No. 3/No. 13 (Magenta, Black and Green On Orange)
La Pia De Tolomei
The Marriage Contract
Street, Berlin
The Pastoral Concert or Allegory On the Invention of Pastoral Poetry
Openwork box lid
Charles V Triumphing over Fury, without Armor
Charles V Triumphing over Fury, without Armor
Machu Picchu
8226-230: aerial view of a city neighborhood with dense rows of houses, large rail yards and industrial complexes, and a river or canal running through the lower left.
8226-83: aerial view of farmland with a large rail yard, intersecting tracks, scattered fields, and a winding river in the lower left.
8226-46: aerial photograph depicting a landscape with fields, roads, a meandering river, residential areas with houses and streets, and an industrial complex in the top left corner.
Train departure
Bison
Self-Portrait With Isabella Brandt
The Village Bride, or The Marriage, the Moment when a Father Gives His Son-In-Law a Dowry
Masks
The Village Bride, or The Marriage, the Moment when a Father Gives His Son-In-Law a Dowry
The Two Fridas
The Two Fridas
Pesaro Madonna
Pesaro Madonna
Masks
Self-Portrait With Isabella Brandt
8226-305: aerial view of farmland intersected by a large rail yard, roads, and a winding river.
Study of Hands and Feet (Bottom)
Fugitives Crossing River
Landscape With St. Matthew and the Angel
Violin and Palette
Liberty Leading the People: July 28, 1830
Violin and Palette
Mme. Charpentier and Her Children
Robert Andrews and Frances Carter (Mr. and Mrs. Andrews)
A Goldsmith in His Shop
Liberty Leading the People: July 28, 1830
The Oxbow
Study of Hands and Feet (Bottom)
Portrait of Daniel-Henry Kahnweiler
Mme. Charpentier and Her Children
Portrait of Daniel-Henry Kahnweiler
Landscape With St. Matthew and the Angel
Robert Andrews and Frances Carter (Mr. and Mrs. Andrews)
The Oxbow
Red Canna
Red Canna
Saint Luke Displaying a Painting of the Virgin
Saint Luke Displaying a Painting of the Virgin
Autumn Rhythm (Number 30)
Stele of Naram-Sin
Cubi XIX
Flower Piece with Curtain
Autumn Rhythm (Number 30)
8226-188: aerial photograph of a bridge crossing a river with industrial areas and dense residential neighborhoods on the shoreline.
Officers of the Haarlem Militia Company of St. Adrian
Officers of the Haarlem Militia Company of St. Adrian
Mimis and Kangaroo
8226-249: Main Street, E of UB South Campus-Williamsville: aerial view of a town with a mix of residential grid, open land, and a winding river bordered by farmland.
Self-Portrait as a Fountain
8226-366: Cheektowaga (Buffalo International Airport site) and surrounding area (Ellicott Creek, Williamsville): aerial view of farmland, intersecting roads, a rail line, and a winding river.
View of a black, oily residue deposited on the Niagara River shoreline, south of the Love Canal Chemical Waste Landfill site, Niagara Falls, New York, summer 1978
Yvar Mikhashoff standing on a bridge over a river in Czechoslovakia
Mont Sainte-Victoire
Still Life With Quince, Cabbage, Melon, and Cucumber
A Bar at the Folies-Bergere
Henry Iv Receiving the Portrait of Marie De Medici
Self-Portrait
Henry Iv Receiving the Portrait of Marie De Medici
The Signboard of Gersaint
Portrait of Jean-Baptiste Belley
Still Life With Quince, Cabbage, Melon, and Cucumber
Portrait of Jean-Baptiste Belley
A Bar at the Folies-Bergere
Self-Portrait
The Signboard of Gersaint
Mont Sainte-Victoire
Scream
Throne of the Third Heaven of the Nations' Millennium General Assembly
Muriel Orr-Ewing Travel Photograph Album, Page 51, August 28, 1952
Family of Saltimbanques
Mountains at Collioure
La Reine Mora
Heart of the Andes
Heart of the Andes
Armored Train in Action
Head Surrounded by Sides of Beef
Mountains at Collioure
Dharma and the God
Armored Train in Action
Dharma and the God
Family of Saltimbanques
La Reine Mora
Head Surrounded by Sides of Beef
8226-5: aerial view of farmland with intersecting rail lines, a curving river on the left, and a rail yard turntable in the lower right.
Pantheon (Sainte-Genevieve), Paris
Pantheon (Sainte-Genevieve), Paris
Rue Transnonain, Le 15 Avril 1834
The Triumph of the Name of Jesus and Fall of the Damned
Self-Portrait as the Allegory of Painting
Self-Portrait as the Allegory of Painting
8226-54: aerial view of an urban and industrial area with a river, bridges, rail tracks, and large storage tanks.
