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John Cage performing his A Room, She Is Asleep with the New Percussion Quartet at the Albright-Knox Art Gallery for the 2nd Festival of the Arts
John Cage with toy gun during performance of David Rosenboom's To That Predestined Dancing Place at Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
John Cage and unidentified girl performing his She Is Asleep at Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
David Rosenboom with the New Percussion Quartet at an Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
Creative Associates at performance of Klaus von Wrochem's Stücke
Jan Williams and Ed Burnham performing William Albright's composition for 2 drummers, film, and tape at Hallwalls, Essex St.
Jan Williams and Ed Burnham performing Stockhausen's Plus-Minus during Evenings for New Music with Cornelius Cardew at the piano
Jan Williams and Ed Burnham performing Stockhausen's Plus-Minus during Evenings for New Music with Cornelius Cardew at the piano
Performance of Lukas Foss' Paradigm at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams bowing with Lukas Foss after a performance of Lukas Foss' Paradigm at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams and others practicing before a performance of Lukas Foss' MAP at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams bowing at a performance of his Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams and Ed Yadzinski performing Jan Williams' Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Images from performance of Jan Williams' Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams painting at Nuits de la Foundation Maeght at St. Paul de Vence
Jan Williams conducting at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams conducting at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams at the piano at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams playing a musical saw at theNuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams, in hat, playing double bass at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams and Renée Levine
UB Percussion Ensemble Performance
UB Percussion Ensemble group photo
UB Percussion Ensemble with Mark Sokol performing Lou Harrison's Concerto for violin and percussion
Jan Williams and friends in Buffalo
Jan Williams and Luis De Pablo rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in Baird Room 100
Members of the Center of the Creative and Performing Arts at the Albright-Knox Art Gallery front steps
Jan Williams, Joan La Barbara, and Nora Post at a rehearsal at Albright-Knox Art Gallery Auditorium
Nils Vigeland, Morton Feldman, Jan Williams, and Eberhard Blum outside a door in London
Jan Williams and Fuzzy performing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra for performance with the Sjelland Symphony Orchestra (conductor Richard Dufallo in background)
S.E.M. Ensemble
Jan Williams (barely visible) on stage with percussion set up for a performance of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams and Fuzzy on stage during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams setting up on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams and Luis De Pablo discussing De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Richard Dufallo conducting the Sjelland Symphony Orchestra performing Lukas Foss' Concerto for percussion and orchestra
Jan Williams setting up percussion instruments on stage for a performance of Lukas Foss' Concerto for percussion and orchestra
Jan Williams setting up percussion instruments on stage for a performance of Lukas Foss' Concerto for percussion and orchestra
Jan Williams and Lennart Fessel setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
Richard Dufallo conducting the Sjelland Symphony Orchestra in rehearsal of Lukas Foss' Concerto for percussion and orchestra
Richard Dufallo conducting the Sjelland Symphony Orchestra n rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Richard Dufallo conducting the Sjelland Symphony Orchestra in rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams and Fuzzy on stage during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Richard Dufallo conducting the Sjelland Symphony Orchestra in rehearsal of Lukas Foss' Concerto for percussion and orchestra
Gideon Steiner, Bent Lylloff, and Jan Williams in Copenhagen
Jan Williams and Luis De Pablo rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
Jan Williams with Bent Lylloff and Brett Dietz at Niagara Falls
Jan Williams conducting Elliott Carter's Double Concerto at the Center Theater
Jan Williams, Ursula Oppens, and Paul Jacobs
Jan Williams and Elliott Carter
Jan Williams, Elliott Carter, Ursula Oppens, and Paul Jacobs
Jan Williams and Elliott Carter
B&W contact-sheet of 35mm images of Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
Jan Williams playing a berimbau in Hiller's An Apotheosis of Archaeopteryx
Jan Williams playing a berimbau in Hiller's An Apotheosis of Archaeopteryx
Leo Smit, Jan Williams, and Diane Williams
Jan Williams playing percussion at the Akademie der Künste in Berlin
Jan Williams and Michael Pugliese
Equipment for John Cage's Atlas Eclipticalis
Jan Williams and John Cage
Jan Williams and Leila Lustig
Jan Williams and John Cage
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Guy Klusevec, Chester Mais, and Jan Williams
Ed Folger playing percussion at the Charles Ives Center for American Music at the Canterbury School
Richard Moryl, Jan Williams, Joan Moryl, and Lukas Foss outside the Charles Ives Center at the Canterbury School
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Ed Folger playing percussion at the Charles Ives Center for American Music at the Canterbury School
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Double exposure of Jan Williams, Martin Riches, Ann Holyoke Lehmann, and Eberhard Blum in Berlin, with picture of Jan Williams on stage superimposed
Jan Williams playing percussion
Jan Williams playing percussion
Eberhard Blum, Nils Vigeland, and Jan Williams rehearsing Morton Feldman's Crippled Symmetry at the Almeida Festival
Jan Williams rehearsing Rzewski's To the Earth at the Almeida Festival
Jan Williams rehearsing Rzewski's To the Earth at the Almeida Festival
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
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