to making himself available by beeper 24 hours a day, he has opened an office in Michael Hall where students can drop by to talk with him. "Dr. Coyne truly cares for students in ways that many attendings don't because he always treats us as equals, as human beings," one nominator emphasized. "Even though I have said much more that I thought I would, I have not done justice to him. Words cannot describe just how extraordinary a physician, a mentor and-most of all-a friend he is." Support for the Humanism Award is provided by the Healthcare Foundation of New Jersey. S. A l "c CD R R A11t11mn 2001 lulfal1 Physician 19 �MEDICAL SCHOOL N E w s MPH Degree Offered at UB s \S l I health (MPH) aimed at training professionals to study and manage current and emerging community health issues has been approved at the University at Buffalo. The MPH program, which is offered through the Department of Social and Preventive Medicine in the School of Medicine and Biomedical Sciences, began enrolling students this fall. "We think this degree program fills a real need in this region," says Dennis Bertram, MD, clinical assistant professor of social and preventive medicine and program director. "People wh wanted an MPH in the past either had to leave the area or forgo the degree," he explains, adding that UB is now the only public university in the state west of Albany offering the degree. "The federal government is placing increasing demands on the states and counties to monitor and improve health, and the MPH is seen more and more as the basic training to fill the positions needed to do that work," Bertram continues. Enrollees in the program may choose between two concentrations-health services administration or epidemiology and biostatisticsin preparation to fulfill responsibilities in the following areas critical to a region's well-being: • Primary prevention of disease through identification of factors associated with the development of conditions that affect large segments of the population, such as heart disease, cancer or diabetes; • Monitoring and surveillance of infections, toxic agents, and environmental contaminants; • Targeting hard-to-reach populations for clinical services and developing outreach programs; • Collecting information on health outcomes to ensure quality health-care delivery; and • Educating the public about disease risks and preventive measures. Individuals interested in University at Buffalo's MPH program may call Marcia Wopperer at (716) 829-2975, ext. 625; or e-mail her at mwoppere@ acsu.buffalo.edu. 4D -LOIS BAKER 20 I af f If I Ph I I i Ci I D A11t11m11 2001 Assessment Tool Reshapes Rehab Care UB survey adopted by federal government, becomes new national standard I n early 2002, the federal agency , responsible for setting medical L )Is reimbursement policy for " Medicare and Medicaid programs will begin using an assessment survey developed at the University at Buffalo as the national standard for determining payment for inpatient medical rehabilitation. The federal Centers for Medicare and Medicaid Services (CMS), formerly called the Health Care Financing Administration, has elected to use UB's Functional Independence Measure, or FIMT" instrument, as the base for its new system of prospective payment for rehabilitation treatment provided in hospitals. In the past, rehabilitation hospitals have been reimbursed based on a facilityspecific rate per discharge, regardless of the number of days a patient remained in the hospital and the level of care the patient required. Under the new system, payment will be linked to the severity of each patient's disability when admitted. "This is a totally new approach, and it will change rehabilitation care as we all know it," says Carl Granger, MD, professor and chair of UB's Department of Rehabilitation Medicine and one of the developers of the FIMT" instrument. For rehabilitation hospitals, the new system means more equitable payment for facilities that take the most severe cases. �NAUGHTON AWARD '1111.....-lwri wlidlriCIIIi1a ..,...,, illalt llswlllllnl _.liCIIficallMbllillllsllllllsclllll. . . alllllillllll II • ., • ...... .._ If tiiiMaliiJ 11 ..... kllllllf •••••lcll Scillclltr.1171111• SICII• . .;It II. tlll .... llllll, Is • ......., II . . lilt Ill. illis • lllr 1W1- WIJ,IIIbs •ICIIIII. wiD hs lfllllllll llldiiiC--.IIb'llllll',llllhlilr . . . . . . fwtllllllllfalllan, Wllt,MIIIIcl....a,!llllilll ptilllCin ......." This year's winners of the Naughton Award are Donna Ball, assistant to the chair and senior staff assistant in the Department of Psychiatry, and Cheryl Kishbaugh, assistant dean for Graduate Medical Education. Donna Ball came to the Department ofPsychiatry in 1979 after nine years of service to the Research Institute on Addictions. She is responsible for all budgetary matters, personnel issues, purchasing and space coordination for the department. In addition, she supervises secretarial staff at three affiliated hospital sites and oversees all grants, contracts and report preparations. Those who nominated Ball for this award emphasized her "dedicated, conscientious and pleasant service to the department." They also highlighted the fact that she repeatedly demonstrates a willingness to "go the extra mile" to complete her myriad responsibilities and has an extraordinary ability to "trouble shoot difficult situations." For UB, the ruling brings additional international recognition for its work in rehabilitation science. "We are now seen as the experts. Our phone has been ringing off the hook since April, when it appeared the new system would be based on the FIMT" instrument," says Granger. "Everyone wants to talk to us. It's an affirmation of the work that has been accomplished at UB." he FIMT" instrument is an easy-touse assessment tool that allows trained personnel to assign a numerical value-the FIM rating-to a patient's ability to function, based on performance of 18 physical and mental tasks that represent a basic daily routine of personal care activities. 1 Cheryl Kishbaugh was the first employee in the Office of Graduate Medical Education (GME), which was created in 1982. Today, as assistant dean for GME, she is recognized for her direct and forthright style, her dependability and her dedication to the residents she serves. Skills that Kishbaugh's nominators cited her for having included: mastering complex Medicare regulations, serving as a primary resource for inquiries, and supervising residency program data entry for the National Resident Matching Program. She was also commended for her contributions as a member of committees charged with reviewing residency programs in Buffalo and, most notably, her championing of residents' causes. "If I had to characterize Cheryl in a single word or concept," a nominator wrote, "it would be 'resource.' She is someone you can depend on to always have, or know how to get, the answer to your question .... She is unfailingly cheerful, constructive, sensitive, 4D and ethical, yet objective and pragmatic." The FIMT" instrument was developed at UB 15 yea rs ago through a three-year grant to researchers in rehabilitation medicine from the ational Institute for Disability and Rehabilitation Research. Their mandate was to develop a standard for documenting the level of disability and outcomes of medical rehabilitation. The effort was spurred by Medicare's decision in 1983 to use diagnosis-related groups (DRGs) as the basis for reimbursement for care provided in acute-care hospitals. DRG reimbursement was not appropriate for payment for rehabilitation, however, because patients are treated based on level of disability, as well as on diagnosis. Lacking a federally accepted standard comparable to those used by acute-care hospitals, rehabilitation facilities have been reimbursed for care based on an allowance per case, regardless of the time and resources expended. Approximately 80 percent of the 1,100 acute care inpatient medical rehabilitation facilities in the U.S. currently use the FIMT" instrument to establish a baseline of functional limitations for each patient and to evaluate outcomes of care. These facilities also contract with UB's Uniform Data System for Medical Rehabilitation (UDSMR) unit to provide periodic performance reports and benchmarking studies. As a result, UDSMR now houses four million records, making it the largest database of medical rehabilitation treatment outcomes in the world. 4D Autum11 2001 laffal1 Physicia1 21 �he physician peered intently into his patient's eye, which had been B splashed with bleach while the man was doing laundry. Determining that the cornea had not suffered damage, he prescribed a two-hour saline irrigation. I p < 0 ' ) ( r o Conventional treatment, right? Not exactly. In this case, the physician was conducting his exam from 250 miles away, using a medical-grade television screen and a high-resolution camera to inspect the injured eye. What's more, a nurse administered the saline irrigation right where the patient lives. And home for this man-at least until he's released- is the Gouverneur Correctional Facility, a state prison near Ft. Drum and Watertown, New York. For many years, telemedicine has helped people living in rural areas by improving their access to health care. At Erie County Medical Center (ECMC), a teaching hospital affiliated with University at Buffalo's School of Medicine and Biomedical ciences, emergency room doctors are using the same technology to serve those who are serving time. The prison program bega n in 1994, linking ECMC with the Erie County Holding Center. Since then, it has grown to encompass 31 correctional facilities 22 l11fal1 Hysicill Autum11 2 001 through ew York State, from Watertown to Staten Island. "This is the largest [telemedicine] system designed specifically for emergency care," says David Ellis, MD, a clinical assistant professor at University at Buffalo's School of Medicine and Biomedical Sciences and director of telemedicine services at ECMC. "No other hospital in the world has these many facilities linked into the emergency room. It's unprecedented." Although the general aim of telemedicine is to offer help from afar, pris- oners make particularly good candidates for this genre of high-tech care for anumber of reasons. For one, receiving the necessary clearance to leave the prison takes time, a resource in short supply during medical emergencies. Treatment via telemedicine can be administered in a matter of minutes, and on-site. Secondly, because of the considerable security precautions and personnel required whenever a prisoner must be escorted off the grounds, transporting an inmate to the emergency room is expen- �sive, costing as much as $300 to $800 per trip. Telemedicine gives an emergency room physician the opportunity to evaluate the acuity of the situation and then decide if the patient needs to leave the prison, thereby reducing unwarranted trips. By how much? According to Ellis, the number of emergency room visits among prisoners at the participating correctional facilities has dropped by one-third. "We're able to get to problems earlier and intervene earlier. And if there is ever any doubt, we err on the side of transporting the patient to the emergency room." There's yet another benefit to reducing emergency room visits for prisonersone that has nothing to do with efficiency and everything to do with community relations. The sight of prisoners being escorted through a hospital in shackles and telltale orange work suits can be disconcerting for the public, Ellis observes. "You want to provide the care, but do it as much as possible at the facilities." Time and again, he has seen how feasible this is. Take the case of the prisoner at Riverview Correctional Facility who suffered an acute allergic reaction to something he had eaten. Examining his throat via a 27-inch Sony television, Dietrich Jehle, MD, clinical director of Emergency Services at ECMC and associate professor and vice chair of UB's Emergency Medicine Program, ascertained that the man's uvula had swollen. From 300 miles away, Jehle prescribed a regimen of epinephrine, antihistamines and steroids. The condition subsided and the inmate was treated without having to be transported. It's important to note that a telemedicine visit is often just a first step in the cycle of care. For example, if a patient is treated by a health-care provider at the prison in this manner rather than in an emergency room, an in-person follow-up exam with a specialist in the region is often scheduled. Conversely, if the inmate is first treated in an emergency room, the physician may conduct a follow-up assessment via telemedicine, with the inmate in the prison infirmary. Since ECMC's prison telemedicin e program began seven years ago, it has grown dramatically. In one month of this year, the medical center' s emergency room physicians fielded about 193 such cases. And the number of participating prisons is expected to double next year. Next-Generation Hardware What's more, the technology that makes telemedicine a reality is undergoing a major upgrade at UB. Currently, physicians are testing a portable, wireless system developed at the university that gives them an unprecedented degree of flexibility. "With the old system you have to bring the patient to the equipment. With this system we can bring the equipment to the patient," says its creator, James Mayrose, PhD, UB research assistant professor of emergency medicine. Because physicians must dial in to the older ISDN system over lines, it can't be moved around-at least not without a great deal of difficulty. But the new internet-based system is small and light and wireless, sitting on a portable cart that can be wheeled wherever it's needed at a moment's notice. Already, professors at UB's School of ursing use the new system to evaluate students during their emergency depart- A !It II Ill II 2 0 0 I l•lfall Physiciu 23 �ment rotations. "The roll-about device lets UB faculty see the student interacting with the patient, just as if they were on-site," Ellis says. "The faculty at UB can critique students and provide feedback. Rather than getting a report from the clinical faculty on site, they can see directly how their students are managing patients." The new system also connects hearingimpaired patients at ECMC with signlanguage interpreters at Strong Memorial Hospital in Rochester, ew York. "This program is designed to allow our staff to roll the telemedicine system to a patient's bedside and have a translator from Strong Memorial use sign language to communicate with the patient, and then relate that information back to our staff," Mayrose explains. The unit would also benefit rural hospitals, which often lack the space for traditional teleconferencing, he adds. "These facilities are usually small hospitals with very few patient beds. The mobility of the system would allow the staff to consult with medical experts at other fa cilities while at the patient's bedside, no matter what room the patient is in." Grand Rounds around the World Because medical education is an important aspect of practicing medicine at a distance, Ellis and Mayrose have been collaborating for several years with )ames Whitlock in UB's Division of Computing and Information Technology (CIT) to develop ways to make it feasible to teach between practice sites, despite distance being a factor. Their collaboration has led to a system of network multi-point conferencing units, video servers and gateway systems at CIT, as well as a portable video production unit within the Department of Emergency Medicine that can move to the sites of educational presentations throughout the UB School of Medicine 24 1 1flal1 Physician Autu11111 2001 and Biomedical Sciences and its affiliated teaching hospitals. Recently, they successfully broadcast grand rounds for the UB-Veridian Center for Traffic Injury Research through multipoint videoconferencing from ECMC to five participating sites, including Ohio State University, Syracuse University, University of Rochester, the ational Highway Traffic Safety Association in Washington, D.C., and SurfNet in the etherlands. The grand rounds were also simultaneously broadcast via video streaming to the internet through Cisco IP/TV and Windows Media Player. In addition, the digital recording of the presentation is available 24 hours a day from a server at UB. "This is something we dreamed about five years ago-being able to have many remote sites participate in our grand rounds through live video interaction, and then have that same grand rounds available at any time of the day to those who couldn't attend the program," says Ellis. "Five years ago, however, we didn't envision sites from around the world participating, but instead were thinking more about the medical community in Western New York. Having successfully completed this broadcast, we now see that these technologies are truly amazing and have tremendous potential to bridge distances for the purpose of teaching." "Screen-Side" Manners Ellis has also been encouraging physicians to refine their "screen-side" manner on the videoconferencing system. To date, he has supported clinics for psychiatry, infectious diseases, neurology and gastroenterology by giving the participating specialists an opportunity to teleconsult with prisoners throughout the state. "By the time physicians complete a clinic in that setting, they have an appre- ciation for what the technology can do, and their wheels start turning about how they can apply it in their own practices. Some of our physicians may be set in their own ways and are not comfortable in a new environment," Ellis says, "but overall it has been well received." Emergency medicine interns learn the system as part of their technology rotation with bedside ultrasound at ECMC. Because many new doctors were children of the Computer Age, they take to it with ease. "I was playing around with an Apple 2E at the age of seven. I grew up with computers, so I was pretty excited to use it," says Judith Toski, MD, an emergency medicine resident. "It appeals to me that we can manage patients well in such a cost-effective manner. And we know our limitations. We know what we can and can't do over the system." Like Toski, Richard Krause, MD, residency program director for the department of emergency medicine, is a telemedicine veteran. He observes that doctors who use the interactive video often spend more time with patients than they would in a traditional setting. "If you know you don't have all the diagnostic tools to go on, you pay that much more attention to the patient history. We take a very detailed history and have that much more of a face-to-face encounter with patients, who receive this in a positive way." Ellis couldn't agree more. Physicians don't need a lot of technological savvy to successfully navigate the system. They only have to tap into the qualities that physicians have relied on for centuries to care for the ailing. "Even if you're not at the patient's bedside, you can still pass on the same concern, the same sense of compassion," he says. "From miles away we still have the ability to show patients we are capable of helping them." 4D ' J �wo of the most important diagnostic tools that physicians have are their s y hands, which allow them to detect subtle signs of disease or injury just by touching a patient. Exercising that expertise has always required the B \ presence of two individuals in the same physical space at the same time: physician and patient. Until now. University at Buffalo researchers are developing a system that will allow physicians to use a new form of virtual reality, called physically based VR, to store information about what they are feeling during an exam and then go back and review it later after the patient has left, or share it with consulting physicians in a remote location. Autlllllll 2001 lallal1 Hysieiu 25 �Research Center (CUBRC). Kesavadas explains that, right now, there is no way for a physician who is not physically present to conduct a palpation exam on a patient. When a very serious case arises-particularly at a small, rural hospital, for example-often the patient must be airlifted to a more comprehensive medical facility where he or she can be examined in person by a specialist. The VR system under development at UB could make some of these costlynot to mention traumatic-airlifts unnecessary. "Using our customized data-collection glove and the detailed understanding we Using the "Virtual Human Model for Medical Applications," physicians wear a customized virtual-reality glove during the patient examination that collects data on what the physician is feeling through sensors located in the glove's fingertips. James Mayrose, PhD, UB research assistant professor of emergency medicine, is a senior designer of the glove and a coinvestigator on the project. Currently, he is conducting studies of the glove on human subjects at the Erie County Medical Center in collaboration with David Ellis, MD, a UB assistant professor of clinical emergency medicine, who has assisted in the development of the prototype device. In summer 2000, the research team reported on the progress of their work at the World Congress on Medical Physics and Biomedical Engineering in Chicago. "I think one of the great advantages of this technology is that it would allow us to accurately measure the bioelastic properties of the abdomen in its normal state and in its possibly diseased state," says Ellis. "Traditionally, we rely on the surgeon's touch during the abdominal exam. But the data from this electronic system will help give us a more objective way of interpreting information." are developing about the physics behind a physician's touch during an exam, we expect within two to three years to have a device in use that will allow a physician to use medical palpation virtually and in real-time," says Kesavadas. The UB work represents a departure from the usual route taken by researchers studying VR for use in medical situations, he adds. "Just about everyone who henkurussi Kesavadas, PhD, assistant professor of mechanical and aerospace engineering and director ofUB's VR Lab, is co-investigator on the project, which was supported in part by a 127,000 grant from the Center for Transportation Injury Research of the Calspan-UB 26 1111111 Physicial Au tumn 2 001 is looking at virtual medicine right now is interested in surgical applications." But those applications are many years away from being realized. For his part, Kesavadas sees no reason to wait to reap the benefits of VR for diagnostics. As is the case with many other virtualreality applications for medicine, UB's Virtual Human Model will be relevant for training physicians, as well. "Actually, the system started out as a teaching application, but we soon realized the implications it would have in telemedicine services and emergency diagnosis," Mayrose notes. The UB group currently is modeling on the computer the soft tissue and organs of the human abdomen, using atomic-unit type modeling that breaks up hwnan tissue into pieces that each measure no more than 8 mm. The system takes as its raw material the Visible Human Data Set developed by the ational Institutes of Health, which provide researchers with com plete digitized data sets of the human body. Using a very powerful graphics computer, the researchers "super-sample" smaller and smaller sections of the data set for a given body part or organ, which enables them to get more and more detailed pictures of each one and develop increasingly complex equations about how each tiny section will respond to applied forces. They then create layers of these sections, gradually building the �-- -- collection of samples up into the complete organ. "Our big contribution is that we are writing algorithms to model how soft tissue deforms as a real mass, rather than just as a surface, which is what many groups are currently doing. o one else is doing this in real time," says Kevin Chugh, PhD, research associate with the New York State Center for Engineering Design and Industrial Innovation at UB, and a coinvestigator on the project. "We will be able to touch the model with a haptic thimble (the physically based VR counterpart of a computer mouse) on the screen, apply the 'force,' using a 'haptics' feedback system and show how it deforms and then bounces back when the force is withdrawn." The work is based on a solid understanding of the physics behind what happens when pressure is applied to different parts of the human body. "While the physician is doing a palpation on a patient, the computer-through the VR glove-is picking up all the information about what anatomic-force characteristics the physician's finger is feeling," says Kesavadas. Only a handful of groups in the United States are doing atomic-unit modeling for an interactive VR environment, according to Kesavadas. "The advantage of our system," he says, "is that the physician can store data that describe and quantify the sensation he is feeling in his fingers while he is examining a patient. He can tell through touch if there are any diseased organs, if they are enlarged or hard or soft, and if there are tumors present." In addition to medical palpation exams, the system is expected to have applications in emergency services in the field, as well in the military. CD - - - - ---- - -- - TELEMEDICINE biblio aphy of books on telemedicine with direct links to A Comptled by Pamela M. Rose, MLS, Health Saen es L1bra Buffalo, 3435 Mam St., Buffalo, NY 14214. 16 829 E-mail: pmrose@acsu.buffalo.edu. Autumn 200/ lllfllt Hysicin 27 �Jo n Konsek, D'64, ch se medicine over golf, much to the relief of Jack icklau ACK 11'. THE LATE 19505 A~D EARLY '6os, an amateur golfer named John Konsek, a skinny kid from the streets of Buffalo, ew York, played so well that many thought he might become one of the game's superstars. But Konsek, who played tee to green with extraordinary consistency, had other plans: He chose to become a doctor instead of a touring pro, to make medicine his career and golf a beloved weekend diversion. Just how well could he play? A glimpse into that answer can be provided by Ward Wettlaufer, who recalls the start of one of Konsek's rounds from a qualifier for the 1960 Buffalo District Championship. "On the first hole, John hit a 3-wood to about eight feet and sank the putt for eagle. Then, on the second, he hit a 3-iron that bumped against the stick and ended about three inches away for a tap-in eagle." Konsek completed that round, played at the Park Country Club, site of the 1934 PGA Championship, with an eye-popping 28-33- 61. That opening side was nine under par and neatly contained in three pars, three birdies and three eagles. "I started playing when I was about seven," Konsek recalls. "My dad loved the game, so I decided to try it. My brother, Jim, and I would walk over to Grover Cleveland [Golf Course]. Sometimes we'd sneak on. It was so much fun hitting that ball around, playing that game, that we played just about every day." A few years later, Konsek's father opened a driving range, where John practiced and began to develop his game. But it wasn't until he was 14 that Konsek made a quantum leap in his skill. His father enlisted the Park Club professional Jack Pritchard, to work with his promising son. Pritchard was known as an unconPHoros BY ventional teacher. He taught that golf was K E\ I a right-handed or right-armed game, \f 1 Y ~ z ~ '- 1 �I - ------------- ----- snorting that Scottish pros who B' gave such importance to the left DA \f ~ T T I ~I did not know any better because they had never played baseball. "He kept telling me to swing down and through with the right arm, from the top of the backswing to the end of the swing," Konsek remembers. "There was to be no separate snapping or slashing with the wrists, either. And no conscious attempt to make the right arm cross over the left after the hit." For some 2 112 months, the disciplinarian kept Konsek for hours on the range. "He was tough!" Konsek says. "The worst part was that he wouldn't even let me play a round on a course." With a well-tutored knowledge of his own swing, Konsek began to win junior titles, among them the Buffalo District, ew York State and East Aurora Junior Masters. He went to the final of the 1957 National Jaycees, losing by one stroke to an up-and-coming Ohioan named Jack icklaus. Between 1958 and '60, Konsek was especially tough to beat. He won the New York State Amateur an unprecedented three consecutive years. During that time his Purdue University squad won the Big Ten team title and Konsek claimed the individual trophy. Back home, he won the Porter Cup and the Buffalo District Golf Association (following the previously discussed 61 in the qualifier). Some of Konsek's greatest drama, however, was in his meetings with icklaus. They clashed directly three times as collegians in 1960, when Konsek was a senior and Nicklaus a junior. In a meeting at Ohio State, icklaus beat Konsek by one stroke. In a match at Purdue, Konsek won by three. Then came the Big Ten Championship, back-toback 36-hole days at the new Michigan State course. The last day was damp and windy with temperatures in the low 50s and the spring ground still soft. Paired together, wearing knit caps and windbreakers, they were -- - even after 63 holes, but over the final nine Konsek shot 33 to 0 R E Nicklaus's 35 to win, 282-284. The third-place finisher was another 15 shots back. Speaking of Konsek's finish, icklaus called it "probably the best nine holes I had seen anybody shoot." Would Konsek have been a success on tour? "Are you kidding me?" asks Curt Siegel, now head pro at Laurel Valley Golf Club in Ligonier, PA, and the third member of the group to witness Konsek's 61. "Absolutely. John had fantastic focus before there were any sports psychologists around to use the word. His determination and intensity, not to mention his ball-striking skills, would have earned him a great career." But since early high school, Konsek wanted to become a doctor. "I pondered that choice facing me for two years," he says. "As I continually mulled things over in my mind, and that was no fun, I one day was hit with a flash of sudden understanding. I loved golf, but I loved it as an amateur loves it-as a game. When October came each year, I put the clubs away until next April. And I put them away gladly. Then I'd return refreshed to the game in April. I really didn't want golf to be a yearlong grind with me, a daily duty, a way to make a living. When the realization came, I found peace of mind. I made the decision for medicine freely and wholeheartedly." - -- ----- - they were answering questions after the round, someone called out, "Jack do you remember John Konsek?" "I sure do," he replied. There was a slight pause. "And by the way, if you had anything to do with talking John into becoming a doctor-and here icklaus broke into a wide grin"I want to thank you for that." 4D This article was reprinted with permission from Golf Journal, the official publication of the United States Golf Association. S o Konsek, golfer par excellence, enrolled in the Medical School of the University of Buffalo. He completed studies at the University of Chicago and moved his growing family to Wisconsin. He began practice in a four-person private clinic and saw it grow to be a 190person clinic serving three area hospitals. He played golf once every week or two. He was a cancer specialist, who treated individual patients. "I've had a very fulfilling life and a good career," he says with no regrets but plenty of memories. In 1966, icklaus and Arnold Palmer played an exhibition near Buffalo. When AlltUIIIII 200 1 laffalo Physician 29 �S T U D E N T COLUMN Managing Managed Care Bv D A B L 0 CLASS v I D c OF K Med i cal students have the power to influence reform 2004 rant that my patients have confidence in me and my art and follow my directions and my counsel. Remove from their midst all charlatans . . . who arrogantly frustrate the wisest purposes of our art and often lead Thy creatures to their death. -EX<.ERP During our conversation, he bluntly asked, "What are you doing here? You're in New York; you should be working on Wall Street." The message I inferred from his tone was "medicine isn't what it used to be," and I found myself unable to respond. 30 lulfale Pbysiciaa FRO\ THE PR\HR OF :-.l A MC' : >F' Between my junior and senior years of college, I participated in a summer medical work program at a community hospital in Long Island, ew York. Part of the experience included rotating through several hospital departments, including the operating room. One day during my OR rotation, I remember chatting with an anesthesiologist who was between surgeries. During our conversation, he bluntly asked, "What are you doing here? You' re in ew York; you should be working on Wall Street." The message I inferred from his tone was " medicine isn' t what it used to be," and I found myself unable to respond. Unfortunately, it was not the first time I have heard that message. Some other, mostly older, physicians whom I met during college had made similar comments. What had happened since these physicians began practicing medicine to leave them with such an attitude? After practicing medicine for many years, would I grow to adopt feelings similar to these doctors? The answer to my first question is "managed care," and to the second, "I hope not." This is both a thrilling and a daunting time to be involved in medicine. One need only glance at the cover stories in the science and medicine supplements of newspapers and magazines to see a wide array of articles on everything from the most recent revelation in gene therapy to the latest criticism of a health maintenance organization (HMO), blamed for denying or delaying needed care to a patient. As medical students, my classmates and I are poised to enter a medical system that- no matter how you look at it-is failing to do its job proficiently and justly. The United States spends more per capita on health care than any other country in the world, Au t um11 2001 yet leaves about one of every five citizens without health insurance. Millions more are underinsured. While advances to improve the quality and length of human lives occur weekly in biomedical science, the degree to which these improvements are made available to all patients needing and deserving them seems less sanguine. The challenge to current students and medical residents, therefore, lies in what we can and should do to fix a healthcare system in serious need of repair. I emphasize the role of the newest physicians and physicians-in-training in this task not to eliminate the role of other physicians in the process. On the contrary, one hallmark of medicine is its apprentice-like quality, where the more experienced help in the training of nascent physicians. Mature practitioners who have lived through fee-for-service and, more importantly, the transition to managed care, have been forced to adapt to a new form of medical reimbursement that may indeed be distasteful. Newly minted doctors, on the other hand, have never known fee-for-service nor a time when the autonomy of physicians went virtually unquestioned and unhindered (whether this is an asset or a disadvantage is arguable). aivete may, therefore, be what makes today's medical students and residents best suited to tackle the challenge of mending managed care. Before I look at what medical students can and should do to help reform managed care, it is essential to understand what managed care is doing right and what it is doing wrong. Managed care has been faulted for many shortcomings, including decreasing the amount of time physicians may spend with their patients, limiting treatment options, removing a significant level of professional autonomy formerly enjoyed by doctors, and compromising the quality of care patients receive. In light of these and other criticisms, one might liken managed care organizations to the "charlatans" chided and disdained above by Maimonides, the great Jewish theologian, philosopher and physician of the Middle Ages. Dealing with authorization and reimbursement rules certainly frustrates many doctors in their daily practices and some HMOs have been formally �- BEING A~ OPTI~1IST, I - ---- BELIEVE THAT ;\lY CLASS;\IATES A, 'D --- I ---- --- -- - ---- ~ ARE L. A CRUCIAL A, 'D 11'\FLUE. 'TJAL POSITIO.' WHEN CO"'SIDERING REFOR~1 OF MANAGED CARE. WHILE l\!EDICAL STCDE. 'TS ;\lAY BE Oi\1 THE LOWEST RUNG OF THE ;\lEDICAL HIERARCHY, THIS IS ·oTTO SAY WE HAVE , ·o VOICE OR POWER TO EFFECT CHA, 'GES. charged in lawsuits contending that denial or delay of care harmed or precipitated the death of a patient. Moreover, the strain on physicians is not limited to their clinical practices, as those involved in training students "find themselves under pressure to spend more time documenting how they spend their time" rather than teaching students or discussing cases.' Despite the criticisms made against managed-care organizations, there is good reason not to simply call for their immediate termination. By attempting to deliver quality medical care in a highly cost-effective manner, managed-care organizations can be seen as an essential, if inevitable, product of contemporary medical care. Over the last one hundred years, humankind has seen perhaps the greatest advances in science and medicine in its history. While the diagnostic and therapeutic tools available to today's clinicians are abundant, the associated costs with many interventions is equally great. Unfortunately, since healthcare resources are finite, sometimes a patient may be denied beneficial treatment because services are rationed. Whether this situation is "fair" or "right" is unresolved and regularly debated in the bioethical literature. What is clear, however, is that managed care is compelling physicians to reduce unwarranted tests and some treatments and-no matter how abhorrent the thought might be- to consider cost when making medical decisions. So, where does all of this leave medical students at the start of this new millennium? Being an optimist, I believe that my classmates and I are in a crucial and physician-assisted suicide, while the AMA was influential position when considering reform of man- staunchly opposed.~ This autonomy may be especially aged care. While medical students may important in managed-care reform, be on the lowest rung of the medical as the advocacy for the kind of hierarchy, this is not to say we have no Your Turn? broad, liberal changes needed to voice to effect change. Through organimend a limping United States healthJF YOU ARE A STUDENT OR RESIDENT INTERESTED zations such as the American Medical care system may not be immediately IN CONTRIBUTING TO Student Association (AMSA) and the forthcoming from the traditionally THIS COLUMN, E - MAIL AMA's Medical Student Section, docconservative medical establishment. BP - NOTES@BUFFALO. EDU TO SUGGEST A TOPIC. tors in training can become active in For what kinds of reforms should reform efforts. Furthermore, the opinmedical students be clamoring? In ions and mandate of the neA.'t generation of physi- my opinion, both the protection of patient welfare cians can be independent of the medical establish- and the right of all Americans to have a decent level ment, as occurred recently when AMSA filed an CO NTIN U ED ON PAGE 36 amicus brief to the Supreme Court in favor of David Block outside City Hall, Buffalo, New York. I Alll ll mTl 20 0/ l1ffal1 Hysicia1 31 �RESEAR C H Antibacterial Compound Developed E W S Institute, Trifluorosal also will undergo Phase I studies to examine the feasibility of developing it as a preventive agent for skin cancer. Therex is a graduate of the UB Technology Incubator and a subsidiary of OmniPharm, another graduate of the incubator. It previously was awarded grants totaling 650,000 from the ational Institute of Dental and Craniofacial Research to investigate the same compound's potential Potential for treati11g acne, gi11givitis and preventing skin cancer Scientists at the University at Buffalo and Therex Technologies, Inc. have developed a remarkably versatile, antibacterial compound with antiinflammatory "Trifluorosal is properties that they are inagent but since it is vestigating as a not an antibiotic, it potential topical has a very low treatment for potential for acne and gingiproducing bacterial vitis and as a preresistance. At the ventive agent for same time, it is an skin cancer. anti·inflammatory Trifluorosal, agent and has a which is derived molecular structure from the same similar to aspirin class of comand its toxicity is pounds as aspiextremely low." rin, will be evaluated in a clinical trial as an acne treatment beginning early next year under a 750,000 SBIR (Small Business Innovation Research ) grant Therex received from the ational Institute of Arthritis and Musculoskeletal and Skin Diseases. Under a $100,000 grant from the National Cancer an antibacterial 32 l11fal1 Phpicill for treating gingivitis. "If it turns out to be useful for several of these indications, the market potential for Trifluorosal is at the billion-dollar level, " says Joseph Dunn, PhD, president of Therex, and research associate professor in the Department of Oral Biology in the UB School of Dental Medicine. " If it turns out only to be useful in the application with the smallest market, then Au t um11 its potential is still in the hundreds of millions. " Despite this prospect, he cautions that there is a long way to go if the compound is deemed marketable, explaining that the road from a ew Drug Application to the marketplace takes three to five years per drug indication. It also takes anywhere from $25 million to 400 million in funding, a cost that makes partnering with a major company a necessity. Of note, therefore, is the fact that two major U.S. pharmaceutical companies have already expressed interest in Trifluorosal. Developed and patented by UB researchers in the university's School of Pharmacy and Pharmaceutical Sciences and School of Dental Medicine, Trifluorosal was licensed to Therex. In exchange for exclusive rights to the compound, UB has retained five per cent ownership of The rex, and will receive royalties from sales of any products that result. UB researchers identified the chemical precursor to Trifluorosal while conducting federally funded research in which they were searching for antibacterial compounds in products already on the market that adhered well to skin or mucous membranes. The idea was that if such compounds became the basis for new treatments, they would likely be safe since they already were on the market and since they were designed to be active only at the surface and not absorbed into the body," explains Robert ]. Genco, PhD, SUNY Distinguished Professor in the UB Department of Oral Biology and chair of the department. Genco and his colleagues found the precursor in shampoos and soaps, then modified it and developed Trifluorosal. Further work by UB and Therex researchers has resulted in a second generation of active compounds. "Trifluorosal is an antibacterial agent but since it is not an antibiotic, it has a very low potential for producing bacterial resistance," says Genco. "At the same time, it is an antiinflammatory agent and has a molecular structure similar to aspirin and its toxicity is very low. It is a member of the salicylanilide-type of agents, searc 200 1 �- which bind strongly to skin and mucous membranes." Genco and his UB co researchers, Robert Coburn, PhD, professor of chemistry and Richard Todd Evans, PhD, professor of oral biology, both principals with The rex, initially were interested in the compound as a dental plaque inhibitor. "Trifluorosal is as effective in inhibiting plaque and gingivitis as chlorhexidine, the most effective compound now on the market," says Genco. "However, it does not have the bad taste and tendency to stain teeth that characterizes chlorhexidine." Later, the researchers found that it also kills bacteria that cause acne. After Therex licensed the compound from UB, the company's researchers found it also absorbed ultraviolet light and enhanced the repair of skin damage caused by sunlight, and therefore may be an important ingredient in lotions that prevent sunburn and skin cancer. "The beauty of this agent is that it's very effective when applied topically, so we looked for diseases that could be treated or prevented this way," Dunn explains. "It is the inflammatory component that connects these diseases and what may turn sunburn into skin cancer. " The company is simultaneously investigating the applications for acne, skin cancer and gingivitis. "We're investigating several therapeutic tracks in parallel since there is a lot of overlap in this research, - ------- which makes it a very efficient research program," says Genco. "UB has been very supportive by working to patent these developments, by taking an equity position in Therex and by fostering development of this local company," he adds. Therex also has licensed two chemical libraries for drug screening from UB and to date has developed and filed patents for a drug candidate from one of them that shows significant promise for treating multidrug-resistant breast cancer. - EL LE N GO LDB AU M CD - - Stelios T. A~dreadis, PhD, left, director of University at Buffalo's Bioengineering Laboratory, has led a collaborative effort to develop skin with high mechanical stability and pliability. P D, ass1s ant pro sso eU Department of Chemical Engineering, director of the UB Bioengineering Laboratory and lead author on the paper, says the re- Genetically Engineered Skin Promotes Wound Healing Bioengineers at University at Buffalo and Shriners Burns HospitalBoston have created a genetically engineered skin that expresses a protein that promotes wound healing. It is believed to be the only artificial tissue designed to express keratinocyte growth factor, KGF. Their research, published in the FASEB Journal of the Federation of American Societies of Experimental Biology, suggests that a skin substitute could be developed that would accelerate the generation of new skin following severe injuries or burns. The research demonstrates for the first time that a growth factor can bring about significant changes in the three-dimensional organization and function of a skin equivalent in vitro. Stelios T. Andreadis, - searchers have submitted a grant proposal for animal studies aimed at confirming whether the artificial skin would have a therapeutic effect. "Our goal was to create genetically modified skin equivalents that secrete keratinocyte growth factor as a means to accelerate wound healing," explains Andreadis. "We also wanted to create a model system to study the effects of this protein on the development and morphogenesis of engineered skin tissues." The presence of KGF "appears to have profound effects on wound healing by spurring the proliferation of skin cells," Andrea dis says, adding that the genetically modified tissue substitute has a number of advantages that make it a good candidate for a skin substitute. "What's significant about our s e tains the natural composition and topography of skin," he adds. The genetically engineered skin also has high mechanical stability and is pliable, important advantages over skins made from collagen gels, which, he says, have a consistency similar to that of gelatin and therefore are much more difficult to use. Most important, Andreadis points out, the engineered tissue has good barrier function, preventing dehydration and protecting against pathogens. "This is very important for bum patients who have lost a substantial fractilln of their total body surface area and who suffer from excessive dehydration and bacterial infections," he says. "Because they are very much like real skin, these engineered skin equivalents can provide these functions." Co-authors of the study are Karen E. Hamoen, Martin L. Yarmush and Jeffrey Morgan, all of Massachusetts General Hospital, substitute is that it contains the Harvard Medical School and basement membrane-the matrix molecules that the cells of the Shriners Burns A11t11mll Oli -E L LEN GOLDB A UM 2 001 1-Boston. CD laffale Physician 33 �RE SEA R CH New Clues to the Cause of Tinnitus E W S "THIS ADDJTIO HAS 'T BEE Tinnitus, the disruptive ringing in AL LEVEL OF COMPLEXITY HELPS TO EXPLAI A SIMPLE SOLUTION TO THIS PROBLEM. THERE IS EFFECTIVE FOR THE RELIEF OF TI the ears that affects millions of THAT NO 0 people, originates not in the ear 0 DRUG THAT IS ITUS. MAYBE THE SYSTEM IS SO COMPLEX E DRUG CAN DO THE JOB ." -ALAN H. LO CKWOOD. MD but in the brain, and not even ex- Lateral gaze suppres· clusively in the brain's auditory ses auditory brain ac· centers, a new study has shown. tivity in normal sub· In research published in Neurol- jects, according to ogy, scientists at UB and the Buf- Lockwood. "This so- falo Veterans Affairs IVAI Medical called 'cross-modal Center show that some people inhibition' is a mecha- with tinnitus can change the ear· nism that enables the ringing by specific eye move· brain to suppress un- ments, evidence that one sensory wanted sensations. By system can affect another. suppressing hearing "These findings show us that in during lateral gaze, many cases, tinnitus is not caused the brain is telling us by a simple disturbance of brain to pay attention with function, but by a combination of our eyes. This cross- things, including an abnormal in· modal inhibition was teraction between the visual and absent in GET patients, auditory systems," says Alan H. indicating a disrup· Lockwood, MD, first author on the tion in normal brain study. Lockwood is professor of Study leader Alan H. Lockwood, MD, and his University at Buffalo colleagues were the first to show that tinnitus sounds originate in the brain, not in the chochlea, as scientists previously thought. neurology, nuclear medicine, and circuitry that may be at the core of the tin· one small group of these 'trick· communicative disorders and sci· unusual ability to control the loud- ences, and directs the Center for ness of the ringing by clenching sters.' If these findings gener· Lockwood's next step in his Positron Emission tomography their jaws. The researchers were alize to much larger groups, we continuing investigation of the (PET), a joint UBNA venture. mystery of tinnitus is to look at nitus phenomenon," he explains. able to track fluctuations in cere- will show that tinnitus is caused "This additional level of com- bral blood flow through PET scans by abnormalities in the major other "tricks" known to influence plexity helps to explain why there taken while these patients mani· brain systems.'' the condition and at how they hasn't been a simple solution to pulated their symptoms, creating The study-supported by this problem," he adds. "There is a map of the brain site responsible grants from the National Institute mechanism, called residual inhibi- no drug that is effective for the for tinnitus activity. of Deafness and Communicative tion, involves brief suppression of influence brain circuitry. One such relief of tinnitus. Maybe the sys· Their current research involved Disorders and the James H. tinnitus by overwhelming the audi- tern is so complex that no one drug a small group of people with tinni· Cummings Foundation in Buf- tory system with a very loud noise; can do the job." tus who can modulate their tinni- falo-focused on eight patients for example, a power saw, which tus by looking to the far right or left with GET, a condition that may one of Lockwood's patients finds Lockwood and colleagues were 34 WHY THERE the first to show that tinnitus of center, an unusual condition develop after surgical removal of effective in temporarily stopping sounds originate in the brain, not called gaze-evoked tinnitus !GET). tumors of the auditory nerve. As tinnitus sounds. the cochlea, as previously thought. "About 70 percent of tinnitus researchers mapped the brains of Study collaborators were Davis Lockwood and Richard Salvi, PhD, sufferers have some 'trick' they've these patients using PET, they S. Wack, Robert F. Burkard, Mary co-director of the Center for Hear· learned that changes the loudness found an unexpected imbalance Lou Coad, Samuel A. Reyes, Sally ing and Deafness, previously stud· of tinnitus," Lockwood says. "In between the auditory and visual ied tinnitus patients who have the this research we concentrated on parts of the brain. A. Arnold and Salvi, all with UB. - Lois Baker <Ii) luffale Physiciaa A II I II Ill II 2 0 0 I - u �------- Venom Shows Promise for Heart Attack - -~ - ------- -- - Center for Single Molecule Biophysics, along with colleagues at the University of Virginia, Michigan State and A specific protein isolated PS Pharmaceuticals, Inc., refrom the venom of a Chilean ported isolating the protein in tarantula by biophysicists in May 2000. At that time, they University at Buffalo's School suggested that it might have of Medicine and Biomedical many uses, based on its ability Sciences shows promise as the to block pores in cell membasis for new drugs for preventing atrial fibrillation, the branes called stretch-activated chaotic beating of the heart channels. These channels, that is a major cause of death which derive their name from following a heart attack. the fact that stretching the cell In a study published in membrane causes them to Nature, Frederick Sachs, PhD, open, are responsible for reguprofessor of physiology and lating the mechanical funcbiophysics, and researchers tioning of cells-a cellular from Georgetown University, sense of touch. Sachs and colreport they were able to preleagues discovered these chanvent atrial fibrillation in nels at UB in 1983 in skeletal muscle cells. rabbit hearts by an infusion of a peptide isolated Stretch -activated from tarantula ven channels have been om. This finding implicated in funcmarks the first time tions as diverse as the senses of touch and that the physiological hearing, blood presfunction of mechanosure and volume regusensitive ion channels lation, and coordinahas been demonstrattion of the voluntary ed in the heart. musculature, as well as The work-which the con traction of was funded by grants heart muscle. Comfrom the ational Inposed of 10 billion exstitutes of Health, U.S. citable muscle cells, the Army Research Office heart cells must conand NPS Pharmaceuticals, Inc.-is an extract in synchrony in ample of how basic re- Frederick Sachs. PhD, professor of physiology and biophysics. order to pump blood search can lead to clinical payoffs, according to Sachs. "No one in their right mind would have sought to block atrial fibrillation with spider spit," he comments. "We did it backwards. Since we had found venom worked on single molecules, we predicted it would also work on cells, tissues and organs. And it did. "This is a first step toward developing a new class of drugs that may be applied to cardiac pathology and to the pathology of other organs. Despite the fact that all cells have mechanical sensitivity, there are no other pharmacological agents specific to biological mechanical transducers," he adds. Sachs and postdoctoral researcher Tom Suchyna at UB's effectively. When heart tissue becomes stretched through disease, such as congestive heart failure, trouble ensues. The chambers of the heart expand, stretching cells. Furthermore, as a result of poor Allt llmn - blood perfusion, cells swell, stimulating stretch-activated channels to open and allowing an influx of positive ions. This influx is an excitatory stimulus to the heart that disrupts the electrical balance, causing the cells to fire erratically. The tarantula-derived peptide, known as GsMtx-4, blocks this process. The next phase of Sachs' research involves producing large 'This is a first amounts of the step toward peptide by re- developing a new combinant D A class of drugs that technology and may be applied to chemical synthe- cardiac pathology sis, studying the and to the mechanism of pathology of other action, identify- organs. Despite the ing other poten- fact that all cells tial biological have mechanical actions on stretch sensitivity, there are -activated chan- no pharmacological nels and collabo- agents specific to rating with a drug biological mechani· company to turn cal transducers." GsMtx-4 into a clinically useful drug. -L 0 I S B A K E R 4D Editor's Note: Dr. Sachs received the University at Buffalo School of Medicine and Biomedical Sciences ' Stockton Kimball A ward at this year's Faculty A wards ceremony, held in May. The award honors a faculty member for academic accomplishment and worldwide recognition as an investigator andresearcher. Stockton Kimball, MD '29, was dean ofUB's school of medicine from 1946 to 1958. 2 00 / l 1ffal1 Pbysici11 35 �R ES EAR C E H W S 12-Hour ADHD Drug Effective version of methylphenidate for tion, is the best way to treat ADHD, to use medication for their chil- ADHD. The double-blind design in· according to Pelham, whose on- dren with ADHD. A new 12-hour fonnulation of the volved three dosing regimens: im· going research in this area is "For those who do, however, most commonly prescribed drug for attention-deficit/hyperactivity mediate-release methylphenidate Concerta would appear to be a given three times a day; extended- supported by grants from the National Institute on Alcohol Abuse disorder, or ADHD, has proved to release methylphenidate given in and Alcoholism and the National be as effective as the standard the morning, and placebo. All chil- Institute of Mental Health. three-times-a-day dosing regimen, dren took each regimen for a week. Pelham also acknowledges a clinical trial conducted by Uni· v sity at Buffalo researchers has shown. Results showed that The extended· children performed release formula- Teachers and parents rated the children's behavior and ability to attain daily goals during the week. In addition, children spent that some ADHD children do not need medication in the evening, significantly better on both the three· times-a-day and the lion of methyphen- 12 hours on Saturdays in a class- date avoids the researchers to evaluate the effects need for children with ADHD to take medications in all medication during settings compared school or after- games and recess. to the placebo. Results showed that children school activities. The trial of Concerta was headed by William perfonned significantly better on E. Pelham, PhD, professor of psy- extended-release medications in both the three-times-a-day and the chology, pediatrics, and psy- all settings than when receiving the placebo. The extended-release for- chiatry at UB and one of the world's leading au- mulation maintained its effectiveness thorities on attention deficit disorder. Results appear in the elec- even after 12 hours tronic pages of the June in both the laboratory issue of Pediatrics. Sponsored by a ings indicated. Ratings were similar for both active grant from Alza fonnulations. Parents, teachers and was con- chil- dren in the study also took part in a ductedwith 68 children between the concurrent regimen of behavior modification, were taking a which, when combined with medica- 36 l 1ffal1 Physician ment package for ADHD," he says. 0 I s B A K E R CD - L and that some parents prefer not STUOE!IiT COLUMN. CONTI ~UEO FRO M PAGE 31 room laboratory setting to allow of each medication over time. Trained investigators monitored behavior during classroom work, extended-release good choice of stimulant medication as part of a total treat- Au t 1111111 2001 of medical care must be at the top of the list. However, we also must begin to turn keen attention to the idea that in a society where healthcare dollars are limited, patients cannot expect to receive-and physicians cannot expect to provide-every bit of beneficial care to every individual. This latter dilemma will require reform within the ranks of medicine, and medical students could take an active role in the ensuing debate by sharing with Congress, HMOs, and professional organizations some of the progressive ideals that many have brought to medical school. To accomplish these tasks, not only must medical students become involved and feel that they have a stake in the outcome, but medical schools must incorporate course work on the healthca re system (in such areas as medical sociology and biomedical ethics) into their curriculums so that students are informed participants in the debate and reform process. While it ma y be difficult to "squeeze" this kind of material into curriculums already bursting at the seams, the reward of such efforts will be a population of students and young physicians more prepa red and able to help reform and wo rk within managed care. By becoming more involved with our national and local student organizations and receiving adequate instruction about the healthcare system, my classmates and I stand in an excellent position to work towards bringing meanin gful chan ge to th e m a naged -care system and, ultimately, better care to our patients. CD Davuf Blotk 1s a .-econd-}·car student 'H • J1 ~• fed ·u n a t> 111 Unil•crsity at Buffalo's Hi • I< l'ca' 'lczc zce.-. Robert Kuttner, "Managed Care and Med ical Education," New England journal of Medicine 34 1 ( 1999): 1092- 1096. ' Salomeh Kejhani and julie I. Boyer, "Student Challenges to the Medical Establishment," jou mal of tire American Medical Association 278 ( 1997): 111 8. �- -------------------- - - - --- --~ - - - DEVELOPMENT --- E W - S Gifts that St en~hen Our School By Li nda J . Cor der , Ph0, CFRE of the University at Buffalo's School of Medicine and Biomedical Sciences. At the heart of philanthropic planning is our goal to increase the endowment. The Campaign for UB: Generation to Generation provides a fitting theme for these efforts. D. W. Harrington initiated the school's first endowment in 1896, on the 25th anniversary of his medical graduation. It was augmented in 1905 through a bequest. It then took about 60 years for the principal to double in size. The story changed drastically when this fund became part of the state-held endowment and was actively managed by professional investors. Today that lecture fund has a market value slightly over $645,000 and disburses much more annually than the amount of the original gift and bequest combined. It is one of 186 endowments established for the benefit of UB's School of Medicine and Biomedical Sciences. Collectively they provide for a variety of lectures, scholarships, research funding, student travel, activities outside of THE SCHOOL's ENDOWMENT traditional laboratories and classIS, IN A VERY REAL SENSE, ITS rooms, as well as some flexible SECURITY FOR THE FUTURE. funds to be designated annually by TODAY'S STUDENTS, FACULTY the dean. AND STAFF BENEFIT FROM ENIn response to UB's merger with the State University, Clifford DOWMENT GIFTS OF PREVIOUS Furnas, then president of the UniGENERATIOr<S. TOMORROw's versity at Buffalo, helped to create SCHOOL IS BEING CREATIVELY the UB Foundation (UBF). Most STRENGTHENED BY TODAY'S endowments established in the past forty years are held by UBF, CONTRIBUTIONS. which serves as the university'sand the school's-bank and investment manager. As of)une 30,2001, the school's combined endowments totaled over $138 million. This total is roughly 25 percent larger than it was four years ago, one year into the campaign, even with recent market volatility [prior to September 11]. During the past year, faculty colleagues of Dr. SukKi Hong worked with Dr. Harold Strauss, chair of the Department of Physiology and Biophysics, to build a departmental endowment in Dr. Hong's memory. For over 25 years, Dr. Hong was an outstanding teacher and role model for young scientists and aspiring physicians. Dr. Hong's enthusiastic and meticulously prepared lectures on renal function attracted many students to his laboratory. His intellectual standards-combined with honesty, a generous nature and personal warmth-made this experience a particularly rewarding one for students. Many former students were called by current faculty; several made gifts. The ultimate purpose of the fund will depend, in part, on the amount of contributions it receives. At present, it has over $43,000 and, as the following list shows, the Hong Memorial is one of many endowments that received new gifts during the year that ended June 30, 2001. Endowment gifts comprise a small-but significant and increasing-source of future income for the school. These annual disbursements provide a hedge against inflation, economic downturns, fluctuations in the state's political climate and variations in the numbers of alumni and friends who support the school's annual appeal. Some donors include a specific amount or percentage in their estate plan to "endow their annual gifts." Such bequests go into an unrestricted endowment to augment annual fund revenues in perpetuity. The school's endowment is, in a very real sense, its security for the future. Today's students, faculty and staff benefit from endowment gifts of previous generations. Tomorrow's school is being creatively strengthened by today's contributions. Those of us who learn, teach and conduct research in this unique institution extend our thanks to all alumni and friends who made endowment gifts during the past year. If you would like information about initiating a named fund or have questions about the school's combined endowment, please contact me. Linda (Lyn) f. Corder, is associate dean for alunmi affairs and development. She can be contacted at 1-877826-3246, or via e-mail at ljcorder@buffalo.edu. 4D A II t II Ill II 2 0 0 1 l1ffal• Pbysiciao 37 �D E V E L 0 P M E N T E W S (ndowments of t an edicine • ences ELOW WE LIST THE S cHOOL o Medicine and Biomedical Sciences' endowments held b 1 bv.h ..1t C.3 ;'ounc.atwn anc. lhe state. Endowments that received additional contribu- tions between 7/1/00 and 6/30/01 are in bold print. An asterisk ( *) indicates a new fund that was established during this time frame. A bold name combined with an asterisk represents a new endowment that also received initial gifts to fund the principal and/or assoCiated "spendable" account. If you would like more information about initiating a named endowed fund, or if you have any questions regarding the school's combined endowment, please contact Linda (Lyn) J. Corder, associate dean for alumni affairs and development, toll free at 1-877-826-3246, or via e-mail at ljcorder@buffalo.edu. 38 H.W. ABRAHAMMER MEMORIAL SCHOLARSHIP ERNST BEUTNER SKIN IMMUNOPATHOLOGY AWARD* SIDNEY ADDLEMAN MEMORIAL LOUIS). BEYER SCHOLARSHIP DR. GEORGE j, ALKER FUND FOR NEURORADIOLOGY PAULK. BIRTCH M.D. FUND THEODORE & BESSIE G. ALPERT SCHOOL OF MEDICINE ScHOLARSHIP MARVIN A. & LILLIAN BLOCK FUND ALPHA OMEGA ALPHA LIBRARY FUND DR. WILLARD AND )EAN BOARDMAN FuND ALPHA OMEGA ALPHA ENDOWMENT DR. SoLOMON G. BooKE AND RosE AMERICAN AcADEMY oF FAMILY PHYSICIANS PRESIDENT's AwARD )AMES ANESTHESIOLOGY DEPARTMENT E ANNE AND HAROLD BRODY LEC TURE FUND DOWME T H. YASGUR BooKE FuND BORRELL UROLOGY FUND BACCELLI MEDICAL CLUB AWARD CLAYTON MILO BROWN MEMORIAL L.B. BADGERO MEDICAL SCHOOL FUND GEORGE . BuRWELL FuND L. VIRGINIA BARNES ENDOWMENT DR. WINFIELD DR. \VALTER BARNES MEMORIAL S C HOLARSHIP EvAN CALKINS PRIMARY CARE AcHIEVEMENT FuND DR. ALLEN BARNETT FELLOWSHIP IN PHARMACOLOGY VINCENT CAPRARO LECTURESHIP FUND-CLASS OF 1945 DR. CHARLES A. BAUDA AWARD I DR. CHARLES CARY MEMORIAL FAMILY MEDICINE BUTSCH MEMORIAL LECTURE IN CLINICAL SURGERY A. CHAZAN MEDICAL ScHOLARSHIP THOMAS R. BEAM, )R. MEMORIAL DR. AND MRs. josEPH GILBERT M. BECK MEMORIAL FUND CLINICAL PREVENTATIVE MEDI C INE FELLOWSHIP DR. ROBERT BENNINGER FUND IN 0RTHOPOEDICS ALMON ROBERT BERKSON MEMORIAL AWARD IN THE ART OF MEDICINE PATRI C K BRYANT COSTELLO MEMORIAL l 11fal• Physicia1 A II t II 111 II 2 0 0 1 H. CoOKE SCHOLARSHIP �- - - - ~~--~~~ ----------~- -- -- - - - ----- THESE AN~'WAL DISBURSEMENTS PROVIDE A HEDGE AGAINST INFLATION, ECONOMIC DOWNTUR. S, FLUCTUATIONS IN THE STATE's POLITICAL CLIMATE AND VARIATIONS IN THE NUMBERS OF ALUM. I AND FRIENDS WHO SUPPORT THE SCHOOL's AN. UAL APPEAL. -LynCorder CTG ONCOLOGY FuND FLORENCE M. & SHERMAN R. HANSON FUND FOR MEDICAL EDUCATION )AMES H. CuMMINGS ScHOLARSHIP DEVILLO W. HARRINGTON LECTURESHIP EowARD L. CuRvtsH M.D. AwARD THE HEKtMtAN FuND ALFRED H. DoBRAK, M.D. FuND FOR LECTURESHIP IN NucLEAR MEDICINE HEWLETT FAMILY ENRICHMENT FuND FOR PsYCHIATRY MAx DouBRAVA, }R. ScHOLARSHIP FuNo CHARLES GORDON HEYD MEDICAL RESOURCES FUND THE ELIZABETH MEDICAL AWARD DR. FRANK WHITEHALL HINKEL SCHOLARSHIP FUND DR. RoBERT M. ELuoT ScHOLARSHIP RALPH HocHSTETTER MEDICAL RESEARCH FuND ENDOWMENT FUND FOR MEDICINE DR. SuK-KI HoNG MEMORIAL FuND ELEANOR FITZGERALD FAIRBAIRN SCHOLARSHIP ABRAHAM M. HoROWITZ FuND FAMILY MEDICINE ENDOWMENT HILLIARD )ASON AND )A FEYLER FuNo FOR RESEARCH tN HooGKtN ' s DISEASE E \VESTBERG FuND FOR EDUCATIONAL INNOVATION DR. GRA T T . FISHER F NO LUCIEN HowE PRIZE FUND L. R.R. HUMPHREY & STUART WALTER Ftx, M.D. '42, '43 ENDOWED ScHOLARSHIP FuND EDWARD FOGAN MEMORIAL PRIZE L. VAUGHAN Nu SIGMA ALUMNI SCHOLARSHIP FORD FOUNDATION FOR MEDICAL EDUCATION )AMES N. )OHNSTON SCHOLARSHIP THOMAS FRAWLEY, M.D. RESIDENCY RESEARCH FELLOWSHIP FUND C. FUND FOR CELEBRATING PHILAN T HROPY ' HARRY E. AND LORETTA A. )ORDON FUND MARCOS GALLEGO, M .D. CLINICAL EXCELLENCE FUND H. CALVIN KERCHEVAL MEMORIAL FUND SUMNER )ONES LIBRARY FUND RONALD GARVEY M.D. STUDENT LIFE ENRICHMENT FUND DEAN STOCKTON KIMBALL MEMORIAL AWARD )AMES GtBSON ANATOMICAL PRIZE DEAN STOCKTON KIMBALL MEMORIAL SCHOLARSHIP LAWRENCE AND DR. )AMES E. KtNG PosTGRADUATE FuNo ANCY GOLDEN LECTURESHIP IN MIND & BODY MEDICINE• WALTERS. GooDALE ScHOLARSHIP U MoRRIS LAMER AND DR. RoBERT BERNDT ScHOLARSHIP IRENE PtNNEY GooowtN ScHOLARSHIP DR. HEINRICH LEONHARDT PRIZE A. CoNGER GooDYEAR PROFESSORSHIP oF PEDIATRICs DR . CHARLES ALFRED LEE ScHOLARSHIP GEORGE GoRHAM FuND DR. GARRA K. LESTER STUDENT LOAN DR. BERNHARDT S. AND DR. SoPHIE B. GoTTLIEB AwARD LLOYD LEVE FUND ADELE M. GoTTSCHALK ScHOLARSHIP FuND THE LIEBERMAN AWARD CARL GRANGER, M.D. ENDOWMENT HANS LOWENSTEIN AWARD DR. PASQUALE A. GRECO LoAN FuND LUPUS SCHOLARSHIP FUND THE GLEN E. GRESHAM, M.D. VISITING PROFESSORSHIP WILLIAM E. MABIE D.D.S. AND GRACES. MABIE FUND DR. THOMAS). AND BARBARA L. GuTTuso ScHOLARSHIP & AwARD OR. WILLIAM H. MANSPERGER FUND GYNECOLOGY-OBSTETRICS DEPARTMENT ENDOWMENT MEDICAL ALUMNI ENDOWED SCHOLARSHIP )EAN SARAH HAHL MEMORIAL A EuGENE). HANAVAN ScHOLARSHIP MEDICAL SCHOOL CLASS OF I957 SCHOLARSHIP NUAL PARTICIPATING FUND FOR MEDICAL EDUCATION ENDOWMENT AutumTI 200/ luflale Pbysicia1 39 �MEDICAL ScHOOL CLASS oF 1958 ScHOLARSHIP EMILE DAvts RoDENBERG MEMORIAL AwARD MEDICAL ScHOOL CLASS OF 1963 ScHOLARSHIP THOMAS A. RODENBERG AND EMILE DAVIS RODENBERG SCHOLARSHIP FUND MEDICAL SCHOOL CLASS OF 1973 SCHOLARSHIP ELIZABETH ROSNER F MEDICAL ScHOOL LECTURESHIP FuND IRA MARIAN MELLEN FuND DR. SHELDON RoTH FLEISCH MEMORIAL FuND MICROBIOLOGY ENDOWMENT FUND HAROLD s. SANES AND THELMA SANES MEDICAL SCHOLARSHIP DR. DAVID KIMBALL MILLER AWARD MARIA APLES SARNO, M.D. SCHOLARSHIP EuGENE R. MINDELL, M.D. CHAIR IN 0RTHOPEAEDIC SuRGERY SCHAEFER FUND IN CARDIOVASCULAR DISEASES G. SCHOLARSHIP OF THE PROGRESSIVE MEDICAL CLUB OF BUFFALO ORRIS MINER, M.D. MEMORIAL AWARD PHILIP D. MOREY SCHOLARSHIP RICHARD APLES MEMORIAL SCHOLARSHIP s. ROBERT ARINS MEMORIAL AWARD ATIONAL MEDICAL AssociATION BuFFALO CHAPTER ScHOLARSHIP FuND AUGHTON AWARD ENDOW~1ENT )OHN P. Ross AND ELIZABETH P. Ross, M.D. CHAIR OF OPHTHALMOLOGY' SCHOOL OF MEDICINE AND BIOMEDICAL SCIENCES UNRESTRICTED AGEL, M.D. ANESTHESIOLOGY RESEARCH DR. AGNESs. THE DR. ENDOWMENT FUND LILLIE s. SEEL SCHOLARSHIP IRENE SHEEHAN FUND DEWITT HALSEY SHERMAN AND jESSICA ANTHONY SHERMAN FUND DR. Lots A. AND RUTH SIEGEL TEACHER's AWARD NEPHROLOGY RESEARCH ENDOWMENT S. DR. ERWIN NETER MEMORIAL S. MoUCHLY SMALL, M.D. EDUCATION CENTER FUND ANTOINETTE AND Louts H. NEUBECK FuND IRVINE AND RosEMARY SMITH CHAIR IN FUND FOR DR. IRVING M. SNOW FUND EUROANATOMY MUSEUM EUROLOGY DEPARTMENT ENDOWMENT FUND 1oucHLY SMALL, M.D. AwARD IN PsYCHIATRY EUROLOGY FuND MARY RosENBLUM SoMtT ScHOLARSHIP FuND DR. BENJAMIN E . & LtLA 0BLETZ PRIZE FuND IN ORTHOPAEDIC SuRGERY MORRIS AND SADIE STEIN NEUROANATOMY PRIZE DR. ELIZABETH P. OLMSTED FUND IN BIOCHEMISTRY DIANE AND MORTON STENCH EVER LECTURE FUND' OPHTHALMOLOGY FUND )OHN ). AND )ANETH. SUNG SCHOLARSHIP FUND• josEPHINE HoYER ORTON TRusT FuND jOHN H. TALBOTT VISITING SCHOLARSHIP FUND L. VICTOR A. PANARO MEDICAL SCHOOL FUND KORNELL F. CARTER PANNIL, )R., M.D. AWARD ENDOW~IENT TREVETT SCHOLARSHIp STEPHEN). PAOLINI, M.D. MEMORIAL FUND RICHARD E. WAHLE RESEARCH FUND PARKINSO MILDRED SLOSBERG \NEtNBERG ENDOWMENT RESEARCH FUND TERPLAN M.D. LECT REFUND )OHN PAROSKI MEMORIAL AwARD FuND E.). \VEtSENHEIMER OPHTHALMOLOGY AWARD ROBERT). PATTERSON RESIDENT AWARD DR. MARK WELCH AND BEULAH M. WELCH SCHOLARSHIP DtL MARK PETTRINO MEMORIAL )AMES PLATT WHITE SOCIETY ENDOWMENT PHt WILLIAMS / BLOOM MEDICAL RESEARCH FUND HI MEDICAL FRATERNITY ScHOLARSHIP FuND PROGRESSIVE MEDICAL CLUB OF BUFFALO FUND DR. MARVIN PSYCHIATRY DEPARTMENT ENDOWMENT FUND WtTEBSKY FUND FOR IMMUNOLOGY DR. HERMAN RAHN MEMORIAL LECTURE ENDOWMENT DR. ERNEST WtTEBSKY MEMORIAL FUND REHABILITATION MEDICINE ENDOWMENT' FARNEY R. WuRuTZER FuND ALBERT AND ELIZABETH REKATE CHAIR I ALBERT CARDIOVASCULAR DISEASE c. REKATE REHABILITATION MEDICINE LIBRARY FUND DoNALD RENNIE PRIZE tN PHYSIOLOGY DouGLAS RtGGs AwARD tN PHARMACOLOGY AND THERAPEUTICS THE RING MEMORIAL FUND MEYER H. RtWCHUN, M.D. PROFESSORSHIP IN OPHTHALMOLOGY. 40 G. ND lalfal1 Pbysicial Wi11t e r 2 000 . \YtNER FUND FOR DERMATOLOGICAL RESEARCH DR. MARK ZALESKI AWARD HERMAN AND RosE ZtNKE MEMORIAL ScHOLARSHIP �~ -~ -- ~--- C ----- -~--- L A s 0 T E ----·- --- --------- S Mary Botsford and Family I have had the privilege to follow-when and wherever possible-the many contributing efforts of our fine children and grandchildren .... Hang on to your hope, for tomorrow is another house at the Cape Coral Yacht Club. Am in a retirement community with a two-room, twobath. Barbara and I both enjoy excelle nt health." wellspring!" Pedro, CA, Internal Medicine, writes: "I will never forget my interview with Dr. 0 . P. jones, and after I was accepted into medical school (in the Elliott Lasser. MD •46, La Jolla, CA, Radiology, writes: "My favorite memory of medical school was graduation." E-mail address is elasser@ucsd.edu. 1950s 1940s George A. Gentner, MD "41 , Phoenix, AZ, Radiology, writes: "Enjoying retirement. Friends can reach me at my E-mail address: ggentnersr@hotmail.com." Charles Bauer, MD •46, Williamsville, NY, Internal Medicine, writes: "My wife and I are still very active with the medical school and of course with our family. We have five children." E-mail address is bauer_charles@msn.com. ----~------ fessor Humphries's ambidextrous neuro drawings; and receiving the sheepskin after years of stress." Robert A. Benninger, MD '50, writes: ''I'll be 80 next birthday. Gave up the big Jay Belsky, MD '51 , San old building on High Street), my wife and I walking downtown to tell my dad. I have fond memories of gross anatomy under Dr. jones. I loved it, and loved him, and, in general, had a blast." E-ma il address is tootsisdad@home.com. Robert E. Ploss, MD '51 , Vancouver, WA, Anesthesiology, writes: "My favorite memories always include Oliver Jones and his bones!" E-mail address is bobploss@home.com. William J. Sullivan, MD '55, writes, "I am continuing to work in forensic psychiatry, as the medical director of a group that specializes in defense medicallegal work. I take more time off work now, and my wife and I enjoy traveling the country in Maier Driver, MD '46, Lakewood, OH, General Surgery, writes: "Following retirement in 1983, after 30 years of solo general surgery practice, my beautiful wife, Marilyn, and I continued to enjoy many treasured moments until her untimely death in 1986. Since 1988, my wonderful wife, Jane, and Stanley J. Cyran, MD '46, Prospect, KY, writes: "I am retired. Three of my six children are physicians and the others are equally as successful. My favori te memories of medical school include: the thrill of going to medical school, attending O.P. jones's classes; Pro- Maier and jane Driver in Florida A11t11mn 2001 l 1 ffa l1 Pby si ci n 41 �C L A N 0 T E our large motorhome. We recently enjoyed a rafting trip down the Colorado River, in central Utah. We also traveled to the Canada's Northwest Territory this past winter to see the northern lights, which were most spectacular. '51,- Frederick Goldstein·Gretan, MD '56, MPH, is retired from Lorna Linda Unversity and lives in Simi Fred and Geri Goldstem- Valley,CA Gretan founded in 1959 to support the work of Catholic the first to recognize the tremendous gift that 1960s Dr. Rahner and his wife are to thei community Moira J. Burke, MD '69. and the wortd. Other awards Dr. Rahner has writes: "I have just been promoted to full professor on the clinical faculty in the Department of Ophthalmology in the School of Medicine at the University of South Florida. My elder son is a chief resident in general surgery; his wife is in her third year of the same program in Seattle. My younger son is studying computer science." E-mail address is mburke4908@aol.com. received include: The Bosnian Humanitarian Recognition Award; Doctor of the Year for the St. Vincent Health Center in Erie; and the John ~ Robision Humanitarian Award from the Boys and 1970s Elliot Gross, MD '70, writes: "I am one of the last few solo orthopaedic surgeons in Los Angeles. After raising two great kids, Lara, my wife, is about to resume her in- 42 l a llal 1 Pb ysici aa Autumn 2001 '71. writll:"'n'sa._.lftllwlfa .._dll.scllllllf....._CIIIIIf1171. ncati11i1( ..... wldi.flllilllil ......... '-t.llci.Ufr ,.,......,lnSiiCIIIIIIIU.ra" E.... IIMnssisnli*..._cea.. terest in physical therapy by volunteering to teach handicapped children to ski at Mammoth Mountain. Our daughter, Sheri, age 24-a UC Santa Barbara graduate and former captain of their tennis team-is a CPA and got married in August of this year. Our son, Adam, age 23, graduated from Haas Business School at UC Berkeley and played on their Division 1 tennis team. He is now working for Flipside.com." Bruce M. Prenner, MD '7D, writes, "My wife, Harriet, and I recently relocated to La Jolla, CA, from nearby San Diego. My practice of allergy includes a large research center devoted to conducting clinical trials for new therapies specific to asthma, allergic rhinitis and related disease . June 2, 2001. I live in Commack, Y, with my wife, Bonnie (UB Class of '70). We have two grown children who live and work in New York City. I served as director of a family practice residency program for 18 years. Currently, I am associate director at another program, focusing on resident supervision and training." David H. Breen. MD '73, writes: "My daughter, Patricia, was born on March 17, 1999, and my son, Jackson, was born on May 8, 2001! I have a pediatric practice in my home in Dansville, Y, where my father practiced. I was recently promoted to assistant professor of pediatrics at the University of Rochester School of Medicine, where I teach medical students. Life is good." Scott D. Kirsch. MD, '71 , writes: "! was installed as president of the New York State Academy of Family Physicians on Henry M. Bartkowski, MD '76, writes: "I recently moved to Akron, OH, to be chief of pediatric �-- ·- -------~ --- - - - - -- - - - -------- - - - -- - -- - - - - - -- ~-- --- -- writes: "My wife, Romana, and I have two children, Carrie and Christine. I work in a private practice in Buffalo . Some of my fondest memories are of the great parties at Bobbie, Beth and Diana's house. " assnotes neurosurgery at Akron Children's Hospital Medical Center. Ladonna and I have been married 23 years and have three children. Chris is a junior at New York University, in pre-law; Rebecca is a sophomore at the U of M and in pre-med; and Lindsey is in seventh grade." E-mail address is: hbartkowski@chmca.org. James J. Czyrny, MD '81, 1980s Elizabeth H. Donahue, MD Amherst, NY, Physical Medicine and Rehabilitation, writes: "I am in practice in Buffalo at University Physical Medicine and Rehabilitation Associates, Inc., as well as at ECMC and Kaleida Health. My wife and I have two children, Julie and Steven. I'll never forget those lobster dinners at Mulligan 's! " '81 , Rochester, Stanley L. Bukowski, MD '81 , Amherst, Y, Geriatrics/Internal Medicine, Y, Pediatrics, writes: " I worked in a private group practice. Currently, I'm out falty Award for UB's School Autumn 200/ I I II I II H I s i c i I I �C L N A 0 T E S Pano Yeracaris, MD '81, Brookline, MA, Family Practice, writes: "I completed my MPH at Harvard School of Public presented annually at the UniversitY at Biiffalo Health in 1998. Currently, I am the chief medical officer of the Health Services Partnership, a joint venture Robert F. Reed, MD '88, enjoy the great breadth of our practice, including write: "Robert continues obstetrics. I struggle to find time to ride my bike and maybe someday resume training in karate (currently stuck at the management services organization of two community health centers in Boston. We have a large blue belt). Mindy is prospering in her environmental law practice. jacob, age 12, and Rachel, age 16, continue to make tee made up of representatives from each of the immigrant population, and 40 percent of our us proud parents." E-mail is drben826@aol.com. served as assistant professor in obstetrics and patients are uninsured." ing in the clinical and preclinical years, as well as to encourage ongoing teaching excellence. Recipients nomination process, with final input from a commit· David Small, MD '81, on medical leave. My husband, Lawrence Donahue, MD, and I are very busy with our four children, ages ranging from 8 to 14 years old." E-mail address bhd59@aol.com. l tllllt Pbysicin Manlius, Y, General Internal Medicine, writes: "My wife and I have two children, Lee and Brett. I am on staff at Upstate Medical Center." A 11 1 u m 11 2 0 0 I and Karen S. Reed, MD '88, with the Guthrie Clinic in Corning, Y, and is starting an MPH program for occupational health. Karen is in private practice in anesthesiology in Elmira, Y. We have three children: Douglas, age 11, Laura, age 9, and Michael, 5. All keeping busy!" Freda Dreher, MD '89, writes: "As chief of Karin E. Choy, MD '86 Benson Logblin, MD '84 The e-mail address listed integrative medicine at Kaiser Permanente in I'm starting my fourteenth year in indepen- for Karin in the summer Santa Clara, CA, I am 2001 issue of Buffalo Phy- happily combining my dent family medicine sician is incorrect. The practice of physical practice in a suburb in correct address is KECMD 1@aol.com. wife, Ruth, endowed the Siegel Excellence in 44 Rochester, NY. We now have five full-time docs. I �I -- -- --~- - ~-~---~ medicine and rehabilitation with my new skills in medical acupuncture. I will be happy to hear from classmates and UB alumni. E-mail address is , freda.L.dreher@kp.org. ·-- - - 1990s Peter Bloom MD '9D and Gale Burstein MD '90. Gale writes: "Peter and I proudly announce the birth E-mai - -- - - - - - - - - - - of our son, joshua Samuel Bloom, born March II, 2001. josh joins his brother Zachy, who turned three years this past August. Peter is head of GI at the Atlanta VA Hospital and head of the GI fellowship program at Emory University. We both enjoy reading Buffalo Physicia11 classnotes." Pilomena Mufalli Behar, MD '92, writes: " jerry, julie and I are moving back to Buffalo! I will be joining - - - -~ ------- Pediatric Ear, ose and Throat Associates. We are excited to move back to Western ew York and be close to , family and friends. E-mail address is pmbehar@aol.com. Starleen Schaffer, MD '96 Hi everyone! How time flies. I hope you are all doing well. I have a new solo practice in internal medicine in Sebastian, FL, which is a small town on Florida's east coast, Best wishes to you all in medicine and life!" E-mail address is sflmia@aol.com. Thomas R. Cimato, MD/PhD '99, Philadelphia, PA, Internal Medicine, writes: ''I'm completing my internal medicine residency at the University of Pennsylvania, and I'll be starting a cardiology fellowship at johns Hopkins University in 2002." south of Cape Canaveral. "We practice law for your peace of mind." Estate Planning - Personal Injury Real Estate - Matrimonial Elder Law HoGAN & WILLIG, PLLC - - - - - - .\ttorn eyb nt L a w - - - - - - hoganandwillig.com One john james Audubon Parkway • Amherst, New York 14228 • 716.636.7600 A u t umtl 2 00/ l 1 ffa l1 Pbys ici aa 45 �AUTUMN .John D. O'Connor, MD '34 2001 from 1951 to 1968. He was upon to share his expertise, November 1999 in Anchor- a member of the Erie County Friedland was a frequent age, Alaska, where she had lived for 25 years. Medical Society, New York panelist on the television Orchard Park, NY, died on State Medical Society and program "UB Medical Round April23, 2001. He is the Buffalo 08/GYN Society, Table," and as a noted survived by his wife, Anna and was a founding fellow of diagnostician, his advice Crace L. Busch, MD'50 M. (Crostal O'Connor; sons the American College of was sought by patients as Gr ..e Lo , (Busch! Blech cousin of Stockton Kimball, Michael Patrick O'Connor of Obstetrics. Survivors include well as by other physicians. died at her home in Arizona dean of the then-University Silver Spring, MD, and John two sons, N. Joseph of He maintained a private on March 3, 2000. Born in of Buffalo's School of Medi- David O'Connor Jr; daughter, Pendleton, NY, and Daniel practice in Buffalo until he 1916 in Wingham, Ontario, cine from 1946 to 1958- Kathleen O'Connor-Mullen G. of Elma, NY; one daugh- retired in 1993. Friedland is Canada, Busch received her was born in Canton, OH, the (Mark Mullen!; and brother ter, Kathryn M. of Kenmore; survived by a sister, Edith bachelor of science degree son of the late C. Stockton James Kenneth O'Connor of five grandchildren; and one Ross, of Williamsville, NY. from Northwestern Univer- and Helen Harter. In 1949, Port Richie, FL. great-grandson. ohn u. 'Co " , MD, ot Alan C. Ha er, 76, of Lakeland, FL, died on April 19, 2001, at home following an extended illness. Harter-a sity in 1938, after which he received his bachelor's she earned certification as a degree in economics from registered medical technolo- Williams College, after gist in 1939 and worked for which he went on to attend Norman .J. Foit, MD'38 Elmer Friedland, MD'39 WinslowP. Stratemeyer, MD'42, Norman J. Fo1 , MD, who Elme Wins•u P. S atemeyer, several years in the field. medical school at UB, where delivered an estimated founder of Buffalo's first MD, died September 6, She then returned to school, he graduated at the top of 16,000 babies in a long and cancer detection center, 2000, in El Paso, Texas. receiving her master's de- his class. After completing varied medical career, died died on July 4, 2000, in his He was 83. gree from Northwestern Uni- his residency in internal June 8, 2001, in his Williamsville, NY, home Kenmore, NY, home after a after a long illness. He was short illness. He was 87. 90. In 1948, Friedland Born and raised in Buffalo, founded and then directed Richard E. McDowell, MD'43, cDowell, MD, versity in 1949 and her medicine at Dartmouth medical degree from the Medical School, he entered then-University of Buffalo private practice in Lenox, in 1950. She completed her MA, from 1959 to 1965. internship at Michael Reese In 1964, he received a Foit graduated from UB's the cancer detection center Richard E. school of medicine in 1938 that existed for 20 years as died January 17, 2000, after Hospital in Chicago in 1951 NASA-sponsored fellowship and served his internship part of the former E. J. a long illness. Following and her residency in internal at Harvard University, where and residency at Millard Meyer Memorial Hospital. graduation from the then- medicine at the Illinois he earned a master's degree Fillmore Hospital. Upon He also served as medical University of Buffalo, Masonic Hospital in Chicago in public Health. Harter then completing his training, he director of the central cytol- McDowell trained for four in 1952. That same year, joined NASA as chief of opened a private practice on ogy laboratory there in the years at the Mayo Clinic. Busch began her family Launch Site Medical Opera- Delaware Road in Kenmore, 1950s. Following graduation He then moved to Tulsa, medicine practice in Wilmette, tions at Cape Canaveral where he and his wife, Letha from UB's school of medi- Oklahoma, where he prac- IL, where she met and mar- Space Center, and in 1970 Buffum, who was a nurse, cine, Friedland, a Buffalo ticed general surgery at St. ried Dr. Joseph Blech. They was named the center's worked together until her native, entered the Anny John Medical Center for 40 raised their six children in chief of medical services. He death in 1996. Two years Medical Corps during World years. In 1977, he was ap- Wilmette until 1962, when left NASA in 1972 at the end later, he retired. In addition War II and served as chief pointed director of Medical the family moved to Chan- of the Apollo program. An to his private practice, Foit of medicine at a number of Affairs at the medical cen- dler, AI.. They opened up accomplished writer and was an associate attending military hospitals. After the ter, a position he held for their medical practice there, lecturer, Harter was the physician at Millard Fillmore war, in addition to directing 13 years until his retirement with Dr. Blech practicing author of Apollo-Saturn 240 Hospital from 1945 to 1970 the cancer detection center in 1990. McDowell is sur· until death in 1983 and Remembered, a personal vived by his wife, Agnes Busch continuing to practice account of the fire and ex- and an attending physician and the cytology laboratory, at Kenmore Mercy Hospital he was associate clinical Brungardt, and their chil- until 1988, when she retired. plosion of the first manned from 1951 to 1985. He professor of medicine at UB dren: Mrs. Kathryn Million, Busch is survived by her chil- Apollo Space Mission. From helped Dr. Daniel Stedem in and wrote a handbook on Dr. Richard M. McDowell, dren, Gerald Blech, Grace 1971 to 1972, he was pro- the planning for the building history-taking and physical Dr. Jack J McDowell, Marga- Schirard, Michael Blech, fessor of environmental toxi- of Kenmore Mercy Hospital diagnosis that was used for ret Quinlin, and Dr. Thomas Anne Blech and Nancy cology at the Institute of and served as its first chief many years at UB's school S. McDowell. His daughter, Purdy; her sister, Nancy Technology in Melbourne, of obstetrics and gynecology of medicine. Often called Mary Pat McDowell, died in Price; 18 grandchildren and FL, and senior aviation several great grandchildren. 46 Alan C. Harter, MD'55 1 1 11 111 Ph ysici11 A II t II Ill 11 2 0 0 / �I - - ------- -~- ----~~~- ----- -~ -- - - -- ~--- - - --- GET CoNNECTED • • • medical examiner with the son, attended Baldwin- FAA. Harter was then ap· Wallace College in Berea, pointed medical director of OH, where he earned a GE Corporation in Erie, PA, bachelor of science degree a position he held for ten in biology m 1973. He then years prior to his retire· attended the Medical Col- ment. Survivors include his lege of Virginia, where he wife of 20 years, Barbara E. completed a master of sci- Harter; two sons, Charles ence degree in microbiology Harter of Woodbridge, VA, prior to entering UB's doc- and Thomas Harter of toral program in 1978. Fol- 2625 Jamestown, NY; and a lowing graduation from UB, A DJACENT TO S r. J osEPH H osPITAL daughter, Elizabeth R. Smith Josephson went to Milwau· of Erie, PA. kee for a two-year clinical .Jonathan C. O'Brien, MD '90, Mt. Sinai Hospital. He then CARITAS MEDICAL ARTS B UILDING H ARLEM R OAD, C HEEKTOWAGA, NY post-doc in microbiology at served for almost three e years in the public health 25, 2000, at the St. Peter's department of Iowa at the Jon d1 • Hospice in Albany, NY. He University of Iowa Hospitals was 38. Originally from New and Clinics. For the past 13 York City, O'Brien practiced years, Josephson was direc- medicine in Schenectady, tor of microbiology at Rhode NY, at Ellis Hospital. He was Island Hospital and clinical a member of the congrega- assistant professor of tions Beth Abraham Jacob pathology and laboratory and Shomray Torah in AI· medicine at Brown Univer· bany and was very active sity School of Medicine. with Albany's Miamonides Most recently, he had left Hebrew Days School, where the hospital to become vice he chaired the Board of president of research at the Trustees. O'Brien is survived Milkhaus laboratory, Inc. by his wife, Vicky F. O'Brien; In his leisure, Josephson his parents, Joseph T. and enjoyed kayaking, bicycling Joan O'Brien of Albany, NY; and vacationing in Nan- and brothers, Jerald O'Brien tucket. Josephson is of Albany, NY, and James survived by his wife, Jean; O'Brien of Hartford, CT. MARIAN PROFESSIONAL CENTER 515 Asson R oAD, B u FFALO, NY A DJACENT ro M ERCY H osPITAL SETON PROFESSIONAL CENTER 2121 M AIN STREET, B u FFALO, NY A DJACENT TO S ISTERS H osPITAL his son, Christopher, who is a junior at Elmira College; StephenL. .Josephson, PhD'84, family requests that anyone Stepnen Jo epl son died wishing to make a donation 3 and a daughter, Kelly, a senior in high school. The PRIM E LOCATIONS (ALL CONNECTED TO AREA HOSPITALS VIA ENCLOSED WALKWAYS) 0 S uiTES N ow A vAILABLE 1000-5000 S QUARE FEET suddenly from in memory of Dr. Josephson a heart send their gift to the attack on July Barrington United Method- F oR M oRE INFORMATION 716.631.8000 24,2001. ist Church, 230 Washington Originally Road, Barrington, from Buffalo, 02806. 0 CIMINELLI NY, Joseph· Development Company, Inc. 8• s 1es A II I II Ill II 2 0 0 I lu ll a ll Pb ysi c iu 47 �Students' -Response t • nsm BY jASON HOFFMANN, POLITY PRESIDENT s members of the medical community, we are witnesses to disease, pain and death on a regular basis. However, nothing in our training could ever prepare us for the tragedy that occurred on Tuesday, September 11,2001. The student body of the School of Medicine and Biomedical Sciences has been deeply affected by these events. Many of us have close friends or family who have been lost in the tragedy. It is not possible to put into words exactly how we are feeling, but we all carry this pain and anger deep within our hearts and souls. This event has brought the school's student body closer together and has strengthened our desire to become physicians and to work to create a stronger, safer, more humane world. Although students were deeply hurt and angered by the terrorism, they immediately looked for ways to help. For example, an enormous number of medical students gave blood after the attacks. ln addition, Polity, the student government association of the medical school, created a fund-raising drive to help with the disaster relief efforts in New York City and Washington, D. C. More importantly, with the help of Polity, students began to plan events for our medical school community to mourn together and show our solidarity in response to this national tragedy. On Thursday, September 13, a candlelight vigil organized by James itzkorski, Kari Scantlebury, and jason Hoffmann (Class of 2004) was held outside the medical school. The vigil gave our medical students the opportunity to unite and reflect on the week's tragic events. Many people who attended were moved to tears as students, administrators, and local religious leaders spoke about the attack and how it has affected them. At the end of the vigil, as "America, the Beautiful" played in the background, the entire congregation raised their candles high in the air and joined in song. It was a moving conclusion to a beautiful service. A cultural awareness luncheon, lecture and panel discussion was also organized. On September 21, local religious leaders from Muslim, Catholic and Jewish faiths led a discussion about how our nation is responding to the terrorism. The Sikh religion was also represented at the event by two of our medical students, Nirmal Singh (Class of2004 ) and Kamaljot Dhingra (Class of 2003 ). Over ISO students, faculty and staff came together in Butler Auditorium to learn more about what this tragedy means for different religious groups in the United States and around the world. The students would like to thank Khalid Qazi, MD, who was the keynote speaker at the event, as well as Rabbi Gary Pokras and Father jack Led won, who also served on the panel. 4D Dr. Khalid Qazi, top, was keynote speaker at the Cultural Awareness program; seated to his right is Rabbi Cary Pokras. Bottom, left to ritflt, are Kamaljot Dhingra, Class of 2003, and Nirmal K. Singh, Class of 2004, who talked about the Sikh religion; center is Same era Fazili, contributing to the discussion; and right is Garrett Zoeller, both Class of 2005. 48 lulfal e H ysicin A II I II Ill II 2 0 0 I �Anesthesia inhaler, circa 1908, designed by Dr. Louis Dmbredanne, French surgeon 11871-19561. The instrument is one of two new additions to the Edgar R. McGuire Historical Medical Instrument Collection, housed in the Robert L. Brown History of Medicine Collection, Health Sciences library, Abbott Hall, on University at Buffalo's South Campus. The apparatus consists of a face mask with rings attached for the thumbs of the person administering the ether and a round chamber with a control knob on one side and a rebreathing bag on the other. Ether was poured into a sponge in the chamber through the opening in the top and was administered to the patient. �p H A R M A c 0 p 0 E I A UB's HISTORY 0 F ~f ED I C I ~ E COLLECTIO~ PRESE~TS PHARMACOPOEIA Digita l ly reproduced prints from a pharmacopoeia by Otto Karl Berg (r815 - 1866) were on display last fall in University at Buffa lo's Health Sciences Library (HSL), South Campus. The botanical show was developed by the HSL and the university's iMedia staff and is the first in a series of "Art in the Library" exhibits intended to promote the History of Medicine Collection through the display and sale of reproductions of selected works. Fred Kwiecien and Don Trainor of iMedia prepared the prints from the original art in the Berg volume, pub lished in Leipzig in I 863. P ictured is A!JmtKa Jragrarn ( utmeg). BP ()110 I 112. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Physician Magazine Description An account of the resource <em>The Buffalo Physician</em> (formerly the <em>Buffalo Medical Review</em>) was published quarterly by the State University at New York at Buffalo School of Medicine and Biomedical Sciences and the Office of Publications. The magazine informed its alumni, friends and community about the school’s pivotal role in medical education, research and advanced patient care in our region. Identifier An unambiguous reference to the resource within a given context LIB-HSL008 Subject The topic of the resource State University of New York at Buffalo. School of Medicine--Periodicals Medical colleges--New York (State)--Buffalo--Periodicals Publisher An entity responsible for making the resource available State University of New York at Buffalo. School of Medicine Robert L. Brown History of Medicine Collection Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Type The nature or genre of the resource Text Still Image Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Buffalo medical review Is Part Of A related resource in which the described resource is physically or logically included. Buffalo Physician Magazine LIB-HSL008 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo physician, Autumn 2001 Subject The topic of the resource State University of New York at Buffalo. School of Medicine -- Periodicals Medical colleges -- New York (State) -- Buffalo -- Periodicals Publisher An entity responsible for making the resource available State University of New York at Buffalo. School of Medicine Robert L. Brown History of Medicine Collection Date A point or period of time associated with an event in the lifecycle of the resource 2001-Autumn Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. School of Medicine Relation A related resource MicFilm LD701 .B42 M5 no.268-271, Buffalo physician and biomedical scientist Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Type The nature or genre of the resource Text Still Image Identifier An unambiguous reference to the resource within a given context LIB-HSL008_v36n02-2001-Autumn Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Buffalo physician and biomedical scientist Buffalo medical review Table Of Contents A list of subunits of the resource. Medical Education for Life Medical School Sure Hands Teach Hands·On Medicine Research Alumni Student column Development Classnotes Date Created Date of creation of the resource. 2019-01-14 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. v36n02 Extent The size or duration of the resource. 52 p. Spatial Coverage Spatial characteristics of the resource. New York (State) -- Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Buffalo Physician Magazine LIB-HSL008 Is Format Of A related resource that is substantially the same as the described resource, but in another format. Journals and magazines (periodicals) Rights Holder A person or organization owning or managing rights over the resource. Copyright 2001 University at Buffalo, State University of New York Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e901f44684a49bc791079362e071a9eb.jpg e7bd32caddeb3e3f9870d4e2f0b218ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Black and white close-up of a person with dark skin and a full gray beard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Jeffrey Mumford at June in Buffalo 2017 Subject The topic of the resource Composers Mumford, Jeffrey, 1955- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Portrait photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_001 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with dark skin, a full gray beard, and a mustache is positioned in the center of the frame. They wear a dark collared shirt against a blurred indoor background with bright light sources. A watermark is present across the middle of the person's face. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/0ab70128a8c5c38f32b49b63ff0c5dd1.jpg 38d3fb09b6ab9aec5fd13cf90500babd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with short graying hair wearing a dark jacket indoors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer David Dzubay at June in Buffalo 2017 Subject The topic of the resource Composers Dzubay, David - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Portrait photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_002 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with short, graying hair stands in a hallway and looks towards the camera. They wear a dark jacket over a blue collared shirt. The background includes a blurred red "EXIT" sign, a brick pillar, and a dropped ceiling with square light fixtures. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8a934a2734dded7c100f89b9752f54e2.jpg 6b085bb03de96bb380ef2f16b09a0a1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of ten people stand in a hallway, some holding drinks and papers. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers Henrik Hellstenius and David Felder with student composers at June in Buffalo 2017 Subject The topic of the resource Composers Hellstenius, Henrik - Composer Felder, David, 1953- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Group portraits -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_003 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Ten people are gathered in a hallway with brick walls, with a "Dept. of Music" sign visible on a bulletin board behind them. Several individuals hold disposable cups and one person carries a brown messenger bag and a stack of blue folders. They are dressed in casual attire including jackets, sweaters, and a trench coat. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/584bd0a6f5da9973a983c7f835173089.jpg 7f205d3a2e3a56cd06a16746c836d8ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands on a stage beneath a microphone boom stand in a room with tiered auditorium seating. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer David Felder addressing student composers at June in Buffalo 2017 Subject The topic of the resource Composers Felder, David, 1953- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person stands on a wooden stage under a tall stand equipped with several microphones, with a covered piano in the background. In the foreground, several individuals sit in red tiered seats, many of whom are holding papers. Two additional people stand near the edge of the stage with documents in their hands. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/be3a097a23137cf487a9a7919ea62a93.jpg d259dbe487034a331aad5305f4fadc50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person gives a presentation on a stage titled "Signs, codes – composing music and more" for an audience. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Henrik Hellstenius addresses student composers at June in Buffalo 2017 Subject The topic of the resource Composers Hellstenius, Henrik - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_005 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person sits at a desk on a wooden stage with a laptop while gesturing toward a screen. Behind the person, a projection displays the title of the talk and logos from the Norwegian Academy of Music. An audience is visible in the foreground, seated in a tiered auditorium. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/01c61517538e923e1302d21d29ae708f.jpg 9e96f767773050d285e62f614db592d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses sits at a desk with a laptop in front of a projection screen with academic logos. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Henrik Hellstenius addresses student composers at June in Buffalo 2017 Subject The topic of the resource Composers Hellstenius, Henrik - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_006 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a black t-shirt and khaki pants sits at a desk and gestures with their hand. A laptop, paper cup, and book are placed on the desk. Behind them, a large screen displays the logo for the Norwegian Academy of Music. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1fba5372b0808475ff5e52d227371171.jpg 06a18734eab2813a9ba4c35c56c8d91d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person sits at a table with a laptop in front of a large screen displaying the words "Signs, codes – composing music and more". Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Henrik Hellstenius addresses student composers at June in Buffalo 2017 Subject The topic of the resource Composers Hellstenius, Henrik - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_007 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing glasses and a black t-shirt sits at a desk with a laptop in a lecture room. Behind them, a presentation slide is projected onto a large screen with text that reads "Signs, codes – composing music and more". The room features neutral-colored walls and a wall-mounted speaker. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/bb8a6597c22cb8f12a9d17e9d85865f1.jpg 3fd68fdb08399974889fbdcfbe3f2e7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with short hair and glasses wearing a black t-shirt stands behind a wooden podium. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Henrik Hellstenius addresses student composers at June in Buffalo 2017 Subject The topic of the resource Composers Hellstenius, Henrik - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_008 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with short, light-colored hair and black-framed glasses wears a black t-shirt while standing behind a wooden podium. Their hands rest on the surface, and a watch is visible on one wrist. A semi-transparent watermark is positioned across the center. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/58e8a333c046b98ec1a70079440e95ec.jpg 1370138365d724ae00bcb90fe5389558 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person plays a black Steinway grand piano with several pages of sheet music displayed on the music stand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kenneth Karlsson, piano rehearsing Maja Ratkje's "Two small pieces for Arnold S." at June in Buffalo 2017 Subject The topic of the resource Pianists Karlsson, Kenneth - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_009 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with short hair and glasses sits at a black Steinway grand piano, with their hands positioned on the keys. Multiple sheets of musical notation are spread across the music stand, while a spiral-bound notebook with more music rests nearby. The piano lid is propped open, revealing internal mechanisms, in a room with light wood floors and dark paneled walls. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/527bbf291fc198c859df98fdfadec9e4.jpg f18936287b3538b337392e46bdf39536 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person plays a Steinway grand piano with sheet music displayed on the stand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kenneth Karlsson, piano rehearsing Maja Ratkje's "Two small pieces for Arnold S." at June in Buffalo 2017 Subject The topic of the resource Pianists Karlsson, Kenneth - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a grey shirt sits at a black Steinway grand piano with their hands on the keys. Several sheets of music are spread across the music rest and the piano's body. The instrument's lid is open, and the scene is set in a room with wood flooring and paneled walls. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/27f92da4a39b025fc9c0ef823b12d3d9.jpg 92836370e4af5b5d25d607a5e60793ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand together while one points and holds papers as the others look at a smartphone. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor and Adrián Sandí, clarinet and Tiffany DuMouchelle, soprano rehearsing Yu-Chun Chieng's "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Conductors Clarinetists Vocalists Lubman, Brad - Conductor Sandí, Adrián 1983- - Bass clarinet DuMouchelle, Tiffany - Voice Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a black shirt holds papers and points an arm outward. Next to them, another person in a blue shirt looks at a mobile phone, and a third person with long red hair and a gray shawl stands beside them. The setting features light-colored paneled walls in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e2721673ae0aba04e950eb52ff981c84.jpg 5a1b9ba21d3864bcf0556a5a353502ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people stand in a room near a music stand, with one person holding papers and another looking at a handheld device. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor and Tiffany DuMouchelle, soprano, Michael Gurfield, trumpet, and Adrián Sandí, clarinet rehearsing Yu-Chun Chieng's "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Conductors Musicians Lubman, Brad - Conductor DuMouchelle, Tiffany - Voice Sandí, Adrián 1983- - Bass clarinet Gurfield, Michael - Trumpet Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_012 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A group of four people stands in a room containing a music stand and a door labeled "Orchestra Library." The person on the left holds white papers while facing the group, and the person in the blue shirt looks at a handheld device. The remaining two people look toward the person on the left. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a9e7e43f712352660cf44e19152e85cf.jpg d59a9caafcae09e715548ad900afb40b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Musicians with various instruments including a violin, cello, harp, and trumpet sit in a rehearsal room. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Simen Kiil Halvorsen, trumpet, Kjell Tore Innervik, percussion, and Ingeborg Elisabeth Moe, clarinet rehearse Derick Evans' "Isaidseparation" at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Halvorsen, Simen Kiil - Trumpet Innervik, Kjell Tore, 1974- - Percussion Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Six people sit in a large room surrounded by music stands and instruments. On the left, individuals hold a violin and a cello, while a large golden harp stands in the center of the space. To the right, people sit with a trumpet and a clarinet near gongs and a xylophone. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1994ee4d19d8ced28b682ebbb1580b39.jpg 9b067c35d2c7ebcd88bf2f50c5a9a218 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of musicians plays various instruments including a harp, cello, and trumpet in a rehearsal space. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Simen Kiil Halvorsen, trumpet, Kjell Tore Innervik, percussion, and Ingeborg Elisabeth Moe, clarinet rehearse Derick Evans' "Isaidseparation" at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Halvorsen, Simen Kiil - Trumpet Innervik, Kjell Tore, 1974- - Percussion Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_014 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Six people are positioned in a rehearsal room with gray walls and red chairs while playing musical instruments. The ensemble includes players of the violin, cello, harp, vibraphone, trumpet, and clarinet. In the background, percussion instruments such as gongs and tubular bells are set up behind music stands. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/74efcbbb7ade9f0a95eaa6b8babb9734.jpg 71654b7ada9285cb65e6b788edda7a6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of people practice with musical instruments including a cello, a harp, and percussion in a studio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Derick Evans speaks with members of the Bifrost Ensemble (Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, and Kjell Tore Innervik, percussion) during rehearsal of his piece "Isaidseparation" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Evans, Derick - Composer Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person plays a cello while seated next to another person positioned behind a large, ornate harp. A third person stands on the right holding sheet music and gesturing toward the group, while percussion instruments like gongs and tubular bells are positioned in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/630dac153b7aa5ab21ecd662aa6a2f80.jpg 3e5642a707b9a563cc778f55ada779f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five people sit in a music rehearsal room with a trumpet, clarinet, and stringed instruments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Derick Evans watches as Bifrost Ensemble members Ingeborg Elisabeth Moe, clarinet, Johannes Borchgrevink, violoncello, Simen Kiil Halvorsen, trumpet, and Gina Bordini, violin rehearse his piece "Isaidseparation" at June in Buffalo 2018 Subject The topic of the resource Composers Musicians Musical groups Moe, Ingeborg Elisabeth - Clarinet Borchgrevink, Johannes - Violoncello Halvorsen, Simen Kiil - Trumpet Evans, Derick - Composer Bordini, Gina - Violin Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_016 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A group of people are seated in a rehearsal room with music stands and various instruments including a trumpet and stringed instruments. In the background, multiple rows of empty chairs are arranged on tiered platforms behind the musicians. The room also features a blue curtain and several posters on the wall. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/fa1992129b545cac7db377864ccf580a.jpg c5fa38d3816d4758855eaae996ce2d9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of musicians wearing headphones rehearses in a studio with a wide array of instruments including a harp, violin, and percussion. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Kjell Tore Innervik, percussion, Simen Kiil Halvorsen, trumpet, and Ingeborg Elisabeth Moe, clarinet rehearse Derick Evans' "Isaidseparation" at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Halvorsen, Simen Kiil - Trumpet Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_017 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Several individuals are positioned throughout a large room with music stands and instruments such as a cello, vibraphone, and trumpet. One person plays a violin in the foreground while another sits behind a tall golden harp near a large gong. The performers look at sheet music or their instruments while practicing in front of a grey wall with a door and window. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c39221bffb4cf0e86ed86a8b777b020e.jpg 3953287151a111f30c1c34f66cd64249 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people wearing headphones play a violin, cello, harp, and vibraphone in a music studio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, and Kjell Tore Innervik, percussion rehearse Derick Evans' "Isaidseparation" at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_018 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four people wearing headphones play musical instruments in a rehearsal room with gray walls and double doors. In the foreground, one person plays a violin and another plays a cello, while a third person sits behind a large golden harp. A fourth person stands on the right behind a vibraphone near music stands with sheet music. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8707ed8aaf44eda15e772a40206d8b46.jpg 40a4016bc4932f5df3fd0cd4fa215347 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a grey hoodie and glasses holds a small wooden stick and a brass percussion instrument. Other brass cowbells are arranged on a table in front of them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kjell Tore Innervik, percussion of the Bifrost Ensemble rehearses Derick Evans' "Isaidseparation" at June in Buffalo 2017 Subject The topic of the resource Percussionists Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a grey hooded sweatshirt and glasses holds a rounded brass percussion instrument and a thin wooden stick. Three larger brass cowbells sit on a black cloth-covered surface in the foreground. The background features a set of tubular bells, a drum, and double doors marked with an exit sign. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/93a4409205e60a7aa086dc6777b13ccd.jpg 33927f4c6928147e259510db08e0d9cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people perform on a stage with a violin, a cello, and a grand piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cikada Trio members Odd Hannisdal, violin, Kenneth Karlsson, piano, and Torun Stavseng, violoncello rehearse at June in Buffalo 2017 Subject The topic of the resource Violinists Pianists Violoncellists Hannisdal, Odd - Violin Karlsson, Kenneth - Piano Stavseng, Torun - Violoncello Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_020 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three people are seated on a wooden stage with musical instruments and music stands. One person on the left plays a violin while another person on the right plays a cello. A third person sits in the center behind a grand piano. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e99b1b04bb1088fd7a9b853709e704f1.jpg 1164e11a4dcc946dbb239f5aadeafc0a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three musicians perform with a violin, a grand piano, and a cello on a stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cikada Trio members Odd Hannisdal, violin, Kenneth Karlsson, piano, and Torun Stavseng, violoncello rehearse at June in Buffalo 2017 Subject The topic of the resource Violinists Pianists Violoncellists Hannisdal, Odd - Violin Karlsson, Kenneth - Piano Stavseng, Torun - Violoncello Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_021 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three people are seated on a stage playing a violin, a grand piano, and a cello. Music stands with sheet music are positioned in front of the performers. A watermark reading "Copyright by Irene Haupt" is visible across the center of the scene. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/982ce4f543d014ab3839bca0cd7022c1.jpg e02d0ba0bf9ff1ae32ab9a7fdb514494 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three musicians rehearse with a violin, piano, and cello in a room with wood-paneled walls. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cikada Trio members Odd Hannisdal, violin, Kenneth Karlsson, piano, and Torun Stavseng, violoncello rehearse at June in Buffalo 2017 Subject The topic of the resource Violinists Pianists Violoncellists Hannisdal, Odd - Violin Karlsson, Kenneth - Piano Stavseng, Torun - Violoncello Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_022 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource On the left, a person stands holding a violin and bow. A second person sits at a grand piano behind music stands, and a third person on the right sits and plays a cello. The setting features wood-paneled walls and a light-colored floor. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/7e7f073fe39f982a0ab75e7135fbb445.jpg f29ac88664467d5758b4477d8ece0a21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Six people sit on a long wooden bench against a wall while eating from white plates. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Kjell Tore Innervik, percussion, Simen Kiil Halvorsen, trumpet, Johannes Borchgrevink, violoncello, Gina Bordini, violin, Ingeborg Elisabeth Moe, clarinet, and Sara Esturillo, harp eat lunch outside of rehearsal at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Innervik, Kjell Tore, 1974- - Percussion Halvorsen, Simen Kiil - Trumpet Borchgrevink, Johannes - Violoncello Bordini, Gina - Violin Moe, Ingeborg Elisabeth - Clarinet Esturillo, Sara - Harp Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_023 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A group of six people is seated in a row on a wooden bench, eating food from white plates. They are dressed in casual clothing, and some use forks while others eat with their hands. Several bags and a white instrument case are placed on the dark tiled floor at the end of the bench. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d582c80210608691395168f1197e3ac6.jpg d8660b9c64a489061aaf04a64a7f77f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Six people sit on a wooden bench against a white wall and eat from plates. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Kjell Tore Innervik, percussion, Simen Kiil Halvorsen, trumpet, Johannes Borchgrevink, violoncello, Gina Bordini, violin, Ingeborg Elisabeth Moe, clarinet, and Sara Esturillo, harp eat lunch outside of rehearsal at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Innervik, Kjell Tore, 1974- - Percussion Halvorsen, Simen Kiil - Trumpet Borchgrevink, Johannes - Violoncello Bordini, Gina - Violin Moe, Ingeborg Elisabeth - Clarinet Esturillo, Sara - Harp Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_024 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Six people in casual clothing are seated together on a wooden bench, holding plates and eating. A large white instrument case rests on the dark tiled floor near the group. A faint watermark is superimposed across the middle of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/91ee60b12acef331741574f65b9a260e.jpg a1a25698767cc2a9d06391b75ffff4be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Several people gather near a staircase in an indoor area, some holding papers and others eating. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composers, composers, and performers eat lunch outside of rehearsal a June in Buffalo 2017 Subject The topic of the resource Composers Musicians - Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_025 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource One person stands holding a stack of papers while talking to another person in a patterned jacket near the base of a staircase. A third person sits on the steps with a plate of food and a green can, while a sign provides directions in the background. To the right, another person sits on a wooden bench, and a black waste bin stands on the left. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8c89dce3912f11c2b914587383914162.jpg 743ed93cd4720cb2b231a689e541534c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people looking at the internal strings and hammers of an open grand piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Jacob Walls coaches Eric Huebner, piano on his piece "Piano Stretch" at June in Buffalo 2017 Subject The topic of the resource Composers Pianists Walls, Jacob, 1989- - Composer Huebner, Eric - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_026 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource One person in a gray shirt stands next to a grand piano while another person in a black shirt reaches into the exposed interior. The piano lid is propped open to reveal the metal strings, wooden hammers, and internal frame. Both individuals look toward the instrument's mechanism. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8ec99e6f32a9b2254811d5073a6d1cb5.jpg a77bd268c2af22cf44ad76095938eb10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people lean over an open grand piano, looking inside at its strings and mechanisms. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Jacob Walls coaches Eric Huebner, piano on his piece "Piano Stretch" at June in Buffalo 2017 Subject The topic of the resource Composers Pianists Walls, Jacob, 1989- - Composer Huebner, Eric - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_027 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Two people lean over the open lid of a black grand piano in a room with wood-paneled walls. One person wears glasses and a light-colored shirt, while the other wears a dark shirt and reaches a hand into the piano's interior. The instrument's internal strings and frame are visible beneath the raised lid. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/33ad7ec28a8bdbf581f20c0d1deea0fe.jpg 9344568ed2bb7402a45518166f7bc8f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person reaches into the open casing of a grand piano to touch the internal strings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eric Huebner, piano, rehearses Jacob Walls' piece "Piano Stretch" at June in Buffalo 2017 Subject The topic of the resource Pianists Huebner, Eric - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_028 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a black shirt leans over a black grand piano with its lid held open by a prop stick. Their hand is positioned inside the instrument, touching the metallic strings near the internal frame. The background consists of a plain, neutral-toned wall. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/13f1c5ee457369f5bcfce734c00e5769.jpg 5bf45da06dc2fb393ce4cbf733610577 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people stand over a vibraphone, placing mallets and small objects on its metal keys. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Adrien Trybucki coaches Thomas Kolor, percussion on his piece "Amadinda" at June in Buffalo 2017 Subject The topic of the resource Composers Percussionists Kolor, Thomas - Percussion Trybucki, Adrien - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_029 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Two individuals stand at a Yamaha vibraphone in a room with wood flooring and paneled walls. One person in a pink shirt leans forward to arrange clips and mallets on the metal bars of the instrument. The other person, wearing a grey hooded sweatshirt, stands on the opposite side looking down at the instrument. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9fe612d6d24e740cdae71f4ada06cd47.jpg 12a22d4902851606c05f67f29df2117c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a pink shirt plays a vibraphone with multiple mallets while another person stands behind them holding a notebook. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Adrien Trybucki coaches Thomas Kolor, percussion on his piece "Amadinda" at June in Buffalo 2017 Subject The topic of the resource Composers Percussionists Kolor, Thomas - Percussion Trybucki, Adrien - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_030 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a pink button-down shirt and glasses stands at a vibraphone, striking the keys with several mallets. Another person in a gray hoodie stands in the background holding a notebook. The room features wood flooring, sound-dampening wall panels, and a black piano to the left. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ae00166eb9e0a6e2f130a64080bf40a6.jpg d46f24036cc7f00cf0d7d2f0eb0900a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing glasses and a pink shirt plays a vibraphone with mallets. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017 Subject The topic of the resource Percussionists Kolor, Thomas - Percussion Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_031 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person stands at a vibraphone, holding mallets that are blurred from movement over the instrument's bars. They wear a pink button-up shirt and glasses in a room with wooden floors and acoustic wall treatments. A music stand is positioned to the right of the instrument. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/765706ce2992d3f4d2f489f4bc3a6fbf.jpg 83656e0d3eda79afcb9cecddf5473505 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a pink shirt plays a vibraphone with mallets while following sheet music. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017 Subject The topic of the resource Percussionists Kolor, Thomas - Percussion Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_032 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a pink shirt and glasses stands at a vibraphone, holding mallets over the metal bars. Several pages of sheet music are clipped to a stand in front of the instrument. The background contains rows of tiered seating in an auditorium. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/209be7f493b4bff7be0669ba4fd49b04.jpg 4bef05e4cbece609cdc819376a3ef123 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a red shirt plays a vibraphone with three red-tipped mallets. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017 Subject The topic of the resource Percussionists Kolor, Thomas - Percussion Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_033 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in a red button-down shirt and glasses holds multiple mallets over a vibraphone. Several pages of sheet music are clipped to a stand in front of them on a wooden stage. They hold two mallets in one hand and one in the other while positioned over the metal keys. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c54eaccbed2d93e9fe08d61a4fce5caa.jpg ea09dc7e954be483edb5988a469230fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person plays a percussion instrument with four mallets in front of a music stand with sheet music. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017 Subject The topic of the resource Percussionists Kolor, Thomas - Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_034 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a pink shirt stands behind a percussion instrument with metal bars, holding four mallets with pink tips. The instrument is positioned in front of several pages of sheet music on a stage, with empty rows of auditorium seating in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ffe5bf529608ee6497489d16e3af8fca.jpg c6cdd6fb7c71f7b758d6cbb00a6693cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person plays a mallet percussion instrument using four red-tipped mallets while music stands with sheet music sit behind the bars. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017 Subject The topic of the resource Percussionists Kolor, Thomas - Percussion Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_035 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a reddish shirt holds two mallets in each hand over the metal bars of a vibraphone. Several colorful plastic clips are attached to the ends of the bars, and a beaded chain hangs from the front edge. Two music stands displaying multiple pages of sheet music are positioned behind the instrument. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d04f06566a25dcdeb48cacf37609ca6e.jpg 8026976856dad6ae53e303131375442e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of people sits in a room with a piano, holding papers while seated in tablet-arm chairs and at a desk. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Jeffrey Mumford in a talk with student composers Jung Yoon Wie, Jacob Walls, Zhuosheng Jin, and Jakub Polaczyk at June in Buffalo 2017 Subject The topic of the resource Composers Wie, Jung Yoon - Composer Walls, Jacob, 1989- - Composer Jin, Zhuosheng - Composer Polaczyk, Jakub - Composer Mumford, Jeffrey, 1955- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_036 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Five individuals are positioned in a room with acoustic wall panels and a black upright piano. Several people sit in grey chairs with attached writing surfaces, while another sits at a desk containing musical scores, a purple book, and a bottle of sanitizer. Sheets of paper are being held or passed among the group. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/516c8565b6a00298229f6382c5135557.jpg 7402b1780188fbc3ab3a1431f97df744 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Several people in a classroom setting facing a person at a desk. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Jeffrey Mumford in a talk with student composers Jakub Polaczyk, Zhuosheng Jin, Jung Yoon Wie, and Jacob Walls at June in Buffalo 2017 Subject The topic of the resource Composers Polaczyk, Jakub - Composer Jin, Zhuosheng - Composer Wie, Jung Yoon - Composer Walls, Jacob, 1989- - Composer Mumford, Jeffrey, 1955- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_037 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with a gray beard sits at a desk in front of a whiteboard with musical staff lines. Other people sit in chairs nearby, with one person in the foreground holding an open notebook of sheet music. A wooden podium and a black bag on the desk are also visible. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/00ba2ff50b6cc8f90f8cf2077b7f19a5.jpg 8b84411084180f6816304426742afb3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people sit in a circle looking at a musical score. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composers Jung Yoon Wie, Zhuosheng Jin, Jakub Polaczyk, and Jacob Walls at June in Buffalo 2017 Subject The topic of the resource Composers Wie, Jung Yoon - Composer Jin, Zhuosheng - Composer Polaczyk, Jakub - Composer Walls, Jacob, 1989- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_038 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four people are gathered in a room with a black upright piano in the background. One person holds a spiral-bound musical score and gestures with an open hand toward the others. The group members are dressed in casual attire and are seated in chairs with small desk arms. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3f57cfb334efba5b85acbd92c9cda5b8.jpg 8c2a28d35284f0e653547f7b494fe465 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people sit around a table looking at a book of sheet music in a room with a piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composers Jung Yoon Wie, Zhuosheng Jin, Jakub Polaczyk, and Jacob Walls at June in Buffalo 2017 Subject The topic of the resource Composers Wie, Jung Yoon - Composer Jin, Zhuosheng - Composer Polaczyk, Jakub - Composer Walls, Jacob, 1989- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_039 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four people are gathered at a table, with one person pointing at a spiral-bound notebook of musical notation. A black piano and sound-absorbing panels are visible in the background. The participants are wearing casual clothing and sitting in chairs. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/04855cc8966eb5585094147e4dc6f9e6.jpg 865f52930de569e055d7e67980b31fa4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource People review documents in a room featuring a large whiteboard and a piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Henrik Hellstenius in a talk with student composers at June in Buffalo 2017 Subject The topic of the resource Composers - Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_040 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Several people are gathered in a room with a large whiteboard, a black piano, and various tables. One person in a black shirt and glasses reads a document while others sit nearby or stand while holding a device. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/5bad3dadd98491fb0f0cc79229f747a5.jpg afe72c1ed324d492f929cbab6d192d3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four individuals rehearse with musical instruments, including a large harp and a cello, in a wood-paneled room. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Colin Tucker watches as Bifrost Ensemble members Johannes Borchgrevink, violoncello, Sara Esturillo, harp, and Kjell Tore Innervik, percussion rehearse his piece "a rift, like the breath drawn in, immaculate" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Tucker, Colin - Composer Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_041 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in a patterned shirt interacts with the strings of a large wooden harp while another individual sits with a cello in the foreground. Two other people are positioned behind music stands on a wooden stage with wood-paneled walls. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/11652b4ec237560ac089aaac3d272c36.jpg c8078e19835bd24a54bee30671f9ebf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Several people gather around a large, ornate wooden harp in a wood-paneled room. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Colin Tucker watches as Bifrost Ensemble members Sara Esturillo, harp, Johannes Borchgrevink, violoncello, and Kjell Tore Innervik, percussion rehearse his piece "a rift, like the breath drawn in, immaculate" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Esturillo, Sara - Harp Tucker, Colin - Composer Borchgrevink, Johannes - Violoncello Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_042 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in a patterned shirt reaches toward the top of a large harp while another person in a checkered shirt leans forward behind the strings. In the foreground, a person in a grey shirt sits with their back to the viewer. The room features vertical wood-paneled walls. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/b2dd191a2fd24086d3e4ed468d2ac3d5.jpg 006c47f08a19b6b558a77a1a336f678a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A hand reaches toward the top frame of a wooden harp with colorful strings, with sheet music and another person visible in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Sara Esturillo, harp and Ingeborg Elisabeth Moe, clarinet rehearse at June in Buffalo 2017 Subject The topic of the resource Harpists Clarinetists Musical groups Esturillo, Sara - Harp Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_043 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person’s hand is positioned near the neck of a large wooden harp that features vertical strings in various colors. Behind the strings, sheet music sits on a black stand above a wooden floor. In the background, another person sits in a chair and looks down at a piece of paper. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/baf404f18e2442a89b68a6b4f35b067d.jpg c65c9c7b22b2edca09a2ce2be72f7fa5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people at a grand piano, with one person seated and the other standing nearby. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Kolten Heeren watches as Eric Huebner, piano rehearses his piece "Piano Bagatelles" at June in Buffalo 2017 Subject The topic of the resource Composers Pianists Huebner, Eric - Piano Heeren, Kolten - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_044 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a black shirt is seated at a grand piano with their hands on the keys. Beside them, another person wearing glasses and a light-colored shirt stands and looks toward the piano. The piano lid is raised, revealing the internal strings and structure of the instrument. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a3d794ecc41f15d3a700865e58e9eaf4.jpg 271cf98687d295ace33ec29693db7228 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with short brown hair sits at a black grand piano with the lid propped open. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eric Huebner, piano rehearses Kolten Heeren's piece "Piano Bagatelles" at June in Buffalo 2017 Subject The topic of the resource Pianists Huebner, Eric - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_045 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a black shirt sits at a black grand piano with their hands on the keys. A digital tablet displaying sheet music sits on the music stand. The piano lid is propped open, and the background features a plain wall with dark horizontal trim. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9a2db3523e90aba7f137524a4d95232b.jpg 7abb75a16fc475432155557c41af224f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person sits at a black grand piano with sheet music, their hands resting on the keys. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kenneth Karlsson, piano rehearsing Eivind Buene's piece "Study No. 3" at June in Buffalo 2017 Subject The topic of the resource Pianists Karlsson, Kenneth - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_046 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with thinning hair is seated at a Steinway grand piano in a room with wooden floors and walls. Their hands are positioned on the keyboard, and sheet music is propped up on the music stand. The piano's lid is open, exposing the internal strings and golden-colored frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/150d3d6ae367c6bc8ea518f7448813f9.jpg 06e583da5197d7be2aec32c1f88fb450 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person plays a black grand piano with sheet music resting on the music stand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kenneth Karlsson, piano rehearsing Eivind Buene's piece "Study No. 3" at June in Buffalo 2017 Subject The topic of the resource Pianists Karlsson, Kenneth - Piano Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_047 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person sits at a black Steinway grand piano in a room with wood flooring and paneled walls. Their hands are positioned on the keyboard, and several pages of sheet music are displayed on the music stand. A notebook rests on the right side of the piano's open case. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d8bf0cad055f80b36fd533ec2167f3e1.jpg ea6b7e58a6b6361dc60425575957c9c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three musicians perform on a wooden stage with a violin, cello, and grand piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cikada Trio members Odd Hannisdal, violin, Kenneth Karlsson, piano, and Torun Stavseng, violoncello perform at June in Buffalo 2017 Subject The topic of the resource Violinists Pianists Violoncellists Hannisdal, Odd - Violin Karlsson, Kenneth - Piano Stavseng, Torun - Violoncello Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_048 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three people sit on a wooden stage in front of a wood-paneled wall performing music. One person plays a violin, another plays a cello, and a third sits at a black grand piano in the background. Music stands with sheet music are positioned in front of the performers. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d43b619b7dcd1485b9c58a64adb4909c.jpg 93decd2ab7c9c761081eb8521af8df96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three musicians perform with a violin, cello, and grand piano on a wooden stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cikada Trio members Odd Hannisdal, violin, Kenneth Karlsson, piano, and Torun Stavseng, violoncello perform at June in Buffalo 2017 Subject The topic of the resource Violinists Pianists Violoncellists Hannisdal, Odd - Violin Karlsson, Kenneth - Piano Stavseng, Torun - Violoncello Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_049 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three musicians sit on a wooden stage in front of wood-paneled walls. One person plays a violin on the left, another plays a cello on the right, and a third person sits at a black grand piano in the background. Music stands with sheet music are positioned in front of the performers. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/444504709c764a66f783de0e393a408a.jpg 6c2d81f094d758b948da60720f361c63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people on a wood-paneled stage with a violin, cello, and grand piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Eivind Buene greets Cikada Trio members Kenneth Karlsson, piano, Odd Hannisdal, violin, and Torun Stavseng, violoncello after a performance of his piece "Landscape with Ruins" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Buene, Eivind, 1973- - Composer Karlsson, Kenneth - Piano Hannisdal, Odd - Violin Stavseng, Torun - Violoncello Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_050 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four individuals are positioned on a stage with light wood floors and vertical-paneled walls. One person walks from the left with an outstretched hand toward two others in the center, one of whom holds a violin. A fourth person stands on the right with a cello near a grand piano and music stands. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f1b58d6c1b027cda728b2c74d90eab21.jpg 402a4812aa6f7495f48d035a65ba2a45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people stand on a stage with a piano, music stands, and string instruments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Eivind Buene acknowledges Cikada Trio members Kenneth Karlsson, piano, Odd Hannisdal, violin, and Torun Stavseng, violoncello after a performance of his piece "Landscape with Ruins" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Buene, Eivind, 1973- - Composer Karlsson, Kenneth - Piano Hannisdal, Odd - Violin Stavseng, Torun - Violoncello Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_051 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four individuals are positioned on a wooden stage in front of a grand piano and several music stands. One person on the far left has an arm extended toward the others, while a person on the far right holds a cello and raises an arm. In the center, two people stand near a microphone stand, and one of them holds a violin. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f60d95bd532215c7a3bd880eacd91324.jpg 1a7a0c3f6ce27daa8817564652320413 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand on a wooden stage with a cello, a violin, and a grand piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cikada Trio members Torun Stavseng, violoncello, Odd Hannisdal, violin, and Kenneth Karlsson acknowledge applause after a performance at June in Buffalo 2017 Subject The topic of the resource Violoncellists Violinists Pianists Stavseng, Torun - Violoncello Hannisdal, Odd - Violin Karlsson, Kenneth - Piano Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_052 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three people stand in a line on a wooden stage in front of a black grand piano. The person on the left holds a cello, the person in the center holds a violin, and the person on the right stands beside a piano bench. The background consists of a wood-paneled concert hall wall. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d9cb248c730ca120d60f562012527d71.jpg a321e01cbef8d6bd36112d21a27bc5ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand on a wooden stage with a cello, a violin, and a grand piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cikada Trio members Torun Stavseng, violoncello, Odd Hannisdal, violin, and Kenneth Karlsson acknowledge applause after a performance at June in Buffalo 2017 Subject The topic of the resource Violoncellists Violinists Pianists Stavseng, Torun - Violoncello Hannisdal, Odd - Violin Karlsson, Kenneth - Piano Cikada Trio - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-05 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_053 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three people are positioned on a stage with wood-paneled walls and a light-colored wooden floor. One person holds a cello, the person in the center holds a violin, and the third person stands next to a black grand piano. A music stand and a piano bench are visible on the stage behind them. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/44003b62cabe7f43a8e4eb04e2d04e62.jpg b0d359690fe2915ba06a9284d7385e6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person sits holding sheet music while two people stand on either side, one holding a trombone. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Yu-Chun Chien coaches Tiffany DuMouchelle, soprano, and Ensemble Signal members Adrián Sandí, bass clarinet and Steven Parker, trombone on her piece "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Chien, Yu-Chun - Composer DuMouchelle, Tiffany - Voice Sandí, Adrián 1983- - Bass clarinet Parker, Steven - Trombone Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_054 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three people are positioned in a room with several rows of empty red and brown chairs. A seated person with red hair looks at sheet music, while a standing person on the right holds a brass trombone. A fourth person is visible in the background holding a saxophone near a table with a teal cloth. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/5f47ded73529b249b5e75317b1973215.jpg 9ce68adaf260b0a72dbc861adbd28f77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people look at sheets of paper and a notebook in an indoor setting. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Yu-Chun Chien coaches Tiffany DuMouchelle, soprano on her piece "I mitten jag sr dig" at June in Buffalo 2017 Subject The topic of the resource Composers Vocalists DuMouchelle, Tiffany - Voice Chien, Yu-Chun - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_055 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource One individual with dark hair in a ponytail wears a checkered shirt and a black cardigan while holding a printed document. Another person with reddish hair and a multi-colored top holds a notebook and a yellow pencil. They both stand in a room with white walls, and a watermark spans the middle of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9afd33cde8f1586e5fcb841270078ce6.jpg 21fd08007ffb8b602fe088f5770165ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand in a room with acoustic panels, two holding brass instruments and one standing behind a music stand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tiffany DuMouchelle, soprano and Ensemble Signal members Michael Gurfield, trumpet and Steven Parker, trombone rehearse Yu-Chun Chien's piece "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Gurfield, Michael - Trumpet Parker, Steven - Trombone DuMouchelle, Tiffany - Voice Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_056 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in the foreground holds a trumpet with a mute, while another person in the background plays a trombone. A third person stands behind a music stand with several sheets of musical notation. The room features a wall of light-colored acoustic panels and a black speaker on a wheeled stand. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/0cb8be5ed04d1ad54759b122d7d83bf8.jpg 7a48b374753269bf6e28e3dcb50805ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person wearing a checkered shirt and black cardigan looks down while holding a pen and papers. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Yu-Chun Chien listens in rehearsal of her piece "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Composers Chien, Yu-Chun - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_057 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with dark hair tied back looks down at a stack of papers held in their hand. They wear a blue and white checkered shirt under a black cardigan and hold a white pen. Red and brown chairs are visible in the background against a light-colored wall. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/323f1c4f542ca1cc4feec7b5bc901772.jpg 5c6ec55b9e5537797355d9dfb7d78f5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Musicians rehearse in a studio with a person directing from a stool while others play flute, cello, violin, and piano. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Jeffrey Mumford watches as Michael Lewanski, conductor and Ensemble Dal Niente members Mabel Kwan, piano, Emma Hospelhorn, flute, Mira Luxion, violoncello, and Hanna Hurwitz, violin rehearse his piece "a garden of flourishing paths" at June in Buffalo 2018 Subject The topic of the resource Composers Conductors Musical groups Mumford, Jeffrey, 1955- - Composer Lewanski, Michael - Conductor Kwan, Mabel - Piano Hospelhorn, Emma - Flute Luxion, Mira - Violoncello Hurwitz, Hanna, 1986- - Violin Ensemble Dal Niente - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_058 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A group of musicians sits in a rehearsal space with music stands, playing instruments such as the flute, cello, violin, and piano. One person sits on a tall stool gesturing toward the ensemble while another person sits nearby looking at sheet music. The room has a speckled floor, gray walls, and blue curtains behind a piano in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/630288e4e5ea00ed1a430ba99d4f4bcd.jpg 0d2bab3a402e3be67c6a2cab97586251 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a brown sweater gestures behind a set of small cymbals in an auditorium with empty seats. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Odd Hannisdal coaches the Bifrost Ensemble during rehearsal at June in Buffalo 2017 Subject The topic of the resource Violinists Musicians Hannisdal, Odd - Violin Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_059 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with short brown hair wearing a brown textured sweater stands in an auditorium with rows of empty dark red seats in the background. Their arms are raised and hands are in motion behind a series of small circular brass cymbals mounted on a rack. A watermark reading "Copyright by Irene Haupt" is layered across the center of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c530d07fa3b18bd45601648b33ab66ec.jpg 0f8fa58cc62e63d9b9ccf986d209b500 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person in a brown sweater gestures with their hands in a theater with empty red seats and cymbals. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Odd Hannisdal coaches the Bifrost Ensemble during rehearsal at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Hannisdal, Odd - Violin Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_060 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person stands in an auditorium with their hands raised in a gesture, wearing a textured brown sweater. Behind them are rows of empty red seats and a microphone stand. In the lower left corner, several small cymbals are mounted on stands. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/712f8e49952ef424cc78e196609618ec.jpg 1b9a54f3745e9ee03d28334c70d542fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five musicians play instruments including a harp, cello, violin, and clarinet in a wood-paneled room. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Sara Esturillo, harp, Johannes Borchgrevink, violoncello, Kjell Tore Innervik, percussion, Gina Bordini, violin, and Ingeborg Elisabeth Moe, clarinet rehearse at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Esturillo, Sara - Harp Borchgrevink, Johannes - Violoncello Innervik, Kjell Tore, 1974- - Percussion Bordini, Gina - Violin Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_061 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Five people perform on various musical instruments in a room with vertical wood-paneled walls. In the foreground, musicians play a cello and a violin while looking at music stands. An ornate harp is positioned on the left, and other individuals play a mallet percussion instrument and a clarinet in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/6e0e31aef11cc2f9e1705aa5088f0e17.jpg 9425257a6e0a7acb9dd04166e1756505 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Musicians perform on a stage with a harp, percussion equipment, and woodwind instruments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Johannes Borchgrevink, violoncello, Gina Bordini, violin, Sara Esturillo, harp, Kjell Tore Innervik, percussion, and Ingeborg Elisabeth Moe, clarinet rehearse at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Borchgrevink, Johannes - Violoncello Bordini, Gina - Violin Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_062 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Several people play musical instruments in a hall with vertical wood paneling. A person in the foreground plays a string instrument next to an individual seated at a large ornate harp. In the background, a percussionist stands behind various instruments while another person sits on the right playing a woodwind instrument. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/043710ce62615966d692a717efb62fb8.jpg 8e00779916ddce6027f370b2e51b0552 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five musicians perform on a stage with instruments including a harp, cello, and marimba. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Odd Hannisdal watches as Ensemble Bifrost members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Kjell Tore Innervik percussion, and Ingeborg Elisabeth Moe, clarinet rehearse at June in Buffalo 2017 Subject The topic of the resource Violinists Musicians Composers Bordini, Gina - Violin Hannisdal, Odd - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_063 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A musical ensemble plays a violin, cello, harp, marimba, and clarinet on a light wood stage. In the background, a large pipe organ is integrated into the wood-paneled walls. In the foreground, a person sits in a theater seat with their arms draped over the back of the chairs. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/765cec903066944693509501828ea80c.jpg 397112fbfc1e2d83aaa609703a0791d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Musicians perform on a stage with a violin, cello, harp, percussion, and clarinet as an audience member watches from the front row. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Odd Hannisdal watches as Ensemble Bifrost members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Kjell Tore Innervik percussion, and Ingeborg Elisabeth Moe, clarinet rehearse at June in Buffalo 2017 Subject The topic of the resource Violinists Musicians Musical groups Bordini, Gina - Violin Hannisdal, Odd - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_064 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Five people play musical instruments on a stage in a concert hall with wood-paneled walls and organ pipes. From left to right, the musicians use a violin, cello, harp, percussion instruments, and a clarinet. In the foreground, a person sits with their back to the camera and arms draped over the back of empty seats. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/81028ad231fbaf2a03a8f6e34cc9df9a.jpg abc6cad16fb4f7fc29af13f110796a14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people sitting and playing the flute and cello in a practice room. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ensemble Signal members Alex Ishov, flute and Mariel Roberts, violoncello rehearse Leslie Lang's "Strange Lengths, Odd ends" at June in Buffalo 2017 Subject The topic of the resource Flutists Violoncellists Ishov, Alexander, 1994- - Flute Roberts, Mariel - Violoncello Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_065 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person on the left sits while playing a silver flute behind a black music stand. To the right, another person sits playing a cello in front of a different music stand. The background includes several red chairs and an orange curtain. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f8a9197a04132fe33c6cefa86ea3afac.jpg e40ba18ef58bb5ae3b2c330e1222a8ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people stand in a music room, with one holding a flute and another holding a cello. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Leslie Lang coaches Ensemble Signal members Alex Ishov, flute and Mariel Roberts, violoncello on her piece "Strange Lengths, Odd Ends" at June in Buffalo 2017 Subject The topic of the resource Composers Flutists Violoncellists Ishov, Alexander, 1994- - Flute Lang, Leslie - Composer Roberts, Mariel - Violoncello Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_066 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three individuals are positioned in a room featuring music equipment and orange curtains. The person on the left holds a flute while wearing a blue button-down shirt. The person on the right holds a cello and bow while wearing a yellow cardigan. A third person stands in the center wearing a black hoodie. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/b0661f5dedf56526c18d855ecb652ddc.jpg d4b2adeb5c4d8175c255dfa99ea33ece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of people sit and stand in a room containing musical instrument cases and a door labeled "Orchestra Library." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers, musicians, and audience members, including David Felder, Brad Lubman, and Jeffrey Mumford, before a performance at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Felder, David, 1953- - Composer Lubman, Brad - Conductor Mumford, Jeffrey, 1955- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_067 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Several people are gathered in an indoor space, with some seated on red chairs and others standing. A blue cello case and other musical equipment are positioned near a door marked "Orchestra Library." One person holds a camera and another holds a woodwind instrument. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/476764076a0f6816d4d679bba4ec07b6.jpg f22640d6c3a99b9b265f263c86793347 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A large group of people sitting in rows of chairs in an indoor space. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers, musicians, and audience members, including Brad Lubman, before a performance at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Lubman, Brad - Conductor Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_068 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource People are seated in multiple rows of chairs, with some holding notebooks, programs, or mobile devices. In the background, a person stands holding a trumpet near a door labeled "Orchestra Library." The room contains neutral-toned walls and grey storage lockers along the right side. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/4c8f7b81ec14ef7f68a44e548562448e.jpg c55667d1770e46d35d494bbd45d87476 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of people sits in chairs facing two individuals standing on a stage area with musical instruments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor, Tiffany DuMouchelle, soprano, and Ensemble Signal members Steven Parker, trombone, Adrián Sandí, bass clarinet, and Michael Gurfield, trumpet before a performance of Yu-Chun Chien's "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Conductors Musicians Musical groups Parker, Steven - Trombone Lubman, Brad - Conductor DuMouchelle, Tiffany - Voice Sandí, Adrián 1983- - Bass clarinet Gurfield, Michael - Trumpet Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_069 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Several rows of people are seated in a room, many looking toward the front where two individuals are standing. Behind them, musical equipment including a piano and timpani is visible against an orange curtain. Some of the seated individuals hold papers while others observe the front of the room. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/aa8e00bb56075ab431b19a7de1c88cfc.jpg 739800e2931e6b0850b60a8557719236 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Musicians perform for a seated audience in a room with orange curtains. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor leads Tiffany DuMouchelle, soprano and Ensemble Signal members Steven Parker, trombone, Adrián Sandí, bass clarinet, and Michael Gurfield, trumpet in a performance of Yu-Chun Chien's "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Conductors Musicians Musical groups Parker, Steven - Trombone DuMouchelle, Tiffany - Voice Sandí, Adrián 1983- - Bass clarinet Gurfield, Michael - Trumpet Lubman, Brad - Conductor Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_070 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A group of people sit in red-backed chairs, facing a performance area with orange curtains and acoustic panels. On stage, individuals play a trombone and a saxophone near music stands and a piano. A person stands facing the musicians while another person stands to the right with raised hands. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/4dc952ee3edff1ce89ec89e4b1a6b7cd.jpg 205b6256ebdacd8529b830761ed4d18c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource People sit in chairs facing musicians playing instruments on a stage in front of orange curtains. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor leads Tiffany DuMouchelle, soprano and Ensemble Signal members Michael Gurfield, trumpet, Adrián Sandí, bass clarinet, and Steven Parker, trombone in a performance of Yu-Chun Chien's "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Conductors Musicians Musical groups Gurfield, Michael - Trumpet Sandí, Adrián 1983- - Bass clarinet DuMouchelle, Tiffany - Voice Parker, Steven - Trombone Lubman, Brad - Conductor Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_071 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource An audience sits in rows of chairs facing a performance area where several musicians play wind instruments. A person stands with arms outstretched near a piano and percussion equipment. The background features light-colored walls and large orange curtains. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/de25da75f48745cbd430c5980e024af5.jpg 00dbff4fa0c461049d8b3942d7713f1e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Musicians perform on a stage for a seated audience in a room with gold curtains. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor leads Tiffany DuMouchelle, soprano and Ensemble Signal members Michael Gurfield, trumpet, Steven Parker, trombone, and Adrián Sandí, bass clarinet in a performance of Yu-Chun Chien's "I mitten jag ser dig" at June in Buffalo 2017 Subject The topic of the resource Conductors Musicians Musical groups Gurfield, Michael - Trumpet DuMouchelle, Tiffany - Voice Parker, Steven - Trombone Lubman, Brad - Conductor Sandí, Adrián 1983- - Bass clarinet Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_072 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Several people perform on a stage with instruments including a trumpet, a trombone, and kettledrums. An audience sits in chairs facing the performers, who stand in front of a large orange curtain. The room features light-colored acoustic paneling on the left wall and various pieces of musical equipment. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c1780fe496152a545e87ed85bf2756c3.jpg 6c4ac2ee0150b691a55992182e1a4ae7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A conductor directs a small musical ensemble featuring a flute, clarinet, and double bass for a seated audience. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor leads Ensemble Signal members Alex Ishov, flute, Adrián Sandí, clarinets, Steven Parker, trombone, and Tristan Kasten-Krause, double bass in a performance of Lily Chen's "Rambling" at June in Buffalo 2017 Subject The topic of the resource Conductors Musicians Musical groups Ishov, Alexander, 1994- - Flute Sandí, Adrián 1983- - Clarinet Parker, Steven - Trombone Kasten-Krause, Tristan - Double bass Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_073 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A conductor in black stands with one arm extended toward a small musical ensemble in front of a yellow curtain. The ensemble includes musicians playing a flute, a clarinet, and a double bass. An audience is seated in the foreground looking toward the stage where additional musical equipment like a piano and timpani are visible. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/87e9a7871a43b3cbfce26714a13ec39e.jpg fc1fb84caa9957609f19d6657ed39c5f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A small ensemble of musicians performs for a seated audience in a room with orange curtains. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor leads Ensemble Signal members Olivia De Prato, violin, Victor Lowrie, viola, Alex Ishov, flute, unidentified, oboe, Laruen Radnofsky, violoncello, Adrián Sandí, clarinet, and Tristan Kasten-Krause, double bass in a performance of Matt Simon's "Found Objects" at June in Buffalo 2017 Subject The topic of the resource Conductors Musicians Musical groups De Prato, Olivia - Violin Lowrie, Victor - Viola Lubman, Brad - Conductor Ishov, Alexander, 1994- - Flute Radnofsky, Kenneth - Violoncello Sandí, Adrián 1983- - Clarinet Kasten-Krause, Tristan - Double bass Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_074 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A conductor leads a small musical ensemble consisting of string and wind players. A seated audience faces the performers from rows of chairs in the foreground. The room features light-colored walls and a backdrop of tall orange curtains. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/4659b38fb4cb11af181b34acdf3739fa.jpg 147a20da45765721ccaab353464913b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Musicians with instruments stand before a seated audience in a room with orange curtains. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor and Ensemble Signal members Olivia De Prato, violin, Victor Lowrie, viola, Alex Ishov, flute, unidentified, oboe, Lauren Radnofsky, violoncello, Adrián Sandí, clarinet, and Tristan Kasten-Krause, double bass acknowledge student composer Matt Simon after a performance of his "Found Objects" at June in Buffalo 2017 Subject The topic of the resource Composers Conductors Musical groups Simon, Matt - Composer De Prato, Olivia - Violin Lowrie, Victor - Viola Lubman, Brad - Conductor Ishov, Alexander, 1994- - Flute Radnofsky, Kenneth - Violoncello Sandí, Adrián 1983- - Clarinet Kasten-Krause, Tristan - Double bass Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_075 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A group of musicians holding a violin, cello, double bass, and woodwind instrument stands facing a seated audience. One person at the front of the room gestures with an arm extended toward the seated group. The background features large orange curtains and light-colored paneled walls. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ea2307f8c34bd2f903d1db4da72cf998.jpg d7f6074a8e302aae701a17594c58b66d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of musicians stands on a stage with instruments while an audience watches. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brad Lubman, conductor and Ensemble Signal members Olivia De Prato, violin, Victor Lowrie, viola, Alex Ishov, flute, unidentified, oboe, Lauren Radnofsky, violoncello, Adrián Sandí, clarinet, and Tristan Kasten-Krause, double bass acknowledge student composer Matt Simon after a performance of his "Found Objects" at June in Buffalo 2017 Subject The topic of the resource Composers Conductors Musical groups Simon, Matt - Composer De Prato, Olivia - Violin Lowrie, Victor - Viola Lubman, Brad - Conductor Ishov, Alexander, 1994- - Flute Radnofsky, Kenneth - Violoncello Sandí, Adrián 1983- - Clarinet Kasten-Krause, Tristan - Double bass Signal (Musical group : 2008- ) - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_076 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Musicians stand in front of an orange curtain holding a violin, cello, double bass, and other instruments. Several people in the room are clapping their hands. The audience is seated in rows of chairs facing the stage area. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/5ff5249028d38a0922c64842569bfbec.jpg 8dfd0d813b25ccda832fc32b3d0ae597 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people dressed in black play a violin and a cello on a stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin and Johannes Borchgrevink, violoncello perform at June in Buffalo 2017 Subject The topic of the resource Violinists Violoncellists Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_077 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in the foreground holds a violin to their neck and a bow in their hand while seated. In the background, another person sits and plays a cello. Both musicians wear black clothing and perform in a wood-paneled concert hall with a music stand positioned to the right. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/97116925dce14e0102e9124cb1ed4adb.jpg 0c68d9d890673da8c30ff2b4f65aa541 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands behind an array of percussion instruments, including large gongs and small triangles, in a room with wood-paneled walls. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble member Kjell Tore Innervik, percussion performs at June in Buffalo 2017 Subject The topic of the resource Percussionists Musical groups Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_078 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with short light hair and glasses is positioned behind a large collection of percussion instruments mounted on metal stands. The instruments include large metal gongs, several hanging triangles, cowbells, and a patterned drum. The scene is set against a background of vertical wooden slats. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/2d6e88d43a4d21af48601dc1ed6a2909.jpg b5663ef3e6292cbd03eeabfee3cffb13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with short light-colored hair and glasses stands behind an array of percussion instruments, including gongs, triangles, and cymbals. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble member Kjell Tore Innervik, percussion performs at June in Buffalo 2017 Subject The topic of the resource Percussionists Musical groups Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_079 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with short light-colored hair and glasses stands behind a variety of percussion instruments in a room with wood-paneled walls. The instruments include three large gongs, multiple triangles, cowbells, cymbals, and a wooden box. They are wearing a black button-up shirt and dark pants. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/2ace8bb46151b21beeb8cf499c495aed.jpg 94383cb02e7671af5c1cebe4e4137ad6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands behind a large collection of percussion instruments, including gongs, triangles, and small bells. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble member Kjell Tore Innervik, percussion performs at June in Buffalo 2017 Subject The topic of the resource Percussionists Musical groups Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_080 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person wearing a black shirt and glasses is positioned behind a table featuring various small percussion items. Three large gongs and multiple hanging triangles are arranged around the person on a stage. The room has vertical wooden panels in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c93b49a45321312fd614590747465df2.jpg 1076dd4e127b511598f4fca2e8d57c69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person stands among several large gongs and various percussion instruments in a room with vertical wood paneling. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble member Kjell Tore Innervik, percussion performs at June in Buffalo 2017 Subject The topic of the resource Percussionists Musical groups Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_081 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with short light hair and glasses stands among three large gongs, several triangles, and other percussive instruments. One hand rests on a gong while the other is positioned near a wooden box on a table. The room features vertical wood paneling on the walls and a pipe organ in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c8472f3e4221109fe09392eade6c2ed2.jpg 1ac8074f182b81f85df34843bc5d6433 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person surrounded by percussion instruments including gongs and triangles on a wooden stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble member Kjell Tore Innervik, percussion performs at June in Buffalo 2017 Subject The topic of the resource Percussionists Musical groups Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_082 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with glasses and short hair stands behind an array of musical instruments, including three large gongs and suspended triangles. Their hands are positioned over a cowbell-shaped instrument on a table covered in dark red fabric. The background features vertical wood paneling and several microphone stands positioned around the performer. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/68b093e1580c48ee4cac761d89c53602.jpg 3533de8c80d62ae895c30b20e8f2f939 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five musicians perform on a stage with a violin, cello, harp, marimba, and clarinet. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Kjell Tore Innervik, percussion, and Ingeborg Elisabeth Moe, clarinet perform at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_083 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Five performers in dark clothing play musical instruments on a wooden stage in a hall with vertical wood paneling. The group includes a violinist, a cellist, a harpist, a percussionist at a marimba, and a clarinetist. Each person faces a music stand with sheet music while rows of empty seats are visible in the lower foreground. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3eec68d1eae41c66349832c3ba8aeab3.jpg a319f15693743d5627f58c688574977d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four performers stand on a wooden stage with a violin, cello, harp, and woodwind instrument next to a percussion ensemble. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Kjell Tore Innervik, percussion, and Ingeborg Elisabeth Moe, clarinet acknowledge applause at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Esturillo, Sara - Harp Innervik, Kjell Tore, 1974- - Percussion Moe, Ingeborg Elisabeth - Clarinet Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_084 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four people in dark clothing stand on a stage holding a violin, cello, and woodwind instrument, while one stands near a large harp. To the left, a large array of percussion instruments including gongs and drums is arranged on stands. The wooden stage is set against vertical wood paneling and is viewed from behind rows of dark audience seats. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c9c337e487b15c2abdfa00fd7fe37567.jpg aa3a888a369344d704d9f734494df32b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A musical ensemble stands on a stage with various instruments as one person walks across the foreground. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bifrost Ensemble members Gina Bordini, violin, Johannes Borchgrevink, violoncello, Sara Esturillo, harp, Kjell Tore Innervik, percussion, and Ingeborg Elisabeth Moe, clarinet acknowledge composer Jonas Skaarud after a performance of his piece "Il vento ti ha lasciata un'eco chiara, nei sensi, delle cose ch'ai veduto - confuse - il giorno" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Bordini, Gina - Violin Borchgrevink, Johannes - Violoncello Skaarud, Jonas - Composer Esturillo, Sara - Harp Moe, Ingeborg Elisabeth - Clarinet Innervik, Kjell Tore, 1974- - Percussion Bifrost Ensemble - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-06 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_085 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Five people are positioned on a wooden stage among instruments including a cello, harp, violin, and percussion. One person in dark clothing walks across the center of the stage towards the right side. The background features vertical wood paneling, and the front of a seating area is visible at the bottom of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/646cfdf9ee8b1780c74acecea5099c6e.jpg b215934f17d2d493372bb78dfdffa97e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three musicians play string instruments on a stage behind music stands. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mivos quartet members Victor Lowrie, viola, Mariel Roberts, violoncello, and Lauren Cauley, violin rehearsing Henrik Hellstenius' "Rift" at June in Buffalo 2017 Subject The topic of the resource Violists Violoncellists Violinists Lowrie, Victor - Viola Roberts, Mariel - Violoncello Cauley, Lauren - Violin Mivos Quartet - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_086 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three people are positioned on a wooden stage playing violins and a cello. Sheet music is displayed on stands between the performers against a dark background. A watermark is visible across the center of the frame. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c64d6152b07c7d1d3a9bbd638b1cf1a6.jpg 655436fc07b951e586a82440213d3c63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people play string instruments on a wooden stage in an empty theater. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mivos Quartet members Mariel Roberts, violoncello and Lauren Cauley, violin rehearsing Eivind Buene's "Grid" at June in Buffalo 2017 Subject The topic of the resource Violoncellists Violinists String quartets (Musical groups) Roberts, Mariel - Violoncello Cauley, Lauren - Violin Mivos Quartet - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_087 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person on the left sits while playing a cello and looking at sheet music on a stand. In the foreground, another person is viewed from behind as they play a smaller string instrument and read from their own music stand. The background contains empty red theater seats in a darkened auditorium. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9122ff8292a5068382dd792d15fef33c.jpg f2cd3518cec7c63ec17186c352197e84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of musicians with string instruments sits on a stage while a person in a green sweater stands and gestures in front of them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Eivind Buene coaches Mivos Quartet members Victor Lowrie, viola, Mariel Roberts, violoncello, and Lauren Cauley and Olivia De Prato, violin on his piece "Grid" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Lowrie, Victor - Viola Roberts, Mariel - Violoncello Buene, Eivind, 1973- - Composer Cauley, Lauren - Violin De Prato, Olivia - Violin Mivos Quartet - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_088 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four people sit in chairs on a stage holding instruments such as a cello and violins while facing sheet music on stands. A fifth person stands centrally in a green sweater, gesturing with their hands toward the seated group. The background consists of a dark performance hall with rows of unoccupied seats. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/396ebb57143c19422514eb64cee91b12.jpg 7917c2f4a8c44ff082a337be626e1995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Five people are gathered around music stands with string instruments in a rehearsal space. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Eivind Buene coaches Mivos Quartet members Victor Lowrie, viola, Mariel Roberts, violoncello, and Lauren Cauley and Olivia De Prato, violin on his piece "Grid" at June in Buffalo 2017 Subject The topic of the resource Composers Musicians Musical groups Lowrie, Victor - Viola Roberts, Mariel - Violoncello Buene, Eivind, 1973- - Composer Cauley, Lauren - Violin De Prato, Olivia - Violin Mivos Quartet - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_089 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four people sit with musical instruments, including a cello and violins, arranged in a semi-circle around music stands. A fifth person in a green shirt stands facing the seated group in a room with dark, vertically paneled walls. One person on the left sits holding a bow, while another on the right holds a violin. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/4ce5e645d80ef94d47e0473d7826506b.jpg 63c4e60988c7d67292b37bed1b9a24c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people playing string instruments while seated on a stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mivos Quartet members Olivia De Prato and Lauren Cauley, violin, Victor Lowrie, viola, and Mariel Roberts, violoncello rehearse at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups String quartets (Musical groups) De Prato, Olivia - Violin Cauley, Lauren - Violin Lowrie, Victor - Viola Roberts, Mariel - Violoncello Mivos Quartet - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_090 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four musicians sit in a row on a wooden stage, performing with stringed instruments. Three people play violins or violas, while the person on the far right plays a cello. Music stands are positioned in front of each musician, and several personal items, including water bottles and coffee cups, are on the floor. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/0eb103522a4c9174d1352958e3f98ffc.jpg 2b2a73aefb41c6d5a0e3e6010fd1ad1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people play string instruments behind music stands on a dark stage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mivos Quartet members Lauren Cauley, violin, Victor Lowrie, viola, Mariel Roberts, violoncello, and Olivia De Prato rehearse at June in Buffalo 2017 Subject The topic of the resource Musicians Musical groups String quartets (Musical groups) Cauley, Lauren - Violin Lowrie, Victor - Viola Roberts, Mariel - Violoncello De Prato, Olivia - Violin Mivos Quartet - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_091 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A group of four musicians sits on a wooden floor playing string instruments, including a cello and violins. Multiple music stands with sheet music are positioned in front of the group. The setting features a dark background and some performers are seen from behind. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/2e07a9c272f85b5df160c6fbf6f496d9.jpg edb95dcb4088030c895158ddf84c0821 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people play violins while reading from a music stand in a dark setting. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mivos Quartet members Lauren Cauley, violin, and Victor Lowrie, viola rehearse at June in Buffalo 2017 Subject The topic of the resource Violinists Violists String quartets (Musical groups) Cauley, Lauren - Violin Lowrie, Victor - Viola Mivos Quartet - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_092 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with long blonde hair plays a violin in the foreground, holding a bow against the strings. In the background, another person plays a similar instrument while looking toward a stand filled with sheet music. The performers are illuminated against a dark background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1cf655501d06aac0ca5e366c2c6a297b.jpg 42373a73e9334dd0a50dcdc74d96d5b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of musicians rehearses in a room where a person in the foreground plays a flute while two people nearby examine a music score. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Eivind Buene coaches Michael Lewanski, conductor and Ensemble Dal Niente members Katie Schoepflin, clarinet, Hanna Hurwtiz, violin, Emma Hospelhorn, flute, and Mira Luxion, violoncello at June in Buffalo 2017 Subject The topic of the resource Composers Conductors Musical groups Schoepflin, Katie - Clarinet Hurwitz, Hanna, 1986- - Violin Hospelhorn, Emma - Flute Luxion, Mira - Violoncello Lewanski, Michael - Conductor Buene, Eivind, 1973- - Composer Ensemble Dal Niente - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_093 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Several people are positioned around music stands in a room with instruments including a flute, an oboe, and a cello. A person in the foreground plays a flute while two people stand behind a music stand looking at sheet music. The setting features blue curtains, red chairs, and a chalkboard with musical staff lines. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/1aa81db3faaf66b0a0bccc65540a2d6c.jpg dee8a55fee9e5c6bb9f0a9370dacf53e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A group of musicians plays instruments while two people stand and review sheet music in a classroom. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Eivind Buene coaches Michael Lewanski, conductor and Ensemble Dal Niente members Katie Schoepflin, clarinet, Hanna Hurwtiz, violin, Emma Hospelhorn, flute, and Mira Luxion, violoncello at June in Buffalo 2017 Subject The topic of the resource Composers Conductors Musical groups Schoepflin, Katie - Clarinet Hurwitz, Hanna, 1986- - Violin Hospelhorn, Emma - Flute Luxion, Mira - Violoncello Lewanski, Michael - Conductor Buene, Eivind, 1973- - Composer Ensemble Dal Niente - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_094 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Four people sit in a room playing a clarinet, violin, flute, and cello. Two additional people stand together, one reading from a music folder and the other looking toward them with arms crossed. Music stands, a green chalkboard with staff lines, and a blue curtain are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a866465037a2d7671b1c8c3e7eccf8cc.jpg 22ed6a37102e042fd5d884f9c4cae470 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people in a music rehearsal room, with one individual playing a cello and two others looking at a notebook. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composer Eivind Buene coaches Michael Lewanski, conductor as Ensemble Dal Niente member Mira Luxion, violoncello looks on at June in Buffalo 2017 Subject The topic of the resource Composers Conductors Violoncellists Luxion, Mira - Violoncello Lewanski, Michael - Conductor Buene, Eivind, 1973- - Composer Ensemble Dal Niente - Ensemble Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_095 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person in a blue button-down shirt stands in the center and looks toward another person in a green long-sleeved shirt who holds a spiral notebook. In the background, a third person sits and holds a cello. A green board with musical staff lines is visible on the wall behind the individuals. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/7c3b8b066fb58188b92d602b18a3b09c.jpg cadac24b6498ceaf46b31f683c3f24d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource People sit on tiered red benches in a room with wood-slatted wall panels. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo resident composers Henrik Hellstenius, David Dzubay, Josh Levine, and David Felder speak at June in Buffalo 2017 Subject The topic of the resource Composers Hellstenius, Henrik - Composer Dzubay, David - Composer Levine, Josh, 1959- - Composer Felder, David, 1953- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_096 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource Three individuals in the foreground are seated on red upholstered benches, facing each other. Behind them, several more people occupy the tiered seating area. The walls of the space are lined with vertical and horizontal wooden panels. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e27a290b686e792bcdab439b8cea1dbe.jpg 8c28ef0f4ffe8df841cd0de9c85c50d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A person with a beard stands behind a laptop on a table, facing another person in a colorful jacket in front of a large projection screen. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June in Buffalo Photograph Collection Subject The topic of the resource Music festivals Description An account of the resource The Irene Haupt Photographs of June in Buffalo document the annual contemporary music festival held at the University at Buffalo, The State University of New York. The festival was begun in 1975 by composer Morton Feldman who directed the festival 1975-78 and in 1980. The festival was dormant from 1981 through 1985. David Felder revived the festival in 1986 and has been its director since that time. June in Buffalo provides young composers the opportunity to work with senior composers from around the world. The invited faculty members not only have works performed at the festival, they also present lectures, seminars, and master classes. The student composers have the opportunity to hear their works in performance by professional musicians of the highest caliber. This online collection is a compilation of photographs by Irene Haupt beginning with the 2000 June in Buffalo. Haupt, a graduate of the State University of New York at Buffalo, has been documenting the Buffalo arts scene through her photography since 1976. During that time she has worked for, or with, some of the most notable institutions in Buffalo, including the Irish Classical Theatre, Studio Arena Theater, the Kavinoky Theatre, the Buffalo Philharmonic Orchestra, the Theatre of Youth, the Albright-Knox Art Gallery, and the State University of New York at Buffalo. In addition to her specialty of theater photography, Irene Haupt has also devoted much of her career to the photography of musicians and musical events, especially the contemporary music scene in Buffalo. A broader representation of Irene Haupt's photographs of musical activities in Buffalo are also available online in the Irene Haupt Photographs of Musicians in Buffalo . The musicians who have participated in the June in Buffalo festival include University at Buffalo faculty members David Felder, Cort Lippe, Jeffrey Stadelman, Cheryl Gobbetti-Hoffman, Jonathan Golove, Tony Conrad, Stephen Manes, Tony Arnold, Magnus Mårtensson, Jon Nelson, Movses Pogossian, and Jan Williams. Visiting artists have included Lukas Foss, Amy Williams, Helena Bugallo, Charles Wuorinen, Joji Yuasa, George Crumb, Augusta Read Thomas, Bernard Rands, Philip Glass, Steve Reich, Harvey Sollberger, Roger Reynolds, John Harbison, Dora Ohrenstein, Philippe Manoury, Jonathan Harvey, John Corigliano, and the New York New Music Ensemble. Complete details about the annual collections can be found in their respective finding aids. Identifier An unambiguous reference to the resource within a given context LIB-MUS009 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student composer Leslie Lang speaks with composer Jeffrey Mumford at June in Buffalo 2017 Subject The topic of the resource Composers Lang, Leslie - Composer Mumford, Jeffrey, 1955- - Composer Creator An entity primarily responsible for making the resource Haupt, Irene Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 2017-06-07 Contributor An entity responsible for making contributions to the resource University at Buffalo. Music library Format The file format, physical medium, or dimensions of the resource image/jpeg Medium The material or physical carrier of the resource. Digital photographs -- 2011-2020 Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context Mus. Arc. 80 ubmu0080_097 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) New York United States Is Part Of A related resource in which the described resource is physically or logically included. June in Buffalo Photograph Collection LIB-MUS009 Rights Holder A person or organization owning or managing rights over the resource. Haupt, Irene Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Description An account of the resource A person with graying hair and a beard stands behind a small table containing an open laptop. They face another person wearing a multicolored jacket and dark pants. In the background, a large, blank projection screen hangs on the wall. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.