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Irvine Arditti, violin rehearsing at June in Buffalo 2017
Irvine Arditti, violin rehearsing at June in Buffalo 2017
Irvine Arditti, violin rehearsing at June in Buffalo 2017
Irvine Arditti, violin rehearsing at June in Buffalo 2017
Irvine Arditti, violin rehearsing at June in Buffalo 2017
Irvine Arditti, violin rehearsing at June in Buffalo 2017
Irvine Arditti, violin rehearsing at June in Buffalo 2017
Irvine Arditti, violin rehearsing at June in Buffalo 2017
Social gathering on the patio of Eleanor Steber's home in Port Jefferson, New York
Eleanor Steber on stage at Carnegie Hall with Edwin Biltcliffe on piano
Eleanor Steber on stage at Carnegie Hall with Edwin Biltcliffe on piano
Eleanor Steber, dog and Barbara Ann Conlogue at an outdoor party
Percussion setup for Morton Feldman's King of Denmark at the Schauspielhaus, Berlin
Student composer Jakub Polaczyk looks at the score of his piece "al F..e" at June in Buffalo 2017
Percussionist Ross Aftel and violoncellist Jonathan Golove rehearsing Mauricio Kagel's Match in room B-1 Baird at a master class at the 2013 June in Buffalo Performance Institute
Percussionist Ross Aftel and violoncellist Jonathan Golove rehearsing Mauricio Kagel's Match in room B-1 Baird at a master class at the 2013 June in Buffalo Performance Institute
Nils Vigeland on stage at the Berlnische Galerie before a performance of Morton Feldman's For Philip Guston
Jan Williams and percussionists at the Universidad de Montevideo
Paul Hembree, computer musician rehearsing Roger Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Eric Huebner, piano rehearses Angel Jochi Hernandez-Camen's piece Apanahuiayan at June in Buffalo 2018
Irvine Arditti, violin performing Hilda Paredes' piece In Memoriam Thomas Kakuska at June in Buffalo 2018
Paul Hembree, computer musician rehearsing Roger Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Muriel Wolf and Sylvia Dimiziani
Morton Feldman with Eberhard Blum in swimming pool
Morton Feldman with Eberhard Blum in swimming pool
Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017
Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017
Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017
Jan Williams, in hat, playing double bass at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Thomas Kolor, percussion rehearsing Adrien Trybucki's "Amadinda" at June in Buffalo 2017
Edward Burnham, percussionist
Makoto Michii, double bassist performing
Makoto Michii, double bassist performing
Eleanor Steber in dressing room after a performance of Tosca
Julius Eastman, composer conducting Creative Associates in rehearsal
Jacob Druckman, composer
Group shot of Jan Williams, Jorge Camiruaga and students in Montevideo
Morton Feldman with Eberhard Blum
Merle Park as Lise in La Fille Mal Gardée
Merle Park as Lise in La Fille Mal Gardée
B&W contact sheet of 35mm images, including Chester Mais, Poul Ruders, Jan Williams, Colin Bright, Yvar Mikhashoff
Ernest Ansermet
Tullio Serafin
Andre Cluytens
Joe Ford, saxophonist with double bassist Sabu Adeyola
Gianandrea Gavazzeni
Tullio Serafin
Bruno Bartoletti
Paul Jacobs, pianist at keyboard
Svetlana Beriosova and Philip Chatfield in The shadow
Jay Humeston, violoncellist
Jay Humeston, violoncellist
http://library.buffalo.edu/test/eastman/eastman_306.pdf
Milton Kamins
Arturo Toscanini
William Steinberg
Kenneth Karlsson, piano rehearsing Maja Ratkje's "Two small pieces for Arnold S." at June in Buffalo 2017
Jan Williams (barely visible) on stage with percussion set up for a performance of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Kenneth Karlsson, piano rehearsing Maja Ratkje's "Two small pieces for Arnold S." at June in Buffalo 2017
Jan Williams, Nils Vigeland, Diane Williams, and Yvar Mikashoff
Jan Williams, Ursula Oppens, and Paul Jacobs
Jan Williams and Jorge Camiruaga teaching students in Montevideo
Morton Feldman with Eberhard Blum
Morton Feldman with David Gibson
Jan Williams and Jorge Camiruaga eating outdoors in Montevideo
Leo Smit conducting University at Buffalo production of his chamber opera, Magic Water
Henry Brant, composer at organ
Renée Levine, administrator, looking towards her right
Percussionist Tom Kolor and flutist Barry Crawford onstage with composer Clinton Haycraft after a performance of Crack at June in Buffalo 2013
Augusta Read Thomas talking to student composers during her class at June in Buffalo 2013
Renée Levine, administrator, looking towards her right
Flutist Jérémie Fèvre, violoncellist Ingrid Schoenlaub, and clarinetist Pierre Dutrieu rehearsing at June in Buffalo 2014
Otto Klemperer
Cellist Veronica Nettles with conductor Daniel Bassin at June in Buffalo 2015
Cellist Veronica Nettles with conductor Daniel Bassin at June in Buffalo 2015
Jan Williams and Nestor Astuti in Buenos Aires
Ernest Ansermet
Eleanor Steber and tenor Brian Sullivan at Boston Commons
Julius Eastman, composer/vocalist performing Peter Maxwell Davies' Eight Songs for a Mad King
Composers David Felder and Joshua Fineberg at a lecture given by Joshua Fineberg at June in Buffalo 2014
Nils, Vigeland, Eberhard Blum, and Jan Williams in GÃ¼tersloh, Germany
Charles Peltz, conductor in rehearsal
Philip Guston's portrait of Morton Feldman (on loan from the Des Moines Art Center) being hung in the Berlinische Galerie, with Nils Vigeland watching from the piano
Maria Tallchief and André Eglevsky in Scotch Symphony
Erich Leinsdorf
Sergey Prokofiev with conductor Nicolai Malko
Arturo Toscanini
Charles Peltz, conductor in rehearsal
Jade Conlee, piano rehearsing student composer Meredith Gilna's piece "Gravity Shuffle" at June in Buffalo 2017
Jade Conlee, piano rehearsing student composer Meredith Gilna's piece "Gravity Shuffle" at June in Buffalo 2017
Jade Conlee, piano rehearsing student composer Meredith Gilna's piece "Gravity Shuffle" at June in Buffalo 2017
Lukas Foss, composer/conductor
Ann Holyoke Lehmann, Eberhard Blum, and Diane Williams on a bench outdoors in Germany
Jan Williams rehearsing Ernstalbrecht Stiebler's im Takt at the Edvard Munch House in WarnemÃ¼nde (Rostock, Germany)
Jan Williams rehearsing Ernstalbrecht Stiebler's im Takt at the Edvard Munch House in WarnemÃ¼nde (Rostock, Germany)
Percussionist Tom Kolor and flutist Barry Crawford congratulate composer Clinton Haycraft after a performance of Crack at June in Buffalo 2013
Entranceway to structure in Jordan
George Szell
Fausto Cleva
Performance of Lejaren Hiller's Rage over the lost Beethoven