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New Percussion Quartet performing at a grade school in Buffalo
New Percussion Quartet performing at a grade school in Buffalo
New Percussion Quartet posing with sculpture, outdoors
Jan and Diane Williams, and Eberhard Blum on a boat in Berlin
Jan Williams playing percussion at the Akademie der KÃ¼nste in Berlin
Douglas Davis, Ed Yadzinski, and Lukas Foss dining at a table
New Percussion Quartet performing at a grade school with student playing bass drum
New Percussion Quartet performing at a grade school with student playing bass drum
Eberhard Blum and Jan Williams backstage at the Nationalgalerie in Berlin
Jan Williams and Bent Lylloff in Copenhagen
Jan Williams setting up on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams outside of the Reichstag, which had been wrapped by the artist, Christo
Joel Chadabe and Jan Williams rehearsing Chadabe's Another Approach to Rhythms
New Percussion Quartet posing with sculpture by Henry Moore, outdoors
Eberhard Blum, Elizabeth Williams, and Jan Williams in Berlin
Jan Williams outside of the Reichstag, wrapped by Christo
Charles Haupt assisting with set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Portrait of Ed Yadzinski with his clarinet at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Ed Yadzinski playing his clarinet outside at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Ed Yadzinski playing clarinet outside during set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jesse Levine at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Eberhard Blum rehearsing at the Schauspielhaus, Berlin
Jesse Levine walking outside at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Portrait of Jesse Levine at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams, Eberhard Blum and unidentified man at the Edvard Munch House in WarnemÃ¼nde (Rostock, Germany)
Nils Vigeland, Eberhard Blum, and Jan Williams in Frankfurt
Earle Brown, Jan Williams, and Eberhard Blum in Berlin
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
Jan Williams, Elliott Carter, Ursula Oppens, and Paul Jacobs
Jan Williams rehearsing Morton Feldman's Why Patterns? for Westdeutscher Rundfunk
Nils Vigeland, Eberhard Blum, and Jan Williams at a restaurant in Frankfurt
Eberhard Blum and Jan Williams at a rehearsal of Morton Feldman's Instruments 3
Douglas Davis, Lukas Foss, and others exiting a plane in Warsaw, Poland
Jan Williams with Bent Lyllof during Williams' induction into the Danish Percussion Society at Lyllof's home in Copenhagen
Jan Williams setting up percussion instruments on stage for a performance of Lukas Foss' Concerto for percussion and orchestra
Jan Williams setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams setting up percussion instruments on stage for a performance of Lukas Foss' Concerto for percussion and orchestra
Nils Vigeland, Eberhard Blum, and Jan Williams in Frankfurt with poster of concert
Jan Williams, Nils Vigeland, and Eberhard Blum at a restaurant in Dublin
Nils Vigeland, Eberhard Blum, and Jan Williams in Frankfurt with poster of concert
Jan Williams setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Nils Vigeland, Eberhard Blum, and Jan Williams in Frankfurt with poster of concert
Images from performance of Jan Williams' Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams, Eberhard Blum, and Emmett Williams in Dublin
Jan Williams, students, and percussionists at the Universidad de Montevideo
Jan Williams playing marimba and vibraphone in Slee Hall
Jan Williams playing marimba and vibraphone in Slee Hall
Unidentified man, John Boudler, and Jan Williams dining in SÃ£o Paulo
Eberhard Blum and John Patrick Thomas at a café in Hackescher Markt in Berlin
Douglas Davis, Ed Yadzinski, and Bent Lylloff looking at a poster in Copenhagen
Jan Williams and Werner X. Uehlinger at hat-ART recording session for Morton Feldman's For Philip Guston Sessions
Livingston Gearhart sitting as framed by doorway of the maison dite de l'enfer, Chatillon-Coligny
Jan Williams and Ed Burnham performing William Albright's composition for 2 drummers, film, and tape at Hallwalls, Essex St.
Jan Williams and percussionists at the Universidad de Montevideo
Jan Williams, in hat, playing double bass at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Group shot of Jan Williams, Jorge Camiruaga and students in Montevideo
Jan Williams portrait in the Creative Associates rehearsal room, old Baird Hall
Jan Williams (barely visible) on stage with percussion set up for a performance of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams, Nils Vigeland, Diane Williams, and Yvar Mikashoff
Jan Williams, Ursula Oppens, and Paul Jacobs
Jan Williams and Jorge Camiruaga eating outdoors in Montevideo
Jan Williams and Jorge Camiruaga teaching students in Montevideo
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
George Ritscher at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams and Nestor Astuti in Buenos Aires
Nils, Vigeland, Eberhard Blum, and Jan Williams in GÃ¼tersloh, Germany
Jan Williams playing percussion at old Baird Hall
Ann Holyoke Lehmann, Eberhard Blum, and Diane Williams on a bench outdoors in Germany
Jan Williams rehearsing Ernstalbrecht Stiebler's im Takt at the Edvard Munch House in WarnemÃ¼nde (Rostock, Germany)
Jan Williams rehearsing Ernstalbrecht Stiebler's im Takt at the Edvard Munch House in WarnemÃ¼nde (Rostock, Germany)
Ann Holyoke Lehmann, Eberhard Blum, and Jan Williams in a courtyard in Rheinsberg, Germany
Jan Williams, Ann Holyoke Lehmann, and Eberhard Blum under an arbor in Rheinsberg, Germany
Lukas Foss and Charles Haupt assisting with set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Francis Miroglio and Ed Yadzinski talking during set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Jan Williams and Jorge Camiruaga in Montevideo
Jan Williams, Diane Williams, Eberhard Blum, and Ann Holyoke Lehmann standing on Unter den Linden with the Brandenburg Gate in the background
Eberhard Blum, Jan Williams, and Han de Vries at a rehearsal of Morton Feldman's Instruments 3
Eberhard Blum, Jan Williams, and Han de Vries rehearsing Morton Feldman's Instruments 3
Eberhard Blum, Jan Williams, and Han de Vries rehearsing Morton Feldman's Instruments 3
Han de Vries, Eberhard Blum and Jan Williams at a rehearsal of Morton Feldman's Instruments 3
Eberhard Blum, Jan Williams, and Han de Vries rehearsing Morton Feldman's Instruments 3
Eberhard Blum, Jan Williams, and Han de Vries rehearsing Morton Feldman's Instruments 3
Lejaren Hiller and Dennis Kahle in front of a billboard with poster for a concert by Jan Williams and Dennis Kahle at the Filharmonia Narodowa in Warsaw
Lukas Foss and Ed Yadzinski at the set-up for the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Eberhard Blum, Jan Williams, Nils Vigeland, and Ann Holyoke Lehmann before a performance of Morton Feldman's Why Patterns?
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Eberhard Blum, Nils Vigeland, and Jan Williams rehearsing Morton Feldman's Crippled Symmetry at the Almeida Festival
Black and white contact-sheet of 35 mm images of Jan Williams playing marimba
Jan Williams at a rehearsal for Luciano Berio's Circles at the Albright-Knox Art Gallery
Jan Williams rehearsing Morton Feldman's For Philip Guston at the Berlinische Galerie
Jan Williams rehearsing Morton Feldman's For Philip Guston at the Berlinische Galerie
Jan Williams preparing his marimba for a performance of Morton Feldman's For Philip Guston at the Berlinische Galerie