Spectrum, 1964-03-27
Spectrum, 1963-10-04
Spectrum, 1964-01-31
Spectrum, 1963-10-25
Spectrum, 1964-02-21
Spectrum, 1963-12-13
Spectrum, 1964-02-28
Spectrum, 1964-03-20
Spectrum, 1964-03-24
Spectrum, 1963-11-22
Spectrum, 1963-03-01
Spectrum, 1964-02-07
Spectrum, 1963-02-15
Spectrum, 1962-12-14
Spectrum, 1962-12-07
Spectrum, 1963-09-27
Spectrum, 1962-11-30
Spectrum, 1962-11-16
Spectrum, 1962-11-09
Spectrum, 1962-11-02
Spectrum, 1962-10-26
Spectrum, 1963-09-20
Spectrum, 1963-09-13
Spectrum, 1963-09-04
Spectrum, 1963-03-08
Spectrum, 1963-03-22
Spectrum, 1963-03-29
Spectrum, 1963-04-01
Spectrum, 1963-04-05
Spectrum, 1963-04-12
Spectrum, 1963-04-19
Spectrum, 1963-01-25
Spectrum, 1962-10-19
Spectrum, 1963-10-18
Spectrum, 1962-10-05
Spectrum, 1963-11-01
Spectrum, 1963-02-08
Spectrum, 1963-02-01
Spectrum, 1963-10-11
Spectrum, 1962-09-05
Spectrum, 1962-09-14
Spectrum, 1963-11-02
Spectrum, 1963-11-12
Spectrum, 1962-09-21
Spectrum, 1963-11-15
Spectrum, 1962-09-28
Clinics & Hamilton 1881 Buffalo
Letter written by Louise Downer and sent to Dr. Frances Proctor Ames, September 5, 1884
Undine : piano vierhändig
Das Hühnengrab : symphonische
Dichtung, vierhändig piano
Colleague, 1971-04-29
Cover of the score for Milton Babbitt's Concerto piccolino for solo vibraphone
Livingston Gearhart and Virginia Morley studying a score on a piano
Letter written by Louise Downer and sent to Dr. Frances Proctor Ames, October 32, 1885
Feedback on Draft Book Chapter
Harvey Sollberger, holding Charles Wuorinen score
Album leaf
Elliott Schwartz reading score at piano.
Unidentified hands on score (from EMI?)
Virgil Thomson, composer in checkered jacket and polka-dot bow tie, examining Satie score
Virgil Thomson, composer in checkered jacket and polka-dot bow tie, examining Satie score, profile
Thirty-first sonata for piano
Livingston Gearhart gesturing towards a music score with five student brass players
Spectrum, The, 1968-06-07
Letter written by Louise Downer and sent to Dr. Frances Proctor Ames, March 11, 1885
Nadia Boulanger behind piano onstage at rehearsal with London Philharmonic Orchestra, 1937
http://digital.lib.buffalo.edu/upimage/IE-001_047.pdf
Composer Roger Reynolds examining score with bass Nicholas Isherwood
Colleague, 1971-02-25
Letter written by Louise Downer and sent to Dr. Frances Proctor Ames, undated
Letter written by Louise Downer and sent to Dr. Frances Proctor Ames, August 11, 1884
Colleague, 1971-03-25
View of score over shoulder of violoncellist T. J. Borden at June in Buffalo 2013
Colleague, 1970-12-17
Yvar Mikhashoff in striped shirt and tie, at piano with score of Richard Strauss's Sechs Lieder
Spectrum, 1964-02-14
Harrison Birtwistle, composer
Steve Reich and Brad Lubman examining score
Rainer Maria Rilke's The Duino Elegies Translated by Bernhard Frank, 1989
Colleague, 1970-11-19
Lukas Foss and Magnus Martensson examining score
Colleague, 1971-10-28
Colleague, 1970-10-29
Colleague, 1970-10-01
The Wounded Stag and other poems
Score of student composer Duncan Schouten's work Of Those Beneath for percussion quartet at June in Buffalo 2012
Composer Bernard Rands studying a score at June in Buffalo 2014
Composer Roger Reynolds examining score with bass Nicholas Isherwood, with J.T. Rinker visible at right
Composer Stephen Hartke examining score at June in Buffalo 2014
Tell me my lute : serenade from
Sheridan's Duenna
Composer Roger Reynolds looking at the score of his work, Aspiration, at rehearsal at June in Buffalo 2010
Yvar Mikhashoff at piano with composer Luis De Pablo examining score
Ballet Louis XIV : air historique
Letter written by Louise Downer and sent to Dr. Frances Proctor Ames, October 27, 1887
Yvar Mikhashoff in dark jacket with carnation in lapel, sitting at piano with score of Bussotti's Fogli at Almeida Festival
Letter written by Louise Downer and sent to Dr. Frances Proctor Ames, December 23, 1885
The anchor's weighed
Seventh sonata in D minor
Augusta Read Thomas, composer
Yvar Mikhashoff at piano with composer Luis De Pablo examining score, unidentified male at left
