3875 items found for search term
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Visiting Poland Today (1971), no. 6
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Christ Enthroned with Madonna and Saints
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Mary Anne Rokitka
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City and Parish Church of St.Mary in Wittenberg
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Our Lady of Vladimir (Virgin of Vladimir)
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Self-Portrait with Bandaged Ear and Pipe
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Drawing room at Het Loo
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Merode Altarpiece (Triptych of the Annunciation)
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Detail, Virgin, Merode Altarpiece (Triptych of the Annunciation)
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[Hayden Carruth interview] /
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[Pattiann Rogers interview] /
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A view of the Mary Magdalen
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Mary's eyes
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[Derek Walcott interview] /
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Saints Anna and Joachim Meeting at the Golden Gate, Detail of South Wall, Arena Chapel
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New York State Senate Certificate of Recognition presented to Dr. Vivian Cody, 2001
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Mrs. Horace Reed (Mary McWilliams), Twentieth Century Club of Buffalo President, 1933
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[Peter Singer and Jay Winik interviews] /
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[Naomi Shihab Nye interview] /
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Lamentation, North Wall, Arena Chapel
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Exterior, M. F. Stoughton House
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Folder for delivery of compositions to the Earl of Dysart
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Portal of Forgiveness, Toledo Cathedral
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Van der Weyden in Brussels
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[Linda Sue Park and Kimiko Hahn interviews] /
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[Michael Crooke and William Kristol interviews] /
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Buffalo Zontians celebrated their 19th anniversary luncheon seated at month-themed tables decorated as the Stork Club
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San Zeno Altarpiece
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[Joan Chittister and William McDonough interviews] /
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Mary Gresham
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[Michael Basinski interview on Spoken arts radio, 1993] /
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John Harbison with conductor Harold Rosenbaum rehearsing Harbison's But Mary Stood, with Calvin Weirsma and Deborah Wong, violins, and Lois Martin, viola
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[Alice Notley and Diane Glancy interviews] /
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Mrs. Edward P. Lupfer (Mary McCreery), Twentieth Century Club of Buffalo President, 1948-1949
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1964 Spring Weekend (Moving Up Day)
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Elaborate 19th-century French church
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[Poetry reading at the Pyramid Gallery, March 1985] / E.B.M.A.
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Mrs. Leland G. Davis (Mary G. Burke), Twentieth Century Club of Buffalo President, 1971-1972
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LIB-PC011_002-ACC.pdf
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[William Sylvester interview on Charles Olson] /
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[Albie Sachs and Barbara Byrd-Bennett interviews] /
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Flying Buttresses, Seville Cathedral
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Muriel Orr-Ewing Travel Photograph Album, Page 38, 1952
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Virgin Enthroned, Detail, The Last Judgment, Tympanum at Autun
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John Harbison and conductor Harold Rosenbaum during rehearsal of Harbison's But Mary Stood, with Deborah Wong, violin, Lois Martin, viola, and Chris Finckel, violoncello
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[Reading at the Poetry Collection, University at Buffalo, April 27, 1988] / Susan Howe.
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Toledo Cathedral from afar
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[Poetry reading] / John Montague and Ruth Stone, Ann Haskell
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[Poetry reading, PeopleArt, Buffalo, N.Y. April 24, 1982] / Joy Walsh.
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Muriel Orr-Ewing Travel Photograph Album, Page 44, 1952
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The Small Cowper Madonna
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Virgin and Child Enthroned with Saints, principal panel of the Maesta altarpiece
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http://library.buffalo.edu/test/eastman/eastman_036.pdf
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[Poetry reading, Buffalo, N.Y., 1987] / Michael Basinski, Peter Siedlecki, Joy Walsh.
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Mrs. William R. Heath, Twentieth Century Club of Buffalo Historian
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Plan, M. F. Stoughton House
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The Small Cowper Madonna
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The Small Cowper Madonna
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[Ansie Baird interview and reading] /
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Julliard String Quartet to perform in Mary Seaton room on Tuesday
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http://library.buffalo.edu/test/eastman/eastman_041.pdf
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Again, typed manuscript, undated
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Sea Love, autograph manuscripts signed, undated
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A Wedding Day, autograph manuscript, undated
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Clipping of The Little Portress with corrections, undated
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The Small Cowper Madonna
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The Small Cowper Madonna
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Holograph list of 11 poems, undated
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The Trees Are Down appearance with correction, undated
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From a Window, typed manuscript, undated
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Julius Eastman, composer/vocalist rehearsing Peter Maxwell Davies' Eight Songs for a Mad King
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Julius Eastman, composer/vocalist rehearsing Peter Maxwell Davies' Eight Songs for a Mad King
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[San Francisco's burning and other songs] / Helen Adam, Robert Duncan.
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Shakespearean revels at the Twentieth Century Club of Buffalo
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[Poetry reading and interview] / Manny Fried [et al.].
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Kościół P. Maryi
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The Changeling, typed manuscript signed, undated
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Dedication page for The Farmer's Bride, autograph manuscript, undated
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George Eliot quotations copied by Charlotte Mew, autograph manuscript, undated
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Moorland Night in The Nation and Athanaeum, January 24, 1925
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Here Lies a Prisoner, typed manuscripts, undated
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Quotations from Richard Jeffries copied by Charlotte Mew, undated
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In the Fields, typed manuscript, undated
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[Colloquy on Robert Burns, March 28, 1957] / Anthony Ostroff, Miriam Ostroff.
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Charlotte Mew's clippings of Requiescat from the Nation, November 11, 1909
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http://digital.lib.buffalo.edu/upimage/LIB-MUS022_36-1977-02.pdf
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I Have Been Through the Gates, typed manuscript and proof with Mew's corrections, undated
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Saturday Market, autograph manuscript signed, undated
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The Cenotaph, typed manuscript, circa 1919
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Spring 1915, autograph manuscript signed, May 23, 1915
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Moorland Night, typed manuscript, undated
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The Cenotaph in The Westminster Gazette (facsimile of 1919 clipping), 1919
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A Quoi Bon Dire?, typed manuscript, undated
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Conductor Harold Rosenbaum rehearsing John Harbison's composition, But Mary stood, with the New York Virtuoso Singers, Calvin Weirsma and Deborah Wong, violin, Lois Martin, viola, Chris Finckel, violoncello, and Jared Egen, bass
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Academicians of the Royal Academy
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Academicians of the Royal Academy
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Page 582-583 of The Nation and The Athanaeum Vol. XXXVI, No. 17 with Mew's Moorland Night, 1925
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The China Bowl: A Play in One Act, autograph manuscript signed, undated
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Sydney Cockerell's clipping of Requiescat from The Nation, November 11, 1909
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Two Comments by Gail Sher (rev).pdf
