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John Ambrusko, MD
Now storming fury rose, And clamor such as heard in Heaven till now
And now expecting, Each hour their great adventurer from the search, Of Foreign Worlds
Meanwhile the tepid caves, and fens, and shores, Their brood as numerous hatch
So parted they, the Angel up to Heav’n, From the thick shade, and Adam to his Bower.
Leaning half raised, with looks of cordial love, Hung over her enamoured
Knights holding their flags
John Lord O'Brian
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[Poetry reading, Buffalo, N.Y.] / John Logan, David Ignatow.
John Burke, MD
[Reading selections of John in the wilderness] / Bernhard Frank.
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The savoury pulp they chew, and in the rind, Still as they thirsted, scoop the brimming stream
Heaven rung, With jubilee, and loud Hosannas filled, The eternal regions.
Nor only tears, Rained at their eyes, but high winds worse within, Began to rise
Wave rolling after wave, where way they found, If steep, with torrent rapture
John C. Brady, MD
John L. Butsch, MD
John D. Stewart, MD
Photograph "Peace," with John Kowal of the 1964 UB Spectrum staff
[Poetry reading at first annual Poetry Festival at Florida Technological University and Rollins College, 1973] / John Logan, James Wright, Denise Levertov.
And God said, let the Waters generate, Reptile with Spawn abundant, living Soul: And let Fowl fly above the Earth
Nearer he drew, and many a walk traversed, Of stateliest covert, cedar, pine, or palm.
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Mail art no. 88
Letter written by Dr. John S. Eddy and sent to Dr. Frances Proctor Ames, September 18, 1887
[Poetry reading, November 1, 1968] / John Logan.
John Reiss, Managing Editor for the 1978 UB Spectrum
John Harbison and conductor Harold Rosenbaum during rehearsal of Harbison's But Mary Stood, with Deborah Wong, violin, Lois Martin, viola, and Chris Finckel, violoncello
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John K. Lapiana, Editor-in-Chief of the 1982 UB Spectrum
John M. Diat, Sports Editor for the 1982 UB Spectrum
John Lapiana, Education Editor for the 1980 UB Spectrum
John Chin, Photography Editor for the 1988 UB Spectrum
John Lapiana, Managing Editor for the 1981 UB Spectrum
With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.
[Poetry reading at the St. John's Episcopal Church, Buffalo, N.Y., April 22] / Diane Di Prima.
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Shakespeare Third Folio Mr. William Shakespear's comedies, histories, and tragedies. : Published according to the true original copies.
John Kowal, Richard Adams, and Don Rizzo of the 1962 UB Spectrum
James Joyce with Ezra Pound, John Quinn, and Ford Madox Ford
Special notice from Mrs. John D. Larkin, Jr., Chairman of the Twentieth Century Club Victory Loan Committee, to club members to place their war bond subscriptions
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Student composer Duncan Schouten with percussionists Jason Bauers, Michelle Purdy, John Bacon, and Tom Kolor in a rehearsal of Schouten's work Of Those Beneath for percussion quartet at June in Buffalo 2012
[Poetry reading at the University at California, Berkeley on October 9, 1964] / John Logan.
[Poetry reading] / John Oliver Simon.
B&W contact-sheet of 35mm images, including John Cage, Morton Feldman, Jan Williams
Composer Bernard Rands in discussion with conductor Jerry Hou at a June in Buffalo 2014 rehearsal with Slee Sinfonietta members, violoncellist Jonathan Golove, percussionist John Bacon, and clarinetist Marianne Gythfeldt in the background
[Poetry reading at the University at California, Berkeley on May 19, 1961] / John Logan.
Conductor Tom Kolor directs percussionists Michelle Purdy, John Bacon, Jason Bauers, and Liz Holland of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Toward the coast of earth beneath, Down from the ecliptick, sped with hoped success, Throws his steep flight in many an aery wheel.
John T. Horton, Interview from October 3, 1978
B & W contact-sheet of 35mm images, including John Bergamo, Jan Williams, Leroy Jenkins, Colin Bright
Composer John Harbison coaching Mivos Quartet member Olivia De Prato, violin on Harbison's piece String Quartet No. 6 at June in Buffalo 2018
Tom Kolor conducting a performance by the Talujon Percussion Ensemble with timpanist John Smigielski at June in Buffalo 2015
Conductor Tom Kolor directs percussionists Michelle Purdy, John Bacon, Jason Bauers, and Liz Holland of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Photograph "Quick Conference," with John Kowal and three unidentified individuals, members of 1964 UB Spectrum staff
Mail art no. 91
[Poetry reading at the University at Buffalo, 1974] / John Logan.
[Poetry reading at the YM-YWHA, New York City, March 22, 1965] / John Wain.
Concord String Quartet
Concord String Quartet
Matthew Chamberlain, conductor, John Smigielski, Stephen Solook, Jon Hepfer, and Tom Kolor, percussion rehearsing Josh Levine's Four places, many more times at June in Buffalo 2016
Matthew Chamberlain, conductor, John Smigielski, Stephen Solook, Jon Hepfer, and Tom Kolor, percussion rehearsing Josh Levine's Four places, many more times at June in Buffalo 2016
Matthew Chamberlain, conductor, John Smigielski, Stephen Solook, Jon Hepfer, and Tom Kolor, percussion rehearsing Josh Levine's Four places, many more times at June in Buffalo 2016
Matthew Chamberlain, conductor, John Smigielski, Stephen Solook, Jon Hepfer, and Tom Kolor, percussion rehearsing Josh Levine's Four places, many more times at June in Buffalo 2016
Matthew Chamberlain, conductor, John Smigielski, Stephen Solook, Jon Hepfer, and Tom Kolor, percussion rehearsing Josh Levine's Four places, many more times at June in Buffalo 2016
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http://library.buffalo.edu/test/eastman/eastman_036.pdf
Jan Williams, John Patrick Thomas, Gudrun Reschke, Eberhard Blum, Iven Hausmann, and Robert Black in the garden of the Akademie der KÃ¼nste
John Newell, composer conducting Creative Associates
[Poetry reading at the YM-YWHA, New York City, March 1964] / John Hall Wheelock.
Conductor Matthew Chamberlain performs Josh Levine's Four places, many more times with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion at June in Buffalo 2016
Conductor Matthew Chamberlain performs Josh Levine's Four places, many more times with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion at June in Buffalo 2016
James Joyce and John Drinkwater in Salzburg, Austria
John Newell, composer conducting Creative Associates
June in Buffalo staff composers John Harbison, Louis Karchin, and Roger Reynolds talk with Irvine Arditti, violin at June in Buffalo 2018
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John Cage work not very moving
John P. Seymour and Grace Gratten Collins
Conductor Matthew Chamberlain performs Josh Levine's Four places, many more times with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion as an audience watches at June in Buffalo 2016
Conductor Matthew Chamberlain, with Tom Kolor, Jonathan Hepfer, Stephen Solook, and John Smigielski, percussion, acknowledge applause for a performance of Josh Levine's Four places, many more times at June in Buffalo 2016
President Clifford C. Furnas with fellow attendees at the 'Discriminating About Discrimination' Conference held at the State University of New York at Buffalo
James Joyce with Sylvia Beach, Cyprian Beach and John Rodker at Shakespeare and Company
European Postcards Album, Page 7, undated
Picture of Life
Mrs. Bryant Glenny is presented with an award for 50 years of service and Mr. Hodge for 25 years as career staff at the Buffalo Chapter of the American Red Cross
Mail art no. 90